John Wayne

Starring:John Wayne, Gail Russell, Harry Carey, Bruce Cabot, Irene Rich, Lee Dixon, Stephen Grant, Tom Powers, Paul Hurst, Olin Howland, John Halloran, Joan Barton, Craig Woods, Marshall Reed, Paul Fix, Ken Terrell, Rex Lease, Eddie Parker, Kenne Duncan, Jack Montgomery
Director: James Edward Grant
Studio: Delta Music Music in
Product Type: DVD
Editorial Review:
Amazon.com
How can you go wrong with a movie featuring the great Harry Carey as a philosophical lawman named Wistful McClintock? Well sir (or ma'am), you can't, and this first production from John Wayne's personal unit at Republic is simply one of the loveliest Westerns anybody ever made. The producer-star plays gunslinger Quirt Evans who, wounded by his archrival Laredo Stevens (Bruce Cabot), is taken in and sheltered by a Quaker family--in particular, by the daughter of the household, a dark-eyed angel (Gail Russell) who could entice Satan himself to the path of virtue. Not that these good people get pushy about converting "Brother Evans." For his part, Marshal McClintock, who's amiably looked forward to hanging Quirt someday, keeps dropping by to see which happens first--Quirt's reformation, or Laredo's return to finish the job he started.
Entrusting the direction to screenwriter James Edward Grant, Wayne bolstered Grant's debut by tapping Yakima Canutt to handle the hard-riding second-unit stuff. The Duke also stole a few moves from a little project he'd been working on with Howard Hawks, Red River. Such larceny may have been superfluous. Grant wrote far and away the best script Wayne had ever had at Republic, creating a gallery of memorable characters (including comparative bystanders) and developing some very entertaining business for them--especially for such juicy character actors as Paul Hurst (the Quakers' mean-spirited neighbor), Olin Howlin (a braggadocious telegraph operator), and Hank Worden. The result was a minor classic deftly blending humor, romance, authentic sweetness, and just enough leathery menace to keep things on the generic up-and-up. This one's a real treat. --Richard T. Jameson
Description
Includes:
Angel & The Badman • On Film
The Star Packer • Blue Steel
The Lucky Texan • The Desert Trail
B&W/Color
353 min.
Average customer rating:
- Old Hollywood Meets New Hollywood
- the boys are back
- Have you ever watched a film where you wanted the bad guys to win?
- WOW DANG ONE OF THE BEST MOVE
- My son't favorite movie
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Ocean's Eleven (Widescreen Edition)
Starring: Don Cheadle , George Clooney , Holly Marie Combs , Matt Damon , and Michael de Lano
Director: Steven Soderbergh
Manufacturer: Warner Home Video
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- Ocean's Twelve
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ASIN: B000062XHI
Release Date: 2002-05-07 |
Product Description
Danny Ocean likes his chances. All he asks is that his handpicked squad of 10 grifters and cons play the game like they have nothing to lose. If all goes right, the payoff will be a fat $150 million. Divided by 11. You do the math.
System Requirements:
Starring: George Clooney, Julia Roberts, Andy Garcia, Brad Pitt, Matt Damon, Don Cheadle, Bernie Mac, and Elliott Gould.
Directed By: Steven Soderbergh.
Running Time: 116 Min., Color.
This film is presented in "Standard" format.
Copyright 2002 Warner Home Video.
Format: DVD MOVIE
Amazon.com essential video
Ocean's Eleven improves on 1960's Rat Pack original with supernova casting, a slickly updated plot, and Steven Soderbergh's graceful touch behind the camera. Soderbergh reportedly relished the opportunity "to make a movie that has no desire except to give pleasure from beginning to end," and he succeeds on those terms, blessed by the casting of George Clooney as Danny Ocean, the title role originated by Frank Sinatra. Fresh out of jail, Ocean masterminds a plot to steal $163 million from the seemingly impervious vault of Las Vegas's Bellagio casino, not just for the money but to win his ex-wife (Julia Roberts) back from the casino's ruthless owner (Andy Garcia). Soderbergh doesn't scrimp on the caper's comically intricate strategy, but he finds greater joy in assembling a stellar team (including Brad Pitt, Matt Damon, Don Cheadle, and Carl Reiner) and indulging their strengths as actors. The result is a film that's as smooth as a silk suit and just as stylish. --Jeff Shannon
Customer Reviews:
Old Hollywood Meets New Hollywood.......2007-07-06
This is a perfect example of a movie where Hollywood got it right! Ocean's Eleven combines old style class with new world flare in this edgy, high-stakes, winner-take-all, cloak and dagger redo of the 1960 classic. Fresh out of prison and looking to get back into the action, Danny Ocean (George Clooney) enlists a group of 10 fellow ex-cons and "professionals" to take down his current target: his ex-wife's boyfriend, Terry Benedict (Andy Garcia). Among his crew is his old friend Rusty Ryan (Brad Pitt) and new recruit Linus Caldwell (Matt Damon). But when old feelings between Tess (Julia Roberts) and Danny start to resurface, the result threatens the entire mission. Can Danny overcome his feelings for Tess and focus on the heist? Can Linus pull off the biggest pick-pocket of his life? Will Rusty ever stop eating? This movie lacks nothing: just the right amount of intrigue, action and glamour...not to mention stars. A good addition to any espionage-lovers DVD library!
the boys are back.......2007-06-08
nice to have all the ocean series good entertainment for a rainy day for myself and guests
Have you ever watched a film where you wanted the bad guys to win?.......2007-06-01
I have trouble calling this a remake, because it doesn't share much in common with the `rat pack' original except the name of the lead character and that it is a casino heist. Actually, this is a better film than its namesake, apart from the fact that the cast of the original was filled with entertainment legends.
Director Soderbergh takes a vacation from serious filmmaking with this film, which on his resume is something of a lark. Everyone seems to be having a good time and it is clear that the actors enjoyed making this film. The overhauled screenplay pops with snappy dialogue, riddled with deadpan humor and a decent, though somewhat far fetched plot. It has a little of the whimsical feel of `The Sting', though the screenplay isn't as strong. A crew of professional thieves plans to knock over three casinos on a fight night by raiding the impregnable vault that serves all three. The plan is elaborate, full of high tech wizardry, daring deceptions and acrobatic stunts. The caper runs into more than the normal amount of foul ups, but our devious team of burglars is always up to the task of working around the glitches.
The cast is very solid. George Clooney is perfectly cast as the brainchild of the scheme. He is dapper, macho and smooth with a sardonic wit that keeps the film's tone serious yet light. Brad Pitt plays the always eating Rusty, who is really the brains behind the operation, coordinating it flawlessly. Except for `The Mexican', this is much lighter material than Pitt usually tackles, yet he gives a suave performance seeming very comfortable with his character. Despite the fact that this is an ensemble cast, Pitt carries a lot of the weight and makes the story as close to believable as could be possible given its improbable nature.
