
Editorial Review:
Amazon.com
"There's something rotten in the City of Angels," claims the video box. Sure enough, under the dysfunctional dealings of a family business is the story of Hamlet retooled for the twilight world of nocturnal L.A. Jack (Jonathan Penner, who cowrote the screenplay with director Stacy Title) is spending a joyless break from graduate school to deal with his father's sudden death. He's disconnected from his unstable lover (Mary-Louise Parker), the daughter of family lawyer Philip Baker Hall, and his mom (Jacqueline Bisset), a withdrawn alcoholic who has let his "2-watt" Uncle Carl (Jamey Sheridan) manage the family fortune. When a mysterious figure tells him that Carl murdered his father, Jack's unsettled feelings are thrown into a restless rage. This official Slamdance 1999 selection is never as moving or insightful as Michael Almereyda's Wall Street Hamlet with Ethan Hawke, but Title makes the most of this free adaptation, and drives the film with the simmering energy of a frantic, wound-up hero. It's surprising how well the story lends itself to the double-crossing and devious betrayal of modern neo-noir, only periodically stopping for a Shakespearean rumination (the "Alas, poor Yorick" speech becomes a meditation on a skull fragment, the remains of a brutal execution-style murder). Title makes the fatal architecture of Shakespeare work beautifully and unpretentiously in a modern context, creating a modest but satisfying gritty little thriller. --Sean Axmaker
Average customer rating:
|
Let the Devil Wear Black
Starring: Jonathan Penner , Randall Batinkoff , Norman Reedus , Jamey Sheridan , and Brooke Taylor Director: Stacy Title Manufacturer: Unapix / a-Pix Ent. ProductGroup: DVD Binding: DVD Similar Items:
ASIN: 1578482917 Release Date: 2000-06-27 |
Amazon.com
"There's something rotten in the City of Angels," claims the video box. Sure enough, under the dysfunctional dealings of a family business is the story of Hamlet retooled for the twilight world of nocturnal L.A. Jack (Jonathan Penner, who cowrote the screenplay with director Stacy Title) is spending a joyless break from graduate school to deal with his father's sudden death. He's disconnected from his unstable lover (Mary-Louise Parker), the daughter of family lawyer Philip Baker Hall, and his mom (Jacqueline Bisset), a withdrawn alcoholic who has let his "2-watt" Uncle Carl (Jamey Sheridan) manage the family fortune. When a mysterious figure tells him that Carl murdered his father, Jack's unsettled feelings are thrown into a restless rage. This official Slamdance 1999 selection is never as moving or insightful as Michael Almereyda's Wall Street Hamlet with Ethan Hawke, but Title makes the most of this free adaptation, and drives the film with the simmering energy of a frantic, wound-up hero. It's surprising how well the story lends itself to the double-crossing and devious betrayal of modern neo-noir, only periodically stopping for a Shakespearean rumination (the "Alas, poor Yorick" speech becomes a meditation on a skull fragment, the remains of a brutal execution-style murder). Title makes the fatal architecture of Shakespeare work beautifully and unpretentiously in a modern context, creating a modest but satisfying gritty little thriller. --Sean AxmakerCustomer Reviews:
Interesting, yet stick with Hamlet.......2003-08-31
There lies the problem with the film. The characters are for the most part so unlikable, that one could almost care less if Jack (played deliberately over the top by Jonathan Penner) ever avenges his father's suspicious death. In fact, several times during the viewing I was hoping Title would break with Shakespeare and bump off Jack. His "love" scenes with Parker are crude and unaffectionate, making him even more unlikable. Penner's portrayal can be fun at times, yet it's hard to be compassionate or relate to a guy like Jack (unless maybe you are filthy rich, obsessed and have a fetish for sex in restrooms). When sleazy characters are well written, as they are in Scorsese's films, the audience can get to know, like them, even root for them. Here, they are shallow, heartless, almost totally unattractive, stupid at times and rather uninteresting (no, I did not like them). The climax is overblown and ridiculous. Fortunately and thankfully, few are left alive at the film's conclusion.
Still, despite all the flaws. I can't help but recommend the film for film noir fans or those who are looking for "something different" as the filmmaking itself is interesting and well done. With a better script and well-developed characters, it could have been a very good film. However, for great writing, stick with old Bill's Hamlet
Very good hip Hamlet....but no extras.......2002-09-22
As Jack, the Hamlet guy, Jonathan Penner looks too old to be in grad school, but overall he does a much better job than the horribly miscast Ethan Hawke in Michael Almereyda's 2000 version of Hamlet (whose supporting cast brilliantly outshone the leads). The always excellent Mary-Louise Parker is great as Julia (Ophelia) and in supporting roles, Maury Chaykin, Philip Baker Hall, Jonathan Banks, and Norman Reedus are all effective. Jacqueline Bisset and Jamey Sheridan make a nice evil couple (Jack's mother and uncle, the co-murderers of his father), and Chris Sarandon puts in a silent appearance as the father-ghost in a number of very effective flashbacks and current sightings--by Jack, of course.
