The Barkleys of Broadway

Starring:Fred Astaire, Ginger Rogers, Oscar Levant, Billie Burke, Gale Robbins, Jacques FranÃ§ois, George Zucco, Clinton Sundberg, Inez Cooper, Carol Brewster, Wilson Wood, Wheaton Chambers, Richard Winter (II), Claire Carleton, Forbes Murray, Betty Blythe, Bobby Brooks, Sherry Hall, Butch Terrell, Dick Baron
Director: Charles Walters, Edward L. Cahn, Tex Avery
Studio: Warner Home Video
Product Type: DVD

Editorial Review:
Amazon.com
The MGM reunion of Fred Astaire and Ginger Rogers, 10 years after their last RKO picture, happened by accident. The Barkleys of Broadway was meant to pair Astaire with Judy Garland as a follow-up to their 1948 hit Easter Parade. Garland, however, had to drop out due to health problems and was replaced by Ginger, who had gone on to a successful career in nonmusical drama and comedy. As it turned out, the plot probably suited Ginger better than it did Garland. Josh and Dinah Barkley are a veteran song-and-dance couple whose routine bickering turns into a complete breakup when Dinah decides she hasn't received enough credit for her talent and leaves Josh to take a straight dramatic role as Sarah Bernhardt. Fred and Ginger are as charming and comfortable together as a veteran couple should be, but this film is not a return to the RKO days--its elements are trademark MGM: splashy colors, Fred in a gimmicky solo number (playing sorcerer's apprentice to a line of unoccupied shoes), Oscar Levant providing his usual dynamic pianism and acerbic personality, and a score that is at its best when it borrows songs from a previous generation. In fact, Harry Warren, who provided the music for Ira Gershwin's lyrics, was upset that the film's big ballroom number recycled George and Ira Gershwin's "They Can't Take That Away from Me," which Fred and Ginger had introduced (but did not dance to) in 1937's Shall We Dance. Frankly, though, "They Can't Take That Away" not only works well thematically, but is one of the greatest songs ever written for the screen, while Warren's score is merely adequate and unmemorable. All in all, The Barkleys of Broadway is a warm, welcome, and not completely satisfying reunion. Watch it, then watch Swing Time again. --David Horiuchi
Description
The last Astaire/Rogers movie, about a show-biz team divided by career ambitions, is also the duo's only color film. Highlights: Fred's Shoes with Wings On and the pair's They Can't Take That Away from Me.

DVD Features:
Featurette:Reunited at MGM: Astaire and Rogers Together
Other:Vintage Short Annie Was a Wonderm and Classic Droopy Cartoon Wags to Riches

Astaire & Rogers Ultimate Collector's Edition (Flying Down to Rio / The Gay Divorcee / Roberta / Top Hat / Follow the Fleet / Swing Time / Shall We Dance / Carefree / The Story of Vernon and Irene Castle / The Barkleys of Broadway)

Average customer rating:

Dazzling and Beautiful
A set of classics
BEWARE!
a thesaurus of musicals in a package for musicals lovers
UNEXPECTED BONUS

Astaire & Rogers Ultimate Collector's Edition (Flying Down to Rio / The Gay Divorcee / Roberta / Top Hat / Follow the Fleet / Swing Time / Shall We Dance / Carefree / The Story of Vernon and Irene Castle / The Barkleys of Broadway)
Starring: Fred Astaire , and Ginger Rogers
Manufacturer: Warner Home Video
ProductGroup: DVD
Binding: DVD

General | Comedy | Genres | DVD | Video

General | Musicals & Performing Arts | Genres | DVD | Video

( A ) | Titles | Features | DVD | Video

Ultimate Editions | Fully Loaded DVDs | Features | DVD | Video
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ASIN: B000H6SXME
Release Date: 2006-10-24

Amazon.com

2006 marks the arrival of five Fred Astaire and Ginger Rogers films (Flying Down to Rio, The Gay Divorcee, Roberta, Carefree, and The Story of Vernon and Irene Castle) on DVD after the first five were released in 2005. The big package is this Astaire & Rogers Ultimate Collector's Edition, which contains all 10 films plus a CD, a bonus DVD with the documentary Astaire and Rogers: Partners in Rhythm, press-book replicas, and some other material. If you want the big package with the extra stuff but already bought the five films in 2005, you can get the Astaire & Rogers Partial Ultimate Collector's Edition, which includes everything except the actual discs of those first five films. Or, if you only want the five new films, pick up Astaire & Rogers Collection, Vol. 2 as a bookend to Astaire & Rogers Collection, Vol. 1.