Don Cheadle continues to impress, rendering a terrific demolitions expert. His cockney accent is great and with this part Cheadle shows once again what a terrific character actor he is. In a little twist of irony, Cheadle plays an analogous part in this film to that played by Sammy Davis, Jr. in the original, and he also played Sammy in the TV movie entitled `The Rat Pack'. Poor Andy Garcia has the thankless task of playing the heavy in a tongue-in-cheek film, but he does a marvelous job. Matt Damon plays the rookie, giving the character a charming naiveté and a mischievous bent. Julie Roberts is nothing more than a throw in, with a minor role as Ocean's ex-wife.
If you don't take this film too seriously, you are in for an entertaining evening. It is smartly done without too much melodrama, and provides just enough suspense and realism to keep it from being a farce.
WOW DANG ONE OF THE BEST MOVE.......2007-05-08
NOW I COULD EASYLY SAY THIS WILL GO DOWN AS ONE OF THE GRATEST MOVE EVER MADE IN THE WORLD THAT IS SO FOR SHORE & THAT IS PUTTING IT LIGHTLY
My son't favorite movie.......2007-05-07
My son loves this movie. He found the ratings on Amazon pretty much perfect. The music is really good.
Average customer rating:
- It's No Accident...
- Must see
- not quite as good as the book
- As good as the book, uh, not really
- Short and sweet
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The Celestine Prophecy
Starring: Matthew Settle , Thomas Kretschmann , Sarah Wayne Callies , Annabeth Gish , and Hector Elizondo
Director: Armand Mastroianni
Manufacturer: Sony Pictures
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ASIN: B000JBWWQ0
Release Date: 2006-12-19 |
Amazon.com
The Celestine Prophecy is an action-adventure adaptation of the hit novel by James Redfield, a film that moves so swiftly it can be difficult at times to absorb the New Age philosophy tucked into Redfield's multiple, so-called Insights. Matthew Settle plays an American history teacher who travels to Peru to look into the discovery of an ancient manuscript that foretells the arrival of a new spirituality. The Peruvian government and Catholic church, threatened by something that might supplant traditional religion and mainstream values, harass and arrest the scientists and enlightened souls who discovered the manuscript. Our hero becomes involved in a dangerous effort to keep the document from official hands; along the way, he's introduced to the prophecy's major principles, which arouse his dormant spiritual abilities. Annabeth Gish, Hector Elizondo, and Jurgen Prochnow are a welcome presence in this light and sometimes confusing, if casually engaging work that requires repeat viewings to fully hear its interesting message. --Tom Keogh
More Celestine Prophecy on Amazon.com
Stills from The Celestine Prophecy (click for larger image)
Product Description
Based on James Redfield's worldwide best-selling novel, The Celestine Prophecy is a spiritual adventure film chronicling the discovery of ancient scrolls in the rainforests of Peru. The prophecy and its nine key insights predict a worldwide awakening, arising within all religious traditions, that moves humanity toward a deeper experience of spirituality.
Customer Reviews:
It's No Accident..........2007-06-23
It's no accident that the whole Celestine Adventure gets rolling for protagonist John Woodson after he receives news he's being laid off from his high school teaching position due to faculty budget cuts. Indeed, the primary premise of the Celestine Prophecy, both the book and the movie, is that we are all being called to "open up" to the Larger Reality of life, but to do this we first have to "let go" of our material preoccupations in order to experience the ultimate spiritual truth of existence.
It's also no accident that the film came out when it did, in 2006, and that in 2007 the American economy begins its terminal downtrend toward complete systemic collapse. Synchronicity you say? Well of course! We are now about to live the Insights from start to finish (or something quite similar) on a collective scale. But there isn't much time left. In fact, if you follow the Mayan Calendar, you know 2012 is the year when "time" runs out! All this simply confirms the film's main premise: that we aren't in control of our lives as we thought we were, but that Something else most assuredly is, and is moving us toward some kind of Divine Consummation in very short order, provided we stay awake and "in the flow" of things.
Think it's an accident that you came to this site and read this review? Think again! Better yet, go beyond thinking altogether and get the movie. It's no accident, I assure you..:-)
Must see.......2007-06-11
Must see for those interested in opening their awareness of what's really going on with and between people that would have us compete, rather than being close and working with each other for the good of all.
Puts what many are already trying to achieve on the planet in a relatively simple form to assist us to become more aware of the possibilities and gifts available for all.
Looking forward to the next in the series of James Redfield's Celestine visions.
not quite as good as the book.......2007-06-08
but very engaging and attention holding. I enjoyed it very much but I AM glad I read the book first. Helped a lot with understanding.
As good as the book, uh, not really.......2007-05-28
As far as how the product arrived, the shipping process etc, it was all good. As far as the product itself, has a lot of good actors for an underground kind of movie. Helped explain many concepts in the book and captured the essence of the Celestine Prophecy completely. Seeing auras portrayed so clearly comes off as a little unbelievable, though.
Short and sweet.......2007-05-28
Missed a lot of info from the book, But got the point in the movie. It was very well done, show all your friends, Can't wait till they make another movie on other parts of the book.
Average customer rating:
- My son LOVES these movies!
- Toy Story 2
- Wonderful--- entertaining
- My Little Boy loves this movie
- Playtime Fun
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Toy Story 2 (Two-Disc Special Edition)
Starring: Tim Allen , Jodi Benson , Joan Cusack , R. Lee Ermey , and Kelsey Grammer
Director: John Lasseter , and Ash Brannon
Manufacturer: Walt Disney Home Entertainment
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ASIN: B000B8QG0O
Release Date: 2005-12-26 |
Description
A Golden Globe Award winner for Best Picture, TOY STORY 2 has become a favorite all across the world, garnering praise from fans and critics everywhere. It's "an instant classic," raves New York Magazine. Now, in a 2-disc collector's edition with a sparkling theater mix, this groundbreaking animated adventure is even better! While Andy is away at summer camp, Woody is toynapped by Al, a greedy collector who needs Andy's favorite toy to complete his Roundup Gang collection. Together with Jessie, Bullseye, and the Prospector, Woody is on his way to a museum where he'll spend the rest of his life behind glass. It's up to Buzz, Mr. Potato Head, Hamm, Rex, and Slinky Dog to rescue their friend and remind him what being a toy is all about. Bursting with exclusive bonus features, including deleted scenes, outtakes, a new game, and much more, this hilarious comedy classic raises the bar on family entertainment to infinity and beyond. TOY STORY 2 © Disney/Pixar Original Toy Story Elements © Disney
Customer Reviews:
My son LOVES these movies!.......2007-05-18
My three year old son loves the toy story movies! I was nervous about purchasing Toy Story 2 because he was so obsessed with the first, but he loves the second just as much! Definitely worth buying!!
Toy Story 2.......2007-05-15
Great DVD! My 7-year-old grandsons and I loved it! A "must-have" for anyone who owns Toy Story 1.
Wonderful--- entertaining .......2007-03-18
I bought this movie for my 2 1/2 year old grandson. He loves it. He gets so excited when I put this on he makes believe he's Buzz Lightyear flying through the air. It's so funny I had to tape him watching the movie. I highly recommend Toy Story. It's a very enjoyable movie for adults too.
