The Big Doll House
Starring:Judith M. Brown, Roberta Collins, Pam Grier, Brooke Mills, Pat Woodell, Sid Haig, Christiane Schmidtmer, Kathryn Loder, Jerry Franks (III), Gina Stuart, Jack Davis, Letty Mirasol, Shirley de las Alas, Myrna De Vera, Siony Cordona, Kathy McDaniel
Director: Jack Hill
Studio: New Horizons Home Video
Product Type: DVD
Editorial Review:
Amazon.com
Director Jack Hill, a protégé of the original schlockmeister, Roger Corman, knew his way around a low budget and a shocking subject. Women-in-prison films were nothing new in 1971, but The Big Doll House had it all--sex, violence, nudity, a sadistic guard, and a sexually frustrated warden--and served it up with an abundance of cheapjack energy and tongue-in-cheek humor. The beauty of Hill's movies lay in the way they could appeal not only to the hordes who would go see them at drive-ins but also to the true trash-cinema fans who could appreciate his offbeat sensibilities. The plot is rather hoary, with a new inmate discovering the corruption of the prison setup, complete with a drugged-out psycho, a cellmate informer, and a guard who delights in torturing the women with poisonous snakes. The girls put their heads together and begin to devise a way out of their tropical hellhole, but not before disrobing several times and having a knock-down, drag-out fight in the muddy rice paddy where they're forced to toil all day. The Big Doll House, like some of Hill's other movies, was shot in the Philippines, with the cast and crew making up plot elements and dialogue in near-guerrilla filmmaking. Though the islands were a cheap place to produce movies in the '70s, the working conditions were boot camp-like. Where The Big Doll House really succeeds is in its mix of titillation and action, a fast-paced combination that makes it one heck of a fun exploitation movie to watch. It's also worth noting that this movie gave the great Pam Grier her first real starring role; she would become a Jack Hill regular before moving on to more substantial roles. --Jerry Renshaw
Average customer rating:
- Ladies in the big house.....
- Bad acting, silly dialogue, cheap sets, brief but boring nudity = yawn.
- Welcome to the Dollhouse
- This set the WIP standard...
- "Search them...inside and out!"
|
Big Doll House
Starring: Judith M. Brown , Roberta Collins , Pam Grier , Brooke Mills , and Pat Woodell
Director: Jack Hill
Manufacturer: Buena Vista Home Entertainment
ProductGroup: DVD
Binding: DVD
 Crime
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General
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Collins, Roberta
| ( C )
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Grier, Pam
| ( G )
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Haig, Sid
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Similar Items:
- Caged Heat
- The Big Bird Cage
- Black Mama, White Mama
- Women in Fury
- Women In Cages
ASIN: B000BRMMK8
Release Date: 2005-12-26 |
Amazon.com
Director Jack Hill, a protégé of the original schlockmeister, Roger Corman, knew his way around a low budget and a shocking subject. Women-in-prison films were nothing new in 1971, but The Big Doll House had it all--sex, violence, nudity, a sadistic guard, and a sexually frustrated warden--and served it up with an abundance of cheapjack energy and tongue-in-cheek humor. The beauty of Hill's movies lay in the way they could appeal not only to the hordes who would go see them at drive-ins but also to the true trash-cinema fans who could appreciate his offbeat sensibilities. The plot is rather hoary, with a new inmate discovering the corruption of the prison setup, complete with a drugged-out psycho, a cellmate informer, and a guard who delights in torturing the women with poisonous snakes. The girls put their heads together and begin to devise a way out of their tropical hellhole, but not before disrobing several times and having a knock-down, drag-out fight in the muddy rice paddy where they're forced to toil all day. The Big Doll House, like some of Hill's other movies, was shot in the Philippines, with the cast and crew making up plot elements and dialogue in near-guerrilla filmmaking. Though the islands were a cheap place to produce movies in the '70s, the working conditions were boot camp-like. Where The Big Doll House really succeeds is in its mix of titillation and action, a fast-paced combination that makes it one heck of a fun exploitation movie to watch. It's also worth noting that this movie gave the great Pam Grier her first real starring role; she would become a Jack Hill regular before moving on to more substantial roles. --Jerry Renshaw
Description
"BIG DOLL HOUSE was the second film for my new company New World Pictures and I wanted a sure hit. Hollywood had a long tradition of women-in-prison movies and no one had done one recently. While the script of BIG DOLL HOUSE was originally set in Los Angeles, I realized I could get a bigger-looking film for the same money in the Philippines. So I sent director Jack Hill there with a number of great-looking women, including Pam Grier, who left her job as a secretary. BIG DOLL HOUSE broke drive-in records and launched a new series of successful films for me." -- Roger Corman~~Pam Grier joins a group of sexy young female prisoners in their struggle against a sadistic warden. This shocking film is perhaps one of the most influential of all women-in-prison films!~
Customer Reviews:
Ladies in the big house............2006-11-04
Anyone who likes women in prison films will appreciate this classic.... a lot of death and gore plus eye candy from the various players.... keep in mind the age that the film was made in and you'll enjoy it....
