Beast of the Yellow Night

Starring:John Ashley, Mary Charlotte Wilcox, Leopoldo Salcedo, Eddie Garcia, Ken Metcalfe, Vic Diaz, Andres Centenera, Ruben Rustia, Don Linman, José GarcÃa (II), Carpi Asturias, Jose Roy Jr., Criselda, Joonee Gamboa, Peter Magurean, Nora Nunez, Johnny Long (II), John Carradine, Donna Lee Miller
Director: Eddie Romero
Studio: Retro Media
Product Type: DVD
Average customer rating:
- John Ashley: Vessel Of Eeevil...
- Returned from the dead to stalk human prey!
- A BIT OF RETRO NEVER HARMED ANYBODY!
- Bad movie, but great for the Horror Movie collector
|
Beast of the Yellow Night
Starring: John Ashley , Mary Charlotte Wilcox , Leopoldo Salcedo , Eddie Garcia , and Ken Metcalfe
Director: Eddie Romero
Manufacturer: Retromedia
ProductGroup: DVD
Binding: DVD
General
| Horror
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Ashley, John
| ( A )
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Carradine, John
| ( C )
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Diaz, Vic
| ( D )
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Romero, Eddie
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Similar Items:
- Twilight People
- Blood of the Vampires
- The Blood Island Vacation (Brides of Blood / The Mad Doctor of Blood Island / Beast of Blood / Brain of Blood)
- Terror Is a Man
- Night of the Blood Beast
ASIN: B000AYYV7O
Release Date: 2005-10-11 |
Description
In 1948, a hopeless degenerate wanders into the jungle and encounters the Devil, who makes a pact with him which requires him to transform periodically into an ugly beast that cannot be stopped by anyone. This low-budget, Phillippines-shot horror picture includes Roger Corman among its executive producers.
Customer Reviews:
John Ashley: Vessel Of Eeevil..........2006-08-25
John Ashley stars as a wicked man who is "saved" from death by the devil, only to find himself enslaved to the evil one and his plans to corrupt mankind. Ashley agrees to possess those whom the devil wishes to destroy. Ashley's spirit ends up in the bodies of different men throughout several decades, before winding up inside a man w/ a beautiful wife (Charlotte Wilcox). Ashley gets tired of his deal w/ satan, who responds by turning him into a hideous nocturnal monster! BOTYN has loads of ultra-cheeeezy gore and a rather surprising sex scene tossed in! Heck, there's even a philosophical debate between Ashley and beelzebub! Not bad...
Returned from the dead to stalk human prey! .......2005-11-08
The name John Ashley may not mean a hill of beans towards the general, cinema going public, but to lovers of schlock films, he's the ginchiest...he started his career at AIP appearing in JD (juvenile delinquent) and beach party films like Dragstrip Girl (1957), Motorcycle Gang (1957), High School Caesar (1960), Beach Party (1963), Muscle Beach Party (1964), later transitioning into horror movies like Frankenstein's Daughter (1958) and The Eye Creatures (1965). In the late 60s he went to the Philippines where he appeared in a series of low budget horror films including Manila, Open City (1968), Mad Doctor of Blood Island (1968), Brides of Blood (1968), and it was in 1971, with this film, titled Beast of the Yellow Night (1971), where Ashley, who not only starred, but also began producing, sharing a co-credit with Roger Corman (did I mention Ashley was also an accomplished rockabilly singer?). Appearing with Ashley in Beast of the Yellow Night, written and directed by Eddie Romero (Manila, Open City, Mad Doctor of Blood Island, Brides of Blood), is Mary Charlotte Wilcox (Willie Dynamite, Psychic Killer, The Big Bus), Ken Metcalfe (She Devils in Chains, Warriors of the Apocalypse), Andres Centenera (The Big Bird Cage, The Twilight People), Leopoldo Salcedo (Destination Vietnam), Eddie Garcia (Woman Hunt), and Vic Diaz (Night of the Cobra Woman, Black Mama, White Mama, Superbeast).