The Astaire-Rogers films mix light romantic comedy (usually centered around mistaken identities and ending, inevitably, in blissful wedding promises) with elegant dinner wear and surreal sets intended to transport '30s audiences away from the Depression to such locales as Rio, Paris, and Venice. The two stars are also aided by a recurring stable of RKO players such as Edward Everett Horton (master of the double-take), Eric Blore, and Helen Broderick. And then there's that sensational dancing set to great songs by the likes of Irving Berlin, George and Ira Gershwin, and Jerome Kern, numbers that are not merely entertaining but also innovative for their time in that they reveal character and advance the plot. Add it all up, and you have a recipe for an irrepressible joie de vivre that practically defines the movie musical.

Flying Down to Rio (1933) headlined Dolores Del Rio and Gene Raymond, but it was the fourth- and fifth-billed stars who would rewrite cinematic history. Astaire and Rogers had limited screen time, but were still able to establish many of the trademarks of their later films. The heart of the film is "The Carioca," a company dance extravaganza in which they take the floor together for the first time; their eyes meet and their foreheads touch. Their dance lasts only a few minutes, but it was the highlight of the film and audiences wanted more. The Gay Divorcee (1934) is their best early picture, a loose adaptation of Astaire's stage show, 'The Gay Divorce.' The only song retained for the movie is Cole Porter's smash hit "Night and Day," which is the setting for a sublime pas de deux between Fred and Ginger. The closer is the sprawling 17-minute ensemble number "The Continental." Roberta (1935) was a step backward, with too much time spent on 1930s Parisian fashion and the romance between top-billed Irene Dunne (who gets the best Jerome Kern ballads, "Yesterdays" and "Smoke Gets in Your Eyes") and Randolph Scott. But as the second-banana couple Astaire and Rogers still get a tap battle, a romantic duet, and plenty of comic banter.

With a score by Irving Berlin, Top Hat (1935) is most famous for two numbers, Astaire's definitive tuxedo setting "Top Hat, White Tie, and Tails" and the feathery duet "Cheek to Cheek." But other joys include Astaire's "Fancy Free" declaration, "Isn't It a Lovely Day," and the grand finale "The Piccolino." Follow the Fleet (1936) changes the pace a bit, with Astaire playing a sailor, and it suffers from making him and Rogers the second-banana couple to the dull Randolph Scott and Harriet Hilliard. But it still has plenty of laughs and some classic Irving Berlin numbers, including "Let Yourself Go," which Rogers sings before she and Astaire compete in a dance contest; a Rogers solo tap number; "I'm Putting All My Eggs in One Basket," their best comic dance. The pièce de résistance is "Let's Face the Music and Dance," a show within a show in which the pair dons their customary evening formals. Effortlessly flowing from pantomime to song to dance, this sublime piece of storytelling is one of the series' defining moments. Maybe their most enjoyable picture, Swing Time (1936) features the set-piece "Pick Yourself Up," in which Rogers "teaches" Astaire to dance before they break into a spectacular number; the farewell ode "Never Gonna Dance," and the Oscar-winning "Just the Way You Look Tonight," from the team of Jerome Kern and Dorothy Fields.

Shall We Dance (1937) has a complex plot that has Astaire and Rogers actually getting married before the final credits roll, and turns George and Ira Gershwin's brilliant "They Can't Take That Away from Me" into a heartbreaking ode. Other great songs include "Slap That Bass," "They All Laughed," and "Let's Call the Whole Thing Off," unforgettably performed on roller skates. The eighth and ninth entries in the series tried some different approaches, with the underrated Carefree (1938) more of a comedy vehicle for Ginger (yet still including some fine dances and Irving Berlin songs as well as their first onscreen kiss) and The Story of Vernon and Irene Castle (1939) portraying the pair as historical dancing stars and using a score of turn-of-the-century standards. The Barkleys of Broadway (1949) is the oddity, reuniting the stars 10 years after their last RKO picture when Judy Garland had to be replaced due to health problems. It's trademark MGM: splashy colors, Fred in a gimmicky solo number (playing sorcerer's apprentice to a line of unoccupied shoes), Oscar Levant providing his usual dynamic pianism and acerbic personality, and a score that is at its best when it borrows songs from a previous generation (including the big ballroom number set to "They Can't Take That Away from Me"). The film falls short of their best work, but serves as a fond remembrance of the most glorious partnership in film history. --David Horiuchi

Customer Reviews:

Dazzling and Beautiful.......2007-04-20

Ibelieve everything has been said already of Rogers and Astaire.The two together on the screen is magical and entertaining.Funny whitty beautiful.The music by some othe greatest composer such as Berlin costumes by the best of Hollywood is a treat for the eyes.You will not be dissapointed,when you are feeling low his will make you sore to the sky.Get it.

