And there are too many innocent people being set up by the corrupt men and women floating around D.C.
I enjoyed the chase - the pace - the characters - most Secret Service guys are great --
I HIGHLY RECOMMEND this movie for the story and the execution - the enjoyment of good entertainment.
Excellent!.......2007-06-22
I watched this DVD twice in one week. It's fast moving and will really keep your attention.
So-so.......2007-06-14
With all the talent involved -Michael Douglas, Kiefer Sutherland, Kim Basinger and Eva Longoria-- The Sentinel should have been a better movie. The idea is not a bad one: for the first time in history, there's a traitor inside the Secret Service, who's planning to kill the President of the United States. But screenplay has a lot of holes and flaws that not even this talented cast can overcome.
Solid Suspense Story.......2007-05-29
I had a good time with this one. There were no real surprises, but everyone connected with the movie delivered great performances that allowed the story to progress at a rapid, suspenseful pace that never broke.
Michael Douglas stars as Pete Garrison, a seasoned Secret Service agent who took a bullet meant for Ronald Reagan. He's ageing comfortably well and spending his life in service to the office of the President as a personal protector to the First Lady. Unfortunately, Garrison has also fallen in love with Sarah Ballentine and he's been compromised for some time.
In short order, a plot to kill the president is discovered. All indications are that the plot is coming from within the Secret Service. They go on a mole hunt at the same time one of Garrison's confidential informers tells him about the mole. Someone also knows about Garrison's affair with the first lady.
After a few tense cat-and-mouse moments, Garrison is placed in the cross-hairs of the Secret Service investigation. His one-time best friend David Breckinridge (Keifer Sutherland) comes after him with a vengeance because he believes Garrison had an affair with his wife. Eva Longoria stars as new Secret Service recruit Jill Marin.
The movie evolves into a series of chases and mystery-solving that runs tight and neat to the end, although it doesn't really break any new ground. The movie is a great rental for movie night for both sexes that enjoy suspense stories with well-choreographed action sequences.
I watched the Blu-ray version. The audio and video formatting are excellent and are both uncompressed, giving the viewer the best experience possible if they have an HD monitor and surround sound system.
Secret Service agent framed.......2007-05-14
Michael Douglas plays a long-time Secret Service agent who took a bullet in place of Ronald Reagan during his [...] attempt. Word has it that there is a plot to kill the current President and Douglas is supposed to be the man working on the inside to see that the [...] is successful. Investigators don't have to look far to uncover a motive, as Douglas has been carrying on an affair with the First Lady. Douglas has a tough job in eluding the investigators who are after him and trying to find the real Secret Service mole. This is a slick, fast-paced movie with plenty of star power in Douglas and Eva Longoria. It will provide you a good evening's entertainment.
Average customer rating:
- A Top Ten All-Time Movie
- Stalag 17
- Another Great Wilder Classic
- Stalag 17 Directors Cut Version
- Stalag 17
|
Stalag 17 (Special Collector's Edition)
Starring: William Holden , Don Taylor , Otto Preminger , Robert Strauss , and Harvey Lembeck
Director: Billy Wilder
Manufacturer: Paramount
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ASIN: B000CNESN0
Release Date: 2006-03-21 |
Amazon.com essential video
Black comedy and suspenseful action inside a German POW camp during World War II--a setting that was later borrowed for the TV sitcom Hogan's Heroes. The great director Billy Wilder adapted the hit stage play, applying his own wicked sense of humor to the apparently bleak subject matter. William Holden plays an antisocial grouse amid a gang of wisecracking though indomitable American prisoners. Because of his bitter cynicism, Holden is suspected by the others of being an informer to the Germans, an accusation he must deal with in his own crafty way. Holden, who had delivered a brilliant performance for Wilder in Sunset Boulevard, won the 1953 Best Actor Oscar for Stalag 17. Very much his equal, however, is Otto Preminger, an accomplished director himself, who plays the strict, sneering camp commandant. --Robert Horton
Product Description
Two worthy Academy Award® nominees from 1950's Sunset Boulevard - actor William Holden and director Billy Wilder - reteamed three years later for the gripping World War II drama, Stalag 17. The result was another Best Director nomination for Wilder (his fourth), and the elusive Best Actor Oscar® for Holden. Holden portrays the jaded, scheming Sergeant J.J. Sefton, a prisoner at the notorious German prison camp, who spends his days dreaming up rackets and trading with the Germans for special privileges. But when two prisoners are killed in an escape attempt, it becomes obvious that there is a spy among the prisoners. Is it Sefton? Famed producer/director Otto Preminger tackles a rare acting role as the camp's commandant; actor Robert Strauss won a Supporting Actor nomination for his role as "Animal." Here's Wilder's powerful, acclaimed film classic -- now packed with never-before-seen special features, including audio commentary and "behind-the-scenes" featurettes.