After a brief introduction from Fred Olen Ray (and Miss Kim), the film begins proper...the year is 1946, and we're in a small town in Southeast Asia. The military is out and about, and look, there's John Ashley, wandering through the jungle, looking pretty ragged. Turns out his character's name is Joseph Langdon, and he's about to die of starvation...that is until Satan (Diaz) shows up, in the guise of a fat, half-nekkid oriental man sporting a nice pair of bazooms. They make a deal (Langdon gets a sack of bloody meat for his soul) , and here's where things get a whole lot more confusing. Langdon is saved, but apparently he's cursed to inhabit bodies of Satan's choosing, for the purpose of awakening the latent evil of those whom he comes into contact with, making him Satan's tool, figuratively speaking. Fast-forward in time to the present (the present being the early 70s), and Langdon is now forced to assume the body of recently deceased, prominent American businessman (and all around a-hole) Phillip Rogers. Well, needless to say, everyone is surprised to see Phillip/Joseph alive, including his wife Julia (Wilcox), and his brother Earl (Metcalfe). Some stuff happens, and Langdon/Rogers begins to develop an identity, to which Satan punishes him by causing him to turn into a cannibalistic beast, one that feeds on others, and then reverts back to human form. The authorities are baffled by the recent spate of mutilated bodies popping up here and there, the trail of blood eventually leading to Langdon/Rogers...I think...I'm unsure, as the story was confusing as hell...
If anything, Beast of the Yellow Night did help to illuminate the burgeoning Filipino movie industry to the outside world, as many saw their film dollars would go a lot farther in the Philippines than in the states (the influx of funds certainly didn't hurt the Philippine economy). As a result, exploitationeers poured in, and soon followed a slew of westernized shlock with an Asian setting, much of it being a strange amalgam of popular genres fused together, creating some really oddball movies, all of which usually had one, common denominator, that being sleaze, which Beast of the Yellow Night has in spades. Your best bet here is not to focus too much on the story, but just go with the flow. Certain aspects do clear themselves up later on within the story, but quite a few don't. The acting, overall, is pretty rotten stuff, especially Wilcox and Metcalfe, with Ashley himself coming across a little better...I think the main problem here was the rancid script...below is a particularly painful exchange between a police lieutenant and a coroner discussing a mutilated corpse, one of Langdon/Rogers first victims;
Police Lieutenant: There must have been some kind of weapon used...nobody could have done that with his bare hands.
Coroner: I don't know Lieutenant, even a weapon has to be handled. What kind of weapon would you need to rip out a man's heart with a single blow?
Police Lieutenant: You're not sure it was a single blow?
Coroner: I wouldn't swear to it...no, not on something as mutilated as that.
Oh bruther...now imagine nearly an hour an a half of that...actually, the Filipino actors came across much better in the movie than did the Americans, only because the Filipinos seemed much more comfortable with the disjointed, English dialog. And that's another thing, the running time...the film was way too long. The filmmakers could have easily cut about fifteen minutes out from various places and had a tighter story, but as it is, the movie feels like a patchwork of material poorly stitched together, about to fall apart at anytime. The editing is pretty hinky, also as throughout there seems to be quite a bit of confusion as to whether it's day or night. Various scenes will begin in the daytime, quickly switching over to night, and vice versa. The movie does have its charms, first and foremost being John Ashley's (who was pushing 40 at the time) monumental mutton chop sideburns. The monster make up wasn't all that bad, but it did have the effect of making Ashley look like a sickly, gray-faced, middle-aged Eddie Munster. If you like the gore, there some to be had here...a few face slashes, and one scene where the monster appears to be feasting on animal entrails placed on top of an elderly man. There's also an strange love sequence where Langdon/Rogers gets his freak on with wife Julia, providing a nice shot of her chestal region, concluding with a not so nice shot of his buttocks...bah...didn't need to see that.
The widescreen (1.85:1), non-anamorphic picture on this Retromedia Entertainement, Inc. DVD release looks decent, but flaws to the source material are noticeable throughout. It wasn't pristine, but then I wasn't expecting it to be...the audio comes through well. There are a number of extra features, including drive-in spots highlighting refreshments available at the concession stand, a trailer for the film, a piece titled `Remembering John Ashley' featuring his wife Jan, Fred Olen Ray, along with Steve and Andrew Stevens all reminiscing about Ashley, and a John Ashley photo gallery, featuring photos and promotional material played against one of Ashley's rockabilly tunes. While I do appreciate Fred Olen Ray and his Retromedia group for digging up these funky, drive-in curios, I wish they'd do a little more with the DVD release in terms of providing time code information on the disc. Normally when a DVD plays, you can see the time progression displayed on the player, but not here. Also, if you stop the film (rather than pausing it), it does not remember where you stopped it, and goes back to the beginning. Perhaps this is an aspect inherent to my DVD player, but I think not. A minor annoyance, I suppose...