It's true that this is a bit thin compared to the real Hamlet--in fact, more than a bit--but the director has sacrificed meat and potatoes for some tasty sauce. There's a lot of zing here and this is a very entertaining film, noticeably different in tone and temperament from any other Hamlet. Here there's a real emphasis on noir elements that come to the surface in sudden flashes or bursts of action making this more a thriller than anything else. Half-naked strippers, Mexican-American thug-cops, a crack-carrying gunman, and a crooked lawyer all contribute to the atmosphere.
Be advised that although the DVD case claims there is a trailer and behind the scenes footage, this is not true. There are NO extras at all. But it is a fun way to spend 90 minutes.
Confusing title, satisfying film.......2001-11-21
A little Pepto will do........2001-11-05
Average customer rating:
|
Let the Devil Wear Black [Region 2]
Starring: Jonathan Penner , Randall Batinkoff , Norman Reedus , Jamey Sheridan , and Brooke Taylor Director: Stacy Title ProductGroup: DVD Binding: DVD Similar Items:
ASIN: B00004U9QI |
Amazon.com
"There's something rotten in the City of Angels," claims the video box. Sure enough, under the dysfunctional dealings of a family business is the story of Hamlet retooled for the twilight world of nocturnal L.A. Jack (Jonathan Penner, who cowrote the screenplay with director Stacy Title) is spending a joyless break from graduate school to deal with his father's sudden death. He's disconnected from his unstable lover (Mary-Louise Parker), the daughter of family lawyer Philip Baker Hall, and his mom (Jacqueline Bisset), a withdrawn alcoholic who has let his "2-watt" Uncle Carl (Jamey Sheridan) manage the family fortune. When a mysterious figure tells him that Carl murdered his father, Jack's unsettled feelings are thrown into a restless rage. This official Slamdance 1999 selection is never as moving or insightful as Michael Almereyda's Wall Street Hamlet with Ethan Hawke, but Title makes the most of this free adaptation, and drives the film with the simmering energy of a frantic, wound-up hero. It's surprising how well the story lends itself to the double-crossing and devious betrayal of modern neo-noir, only periodically stopping for a Shakespearean rumination (the "Alas, poor Yorick" speech becomes a meditation on a skull fragment, the remains of a brutal execution-style murder). Title makes the fatal architecture of Shakespeare work beautifully and unpretentiously in a modern context, creating a modest but satisfying gritty little thriller. --Sean AxmakerCustomer Reviews:
Interesting, yet stick with Hamlet.......2003-08-31
There lies the problem with the film. The characters are for the most part so unlikable, that one could almost care less if Jack (played deliberately over the top by Jonathan Penner) ever avenges his father's suspicious death. In fact, several times during the viewing I was hoping Title would break with Shakespeare and bump off Jack. His "love" scenes with Parker are crude and unaffectionate, making him even more unlikable. Penner's portrayal can be fun at times, yet it's hard to be compassionate or relate to a guy like Jack (unless maybe you are filthy rich, obsessed and have a fetish for sex in restrooms). When sleazy characters are well written, as they are in Scorsese's films, the audience can get to know, like them, even root for them. Here, they are shallow, heartless, almost totally unattractive, stupid at times and rather uninteresting (no, I did not like them). The climax is overblown and ridiculous. Fortunately and thankfully, few are left alive at the film's conclusion.
Still, despite all the flaws. I can't help but recommend the film for film noir fans or those who are looking for "something different" as the filmmaking itself is interesting and well done. With a better script and well-developed characters, it could have been a very good film. However, for great writing, stick with old Bill's Hamlet
Very good hip Hamlet....but no extras.......2002-09-22
As Jack, the Hamlet guy, Jonathan Penner looks too old to be in grad school, but overall he does a much better job than the horribly miscast Ethan Hawke in Michael Almereyda's 2000 version of Hamlet (whose supporting cast brilliantly outshone the leads). The always excellent Mary-Louise Parker is great as Julia (Ophelia) and in supporting roles, Maury Chaykin, Philip Baker Hall, Jonathan Banks, and Norman Reedus are all effective. Jacqueline Bisset and Jamey Sheridan make a nice evil couple (Jack's mother and uncle, the co-murderers of his father), and Chris Sarandon puts in a silent appearance as the father-ghost in a number of very effective flashbacks and current sightings--by Jack, of course.
It's true that this is a bit thin compared to the real Hamlet--in fact, more than a bit--but the director has sacrificed meat and potatoes for some tasty sauce. There's a lot of zing here and this is a very entertaining film, noticeably different in tone and temperament from any other Hamlet. Here there's a real emphasis on noir elements that come to the surface in sudden flashes or bursts of action making this more a thriller than anything else. Half-naked strippers, Mexican-American thug-cops, a crack-carrying gunman, and a crooked lawyer all contribute to the atmosphere.