Customer Reviews:
A Top Ten All-Time Movie.......2007-07-02
I saw the original big-screen version in 1953 when I was steady-dating the girl I would later marry. We would usually take in a movie on Friday night and pick the one we wanted to see from the newspaper listing. At that time theaters showed double features and many movies were still in black and white, with the most scenic and the epic movies in the new Technicolor process. On this particular Friday night there were no outstanding movies being shown (at least none with great reputations), so we picked the double feature with a Technicolor movie and another in black and white, and our main interest was in the Technicolor movie. The black and white feature was Stalag 17, which I have never forgotten even in many of the details, but to this day I cannot remember what the Technicolor movie was (the one that we really went to see). It was, and is, one of the great movies of all time. The DVD version was given to me a year or two ago, and I have enjoyed it all over again.
Whereas Hogan's Heroes (spawned by Stalag 17) was a spoof, and a very good one at that, Stalag 17 was a serious drama, notwithstanding its lighthearted comedy scenes with "Animal" and "Harry", and even "Sgt. Schultz", which provided comic relief. Sgt. Sefton (William Holden) is the wheeler-dealer in the baracks who has not endeared himself to his fellow POWs, and in fact, has alienated himself from them by taking advantage of them in betting and trading schemes. He's an entrepreneur. As a result, when planned escapes result in disaster because the Germans were tipped off, cynical Sefton is the main suspect in the betrayal. He so angers the other POWs by his insistance that the next escape attempt will fail, and he's willing to take bets on it, that they beat him up. In order to vindicate himself and avoid future beatings, he must find out who the traitor is and how the information is transmitted. During one of the barracks-emptying drills he lags behind and has the opportunity to observe how it is done. The scene where he exposes the modus operandi and the traitor is filled with tension and suspense, because at this point, none of the men trust him, and we anxiously wonder how he will convince them about what he has discovered.
The story has everything; drama, suspense, anxiety and laughter. For me, it is one of the most memorable movies I have ever seen and ranks with Casablanca as an all time great.
Stalag 17.......2007-06-26
Unlike so many war films, Wilder's brilliant "Stalag" favors cynicism and satirical black humor over knee-jerk, good guy-bad guy patriotism. Coming on the heels of his success in Wilder's "Sunset Boulevard," Holden's Oscar-winning performance as a less-than-admirable army grunt helped establish the baseline for his enigmatic macho persona. And Preminger, working on the other side of the camera for once, plays sadistic Von Scherbach to sinister perfection. The barbed inspiration for "Hogan's Heroes," "Stalag 17" is the quintessential prisoner-of-war film, a seamless blending of gallows humor and gripping intrigue.
Another Great Wilder Classic.......2007-06-05
It's amazing how many great films Mr. Wilder made along his career. I'm more fond of his true comedies, sad comedies at times, romantic to the max, but his incursions into more serious themes leave also the mark of genius. From the very first scene one has pretty clear the idea that 'this one is art cinema'. His dexterity at finding the right pace and combining the subtle, but precise, ingredients to captivate his audience for 2 hours is such that very few film directors ever had. Such naturality.
He combines a dramatic setting and subject with cartoonish characters, and Hitchcockian suspense. The music is excellent, the photography is great. And this is one of his minor films. Imagine how great are his other masterpieces!
Stalag 17 Directors Cut Version.......2007-03-20
Awesome!!!!!!!!!!!!!!!!!!!!
Fast Shipping!!!!!!!!!!!
Product as described!!!!!!!!!!!!
Outstanding Buyer!!!!!!!!!!!!!!!!!!!!!!!!!!
Stalag 17.......2007-03-20
I loved this movie. I have seen it several times. I had a vcr of it and watched it many times.
Average customer rating:
- He who spies and runs away . . .