Cookieman108
By the way, the credits list John Carradine as being in the film, but I can't recall seeing him...
A BIT OF RETRO NEVER HARMED ANYBODY!.......2005-05-07
Many, many years ago, I rented a video entitled "The Beast," which actually turned out to be a very shortened and badly edited version of this film. The editing had ruined it completely and I fail to believe that it was done professionally, as viewing this DVD it appears that the UK VHS version of the 80s started at around chapter four!
However, bad editing aside, I always did enjoy this film, as it has a wonderfully classic appeal and now that it has been restored to its full length on DVD, the film makes far more sense and the story has a lot more continuity.
Best of the Yellow Night is very much a retro style film now. I have no doubt that at the time it was released it was a very effective film and it does still have some surprises in store, but the general value of this film now lies in the fact that it can be viewed and experienced as a film of yesteryear, not to be taken seriously. Certainly, this is not a typical Saturday night film, which can be viewed with the lights off and the popcorn and cushion at the ready, as it is by no means up to the standard of contemporary horror films.
The film begins where a man is saved from death, presumably by the devil and in exchange for his life he must trade his soul and go about awakening the latent evil in others. To complicate matters, the devil decided to give him spontaneous transformations into a rather unconvincing beast, with a wild "wiggy" hair-do and a crinkle-cut face, also in need of a serious eye reduction. Special effects practically non-existent and the film lacks atmosphere and quite often direction.
As the film progresses, it has a tendancy to produce some confusion, as the past history of the man in question is often mixed up and unclear. All of the twists and turns of the film are quite predictable and there is no real mystery to solve and certainly it will not produce a fright in any viewer, nor inspire too much anticipation. However, the acting is by no means poor and considering the low budget, this film is quite admirable.
If your taste is for top-class horror that will frighten you senseless, then this is not the film for you. If, on the other hand, you have a penchant for retro films (like me) that remind you of the horror films of old and give you some cheesy moments to laugh at, then this film is worth adding to your collection.
To rate this film, I have considered the main aspects of it (acting, direction and script), along with the fact that it would have probably raised a few eyebrows in 1971 and on the whole I feel I can safely award it full marks.
Bad movie, but great for the Horror Movie collector.......2002-12-23
I am very fond of old horror movies, and gory stuff, but this movie wasent to good, only buy this if you are a big fan of horror movies. This video should be rated R, for the nudity(they dont tell you this on the box or on the site). When you first turn on the menu and click play movie, it's like a drive in, with lots of mid 20 year old women flashing people. As for the gore it's very cheap. Take my word, only buy this if your a collector!
Average customer rating:
- John Ashley: Vessel Of Eeevil...
- Returned from the dead to stalk human prey!
- A BIT OF RETRO NEVER HARMED ANYBODY!
- Bad movie, but great for the Horror Movie collector
|
Beast of the Yellow Night
Starring: John Ashley , Mary Charlotte Wilcox , Leopoldo Salcedo , Eddie Garcia , and Ken Metcalfe
Director: Eddie Romero
Manufacturer: Retro Media
ProductGroup: DVD
Binding: DVD
General
| Horror
| Genres
| DVD
| Video
Occult
| Things That Go Bump
| Horror
| Genres
| DVD
| Video
General
| Science Fiction & Fantasy
| Genres
| DVD
| Video
Ashley, John
| ( A )
| Actors & Actresses
| Stores
| DVD
| Video
Carradine, John
| ( C )
| Actors & Actresses
| Stores
| DVD
| Video
Diaz, Vic
| ( D )
| Actors & Actresses
| Stores
| DVD
| Video
Romero, Eddie
| ( R )
| Directors
| Stores
| DVD
| Video
Used DVDs
| Stores
| DVD
| Video
| Action & Adventure
| African American Cinema
| Animation
| Anime & Manga
| Art House & International
| Classics
| Comedy
| Cult Movies
| Documentary
| Drama
| Educational
| Fitness & Yoga
| Gay & Lesbian
| Horror
| Kids & Family
| Military & War
| Music Video & Concerts
| Musicals & Performing Arts
| Mystery & Suspense
| Science Fiction & Fantasy
| Special Interests
| Sports
| Television
| Westerns
Horror
| By Genre
| Foreign & International
| Stores
| DVD
| Video
DVDs Under $7.49
| Today's Deals in DVD
| Special Features
| DVD
| Video
General
| Horror
| Today's Deals in DVD
| Special Features
| DVD
| Video
Occult
| Horror
| Today's Deals in DVD
| Special Features
| DVD
| Video
( B )
| Titles
| Features
| DVD
| Video
Similar Items:
- Twilight People
- Blood of the Vampires
- The Blood Island Vacation (Brides of Blood / The Mad Doctor of Blood Island / Beast of Blood / Brain of Blood)
- Terror Is a Man
- Night of the Blood Beast
ASIN: B00005M2D4
Release Date: 2001-08-21 |
Customer Reviews:
John Ashley: Vessel Of Eeevil..........2006-08-25
John Ashley stars as a wicked man who is "saved" from death by the devil, only to find himself enslaved to the evil one and his plans to corrupt mankind. Ashley agrees to possess those whom the devil wishes to destroy. Ashley's spirit ends up in the bodies of different men throughout several decades, before winding up inside a man w/ a beautiful wife (Charlotte Wilcox). Ashley gets tired of his deal w/ satan, who responds by turning him into a hideous nocturnal monster! BOTYN has loads of ultra-cheeeezy gore and a rather surprising sex scene tossed in! Heck, there's even a philosophical debate between Ashley and beelzebub! Not bad...