My Little Boy loves this movie.......2007-03-15
"Cowboy" movie is what we watch often at our house.
one of the best sequels ever made!
Playtime Fun.......2007-03-11
`Toy Story 2' is a more fluid and intricate sequel than the original. Containing more sight gags and a myriad of peril, the toys come back to life for a new adventure. This time Woody (Tom Hanks) is unraveling, literally at the shoulder socket and not just highstrung. In danger of being sold or taken for granted by his boy owner, Andy, Woody, nevertheless, has the selflessness to pull a toy penguin out of the yard sale bin. In the meantime, a greedy toy collector steals him after the mother refuses to make a deal. As you might expect, the other toys sojourn out to rescue him. What makes it all fun is an attempt to find him at a local toy store, and a journey to the toy collector's high rise. Finding new toys like "Stinky Pete, the Prospector" (Kelsey Grammar) and a Cowgirl Jessie (Joan Cusack) add to the colorful fun. Witty and freewheeling, 'Toy Story 2' springs to life. Fun from start to finish, 'Toy Story' only begs one question: Toys coming to life. Why didn't somebody think of it before?
Average customer rating:
- The Quiet Man DVD
- The Quiet Man
- Commentary by Maureen O'Hara is wonderful
- Our Family's Favorite
- perfect
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The Quiet Man (Collector's Edition)
Starring: John Wayne , Maureen O'Hara , Barry Fitzgerald , Ward Bond , and Victor McLaglen
Director: John Ford
Manufacturer: Republic Pictures
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ASIN: B00006JMRD
Release Date: 2002-10-22 |
Amazon.com essential video
Blarney and bliss, mixed in equal proportions. John Wayne plays an American boxer who returns to the Emerald Isle, his native land. What he finds there is a fiery prospective spouse (Maureen O'Hara) and a country greener than any Ireland seen before or since--it's no surprise The Quiet Man won an Oscar for cinematography. It also won an Oscar for John Ford's direction, his fourth such award. The film was a deeply personal project for Ford (whose birth name was Sean Aloysius O'Fearna), and he lavished all of his affection for the Irish landscape and Irish people on this film. He also stages perhaps the greatest donnybrook in the history of movies, an epic fistfight between Wayne and the truculent Victor McLaglen--that's Ford's brother, Francis, as the elderly man on his deathbed who miraculously revives when he hears word of the dustup. Barry Fitzgerald, the original Irish elf, gets the movie's biggest laugh when he walks into the newlyweds' bedroom the morning after their wedding, and spots a broken bed. The look on his face says everything. The Quiet Man isn't the real Ireland, but as a delicious never-never land of Ford's imagination, it will do very nicely. --Robert Horton
Customer Reviews:
The Quiet Man DVD.......2007-07-04
The DVD showed up within the time frame in mint condition. I was very satisfied with the service.
The Quiet Man.......2007-06-27
Immortal director Ford directed this Oscar-winning valentine to his ancestral home, a love story that soars thanks to Ford's resplendent shooting and a solid, flavorful performance from the Duke. O'Hara radiates an untamed red-haired beauty playing Wayne's love interest, while McLaglen is a joy as the blustery Red Will.
Commentary by Maureen O'Hara is wonderful.......2007-05-31
The commentary by Maureen O'Hara is wonderful. I've seen this movie many times over the years but never knew the many stories and facts that Miss O'Hara reveals in the two hours of commentary. Her memory is remarkable and her comments are charming.
Our Family's Favorite.......2007-05-28
The Quiet Man (Collector's Edition)
This has been an all time favorite of our family for years. Perhaps because it is set in Ireland, or because we are all of Irish descent; or just because it is just a great story and very well made. In any case it is a movie for the whole family to watch and even though it is a classic, it seems like it was made recently.
It will pull on all of the emotions, bringing out laughter, cheering, and tears. The guys will be drawn by the great male cast, the women by the romance and the children by the fun. It is truly for all genders and ages.
perfect.......2007-05-19
The dvd was new and in perfect condition and arrived in three days. It also contained interviews from the actors and other extras. Well worth the price.
Average customer rating:
- Amazing movie!
- something old, something new
- O Brother Where Art Thou
- One of my favorites
- Worthwhile music, movie falls flat.
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O Brother, Where Art Thou?
Starring: Michael Badalucco , George Clooney , Frank Collison , Charles Durning , and Wayne Duvall
Director: Joel Coen
Manufacturer: Walt Disney Video
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ASIN: B00003CXRM
Release Date: 2001-06-12 |
Amazon.com
Only Joel and Ethan Coen, the fraternal director and producer team behind art-house hits such as The Big Lebowski and Fargo and masters of quirky and ultra-stylish genre subversion, would dare nick the plot line of Homer's Odyssey for a comic picaresque saga about three cons on the run in 1930s Mississippi. Our wandering hero in this case is one Ulysses Everett McGill, a slick-tongued wise guy with a thing about hair pomade (George Clooney, blithely sending up his own dapper image) who talks his chain-gang buddies (Coen-movie regular John Turturro and newcomer Tim Blake Nelson) into lighting out after some buried loot he claims to know of. En route they come up against a prophetic blind man on a railroad truck, a burly, one-eyed baddie (the ever-magnificent John Goodman), a trio of sexy singing ladies, a blues guitarist who's sold his soul to the devil, a brace of crooked politicos on the stump, a manic-depressive bank robber, and--well, you get the idea. Into this, their most relaxed film yet, the Coens have tossed a beguiling ragbag of inconsequential situations, a wealth of looping, left-field dialogue, and a whole stash of gags both verbal and visual. O Brother (the title's lifted from Preston Sturges's classic 1941 comedy Sullivan's Travels) is furthermore graced with glowing, burnished photography from Roger Deakins and a masterly soundtrack from T-Bone Burnett that pays loving homage to American '30s folk styles--blues, gospel, bluegrass, jazz, and more. And just to prove that the brothers haven't lost their knack for bad-taste humor, we get a Ku Klux Klan rally choreographed like a cross between a Nuremberg rally and a Busby Berkeley musical. --Philip Kemp
Description
Disenchanted with the daily drudge of crushing rocks on a prison farm in Mississippi, the dapper, silver-tongued Ulysses Everett McGill (George Clooney, THE PERFECT STORM) busts loose. Except he's still shackled to his own chain-mates from the chain gang -- bad-tempered Pete (John Turturro, SUMMER OF SAM), and sweet, dimwitted Delmar (Tim Blake Nelson, HAMLET). With nothing to lose and buried loot to regain -- before it's lost forever in a flood -- the three embark on the adventure of a lifetime in this hilarious offbeat road picture. Populated with strange characters, including a blind prophet, sexy sirens, and a one-eyed Bible salesman (John Goodman, COYOTE UGLY), it's an odyssey filled with chases, close calls, near misses, and betrayal that will leave you laughing at every outrageous and surprising twist and turn.
