Adams, John

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A Breathtaking Biography!
The best one volume biography of John Adams ever written
McCullough rules presidential history
Stellar--history done right!
Outstanding Biography

John Adams
David McCullough
Manufacturer: Simon & Schuster
ProductGroup: Book
Binding: Hardcover

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ASIN: 0684813637
Release Date: 2001-05-22

Amazon.com's Best of 2001

Left to his own devices, John Adams might have lived out his days as a Massachusetts country lawyer, devoted to his family and friends. As it was, events swiftly overtook him, and Adams--who, David McCullough writes, was "not a man of the world" and not fond of politics--came to greatness as the second president of the United States, and one of the most distinguished of a generation of revolutionary leaders. He found reason to dislike sectarian wrangling even more in the aftermath of war, when Federalist and anti-Federalist factions vied bitterly for power, introducing scandal into an administration beset by other difficulties--including pirates on the high seas, conflict with France and England, and all the public controversy attendant in building a nation.

Overshadowed by the lustrous presidents Washington and Jefferson, who bracketed his tenure in office, Adams emerges from McCullough's brilliant biography as a truly heroic figure--not only for his significant role in the American Revolution but also for maintaining his personal integrity in its strife-filled aftermath. McCullough spends much of his narrative examining the troubled friendship between Adams and Jefferson, who had in common a love for books and ideas but differed on almost every other imaginable point. Reading his pages, it is easy to imagine the two as alter egos. (Strangely, both died on the same day, the 50th anniversary of the Declaration of Independence.) But McCullough also considers Adams in his own light, and the portrait that emerges is altogether fascinating. --Gregory McNamee

Book Description

In this powerful, epic biography, David McCullough unfolds the adventurous life-journey of John Adams, the brilliant, fiercely independent, often irascible, always honest Yankee patriot -- "the colossus of independence," as Thomas Jefferson called him -- who spared nothing in his zeal for the American Revolution; who rose to become the second President of the United States and saved the country from blundering into an unnecessary war; who was learned beyond all but a few and regarded by some as "out of his senses"; and whose marriage to the wise and valiant Abigail Adams is one of the moving love stories in American history.

Like his masterly, Pulitzer Prize-winning biography Truman, David McCullough's John Adams has the sweep and vitality of a great novel. It is both a riveting portrait of an abundantly human man and a vivid evocation of his time, much of it drawn from an outstanding collection of Adams family letters and diaries. In particular, the more than one thousand surviving letters between John and Abigail Adams, nearly half of which have never been published, provide extraordinary access to their private lives and make it possible to know John Adams as no other major American of his founding era.

As he has with stunning effect in his previous books, McCullough tells the story from within -- from the point of view of the amazing eighteenth century and of those who, caught up in events, had no sure way of knowing how things would turn out. George Washington, Benjamin Franklin, John Jay, the British spy Edward Bancroft, Madame Lafayette and Jefferson's Paris "interest" Maria Cosway, Alexander Hamilton, James Madison, the scandalmonger James Callender, Sally Hemings, John Marshall, Talleyrand, and Aaron Burr all figure in this panoramic chronicle, as does, importantly, John Quincy Adams, the adored son whom Adams would live to see become President.

Crucial to the story, as it was to history, is the relationship between Adams and Jefferson, born opposites -- one a Massachusetts farmer's son, the other a Virginia aristocrat and slaveholder, one short and stout, the other tall and spare. Adams embraced conflict; Jefferson avoided it. Adams had great humor; Jefferson, very little. But they were alike in their devotion to their country.

At first they were ardent co-revolutionaries, then fellow diplomats and close friends. With the advent of the two political parties, they became archrivals, even enemies, in the intense struggle for the presidency in 1800, perhaps the most vicious election in history. Then, amazingly, they became friends again, and ultimately, incredibly, they died on the same day -- their day of days -- July 4, in the year 1826.

Much about John Adams's life will come as a surprise to many readers. His courageous voyage on the frigate Boston in the winter of 1778 and his later trek over the Pyrenees are exploits that few would have dared and that few readers will ever forget.

It is a life encompassing a huge arc -- Adams lived longer than any president. The story ranges from the Boston Massacre to Philadelphia in 1776 to the Versailles of Louis XVI, from Spain to Amsterdam, from the Court of St. James's, where Adams was the first American to stand before King George III as a representative of the new nation, to the raw, half-finished Capital by the Potomac, where Adams was the first President to occupy the White House.

This is history on a grand scale -- a book about politics and war and social issues, but also about human nature, love, religious faith, virtue, ambition, friendship and betrayal, and the far-reaching consequences of noble ideas. Above all, John Adams is an enthralling, often surprising story of one of the most important and fascinating Americans who ever lived.

Customer Reviews:

A Breathtaking Biography!.......2007-06-27

First and foremost, I am in no way surprised that this book won the Pulitzer Prize - no other work regarding this subject could possibly be more deserving of such an esteemed award. David McCullough covers every single minute detail, so much so that I truly feel acquainted with not only John and Abigail, but their entire extended family and network of friends as well. My admiration for John Adams was high prior to reading McCullough's stunning biography - now not only do I hold him in high regard, but sincerely feel as if I have a personal connection with him. This biography truly is THAT good. As a lover of American history and an avid reader on the topic in general, I have to say that this book completely took my breath away. Getting through the lengthy biography is certainly making a commitment, but it's highly rewarding. McCullough's book is truly the best homage paid to John Adams to date, and that, given the steadfast commitment made by Mr. and Mrs. Adams to their country, is truly saying more than mere words can express.