Returned from the dead to stalk human prey! .......2005-11-08
The name John Ashley may not mean a hill of beans towards the general, cinema going public, but to lovers of schlock films, he's the ginchiest...he started his career at AIP appearing in JD (juvenile delinquent) and beach party films like Dragstrip Girl (1957), Motorcycle Gang (1957), High School Caesar (1960), Beach Party (1963), Muscle Beach Party (1964), later transitioning into horror movies like Frankenstein's Daughter (1958) and The Eye Creatures (1965). In the late 60s he went to the Philippines where he appeared in a series of low budget horror films including Manila, Open City (1968), Mad Doctor of Blood Island (1968), Brides of Blood (1968), and it was in 1971, with this film, titled Beast of the Yellow Night (1971), where Ashley, who not only starred, but also began producing, sharing a co-credit with Roger Corman (did I mention Ashley was also an accomplished rockabilly singer?). Appearing with Ashley in Beast of the Yellow Night, written and directed by Eddie Romero (Manila, Open City, Mad Doctor of Blood Island, Brides of Blood), is Mary Charlotte Wilcox (Willie Dynamite, Psychic Killer, The Big Bus), Ken Metcalfe (She Devils in Chains, Warriors of the Apocalypse), Andres Centenera (The Big Bird Cage, The Twilight People), Leopoldo Salcedo (Destination Vietnam), Eddie Garcia (Woman Hunt), and Vic Diaz (Night of the Cobra Woman, Black Mama, White Mama, Superbeast).
After a brief introduction from Fred Olen Ray (and Miss Kim), the film begins proper...the year is 1946, and we're in a small town in Southeast Asia. The military is out and about, and look, there's John Ashley, wandering through the jungle, looking pretty ragged. Turns out his character's name is Joseph Langdon, and he's about to die of starvation...that is until Satan (Diaz) shows up, in the guise of a fat, half-nekkid oriental man sporting a nice pair of bazooms. They make a deal (Langdon gets a sack of bloody meat for his soul) , and here's where things get a whole lot more confusing. Langdon is saved, but apparently he's cursed to inhabit bodies of Satan's choosing, for the purpose of awakening the latent evil of those whom he comes into contact with, making him Satan's tool, figuratively speaking. Fast-forward in time to the present (the present being the early 70s), and Langdon is now forced to assume the body of recently deceased, prominent American businessman (and all around a-hole) Phillip Rogers. Well, needless to say, everyone is surprised to see Phillip/Joseph alive, including his wife Julia (Wilcox), and his brother Earl (Metcalfe). Some stuff happens, and Langdon/Rogers begins to develop an identity, to which Satan punishes him by causing him to turn into a cannibalistic beast, one that feeds on others, and then reverts back to human form. The authorities are baffled by the recent spate of mutilated bodies popping up here and there, the trail of blood eventually leading to Langdon/Rogers...I think...I'm unsure, as the story was confusing as hell...
