Revolt of the Zombies

Starring:Dorothy Stone, Dean Jagger, Roy D'Arcy, Robert Noland, George Cleveland, E. Alyn Warren, Carl Stockdale, William Crowell, Teru Shimada, Adolph Milar, Sana Rayya, Hans Schumm, Selmer Jackson, Bela Lugosi
Director: Victor Halperin
Studio: Alpha Video
Product Type: DVD
Editorial Review:
Amazon.com
A tepid follow-up to White Zombie, Revolt has Dean Jagger discovering the secret of turning men into zombies, from the "robot army" that built the city of Angkor. Most scenes are static and dialogue heavy, and the story is plodding. There is hardly anything here of interest, even to a cinematic archaeologist, much less seekers of late-night diversion. You might be tempted to excuse this one as an artifact of 1930s cinema. But 1936 was a fair ways into the sound era, and saw the release of such disparate specimens of moving pictures as Hitchcock's Secret Agent, Chaplin's Modern Times, Capra's Mr. Deed Goes to Town, and Astaire and Rogers in Swing Time. Revolt is an oddity at best. It's also packaged as a Fright Night Horror Classic along with Night of the Living Dead and Francis Ford Coppola's debut feature, Dementia 13. --Jim Gay
Average customer rating:
- An okay time-passer for "Golden Age" film fanatics
- He's got Bela Lugosi's eyes...
- Love Story With A Few "Zombie" Scenes...
- Primarily Guilty of Not Being as Good as White Zombie.
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Revolt of the Zombies
Starring: Dorothy Stone , Dean Jagger , Roy D'Arcy , Robert Noland , and George Cleveland
Director: Victor Halperin
Manufacturer: Madacy Records
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Similar Items:
- King of the Zombies
- Condemned to Live
- Frankenstein - The Legacy Collection (Frankenstein / Bride of / Son of / Ghost of / House of)
- The Boris Karloff Collection (Tower of London / The Black Castle / The Climax / The Strange Door / Night Key)
ASIN: 6305248133
Release Date: 1998-12-22 |
Amazon.com
A tepid follow-up to White Zombie, Revolt has Dean Jagger discovering the secret of turning men into zombies, from the "robot army" that built the city of Angkor. Most scenes are static and dialogue heavy, and the story is plodding. There is hardly anything here of interest, even to a cinematic archaeologist, much less seekers of late-night diversion. You might be tempted to excuse this one as an artifact of 1930s cinema. But 1936 was a fair ways into the sound era, and saw the release of such disparate specimens of moving pictures as Hitchcock's Secret Agent, Chaplin's Modern Times, Capra's Mr. Deed Goes to Town, and Astaire and Rogers in Swing Time. Revolt is an oddity at best. It's also packaged as a Fright Night Horror Classic along with Night of the Living Dead and Francis Ford Coppola's debut feature, Dementia 13. --Jim Gay
Customer Reviews:
An okay time-passer for "Golden Age" film fanatics.......2006-09-07
Well, first off, if you're checking out Revolt of the Zombies as some very early Night of the Living Dead (1968)-type film, forget it. This is about "zombies" in a more psychological sense, where that term merely denotes someone who is not in control of their will, but who must instead follow the will of another. The "zombies" here, as little as they are in the film, are largely metaphors for subservience to the state or authority in general, as in wartime. It is quite a stretch to call this a horror film.
The film is set during World War I. A "French Cambodian" contingent had heard strange stories about zombification--supposedly Angkor Wat was built by utilizing zombies--and there are tales of zombie armies easily overcoming foes. Armand Louque (Dean Jagger) brings back a priest who supposedly knows the secret of zombification, but he won't talk. So Louque and an international military contingent head to Angkor Wat on an archaeological expedition designed to discover the secret of zombification and destroy the information before zombies have a chance to "wipe out the white race".
One of the odd things about Revolt of the Zombies is that it seems like maybe writer/director Victor Halperin decided to change his game plan while shooting the script. The film begins as if it will explore the zombie/military metaphor, and maybe even have adventure elements, but after about 15 minutes, it changes gears and becomes more of a love triangle story.
Halperin does stick with a subtext about will and power (and a Nietzschean "will to power"). The film is interesting on that level, but the script and the editing are very choppy. This is yet another older film for which I wouldn't be surprised if there is missing footage, especially since some scenes even fade or cut while a character is uttering dialogue.
Amidst the contrived romance story, Halperin tries to keep referring to the zombie thread, but little of the zombie material makes much sense. Louque discovers the secret of zombification, but it doesn't mean much to the viewer. The mechanics of the zombie material are vague and confusing--Halperin even resorts to using superimposed footage of Bela Lugosi's googly-eyes from his 1932 film, White Zombie, but never explains what it has to do with anything. There are big gaps in the plot, including the love story. Promising, interesting characters from early reels disappear for long periods of time. One potential villain is disposed of unceremoniously before he gets to do much.