The best one volume biography of John Adams ever written.......2007-06-19

I doubt that I can add anything new to the praise this book has already deservedly received in the numerous preceding reviews on this site. This book is well researched, well organized, well written, and highly recommended reading for anyone interested in John Adams or the American Revolution.

McCullough rules presidential history.......2007-06-07

This is the second book I read from author John McCullough, being 1776 the first one. I believe McCullough is a master of describing history through one character by not leaving anything to the readers imagination. I just wish, he writes the biography of every U.S. president.

From the U.S. territory of Puerto Rico, I hope you enjoy my short review.

Stellar--history done right!.......2007-06-06

A fascinating, wonderful, and important book about one of the most misunderstood figures in American history. Adams did so much more for this country than I realized--and I'll wager this is true for your average American. The prose is beautiful and reads like a novel and gives great insight into a fascinating, honest, and self-reflective man who was instrumental in the foundation of the U.S. I especially enjoyed the excerpts from his many letters and those of Abigail and was touched by such a marriage of like minds. This work was a monumental achievement for McCullough and I look forward to reading more of his works.

Outstanding Biography.......2007-05-23

I read this book a couple of years ago and find that it is still the standard which I hold all other biographies too. I am in the process of reading a biography of every US president and other important figure in the history of America.

David McCollough has a way of making history come alive and jump off of the page. He is able to make the subject come alive and seem human instead of the marble man.

Effective Group Discussion: Theory and Practice

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good communication book

Effective Group Discussion: Theory and Practice
Gloria J. Galanes , Katherine Adams , and John K. Brilhart
Manufacturer: McGraw-Hill Humanities/Social Sciences/Languages
ProductGroup: Book
Binding: Paperback

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ASIN: 0072843470

Book Description

Written for the small group communication course, Effective Group Discussion combines the most recent research findings relevant to understanding small groups with the practical tools students need to become productive group members. This text's implementation of research and theory in the systems approach framework provide students with a unique understanding of the scholarship in this field. This leading text is about secondary groups of all kinds: work groups, committees, task forces, self-directed work teams, and other small groups whose objectives include finding solutions to problems, producing goods, and creating policies. Gloria Galanes has become the lead author and brings a vast knowledge of computer-mediated group communication and culture that is reflected in this edition.

Customer Reviews:

good communication book.......2006-04-01

I bought this at Amazon.com from an Awesome Deal I found on DailyTool.com. This is a great book on communication theories. Also with the book you will have access to online learning center where you may find the chapter outlines and quizes over there.

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The Greatest Writing in the English Language
A timeless classic of English literature
A God Worthy of Respect, if not Praise
Good Book
Beautiful

Paradise Lost (Penguin Classics)
John Milton , and John Leonard
Manufacturer: Penguin Classics
ProductGroup: Book
Binding: Paperback

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ASIN: 0140424393
Release Date: 2003-04-29

Book Description

Edited with an introduction and notes by John Leonard.

Customer Reviews:

The Greatest Writing in the English Language.......2007-02-03

There's enough already said about why and how Milton wrote this book, so I don't have anything to say about that. It's a story most people will be familiar with, and any surprises will involve the beauty of the language or a random, surprising insight into a character's motivation. In the end, Milton deserves to be called the greatest writer in English because of the pure strength and beauty of each individual sentence.

This is undoubtedly a difficult book to read. I teach a small bit in a sophomore high school English class, and I tell them, "This will be the most complex text you will encounter this year." We have to practice unpacking sentences one at a time and stating them in our own words in order to get their meaning. It's a slow process, and one that most adults will also need to go through.

But it's all worth it! Reading Milton might or might not change your view of God and man, but absorbing him will change your love of language. The words are vivid and powerful and beg to be read aloud. If you like your poetry Great in the sense of sounding larger than life and tackling humanity's major questions, Milton is it. (And, in my opinion, he even takes out other wonderful poets that I also love, including Dante, Virgil, Homer, and Shakespeare).

A timeless classic of English literature.......2006-10-13

Justly placed at the head of the canon of Western literature behind Shakespeare and Dante by Harold Bloom, Milton stands as a towering creative genius in English literature and epic poetry.

Milton conceived of his vast epic as a way to justify the 'ways of God to man.' Strangely, the character of Satan is absolutely central to this epic more so even than Adam and the rest of humanity, and often one can't help comparing Satan and his journeys and battles against misfortune as akin to those of other great literary heroes, such as Prometheus, Odysseus or Aeneas. I feel in a way the message of Milton is more than just good Protestant Christian apologetics; if you read his passionate and brilliant defense of freedom of the press and of thought in works like Aeropagitica, I am sure Milton in a way showed the power of free choice and what heights it allows any being to soar to, even those who are damned. I always get a sense from reading Milton a great trust in the human spirit and an expectation to rise against tyranny.