Bad acting, silly dialogue, cheap sets, brief but boring nudity = yawn........2006-04-07
I wasn't impressed. The action centers around some barely ok looking 70's female cellmates - six of `em - in a Filipino prison. At first everybody talks about how tough they are then finally some fighting breaks out and some prison guard torture, but it's all tame and slow moving.
The prisoners decide to escape so they talk about it loudly and openly so anybody can hear them, whether they want to or not. They kidnap the crooked warden and escape. People get shot and blown up. The End.
Welcome to the Dollhouse.......2006-03-17
This film is not one of the best Women in prsion movies I have seen but it is good. Pam Grier does bring a big bad quality to it and it gets really good with mud wrestling! I recommend this film if you are into the sleazy, campy, Women in prison movies like me!
This set the WIP standard..........2006-03-08
OH YEAH! This is the film which set the standard for the women-in-prison genre. The Big Doll House has everything you could possibly need if you are WIP junkie: cat fights (one even takes place in the mud), group showers, sadistic guards, scantically clothed gun toting babes, lesbianism, torture, and Pam Grier. OH YEAH!
"Search them...inside and out!".......2006-02-02
In the late 1960s actor/producer John Ashley, initially famous for appearing in a number of JD flicks, hooked up with writer/director/producer Eddie Romero in the Philippines to crank out a handful of inexpensive (i.e.cheapo), somewhat successful horror features. Always an eye towards the frugal, producer/director/writer Roger Corman jumped on the bandwagon in the early 1970s, teaming up with the pair to release his second feature under his newly formed `New World' (later to be known as Concorde) film group, a chicks in chains flick titled The Big Doll House (1971). Directed by Jack Hill (Spider Baby, The Big Bird Cage, Switchblade Sisters), the film features Judith M. Brown (Willie Dynamite), Roberta Collins (Women in Cages, Caged Heat), Brooke Mills (The Student Teachers), Pat Woodell (The Twilight People), and Pam Grier (Coffy, Foxy Brown), in her first major role. Also appearing is Christiane Schmidtmer (The Giant Spider Invasion), Kathryn Loder (Foxy Brown), Jerry Frank (Voodoo Island), and Sid `tall, bald and bearded' Haig (Spider Baby, Diamonds Are Forever).