Customer Reviews:
Amazing movie!.......2007-07-03
This is a classy release of an all-time-favorite classic. George Clooney played Batman, and here he's doing a hillbilly chicken dance in a fake beard. Great writing, great acting, great music. What's not to love? We wore out our VHS copy!
something old, something new.......2007-06-30
Comedies don't get much better than this.
Clooney, Turturro, and Tim Blake Nelson are relentlessly hilarious in this loosely Homeric epic of escape from a chain gang in America's early twentieth-century South. You can love this movie without knowing Homer, of course, though it's based on that bard's Oddysey.
That's the common touch of both Homer and his erstwhile partners-in-crime, producers Ethan and Joel Coen.
Filming this flick must have been more fun than a body should have. From the blind oracle on the railroad pump-car warning about the 'Ob-stackles of life' to the 'Sigh-REENS' that appear to have 'loved (Pete) up ... and then turned him into a horny toad' to the delicious stares and triumphant penultimate scene where the Soggy Bottom Boys regale a political rally with their irresistable hit 'Man of Constant Sorrows', O BROTHER never falters.
It's a film for watching over and over again, preferably introducing somebody who hasn't seen it each time you do.
Ne'er doubt! Buy O BROTHER WHERE ARE THOU and hold onto it for dear life.
O Brother Where Art Thou.......2007-05-17
O Brother Where Art Thou
Title: O Brother Where Art Thou
Director: Joel Coen
Release Date: 2000
Based on the epic by Homer, this movie takes place at the end of the Great Depression area of 1935. Three men named Everet (George Clooney), Delmar (Tim Blake Nelson), and Pete (John Turino), escape on a chain gang in southern Mississippi. When they escape, they meet a man that is blind from polyps that is similar to Homer. The man tells the three men that they must travel to seek the desire that they want. Everet thinks that the old man was making nonsense, but Delmar and Pete think that the old man was telling the truth in their future. The men do a lot of things in this movie such as getting saved, making a record, helping a thief in a bank robbery, and confronting the KKK. (Klu Klux Klan) This movie is rated PG- 13 so the adults might not want to let their kids want to watch the movie. They also have a great soundtrack that won a Grammy for soundtrack of the year. The movie has funny jokes that make you crack up laughing. George Clooney gives one of his best roles of his career. John Goodman guest stars in the movie as a con man that steals the men's money. The people who like funny country movies, this might be the movie for you. It won't be long until this movie will become apart of your DVD collection.
One of my favorites.......2007-04-10
I've given this movie more repeat views than maybe any other movie ever, for two reasons. Firstly, there is the incredible soundtrack--I was not a bluegrass fan until I fell in love with this movie, and the songs were good enough to win me over. Secondly, the dialogue is hilarious. Every time I watch it, I catch a little bit I may have missed before. Coens at their best. Made me rethink my opinion of George Clooney, as well.
Worthwhile music, movie falls flat........2007-04-07
I think it's odd that the movie announces at the beginning that it's based on Homer's Odyssey, as the storyline barely follows in the theme of The Odyssey at all. The music is awesome and I reccomend the soundtrack, but honestly the movie didn't do it for me. Weak plot, annoying characters, lame ending. I just wasn't impressed at all.
Average customer rating:
- Cool Hand Luke
- Yet Another Newman Masterpiece!
- A must see
- One of the best movies ever
- Great Movie!!
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Cool Hand Luke
Starring: Paul Newman , George Kennedy , J.D. Cannon , Lou Antonio , and Robert Drivas
Director: Stuart Rosenberg
Manufacturer: Warner Home Video
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ASIN: 0790731509
Release Date: 1997-06-25 |
Amazon.com
Paul Newman gives one of the defining performances of his career, and cemented his place as a beautiful-rebel screen icon playing the stubbornly tough and independent title character in Cool Hand Luke. And before he became familiar as a sidekick in 1970s disaster movies (Earthquake and the Airport movies), George Kennedy won an Oscar for playing Dragline, the brutal chain-gang boss who tries to beat loner Luke's cool out of him. It's a classic rebel-against-the-repressive-institution story in the line of One Flew over the Cuckoo's Nest or The Shawshank Redemption. Certain moments have become classics--particularly the hardboiled egg-eating contest, and the immortal line (drooled by Strother Martin, as a sadistic redneck prison officer), "What we have here is a failure to communicate." And don't forget, Luke is also the source of the oft-quoted driving ditty, "I don't care if it rains or freezes, long as I have my plastic Jesus, right here on the dashboard of my car..." He is cool, all right. The digital video disc is in anamorphic widescreen and digital stereo. --Jim Emerson
Description
A defiant chain-gang prisoner suffers a "failure to communicate" in this searing drama. Paul Newman Shines in the title role, George Kennedy as his sidekick won an Oscar(R). Year: 1967 Director: Stuart Rosenberg Starring: Paul Newman, George Kennedy, J.D. Cannon
DVD Features:
Production Notes
Theatrical Trailer
Customer Reviews:
Cool Hand Luke.......2007-06-27
"Luke" is a work that transformed Newman from movie star to anti-authoritarian folk hero. Clearly the actor was attracted to the dispossessed, in life and in film. His Luke is two things at once: a loser whose drunkenness lands him on a chain gang, but also a tough individualist equipped with personal courage and a defiant spirit. Top-notch support comes from Martin as Luke's wormy nemesis, and Kennedy, who won an Oscar for his turn as Luke's loyal pal, Dragline.
Yet Another Newman Masterpiece!.......2007-06-23
If you haven't seen this film yet, by all means, go out and rent it today! Hell, you might as well purchase it, because it is definitely worth every penny and I promise you won't regret it. It is a true classic and a movie you will want to see over and over again. God knows I must have viewed this one at least a dozen times now. The acting, directing, writing, score, etc... is top notch. Am I the only person out there who constantly poses this question - WHY DONT THEY MAKE FILMS LIKE THIS ANYMORE? Then again, there has never been, nor will there ever be, an actor quite like Paul Newman. And if ever there was a role in which Newman was born to play, this was it! Seriously folks, could you even imagine another actor playing the part of Luke? It's definitely one of his finest performances ever. The man has charm oozing out of every pore in his body.
Along with the outstanding, understated work of Mr. Newman, this film also contains several wonderful performances by a fine supporting cast - George Kennedy (Best Supporting Actor Winner as Dragline), Strother Martin, Robert Donner, Morgan Woodward, Wayne Rogers, Ralph Waite, Harry Dean Stanton, Dennis Hopper and Jo Van Fleet as Luke's mother Arletta. By the way, the scene in which Luke confronts his dying mother Arletta is one of my favorites of all-time. It redefines the word POIGNANT and I can almost guaranty it will melt your heart.
There are so many famous lines and scenes in this movie that make this film completely unforgettable. I have yet to meet one person (male or female) that didn't thoroughly enjoy this film from begining to end. For those of you who haven't seen it yet, you are in for a treat. I still remember the first time I saw this film and how much I enjoyed it. In fact, the very next day I went to the video store (sorry Amazon, you weren't around yet) and immediately purchased it. Trust me folks, this is one EXCEPTIONAL film.