If you're a big fan of old, creaky B movies, Revolt of the Zombies may be worth watching at least once--the acting isn't all that bad, and if you've got a good imagination, you can piece together an interesting story in your mind to fill in all of the gaps. But this is the second time I've seen the film, with the first only being about five years ago, and I could barely recall anything about it--so it's not exactly memorable.
He's got Bela Lugosi's eyes..........2005-07-07
The word `zombie' is thrown around a lot in this film titled Revolt of the Zombies (1936), and it made me question if the term was being used properly, as I always associated it with regards to reviving and maintaining power over the dead, perhaps through a ritual, or some such manner...well, there were a few definitions (including one for a tall drink made of rum, liqueur, and fruit juice), and one did specify `One who looks or behaves like an automaton'...which is pretty much how the word is used this film (zombification by means of hypnosis), as opposed to reanimation of corpses through that voodoo that you do so very well...co-written and directed by Victor Halperin (White Zombie), the film stars Dean Jagger (X the Unknown), Dorothy Stone (Savage Fury), and Robert Noland, in his only big, or small, screen appearance. Also appearing is Roy D'Arcy (El Capitan Tormenta), George Cleveland (The Devil and Daniel Webster), and E. Alyn Warren (Tarzan the Fearless).
The beginning of the film is a little confusing, but the gist is during the first world war there was a regiment of French Cambodians, hailing from the lost city called Angkor (or somewhere there abouts), that appeared on the Franco-Austrian front and proved to be impervious to death by conventional means, fighting like they were robots. The allies learn of this, and also of the existence of a priest, the last in a long line of those familiar with the ancient art of turning men into zombies, or mindless automatons who will do their masters bidding. Seeing as how the priest won't give up the ghost, they decided to imprison him, as the secret is too dangerous to fall into enemy hands, but someone has a more permanent solution, if you get my drift...upon learning the secret of the process may be located in the lost city of Angkor (which seemed awful easy to find, being a `lost' city and all), the allies form a international expedition featuring General Duval (Cleveland), his daughter Claire (Stone), Armand Louque (Jagger), Clifford Grayson (Noland), and a Colonel Mazovia (D'Arcy), among others. They manage to find the not-so-lot city, but locating the secret is a bit more difficult...and dangerous. During this time Armand falls in love with Claire, but she only has eyes for Cliff. She agrees to marry Armand, but only as a means to provoke Cliff into action as it turns out Cliff loves Claire, but Armand had gotten to her first, or some such thing...anyway, Claire gives Armand the old dumparoo, which leaves him a shell of his former self, that is until Armand accidentally stumbles upon the secret of making zombies, something he then puts to use in order to obtain that which he desires most, the backstabbing Claire, by creating a virtual army of zombies to do his bidding (seriously, he goes on a hypnotizin' jag, giving the whammy to everyone in sight)...soon Claire and Cliff become suspicious, but it may be too late, as those around them are under Armand's fiendish control...
I was a little disappointed with this movie, primarily because I was hoping for a little of that old black magic that made the Halprin's Brothers 1932 release titled White Zombie, starring Bela Lugosi, one of my favorite non-Universal horror films from the classic age of horror films, but it's missing...replaced by a huge, honking hunk of melodrama...bah...an admirable effort, but one that missed the mark, for me at least. What really annoyed me was the one halfway interesting character of Colonel Mazovia had so little screen time, and not a whole lot to do with the story, which sort of went against the impression of importance I got from the story early on...oh sure, he was so sinister as to be a cartoonish caricature of evil (leering eyes, pencil-thin mustache forming into a goatee, always dressed in black, and constantly slinking about) but he was, at the very least, more interesting than most of the other characters presented. You see, he, too desired the secret, and had quite the convoluted plan to achieve his goal, one that relied a little too much on uncontrolled factors, in my opinion...and I'll tell you what, the lead characters weren't all that likable, especially Armand who becomes a real egotistical a-hole once he learns the power to control men's minds, driven by an obsession to obtain something he can never have...I suppose one could make the argument that he was ultimately a sympathetic character, caught up in delusions of grandeur, a puppet to his own desires, but that'd be a tough sell, from where I sat. And then there's Claire...what a peach she is, using her engagement to Armand solely as a ploy to get with Cliff...oh yeah, she's a keeper...dames...can't live with `em, can't kill `em (legally, at least)...and I didn't understand why she was along in the first place. Yeah, she was General Duval's daughter, and he seemed in charge of the expedition, but she had no real purpose other than being a pretty plot point...the story is fairly straightforward, but tends to jump forward in a startling and confusing manner at times...a perfect example is near the beginning when Armand meets Claire and we see his almost immediately infatuated with her...while, in the same scene, we see her drawn to Cliff. Right after this there is a scene with Armand and Claire celebrating their engagement...how in the heck did we get here from there? Ah well...the performances were adequate, possibly (but unlikely) hampered by an overly talkative script...check out how proper and erudite Armand becomes after imbibing in the intoxicating juices of his newfound knowledge. And if this was the best Ms. Stone had, I'm really not surprised her career petered out after only two more films. One aspect I liked a lot was the sets, which were much better than the story deserved in that they created a creepy and spooky atmosphere just waiting for the appropriate material.