The film starts out with the arrival of three new inmates at some podunk, backwater, women's prison located in the Philippines, I'm guessing, given the large number of Philippino extras running around. As the women are processed (full body cavity searches for everyone!) we meet Collier (Brown), one of the three prisoners, along with a butcher than butch head guard named Lucian (Loder). After this we get to meet Collier's new cellmates, and they're quite the assortment...there's Grear (Grier), who got tossed in the pokey for hustling and has a real hate/hate complex towards men, Bodine (Woodell), a political prisoner whose boyfriend is a rebel insurgent leader hiding out in the hills, Harrad (Mills), a weird junkie type with pyromaniac tendencies, incarcerated for killing her baby (that's lovely), a blondie named Alcott (Collins), and so on...life is difficult in the prison, as the days are filled with tedium labor either toiling in excessively muddy fields or weaving baskets, while the nights involve entertaining oneself with cockroach races, shankings, snitching on your cellmates, or spending time in Lucian's private chamber of sadomasochistic delights. As the film progresses we witness scenes of torture, a gratuitous and pointless shower sequence, more torture, talk of escape, a food fight, a mysterious figure in a hood overseeing the torture, a catfight that devolves into a fine display of mud wrestling, time outs in the hot box, electroshock therapy, snakes, and fun and games with Harry (Haig) and his new partner Fred (Frank), a pair of entrepreneurs who sell food, smokes, and what not to the prisoners (don't worry if you don't have the cash, as Harry will let you slide for a good groping), fantasizing about all the man hungry flesh locked behind the bars. Tired of being used and abused, a core group of girls plan an elaborate escape attempt, one that involves kidnapping the head mistress named Miss Dietrich (Schmidtmer).
What The Big Doll House lacks in aspects like cohesive story, good acting, and solid characters it more than makes up for in unmitigated sleazy fun. One thing that did surprise me a little was the fact there wasn't as much nekkidness in this movie as I would have expected. Oh, there was a decent amount, most all topless shots, a lot limited to flashes of flesh soon to be obscured by an arm, or someone turning their back towards the camera. This didn't bother me because what there was, was pretty nice (hello Ms. Grier...nice to see you and the twins). What was most notable was the complete absence of any Sapphic action. It was often alluded to in the story, but the film never delivered the goods (I wasn't looking for any hardcore dueling batwing action, but a little face suckage and copious fondling would have been nice). The plot is of the loosey goosey variety, meaning this is more or less an assemblage of sleaze soaked sequences eventually leading up to the big escape attempt. This was pretty much what I was expecting, as director Hill obviously knew enough to avoid attempting the premise of serious, social commentary in an effort to cover up the exploitive nature of the material, as was done in Corman's earlier film The Student Nurses (1970), which tried to conceal its lurid and skeezy nature by touching awkwardly upon a slew of feminine issues. While the characters themselves were of the garden-variety stock one would normally expect in a feature like this, some of the performances did stand out. Pam Grier makes one helluva butch prisoner, and I thought Haig's character just a whole lot of fun. Loder's character of Lucian, the sadistic, snake loving head guard was decent, but I only wish she would have turned it up a notch or two, as there was certainly room to do so...and check out the various native to the region extras in the prison...looks like they were recruited off the streets, having little idea what was actually going on...the last half of this film could have been titled `The Misadventures of Harry and Fred', as the pair play a more prominent role in the story, becoming entangled in the escape attempt as the women use the lure of hot prison lovin' to get the pair of knuckleheads to unwittingly help them in their plans, culminating in a sequence where the two end up in their underwear, forced at gunpoint to engage some naughty fun in the back of their truck in a twisted effort by the escapees to return some of the humiliation and degradation heaped upon them by their once captors. To say anymore would spoil things, so I'll leave it at that...overall, The Big Doll House was generally what I expected, an entertaining film packed with good, wholesome, scuzzy fun. This film was followed up a year later by one titled The Big Bird Cage (1972), which also featured Grier, and was written and directed by Jack Hill.
The fullscreen (1.33:1) picture quality on this DVD release is decent, and the Dolby Digital audio comes through well. As far as special features, there's cast and crew biographies, an original theatrical trailer, and a five minute interview piece between Leonard Maltin and Roger Corman where the two talk about this film like it was some form of high art. Corman also claims he decided to make this film in the Philippines because he thought he could get more for his money, but I think it was really just an effort to keep more dough in his pocket rather than spend what he saved on better production values. Also included are previews for the films Death Race 2000 (1975), Grand Theft Auto (1977), Eat My Dust (1976), Big Bad Mama (1974), and Humanoids from the Deep (1980), all recently re-issued onto DVD by Walt Disney Video, which, within the past year, acquired the release rights to Corman's extensive Concorde-New Horizons catalog of films.