Finally, I think we sometimes forget just how many classic films Paul Newman has been in - "Cat On A Hot Tin Roof", "The Hustler", "Hud", "Butch Cassidy and the Sundance Kid", "The Sting", "Abscence of Malice", "The Verdict", "The Color of Money", "Nobody's Fool", etc... etc... etc... The man is a living legend and one hell of a good human being to boot! At 82 years old, he just announced his retirement from acting. I don't know about the rest of you out there, but I for one feel like I am losing an old, dear friend.
A must see.......2007-05-15
This is by far one of the greatest movies of all times. Paul Newman is amazing, the ultimate rebel. Who else would cut the heads off parking meters because "Small town, not much to do in the evenin."
One of the best movies ever.......2007-05-13
This is a must see and must own movie. Any movie lover has to have this movie in their collection. The shipping was fast and I am totally satisfied with my purchase. BUY THIS MOVIE!!!
Great Movie!!.......2007-05-13
Great Movie, A Must See. Cool hand Luke Is awesome. This was my First Time seeing this movie, and Loved every minute of it.
Five Stars
Average customer rating:
- It's Just Okay.
- Action that requires a little wisdom.
- Viking Epic? Hardly.
- Pathfinder: A Viking Epic
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Pathfinder (Unrated Edition)
Starring: Karl Urban , Russell Means , Moon Bloodgood , Jay Tavare , and Clancy Brown
Director: Marcus Nispel
Manufacturer: 20th Century Fox
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ASIN: B000R9U3B0
Release Date: 2007-07-31 |
Description
The heroic story of a young Norse man raised by Native American Indians who wages a personal war against the Vikings that barbarically raided his tribe.
Customer Reviews:
It's Just Okay........2007-07-02
The story is hard to believe. I'm not disputing that Vikings found North America circa 800 CE, I'm not disputing that encounters between the Native Americans and Vikings would have been violent, and I'm not disputing the levels of technological variance between the two peoples.
What I find hard to swallow is the circumstances that lead to the "great white hope" coming to save the day for the native peoples. I doubt that even a Viking child would retain combat skills after being raised amongst native peoples. Especially to the degree demonstrated. Throughout the whole film I found myself saying "Oh, come on!". That's not to say I didn't enjoy it; the action was pretty good.
The movie is a teensy bit formulaic. Underdog makes good by rescuing his adopted people. I mean as action flicks go, it's all right. It's just okay. Three stars.
Action that requires a little wisdom........2007-06-26
I find it interesting that reviews of this film either love it or hate it. My thinking is that people who dismiss PATHFINDER out of hand require a certain amount of their cinematic product spoon-fed to them. The fantasy must be easily palatable and simple to digest. Typical actions fans don't want to actually feel afraid, nor do they want to think. They don't want to use their own imaginations; likely they are impoverished in this regard. PATHFINDER requires a minimum awareness of the horrific potential for cruelty, as well as the ability to cherish and protect, that lies within human beings. Absent here are Schwarzenegger-style one-liners upon dispatching an enemy, abundant cleavage displays and other ubiquitous actions motifs which temper any actual feelings of fear and help remove the viewer from an experience of real connectedness to the characters. In other words, extreme violence is okay, as long as there are enough farcical elements to make it "fun".
PATHFINDER eschews farce. This is not a cartoon. It's straight up action, firmly rooted in the tradition of John McTiernan. It's like the director grew up watching PREDATOR and decided, you know, this would be perfect without the jokes. The film is structurally quite similar to DIE HARD: lone warrior facing impossible odds. You think there's no way he's going to make it, maybe he'll take out one or two of the bad guys and then he's going down. But the film, with mathematical precision, defies your expectations and the result is thrilling. You don't understand how he's possibly going to survive, thus there is real suspense. And the fun thing is, it's really more about the hero's wits than his brawn.
I think the most profound achievement of the film is the cold, hard anthropological nature of the script. The Native Americans are not ecologically savvy hippies with hearts of gold, nor are the Vikings blonde studs with braids and clashing beer steins. All our modern conceits and politically correct reinterpretations of history are abandoned for the terrifying truth: the Indians are Stone Age farmers eking out an existence on the cusp of survival, while the Vikings have steel armor and weapons. The Vikings are bent on claiming new land and they consider the Indians vermin. The result is a blood bath. Instead of the warm and fuzzy "roller coaster ride" offered by your typical action fare, PATHFINDER leaves you sitting there with eyes wide, thinking, This is not a fantasy, this is how it would have been. It's like a stylized documentary of Thomas Hobbes' LEVIATHAN. In other words, horrifying.
Particularly so is the scene where the little Viking boy first arrives in the New World. Again, it's not fantasy, it's not action, it's pure anthropology. Steel against wood and stone. It's more like snuff; you are reminded that this is the director they picked for the CHAINSAW remake. Fans of the lighter action fare were probably horrified by this scene, felt existential twinges they were uncomfortable with, or perhaps they didn't understand what was going on; thus the negative reviews. It's not the cartoonish chest-thumper that is 300; PATHFINDER makes CONAN look like BACHELOR PARTY; NEW WORLD is a sopping wet Merchant-Ivory spoof in comparison. Further, I think complaints about the cinematography come down to a more basic failure by unschooled audiences to understand what's going on in the film. They can't follow the story due to a personal lack, so they blame the filming.
I also find it asinine that reviewers are so critical of the dialogue. Are people deaf? Is everyone so ADHD afflicted that unless it's blah-blah-blah every minute they can't focus? PATHFINDER's dialogue has a simple poetry designed to express the elementary tongues of these early peoples. The characters don't speak often, but when they do, the words are important. And people speak from the heart, without irony. Maybe this straight-forward genuineness is what some viewers find so hard to take. But come on, people. It's like Sergio Leone movies in which characters speak minimally. In this setting, words are almost useless; actions speak louder than. What do people want? Vikings ranting like Mamet? Indians sassing back like Tarantino?
Frankly, it's unbelievable to me that people could miss out so completely on what's cool about this film. It doesn't cater to the lowest common denominator, apparently. Fails to slop the hogs sufficiently. I don't have space here to convey all the things I really dug about PATHFINDER. There are important messages about racism and identity. I think the film has real cult potential as the main character's assertion of self, "Eth Bay Quer Eh Kem!" (I know who I am!), could be the rallying cry for a generation of disaffected teens. The love story is quite moving, as well. The characters actually have chemistry. Human emotion in general is well conveyed. But again, you have to be receptive. When a brave refuses to shake the main characters hand, your mind has to move on its own and consider the deadly consequences for yourself; the film does not pause and explain. There is no accompanying PowerPoint presentation. Apparently that's what people need.
And the problem is, all these negative, unthinking reviews. People will not see this movie. Thus, they will not make another like it. To me, that's a shame.
