Lukas' Child

Director: Eric Louzil
Studio: Echelon Entertainment 2
Product Type: DVD
Editorial Review:
Product Description
Lukas Armand, a skull-faced movie producer, is auditioning lovely young starlets for his upcoming low-budget horror pic. The girls are delighted to learn they've been chosen to star in the film until Lukas' creepy gofers, Jason and Mad-dog kidnap the actresses, one by one, and lock the terrified girls in dank cells somewhere in the bowels of the film studio.
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Little Women (1933)
Starring: Katharine Hepburn , Joan Bennett , Paul Lukas , Edna May Oliver , and Jean Parker
Director: George Cukor
Manufacturer: Turner Home Ent
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ASIN: B00005NRO2
Release Date: 2001-11-06 |
Amazon.com essential video
Louisa May Alcott's beloved story is one of the most-read novels ever written. It has also proved popular film and telefilm fodder (at least six versions plus a TV series). In addition, Little Women is one of those rare literary projects that can truly be done well on screen. This, the 1933 version, chronicles the lives and loves of sisters Jo, Meg, Amy, and Beth (played, respectively, by Katharine Hepburn, Frances Dee, Joan Bennett, and Jean Parker). It's a superior rendering to the amiable, perky 1949 version with June Allyson, Janet Leigh, Elizabeth Taylor, Margaret O'Brien, and Peter Lawford, and comparable to the beautiful, feminist Gillian Armstrong 1994 take. Douglass Montgomery's Laurie isn't nearly as dreamy as Christian Bale's (1994), but the lack of chemistry between him and Hepburn's Jo is perfect for the story, in which Jo loves him like a brother. Jo's real love she offers up to perhaps the finest Professor Bhaer (Paul Lukas). Character actress Edna May Oliver is at her indignant best as Aunt March. Director George Cukor's vision is elegant, warm, and as true to the original source material as 117 minutes allows. This Little Women was a huge box-office hit, and broke all the records to that time. --N.F. Mendoza
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Kim
Starring: Errol Flynn , Dean Stockwell , Paul Lukas , Robert Douglas , and Thomas Gomez
Director: Victor Saville
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- The Prince and the Pauper
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- The Errol Flynn Signature Collection, Vol. 2 (The Charge of the Light Brigade / Gentleman Jim / The Adventures of Don Juan / The Dawn Patrol / Dive Bomber)
ASIN: B00009RDGB
Release Date: 2003-08-26 |
Description
Adaptation of Rudyard Kipling's classic tale involving an orphaned English boy in 1880's India who assumes a native's identity and gets involved in local espionage plot.
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Jackie Collins 2 Pack (The Bitch / The Stud)
Starring: Joan Collins , Oliver Tobias , Sue Lloyd , Mark Burns , and Doug Fisher
Director: Quentin Masters , and Gerry O'Hara
Manufacturer: Trinity Home Ent
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ASIN: B000C1VAFQ
Release Date: 2006-05-02 |
Description
Synopsis: From the best selling novels by Jackie Collins, these two films were made for the big screen. Joan Collins stars in these sensuous films put together in a two-pack. Ready to catch any fan's eye
this striking boxset will have her millions of readers grabbing at the chance to own these films.
THE BITCH: From the best selling novel by Jackie Collins, meet Fontaine, a high living, pleasure-seeking divorcee who meets her match in the first class cabin on a flight to London. Unbeknownst to Fontaine, the elegant Italian Nico Cantafora was not just interested in playing around and has secretly brought her into an international robbery. Little does he know, Fontaine is up for any game
THE STUD: Joan Collins is back and she's feistier than ever as Fontaine Khaled, owner of London's hottest club, The Hobo. Tony Blake, who doubles as Fontaines's boy toy, manages the club. But when Tony falls in love with Fontaine's stepdaughter and wants to break away, Fontaine will stop at nothing to make sure nobody takes her Stud.
Average customer rating:
- The Stud
- "You're nothing but a working class bum in Gucci shoes!"
- Classic Of Its Time.
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Jackie Collins: The Stud
Starring: Tony Allyn , Jeremy Child , Joan Collins , Constantin de Goguel , and Franco Derosa
Manufacturer: Trinity Home Ent
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ASIN: B000BTITYE
Release Date: 2006-01-31 |
Description
Synopsis: Joan Collins is back and she's feistier than ever as Fontaine Khaled, owner of London's hottest club, The Hobo. Tony Blake, who doubles as Fontaines's boy toy, manages the club. But when Tony falls in love with Fontaine's stepdaughter and wants to break away, Fontaine will stop at nothing to make sure nobody takes her Stud.
