Love Rome

Starring:Angela Bettis, Kevin Ford, Belinda Becker, Tariq Trotter, Esther Canata, Will Keenan, Drea de Matteo, Dean Winters, David Vadim
Director: Carter B. Smith
Studio: GO-KART RECORDS
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HBO Sampler Four Episodes of Shows featuring Big Love, Deadwood, Rome and Entourage
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Brand new unopened official HBO pilots lot featuring FIRST episodes of: BIG LOVE, ENTOURAGE, ROME and DEADWOOD!Extras as well!!
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Mozart - Don Giovanni / Renato Bruson, Stefano de Peppo, Anna Laura Longo, Amarilli Nizza, Alessandro Battiato, Michael Halasz, Rome Opera
Starring: Mozart , and Rossana Potenza
Director: Luca Canonici
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ASIN: B000HDRAPS
Release Date: 2006-09-26 |
Customer Reviews:
Best Giovanni I've seen.......2007-05-28
Renato Bruson aces this role like no one I have see/heard so far. He infuses humor into every scene without resorting once to silliness. Well supported by the rest of the cast, and well photographed.
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La Verita' dell' Attimo -The Truth of the moment
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amazon.com
The truth is always constant within ourselves. During a job interview a man fantasizes on how his life could have been. Experiencing a surreal situation, he will encounter a life intersection and three women. Which one will be the right woman to love? And, mostly, which one will be the real life to live? What if our life was not what we thought it was? ITALIAN with English subtitles --------- La Verita' e' sempre costante dentro di noi. Un uomo durante un incontro di lavoro fantastica su come potrebbe essere la sua vita, creando un intreccio quasi surreale, che lo portera' ad un bivio ed ad incontrare tre donne. Quale sara' la donna giusta da amare? E sopratutto, la vera vita da vivere? E se la nostra vita non fosse quello che sembra?
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- VAI Provides Wonderful Treasures but.....
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Puccini - Tosca / Corelli, Caniglia, Guelfi, Pugliese, de Fabritiis, RAI Rome Opera
Starring: Maria Caniglia , and Franco Corelli
Director: Gian Giacomo Guelfi
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- Franco Corelli: Voices of the Opera Series
- Renata Tebaldi & Franco Corelli
ASIN: B0002M5T1Q
Release Date: 2004-08-10 |
Customer Reviews:
VAI Provides Wonderful Treasures but............2004-09-18
As a person who believes that there is Franco Corelli and then there are some opera singers I was thrilled when I found that VAI had come out with this 1956 RAI film. I have copies of the Bel Canto Society Tosca videos that are magnificent but after all they aren't DVD's. The first copy of the DVD sent to me from VAI was damaged - seemingly a production flaw. Their customer service was marvelous - with no questions at all they immediately sent me a replacement that plays perfectly.
The picture is wonderful considering VAI was still dealing with a source from 1956. The color and clarity are far better than on the VHS copies. The sound is wonderful but not noticeably better than on VHS but this is probably unavoidable.
Now we get to the reason for a missing star. The synchronization of sound and picture is far from close. I don't think this can be blamed on the lip-synching that must have been done as it is not nearly so noticeable on the VHS version. With that caveat I still have to recommend this DVD. It gives us one of opera's true treasures on the format we now all want. The problem is it also makes me want to upgrade my TV set and DVD player. - More, please, VAI.
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Love Rome
Starring: Angela Bettis , Kevin Ford , Belinda Becker , Tariq Trotter , and Esther Canata
Director: Carter B. Smith
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ASIN: B0002TT0IC
Release Date: 2004-11-09 |
Customer Reviews:
Love Rome.......2005-10-09
Yes Will Keenan is in this, but Love Rome must be watched for the vignette which depicts a couple discussing having a child six months after September 11th, 2001.
Love Rome is comprised of four vignettes about couples grappling with their own self-centered whims and fancies, while struggling to figure out how they feel about Sept 11th.
It's six months later, and New York is cleaning up and rebuilding. The U.S. military has prematurely and inhumanely invaded Afghanistan. Rioting, confused, suffering, angry, and shocked New York citizens defiantly shout out their souls up and down the streets, refusing to be broken by what they've experienced.
Real documentary footage, impromptu acting, minimalistic, throbbing music, and the streets of New York come to life in a way that shows New York is New York, and nothing's going to change New York.
Look for a clip of Rev Al Sharpton giving a speech about Patriotism.
Lastly: Will, keep your hair long!
Average customer rating:
- Don't do it!!!
- A Massacre
- Quite interesting
- Horrible...
- A mixed bag
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Trilogy of Love - Cosi fan Tutte, Don Giovanni, Le Nozze di Figaro / Bruson, Gasdia, Panerai, Scalchi, Grimaldi, Fardilha, de Peppo, Novaro, Monti, Martinez, Teatro Argentina - Rome
Starring: José Fardilha , Madelyn Renée Monti , and Gloria Scalchi
Manufacturer: Kultur Video
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ASIN: B0001EQHZC
Release Date: 2004-03-16 |
Description
Three of Mozart's best-loved operas (Don Giovanni, Cosi fan tutte, Le Nozze di Figaro) together in a special collector's set. A perfect introduction to opera on DVD!
