Deathmaster

Starring:Robert Quarry, John Fiedler, Bill Ewing (II), William Jordan, Betty Anne Rees, Brenda Dickson-Weinberg, LaSesne Hilton, John Lasell, Freda T. Vanterpool, Tari Tabakin, Michael Cronin (II), Olympia Silvers, Bobby Pickett, Bob Woods, Kitty Vallacher, Charles Hornsby, Ted Lynn
Director: Ray Danton
Studio: Retro Media
Product Type: DVD

Average customer rating:

Blood Is The Drug I'm Thinkin' Of...
WHO SAYS YOU NEED MONEY TO MAKE A GOOD FILM?
Eyes Like Hot Coals...Fangs Like Razors!
Cheesmaster! Recently Resurrected on DVD
Best Retromedia DVD yet for campy but fun Quarry shocker

Deathmaster
Starring: Robert Quarry , John Fiedler , Bill Ewing (II) , William Jordan , and Betty Anne Rees
Director: Ray Danton
Manufacturer: Retro Media
ProductGroup: DVD
Binding: DVD

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ASIN: B00006G8I7
Release Date: 2002-09-24

Customer Reviews:

Blood Is The Drug I'm Thinkin' Of..........2006-08-25

Remember the late 60s / early 70s? I sure do! Kids from upper class families were "dropping out", "turning on", and "tuning in" to whatever seemed new and exciting, especially if it meant torturing their "uptight" parents! Of course, there was the Viet Nam war and civil rights, but by 1972 a lot of folks had jumped on the bandwagon who were only interested in the fringe benefits of the movement. To them it was all about the long hair, the fringey clothes, the dope, and the "free love" (aka: sex w/ strangers on drugs). It all became empty catch-phrases like "Don't trust anyone over 30", "Power to the people", or "Make love not war" on bumper stickers, buttons, and t-shirts. The movement was dead, but the corpse kept right on grooving! Looking back, it all seems pretty silly, but at the time, it was a cultural phenomenon. THE DEATHMASTER takes full advantage of this time period, casting Robert Quarry (Count Yorga himself) as a seemingly benevolent guru-type named Khorda, talking about things that hippies wanted to hear. Pontificating "deep" platitudes, he soon has a band of kids at his feet, hanging on his every word. Sadly, many trips are bummed and many mellows harshed, as Khorda reveals his true self. Yep, there's a bloodsucking vampire under all those robes! Our hippies go from dippy desciples to undead plasma-addicts in short order! I really enjoyed this movie, both as a horror movie and a statement about our own willingness to follow...

WHO SAYS YOU NEED MONEY TO MAKE A GOOD FILM?.......2006-01-25

This movie is just good plain fun to watch. It's every bit as good, if not better than COUNT YORGA. It is for sure better than RETURN OF COUNT YORGA. The premise is quite interesting, as Robert Quarry portrays a Charles Manson type of Vampire who heads a cult of hippies and turns them all, but one, into the Undead. The ending has a nice twist and includes a very well done effect where the whole cult turns to dust when Quarry is defeated.
Robert Quarry brings class and believability to the role (as he does in the YORGA films). After meeting him in person a year or so ago, I came to have a new appreciation for the work of this very intelligent (and surprisingly funny in person) actor.
The cast also includes John Fiedler, who many would know from his numerous T.V. guest roles, and as the voice of Piglet in the many WINNIE THE POOH films. Also on board is pretty Brenda Dickson, who would later have a several year run on YOUNG AND THE RESTLESS as Jill Foster.
The Retromedia DVD has good sound, good picture and nice extras. In particular, I liked the optional commentary by Robert Quarry. A must for any Vampire fan's collection.

Eyes Like Hot Coals...Fangs Like Razors!.......2004-06-08

After great success in the title roles of the AIP films Count Yorga, Vampire (1970), and The Return of Count Yorga (1971), Robert Quarry appeared yet again as a vampire in a non-AIP film, as Khorda, in Deathmaster (1972), which didn't sit well with AIP as they thought it too closely resembled the Count Yorga character, and they eventually secured the rights to the film, giving it a very limited release, subsequently banishing it to late night television limbo...until now...