- an excellent dramatisation of an extraordinary life..
- DIGITAL TRANSFER TO DVD COULD HAVE BEEN BETTER
- An intelligent thriller!
- Where it Begins
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Reilly - Ace of Spies
Starring: Sam Neill , Peter Egan , Ian Charleson , Norman Rodway , and Tom Bell
Director: Martin Campbell , and Jim Goddard
Manufacturer: A&E Home Video
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ASIN: B000742FZW
Release Date: 2005-02-22 |
Amazon.com
Reilly: Ace of Spies is a thrilling dramatization of the fantastic life and exploits of Sidney Reilly, arguably the first modern secret agent and a complex, often unfathomable individual who invented his very name and identity. Sam Neill has never been better as the former Sigmund Rosenblum, an Odessa-born Jew who becomes a freelance spy for the British at the dawn of the 20th century. Calculating, ruthless, and more certain of his own counsel than the wisdom of his superiors, Reilly (he changes his name by the end of the first episode, "An Affair with a Married Woman," to obscure his personal history) can't help but remind one of a particularly determined James Bond. Reilly's reputation as a womanizer--not entirely deserved, but then none of his associates can quite figure out his thriving love life--adds to this historical figure's Bondian mystique.
In other respects, Reilly's version of espionage is far more complicated, and has greater historical repercussions, than that of Fleming's superspy. The first half of the 12 episodes in this set concern Reilly's daring work ascertaining and even securing the West's access to Middle East oil and, looking ahead to Russia's possible rise as a major power, determine the extent of that country's oil reserves. At the same time, Reilly always has one eye trained on ethically ambiguous opportunities to accrue wealth or play one friendly interest against another. The oil mission leads him from virtual house arrest in the foothills of the Caucuses (where Reilly sleeps with the young wife of an aging preacher as cover for his escape, leaves her to be arrested, then later marries her) to Port Arthur in China (where he clears the way for British allies the Japanese to invade) to France (where Reilly competes with the Rothschilds over Persian Oil concessions). The latter episodes focus on Reilly's extraordinary attempt to overthrow the Bolsheviks following the Russian revolution, barely escaping St. Petersburg after a botched attempt to assassinate Lenin and later risking his life by returning and advocating the killing of Stalin. Throughout this ever-changing drama, the series' writing is a marvel of historical fact and intriguing speculation about Reilly's whereabouts, exploits, and private passions. The supporting cast is superb, including David Burke as Stalin and Tom Bell as Russia's secret police chief Dzerzhinsky. The series was co-directed by Martin Campbell, who took on Pierce Brosnan's first assignment as 007, GoldenEye. --Tom Keogh
Description
At the turn of the 20th century, one remarkable man single-handedly tried to alter the course of history. Cold, ruthless, enigmatic, this Russian-born British agent radically transformed modern espionage techniques and set the mold for a new kind of secret agent-the super spy. REILLY: ACE OF SPIES is the thrilling, suspenseful dramatization of the real-life adventures of Agent ST-1, aka Sidney Reilly, the inspiration behind Ian Fleming's James Bond. Shot in glorious period detail, one heart-pulsing mission after another captures the arc of Reilly's brilliant career. From stealing top-secret Russian oil information to a near overthrow of the Bolshevik Revolution to his final capture by Stalin's forces in 1918, Reilly's exploits are at times so daring and reckless it's hard to believe it's history and not fiction. Starring Sam Neill (Jurassic Park, The Hunt for Red October), REILLY: ACE OF SPIES includes all 12 original episodes on DVD for the first time, and features a bonus documentary examining the final, mysterious days of this legendary figure. DVD Features: "Life of Reilly: Superspy" episode from A&E's acclaimed Vanishings series; Interactive Menus; Scene Selection
Customer Reviews:
He who spies and runs away . . ........2007-06-14
. . . may live to spy another day, but unlike James Bond, Sidney Reilly is (or was) a mortal spy, not a cardboard one. His enemies (and those of the West for most of the last century) actually got him in the end (1925). Knowledge of this fact, and that Reilly (aka Sigmund Rosenblum of Odessa) was actually employed by the British Secret Intelligence Service and played a significant, if covert, part in world events only enhances the suspense of this excellent British series, which one does not want to end the way it did in real life.