Customer Reviews:
Don't do it!!!.......2006-07-10
Don't waste your money! Skip this and buy one of the world-class level DVDs of these operas that are out there rather than wasting money on this set, even if it seems like a bargain. I've only seen the Figaro and Cosi, but they weren't even at the level of a good amateur or student production...aside from the overall low level of vocal and acting skill, what I saw of the Figaro had horrifying musical slips - intonation problems, lack of ensemble, singers entering in the wrong key. I've never seen anything like it in a commercial release - certainly don't waste your money on it!
A Massacre.......2005-09-13
Thankfully, I did not buy these DVD's. I borrwed them through interlibrary loan.
I will not pretend to be an expert on analyzing the technical aspects of opera. I am not a musician. I only know that since my childhood I have loved opera.
This is hardly opera. Compared to some of the world-class productions that are out there, this seems, as one other reviewer wrote, to be amateur, as if it were performed by a youth group.
Where to start? First, the Rome Philharmonic bumbles on the edge of incompetence. There are several instances, for example "Se Vuol Ballare, Signor Contino," in which the brass section is so discordant as to be almost painful to the ear. Did anyone ever listen to "A Musical Joke?" I am not at all joking to say this is highy reminiscent of that earlier Mozart musical satire. There is also a problem in the string section, almost as if the recording of each string player had been taken from a series of different performances and dubbed together into one. There is not a lot of cohesion. Further, who the hell is Boris Brott? He sure can not hold an orchestra together with his baton.
The singers seem to have been chosen based on 1)Being Italian and 2)Being visually what you might imagine the character to look like in an ideal world. Yes, Susanna is a beautiful young woman. Who cannot sing. I would ten times rather to a god-awfully ugly woman who has a sublime voice than a nobody in the global opera community who is drop-dead gorgeous.
Castiglione in all three of these stagings has sacrificed the substance and intricate musical chorepgraphy characteristic of the mature Mozart for appearance.
In no way can these be considered to be world-class productions. The cost for three operas is what one world-calibre performance on DVD might cost. And at that it is overpriced.
Spare yourself the agony and stay away from this box set.
Quite interesting.......2004-08-15
I purchased this set because I found very interesting to have the three Mozart/da Ponte operas in one box.
And expecially the veterans Renato Bruson in DON GIOVANNI and Rolando Panerai in COSI made the purchase really interesting.
After watching it I agree more with the second reviewer than with the third.
First of all I found the technical aspects of the DVDs quite good, sound and image well produced. It is indeed the result of live performances, so of course a few times there are some minor problems. Sets are quite nice, direction quite boring and with no particular brilliance. The conductors and the orchestra are fairly good, the strongest singers are definitely in don Giovanni.
Panerai, notwithstanding his experience doesn't look and sound particularly interesting, and the other COSI singers are quite ordinary. Same feeling for NOZZE singers.
Bruson as the DON doesn't sound fresh in voice anymore (is he in his late 60's?!) but his artistic skills are great, he portrays a quite mature, very fine Giovanni, with a beautifully sung "Deh Vieni alla finestra".
Among the women I liked Nizza as Donna Elvira, I wish she would have sung "Mi tradi" (this aria is not performed in this edition) because she sounds and looks very well indeed.
Potenza as Zerlina (she is also Suzanna in NOZZE) is quite dull, out of pitch and a bad actress. Longo as Donna Anna has a nice and powerful voice but not really too much in control of it, and she always looks worried. Luca Canonici is a very fine and virile don Ottavio, not the usual whimp.
The best in the cast is definitely de Peppo as Leporello, who plays the role with a beautiful, rich voice and draws an unusually human and colourful Leporello, not the usual clownesque buffo that we unfortunately often see. Kudos to him.
I had hoped they would show some of the interiors of beautiful Teatro Argentina in Rome where these operas were filmed live, but unfortunately they did not.
I am quite glad I buyed it, and recommend it.
Horrible..........2004-05-08
This box-set of the three Mozart-DaPonte operas were filmed during a set of live performances in Rome in 2002. Bottom line: not one production is even remotely competitive with other performances on DVD, and my advice is to steer clear of this set entirely.
The negatives are overwhelming. While the singers are for the most part young, and almost all Italian (often a plus) in this case they seem simply like inexperienced amateurs, lacking both the singing and acting chops to make these masterpieces come to life. The sets and stagings are traditional in a dull, cliched, unimaginative sort of way. The orchestra, the "Rome Philharmonic" is simply awful; tonally ugly, scrawny strings, slack ensemble, etc. From the moment I heard them "approximate" their way through the overture to Marriage of Figaro I knew I was in for an excruciating experience...
To top it off, the sound is thin and washed-out, and has a low volume level which requires you to crank up the volume knob quite high to get a satisfying sound level (though given how awful the orchestra is, I doubt you'll want to amplify them too much). Oh yeah, no surround sound. Not even a PCM digital track - 2 channel dolby digital only (about the lowest standard you can get - unfortunately, this - as well as the low volume level - is typical of Kultur releases). Also no booklet, extras, or anything else that might add value (also typical of Kultur). Picture quality is good, however.