The full screen print on this Alpha DVD release looks really decent, and comes across clear, despite obvious signs of age (missing frames, lines, etc.). The audio is decent, and I had no problems making out the dialog. There are no special features, but there is a visual depiction of other Alpha DVDs.
Cookieman108
By the way, if you're wondering about my title for my review, whenever Armand would use his new power, a large set of eyes, meant to be Armand's, but really belonging to Lugosi, was superimposed on the screen. This effect was taken from Halprin's previous film White Zombie (1932), which is really worth checking out, if you're a fan of early horror classics, as this was how Bela Lugosi's character created zombies...
Love Story With A Few "Zombie" Scenes..........2005-03-31
Dean Jagger (yep, the loveable old colonel from White Christmas) plays a man who loses his fiancee to his best friend. Does he just roll over and give her up? No way! He does what any red-blooded american guy would do, he goes to Angkor, discovers an ancient hoodoo secret, and builds an army of killer zombies (these are mesmerized, living folks, NOT living dead flesh-eaters)! Roy D'Arcy tries to stop him and steal the secret, but is dispatched rather quickly by one of the zombie horde. Remember, ROTZ is mostly a love story with some "zombies" sprinkled in here and there. Don't expect WHITE ZOMBIE 2 (even though Halperin directed it as such). It's more of a love story than a horror movie. Just when our zombie meister gets his zombies together, he lets them all go free! All due to his love for the gal who dumped him in the first place! Sheesh! Well, at least the de-zombified (ex-zombified??) minions come after Jagger's character during the climax. So, it's not a total loss, but don't expect a masterpiece...
Primarily Guilty of Not Being as Good as White Zombie........2001-11-21
Three and a half stars. Not as bad as some would have you believe, but when it is compared to White Zombie (as it must be), it is found lacking.
The Good:
A lot is right about this movie. Halperin does another good job with a low budget and an exotic setting. While I doubt the crew ever went to SE Asia, the film does an admirable job of transporting the audience to the mysterious time and place of what would be Viet Nam in the years World War One.
In the plot, a meek British soldier in love with a girl who loves his friend discovers the secret to controlling minds. The doomed romance angle explored in Revolt is intelligent, even interesting, building as it does on some of the themes present in White.
It just isn't handled in a very thrilling manner. Which leads me to...
The Bad:
There is not much action in this movie. There is quite a lot of talk. A predictable outcome. Uneven performances. No Lugosi. And only two or three brief scenes possessing the surreal horror which infused White with such atmospheric, dreamlike menace.
Too much of the film is taken up by the young lovers, making this less like White Zombie and more like White Christmas.
The Ugly:
Plus, the audience is left with no one to root for. Certainly you can't root for the guy turning men into murdering zombies. But I can't find it in my heart to root for his callous "friends," either, who drove him to such lengths by toying with his heartstrings. But maybe that's just me, the romantic monster film fan.
The Extras:
The extras on the disc are spare but amusing, including a trivia game. For correct answers you are treated to footage of a zombie being bludgeoned in Night of the Living Dead. For wrong answers you are mocked with a clip of this movie's villain laughing in your face. Nice.
Average customer rating:
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Chills: The Terror/Revolt of the Zombies
Starring: Terror , and Revolt of the Zombies
Manufacturer: Mill Creek Ent
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ASIN: B0007P0XXC
Release Date: 2005-03-22 |
Average customer rating:
- Neither of these zombie B-movies are about "real" zombies
- MANTAN MAKES THIS FUN MONOGRAM FARCE GO
- Zombie Film with Humor
- dull vintage horror movie, but Mantan MORLAND is fun
- Get Zombified With Laughter!
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King of the Zombies/Revolt of Zombies
Starring: Dick Purcell , Joan Woodbury , Mantan Moreland , Henry Victor , and John Archer
Director: Jean Yarbrough , and Victor Halperin
Manufacturer: ROAN
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Similar Items:
- Up in the Air
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- Bowery at Midnight
- The Gang's All Here
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ASIN: 6305636400
Release Date: 1999-10-26 |
Customer Reviews:
Neither of these zombie B-movies are about "real" zombies.......2005-05-15
"King of the Zombies" is a 1941 zombie comedy from director Jean Yarborough set during World War II. James "Mac" McCarthy (Dick Purcell), his servant Jefferson "Jeff" Jackson (Mantan Moreland) and his pilot Bill Summers (John Archer) are in a small plane that gets blown off course. Picking up a radio signal they crash on an unknown island (there is no money for special effects so the three throw up their arms in front of their faces before a quick fade out to represent the crash). There they are welcome in an appropriately strange manner by Dr. Mikhail Sangre (Henry Victor). Making things even stranger is Momba (Leigh Whipper), the butler, Samantha (Marguerite Whitten), the maid, and Tahama (Madame Sul-Te-Wan), who is not only Sangre's cook but the local High Priestess.