The film, directed by actor, later turned director, Ray Danton, seems to attempt to capitalize on the success of the Yorga films, along with the notoriety stemming from the Manson family crimes of a few years earlier. As the film's credits begin, displaying the title `eathmaste' (obviously the film was originally released in wide screen format, but is presented in full screen format here), we see an odd looking fellow (we later learn his name is Barbado) in the dunes on a beach, as he begins playing a flute (I think the movie is supposed to take place in California). After a few moments of this, a coffin floats towards the beach, and is found by a surfer walking along the beach (leave it be, dude). He pulls it further on shore, opens it (good idea), and gets attacked by Barbado, who snuck up behind him, which I thought was a pretty good trick as the guy's wearing a lot of jingly jangly jewelry around his neck, which tends to make a lot of noise. Barbado dispatches the surfer, hoists the coffin, and lugs it back to his pick-up truck.

Cut to what appears to be some sort of hippie festival in its' final days. Here we meet Pico (Bill Ewing), Rona (Brenda Dickson), and Pop, played by popular character actor John Fielder, who, among other roles, does the voice for Piglet on the Winnie the Pooh cartoons). They have a run-in with a just arrived biker, Monk (William Jordan) and his old lady, Esslin (Betty Ann Rees). Pico uses kung fu on Monk (which is the only time he uses it...I was looking forward to a kung fu fight with a vampire), but as the heat show up (a policeman), all four book it for a funky mansion in the hills where a whole group of hippies seem to have taken up residence. It's peace, love, and a whole lot of smokin' of things probably not legal. Around this time Khorda (Quarry) makes his appearance, and proceeds to blow these young bloods' minds, spewing a bunch of metaphysical mumbo-jumbo, but coming from Quarry, in his rich, aristocratic tones, it's pretty sweet to the ears, and he quickly enthralls the doped up hippies. He soon departs, despite the young hippies pleas (always leave `em wanting more), but he'll be back, as we get a sense that he was just priming them for the big show. And he does come back, encouraging them to clean the mansion, and clean their souls (whatever that means). Monk, not buying into any of what he calls a `freak show', decides to go off to town for `whiskey and a steak', leaving his old lady Esslin in Khorda's clutches, which he soon reveals his true nature, attacking and turning her into a creature of the night.

The weirdness continues, and Pico decides it's time to split. He tells Rona to get her stuff, but they get sidetracked and Pico gets chained up in some caves underneath the house, and Barbado captures Rona after she find the shackled Pico. Pico manages to slip out of his bondage, as the chains were never really fastened or anything (good job Barbado) and finds Khorda's coffin in a cave within the catacombs, along with a bowl of leeches (!?). Pico then manages to escape out to the beach, and makes his way back to Pop to relate his terror-filled tale. Pop doesn't believe Pico's story, but then Pop's dog gets bitten by a vampire and dies (oh bruther) and now, as the Monkees put it, `I'm a believer'. They do some research, infiltrate the mansion, and witness a black ceremony. This sets up the final confrontation and the rather downbeat, yet oddly satisfying, ending more common with movies throughout the 70's.

Okay, the only real reason to watch this film is for Robert Quarry. Despite the complete schlockiness of the production, Quarry puts on a great show, creating a suave, charismatic veneer that conceals a terrifying monster. His dialogue comes across smoothly, entrancing the hippies like some kind of Svengali, as they willingly accept his `gift'. The story is very loose, creating gigantic plot holes, and character development is virtually non-existent. The dialog is pretty lame, and most of the other acting beside Quarry is bargain basement stuff, along with the extremely dated wardrobe (I swear the fabric that made up Quarry's robe was from my grandma's old couch). The pacing throughout did slow noticeably at times, making me think the director was padding the film a bit, filling out the 88 minute run time. Quarry's vampire makeup was actually better than I expected, presenting a pretty scary visage when in vampire mode.

Retromedia Entertainment presents a better than average quality of full screen print here, and a load of extras including a commentary track (pretty rare for a Retromedia release) by Fred Olin Ray and Robert Quarry, still galleries, trailers for this and some other Robert Quarry films, and television commercials and radio spots featuring Quarry. The special features seem to present more of a homage to Quarry rather than focusing on the film, but given that Quarry more or less made the movie watchable, that's not a bad thing. Fans of Quarry won't be disappointed. I guess if I learned anything from this movie, it's that vampires like to keep a bowl of water full of leeches next to their coffin. Why? Kindred spirits, I guess...

Cookieman108

Cheesmaster! Recently Resurrected on DVD.......2003-09-13

If you're a fan of vampire movies in general, then you're probably familiar with the Count Yorga films, which would mean that you are also at least somewhat familiar with Robert Quarry.