Viking Epic? Hardly........2007-06-18
This movie was one of the worst movies I have ever seen. Literally, its in the top five worst movies of all time. There wasn't a single ounce of story driven content on the screen. There was maybe 5 words spoken in the entire film, and there was no reason behind anything that anyone did. You feel absolutely nothing for any of the characters. O wait, I felt something. I was hoping everyone would just die so the movie would end. But no, it kept going on and on and on, just showing more Viking deaths and killings, but getting nowhere in the process.
"Lets make a movie with no story, and we can throw in random, choppy "fight" sequences to make up for it!" That's probably what the director was thinking when creating this movie. Too bad the fighting scenes are terrible. The editing is terrible. One second the characters are over here attacking a Viking, the very next shot has them in a entirely different scene fighting someone else. Did I mention there is no story behind all this? It's just a montage of random killings. There is also no logic to back it up either. "Let us climb onto a mountain pass, and lets tie ourselves together, so if one falls, we all fall!" You'll no what I mean when you see it (although I highly, HIGHLY recommend you don't waste your money AND time).
So to end this review of a worthless, terrible, despicable and time-wasting movie, I will again say there is no story. Only random, gory deaths that had nothing to do with anything. I again recommend you skip this, unless you really enjoy films with absolutely no story and lots of cheesy, laughable (although they were going for the opposite effect) deaths.
Pathfinder: A Viking Epic .......2007-06-07
Pathfinder is a great viking epic movie about a man's struggle and destiny. the cinematography,visual effects,and the costuming is outstanding. i would love too see this movie get a academy award nomination and also get an academy award. the fighting sequences are ethereal and very haunting. Pathfinder (Unrated Edition)
Average customer rating:
- Essential history
- Great movie
- Insanely great!
- Decent TNT original movie, nice brief stroll through computer history.
- good but not accurate
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Pirates of Silicon Valley
Starring: Noah Wyle , Joey Slotnick , J.G. Hertzler , Anthony Michael Hall , and Wayne Pére
Director: Martyn Burke
Manufacturer: Turner Home Ent
ProductGroup: DVD
Binding: DVD
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True Story
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- Triumph of the Nerds
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ASIN: B0009NSCS0
Release Date: 2005-08-30 |
Product Description
The revolution came when we weren't looking. It happened in a garage. In a dorm room. In countless hours of effort, imagining and intrigue. Apple co-founder Steve Jobs and Microsoft co-founder Bill Gates were changing the way the world works, lives and communicates.
The event-packed saga of the quirky visionaries who jump-started the future unfolds with exhilarating, cutting-edge style in Pirates of Silicon Valley. Noah Wyle (ER) portrays Jobs and Anthony Michael Hall (The Dead Zone) portrays Gates in this chronicle of the fierce and often humorous battle to rule the fledgling personal computer empire. "The story is almost Shakespearean... it's a tale of lust, greed, ambition, love and hate," writer/director Martyn Burke reflects. And it's a success story unlike any other.
Running Time: 97 min.
Format: DVD MOVIE
Amazon.com
This dramatization of the tangled history of Apple Computer and Microsoft, based on a book by Paul Freiberger and Michael Swaine, hits enough of the right notes to make its failures all the more frustrating. The script follows the entwined paths of Apple's Steve Jobs and Microsoft's Bill Gates with a pointed sense of the cultural divide between the hip, self-absorbed Apple cofounder and the brilliant alpha geek behind Microsoft's eventual software empire, contrasting the Mac's countercultural underpinnings with the PC's more strait-laced origins. But Pirates of Silicon Valley seemingly can't decide whether it wants to be a serious-minded history of these key figures in the personal computer revolution or a trashy wallow in the more ignoble foibles of its principals. As a result, it falls short of exacting history while never achieving the guilty pleasure it might have.
If Gates has become synonymous with corporate conquest at its most striking, Pirates' interest lies more with Jobs, given a nervous energy and flashes of adolescent selfishness by Noah Wyle, who benefits from a reasonable physical resemblance to the Apple chief. Eyewear and a comb-over do nearly as well for Anthony Michael Hall, who also grafts some of Bill Gates's better-known mannerisms onto his performance and renders Gates as a smart if socially maladroit entrepreneur who, like Jobs, provides the ambition and business savvy to exploit his partner's computing talents. There are a few fanciful touches (Ballmer and Wozniak become Greek choruses, addressing the viewer as they comment on the principals), but the story plays out in straightforward fashion. It's tantalizing to consider how the Apple/PC melodrama might have fared with an edgier, more openly satirical script. --Sam Sutherland
Customer Reviews:
Essential history.......2007-07-05
This made-for-TV movie doesn't deserve the negative, 2nd class stigma that is often associated with previous "MFTV" films.
The story is portrayed and dramatized excellently as the two main characters, played by Noah Wyle and Anthony Michael Hall perform spot-on impressions of Steve Jobs and Bill Gates, respectively.
Based on Paul Freiberger and Michael Swaine's book "Fire in the Valley", this film really should be, as actually cleverly stated in one particular scene of the movie, an ESSENTIAL history lesson for any and all students pursuing career goals in information technology.
John C. Bloomington MN
Great movie.......2007-06-29
This movie was very inetersting. It shows how the modern personal computer industry started.
Insanely great!.......2007-06-04
Hugely enjoyable and quite accurate (by most accounts) telling of the rise and ultimate clash of two modern tech titans, Steve Jobs and Bill Gates. Canadian Martyn Burke deserves great credit for both writing and directing this gem. While made for television, this is better by far than most made-for-theater Hollywood productions. The 70's and 80's music fits especially well; tremendously appropriate songs and soundtrack for the story. And the use of the famous Apple "1984" commercial, compared with the vision of a huge, televised Bill Gates hovering over a humbled Steve Jobs is absolutely brilliant.
The dual narration is brilliant too, using the Steve Wozniak character to narrate the Apple story, while the Steve Ballmer character narrates the Microsoft side of things. Sure, there are major oversimplifications of many characters, and while a Paul Allen character is an active presence here - we learn virtually nothing about him as a person. But so what? As the commentary on the DVD points out, there's an almost Shakespearean feel to much of this. The focus is on the events surrounding the ultimate clash for PC superiority between Apple and Microsoft, and on Jobs himself, to a lesser extent on Gates. With no attempt to fully flesh out the other players (and none needed, in the particular story that's being told/dramatized). A few weakish scenes are included, but not many; virtually every scene adds a dimension to the plot and to the ultimate conclusion. The pace is very good, very strong. Noah Wyle gives a terrific performance as Steve Jobs; Anthony Michael Hall is also excellent as Bill Gates. And the DVD has a brief but interesting and entertaining introduction by Wyle; be sure to view it.