Yes, there are zombies walking around in this one, but Dr. Sangre is also into hypnotism and one of the strangest mad scientist experiments for getting secret information from a person you have ever seen in a B-movie. You see, it turns out there is also a missing admiral, a damsel who may be in distress, and strict rules about how much salt a zombie can have in their diet. As others have noted, the best part of this movie is Mantan Moreland, who walks a fine line as the comedy relief in this movie. Granted, he is conforming to the stereotype of the black servant, but he manages to avoid playing his fright an anything close to a Stepin' Fetchit caricature. If only the white characters would listen to him they would not have problems like having a pistol full of bullets pumped into their bodies while walking around like zombies.
Believe it or not, "King of the Zombies" received an Academy Award nomination for Edward J. Kay for Best Musical Score of a Dramatic Picture (there were 20 film scores nominated that year, including the ones for "Citizen Kane," "How Green Was My Valley," "Suspicion," and "Sergeant York," with Bernard Hermann winning for "The Devil and Daniel Webster"). Bela Lugosi was apparently supposed to play Dr. Sangre, but that would have been a minimal improvement and really would have worked against Moreland's comedy.
"Revolt of the Zombies" is a 1936 film from director Victor Halperin (who made "White Zombie" four years earlier) that actually is set during World War I when a priest (Teru Shimada) from French Cambodia insists his god requires him to raise a zombie army to fight the Germans in the trenches. The allied generals are impressed by the idea and want the secret of creating zombies but the priest refuses to share it and is murdered shortly after being imprisoned. So an expedition is sent to the fabled lost city of Angkor to find the secret, but the problem is that a love triangle breaks out between Clifford Grayson (Robert Noland), his fiancé Claire Duval (Dorothy Stone), and Armand Loque (Dean Jagger, young and with hair!). As the odd man out, Armond discovers the secret and instead of using it to stop the Huns from overrunning his homeland raises the zombies to make Claire his own.
There is lot of scenes where actors walk in front of footage of Angkor and other exotic actions, but mostly there is a lot of talking in this one and giant zombie eyes superimposed over the action. But the real problem with "Revolt of the Zombies" is that it has this great idea of using zombie soldiers in war that gets forgotten once the love triangle becomes more important than the expedition, so you feel like you took a wrong turn someplace in this one. Then again, the whole idea that zombies are from Cambodia, where the Aspara figures, the heavenly dancers of Hindu mythology at Angkor Wat, are turned in zombies, is a step in the wrong direction. There is also some cloak and dagger nonsense that only complicates the increasingly bad situation.
In terms of double-features movies for Saturday night viewing this one is really bare boned. You get the movies, one on each side of the DVD, and frames for the cast, filmmakers, and a couple of paragraphs on the history of the film from an actual film scholar. Of these two bad movies "King of the Zombies" is a shade better, but in the end neither of these zombie movies is really about real zombies (to wit, animated corpses raised from their graves) and that is the final disappointment. We will try for better lucky with out next set of offerings, "The Killer Shrews" and "I Bury the Living."
MANTAN MAKES THIS FUN MONOGRAM FARCE GO.......2004-12-07
During WWII, a Govt, Agent Bill summers (John Archer) is searching for an admiral whose plan went down somewhere in the Caribbean. He's accompanied by the search plane pilot "Mac" (Dick Purcell) and his servant Jeff Jackson(Mantan Moreland).
While searching, their own plane goes down and crashes into a cemetary on an island. They are taken into the residence by Dutch Dr. Sangre who claims to have fled there from the Nazis. He's accompanied by his wife who walks around in a trance-like state.
Not only that, but there's several black zombies skulking about the creepy house that only Jeff ever seems to encounter. It's soon revealed that Dr. Sangre is a nazi conspirator who has the Admiral captured and is using a voodoo priestess to try and get sensitive military info out of him.
Along the way Jeff get's "Zombie-fied" by the doctor in the movie's funniest bit. This film really seemed to be a vehicle for Lugosi in the role of the mad doctor Sangre but Henry Victor does an admirable job.
Mantan steals the show with his one-liners and really brings some life to the film. Purcell is ok as the pilot but Archer is REALLY wooden as the would-be hero.
Yes it is a bit racially stereotyped as Jeff his told that he cannot stay in a guest room and must instead stay with the other black servants. But instead of running it down lets rememeber the era that the film was made in. No one should much feel sorry for Mantan Moreland as he steals virtually every scene he's in.