In my opinion, with the possible exceptions of Frank Langella (Dracula -1979), and Richard Lynch (Vampire - 1979), Robert Quarry brought the dapper, aristocratic, unrepentant vampire to the screen like none other. And while I would credit Christopher Lee with the definitive screen portrayal of Dracula himself, Lee was more a character of mysterious menace rather than the more personable yet just-as-menacing vampires brought to life by Langella, Lynch, and Quarry.

After the enormous success of Quarry's "Count Yorga, Vampire" at the box-office, he signed up for something of a departure from the proper, Bulgarian count that he had previously portrayed. The storyline that was eventually decided upon by Quarry and others, called for him to portray an ancient, evil vampire who interposes himself into the troubled world of a group of youthful hippies, earns their trust with various philosophical manipulations and sheer force of personality, and eventually attempts to turn them all into a coven of the undead.

Faced with lawsuits over similarities to "Count Yorga, Vampire," the producers of "Deathmaster" were forced to sell their work to American International Pictures, which released it to a minimum of screens in order to recoup costs, and then promptly buried it. Deathmaster made appearances on television throughout the 70's and 80's, and then seemed to vanish from the airwaves. I myself caught it in the 80's on Count Gore DeVol's "Creature Feature" program on Channel 20 in the Washington DC area, and always wondered what became of it.

For those of you who have posted here, as well as others who may have wondered what happened to this bit of 70's horror cheese, fear not! It was resurrected on DVD in September, 2002, and is now available for purchase for the first time in the U.S. This DVD is packed, too. It features a theatrical trailer, radio spots, film commentary with Robert Quarry (and, I believe, the director...), scene selection, etc. Beware of one thing in regard to this DVD though: my copy says "widescreen" on the DVD snap-case, but the film is actually presented in full screen format, which would be fine except for that fact that it cuts the title credits off a bit. DEATHMASTER becomes EATHMASTE. Otherwise the DVD transfer is excellent. Others I know actually do have widescreen versions. My copy must have been an error of some type.

For the uninitiated, this film is indeed a prime sampling of 70's horror cheese, but Robert Quarry gives his usual stand-out performance as Khourda, the millennia-old vampire who has come to corrupt and prey upon our modern, wayward youths. This film features a big, lovin' spoonful of hippie-dom, hippie-music, etc., and is quite amusing at the very least. But Quarry's performance is very well done indeed, and is worth the price alone. Feel free to give the rest a healthy dose of the MST-3000 treatment though.

Contents: Minimal blood, minimal language, moderate violence, no sexual scenes, one brief glimpse of partial nudity (girl, from the back). Rating: 3 out of 4. Quarry's performance is excellent, the movie is just plain fun, and the DVD quality/extras are excellent.

