Running Time 86 Min
Format: DVD MOVIE
Amazon.com
Startling and powerful, Control Room is a documentary about the Arab television network Al-Jazeera's coverage of the U.S.-led Iraqi war, and conflicts that arose in managed perceptions of truth between that news media outlet and the American military. Egyptian-American filmmaker Jehane Noujaim (Startup.com) catches the frantic action at Al-Jazeera headquarters as President Bush stipulates his 48-hour, get-out-of-town warning to Saddam Hussein and sons, soon followed by the network's shocking footage of Iraqi civilians terrorized and killed by invading U.S. troops. Al-Jazeera's determination to show images and report details outside the Pentagon's carefully controlled information flow draws the wrath of American officials, who accuse it of being an al-Qaida propagandist. (The killing of an Al-Jazeera reporter in what appears to be a deliberately targeted air strike is horrifying.) Most fascinating is the way Control Room allows well-meaning, Western-educated, pro-democratic Arabs an opportunity to express views on Iraq as they see it--in an international context, and in a way most Americans never hear about. --Tom Keogh
Customer Reviews:
Nothing new here..........2007-06-13
I watched this DVD last night and had high expectations. I thought it would be very interesting to see these two news organizations critically examined. In this, I wasn't at all disappointed however, the information presented was really just a summary of all the things that everyone already knows and questions. I found my attention wandering about halfway through!
That said, there were little interesting tidbits, such as when participants in the documentary take specific stories and analyze them for accuracy, propaganda, etc. But overall, I did not think the movie presented anything new or thought-provoking.
keeping an open mind.......2007-05-17
(Actually, I had rented this last year at Blockbuster but) definitely would recommend to anyone who wants to know how our media coverage of Iraq looks from the other side. I thought that Air Force media relations guy was a genuine hero. Alas, he paid with his career.
Control Room - Insights into the Arab Media.......2007-05-04
`Control Room' was a very insightful view into the minds of the Arab media, and the construction of the Arab perspective. `Control Room' highlights the role of the media in the age of information warfare, and Al-Jazeera is a player in that war. The way the documentary was made was very political from the onset, with the montage in the intro paving the way for creating politically motivated spectacles. For instance, the shot of the birds flying in the intro montage was a politically motivated scene, meant to imply anticipation and anxiety over the coming US liberation / invasion. The documentary almost seemed to mimic the political quality if Al-Jazeera, in that shots are judged on their appearance rather than substance.
Yes, there may be a myth of objectivity, however it is the job of the journalist to attempt to be as objective as possible. Al-Jazeera does have motivations, just as Fox News does, but that does not mean that Al-Jazeera gets a pass on the question of objectivity. The head of Al-Jazeera starts of by saying a military commander should put the media at the top of his priorities; he says that propaganda is a very important weapon in the arsenal. So it is only natural to expect that Al-Jazeera is more of an agenda setter and a propagator, rather than a straight news organization.
What was evident from the film is that Al-Jazeera does not think of itself as a participant in a war, just an observer. This is not the reality. By broadcasting enemy propaganda, the parade of POW's, Al-Jazeera sets itself up for conflict with coalition forces. Airing pictures of POW's gives ammunition to enemy ambitions, and endangers troops. Al-Jazeera didn't seem to get it, that they are not just a news organization, but also an active participant in the conflict. This is the threat that journalists face when entering a war zone; the threat of being a participant in the war.
`Control Room' illustrates these points in specific scenes. One of the reports says: "We lost Baghdad." I was left asking, who is we? "We lost Baghdad," is the "we" some Baathist sympathy, some pan-Arab nationalism, or just plain old anti-Americanism. That reporter is obviously rooting for `our' defeat. Not to say that journalist cant be people with thoughts and feeling, because we certainly have biased reporting here at home, but rather that personal opinions really should be displayed or communicated when reporting events. Even the Al-Jazeera correspondents couldn't manage to muster up a hint of objectivity throughout the film.