A set of classics.......2007-02-28

If you enjoy Fred & Ginger, you need their entire set of these classics. The dialogue can be a little corny at times, but so was yours when you were young. They practiced for hours, and it shows.

BEWARE!.......2007-02-19

Twice I ordered this set for my wife, and each time the package arrived with DVDs missing from the set! All the containers were there, but as many as five (5) DVDs were gone. What a joke. I gave up and purchased the set at Borders. Does Amazon care? Never heard from them.

a thesaurus of musicals in a package for musicals lovers.......2007-02-19

each movie starring Fred and Ginger can be considered as a jewel; so is this collector's edition with bonus of value ( many photographs "off screen", newspapers articles,...) certainly collected by a true lover who aimed to enjoy the buyer.

UNEXPECTED BONUS.......2007-02-10

A GIFT FOR MY WIFE-OUR CATS ARE NAMED FRED&GINGER-SHE WAS PLEASED TO FIND THE PRINTED ITEMS(MINI-POSTERS,ETC.)

Astaire & Rogers Collection, Vol. 1 (Top Hat / Swing Time / Follow the Fleet / Shall We Dance / The Barkleys of Broadway)

Average customer rating:

JAR
GREAT MOVIES!
the astaire collection volume 1
A Real Classic
Astaire & Rogers

Astaire & Rogers Collection, Vol. 1 (Top Hat / Swing Time / Follow the Fleet / Shall We Dance / The Barkleys of Broadway)
Starring: Fred Astaire , Ginger Rogers , Edward Everett Horton , Erik Rhodes , and Eric Blore
Director: Mark Sandrich , and George Stevens
Manufacturer: Turner Home Ent
ProductGroup: DVD
Binding: DVD

General | Classics | Genres | DVD | Video

General | Drama | Genres | DVD | Video

Classics | Drama | Genres | DVD | Video

General | Musicals & Performing Arts | Genres | DVD | Video

Drama | Boxed Sets | Stores | DVD | Video

Musicals & Performing Arts | Boxed Sets | Stores | DVD | Video

Classics | Boxed Sets | Stores | DVD | Video

Romantic Comedies | Boxed Sets | Stores | DVD | Video

( A ) | Titles | Features | DVD | Video
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ASIN: B0009NSCR6
Release Date: 2005-08-16

Amazon.com

Fans of classic movie musicals will be in heaven with Astaire & Rogers Collection, Vol. 1, featuring the DVD debut of five films of Fred Astaire and Ginger Rogers, the quintessential dancing duo. The two gems of the set are Top Hat (1935), generally considered their definitive movie, and Swing Time (1936), which many consider their most enjoyable. Follow the Fleet (1936), Shall We Dance (1937), and The Barkleys of Broadway (1949) fill out the set, each with its own charms.

Follow the Fleet

With a score by Irving Berlin, Top Hat is most famous for two numbers, Astaire's definitive tuxedo setting "Top Hat, White Tie, and Tails" and the feathery duet "Cheek to Cheek." But other joys include Astaire's "Fancy Free" declaration, "Isn't It a Lovely Day," and the grand finale "The Piccolino." Favorite musical moments in Swing Time include the set-piece "Pick Yourself Up," in which Rogers "teaches" Astaire to dance before they break into a spectacular number; the farewell ode "Never Gonna Dance," and the Oscar-winning "Just the Way You Look Tonight," from the team of Jerome Kern and Dorothy Fields.