Part "007 for the Educated," and part "Upstairs-Downstairs" in spirit, this series follows the adventures of the "Ace of Spies," against the backdrop of history, from 1900 until 1925. The series, in fact, would make an excellent teaching tool for a high school or college World History class, when annotated by a history instructor. From the 1904 Japanese sinking of the Russian fleet at Port Arthur in Manchuria, through the Russian Revolution of 1917, until Stalin's paranoic ascendency in the 1920's, the viewer is treated to a "rippng yarn" in which the historic connivings of the Usual Suspects for oil, arms and power (What else?) is one of the most fascinating aspects. We even have a "good Bolshie" (sort of) in the persona of Felix Dzerzhinsky, founder of the Cheka (later the KGB), and "bad Bolshie" in that of Joseph Stalin (You were expecting, maybe, Kim Philby?). At any rate, the series is gripping from beginning to end.
Yes, the quality of the color is rather on the sepia side, but this defect (if it is a deliberate one) contributes to the "historical" ambience of "Reilly." I also began to wonder whether the Moscow of Lenin & Co. were really as spic and span as presented (but then, I may have been influenced by the propaganda of the last century that suggests otherwise). I was, however, less than impressed by the makeup: Leo McKern's nose, in particular, kept changing shape and color, until in his last scenes, it looked just like what it was: putty. Furthermore, the maquillage on Reilly's first wife, who was supposed to be fifty, with clown white under her eyes, and black shadow on her cheeks, was simply amateurish. These flaws, however (for which I have witheld a star), are but flyspecks on the panorama of an otherwise excellent series from the BBC.
an excellent dramatisation of an extraordinary life.........2007-02-16
I had never heard of Sydney Reilly, Britain's Ace of Spies, before watching this series, but am now looking for all the books about him that I can find. This really well-made series about the life of a man whose real-life exploits beggar those of the fictional James Bond is absolutely riveting. Reilly(real name Sigmund Rosenblum, a Russian Jewish emigre from Odessa) is a fascinating character--highly intelligent; amoral yet capable of inspiring great friendships; brave yet careful; secretive yet often daring to the point of recklessness. He was involved in so many plots and was instrumental in so much that went on in espionage, and world events, in the early part of the 20th century--it is amazing, really, considering what one man could do, in those days. You can't imagine one spy making such a difference in modern times..
It's all beautifully done and acted--and the superlative Sam Neill, with his controlled elegance and deep gaze is the perfect actor to take on a demanding and complex role. Highly recommended!
Incidentally, in 2002, papers released by Britain's spy agency, and dating from that time, prove pretty conclusively that Reilly was shot on the orders of Stalin himself.
DIGITAL TRANSFER TO DVD COULD HAVE BEEN BETTER.......2007-01-05
I have enjoyed many of the episodes for some years now, and was eagerly awaiting the DVD version. Some episodes are obviously better than others in terms of production qaulity and substance. Overall, I was disappointed in the digital quality of the images. At times, the images and scenes was grainy and too dark. In some cases, the VHS actually provided a better-quality image.
An intelligent thriller!.......2006-11-10
This series has everything: suspense, love, inernational intrigue, with a true background of world events.
It is the type of a John le Carré novel.
Sam Neill is just amazing. The settings and costumes look authentic and are beautiful.
We all loved it!
Where it Begins.......2006-11-08
Reilly Ace of Spies is an excellent set of British television drama. Beyond that, it is well written, very well acted and very well directed to give a sense of time and place. More so because it is actually based on the life of Sidney Reilly, a turn-of-the-century British intelligence agent.
Besides being a tight action drama in the class of many British classics, in presenting the Reilly storyline, the set gives us a lesson in history, but one not only captivating and interesting, but also educational.
This set is well worth the price and well worth the viewing. It may also render some view of the problems in the Middle East that we deal with today and why we deal with them.