These performances may have been acceptable seen live at a small, amateur, opera company, or even in a student production, but they should never have seen the light of day on DVD, and Kultur should be ashamed of themselves for releasing them to the public - even at discount price. With so many fine alternatives on the market, this just won't cut it.
Although it will cost you more, I would recommend any of the following productions for those interested in these operas on DVD:
Figaro: Bohm/VPO on TDK (black and white w/ mono sound, but by far the best on DVD right now - wonderful) or the Lyon production on Kultur...
Cosi: Gardiner on DG (perfection)
Don Giovanni: Glyndbourne production on Kulture (modern staging, but best overall so far) or for a more traditional staging, Conlon/Cologne Opera on Arthaus (not perfect, but acceptable - crummy subtitles, though)
A mixed bag.......2004-05-04
These are live performances filmed in 2002 at the Teatro Argentina in Rome. They are the mastermind of Enrico Castiglione, who is in charge of stage and TV direction, set design and costumes. By and large he has done a fine job. This set is an enticing proposition, especially at the bargain price of three operas, each in a separate box, for practically the price of one.
First off, the positives and there are many. Three great Mozart operas in outstanding sound, finely balanced between voices and orchestra, with woodwinds nicely forward (two channel only, sound aficionados note). The anamorphic widescreen picture is excellent, although occasionally the focus falters very briefly a few times, not a big deal. Sets are modest but traditional, unobtrusive and convincing. The singers are almost all young and fresh, offering a good deal of vocal pleasure. Plus, nearly all the characters look the part which is important. Castiglione pulls no punches with his stage direction which is straightforward and solid. Costumes are inviting and do the works justice. Audience applause is minimal and seems to have been edited out at times, keeping intact dramatic continuity.
That said, the only outstanding performance here is Don Giovanni. Led by the experienced and wily Don of Renato Bruson, one of the very few veteran singers in these performances, this one crackles with excitement, fine voices and solid characterizations. Dramatically, vocally, emotionally, it all works. This is the only performance here which seems of a piece.
The entire cast is strong. Bruson looks a bit old but he knows what he is doing, is in fine voice and commands the stage. He is superbly paired with possibly the best singer in all three operas, the rich, plangent Leporello of Stefano De Peppo. They feed off of each other with relish. Anna Laura Longo's Donna Anna and Amarilli Nizza's Donna Elvira are strong and excellent. Rosanna Potenza's Zerlina has the requisite charm and she is ably partnered by Alessandro Battiato's fine Masetto.
The orchestra in all three operas, the Rome Philharmonic, has its best outing here under the dynamic Michael Halasz, known on CDs for his expert recordings of several operas on Naxos, including Fidelio and Magic Flute.
Cosi fan tutte is a mixed bag. Besides Bruson, the other noted veteran in these casts is Rolando Panerai. His Don Alfonso, along with Daniela Mazzuccato's Despina, are well enough sung, but both seem as if they'd rather be somewhere else. Neither seems to be enjoying themselves very much.
Ensemble is critical in Cosi and the chemistry among the four young, romantic leads is OK but does seem forced at times. Most convincing are the fetching Fiordiligi of Adriana Damato and the rich voiced Guglielmo of Riccardo Novaro. The stodgy conducting of Paolo Ponziano Ciardi doesn't help matters.
Castiglione makes one of his only dramatic missteps in not making enough visual contrast between Guglielmo and Ferrando and their Albanian counterparts, tough as that is to pull off. A wispy moustache and new uniform simply don't cut it. It's hard to swallow for the characters and the audience.
This one is decent but on DVD go to Gardiner's traditional staging and Barenboim's fetching hippy version.
The weakest of these performances is Figaro, let down by the petulant, practically neurotic Susanna of Rossana Potenza. She hardly relaxes the whole time and lacks the charm the role needs. Her interactions with the cast are strained and uninviting. When Marcellina, Bartolo and Basilio badly show up Susanna, Figaro and the Countess at the end of Act 11, you know you're in trouble.
The dark, well sung Figaro of José Fardilha is the vocal highlight of the performance although he comes off more as a pudgy Boy Scout than a vibrant Figaro. Tiziana Carraro's Cherubino is well enough sung although not masculine looking enough. Madelyn Renée Monti's Countess looks and acts the part but the voice is undistinguished. Unfortunately, Marco Grimaldi's Count is the weakest vocal performance in all three operas. The voice is unpleasant, actually painful and his acting dull. He and Susanna badly brought down the performance. Skip this one. Haitink's Glyndebourne Figaro and the Lyon Opera Figaro are excellent choices.
All told, I give five stars to Don Giovanni, three to Cosi and one to Figaro. Subtitles are good but often too high up on the screen, interfering somewhat with the action. The orchestra is decent, the strings tending to falter occasionally, mostly in Figaro and Cosi. Annoyingly in closeups, any character with dark hair usually ends up with red hair!
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