Swing Time

Follow the Fleet changes the pace a bit, with Astaire playing a sailor, and it suffers from making him and Rogers the second-banana couple to the dull Randolph Scott and Harriet Hilliard. But it still has plenty of laughs and some classic Irving Berlin numbers, including "Let Yourself Go," which Rogers sings before she and Astaire compete in a dance contest; a Rogers solo tap number; "I'm Putting All My Eggs in One Basket," their best comic dance. The pièce de résistance is "Let's Face the Music and Dance," a show within a show in which the pair dons their customary evening formals. Effortlessly flowing from pantomime to song to dance, this sublime piece of storytelling is one of the series' defining moments. Shall We Dance has a complex plot that has Astaire and Rogers actually getting married before the final credits roll, and turns George and Ira Gershwin's brilliant "They Can't Take That Away from Me" into a heartbreaking ode. Other great songs include "Slap That Bass," "They All Laughed," and "Let's Call the Whole Thing Off," unforgettably performed on roller skates. The Barkleys of Broadway is the oddity, reuniting the stars 10 years after their last RKO picture when Judy Garland had to be replaced due to health problems. It's trademark MGM: splashy colors, Fred in a gimmicky solo number (playing sorcerer's apprentice to a line of unoccupied shoes), Oscar Levant providing his usual dynamic pianism and acerbic personality, and a score that is at its best when it borrows songs from a previous generation (including the big ballroom number set to "They Can't Take That Away from Me"). The film falls short of their best work, but serves as a fond remembrance of the most glorious partnership in film history. --David Horiuchi

Description

You'll Love The Way Fred and Ginger Look Tonight in the 5-film, 5-Disc Astaire and Rogers Collection Volume One, including the highly acclaimed Top Hat and Swing Time.

Customer Reviews:

JAR.......2007-05-15

I love Fred Astaire Movies, classic movies there's nothing like these type of movies. excellent....

GREAT MOVIES!.......2007-02-24

ARRIVED NEXT DAY I ORDERED THEM! VERY GOOD QUALITY OF MOVIES.

the astaire collection volume 1.......2007-02-20

Fred Astaire is unbeatable especially when paired with Ginger Rogers or Eleanor Powell. These are older films and of course not up to modern technical standards. However the charm and the eleghance and the excellence shine through- A must for a fan or collector.

A Real Classic.......2007-01-21

Very well done. A must have for anyone who loves the old films. Even my 10 year old son, enjoyed the dancing and singing. :-)

Astaire & Rogers.......2007-01-12

For those who are fans of this great dancing duo, here is pure heaven, five full movies of their music and dance. Granted, the stories are usually pretty thin, often silly, but well writtn and well acted. The supporting cast is uniformly great. I love "Top Hat' for the music, 'Follow the Fleet' for the wonderful dance routines, each film for something special in it. If you are not a fan, viewing these 5 will make you one.

Average customer rating:

A Very Good Print of a Suprisingly Cheap Production
Great
Warners day off
Fred and Ginger's last picture
Fitting Coda To a Great Team

The Barkleys of Broadway
Starring: Fred Astaire , Ginger Rogers , Oscar Levant , Billie Burke , and Gale Robbins
Director: Charles Walters , Edward L. Cahn , and Tex Avery
Manufacturer: Warner Home Video
ProductGroup: DVD
Binding: DVD

General | Drama | Genres | DVD | Video

General | Musicals & Performing Arts | Genres | DVD | Video

DVDs Under $9.99 | Today's Deals in DVD | Special Features | DVD | Video

( B ) | Titles | Features | DVD | Video
Similar Items:

Swing Time
Shall We Dance
Follow the Fleet
Top Hat
Roberta

ASIN: B0009NSCPS
Release Date: 2005-08-16

Amazon.com

The MGM reunion of Fred Astaire and Ginger Rogers, 10 years after their last RKO picture, happened by accident. The Barkleys of Broadway was meant to pair Astaire with Judy Garland as a follow-up to their 1948 hit Easter Parade. Garland, however, had to drop out due to health problems and was replaced by Ginger, who had gone on to a successful career in nonmusical drama and comedy. As it turned out, the plot probably suited Ginger better than it did Garland. Josh and Dinah Barkley are a veteran song-and-dance couple whose routine bickering turns into a complete breakup when Dinah decides she hasn't received enough credit for her talent and leaves Josh to take a straight dramatic role as Sarah Bernhardt. Fred and Ginger are as charming and comfortable together as a veteran couple should be, but this film is not a return to the RKO days--its elements are trademark MGM: splashy colors, Fred in a gimmicky solo number (playing sorcerer's apprentice to a line of unoccupied shoes), Oscar Levant providing his usual dynamic pianism and acerbic personality, and a score that is at its best when it borrows songs from a previous generation. In fact, Harry Warren, who provided the music for Ira Gershwin's lyrics, was upset that the film's big ballroom number recycled George and Ira Gershwin's "They Can't Take That Away from Me," which Fred and Ginger had introduced (but did not dance to) in 1937's Shall We Dance. Frankly, though, "They Can't Take That Away" not only works well thematically, but is one of the greatest songs ever written for the screen, while Warren's score is merely adequate and unmemorable. All in all, The Barkleys of Broadway is a warm, welcome, and not completely satisfying reunion. Watch it, then watch Swing Time again. --David Horiuchi