Average customer rating:
- "We mock what we don't understand"
- 5 star comment
- Lame
- Spies like Us
- quite weak
|
Spies Like Us
Starring: Chevy Chase , Dan Aykroyd , Steve Forrest , Donna Dixon , and Bruce Davison
Director: John Landis
Manufacturer: Warner Home Video
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ASIN: 6305162042
Release Date: 1998-11-10 |
Amazon.com
Yet another bad movie in a lengthy string of losers for all three of the principals involved here: director John Landis and stars Dan Aykroyd and Chevy Chase. Chase and Aykroyd play a pair of bumbling would-be CIA agents who are spotted cheating on the entrance exam. So the CIA decides to use them as bait in a mission to flummox the Russians. Lots of pointless slapstick and mugging, but Landis hasn't made a genuinely funny film since Trading Places. Aykroyd and Chase seem smug and self-satisfied (don't they always?), as though they can rest forever on laurels earned during the 1975 season of Saturday Night Live. Look for a gaggle of film directors (Terry Gilliam, Joel Coen, Costa-Gavras) in cameo roles: that's the closest this film comes to cleverness. --Marshall Fine
Customer Reviews:
"We mock what we don't understand".......2007-05-25
How unique to see a movie in which Dan Aykroyd looks short!
There's nothing terribly wrong with "Spies Like Us". The plot is perfectly sound as the basis for a comedy, and Chase and Aykroyd do their best with the material. The problem is that it's just not that funny. There are only a handful of the laugh-out-loud moments that should serve as justification for the whole enterprise.
Another problem is that Chase's character is so hopelessly incompetent that he makes no contribution to the characters' mission whatsoever. Aykroyd's character could have done the whole thing by himself. This characteristic is not shared by "Ghostbusters" or even "The Blues Brothers", in which all the leading characters have particular technical and/or social skills that are essential to the success of the team. As an Aykroyd fan I'm always happy to see him playing courageous and competent characters, but Austin Millbarge is arguably **too** perfect; he doesn't have any of the kind of peculiarities that Aykroyd can get his teeth into as an actor, like Ray Stantz's childlike nature in "Ghostbusters" or Mother's outrageous conspiracy theories in "Sneakers".
5 star comment.......2007-03-09
The priduct arrived ahed of time, no problems, no dispute
and your reply made me feel very plesed to contact you again.
Lame.......2006-07-18
When John Belushi died in 1982, he left Dan Aykroyd with several scripts and the sad end to what could have been a great comedy team like Laurel & Hardy or Abbott & Costello.
Aykroyd filled John's spot in GHOSTBUSTERS with Bill Murray and hit comedy gold.
He filled SPIES LIKE US with Chevy Chase and came up snake eyes.
View at your own risk. At least it's not as bad as NOTHING BUT TROUBLE, easily one of the worst comedies ever made.
Spies like Us.......2006-07-03
I love this movie with a Paul McCartney song. I received it fast and at a great price.
quite weak.......2006-06-14
The story is about special agents saving the world from some bad guys in the US government. The idea is similar to the 007 movies, but it is really not comparable. The movie is quite primitive, the story is predictable, the jokes are about old Cold War era stereotypes. The acting would be ok for some late night show episodes but not a full length movie.
Average customer rating:
- I love John Wayne Movies
- Better than I was expecting
- Farewell, my friend, farewell !
- Rio Lobo - Seller/product review
- Not one of the Duke's better movies
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Rio Lobo
Starring: John Wayne , Jorge Rivero , Jennifer O'Neill , Jack Elam , and Christopher Mitchum
Director: Howard Hawks
Manufacturer: Paramount
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- El Dorado
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- The War Wagon
- McLintock! (Authentic Collector's Edition)
ASIN: B00008CMR6
Release Date: 2003-04-29 |
Amazon.com
The final film by the legendary director Howard Hawks, released in 1970, found him paired with longtime leading man John Wayne in a story slightly similar to their more familiar Rio Bravo and El Dorado. Set at the end of the Civil War, the story finds Wayne playing a Union army colonel who recovers some stolen gold and roots out a traitor. Though a little creaky (Hawks had been making films since 1926), Rio Lobo nevertheless has his trademark, crackling dialogue, appealing characters, and ensemble spirit among the cast. This was a worthy finish to a fantastic career by a first-rank filmmaker. --Tom Keogh
Customer Reviews:
I love John Wayne Movies.......2007-05-12
My review title says it all. I have always loved John Wayne movies. I have never seen one I have not liked. Some are better than others, but all are enjoyable. Rio Lobo is one of my favorite westerns of his. The great thing about his movies is that I can watch them with my 2 grandsons and do not have to worry about them seeing something inappropriate for their young age unlike movies made today. We recently purchased a LCD HDTV so we can enjoy them like they were shown in theaters which makes them even more enjoyable to watch.