While ultimately I feel Milton does not really justify the 'ways of God to man' in an intellectually satisfying way, and his vision lacks the brilliant unity of that of Dante, Milton is certainly a poet and genius of first order and probably the greatest writer in English after Shakespeare. His poetry contains great depth and beauty, not just the Paradise Epics but many other poems as well, and his learning and erudition are immense.

In Milton there is a great confidence in human reason and in the individual to prevail in the face of disaster and hardship. One can't help but admire Satan's stubborness and determination in the face of so much which goes against him, and his incredible efforts to achieve his goals. If you ever wanted an example of 'self-help' look no further than the devil in Milton; despite the most hopeless situations he never gives up. Perhaps conciously or unconciously Milton embodies in Satan and also in Samson our own present confidence in our creative abilities and our determination and intelligence to overcome any obstacles in our way, and perhaps in a world as turbulent as ours, that isn't such a bad hope to have after all.

A God Worthy of Respect, if not Praise.......2006-08-29

Sufficiency is fluid. There is nothing that in Paradise Lost that can be described as simple. But sufficiency in the eyes of God, Adam and the various obedient angels consists of doing God's will and using the gift of free will given to all his sentient creatures to extol his greatness. Before the falls, both of the rebel angels and of Adam and Eve, the relation between God and his creations is almost always one to one and direct. God makes his creatures sufficient to withstand any and all evil, but by investing all with free will gives them the choice of whether or not to embrace the evil. Suffiency lies within all sentient creatures to do God's will, but one can only be proved sufficient by doing God's will. In short, to be sufficient in God's eyes is to do his will--no matter what!

That suffiency is fluid is vaguely clear through out the poem. There is never one definition of perfectly righteous or good behavior. Satan and the rebel angels needed only to accept Messiah as God and King; Adam and Eve needed only not eat of the tree of knowledge; Michael, Gabriel, and company had to take part in that farce of fight for heaven; Enoch, Noah, Moses and Jesus showed their suffiency by standing up for God against humanly impossible odds. The lists of lesser examples in the poem are too numerous to recite and keep this essay readable, but it is more than reasonable to conclude that depending on the situation anything from indifferent obedience to militant martyrdom will be sufficient. But, constant obedience is always the rule.

The same rule of suffiency should be applied to Paradise in a slightly modified form. God is the greatest of planners because he knows all. Knowing all, he makes plans for every consequence of every action. Had Adam and Eve resisted Satan in the garden, then it would have proved sufficient for two beings who did not know good or evil. That would have proved enough of a mockery to the aims of Satan, but after the fall God ordains it necessary to show that everything Satan ever does to mankind is utterly futile and leads only to more punishment and increase of pain. The fact that he will make the supreme greatness of mankind come from evil means shows his power to be without end, and Satan's unwillingness to accept this is what will ultimately destroy him and his host of rebels at history's conclusion.

The entire question of suffiency of all virtues is the meditation of Milton from the poem's beginning to the close. What is constantly necessary to remember in this poem is the distinction between virtue, or power, and true virtue, power used to celebrate and defend good. Milton uses this distinction to turn epic virtues on their head by investing Satan with so many of them. Satan is fearless, uncompromisingly defiant, willing to fight by whatever means are provided to him and he is inspiring. We can see shades of Aeneas, Odysseus, Scaevola, the Earl of Kent from King Lear, and numerous other literary and historical figures that seethed with defiance and did everything in their power to defy and defy and defy. What all characters put forth have in common though is that they used their powers in defense of people, home, freedom, and friendship. Satan uses the power still invested in him, his "courage never to submit or yield" to try to destroy, not create. Comically, he even seems to realize that he can, at best, be a mild irritant to God this way:

...If then his Providence
Out of our evil seek to bring forth good,
Our labour must be to pervert that end,
And out of good still find means of evil,
Which oft-times may succeed, so as perhaps
Shall grieve him, if I fail not, and disturb
His inmost counsels from their destined aim. (I, 162-68)

This is power so completely abused that it barely requires further explication. Suffice it to say though, this is the same valor that we find in Adam when we are introduced to him for the first time in book IV, and that he disdains using in book IX when he chooses to follow Eve's lead by eating the forbidden fruit. Where the true virtue of the obedient angels and the classical epic heroes lies in their motivation for undertaking feats of violence, Satan's hatefulness, which grows as he further resists God, lies in the fact that he uses all his powers and intellect in the service of conquest, destruction, and wickedness. As becomes clear by the poem's end, when Michael shows Adam the tyranny of Nimrod, valor when in the service of wickedness is not a true virtue. True virtue and greatness can only come through God's favor.