If anything, Beast of the Yellow Night did help to illuminate the burgeoning Filipino movie industry to the outside world, as many saw their film dollars would go a lot farther in the Philippines than in the states (the influx of funds certainly didn't hurt the Philippine economy). As a result, exploitationeers poured in, and soon followed a slew of westernized shlock with an Asian setting, much of it being a strange amalgam of popular genres fused together, creating some really oddball movies, all of which usually had one, common denominator, that being sleaze, which Beast of the Yellow Night has in spades. Your best bet here is not to focus too much on the story, but just go with the flow. Certain aspects do clear themselves up later on within the story, but quite a few don't. The acting, overall, is pretty rotten stuff, especially Wilcox and Metcalfe, with Ashley himself coming across a little better...I think the main problem here was the rancid script...below is a particularly painful exchange between a police lieutenant and a coroner discussing a mutilated corpse, one of Langdon/Rogers first victims;
Police Lieutenant: There must have been some kind of weapon used...nobody could have done that with his bare hands.
Coroner: I don't know Lieutenant, even a weapon has to be handled. What kind of weapon would you need to rip out a man's heart with a single blow?
Police Lieutenant: You're not sure it was a single blow?
Coroner: I wouldn't swear to it...no, not on something as mutilated as that.
Oh bruther...now imagine nearly an hour an a half of that...actually, the Filipino actors came across much better in the movie than did the Americans, only because the Filipinos seemed much more comfortable with the disjointed, English dialog. And that's another thing, the running time...the film was way too long. The filmmakers could have easily cut about fifteen minutes out from various places and had a tighter story, but as it is, the movie feels like a patchwork of material poorly stitched together, about to fall apart at anytime. The editing is pretty hinky, also as throughout there seems to be quite a bit of confusion as to whether it's day or night. Various scenes will begin in the daytime, quickly switching over to night, and vice versa. The movie does have its charms, first and foremost being John Ashley's (who was pushing 40 at the time) monumental mutton chop sideburns. The monster make up wasn't all that bad, but it did have the effect of making Ashley look like a sickly, gray-faced, middle-aged Eddie Munster. If you like the gore, there some to be had here...a few face slashes, and one scene where the monster appears to be feasting on animal entrails placed on top of an elderly man. There's also an strange love sequence where Langdon/Rogers gets his freak on with wife Julia, providing a nice shot of her chestal region, concluding with a not so nice shot of his buttocks...bah...didn't need to see that.
The widescreen (1.85:1), non-anamorphic picture on this Retromedia Entertainement, Inc. DVD release looks decent, but flaws to the source material are noticeable throughout. It wasn't pristine, but then I wasn't expecting it to be...the audio comes through well. There are a number of extra features, including drive-in spots highlighting refreshments available at the concession stand, a trailer for the film, a piece titled `Remembering John Ashley' featuring his wife Jan, Fred Olen Ray, along with Steve and Andrew Stevens all reminiscing about Ashley, and a John Ashley photo gallery, featuring photos and promotional material played against one of Ashley's rockabilly tunes. While I do appreciate Fred Olen Ray and his Retromedia group for digging up these funky, drive-in curios, I wish they'd do a little more with the DVD release in terms of providing time code information on the disc. Normally when a DVD plays, you can see the time progression displayed on the player, but not here. Also, if you stop the film (rather than pausing it), it does not remember where you stopped it, and goes back to the beginning. Perhaps this is an aspect inherent to my DVD player, but I think not. A minor annoyance, I suppose...
Cookieman108
By the way, the credits list John Carradine as being in the film, but I can't recall seeing him...
A BIT OF RETRO NEVER HARMED ANYBODY!.......2005-05-07
Many, many years ago, I rented a video entitled "The Beast," which actually turned out to be a very shortened and badly edited version of this film. The editing had ruined it completely and I fail to believe that it was done professionally, as viewing this DVD it appears that the UK VHS version of the 80s started at around chapter four!
However, bad editing aside, I always did enjoy this film, as it has a wonderfully classic appeal and now that it has been restored to its full length on DVD, the film makes far more sense and the story has a lot more continuity.
Best of the Yellow Night is very much a retro style film now. I have no doubt that at the time it was released it was a very effective film and it does still have some surprises in store, but the general value of this film now lies in the fact that it can be viewed and experienced as a film of yesteryear, not to be taken seriously. Certainly, this is not a typical Saturday night film, which can be viewed with the lights off and the popcorn and cushion at the ready, as it is by no means up to the standard of contemporary horror films.
The film begins where a man is saved from death, presumably by the devil and in exchange for his life he must trade his soul and go about awakening the latent evil in others. To complicate matters, the devil decided to give him spontaneous transformations into a rather unconvincing beast, with a wild "wiggy" hair-do and a crinkle-cut face, also in need of a serious eye reduction. Special effects practically non-existent and the film lacks atmosphere and quite often direction.
