Millay at Steepletop

Starring:Norma Millay, Edna St. Vincent Millay
Director: Kevin Brownlow
Studio: Image Entertainment
Product Type: DVD

Editorial Review:
Description
This loving tribute to the great American poet, Edna St. Vincent Millay, combines images of the natural beauty of the poet's upstate New York home, readings from her most famous poems, interviews with sister Norma Millay Ellis, and exclusive archival footage. Capturing the brilliance and passion of Millay's life and art, this in-depth celebration honors the first woman ever to win the Pulitzer Prize for poetry. The subject of the best-selling biography Savage Beauty by Nancy Milford, Millay was the feminine ideal of the jazz age: beautiful, vivactious, sexually liberated and supremely talented. Director Kevin Brownlow (Winstanley, The Tramp and the Dictator) creates a moving tribute to the woman whose quatrain became the joyful hymn of her generation: "My candle burns at both ends; It will not last the night; But ah, my foes, and oh, my friends -- It gives a lovely light!"

Millay at Steepletop
Average customer rating:

Nice tribute to Vincent

She Didn't Last the Night, But Gave A Lovely Light

edna

A Celebration of Millay

Millay at Steepletop
Starring: Norma Millay , and Edna St. Vincent Millay
Director: Kevin Brownlow
Manufacturer: Image Entertainment
ProductGroup: DVD
Binding: DVD

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ASIN: B00008H2GY
Release Date: 2003-04-08

Description

This loving tribute to the great American poet, Edna St. Vincent Millay, combines images of the natural beauty of the poet's upstate New York home, readings from her most famous poems, interviews with sister Norma Millay Ellis, and exclusive archival footage. Capturing the brilliance and passion of Millay's life and art, this in-depth celebration honors the first woman ever to win the Pulitzer Prize for poetry. The subject of the best-selling biography Savage Beauty by Nancy Milford, Millay was the feminine ideal of the jazz age: beautiful, vivactious, sexually liberated and supremely talented. Director Kevin Brownlow (Winstanley, The Tramp and the Dictator) creates a moving tribute to the woman whose quatrain became the joyful hymn of her generation: "My candle burns at both ends; It will not last the night; But ah, my foes, and oh, my friends -- It gives a lovely light!"

Customer Reviews:

Nice tribute to Vincent.......2007-02-07

This is a late 1960s film on the first woman poet to win a Pulitzer Prize, Edna St. Vincent Millay. It's good in that it not only gives some biographical background, but also emphasizes her work (something not all biographical documentaries will always do, which can be frustrating when one is discussing an author). The main interviewee is Vincent's sister out at Steeplechase. I certainly recommend. The additional feature, a 1962 black and white documentary on the last tram in Edinburgh, is also delightful.

She Didn't Last the Night, But Gave A Lovely Light.......2007-01-17

Edna St. Vincent Millay, usually "Vincent" to her friends, has been out of fashion for some time now, including during her own last years, critically dismissed by far lesser lights than herself as a mere lyric poet, when both her health and her career were on the wane. She deserves to be rediscovered, and doubtless one day will be, on the sheer strength of her gift and craft if nothing else. For now, however, she just doesn't fit the times, nor our attenuated expectations, being, so to speak, too much smarter than us today, a bit too rich for our blood. What to make of a voice that could truly speak, in an age which, today, has forgotten how to do that, and everywhere merely talks? An age which will not easily forgive Vincent for having been a much-beloved "girl poet" who wrote and published wonderfully accessible best-selling verses in the spotlight of popular acclaim, who wasn't demon-tormented or sicko-confessional or ideological or psychotic, who spent her whole career happily married to the same perfect (for her, at least) husband, and never whined, never martyred herself in any way, nor even committed suicide.