Here it seems appropriate to move from suffiency in beings and their actions to the suffiency of Paradise. As Raphael points out in book VII, creation of the world and mankind took place in order show Satan and the rebel angels their superflousness by filling what they could have defined as a void when they were banished from Heaven. God loves all his creatures for the obedience and love they show him. But part of the nature of being omnipotent is that nothing is inexpendible and no thing is outside of his purview. Existence itself is by God's sufferance and for any permanence of good to come of a beings existence this must be accepted as indisputable. Milton's Satan would not be Milton's Satan if he accepted this necessity. He even had a chance to accept it in book II had he advised the Stygian council to accept the advice of Mammon--one who hates God as much as Satan:

...Let us not then pursue
By force impossible, by leave obtained
Unacceptable, though in Heav'n, our state
Of splendid vassalage, but rather seek
Our own good from ourselves, and from our own
Live to ourselves, though in this vast recess,
Free, and to none accountable, preferring
Hard liberty before the easy yoke
Of servile pomp. Our greatness will appear
Then most conspicuous, when great things of small,
Useful of hurtful, prosperous of adverse,
We can create, and in what place soe'er
Thrive under evil, and work ease out of pain
Through labour and endurance. (II, 249-262)

God's wrath is infinite when provoked, and expulsion from Heaven is the punishment for attempting to conquer Heaven. There is no reason to believe that his ire would have been raised had the rebel angels simply accepted their punishment, because the punishment and the concomitant agony that the disobedient angels suffer would have been sufficient. The further disobedience of Satan is what makes more punishment necessary, hence the periodic metamorphosis into serpents the rebels undergo after Satan's return from Earth. Again, suffiency of actions by God becomes defined solely by decisions made by his creations. By seducing Adam and Eve, Satan showed God that banishment was not sufficient to quell his pride. Also, Adam and Eve showed themselves insufficiently obedient to deserve Paradise. It became necessary for God to alter all of their conditions in order to punish Satan accordingly, further dash his pride. For Adam and Eve the punishment was death and the misery of history. They proved insufficient of Paradise, nothing in Paradise itself was imperfect, insufficient, let alone deficient, accept for them after the fall.

God is the creator of infinite possibility in all his sentient creatures. He should not be viewed as the writer of a book with a singular vision who preordains events to make a specific conclusion. That would be fate or destiny and God did not impose these upon human existence. God has total foreknowledge of all events, but he explains to Messiah that this is irrelevant because free will gives all his creations choice. They would be worthless otherwise because,

Not free, what proof could they have giv'n sincere
Of true allegiance, constant faith or love,
Where only what they needs must do, appeared,
Not what they would? What praise could they receive?
What pleasures I from such obedience paid,
When will and reason (reason also is choice)
Useless and vain, of freedom both despoiled,
Made passive both, had served necessity,
Not me. (III, 103-111)

There needs to be the constant possibility of evil arising for good to mean anything. Good is totally impotent without the contrast of evil, in fact it arguably can not exist without it. Automaton praise would not be real praise of God.

When discussion of the suffiency of Paradise comes up in any definition of suffiency we enter into very dangerous territory. Adam and Eve voice no complaints about Paradise; they do not imagine the possibility of being happier than they are prior to their fall. Disobedience to God remains a constant possibility because of the absolute existence of free will. The universe that Milton has created is one where the actions of individuals is never foreordained and one in which absolute obedience to God is the only path through which any good can ever u come to the individual. There is also never an instance where what God asks is even in modest proportion compared to what he gives. At the same time though, Milton makes absolutely clear that obedience to God does not protect either his dutiful from horrors. One need only remember the nightmare of Eve at the beginning of Book V, or the awful description by Raphael of the hollowing that he hears coming from Hell when he is dispatched there during creation. But God never exposes his creations to truly painful tests of their loyalty, not by any standard that fallen humankind. Paradise is perfectly sufficient for Adam and Eve in the state they are in just prior to their fall. Neither one truly aspires towards bettering themselves in a way that would increase their happiness and still maintain their total obedience to God. They proved insufficient to remain in Paradise, but Paradise may have proved insufficient for the beings they were to become had they not fallen.

Raphael conjectures when he meets Adam and Eve in Book V, that mankind may one day transubstantiate into a more spiritual being that will be able to cross the boundary between Paradise and Heaven.(493-503) He is not given any information by God save the fact that Satan is hanging around Paradise, so it is purely conjecture to assume that this is possibility. The same is also true of the conjectures that Michael makes about the once possible future of unfallen mankind in Book XI; the progeny of mankind would spread out of Paradise and into the world at large. Eden would have proved not large enough to hold all of mankind. I do not believe though that this is a reflection upon quality of Eden, but one upon its physical size. There is also no reason to believe that the progeny of Adam and Eve would have been just like them. They may very well have been designed to exist in a state closer to our own. Milton's God is the definition of infinite variety and it is impossible to quantify what he would have done if...

Ultimately in Paradise Lost questions of suffiency are nearly moot. Milton's initial purpose in the poem "to justify the ways of God to man," shows this better than anything else. God asks so little, but the stakes are so high for the fate of mankind that it becomes horrible to see just what happens. Since God is infinitely complicated just as he is infinitely powerful. It seems to me that Milton came to the conclusion that God could not be justified, let alone by human standards. God gives all and asks nearly nothing. When he is disobeyed, no one of his creations has the right to question the actions he takes. Through his ability to show just how simple the arrangement with God initially was, he shows how futile it is to try to justify anything he does prior to the fall.

Good Book.......2006-07-13

I ordered it. It said it would come in 1-2 weeks, but came in 2 days. Amazing.

Beautiful.......2006-05-06

I didn't like it too well the first time I read this for a Milton class I took in school. But after reading it and exploring it a second time, I discovered that I am in love with it. The margins of my copy are so full you can barely read any of the actual poem. I am currently reading "Paradise Regained," which is also brilliant.