As the film progresses, it has a tendancy to produce some confusion, as the past history of the man in question is often mixed up and unclear. All of the twists and turns of the film are quite predictable and there is no real mystery to solve and certainly it will not produce a fright in any viewer, nor inspire too much anticipation. However, the acting is by no means poor and considering the low budget, this film is quite admirable.
If your taste is for top-class horror that will frighten you senseless, then this is not the film for you. If, on the other hand, you have a penchant for retro films (like me) that remind you of the horror films of old and give you some cheesy moments to laugh at, then this film is worth adding to your collection.
To rate this film, I have considered the main aspects of it (acting, direction and script), along with the fact that it would have probably raised a few eyebrows in 1971 and on the whole I feel I can safely award it full marks.
Bad movie, but great for the Horror Movie collector.......2002-12-23
I am very fond of old horror movies, and gory stuff, but this movie wasent to good, only buy this if you are a big fan of horror movies. This video should be rated R, for the nudity(they dont tell you this on the box or on the site). When you first turn on the menu and click play movie, it's like a drive in, with lots of mid 20 year old women flashing people. As for the gore it's very cheap. Take my word, only buy this if your a collector!
Average customer rating:
- John Ashley: Vessel Of Eeevil...
- Returned from the dead to stalk human prey!
- A BIT OF RETRO NEVER HARMED ANYBODY!
- Bad movie, but great for the Horror Movie collector
|
Beast of the Yellow Night
Starring: John Ashley , Mary Charlotte Wilcox , Leopoldo Salcedo , Eddie Garcia , and Ken Metcalfe
Director: Eddie Romero
Manufacturer: Ventura Distribution
ProductGroup: DVD
Binding: DVD
General
| Horror
| Genres
| DVD
| Video
Ashley, John
| ( A )
| Actors & Actresses
| Stores
| DVD
| Video
Carradine, John
| ( C )
| Actors & Actresses
| Stores
| DVD
| Video
Diaz, Vic
| ( D )
| Actors & Actresses
| Stores
| DVD
| Video
Romero, Eddie
| ( R )
| Directors
| Stores
| DVD
| Video
Used DVDs
| Stores
| DVD
| Video
| Action & Adventure
| African American Cinema
| Animation
| Anime & Manga
| Art House & International
| Classics
| Comedy
| Cult Movies
| Documentary
| Drama
| Educational
| Fitness & Yoga
| Gay & Lesbian
| Horror
| Kids & Family
| Military & War
| Music Video & Concerts
| Musicals & Performing Arts
| Mystery & Suspense
| Science Fiction & Fantasy
| Special Interests
| Sports
| Television
| Westerns
( B )
| Titles
| Features
| DVD
| Video
Similar Items:
- Twilight People
- Blood of the Vampires
- The Blood Island Vacation (Brides of Blood / The Mad Doctor of Blood Island / Beast of Blood / Brain of Blood)
- Terror Is a Man
- Night of the Blood Beast
ASIN: B00005M0J9
Release Date: 2001-08-21 |
Customer Reviews:
John Ashley: Vessel Of Eeevil..........2006-08-25
John Ashley stars as a wicked man who is "saved" from death by the devil, only to find himself enslaved to the evil one and his plans to corrupt mankind. Ashley agrees to possess those whom the devil wishes to destroy. Ashley's spirit ends up in the bodies of different men throughout several decades, before winding up inside a man w/ a beautiful wife (Charlotte Wilcox). Ashley gets tired of his deal w/ satan, who responds by turning him into a hideous nocturnal monster! BOTYN has loads of ultra-cheeeezy gore and a rather surprising sex scene tossed in! Heck, there's even a philosophical debate between Ashley and beelzebub! Not bad...