Customer Reviews:
The Stud.......2007-02-06
I liked this one to see Joan Collins get down and have some fun with her young lover and see the other things that happen you got to see this movie.It is not dynasty by a longshot.
"You're nothing but a working class bum in Gucci shoes!".......2006-10-21
The Stud (1978), which was followed a year later by the film The B*tch (1979), both feature Joan Collins (Empire of the Ants, "Dynasty") and were both based off books written by Joan's sister, famed trash/sleaze novelist Jackie Collins, who was once quoted as saying "I live my life like a cool bachelor. I have a man for all seasons"...that's super. Directed by Quentin Masters (A Dangerous Summer), the film features Oliver Tobias (King Arthur, the Young Warlord). Also appearing is Sue Lloyd (The Ipcress File), Emma Jacobs (Lifeforce), Mark Burns (House of the Living Dead), Doug Fisher (Man About the House), and Walter Gotell (The Guns of Navarone, The Boys from Brazil), probably best for his reoccurring role as Russian General Anatol Gogol in such James Bond features as The Spy Who Loved Me (1977), Moonraker (1979), and For Your Eyes Only (1981).
Oliver Tobias plays Tony Blake, a one-time waiter now manager of London's hottest nightclub The Hobo. As the film begins we find ourselves in Tony's apartment, looking at a wall festooned with signed portrait photographs of women, all of whom Tony's had relations with in the past (apparently, along with being a nightclub manager, Tony's also a full time gigolo). After a long, slow pan, just so we get an idea of just how many women Tony's been with, we see Tony in bed with another woman, one he apparently picked up at the club and whose name he doesn't know...oh that Tony...anyway, later that evening Tony arrives at the club only to get a phone call from the club's owner, Fontaine Khaled (Collins), the wife of a rich industrialist Ben Khaled (Gotell). Apparently the old man financed the club in an effort to give his wife something to do while he's off on business, which is quite frequently. Anyway, seems Fontaine, who groomed Tony from a lowly waiter into what he is today, keeps him on a short leash, often calling him forth to service her as needed (and believe me, she needs it a lot). Tony, chaffing under Fontaine's oppressive sexual yoke, has plans of his own, ones that include opening his own club, that is if he can get the financing. A bunch of rather unmemorable events occurs to which we learn Fontaine is growing tired of her boy toy, and is planning on letting her friend have her way with him before cutting Tony loose, presumably to take on another protégé. Things get complicated as Fontaine's husband makes the scene with his comely teenage daughter, Fontaine's stepdaughter, Alexandria (Jacobs), neither of who seem to like each other very much as Alexandria believes Fontaine a money grubbing sleaze (she's right), and Fontaine despises children on principle. Anyway, Tony, who quickly takes a shine to Alexandria, ends up snogging her, after which Fontaine lures Tony to Paris under the guise of opening a new club, ultimately taking him to a libidinous wingding where's he's drugged and taken advantage of by Fontaine's friend. Things eventually come to a head once old Ben discovers his wife's dalliances (on videotape no less), and both Fontaine and Tony suffer karmic repercussions.
It may sound like there's a lot going on in this film, but in reality the story drags miserably at times as an awful lot of attention is given to fluff elements (disco dancing, Tony's skeevy friends, etc.), most of which seems to be there only to pad out the running time. One thing the film does have in spades is sleaze...you know, nothing says class like posting pictures of one's boudoir conquests on the wall near the bed, in plain view for all future conquests to see (if you look hard enough you'll see one of the photos is of Jackie Collins herself, which seems oddly suitable). I think at some point we, the audience, were supposed to feel some empathy for Tony the feathered hair boy toy, given his objectified treatment from his lecherous boss, but I found it difficult to muster any sympathies given the fact he was just as slimy as those whom he associated. And let's not forget the fact he, who looked to be in his early thirties, shagged his employer's teenage daughter (I think she was meant to be sixteen, but she looked to be about twenty). As sleazy as Tony seemed, he wasn't much competition for Collin's character. Seriously, in terms being morally polluted, Fontaine was pretty much in a class of her own as most everything took a backseat to her orgiastic indulgences. I think my favorite bit comes as a result of her calling Tony over to her posh digs for some action, and the pair get it on in the elevator, one equipped with a closed circuit camera. Subsequently her and her skeevy girlfriend watch the tape a number of times as the girlfriend is the one interested in getting it on with Tony, a request Fontaine is willing to facilitate given the fact she's since grown tired of Tony, and is already sizing up suitable replacements. Thing is, Fontaine leaves the videotape lying about, and it's eventually found by not only her stepdaughter, but also her husband. Smooth move, Ex-Lax...if you dig on the nekkidness, it's plentiful here, mostly in the form of female topless shots (Mrs. Collins seemed not too shy about showing off her wares). One aspect of the film I really liked was the inclusion of popular music of the time. There's a plethora of recognizable pop songs played throughout the numerous disco sequences, which helped pass the time a little. As far as the rest, well, the writing and direction were lacking, the performances suitable, but given the oily, lurid trashiness of material in general, I suppose it's not really fair to be overly critical. If you revel in soap operatic sediment involving the lifestyles of the rich and infinitely sleazy, then this film may be right up you alley. I actually found the follow up to this film slightly more enjoyable, mainly due to the fact it was more focused on Ms. Collins' character, and the pacing was a bit better.