Sierra Nevada: The John Muir Trail Deluxe Edition

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Sierra Nevada: The John Muir Trail Deluxe Edition
Ansel Adams
Manufacturer: Little Brown
ProductGroup: Book
Binding: Hardcover

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ASIN: 0821257269

Product Description

Modern version of Adams ' 1938 masterpiece. The original was recognized as the highest quality fine art book at the time. The 2006 version is similar, with exception design, paper, printing, and binding. The images are printed on a light, silk finish paper using a stochastic printing process, which means there is no printing grain or dot structure, giving each print a continuous tone. They are then tipped' in, glued along the top edge to the page. * Limited quantities available Edition of 500 numbered copies plus 26 lettered copies. * 224 pages; 50 photographs; 8+ lbs * This 13 x 17 book is cloth bound and comes in a linen slipcase * The paper is mouldmade cotton fiber paper, a high quality heavier stock with a slightly toothy feel, letterpress printed with hand set type * Published by Little, Brown & Company

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Gave it as a gift
Nice Reproductions
A fantastic Collection
An exquisite collection!
Great Images Reproduced in Tiny Sizes Spoil The Effects

Ansel Adams: Classic Images
Ansel Adams , James Alinder , and John Szarkowski
Manufacturer: Bulfinch
ProductGroup: Book
Binding: Hardcover

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America's Wilderness: The Photographs of Ansel Adams
Examples: The Making of 40 Photographs
Yosemite and the High Sierra
Yosemite
The Portfolios of Ansel Adams

ASIN: 0821216295

Book Description

Introduction by John Szarkowski Essay by James Alinder

In the last years of his life Ansel Adams selected the seventy-five images that he believed represented the finest examples of the quality and breadth of his artistic legacy. Those images he designated for exhibition throughout the country as "The Museum Set" and published in this essential volume:Classic Images.

Classic Images includes many of Adams' most famous and best-loved photographs and encompasses the full scope of his work: elegant details of nature, architectural studies, portraits, and the breathtaking landscapes for which he is revered. The latter range from his beloved Yosemite to the Pacific Coast, the Southwest, Alaska, Hawaii, and the Northwest. The portfolio is preceded by an eloquent introduction by John Szarkowski, former Director of the Department of Photography at New York's Museum of Modern Art. An authoritative biographical essay - and a detailed chronology - by James Alinder further establish Classic Images as required reading for a full understanding of Adams' development as a pre-eminent American artist.

Customer Reviews:

Gave it as a gift.......2005-08-17

I gave it as a gift to a friend of mine who loves nature photography. He loved it.

Nice Reproductions.......2004-06-17

Ansel Adams: Classic Images

This book provides high quality representations of Ansel Adams' photography in examples of 75 of his best images. The text, written by James Alinder along with a preface by John Szarkowski, portrays the story of Adams' life and his philosophy regarding art and existence. The text starts the reader off at his birth and takes you through Adams' childhood and the decisions he makes as he searches for an outlet for his creativity and a strong career path. Having also been a professional pianist, Adams' later discovers his passion for photography and nature, and spends the rest of his life a successful artist and activist.
This book takes you through major events in his life and references prints in the book to give visual examples of his ever-evolving photographic style. I would definitely recommend this book, if not as a successful biography, but as a stage for some beautiful, high quality reproductions of Adams' work.

A fantastic Collection.......2002-03-16

This collection can be seen at the Center for Creative Photography in Tucson, Arizona, through July 7, 2002. This book is the catalogue of the exibition! If you like the book you should see the originals! They will blow you away.

An exquisite collection!.......2001-03-18

This is a wonderful book filled with breathtaking photographs taken by the late and well-respected Ansel Adams. Each of the photographs contained is a unique masterpiece with a life of its own. Looking at these splendid photographs, one feels drawn right in to the specific location and year. Some of my favorites include, "The Golden Gate Before the Bridge" (1932), "Barn, Cape Cod, Massachusetts" (ca. 1937), "Clearing Storm, Sonoma County Hills, California" (1951) and "Canyon de Chelly National Monument, Arizona" (1942). This book will definitely hold your attention and keep you captivated if not mesmerized. With so many minute and beautiful details in these photographs, it's easy to see why Ansel Adams was one of the most respected and popular photographers of our time. He didn't just take a picture; he ceased moments in time and captured the beauty of the subjects being photographed. This is an excellent book that will make a fine addition to any library. This book would make a great gift for photographers and art connoisseurs alike!

Great Images Reproduced in Tiny Sizes Spoil The Effects.......2000-11-13

Ansel Adams was very concerned that his work always be reproduced in a high quality way. I fear that he gave too much attention to fidelity of reproduction, and not enough to size of image in the reproduction. This otherwise valuable book is seriously marred by the designer having chosen page and print sizes much too small for Adams' work. I suggest you avoid this book.

I would like to compliment James Alinder on an outstanding biographical essay concerning Adams' life and photographic techniques. This essay will add useful knowledge to anyone who wants to better understand Adams' work and life, and their effects on us all. I would also like to compliment the selection of the images. These are clearly among Adams' best work.

Adams' technique used the very stark light of dawn and dusk to create vivid detail that echoed across the image from figure to figure. The result was to help the eye capture the connectedness of nature, the oneness of creation. So when the details become too small, it is like rubbing out whole chapters in a book. I was very disappointed in the publishing decision for this book's page size. In fact, only one of my favorite images still held most of its power for me in these large postcard sizes, Moon with Half Dome, Yosemite, 1960.