Cookieman108
If I learned anything from this film, it's that if you ever find yourself in prison, avoid, if at all possible, sharing a cell with a junkie.
Average customer rating:
- Ladies in the big house.....
- Bad acting, silly dialogue, cheap sets, brief but boring nudity = yawn.
- Welcome to the Dollhouse
- This set the WIP standard...
- "Search them...inside and out!"
|
The Big Doll House
Starring: Judith M. Brown , Roberta Collins , Pam Grier , Brooke Mills , and Pat Woodell
Director: Jack Hill
Manufacturer: New Concorde
ProductGroup: DVD
Binding: DVD
Crime
| Action & Adventure
| Genres
| DVD
| Video
General
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Collins, Roberta
| ( C )
| Actors & Actresses
| Stores
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Grier, Pam
| ( G )
| Actors & Actresses
| Stores
| DVD
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Haig, Sid
| ( H )
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( B )
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Similar Items:
- Caged Heat
- The Big Bird Cage
- Black Mama, White Mama
- Women in Fury
- Women In Cages
ASIN: 6305325820
Release Date: 1999-04-27 |
Amazon.com
Director Jack Hill, a protégé of the original schlockmeister, Roger Corman, knew his way around a low budget and a shocking subject. Women-in-prison films were nothing new in 1971, but The Big Doll House had it all--sex, violence, nudity, a sadistic guard, and a sexually frustrated warden--and served it up with an abundance of cheapjack energy and tongue-in-cheek humor. The beauty of Hill's movies lay in the way they could appeal not only to the hordes who would go see them at drive-ins but also to the true trash-cinema fans who could appreciate his offbeat sensibilities. The plot is rather hoary, with a new inmate discovering the corruption of the prison setup, complete with a drugged-out psycho, a cellmate informer, and a guard who delights in torturing the women with poisonous snakes. The girls put their heads together and begin to devise a way out of their tropical hellhole, but not before disrobing several times and having a knock-down, drag-out fight in the muddy rice paddy where they're forced to toil all day. The Big Doll House, like some of Hill's other movies, was shot in the Philippines, with the cast and crew making up plot elements and dialogue in near-guerrilla filmmaking. Though the islands were a cheap place to produce movies in the '70s, the working conditions were boot camp-like. Where The Big Doll House really succeeds is in its mix of titillation and action, a fast-paced combination that makes it one heck of a fun exploitation movie to watch. It's also worth noting that this movie gave the great Pam Grier her first real starring role; she would become a Jack Hill regular before moving on to more substantial roles. --Jerry Renshaw
Customer Reviews:
Ladies in the big house............2006-11-04
Anyone who likes women in prison films will appreciate this classic.... a lot of death and gore plus eye candy from the various players.... keep in mind the age that the film was made in and you'll enjoy it....
Bad acting, silly dialogue, cheap sets, brief but boring nudity = yawn........2006-04-07
I wasn't impressed. The action centers around some barely ok looking 70's female cellmates - six of `em - in a Filipino prison. At first everybody talks about how tough they are then finally some fighting breaks out and some prison guard torture, but it's all tame and slow moving.
The prisoners decide to escape so they talk about it loudly and openly so anybody can hear them, whether they want to or not. They kidnap the crooked warden and escape. People get shot and blown up. The End.
Welcome to the Dollhouse.......2006-03-17
This film is not one of the best Women in prsion movies I have seen but it is good. Pam Grier does bring a big bad quality to it and it gets really good with mud wrestling! I recommend this film if you are into the sleazy, campy, Women in prison movies like me!
This set the WIP standard..........2006-03-08
OH YEAH! This is the film which set the standard for the women-in-prison genre. The Big Doll House has everything you could possibly need if you are WIP junkie: cat fights (one even takes place in the mud), group showers, sadistic guards, scantically clothed gun toting babes, lesbianism, torture, and Pam Grier. OH YEAH!