Best Retromedia DVD yet for campy but fun Quarry shocker.......2003-06-09

My experience with Retromedia DVDs has been pretty spotty, and I had never seen Deathmaster before buying this, so I'm glad to say I'm very pleased on both counts. Deathmaster was concocted as an indie production by Quarry and actor/first-time director Ray Danton to cash in on the huge success of AIP's Count Yorga: Vampire and make a subtle comment on the then-recent Manson family murders. AIP chief Sam Arkoff, angered by Quarry's swift and bold move, threatened a lawsuit, eventually buying the picture and giving it a very limited release. After a run on TV in the '70s it disappeared, never available on video. The movie starts with a surfer finding the coffin of Khorda (Quarry) washed ashore, but he's soon dispatched by Khorda's creepy flute-playing henchman Barbado. We're then introduced to the main characters, a bunch of disaffected but 'lovable' guitar-strumming Hollywoodized 'hippies' squatting in a huge old mansion who smoke lots of weed, run from 'the heat,' sing dippy inspirational folk songs, and use lots of hilarious sixties jargon. (The main folksinging hippie is a nearly unrecognizable Bobby 'Boris' Pickett of Monster Mash fame.) Khorda just sort of shows up in their midst, spouting existentialist/cosmic mumbo-jumbo (some of it improvised by Quarry) that the simple-minded flower children instantly 'groove' to even though they have no idea what he's talking about. Only biker dude Monk (whose iron cross repels Khorda) is skeptical, and bolts in search of whiskey and steak, leaving girlfriend Esslin to be seduced/attacked later by the vampiric 'guru.' The other hippies are so inspired by Khorda's rhetoric that they clean up their pad and start digging lame muzak, co-written by Ray Conniff (!!) and Pickett. Despite their copious herbal consumption these hippies apparently don't believe in free love: the guys and gals retire to separate quarters at night! Monk returns, is promptly dispatched by Khorda, and, inexplicably, everyone except 'gung fu' practicing hero Pico (who's hair looks like a really fake wig but is apparently his own) and heroine Rona go into a mystical dance-trance while Barbado plays congas (unconvincingly) and Khorda mingles. Pico and Rona try to escape the house, but are captured by Barbado, though Pico eventually gets away to seek help from balding serape-wearing hippie entrepreneur Pop (John Fiedler, ubiquitous professional milquetoast character actor and voice of piglet in the Walt Disney Winnie the Pooh cartoons). Pop just happens to have one of those old occult books (in paperback!) that explains what's going on (with handy pictures of the amulets the newly-baptized vampire cult are wearing). They mount their assault on Khorda and his minions with mallets and broom-handle stakes, and the movie finishes with one of those typically '70s 'shock/twist' endings and the only moment of actual 'special effects' in the picture. Amazingly, despite being surrounded by some really bad acting and dated dialogue, Quarry acquits himself quite admirably, creating a fairly menacing, believable character (ignoring of course all the psychobabble he's given to mouth). He looks great in an assortment of groovy custom-made robes, is occasionally introduced by sitar licks on the soundtrack, and has the same multi-pointed fangs as in Count Yorga (although everyone else is stuck with obvious dime-store 'goofy teeth'). There is no real nudity and minimal gore, even for 1972 (though the leeches are a nice, if unexplained, touch). The plot has its holes, and the relentless hippie-ness gives the film a goofy, campy aura, but Danton keeps the camera and the story moving so its quite enjoyable, never boring, and worth it for Quarry's magnetic performance and a few effectively creepy sequences. A little-seen treat for all Yorga/Quarry fans or anyone who loves the old AIP drive-in sleaze in general.
Fortunately, Fred Olen Ray/Retromedia have actually done a surprisingly decent job in rescuing this from rights-issues limbo. The print is very clean, with virtually no spotting or other damage, and matted to 1.85:1 (although it looks a little closer 1.75:1 or so to me). The color is not spectacular but quite serviceable, and isn't going to look any better since the transfer is from the original 35mm camera negative. The black level, brightness, contrast, and detail are all fine, and I didn't notice any artifacting or other weirdness that plagues other Retromedia discs I own (King Dinosaur, Faceless Monster). There are four still galleries: publicity, behind-the-scenes, Quarry portraits, Quarry on stage and screen; 30- and 60-second radio spots for Count Yorga; really scratchy TV promos for Count Yorga and Sugar Hill, a Lucky Strike commercial featuring Quarry, and a classic, funny Shasta orange soda commercial featuring Fiedler and Frankenstein's monster. While these extras are nice and generally well done, the real highlight of the set is Quarry's audio commentary (with Fred Olen Ray, who directed Quarry in dozens of low-budet indies in the 1980s and '90s), which is nearly as entertaining as the feature. Quarry is sophisticated and witty, as expected, providing much interesting behind-the-scenes production info and some amusing anecdotes, with little if any dead air. Finally a Retromedia disc worthy of my unqualified highest recommendation. Get it!

The Deathmaster/The Faceless Monster (2 pack)

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The Deathmaster/The Faceless Monster (2 pack)

ProductGroup: DVD
Binding: DVD

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Product Description

The Deathmaster: A charismatic long-haired vampire finds himself becoming a guru for a gang of Southern California flower children in this hippie-dippy horror movie. The Faceless Monster: Known in U.S. distribution as Nightmare Castle, this eerie Gothic thriller offers two Barbara Steeles for the price of one. Steele first portrays the wife of a deranged scientist (Paul Muller) whose latest experiments involve electro-stimulation of human blood. When the mad doctor discovers his wife is having an affair, he tortures, disfigures and kills her alongside her lover, then removes and preserves the hearts of the victims, using their blood to restore youth and beauty to his own lover. When the madman discovers that his late wife left all her wealth to her mentally unstable sister (Steele again, a blonde this time), he quickly sets about courting and marrying the poor girl, then proceeds to drive her completely mad in order to inherit her fortune. It may be an easier task than he predicted too easy for comfort, in fact since the honeymoon is attended by the spectral presence of the murdered lovers who have risen from their own ashes to avenge their deaths. This film's pervasive feeling of impending doom is aided by shadowy, low-contrast cinematography and a robust score from Ennio Morricone, and features a riveting performance from Steele, whose large eyes pierce the screen with dangerous beauty.

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