Without Mr. Alinder's essay, I would have graded this book as a two star effort.

Some of the lesser works which have less fine detail still show well. Here were my favorites of this small-sized collection:

Self-Portrait, Monument Valley, Utah, 1958

Monlith, The Face of Half Dome, Yosemite, 1927

Winnowing Grain, Taos Pueblo, New Mexico, 1928

Rock and Grass, Moraine Lake, Sequoia National Park, 1982

Georgia O'Keefe and Orville Cox, Canyon de Chelly National Monument, 1937

Mormon Temple, Manti, Utah, 1948

Moonrise, Hernandez, New Mexico 1941

White House Ruin, Canyon de Chelly National Monument, 1942

Monument Valley, 1958

Cypress and Fog, Pebble Beach, California, 1967

Sand Dunes, Oceano, California, 1950

If you are like me and love Ansel Adams' work, I suggest you look into Ansel Adams, The American Wilderness, which does feature large enough reproductions.

Sometimes we learn more from mistakes than from successes. Where are your efforts being undertaken on too small a scale to be fully effective? What can you do to change that?

Enjoy the beauty of nature in its full scale brilliance (outdoors and in larger-sized photographic books)!

The Deeper Meaning of Liff: A Dictionary of Things There Aren't Any Words for Yet--But There Ought to Be
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Big fan of Adams, but this book ...

glorious

Short Quck Laughs

Not what I was expecting.

Hilarious fun for an Anglophile

The Deeper Meaning of Liff: A Dictionary of Things There Aren't Any Words for Yet--But There Ought to Be
Douglas Adams , and John Lloyd
Manufacturer: Three Rivers Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0307236013
Release Date: 2005-04-19

Book Description

Does the sensation of Tingrith(1) make you yelp? Do you bend sympathetically when you see someone Ahenny(2)? Can you deal with a Naugatuck(3) without causing a Toronto(4)? Will you suffer from Kettering(5) this summer?

Probably. You are almost certainly familiar with all these experiences but just didn’t know that there are words for them. Well, in fact, there aren’t—or rather there weren’t, until Douglas Adams and John Lloyd decided to plug these egregious linguistic lacunae(6). They quickly realized that just as there are an awful lot of experiences that no one has a name for, so there are an awful lot of names for places you will never need to go to. What a waste. As responsible citizens of a small and crowded world, we must all learn the virtues of recycling(7) and put old, worn-out but still serviceable names to exciting, vibrant, new uses. This is the book that does that for you: The Deeper Meaning of Liff—a whole new solution to the problem of Great Wakering(8)

1—The feeling of aluminum foil against your fillings.

2—The way people stand when examining other people’s bookshelves.

3—A plastic packet containing shampoo, mustard, etc., which is impossible to open except by biting off
the corners.

4—Generic term for anything that comes out in a gush, despite all your efforts to let it out carefully, e.g., flour into a white sauce, ketchup onto fish, a dog into the yard, and another naughty meaning that we can’t put on the cover.

5—The marks left on your bottom and thighs after you’ve been sitting sunbathing in a wicker chair.

6—God knows what this means

7—For instance, some of this book was first published in Britain twenty-six years ago.

8—Look it up yourself.

Customer Reviews:

Big fan of Adams, but this book ..........2007-07-08

I am a big fan of Dougles Adams books, at least in general.

But this book is, at best, only marginally funny. Others have explored this topic, and with better results.

The problem here is that Adams tries to make funny sounding words for things that don't have a name (like that little twist between link sausages), but constrains himself to using the names of small cities and towns from around the world. Occasionally, he hits a home run, but most of the words are strike outs.

Disapointed.

PS the 'name' for hte link between sausages is kerry. Why, I don't know, and I have no idea why some think this is humorous.

glorious.......2007-01-16

This book was superb, anyone who is a fan of Adams will appreciate it's wit, it's ingenuity, and it's intense sarcasm. Absolutely necessary to complete you Douglas Adams collection.

Short Quck Laughs.......2006-08-26

In a hurry stressed out... just read a couple quick definitions it will lighten your mood it does mine

Not what I was expecting........2005-08-24

This book is set up as a dictionary. If you enjoy reading dictionaries, then please purchase this book. The humor was lost on me because of the format.

Hilarious fun for an Anglophile.......2002-05-17

As said previously, this book (and the sibling) are hilarious fun for anglophiles and wordsmiths alike...

Paradise Lost (Norton Critical Editions)

Average customer rating:

an Invaluable text
Great edition, except. . .
Justifying Milton's Ways
Best I've seen
Paradise Lost

Paradise Lost (Norton Critical Editions)
John Milton , and Gordon Teskey
Manufacturer: W. W. Norton & Company
ProductGroup: Book
Binding: Paperback

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ASIN: 0393924289

Book Description

This Norton Critical Edition is designed to make Paradise Lost accessible for student readers, providing invaluable contextual and biographical information and the tools students need to think critically about this landmark epic. Gordon Teskey's freshly edited text of Milton's masterpiece is accompanied by a new introduction and substantial explanatory annotations. Spelling and punctuation have been modernized, the latter, importantly, within the limits imposed by Milton's syntax.