In the age of terrorism the role of the media has come to play a significant role in the outcome of conflicts. In fact, modern terror tactics specifically play to the media. When a bomb goes off in a civilian area, the objective is not tactical but strategic. That is to say that terror bombings are often designed to attract media attention rather than say engage a specific target. The so-called "propaganda of the deed." It seems that Al-Jazeera was manipulated back in 2003, used by the enemy to broadcast tactical war propaganda.
The film also was informative to the editorial decisions that are made at the media outlet. There was one instance that stands out in particular. At one point during the film we see a young boy screaming into the camera. He is screaming about someone being a Baathist, and screaming something akin to death to America if memory serves me. What kind of editorial decision was this? Number one: a screaming emotional kid is not news (he might not realize the consequences of his speech in a wartime), number two: it is very dangerous for that child to be on television making accusations and threats (what if some insurgent recognized this kid), thirdly: its just plain exploitation (going for sensationalism and ignoring the consequences). I fault Al-Jazeera for putting sensationalistic news above the safety of the source.
Another particular scene stands out as a mimic of the Al-Jazeera style of reporting. When Baghdad is first being bombed the film give the impression that the control room was being shelled. The camera was shaky and the audience is given the impression of panic and being under attack. It was an interesting device that speaks to the creation of spectacles. The control room was obviously not being bombed; Al-Jazeera is in Dubai, not Baghdad. This is subliminal deception on the part of the filmmakers which all too appropriate for a film about Al-Jazeera.
Conclusively, `Control Room' was a interesting film that needed to made for western audiences. The film gives us a look of the world for a new perspective and makes theses `enemy propagandists' a human quality that is hard to ignore. We see Al-Jazeera as not terrorist sympathizers, but rather frustrated voices coming from a bleak world of strife. Personally, I like have the Arab perspective from Al-Jazzera, it compounds the notion that world is not so black and white and that journalist are not `outside of the event,' but rather active participants in the story.
Fascinating peek inside the world of Mid-East journalism.......2007-04-27
This was really eye-opening to me to see beyond the myths that many of us Americans raised on the polemic Fox News have about Al Jazeera. This documentary shows some of the complexity that Al Jazeera embodies and tries to portray in its newscasts. You don't see a wholly positive view of the station, but you do appreciate their admirable intent and performance in enlightening people in the Mid-East and around the world. Despite having some questions as to their judgment about what to put on the news in isolated cases (e.g., certain photos), I felt that in surprising ways it is their commitment to what used to be more in-depth and elucidating Western-style journalism that was so cool.
You see in the documentary the responses of some American journalists to the station as well and learn about the climate of the press in general. I felt as if I got a deeper understanding of the Mid-East climate than I'd get from American news.
Interesting fact: if I heard right recently (2007) in the news, one of the American military journalists interviewed in the film who was originally so skeptical about Al Jazeera's integrity was won over by the facts over time and is now working for them in their American broadcasts.
I think if more people really understood what Al Jazeera does and stands for they might be surprised and would be enlightened by their more substantive coverage of a wider range of international issues than we often see here in the States.
spin study.......2007-01-25
A fascinating documentary about how US networks and especially Al Jazeera, the satellite cable channel watched by 40 million people in the Middle East (it started only in 1996), have covered the current Iraq war. In the first few moments of the film Samir Khader, a producer for Al Jazeera, observes, "there is no war without propaganda." This film gives the lie to the common idea, constantly repeated by Rumsfeld, that Al Jazeera lies and distorts the truth whereas US media are fair and objective.
Average customer rating:
- Watch both sides of the story
|
Fahrenheit 9/11 & Fahrenhype 9/11 (2 DVD Set)
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Customer Reviews:
Watch both sides of the story.......2007-02-14
Wow, just when you think you've got the real scoop, someone else comes along and dumps a truckload of info refuting that. Fahrenheit garnered all the awards and was played in most theaters throughout America. Fahrenhype raises some serious issues with Michael Moore's style of journalism. If you're going to see the first movie, you really owe to yourself to watch the other.
Average customer rating:
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The Sleep Room
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Charlie Rose with Brian Ross; Jehane Noujaim & Hassan Ibrahim (June 18, 2004)
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Description
Charlie opens the broadcast talking with Brian Ross from ABC News about the beheading of an American in Saudi Arabia and the killing of the man who said he was responsible. Then, Charlie talks with a filmmaker Jehane Noujaim and Al-Jazeera correspondent Hassan Ibrahim about the documentary Control Room.
