Editorial Reviews
Amazon.com
An excellent slide guitarist with a confident, veloce curviness that varies high, lonesome country with moaning country blues, Whitley unraveled his early commercial potential one album at a time. He deserves our admiration for following up his mostly acoustic debut, Living with the Law, with a pair of white-noise albums loud enough to make Sonic Youth wear earplugs. But he also lost his lucrative contract with Sony. "Dirt Floor," with a barren, desperate quality and iterative images of running (especially on the intense "Ballpeen Hammer" and the love-and-loss ballad "Loco Girl") has the same airy, blues feeling of his superb early singles. --Steve Knopper
People
Dirt Floor is as musically raw and basic as the title implies. With nine of Whitley's unadorned country blues and ballads ... Whitley has tapped into some deep emotional reserves; in his voice and in his guitar playing are ghostly echoes both of black southern blues and ancient Celtic hill music.
Dirt Floor,Chris Whitley,Messenger Records,Americana,Pop,Popular Music,Rock,Rock/Pop
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