Better than I was expecting.......2007-05-08
I was under the impression this movie wasn't very good and it really is better than some of the reviews given about the movie. It also was different than Rio Bravo and El Dorado despite what had been said. It is a great addition to any John Wayne movie collector.
Farewell, my friend, farewell !.......2007-01-25
Rio Lobo was the swan's song of Howard Hawks. And you may realize how the personages are handled with such accurate blend of humanity, tenderness, kind manners and a good taste loaded of farewell.
The dialogues are incisive and snappy, John Wayne is an old wolf who will put order in a town submitted by an abominable gang with the consent of a corrupt sheriff.
And the rest of the plot runs for you. Under any circumstance you should not miss this unforgettable and very touching Western.
Rio Lobo - Seller/product review.......2006-11-05
I couldn't be more pleased with the results of this purchase. The item was in great condition, the service was prompt and efficient and the price was great!
Not one of the Duke's better movies.......2006-10-30
As many other reviewers have noted, Rio Lobo is not one of John Wayne's better western tales. Overall, it is pretty entertaining, but there is not much new to offer. In fact, the Duke kind of seems over the hill in this one.
The plot is pretty simple to follow, and there are some pretty good gun fights. But, the acting is pretty lacking. Therefore, I do not recommend watching this movie, unless you are a pretty big John Wayne fan. If not, check out some of his earlier Westerns.
Average customer rating:
- Excellent
- Better than I remember it!
- Terrible Movie
- One of Harrison Ford's Worst Movies
- Navarone Part II
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Force 10 From Navarone
Starring: Robert Shaw , Harrison Ford , Barbara Bach , Edward Fox , and Franco Nero
Director: Guy Hamilton
Manufacturer: MGM (Video & DVD)
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Similar Items:
- The Guns of Navarone (Special Edition)
- Where Eagles Dare
- Kelly's Heroes
- The Dirty Dozen (Two-Disc Special Edition)
- Battle of the Bulge [HD DVD]
ASIN: 0792844017
Release Date: 2000-03-28 |
Amazon.com
Generally underrated by critics, this 1978 sequel to the famous Guns of Navarone finds a miscellaneous group of commandos and spies trying to hinder the Nazis by destroying a bridge between them and the partisans. The story (based on a novel by Alistair MacLean) has nothing to do with the first film, but it is a tightly woven and entertaining piece with sharp performances and delightful character alliances. Director Guy Hamilton (Goldfinger) brings his trademark eye for handsome vistas to the canvas as well, so this is hardly the shoddy and dull knockoff many reviewers have previously suggested. No classic, perhaps, but a lot of fun. --Tom Keogh
Description
Robert Shaw (The Deep, Jaws) and Harrison Ford (The Fugitive, Air Force One) star as fearless World War II commandos in this thrilling follow-up to The Guns of Navarone. Directed by Guy Hamilton (Goldfinger) and adapted to the screen by Robin Chapman (screenplay) and Academy AwardÂ(r) winner* Carl Foreman (screen story), it's a large-scale action-adventure saga with "remarkable special effects" (Los Angeles Times), a powerful cast and "one hair-breadth escape after another" (Newsweek). In the darkest days of World War II, Hitler's armies are storming through Europe, annihilating all opposition in their path. But US Colonel Barnsby (Ford) plots to strike a crippling blow to the brutal Nazi forces. To succeed, he'll need the help of the most skilled and lethal soldiers in the world: the Force 10 squad, fresh from itstriumphant mission at Navarone. *1957: Adapted Screenplay, The Bridge on the River Kwai
Customer Reviews:
Excellent.......2007-04-06
A great "popcorn" movie. Hadn't seen this in nearly 30 years (saw it in the threatre with Dad back in '78). Anyway, great cast, good action, visually captivating - fun movie to watch if you don't get carried away with nitpicking every detail.
Better than I remember it!.......2007-02-09
You know, when I first saw this movie many years ago, I was so disappointed - it was such a lame exercise in low quality film making after the superb Guns of Navarone.
However, watching it now, and trying to divorce it from any connection with the original, it really is a much better film than I gave it credit for.
The most obvious difference is that this restored version really does change the whole quality of the transfer, making the scenery stand out the way it should. The widescreen presentation really makes a huge difference over the pan and scan TV version.