As to any "inaccuracies", from what I can tell those are very, very minor. Those interested may want to check Steve Wozniak's website, a section (in "letters") discusses his take on this movie. In a nutshell, Woz was not consulted for the movie, and was flattered by the way he was portrayed. He seemed to feel the movie was accurate or portrayed accuracies; he mentions a few things such as they weren't allowed to wear the "Alice in Wonderland" costumes home, but changed out of them before leaving the performance - personally I thought it was a nice touch to have them walking home while still in costume. Also there's some obvious dialog added for humorous or dramatic purposes; for example, in one scene the Gates character tries to connect socially with women by complimenting their "bandwidth" and by attempting to imitate John Travolta's disco moves while on rollerskates - funny, almost believable, but not likely strict reality. Or when both Jobs and Gates quote the Picasso line about "...great artists steal", but Gates (unlike Jobs) doesn't really care which artist said it. Minor stuff like that should be treated as artistic/dramatic license, not absolute reality. It's a movie (or docudrama), not a strict documentary, yet still manages to make a great story while still being essentially true to the reality of the events. (By the way, "Insanely Great" was of course an Apple marketing phrase for the Mac, created by Steve Jobs himself; so I'm not meaning to infringe on any copyright there!).
Decent TNT original movie, nice brief stroll through computer history........2007-05-31
The computer revolution has change everything over the past 30. I hope someday a good documentary will be available. This film is so far the only thing I have noted along the way that even tried to touch on the computer wars at the beginning. TNT produced this film back in 1999 as one of its first original movie shows. Its good drama, and really got me interested in looking at the interesting history of computer development. Yes it's kinda nerdy, but hey, I think everybody has to admit it, Apple/Macintosh has always been a more reliable/stable system, very hard to crash. Why the heck then did the IBM/microsoft platform take off as it did? Well, this movie only touches on it. Noah Wyle plays the outlandish Steve Jobes, who was co founder of Apple with Steve Woznyack. This movie illistrates his control in the company, but only touches how Apple's priprietary protection/isolation killed its strong foothold on the market, while the IBM/IBM clone market skyrocketed secondary to competition keeping computer price and software down while Microsoft, the little program maker, rake in the money from lisencing it's software. Is this really how Steve Jobes and Bill gates (anthony michael hall) are in real life, I don't think so, but hey, its still a decent movie. Check it out if you like this kind of history.
good but not accurate.......2007-05-21
the movie paints a good picture of the people in the movie, and touches on a lot of realistic events, but is not totally accurate
Average customer rating:
- Review of Dirty Dancing
- I was hoping for a little more
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- A Wonderful Ode to a Lost Time & Place
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Dirty Dancing (20th Anniversary Edition)
Starring: Kelly Bishop , Jane Brucker , Max Cantor , Charles "Honi" Coles , and Jesus Fuentes
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ASIN: B000NIVJHM
Release Date: 2007-05-08 |
Description
The summer of 1963 innocent 17-year-old Baby (Grey) vacations with her parents at a Catskill's resort. One evening she is drawn to the staff quarters by stirring music. There she meets Johnny, the hotel dance instructor, who is as experienced as Baby is naive. Baby soon becomes Johnny's pupil in dance and love.
Customer Reviews:
Review of Dirty Dancing.......2007-06-27
This is such a classic! Who doesn't love this movie?! I've watched it many times. Great love story, wonderful dancing, and excellent cast!
I was hoping for a little more.......2007-06-23
While I can't claim to have seen this movie more than a couple of times, I did look forward to all the extra features of this dvd. I was a little disappointed in the outtakes and deleted scenes, etc, in that they were quite brief given the enormous amount of material that must have been filmed and not used. I do highly recommend the real dirty dancing scene with "Johhny and Baby"-its the most erotic thing I have ever seen in clothes. I did enjoy the commentary and trivia as well. Recommended.
Finally the edition fans have waited for..........2007-06-11
What child of the 80s doesn't remember Johnny pulling Baby out of that corner and letting the whole world know that real men do dance?! Well, we can all breath a sigh of relief because the wonderful people over at Lionsgate have finally put out a version that includes lots and lots of extras including deleted scenes, alternate scenes, extended scenes, outtakes plus more that haven't been included in any edition before. My only complaint is that they left out Dirty Dancing Live in Concert...which means I'll probably hang onto my Ultimate version but nonetheless I'm thrilled with the new extras. If you loved this movie 20 years ago, be sure to pick it up for the next 20.
A Wonderful Ode to a Lost Time & Place.......2007-05-31
Great music, great dancing, great atmosphere, great romance, and enough schmaltz to make this a wonderful DVD to own (even if you have forgotten about the charm of the Catskills)>
"I carried a watermelon?".......2007-05-30
Dirty Dancing (20th Anniversary Edition) is still the best and sexist dance film I have ever seen. Patrick Swayze and Jennifer Grey sizzle, smolder, and set the screen on fire with their undeniable chemistry. It's kinda funny since both stars couldn't stand each other off camera. I am so glad I waited 'til this new edition came out, great special features. Watch the deleted scene where they really dirty dance in Swayze's bungalow, it's hot, hot, hot!!!!!!!!!!!! This movie is a classic and everyone should own this tender film about first love, trusting those you're afraid to trust, and having the time of your life. I highly recommend it!
Average customer rating:
- An intriguing example of the John Ford film legacy.....
- Fort Apache
- Ford Defies Stereotypes of the Classic Western
- A Must-See in the History of Western Movies
- An unsatisfactory epic Western!
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Fort Apache
Starring: John Wayne , Henry Fonda , Shirley Temple , Pedro Armendáriz , and Ward Bond
Director: John Ford
Manufacturer: Turner Home Ent
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ASIN: B000O599NA
Release Date: 2007-05-22 |
Amazon.com essential video
John Ford's 1948 classic stars John Wayne as a Cavalry officer used to doing things a certain way out West at Fort Apache. Along comes a rigid, new commanding officer (Henry Fonda) who insists that everything on his watch be done by the book, including dealings with local Indians. The results are mixed: greater discipline at the fort, but increased hostilities with the natives. Ford deliberately leaves judgments about the wisdom of these changes ambiguous, but he also allows plenty of room in this wonderful film for the fullness of life among the soldiers and their families--community rituals, new romances--to blossom. Fonda, in an unusual role for him, is stern and formal as the new man in charge; Wayne is heroic as the rebellious second; Victor McLaglen provides comic relief; and Ward Bond is a paragon of sturdy and sentimental masculinity. All of this is set against the magnificent, poetic topography of Monument Valley. This is easily one of the greatest of American films. --Tom Keogh
Description
The soldiers at Fort Apache may disagree with the tactics of their glory-seeking new commander. But to a man, they're duty-bound to obey - even when it means almost certain disaster. John Wayne, Henry Fonda and many familiar supporting players from master director John Ford's "stock company" saddle up for the first film in the director's famed cavalry trilogy (She Wore a Yellow Ribbon and Rio Grande are the others). Roughhouse camaraderie, sentimental vignettes of frontier life, massive action sequences staged in Monument Valley - all are part of Fort Apache. So is Ford's exploration of the West's darker side. Themes of justice, heroism and honor that Ford would revisit in later Westerns are given rein in this moving, thought-provoking film that, even as it salutes a legend, gives reasons to question it.