The picture on this DVD release, presented in fullscreen, looks decent enough I suppose, and the Dolby Digital 2.0 audio does come through well, both equal in quality to a new VHS tape. The interactive menus (all two of them) look cheap, and there aren't any extras included. There are about eight chapter stops, for what it's worth. If you're truly interested in owning this film on DVD, I'd recommend picking up the DVD set that includes this film and the follow up which I mentioned earlier.
Cookieman108
By the way, if you're interested cinematic sludge of this variety, I'd recommend checking out another film called The Lonely Lady (1983), starring Pia Zadora, and based on a novel by Harold Robbins. In terms of guilty, seedy, sordid pleasures, it ranks up there with Showgirls (1995). It's not out on DVD yet, but it should be...
Classic Of Its Time........2006-03-15
Difficult to know what to rate this film. Next to bonafide classics such as "Casablanca", it would score one star but as a camp classic it would score five stars like "Valley Of The Dolls". The film captures the the hedonistic lifestyle of silly, privileged, amoral Londoners in the 1970s and their interaction via a nightclub called "Hobo" owned by the Joan Collins character (at her glamorous peek) and her husband. The characters could be given more dimension as they are quite two dimensional. The disco soundtrack is more than adequate and the erotic sequences are quite acceptable. Film vacillates between being corny, flashy, cheeky and humorous. Worth checking out as a document of its time, the film is entertaining and enjoyable.
Average customer rating:
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Nightmare
Starring: Jonathan Banks , Susan Barnes , Frank Birney , David Garrison , and Mary Gregory
Director: John Pasquin
Manufacturer: Legacy Entertainment
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ASIN: B00077BOL0
Release Date: 2005-03-01 |
Average customer rating:
- Micro-Budget Indy Devilishness...
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Spawn of the Devil: The Screaming/Hellspawn/Night Crawlers/Lukas' Child
Starring: Spawn of the Devil
Manufacturer: Brentwood Home Video
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ASIN: B0000CDL7W
Release Date: 2003-10-07 |
Customer Reviews:
Micro-Budget Indy Devilishness..........2004-08-04
SPAWN OF THE DEVIL is a collection of 4 ultra-low budget independent monster movies. First we have THE SCREAMING, a combination horror flick / parody of modern-day cult kookiness. While writing a term paper on cults, a college student stumbles upon a group of "crystalogists" (aka: new agey religious weirdoes) bent on his destruction. Said college guy must find the secret to terminate both the cult and their mysterious, demon / alien leader. Goofy special effects add to the charm of this one! Next, HELLSPAWN is another low, LOW budgeter! A woman gives birth to a demon baby (in a scene reminiscent of the birthing scene in Cohen's "It's Alive!"). Of course, the devil-infant goes on a murderous rampage! Can it be stopped before it grows up? Nope! Lots of carnage and cheap sets. NIGHT CRAWLERS has a great title, but lacks any other appeal. Horrid acting (like an episode of HEE HAW), terrible "monster" FX (kindergarten papier mache' project), etc. make this one an exercise in misery. LUKAS' CHILD is the best of the bunch. A strange man is kidnapping beautiful women, locking them in his underground dungeon, forcing them to wear lingerie, and feeding them to "The Child", a hideous demon in a cage down the hall. This movie has better FX than the others, and may even have an actual actor or two involved. SOTD is a nice little package of low cost film-making at it's cheesiest! Recommended...
Average customer rating:
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Lukas' Child
Manufacturer: Echelon Entertainment 2
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ASIN: B0007U84UG |
Product Description
Lukas Armand, a skull-faced movie producer, is auditioning lovely young starlets for his upcoming low-budget horror pic. The girls are delighted to learn they've been chosen to star in the film until Lukas' creepy gofers, Jason and Mad-dog kidnap the actresses, one by one, and lock the terrified girls in dank cells somewhere in the bowels of the film studio.
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- Beast of the Yellow Night
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