But the whole `boys own' adventure nature of the movie is more fun than I remember it too.. and that is the crux of it really - the movie is intended not to be any deep character study, but to capture some of the fun of Maclean's novel. Sure, there is no Gregory Peck and he is keenly missed, but Robert Shaw is great casting as the laconic hero of the novel, and who can forget him delivering that last line as the camera pans back at the end of the movie, when you think all has been accomplished?
Edward Fox is a little grating as a Niven replacement, but really the casting reaches absurdity with Carl Weathers - he might have been popular back in the 80's, but now he looks incredibly out of place in this sort of movie. Harrison Ford looking spookily young, plays his part straight and true, if uninspired, and as if that was not enough we have the always excellent Franco Nero as the ? bad guy, and Barbara Bach as a Partisan member - although it's something of a stretch to believe that they had such beautiful Partisan members getting down and dirty with the fighting while keeping that long hair immaculate, but its all part of the necessary suspension of belief required to get into the spirit of the movie.
No, it's not a classic, but its darn good boys own fun. Well worth a budget purchase for a Saturday afternoon.
Terrible Movie.......2007-01-27
It's hard to believe that great actors like Harrison Ford & Robert Shaw can't save this terrible movie ! One of the worst ever made !
If you want to see a great war film buy "The Guns of Navarone" !!!
One of Harrison Ford's Worst Movies.......2006-09-12
One of the biggest abortions, in terms of both quality and box office receipts, that Harrison Ford has ever starred in was 1978's Force 10 from Navarone.
This movie was the first big budget production that Ford was in after the success of "Star Wars." It was also the sequel to the popular 1961 flick "The Guns of Navarone." Both movies were based on the novels of the same name by popular action adventure writer Alistair MacLean. However, while "The Guns of Navarone" for the most part followed the original novel, the producers of the sequel decided to trash the novel that it was ostensibly based on and the end result was an ungodly mess.
From beginning to end, Force 10 from Navarone is a series of highly contrived events that are strung together in the mistaken belief that dreck can turn into gold. For instance, instead of just simply sending Force 10 on its mission to Yugoslavia in 1943, the producers of this movie would have you believe that Allied commandos would have to break into an Allied air base and steal an airplane to carry out their mission. Whilst doing so, the commandos pick up a black sergeant (Carl Weathers) who was somehow at the whites-only air base. This proves a problem for Force 10 since special forces need to blend in the countryside and local folks in order to fulfill their mission and having a black guy along for the ride does not help matters any.
Upon arriving in Yugoslavia, the commandos go through a series of improbable events that severely strain the audience's suspension of disbelief. Among other things, this movie made the huge historical error of making the Chetniks supporters of the Nazis. In real life, the Chetniks were the toughest opponents that the Nazis had to fight in Yugoslavia. At the time, the Soviet Union and Communists all over the world carried on propaganda campaigns to the effect that the Chetniks were really on the side of the enemy and that the Partisans of Marshal Tito were the only truly anti-Nazi group of Yugoslavian resistance fighters. Although Allied intelligence always recognized that the Chetniks were on our side, the Communists eventually succeeded in getting Allied politicians to drop support for the Chetniks and unreservedly support the Communist Partisans. In the years since World War II, historians have come to realize that the Chetniks were smeared as being pro-Nazis. Unfortunately, Force 10 from Navarone repeats that smear.
The movie winds up with one of the most ridiculous about-faces in movie history. The commandos decided that they did not have enough explosives to blow up the targeted bridge. Then, they decide that since there's a dam up the river, why not blow it up and cause the bridge to fall over. Only problem is that the dam is much bigger than the bridge, but the producers ignored that little problem. The producers also provided the dam with little German security with the result that the commandos had a ridiculously easy time gaining entry to plant their bombs.
All this is in direct contradiction of the novel. In the book, the mission was from the get go to destroy the bridge by blowing up the dam. Force 10 received supplies dropped from Allied planes and the Allied air forces bombed German forces to distract enemy attention from what Force 10 was up to. Also, the intrepid Greek hero from "The Guns of Navarone," Andrea, was in the novel but he is not in this movie. There is no legitimate reason why the movie could not have followed the book.
Force 10 from Navarone is pure drivel. Watch it only if you enjoy ridiculing stupid movies.