The film is no gem but has some fairly atmospheric creepiness and better than average Monogram film.
Zombie Film with Humor.......2004-03-17
I thought the movie was entertaining and humorous. It was a typical zombie movie of the era (Caribbean Island with old house,and a sinster character controlling the zombies) with a plus--humor provided by Mantan Morland (he also starred in some Charlie Chan movies).
dull vintage horror movie, but Mantan MORLAND is fun.......2004-03-03
Although I am not a fan of vintage horror films I purchased KING OF THE ZOMBIES because of a very favorable review in a German movie magazine.
The plot has an US secret agent, a pilot and their black servant crashland on a small Caribbean island. It turns out that the island is ruled by a German expatriot, who has kidnapped an American general and uses black magic Voodoo Mumbo Jumbo to get some military secrets out of the unfortunate high ranking officer. Of course the zombies of the title are not the flesh-eating ghouls of today's splatter films, but the living dead of Voodoo magic, will-less slaves of the Nazi, who uses them for his sinister plans. Will our heroes succeed in thwarting the Nazi's evil plan? Well, I do not want to give it away, so watch for yourself...
Despite the unusual storyline involving espionage, a sinister Nazi, Voodoo and zombies, I found KING OF THE ZOMBIES rather dull and talky. (I am aware that fans of vintage horror will have a different view and likely rate it higher than I did.)
Despite the brief running time of a little over an hour it drags in places. However black actor Mantan MORLAND was fun and his many funny lines will make you laugh throughout. While I am usually not into comedy, I found his performance a real joy to behold. Be aware that KING OF THE ZOMBIES shows his age. This is evident not only in the choice of the baddie as a German (owing to the propagandistic needs of the time), but also in a few of MORLAND's jokes, which are of a racial nature (like commenting his appearance, when he looks into a mirror, "the tropics sure gives a man a colour"). Don't watch, if you dislike such jokes. However there is no doubt that MORLAND was a great actor. Were it not for him, this film would have been a complete waste of my time. I also liked actor Victor HENRY, who played the baddie. As usual in these films the heroes are bland and boring.
The DVD is a bare-bones release, with no extras whatsoever. And don't expect picture quality to be as good as of a recent blockbuster movie. This is only natural given the film's age.
Get Zombified With Laughter!.......2003-08-15
When it comes to Poverty Row horror classics of the 1940s, King
of The Zombies has to rank right at #1, personally that is.
Yet King of The Zombies is not really "horror", it is actually
a comedy with Mantan Moreland as the TRUE STAR of this picture.
The Roan Archive DVD edition of this film is beautifully
restored to crystal clarity. Other DVD versions of this film
I have seen were either too dark or the source material was of
a bad VHS transfer to disc variety. Now, enjoy the film.
Average customer rating:
- An okay time-passer for "Golden Age" film fanatics
- He's got Bela Lugosi's eyes...
- Love Story With A Few "Zombie" Scenes...
- Primarily Guilty of Not Being as Good as White Zombie.
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Revolt of the Zombies
Starring: Dorothy Stone , Dean Jagger , Roy D'Arcy , Robert Noland , and George Cleveland
Director: Victor Halperin
Manufacturer: Alpha Video
ProductGroup: DVD
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Similar Items:
- King of the Zombies
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- The Boris Karloff Collection (Tower of London / The Black Castle / The Climax / The Strange Door / Night Key)
ASIN: B0000A0DVI
Release Date: 2003-09-09 |
Amazon.com
A tepid follow-up to White Zombie, Revolt has Dean Jagger discovering the secret of turning men into zombies, from the "robot army" that built the city of Angkor. Most scenes are static and dialogue heavy, and the story is plodding. There is hardly anything here of interest, even to a cinematic archaeologist, much less seekers of late-night diversion. You might be tempted to excuse this one as an artifact of 1930s cinema. But 1936 was a fair ways into the sound era, and saw the release of such disparate specimens of moving pictures as Hitchcock's Secret Agent, Chaplin's Modern Times, Capra's Mr. Deed Goes to Town, and Astaire and Rogers in Swing Time. Revolt is an oddity at best. It's also packaged as a Fright Night Horror Classic along with Night of the Living Dead and Francis Ford Coppola's debut feature, Dementia 13. --Jim Gay
Customer Reviews:
An okay time-passer for "Golden Age" film fanatics.......2006-09-07
Well, first off, if you're checking out Revolt of the Zombies as some very early Night of the Living Dead (1968)-type film, forget it. This is about "zombies" in a more psychological sense, where that term merely denotes someone who is not in control of their will, but who must instead follow the will of another. The "zombies" here, as little as they are in the film, are largely metaphors for subservience to the state or authority in general, as in wartime. It is quite a stretch to call this a horror film.