Description

The last Astaire/Rogers movie, about a show-biz team divided by career ambitions, is also the duo's only color film. Highlights: Fred's Shoes with Wings On and the pair's They Can't Take That Away from Me.

DVD Features:
Featurette:Reunited at MGM: Astaire and Rogers Together
Other:Vintage Short Annie Was a Wonderm and Classic Droopy Cartoon Wags to Riches

Customer Reviews:

A Very Good Print of a Suprisingly Cheap Production.......2007-06-22

We are great Fred & Ginger fans. We now have all their movies. Considering the Talent all around -- including Comden & Green on dialog -- we must conclude that this effort was limited by a very small budget. For example there is only one big, complete, musical, production number. The dialog is so limited, it forces the actors to be wooden. The color is great.

Great.......2007-04-11

The barkley's of broadway is a fabulous film of fred astaire and ginger rogers!
Buy it!

Warners day off.......2006-05-22

I am a huge fan of the old MGM musicals and have been more that happy with the restoration quality on every DVD transfer issued by Warners in the MGM library. The release of the "Dream Factory" collection is a fine example. These films could have been photographed yesterday ("Summer Stock" is a pure delight to watch in terms of picture quality). "Barkleys of B'way" unfortnately does not live of to the exceptional quality acheived on other films of this genre.

The DVD picture quality is very poor and dull and the sound is very muted. I was so dissappointed in this treatment. The DVD appears to have simply transfered the Video to DVD. No restoration to the picture is at all apparent. Even the trailer looks better than the movie.

The extras are fine and I can't complain here but hey Warners, what were you thinking when you tackled this gem. Someone must have been taking a sickie!

Sorry Fred and Ginger.

Fred and Ginger's last picture.......2006-01-06

This was their last picture together. But boy do they go out in style. Though they hadn't worked together in some time the chemistry is still there. But the best part of the movie is hearing the Gershwin tune, THEY CAN'T TAKE THAT AWAY FROM ME. Turn the speakers up. Grab your best girl and make Fred and Ginger jealous.

Fitting Coda To a Great Team.......2005-08-30

Though entertaining there is a tinge of melancholia to this final screen pairing of Fred Astaire and Ginger Rogers. Though essentially a musical comedy about a stage couple whose long association has created tension between them you sense the words spoken by the two actors has a ring of truth in their real life partnership. That said, there are enough musical and dance routines to lighten the air. Aside from the impressive piano stylings of Oscar Levant there is also the breathtaking "Shoes With Wings" sequence with Astaire. Though not the most entertaining of the Astaire-Rogers pairings it is a curio that should not be missed if one wants to understand the career trajectory of this legendary team.

Average customer rating:

The Barkleys of Broadway
Starring: Oscar Levant , and Billie Burke
Director: Charles Walters
ProductGroup: DVD
Binding: DVD

DVDs Under $9.99 | Today's Deals in DVD | Special Features | DVD | Video

New Featurette "Reunited: Astaire and Rogers Together Again
Vintage Short "Annie Was a Wonder."
Classic Droopy Carton "Wags to Riches."
Theatrical Trailer

ASIN: B000K2NDW0

Product Description

After 10 years apart, Fred Astaire and Ginger rogers reteam in their final film pairing, cleverly written by Betty Comden and Adolph Green, and Directed by Charles Walters. The story, per many soures, mirrors real-life creative tensions the two shared. Astaire plays driven hoofer Josh Barkley. Rogers is his wife Dinah, who longs to forsake the clackety-clap-tapping of "Bouncin' the Blues" for stage dramas. She departs, Josh vies to win her back and the routines leading to a happy resolution include Fred's "Shoes with Wings On" and a rhapsodic reprise of a George and Ira Gershwin number from "Shall We Dance: They Can't Take Away From Me." All of which proves they can't take away the Astaire/Rogers magic either.

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