Navarone Part II.......2006-08-30
I thought I saw this movie from the very beginning. Evidently, I missed the introduction tying "Force 10" back to "The Guns of Navarone." Somewhat strange to have a sequel with none of the actors from the first movie. It should be noted that this movie is not dependent on the plot from the first film. The storyline is mostly independent from the original "Navarone" and there does not appear to be any favoring of one character over the other when it comes to screen time; therefore, no definitive hero in this story.
Force 10 already has their mission behind enemy lines in order to help the rebellion against the German advance. Robert Shaw's character is tacked on as an afterthought in order to fulfill his own objective from the Allied Command. Changes in events lead to everyone having to work together while still trying to complete the objectives of both Force 10 and Maj. Mallory with a new twist than that of the intended plan. As stated before you don't need to have really seen "The Guns of Navarone" in order to see (and enjoy) this film. A great story with many suspenseful scenes that you can enjoy with your family if you would like to.
Average customer rating:
- Transient Identity....
- Oh Dear
- intense but annoying
- Stunning young Jack Nicholson
- an unhappy marriage
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The Passenger
Starring: Jack Nicholson , Maria Schneider , Jenny Runacre , Ian Hendry , and Steven Berkoff
Director: Michelangelo Antonioni
Manufacturer: Sony Pictures
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Similar Items:
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- The New World
ASIN: B000E33W0I
Release Date: 2006-04-25 |
Amazon.com
The Passenger is one of those movies that is all about the vision of the director, in this case, screen legend Michelangelo Antonioni. Starring none other than Jack Nicholson, and featuring a plot billed as an international romantic thriller, The Passenger defies expectations by turning the genre on its head, making the characters and the story secondary to theme and tone. London-based Journalist David Locke (Nicholson) is working in North Africa when a fellow traveler by the name of David Robertson, who looks remarkably like him, happens to die suddenly. Burned out and depleted, Locke decides to assume the dead man's identity, drops everything, and starts again as a new man with a new life. With no idea of who Robertson was or what he did for a living, Locke uses Robertson's datebook as a guide as he travels through Europe and Africa, takes meetings with people he finds out are gun runners, and ends up falling for a beautiful young woman (Maria Schneider). As Robertson, David Locke thinks he has found an exhilirating new freedom, but the fact is he's in over his head: there are people looking for him and his life could be in danger.
The movie is a thriller in structure only. While designed for suspense, it's just a premise for Antonioni to explore on themes of identity, humankind's seemingly futile relationship to the world around us, and isolation. For Antonioni, the action is the means by which the image unfolds, and not the other way around. The actors and the plot are set pieces, simply smaller means to a larger end, and the image and atmosphere supersede all else. A slow pace, long, lingering shots, a focus on emptiness, and a detached, almost brutally objective point of view are the trademarks on full display here. Especially notable is the stunning seven-minute long shot in the final scene, one of the most famous in cinema history, which Nicholson, in his commentary, tags as an "Antonioni joke." It caps a crowning achievement by one of the big screen's most visionary directors.
On the DVD:
The commentaries are most definitely welcome guides, and those looking for a way into the movie and into Antonioni's head will really enjoy them. Jack Nicholson provides one commentary track where he generously shares his memories of the shoot, his thoughts on the movie thirty years on, and lets out the secret of how they managed to get the camera through the bars on the window for that seven-minute shot in the last scene. On the second commentary track, journalist Aurora Irvine and screenwriter Mark Peploe offer more of a wide-angle lens view of the movie and its place in history. Both are insightful narrativesNicholson's is particularly enjoyable--and make excellent additions to the DVD. --Daniel Vancini
Description
A burned-out journalist assumes the identity of a dead man and embarks on a dangerous charade, including meetings with gun runners and an affair with a mysterious young woman.
Originally released in 1975, Sony Pictures Classics re-releases Antonioni's suspenseful and haunting portrait of a drained journalist whose deliverance is an identity exchange with a dead man. He embarks on a treacherous journey through Africa, Spain, Germany, England, Spain.
Customer Reviews:
Transient Identity...........2007-04-16
Michaelangelo Antonioni takes as a starting point a plot that could have easily made a standard or even quite good thriller, and quietly dismantles nearly all of its thriller tropes to create a strange and moody meditation on the fragile veneer of identity, and the danger bo