Returned from the dead to stalk human prey! .......2005-11-08
The name John Ashley may not mean a hill of beans towards the general, cinema going public, but to lovers of schlock films, he's the ginchiest...he started his career at AIP appearing in JD (juvenile delinquent) and beach party films like Dragstrip Girl (1957), Motorcycle Gang (1957), High School Caesar (1960), Beach Party (1963), Muscle Beach Party (1964), later transitioning into horror movies like Frankenstein's Daughter (1958) and The Eye Creatures (1965). In the late 60s he went to the Philippines where he appeared in a series of low budget horror films including Manila, Open City (1968), Mad Doctor of Blood Island (1968), Brides of Blood (1968), and it was in 1971, with this film, titled Beast of the Yellow Night (1971), where Ashley, who not only starred, but also began producing, sharing a co-credit with Roger Corman (did I mention Ashley was also an accomplished rockabilly singer?). Appearing with Ashley in Beast of the Yellow Night, written and directed by Eddie Romero (Manila, Open City, Mad Doctor of Blood Island, Brides of Blood), is Mary Charlotte Wilcox (Willie Dynamite, Psychic Killer, The Big Bus), Ken Metcalfe (She Devils in Chains, Warriors of the Apocalypse), Andres Centenera (The Big Bird Cage, The Twilight People), Leopoldo Salcedo (Destination Vietnam), Eddie Garcia (Woman Hunt), and Vic Diaz (Night of the Cobra Woman, Black Mama, White Mama, Superbeast).
After a brief introduction from Fred Olen Ray (and Miss Kim), the film begins proper...the year is 1946, and we're in a small town in Southeast Asia. The military is out and about, and look, there's John Ashley, wandering through the jungle, looking pretty ragged. Turns out his character's name is Joseph Langdon, and he's about to die of starvation...that is until Satan (Diaz) shows up, in the guise of a fat, half-nekkid oriental man sporting a nice pair of bazooms. They make a deal (Langdon gets a sack of bloody meat for his soul) , and here's where things get a whole lot more confusing. Langdon is saved, but apparently he's cursed to inhabit bodies of Satan's choosing, for the purpose of awakening the latent evil of those whom he comes into contact with, making him Satan's tool, figuratively speaking. Fast-forward in time to the present (the present being the early 70s), and Langdon is now forced to assume the body of recently deceased, prominent American businessman (and all around a-hole) Phillip Rogers. Well, needless to say, everyone is surprised to see Phillip/Joseph alive, including his wife Julia (Wilcox), and his brother Earl (Metcalfe). Some stuff happens, and Langdon/Rogers begins to develop an identity, to which Satan punishes him by causing him to turn into a cannibalistic beast, one that feeds on others, and then reverts back to human form. The authorities are baffled by the recent spate of mutilated bodies popping up here and there, the trail of blood eventually leading to Langdon/Rogers...I think...I'm unsure, as the story was confusing as hell...
If anything, Beast of the Yellow Night did help to illuminate the burgeoning Filipino movie industry to the outside world, as many saw their film dollars would go a lot farther in the Philippines than in the states (the influx of funds certainly didn't hurt the Philippine economy). As a result, exploitationeers poured in, and soon followed a slew of westernized shlock with an Asian setting, much of it being a strange amalgam of popular genres fused together, creating some really oddball movies, all of which usually had one, common denominator, that being sleaze, which Beast of the Yellow Night has in spades. Your best bet here is not to focus too much on the story, but just go with the flow. Certain aspects do clear themselves up later on within the story, but quite a few don't. The acting, overall, is pretty rotten stuff, especially Wilcox and Metcalfe, with Ashley himself coming across a little better...I think the main problem here was the rancid script...below is a particularly painful exchange between a police lieutenant and a coroner discussing a mutilated corpse, one of Langdon/Rogers first victims;
Police Lieutenant: There must have been some kind of weapon used...nobody could have done that with his bare hands.
Coroner: I don't know Lieutenant, even a weapon has to be handled. What kind of weapon would you need to rip out a man's heart with a single blow?
Police Lieutenant: You're not sure it was a single blow?
Coroner: I wouldn't swear to it...no, not on something as mutilated as that.
Oh bruther...now imagine nearly an hour an a half of that...actually, the Filipino actors came across much better in the movie than did the Americans, only because the Filipinos seemed much more comfortable with the disjointed, English dialog. And that's another thing, the running time...the film was way too long. The filmmakers could have easily cut about fifteen minutes out from various places and had a tighter story, but as it is, the movie feels like a patchwork of material poorly stitched together, about to fall apart at anytime. The editing is pretty hinky, also as throughout there seems to be quite a bit of confusion as to whether it's day or night. Various scenes will begin in the daytime, quickly switching over to night, and vice versa. The movie does have its charms, first and foremost being John Ashley's (who was pushing 40 at the time) monumental mutton chop sideburns. The monster make up wasn't all that bad, but it did have the effect of making Ashley look like a sickly, gray-faced, middle-aged Eddie Munster. If you like the gore, there some to be had here...a few face slashes, and one scene where the monster appears to be feasting on animal entrails placed on top of an elderly man. There's also an strange love sequence where Langdon/Rogers gets his freak on with wife Julia, providing a nice shot of her chestal region, concluding with a not so nice shot of his buttocks...bah...didn't need to see that.