Be advised that although the DVD case claims there is a trailer and behind the scenes footage, this is not true. There are NO extras at all. But it is a fun way to spend 90 minutes.
Confusing title, satisfying film.......2001-11-21
A little Pepto will do........2001-11-05
Average customer rating:
|
Let the Devil Wear Black [Region 2]
Starring: Jonathan Penner , Randall Batinkoff , Norman Reedus , Jamey Sheridan , and Brooke Taylor Director: Stacy Title ProductGroup: DVD Binding: DVD Similar Items:
ASIN: B00009PBXM |
Amazon.com
"There's something rotten in the City of Angels," claims the video box. Sure enough, under the dysfunctional dealings of a family business is the story of Hamlet retooled for the twilight world of nocturnal L.A. Jack (Jonathan Penner, who cowrote the screenplay with director Stacy Title) is spending a joyless break from graduate school to deal with his father's sudden death. He's disconnected from his unstable lover (Mary-Louise Parker), the daughter of family lawyer Philip Baker Hall, and his mom (Jacqueline Bisset), a withdrawn alcoholic who has let his "2-watt" Uncle Carl (Jamey Sheridan) manage the family fortune. When a mysterious figure tells him that Carl murdered his father, Jack's unsettled feelings are thrown into a restless rage. This official Slamdance 1999 selection is never as moving or insightful as Michael Almereyda's Wall Street Hamlet with Ethan Hawke, but Title makes the most of this free adaptation, and drives the film with the simmering energy of a frantic, wound-up hero. It's surprising how well the story lends itself to the double-crossing and devious betrayal of modern neo-noir, only periodically stopping for a Shakespearean rumination (the "Alas, poor Yorick" speech becomes a meditation on a skull fragment, the remains of a brutal execution-style murder). Title makes the fatal architecture of Shakespeare work beautifully and unpretentiously in a modern context, creating a modest but satisfying gritty little thriller. --Sean AxmakerCustomer Reviews:
Interesting, yet stick with Hamlet.......2003-08-31
There lies the problem with the film. The characters are for the most part so unlikable, that one could almost care less if Jack (played deliberately over the top by Jonathan Penner) ever avenges his father's suspicious death. In fact, several times during the viewing I was hoping Title would break with Shakespeare and bump off Jack. His "love" scenes with Parker are crude and unaffectionate, making him even more unlikable. Penner's portrayal can be fun at times, yet it's hard to be compassionate or relate to a guy like Jack (unless maybe you are filthy rich, obsessed and have a fetish for sex in restrooms). When sleazy characters are well written, as they are in Scorsese's films, the audience can get to know, like them, even root for them. Here, they are shallow, heartless, almost totally unattractive, stupid at times and rather uninteresting (no, I did not like them). The climax is overblown and ridiculous. Fortunately and thankfully, few are left alive at the film's conclusion.
Still, despite all the flaws. I can't help but recommend the film for film noir fans or those who are looking for "something different" as the filmmaking itself is interesting and well done. With a better script and well-developed characters, it could have been a very good film. However, for great writing, stick with old Bill's Hamlet
Very good hip Hamlet....but no extras.......2002-09-22
As Jack, the Hamlet guy, Jonathan Penner looks too old to be in grad school, but overall he does a much better job than the horribly miscast Ethan Hawke in Michael Almereyda's 2000 version of Hamlet (whose supporting cast brilliantly outshone the leads). The always excellent Mary-Louise Parker is great as Julia (Ophelia) and in supporting roles, Maury Chaykin, Philip Baker Hall, Jonathan Banks, and Norman Reedus are all effective. Jacqueline Bisset and Jamey Sheridan make a nice evil couple (Jack's mother and uncle, the co-murderers of his father), and Chris Sarandon puts in a silent appearance as the father-ghost in a number of very effective flashbacks and current sightings--by Jack, of course.
It's true that this is a bit thin compared to the real Hamlet--in fact, more than a bit--but the director has sacrificed meat and potatoes for some tasty sauce. There's a lot of zing here and this is a very entertaining film, noticeably different in tone and temperament from any other Hamlet. Here there's a real emphasis on noir elements that come to the surface in sudden flashes or bursts of action making this more a thriller than anything else. Half-naked strippers, Mexican-American thug-cops, a crack-carrying gunman, and a crooked lawyer all contribute to the atmosphere.
Be advised that although the DVD case claims there is a trailer and behind the scenes footage, this is not true. There are NO extras at all. But it is a fun way to spend 90 minutes.
Confusing title, satisfying film.......2001-11-21
A little Pepto will do........2001-11-05
DVD:
DVD
Coyote Ugly/Pretty Woman (10th Anniversary Edition)