The film is set during World War I. A "French Cambodian" contingent had heard strange stories about zombification--supposedly Angkor Wat was built by utilizing zombies--and there are tales of zombie armies easily overcoming foes. Armand Louque (Dean Jagger) brings back a priest who supposedly knows the secret of zombification, but he won't talk. So Louque and an international military contingent head to Angkor Wat on an archaeological expedition designed to discover the secret of zombification and destroy the information before zombies have a chance to "wipe out the white race".
One of the odd things about Revolt of the Zombies is that it seems like maybe writer/director Victor Halperin decided to change his game plan while shooting the script. The film begins as if it will explore the zombie/military metaphor, and maybe even have adventure elements, but after about 15 minutes, it changes gears and becomes more of a love triangle story.
Halperin does stick with a subtext about will and power (and a Nietzschean "will to power"). The film is interesting on that level, but the script and the editing are very choppy. This is yet another older film for which I wouldn't be surprised if there is missing footage, especially since some scenes even fade or cut while a character is uttering dialogue.
Amidst the contrived romance story, Halperin tries to keep referring to the zombie thread, but little of the zombie material makes much sense. Louque discovers the secret of zombification, but it doesn't mean much to the viewer. The mechanics of the zombie material are vague and confusing--Halperin even resorts to using superimposed footage of Bela Lugosi's googly-eyes from his 1932 film, White Zombie, but never explains what it has to do with anything. There are big gaps in the plot, including the love story. Promising, interesting characters from early reels disappear for long periods of time. One potential villain is disposed of unceremoniously before he gets to do much.
If you're a big fan of old, creaky B movies, Revolt of the Zombies may be worth watching at least once--the acting isn't all that bad, and if you've got a good imagination, you can piece together an interesting story in your mind to fill in all of the gaps. But this is the second time I've seen the film, with the first only being about five years ago, and I could barely recall anything about it--so it's not exactly memorable.
He's got Bela Lugosi's eyes..........2005-07-07
The word `zombie' is thrown around a lot in this film titled Revolt of the Zombies (1936), and it made me question if the term was being used properly, as I always associated it with regards to reviving and maintaining power over the dead, perhaps through a ritual, or some such manner...well, there were a few definitions (including one for a tall drink made of rum, liqueur, and fruit juice), and one did specify `One who looks or behaves like an automaton'...which is pretty much how the word is used this film (zombification by means of hypnosis), as opposed to reanimation of corpses through that voodoo that you do so very well...co-written and directed by Victor Halperin (White Zombie), the film stars Dean Jagger (X the Unknown), Dorothy Stone (Savage Fury), and Robert Noland, in his only big, or small, screen appearance. Also appearing is Roy D'Arcy (El Capitan Tormenta), George Cleveland (The Devil and Daniel Webster), and E. Alyn Warren (Tarzan the Fearless).
The beginning of the film is a little confusing, but the gist is during the first world war there was a regiment of French Cambodians, hailing from the lost city called Angkor (or somewhere there abouts), that appeared on the Franco-Austrian front and proved to be impervious to death by conventional means, fighting like they were robots. The allies learn of this, and also of the existence of a priest, the last in a long line of those familiar with the ancient art of turning men into zombies, or mindless automatons who will do their masters bidding. Seeing as how the priest won't give up the ghost, they decided to imprison him, as the secret is too dangerous to fall into enemy hands, but someone has a more permanent solution, if you get my drift...upon learning the secret of the process may be located in the lost city of Angkor (which seemed awful easy to find, being a `lost' city and all), the allies form a international expedition featuring General Duval (Cleveland), his daughter Claire (Stone), Armand Louque (Jagger), Clifford Grayson (Noland), and a Colonel Mazovia (D'Arcy), among others. They manage to find the not-so-lot city, but locating the secret is a bit more difficult...and dangerous. During this time Armand falls in love with Claire, but she only has eyes for Cliff. She agrees to marry Armand, but only as a means to provoke Cliff into action as it turns out Cliff loves Claire, but Armand had gotten to her first, or some such thing...anyway, Claire gives Armand the old dumparoo, which leaves him a shell of his former self, that is until Armand accidentally stumbles upon the secret of making zombies, something he then puts to use in order to obtain that which he desires most, the backstabbing Claire, by creating a virtual army of zombies to do his bidding (seriously, he goes on a hypnotizin' jag, giving the whammy to everyone in sight)...soon Claire and Cliff become suspicious, but it may be too late, as those around them are under Armand's fiendish control...