Customer Reviews:
An intriguing example of the John Ford film legacy............2007-06-26
FORT APACHE, directed by John Ford, features John Wayne in a unusual detour, as the understated Captain Kirby York, Henry Fonda as an arrogant and hardheaded Lt. Col. Owen Thursday, and a grown up Shirley Temple as Philadelphia Thursday, Fonda's on-screen daughter. I viewed this film in a Native American Cinema course. We observed the tensions between soldiers, at the end of the American Civil War, with a local Indian tribe. While York (Wayne) believes that the Indians should be treated with respect, Lt. Col. Thursday thinks otherwise. Meanwhile, his daughter Philadelphia (Temple) is falling in love with Lt. Michael "Mickey" O'Rourke (John Agar). This is much to the great disapproval of her father.
This is a film that depicted Native Americans in a rare, sympathetic light. We also see the ample tension that exists in the experience of Irish-American soldiers following the war. The acting, here, is at times interchangeably compelling (John Wayne is great, as is Henry Fonda) as well as annoying (Shirley Temple's character becomes little more than a curiousity--yes, this is the same Shirley Temple best known as a tap dancing three year old with ringlets). John Ford did a great job crafting this film. It is very engaging and well done. I definitely reccomend this as your introduction to his cinematic storytelling.
Fort Apache.......2007-06-22
The first installment in Ford's illustrious Cavalry Trilogy, "Apache" soars to great heights thanks to Fonda, effectively playing an arrogant, rigid Easterner, and the brawny Wayne, superb as a savvy frontiersman who knows it's foolish to go up against Apache leader Cochise. Apart from critiquing the sensationalization of military heroics and the myth of the "savage," Ford works in sequences of everyday frontier rituals, like dances, chores, and even a romance involving Thursday's daughter, played by an all grown-up Shirley Temple. With its exquisite black-and-white shots of Monument Valley, assured acting, and Custer-esque storyline, "Apache" is an enduring Western winner.
Ford Defies Stereotypes of the Classic Western.......2007-05-09
'Fort Apache' is worth watching for John Ford's cinematography alone. Much of the movie was filmed in Monument Valley, Ford's favorite setting. But the movie offers much more. Ford crafts an entertaining movie-watching experience that includes some deft comedic scenes early on. Ward Bond turns in a strong performance as the burly Irish-American Sgt. Major.
Ford also defies some of our stereotypes of the classic Western. Owen Thursday, the embittered new leader of Fort Apache brilliantly played by Henry Fonda, is, despite his protestation to the contrary, a martinet and in the end a recklessly proud fool. Perhaps most interesting, Ford starkly calls into question the creation of military heroes. Thursday rides to his death in an unprovoked and fool-hardy frontal attack on Apache warriors. Cut to the closing scene, months later back at the fort, Thursday's memory is lauded by a group of uninformed reporters as a glorious hero to which John Wayne, the new leader of Fort Apache ironically accedes.
Highly recommended.
A Must-See in the History of Western Movies.......2007-02-03
It's fascinating to compare this 1948 pairing of director John Ford and John Wayne with Stagecoach, which they did together in 1939. In 1939 Wayne was a 'kid' and the Indians were a faceless menace which could not be reasoned with. Not even ten years later, Wayne is a weathered, wise Captain on a remote outpost, very sympathetic with the local natives. The Indians are now a complex, mistreated group who are deserving of respect.
The landscape and lifestyle is simply gorgeous in this film even though it's black and white. The love of music, the heartachingly gorgeous vistas and carved rocks, the soaring skies all make you want to immediately take a trip to the west. There are a variety of characters here - the defeated Rebels from the civil war, the stereotypical group of drinking Irish, the shopkeeps who take advantage of the natives and the men of honor who try to do the right thing.
The local cavalry group is happy hanging out in their remote outpost when Henry Fonda - Col. Thursday - shows up with his slightly ditsy but good natured daughter, Philadelphia (Shirley Temple!). Philly playfully explains that Pomfret CT and not Pennsylvania lay in her past. Soon the local west point grad is in love with her - but despite his officer rank and the fact that his dad won the medal of honor, Thursday feels the romance is entirely inappropriate - a breach of class etiquette.
In fact, Thursday calls the lad an "uncilized Indian" for taking his daughter out without permission. He feels he's educated and worthy of great glory - he researched the tactics of Khan, Alexander the Great and others. When it comes to real life, however, he is lacking in wisdom.
While the group is sitting around enjoying 1846 port, the natives are restless. Thusrday disdanfully complains that while others get to joust with "the 'great indian nations' of Sioux and Cheyenne, we get the gnat-stains and flea- bites of a few digger indians." Wayne, annoyed, responds, "You'd hardly call the Apaches digger indians." Says Thursday, "You'd scarely compare them with the Sioux ..." When Wayne tries to talk about the Apaches destroying the Sioux, Thursday ignores him.
Soon, because local trader Meacham has been only giving them rotgut whiskey, giving them "whiskey but no beef", Chochise, Diablo, Geronimo and others take off with numerous Mescaleros and Chiricahuas for the south border. Meacham is dismissive - "You know how children are". Wayne goes in to talk peace with them, and no sooner has he negotiated one but Thursday decides to kill them all for glory. When Wayne complains about the damage to his honor, Thursday sneers about the value of "Your word to a breech-clothed savage".
Unfortunately for Thursday's wild plan, the cavalry are soon surrounded and outnumbered four to one. Thurday reluctantly agrees to talk - and again his lack of wisdom shines through as he abandons all diplomacy and openly insults them. It's pretty inevitable what follows.
On one hand you could complain that even though there are supposed to be multiple branches of the Apache clan represented, you tend to only see generic indians on ridges with regular shirts and bandanas. But compared to the stories done just ten years ago, the changes are pretty stunning. Now it's the whites who are the senseless marauders, and the natives who are merely trying to find a peaceful way to live. Unfortunately, it's the cavalrymen who get stuck in the center.
A very important movie to watch, to see how the shifting sands adjust in perceptions over time - and to admire the gorgeous landscapes of the old west.
An unsatisfactory epic Western!.......2006-11-08
In portraying the history of the United States from the Revolutionary War to World War II, John Ford continually resorted to a deeply personal, nostalgic form of legend... If there is no doubt of his importance to the development of the Western, his uniquely sentimental, poetic glorification of the white American's conquest of the wilderness is both picturesque and reactionary...
The cavalrymen get a more honorable deal from three films made in succession by him: 'Ford Apache,' 'She Wore a Yellow Ribbon,' and 'Rio Grande.' These are quite properly referred to as his 'cavalry trilogy' as they deserve to be considered as a body of work dedicated to a particular theme, that of the life of the cavalry and their role as frontier protectors in times of Indian uprising...
'Fort Apache' is about the tensions in an isolated fort-social and military - hierarchy tensions, and, ultimately, the purely military tensions that arise when the commanding officer is transparently ill-fitted for his command...
Henry Fonda is a vain, domineering,