Ths film is short, 37 minutes, narrated by actress Sloane Shelton and shot by film historian Kevin Brownlow, who includes another of his short films on the same DVD as a bonus. It was shot in 1968, at Steepletop, the Hudson River farm and exurbanite country home of Vincent and her Dutch husband Eugen, where they lived and held bohemian-artist court from 1920 until his death in 1949 and hers a year later at a too-young age of 58, which was still full at filming time of their memorabilia. At that time, Vincent's actress sister Norma and Norma's artist husband Charlie were in residence, until Norma's death in 1986, after which, the family having left no descendency, Steepletop became an artists' colony. The filming style is documentary-casual, no doubt just as Vincent might have wished it. Wonder of wonders, two reels of home movies, in color, were discovered in a shed during the filming, and the footage is included, as the only known motion picture footage of Edna St. Vincent Millay. Also included are some poetry reading overdubs by the poetess herself, perhaps from her enormously popular thirties radio show.

The "girl poet," as she was called, was in her too-short life a wonderfully vivacious character, spiritually vulnerable, deep, courageous and outrageous, brilliantly gifted with words and music, liberated, psychically tough and sane, the poet of the Lost Generation Jazz Age, celebrated, scandalized, tabloidized and adored in her own time like a sixties rock star. She toured, globe-trotted, partied hearty, drank, writing brilliantly the while for decades, drawing her creative energies from passionate affairs with a bewildering succession of lovers, male and female, all under the lovingly indulgent eye of her amazingly complaisant, dog-loyal husband Eugen, who somehow knew and understood how Vincent worked and loved and admired her as her number one fan, as well as patiently nursing her through the ups and downs of her long and difficult illnesses to the end.

The outward key to Vincent's many years of popular success, after being "discovered" by a touring New York City impresario at a performance in her rural Maine hometown at age nineteen, was her combination of poetic brilliance and hypnotic personal glamor and dramatic presence, especially in her public poetry readings to overflowing packed houses. This is not to say that she was pretty, exactly, in any ordinary way; her face is irregularly put together, but with all pretty good features, electrically vivacious, behind which lurked an overwhelming Emily-Dickinsonian ready whiplash wit. In Emily's case, that quality of wit tended to scare people away; in Vincent's case it seemed to have the opposite effect, of melting ardent hearts and drawing almost daily marriage proposals, all but one of which she sagaciously turned down.

Vincent was, as they would have said in her day, a corker, and an American original treasure. Her poetry has aged exquisitely well, is mostly classically full-voiced and extrovert, very clear, lucid, often wonderfully funny, full of life and her wide experience of it, startlingly eloquent in sure-handed capture of -le mot juste-, full of hair-raising tricks and spine-chilling turns of thought and feeling, as easily authentic with large themes and lofty topics as with touching little back-garden musings and minutiae, with some of it looming great enough to rank none abashed right up there with the Belle of Amherst herself. Obviously too much for, and not at all in keeping with, the twaddlesome prosey ramblings, painful embarrassments and tasteless excrescent excesses of what generally passes, most generally unread and surely justly so, for poetry today. As to Vincent, well, no matter; back in the day, her world stood out on either side as wide as her own heart was wide; her soul could reach its hand on high, and scream to feel it touch the sky. As to us, in our own day? Well, if we've since lost Vincent and her vision, it is but we who are the poorer for it.

edna.......2007-01-10

my niece lives this writer, and really enjoys anything substantial she can learn about her. she really liked it.

A Celebration of Millay.......2005-09-11

If you're looking for a feature length documentary about Edna St. Vincent Millay - this is NOT the DVD for you. However, if an endearing portrait of the artist is what you seek, "Millay at Steepletop" is a perfect little curio of a film produced, written and narrated by actress Sloan Shelton and directed by Kevin Brownlow. Rare footage of Millay at her 700-acre farm, recordings of poetry readings and interviews with her sister Norma, are mixed with still photographs and biographical data.
The bonus here is a wonderful interview of Shelton by Leonard Lopate. Lover's of Vincent and her poetry will rejoice at the arrival of this 25 minute treasure on DVD.

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