"Sources and Backgrounds" collects relevant passages from the Bible and Milton's prose writings, including selections from The Reason of Church Government and the full text of Areopagitica.

"Criticism" brings together classic interpretations by Andrew Marvell, John Dryden, Victor Hugo, and T. S. Eliot, among others, and the most important recent criticism and scholarship surrounding the epic, including essays by Northrop Frye, Barbara Lewalski, Christopher Ricks, and Helen Vendler.

A Glossary and Selected Bibliography are also included.

About the Series: No other series of classic texts equals the caliber of the Norton Critical Editions. Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.

Customer Reviews:

an Invaluable text.......2007-03-27

I ordered this text to help write a paper, and it has ended up serving as my primary text for my research. The text is at least as good as any of the other editions I have looked at, the footnotes are top-notch, and the critical articles are some of the siminal works. My only gripe is that there are no visual markers in the text for the footnotes, they are simply at the bottom of the page, signified by line number. Because of this, I sometimes don't realize that there are footnotes on a particular line, but this is a minor problem.

Great edition, except. . . .......2007-03-20

I love Norton Critical Editions. Or I try to. Gordon Teskey's new edition of Paradise Lost is for the most part worthy of the praise it has received in other reviews on this site. However, it has one unpardonable flaw, which is the editor's tampering with Milton's poetic line. Teskey and the Norton editors have for some reason decided to make it "easy to read" by adding parentheses to complex syntactical passages that Milton wrote on purpose to be. . . I dunno. . . hard? This move to simplify the syntax alters not only the experience of the poem but, worse, its meaning. Take for example these famous lines of Satan's from Book I, the first words spoken in Hell:

If thou beest he but O how fall'n! how changed
From him who in the happy realms of light
Clothed with transcendent brightness didst outshine
Myriads, thought bright! if he whom mutual league,
United thoughts and counsels, equal hope. . .

The meaning of the lines is confusing because Satan himself is confused, and now speaking for the first time a fallen language. The "he" from line one gets dropped until line four, when Satan remembers what he's talking about after wandering through a few memories of his life before the fall. The reader is supposed to feel the confusion and torment of this run-on sentence. But Teskey uses parentheses to clean up the very mess Milton wanted Satan to make of the sentence:

If thou beest he (but O how fallen! how changed
From him who in the happy realms of light
Clothed with transcendent brightness didst outshine
Myriads, though bright) if he whom. . .

This effectively dumbs down the poem and drastically changes it. And there is way too much of it in this edition. It is common enough to modernize spelling and syntax in editions of early modern poetry, but this is a bit too much. Readers don't buy this book because they want an easy read; most readers, even students, don't mind if it is a little hard and confusing in parts. Mostly, I bet they want to see what Milton and not his editors wrote.

Justifying Milton's Ways.......2006-09-23

I am always glad for an occasion to tread "with wand'ring steps and slow" through the lines of "Paradise Lost" yet once more. When I found out that Gordon Teskey, to my mind the great poet's strongest reader in many years, had edited a new Norton Critical Edition, I knew it was time to travel the path again. As his predecessor Scott Elledge did for a previous generation, Professor Teskey has created an edition and charted a reading experience of enormous richness for contemporary students and general readers alike, and forged a tool of unique value for teachers at all levels. The text is well edited, as it must be, with helpful but judicious modernization of some spelling. The footnotes are measured, thorough but never gratuitously scholastic, to serve the process of active reading. This is not an easy poem and no editor can change that, but one travels through it faster, though steady at speed, with Professor Teskey at one's side. The critical apparatus is also strikingly well done, with modern essays usefully divided by topics, such as 'On Satan' and 'On Feminism', in a manner that will serve all audiences well. Along with retaining essays by past titans of Milton criticism, from Marvell to T.S. Eliot, as well as much of the canonical modern criticism present in earlier Norton editions, this volume includes some of the best critical voices of the last twenty years, among them William Flesch, Regina Schwartz, Archie Burnett, Julia Walker and Mary Ann Radzinowicz. But these new contributions have been chosen, it seems to me, with a very judicious focus on their own lasting canonical value, rather than merely on their more recent dates of publication. Whether out of deference or editorial privilege, Professor Teskey saves the last word for himself in a short selection from an essay that has since become a chapter in his new book, "Delirious Milton" (Harvard, 2006), in which he charts a history of philosophical modernity through an inspired analysis of Milton's view of creation, divine and human. Whether you are coming to "Paradise Lost" for the first or the twentieth time, make this edition your primary text and make Professor Teskey's new study the next book you read. If you do, you'll experience a very fortunate fall followed by a delirium of the happiest sort.

Best I've seen.......2006-03-15

Nice edition of this work. Has good footnotes, and contains much besides the poem itself, including information on Milton's life, and a section on sources that Milton used, and "classic" and modern criticism of the work.