Average customer rating:
- Nothing new here...
- keeping an open mind
- Control Room - Insights into the Arab Media
- Fascinating peek inside the world of Mid-East journalism
- spin study
|
Control Room [Region 2]
Starring: Samir Khader , Josh Rushing , Tom Mintier , Hassan Ibrahim , and George W. Bush
Director: Jehane Noujaim
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- The Corporation
- Outfoxed - Rupert Murdoch's War on Journalism
- Uncovered - The Whole Truth About the Iraq War
- Noam Chomsky - Distorted Morality: America's War on Terror?
- Unconstitutional - The War On Our Civil Liberties
ASIN: B00061RZME |
Amazon.com
Startling and powerful, Control Room is a documentary about the Arab television network Al-Jazeera's coverage of the U.S.-led Iraqi war, and conflicts that arose in managed perceptions of truth between that news media outlet and the American military. Egyptian-American filmmaker Jehane Noujaim (Startup.com) catches the frantic action at Al-Jazeera headquarters as President Bush stipulates his 48-hour, get-out-of-town warning to Saddam Hussein and sons, soon followed by the network's shocking footage of Iraqi civilians terrorized and killed by invading U.S. troops. Al-Jazeera's determination to show images and report details outside the Pentagon's carefully controlled information flow draws the wrath of American officials, who accuse it of being an al-Qaida propagandist. (The killing of an Al-Jazeera reporter in what appears to be a deliberately targeted air strike is horrifying.) Most fascinating is the way Control Room allows well-meaning, Western-educated, pro-democratic Arabs an opportunity to express views on Iraq as they see it--in an international context, and in a way most Americans never hear about. --Tom Keogh
Customer Reviews:
Nothing new here..........2007-06-13
I watched this DVD last night and had high expectations. I thought it would be very interesting to see these two news organizations critically examined. In this, I wasn't at all disappointed however, the information presented was really just a summary of all the things that everyone already knows and questions. I found my attention wandering about halfway through!
That said, there were little interesting tidbits, such as when participants in the documentary take specific stories and analyze them for accuracy, propaganda, etc. But overall, I did not think the movie presented anything new or thought-provoking.
keeping an open mind.......2007-05-17
(Actually, I had rented this last year at Blockbuster but) definitely would recommend to anyone who wants to know how our media coverage of Iraq looks from the other side. I thought that Air Force media relations guy was a genuine hero. Alas, he paid with his career.
Control Room - Insights into the Arab Media.......2007-05-04
`Control Room' was a very insightful view into the minds of the Arab media, and the construction of the Arab perspective. `Control Room' highlights the role of the media in the age of information warfare, and Al-Jazeera is a player in that war. The way the documentary was made was very political from the onset, with the montage in the intro paving the way for creating politically motivated spectacles. For instance, the shot of the birds flying in the intro montage was a politically motivated scene, meant to imply anticipation and anxiety over the coming US liberation / invasion. The documentary almost seemed to mimic the political quality if Al-Jazeera, in that shots are judged on their appearance rather than substance.
Yes, there may be a myth of objectivity, however it is the job of the journalist to attempt to be as objective as possible. Al-Jazeera does have motivations, just as Fox News does, but that does not mean that Al-Jazeera gets a pass on the question of objectivity. The head of Al-Jazeera starts of by saying a military commander should put the media at the top of his priorities; he says that propaganda is a very important weapon in the arsenal. So it is only natural to expect that Al-Jazeera is more of an agenda setter and a propagator, rather than a straight news organization.
What was evident from the film is that Al-Jazeera does not think of itself as a participant in a war, just an observer. This is not the reality. By broadcasting enemy propaganda, the parade of POW's, Al-Jazeera sets itself up for conflict with coalition forces. Airing pictures of POW's gives ammunition to enemy ambitions, and endangers troops. Al-Jazeera didn't seem to get it, that they are not just a news organization, but also an active participant in the conflict. This is the threat that journalists face when entering a war zone; the threat of being a participant in the war.