I was a little disappointed with this movie, primarily because I was hoping for a little of that old black magic that made the Halprin's Brothers 1932 release titled White Zombie, starring Bela Lugosi, one of my favorite non-Universal horror films from the classic age of horror films, but it's missing...replaced by a huge, honking hunk of melodrama...bah...an admirable effort, but one that missed the mark, for me at least. What really annoyed me was the one halfway interesting character of Colonel Mazovia had so little screen time, and not a whole lot to do with the story, which sort of went against the impression of importance I got from the story early on...oh sure, he was so sinister as to be a cartoonish caricature of evil (leering eyes, pencil-thin mustache forming into a goatee, always dressed in black, and constantly slinking about) but he was, at the very least, more interesting than most of the other characters presented. You see, he, too desired the secret, and had quite the convoluted plan to achieve his goal, one that relied a little too much on uncontrolled factors, in my opinion...and I'll tell you what, the lead characters weren't all that likable, especially Armand who becomes a real egotistical a-hole once he learns the power to control men's minds, driven by an obsession to obtain something he can never have...I suppose one could make the argument that he was ultimately a sympathetic character, caught up in delusions of grandeur, a puppet to his own desires, but that'd be a tough sell, from where I sat. And then there's Claire...what a peach she is, using her engagement to Armand solely as a ploy to get with Cliff...oh yeah, she's a keeper...dames...can't live with `em, can't kill `em (legally, at least)...and I didn't understand why she was along in the first place. Yeah, she was General Duval's daughter, and he seemed in charge of the expedition, but she had no real purpose other than being a pretty plot point...the story is fairly straightforward, but tends to jump forward in a startling and confusing manner at times...a perfect example is near the beginning when Armand meets Claire and we see his almost immediately infatuated with her...while, in the same scene, we see her drawn to Cliff. Right after this there is a scene with Armand and Claire celebrating their engagement...how in the heck did we get here from there? Ah well...the performances were adequate, possibly (but unlikely) hampered by an overly talkative script...check out how proper and erudite Armand becomes after imbibing in the intoxicating juices of his newfound knowledge. And if this was the best Ms. Stone had, I'm really not surprised her career petered out after only two more films. One aspect I liked a lot was the sets, which were much better than the story deserved in that they created a creepy and spooky atmosphere just waiting for the appropriate material.
The full screen print on this Alpha DVD release looks really decent, and comes across clear, despite obvious signs of age (missing frames, lines, etc.). The audio is decent, and I had no problems making out the dialog. There are no special features, but there is a visual depiction of other Alpha DVDs.
Cookieman108
By the way, if you're wondering about my title for my review, whenever Armand would use his new power, a large set of eyes, meant to be Armand's, but really belonging to Lugosi, was superimposed on the screen. This effect was taken from Halprin's previous film White Zombie (1932), which is really worth checking out, if you're a fan of early horror classics, as this was how Bela Lugosi's character created zombies...
Love Story With A Few "Zombie" Scenes..........2005-03-31
Dean Jagger (yep, the loveable old colonel from White Christmas) plays a man who loses his fiancee to his best friend. Does he just roll over and give her up? No way! He does what any red-blooded american guy would do, he goes to Angkor, discovers an ancient hoodoo secret, and builds an army of killer zombies (these are mesmerized, living folks, NOT living dead flesh-eaters)! Roy D'Arcy tries to stop him and steal the secret, but is dispatched rather quickly by one of the zombie horde. Remember, ROTZ is mostly a love story with some "zombies" sprinkled in here and there. Don't expect WHITE ZOMBIE 2 (even though Halperin directed it as such). It's more of a love story than a horror movie. Just when our zombie meister gets his zombies together, he lets them all go free! All due to his love for the gal who dumped him in the first place! Sheesh! Well, at least the de-zombified (ex-zombified??) minions come after Jagger's character during the climax. So, it's not a total loss, but don't expect a masterpiece...
Primarily Guilty of Not Being as Good as White Zombie........2001-11-21
Three and a half stars. Not as bad as some would have you believe, but when it is compared to White Zombie (as it must be), it is found lacking.
The Good:
A lot is right about this movie. Halperin does another good job with a low budget and an exotic setting. While I doubt the crew ever went to SE Asia, the film does an admirable job of transporting the audience to the mysterious time and place of what would be Viet Nam in the years World War One.
In the plot, a meek British soldier in love with a girl who loves his friend discovers the secret to controlling minds. The doomed romance angle explored in Revolt is intelligent, even interesting, building as it does on some of the themes present in White.
It just isn't handled in a very thrilling manner. Which leads me to...
The Bad:
There is not much action in this movie. There is quite a lot of talk. A predictable outcome. Uneven performances. No Lugosi. And only two or three brief scenes possessing the surreal horror which infused White with such atmospheric, dreamlike menace.
Too much of the film is taken up by the young lovers, making this less like White Zombie and more like White Christmas.
The Ugly:
Plus, the audience is left with no one to root for. Certainly you can't root for the guy turning men into murdering zombies. But I can't find it in my heart to root for his callous "friends," either, who drove him to such lengths by toying with his heartstrings. But maybe that's just me, the romantic monster film fan.