Paradise Lost.......2006-02-28

Great delivery service. Package was wrapped securley and shipped with no damage. Excellent read. Thank you

X-Men: The Complete Age of Apocalypse Epic, Book 4

Average customer rating:

Great
Excellent novel

X-Men: The Complete Age of Apocalypse Epic, Book 4
Scott Lobdell , Warren Ellis , Jeph Loeb , John Francis Moore , Fabian Nicieza , Larry Hama , Terry Kavanagh , Mark Waid , Judd Winnick , Chris Bachalo , Ken Lashley , Steve Skroce , Steve Epting , Terry Dodson , Salvador Larroca , Andy Kubert , Adam Kubert , Carlos Pacheco , Roger Cruz , and Trevor McCarthy
Manufacturer: Marvel Comics
ProductGroup: Book
Binding: Paperback

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House of M (X-Men, New Avengers)

ASIN: 0785120521

Book Description

Learn who lives and who dies in either reality as the apocalyptic arc ends in treachery and tragedy! While certain heroic humans prove their mettle without armor or magic hammers, it's a race to see who the X-Men will destroy first: Apocalypse or themselves! But even with the crisis concluded, new allies and enemies emerge, guaranteeing that reality will still never be the same! Featuring the dawn of Gene Nation and a turning point for the Legacy Virus! Collects Generation Next #4, X-Calibre #4, X-Man #4 & #53-54, Factor X #4, Gambit And The X-Ternals #4, Amazing X-Men #4, Weapon X #4, X-Universe #2, X-Men: Omega, Blink #4 and X-Men: Prime

Customer Reviews:

Great.......2007-04-07

What can I say? I'm a big fan of alternative realities in the Marvel universe...

Excellent novel.......2007-02-24

This novel does an excellent job finishing up the story. It gives all of the finishing details needed to find out how it all ends.

X-Men: The Complete Age of Apocalypse Epic, Book 3

Average customer rating:

A Fitting End to the Age of Apocalypse
Age of Apocalypse

X-Men: The Complete Age of Apocalypse Epic, Book 3
Warren Ellis , Scott Lobdell , Jeph Loeb , John Francis Moore , Fabian Nicieza , Larry Hama , Terry Kavanagh , Roger Cruz , Renato Arlem , Joe Madureira , Chris Bachalo , Steve Skroce , Steve Epting , Terry Dodson , Andy Kubert , Ken Lashley , Adam Kubert , and Carlos Pacheco
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ASIN: 0785120513

Book Description

The mirror gets darker and the Amazing X-Men more Astonished by the minute as the Age of Apocalypse hits its third quarter! Magneto has dedicated his life to freeing humanity and mutantkind alike, but will Apocalypse now require him to destroy reality to save it! Sides are switched and secrets shown with repercussions ringing from the Savage Land to the Shi-ar Galaxy! Plus: a rare look at how Apocalypse altered the rest of Marvel's mightiest! Doctor Doom and Reed Richards, side-by-side? Matt Murdock and the Kingpin, allies? Gwen Stacy in mourning for Peter Parker? Avengers, Exiles, etc. in the original alternate X-saga! Collects X-Calibre #2-3, Astonishing X-Men Vol. 1 #2-4, Generation Next #2-3, X-Man #2-3, Factor X #3, Amazing X-Men #3, Gambit & The Externals #3, and X-Universe #1.

Customer Reviews:

A Fitting End to the Age of Apocalypse.......2007-05-13

Caps the end of a truly interesting time in Marvel's history. The reimagining of various X-Men characters, coupled with an updated history of many other Marvel icons, bring this memorable series to a close. This issue continues with much of the high drama from earlier issues and leads to many satisifying conclusions along with quite a number of tragic ones. A truly great read!

Age of Apocalypse .......2006-09-02

The complete Age of Apocalypse book 3 collects the real meat of the story. Magneto and his X-Men have all gone their separate ways and now we begin to see each of their individual stories, Nightcrawler's journey to the savage land, Gambit's to the Shi'ar galaxy, Rogue and the Astonishing X-Men head to stop the cullings, ect.

We start to get some of the background of some of the new characters in this volume, such as Sunfire's past. We also get to see where the rest of Marvel's heroes have been in X-Universe.

Age of Apocalypse was one of Marvel's most successful story arcs and in this volume we can see why. It includes some of marvel's top artist today, Adam Kubert (Ultimate X-Men), Chris Bachalo (X-Men), Joe Madureira (Ultimates 3), and Salvador Larroca (The New Universe) as well as some of the top writers Warren Ellis (Ultimate Galactus), Jeph Loeb (Ultimates 3,4), and Fabian Nicieza (Cable and Deadpool). If you've already checked out volume 2 your for sure going to want to have a look at this volume as well and no true marvel fan should go without them.

X-Men: The Complete Age of Apocalypse Epic, Book 2

Average customer rating:

Il più drammatico "What if...?" degli Uomini X
Great Job
A classic storyline marred by shoddy printing
Much better than the first volume
This should have been the first volume. Brilliant!

X-Men: The Complete Age of Apocalypse Epic, Book 2
Fabian Nicieza , John Francis Moore , Scott Lobdell , Jeph Loeb , Larry Hama , Chris Bachalo , Warren Ellis , Tony Daniel , Salvador Larroca , Steve Epting , Terry Dodson , Roger Cruz , Andy Kubert , Adam Kubert , Mark Buckingham , Ken Lashley , Renato Arlem , Ian Churchill , Val Semeiks , and Tom Lyle
Manufacturer: Marvel Comics
ProductGroup: Book
Binding: Paperback