`Control Room' illustrates these points in specific scenes. One of the reports says: "We lost Baghdad." I was left asking, who is we? "We lost Baghdad," is the "we" some Baathist sympathy, some pan-Arab nationalism, or just plain old anti-Americanism. That reporter is obviously rooting for `our' defeat. Not to say that journalist cant be people with thoughts and feeling, because we certainly have biased reporting here at home, but rather that personal opinions really should be displayed or communicated when reporting events. Even the Al-Jazeera correspondents couldn't manage to muster up a hint of objectivity throughout the film.
In the age of terrorism the role of the media has come to play a significant role in the outcome of conflicts. In fact, modern terror tactics specifically play to the media. When a bomb goes off in a civilian area, the objective is not tactical but strategic. That is to say that terror bombings are often designed to attract media attention rather than say engage a specific target. The so-called "propaganda of the deed." It seems that Al-Jazeera was manipulated back in 2003, used by the enemy to broadcast tactical war propaganda.
The film also was informative to the editorial decisions that are made at the media outlet. There was one instance that stands out in particular. At one point during the film we see a young boy screaming into the camera. He is screaming about someone being a Baathist, and screaming something akin to death to America if memory serves me. What kind of editorial decision was this? Number one: a screaming emotional kid is not news (he might not realize the consequences of his speech in a wartime), number two: it is very dangerous for that child to be on television making accusations and threats (what if some insurgent recognized this kid), thirdly: its just plain exploitation (going for sensationalism and ignoring the consequences). I fault Al-Jazeera for putting sensationalistic news above the safety of the source.
Another particular scene stands out as a mimic of the Al-Jazeera style of reporting. When Baghdad is first being bombed the film give the impression that the control room was being shelled. The camera was shaky and the audience is given the impression of panic and being under attack. It was an interesting device that speaks to the creation of spectacles. The control room was obviously not being bombed; Al-Jazeera is in Dubai, not Baghdad. This is subliminal deception on the part of the filmmakers which all too appropriate for a film about Al-Jazeera.
Conclusively, `Control Room' was a interesting film that needed to made for western audiences. The film gives us a look of the world for a new perspective and makes theses `enemy propagandists' a human quality that is hard to ignore. We see Al-Jazeera as not terrorist sympathizers, but rather frustrated voices coming from a bleak world of strife. Personally, I like have the Arab perspective from Al-Jazzera, it compounds the notion that world is not so black and white and that journalist are not `outside of the event,' but rather active participants in the story.
Fascinating peek inside the world of Mid-East journalism.......2007-04-27
This was really eye-opening to me to see beyond the myths that many of us Americans raised on the polemic Fox News have about Al Jazeera. This documentary shows some of the complexity that Al Jazeera embodies and tries to portray in its newscasts. You don't see a wholly positive view of the station, but you do appreciate their admirable intent and performance in enlightening people in the Mid-East and around the world. Despite having some questions as to their judgment about what to put on the news in isolated cases (e.g., certain photos), I felt that in surprising ways it is their commitment to what used to be more in-depth and elucidating Western-style journalism that was so cool.
You see in the documentary the responses of some American journalists to the station as well and learn about the climate of the press in general. I felt as if I got a deeper understanding of the Mid-East climate than I'd get from American news.
Interesting fact: if I heard right recently (2007) in the news, one of the American military journalists interviewed in the film who was originally so skeptical about Al Jazeera's integrity was won over by the facts over time and is now working for them in their American broadcasts.
I think if more people really understood what Al Jazeera does and stands for they might be surprised and would be enlightened by their more substantive coverage of a wider range of international issues than we often see here in the States.
spin study.......2007-01-25
A fascinating documentary about how US networks and especially Al Jazeera, the satellite cable channel watched by 40 million people in the Middle East (it started only in 1996), have covered the current Iraq war. In the first few moments of the film Samir Khader, a producer for Al Jazeera, observes, "there is no war without propaganda." This film gives the lie to the common idea, constantly repeated by Rumsfeld, that Al Jazeera lies and distorts the truth whereas US media are fair and objective.
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