The Extras:
The extras on the disc are spare but amusing, including a trivia game. For correct answers you are treated to footage of a zombie being bludgeoned in Night of the Living Dead. For wrong answers you are mocked with a clip of this movie's villain laughing in your face. Nice.
Average customer rating:
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Tales of the Undead: Atom Age Vampire / Revolt of the Zombies
Manufacturer: PC Treasures
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ASIN: B000BGZR10 |
Product Description
Double Feature plus a cartoon with Casper the Friendly Ghost: A-Hunting We Will Go.
Average customer rating:
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Revolt of The Zombies
Manufacturer: Synergy Ent
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ASIN: B000QJMDIM
Release Date: 2007-05-15 |
amazon.com
fter World War I, an expedition representing the Allied countries is sent to Cambodia to stop the efforts of Count Mazovia (Roy D'Arcy) in creating a zombie army of soldiers and laborers. Hoping to prevent a possible outbreak of war due to Mazovia's actions, the group presses through the jungle to Angkor Wat in spite of the perils. The group includes Armand (Dean Jagger) who has his own agenda contrary to the group's wishes.
Average customer rating:
- Revolting And Vengeful...
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Revolt of the Zombies & Vengence of the Zombies (2005 Digitally Remastered Zombiefest)
Manufacturer: Family Value
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ASIN: B000BUICEU |
Product Description
Revolt of the Zombies (129 m) An impossibly young Dean Jagger plays tame Armand Louque, a reserved young man on an expedition to find the source of a unit of zombies who fought the French forces on the Austrian border in WW1. Louque's fiancé, Claire (Dorothy Duval) comes along for the ride, as does old war comrade Clifford Grayson (Robert Noland). Grayson is the complete antithesis of Louque: an extrovert who believes that a person should satisfy their own desires no matter what the cost to others. Of course, Grayson's desires are fired by the comely (and willing) Dorothy which is a bad thing for the pair of them when Louque discovers how to control people's minds and turn them into zombies... next on the bill is a rare overlooked and seldom shown Vengence of the Zombies. If you're into Zombies your in for a treat. because you haven't seen this one yet! Basically the plot goes like this; 2 grave robbers get trapped inside the tomb they're robbing. The local Voodoo priest brings the corpse's body to life... all in all a great Zombie double bill suitible for a night's chill!
Customer Reviews:
Revolting And Vengeful..........2006-05-06
REVOLT OF THE ZOMBIES is a rather dull affair w/ Dean Jagger. The only real "revolt" doesn't happen until the end when the "zombies" kill their master. These are living people whose brains have been fried, NOT living dead flesh-munchers! VENGEANCE OF THE ZOMBIES has Paul Naschy in another dual role (3 if you count the devil in the short dream sequence). Naschy is both a goody-goody mystic and his evil twin, who raises dead women from their graves in order to send them out to murder his enemies. These zombie babes look more like Manson gals! This double feature isn't very scary, but it's not a total waste...
Average customer rating:
- classics is a bit much,but the transfers are so bad how can you tell
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Horror Classics Volume 3: Attack of the Giant Leeches, The Screaming Skull, Beast of Yucca Flats, The Terror, Revolt of the Zombies
Starring: Ken Clark; John Hudson; Tor Johnson; Boris Karloff; Dean Jagger
Manufacturer: Mill Creek Entertainment
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ASIN: B0009W306K
Release Date: 2004-01-01 |
Customer Reviews:
classics is a bit much,but the transfers are so bad how can you tell.......2006-05-22
save your money you can find better copies of these movies in any collection out there and get better prices.
Average customer rating:
- allcanadianguy@shaw reviews * *
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Horror Classics Triple Feature, Vol. 10 (Night of the Living Dead / Revolt of the Zombies / Dementia 13)
Starring: Bill 'Chilly Billy' Cardille , Charles Craig (II) , Frank Doak , Marilyn Eastman , and Jack Givens
Director: George A. Romero
Manufacturer: Rph Productions
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ASIN: B000067DE8
Release Date: 2002-05-21 |
Customer Reviews:
allcanadianguy@shaw reviews * *.......2003-04-19
Who would like this? : horror fans
Worth seeing?...
-buy it : maybe
-rent it : yes
Night of the Living Dead (1968)
George A. Romero
Director
Dementia 13 (1963)
Francis Ford Coppola
Director
Revolt of the Zombies (1936)
Victor Halperin
Director
* great value here for fans but Night of the Living Dead & Dementia 13 are both worthy of and in need of restoration.
Average customer rating:
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Revolt of the Zombies
Manufacturer: Madacy Entertainment
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- The Voodoo Religion
ASIN: B000I5OS7S |
Product Description
Through the use of a stupor-inducing potion, Jagger brings dead Cambodian soldiers back to life and creates his own army of the living dead.
DVD:
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