The widescreen (1.85:1), non-anamorphic picture on this Retromedia Entertainement, Inc. DVD release looks decent, but flaws to the source material are noticeable throughout. It wasn't pristine, but then I wasn't expecting it to be...the audio comes through well. There are a number of extra features, including drive-in spots highlighting refreshments available at the concession stand, a trailer for the film, a piece titled `Remembering John Ashley' featuring his wife Jan, Fred Olen Ray, along with Steve and Andrew Stevens all reminiscing about Ashley, and a John Ashley photo gallery, featuring photos and promotional material played against one of Ashley's rockabilly tunes. While I do appreciate Fred Olen Ray and his Retromedia group for digging up these funky, drive-in curios, I wish they'd do a little more with the DVD release in terms of providing time code information on the disc. Normally when a DVD plays, you can see the time progression displayed on the player, but not here. Also, if you stop the film (rather than pausing it), it does not remember where you stopped it, and goes back to the beginning. Perhaps this is an aspect inherent to my DVD player, but I think not. A minor annoyance, I suppose...
Cookieman108
By the way, the credits list John Carradine as being in the film, but I can't recall seeing him...
A BIT OF RETRO NEVER HARMED ANYBODY!.......2005-05-07
Many, many years ago, I rented a video entitled "The Beast," which actually turned out to be a very shortened and badly edited version of this film. The editing had ruined it completely and I fail to believe that it was done professionally, as viewing this DVD it appears that the UK VHS version of the 80s started at around chapter four!
However, bad editing aside, I always did enjoy this film, as it has a wonderfully classic appeal and now that it has been restored to its full length on DVD, the film makes far more sense and the story has a lot more continuity.
Best of the Yellow Night is very much a retro style film now. I have no doubt that at the time it was released it was a very effective film and it does still have some surprises in store, but the general value of this film now lies in the fact that it can be viewed and experienced as a film of yesteryear, not to be taken seriously. Certainly, this is not a typical Saturday night film, which can be viewed with the lights off and the popcorn and cushion at the ready, as it is by no means up to the standard of contemporary horror films.
The film begins where a man is saved from death, presumably by the devil and in exchange for his life he must trade his soul and go about awakening the latent evil in others. To complicate matters, the devil decided to give him spontaneous transformations into a rather unconvincing beast, with a wild "wiggy" hair-do and a crinkle-cut face, also in need of a serious eye reduction. Special effects practically non-existent and the film lacks atmosphere and quite often direction.
As the film progresses, it has a tendancy to produce some confusion, as the past history of the man in question is often mixed up and unclear. All of the twists and turns of the film are quite predictable and there is no real mystery to solve and certainly it will not produce a fright in any viewer, nor inspire too much anticipation. However, the acting is by no means poor and considering the low budget, this film is quite admirable.
If your taste is for top-class horror that will frighten you senseless, then this is not the film for you. If, on the other hand, you have a penchant for retro films (like me) that remind you of the horror films of old and give you some cheesy moments to laugh at, then this film is worth adding to your collection.
To rate this film, I have considered the main aspects of it (acting, direction and script), along with the fact that it would have probably raised a few eyebrows in 1971 and on the whole I feel I can safely award it full marks.
Bad movie, but great for the Horror Movie collector.......2002-12-23
I am very fond of old horror movies, and gory stuff, but this movie wasent to good, only buy this if you are a big fan of horror movies. This video should be rated R, for the nudity(they dont tell you this on the box or on the site). When you first turn on the menu and click play movie, it's like a drive in, with lots of mid 20 year old women flashing people. As for the gore it's very cheap. Take my word, only buy this if your a collector!
DVD:
- School Killer
- Dark Stories: Tales From Beyond the Grave
- The Thirsty Dead
- Carnival of Souls/Horror Hotel
- Death Curse
- The Cat
- Horror Classics Triple Feature, Vol. 9 (A Shriek in the Night / The World Gone Mad / Maniac)
- Trauma
- Fangs of the Living Dead
- Night of Living Dead (3-D)
DVD
DVD
DVD
Along Came Polly (Full Screen Edition)
Victoria Wood - We'd Quite Like To Apologise : Video
Kamikaze In Colour [2001]
DVD: Nil by Mouth
Ambush At Blood Pass