"Search them...inside and out!".......2006-02-02
In the late 1960s actor/producer John Ashley, initially famous for appearing in a number of JD flicks, hooked up with writer/director/producer Eddie Romero in the Philippines to crank out a handful of inexpensive (i.e.cheapo), somewhat successful horror features. Always an eye towards the frugal, producer/director/writer Roger Corman jumped on the bandwagon in the early 1970s, teaming up with the pair to release his second feature under his newly formed `New World' (later to be known as Concorde) film group, a chicks in chains flick titled The Big Doll House (1971). Directed by Jack Hill (Spider Baby, The Big Bird Cage, Switchblade Sisters), the film features Judith M. Brown (Willie Dynamite), Roberta Collins (Women in Cages, Caged Heat), Brooke Mills (The Student Teachers), Pat Woodell (The Twilight People), and Pam Grier (Coffy, Foxy Brown), in her first major role. Also appearing is Christiane Schmidtmer (The Giant Spider Invasion), Kathryn Loder (Foxy Brown), Jerry Frank (Voodoo Island), and Sid `tall, bald and bearded' Haig (Spider Baby, Diamonds Are Forever).
The film starts out with the arrival of three new inmates at some podunk, backwater, women's prison located in the Philippines, I'm guessing, given the large number of Philippino extras running around. As the women are processed (full body cavity searches for everyone!) we meet Collier (Brown), one of the three prisoners, along with a butcher than butch head guard named Lucian (Loder). After this we get to meet Collier's new cellmates, and they're quite the assortment...there's Grear (Grier), who got tossed in the pokey for hustling and has a real hate/hate complex towards men, Bodine (Woodell), a political prisoner whose boyfriend is a rebel insurgent leader hiding out in the hills, Harrad (Mills), a weird junkie type with pyromaniac tendencies, incarcerated for killing her baby (that's lovely), a blondie named Alcott (Collins), and so on...life is difficult in the prison, as the days are filled with tedium labor either toiling in excessively muddy fields or weaving baskets, while the nights involve entertaining oneself with cockroach races, shankings, snitching on your cellmates, or spending time in Lucian's private chamber of sadomasochistic delights. As the film progresses we witness scenes of torture, a gratuitous and pointless shower sequence, more torture, talk of escape, a food fight, a mysterious figure in a hood overseeing the torture, a catfight that devolves into a fine display of mud wrestling, time outs in the hot box, electroshock therapy, snakes, and fun and games with Harry (Haig) and his new partner Fred (Frank), a pair of entrepreneurs who sell food, smokes, and what not to the prisoners (don't worry if you don't have the cash, as Harry will let you slide for a good groping), fantasizing about all the man hungry flesh locked behind the bars. Tired of being used and abused, a core group of girls plan an elaborate escape attempt, one that involves kidnapping the head mistress named Miss Dietrich (Schmidtmer).
What The Big Doll House lacks in aspects like cohesive story, good acting, and solid characters it more than makes up for in unmitigated sleazy fun. One thing that did surprise me a little was the fact there wasn't as much nekkidness in this movie as I would have expected. Oh, there was a decent amount, most all topless shots, a lot limited to flashes of flesh soon to be obscured by an arm, or someone turning their back towards the camera. This didn't bother me because what there was, was pretty nice (hello Ms. Grier...nice to see you and the twins). What was most notable was the complete absence of any Sapphic action. It was often alluded to in the story, but the film never delivered the goods (I wasn't looking for any hardcore dueling batwing action, but a little face suckage and copious fondling would have been nice). The plot is of the loosey goosey variety, meaning this is more or less an assemblage of sleaze soaked sequences eventually leading up to the big escape attempt. This was pretty much what I was expecting, as director Hill obviously knew enough to avoid attempting the premise of serious, social commentary in an effort to cover up the exploitive nature of the material, as was done in Corman's earlier film The Student Nurses (1970), which tried to conceal its lurid and skeezy nature by touching awkwardly upon a slew of feminine issues. While the characters themselves were of the garden-variety stock one would normally expect in a feature like this, some of the performances did stand out. Pam Grier makes one helluva butch prisoner, and I thought Haig's character just a whole lot of fun. Loder's character of Lucian, the sadistic, snake loving head guard was decent, but I only wish she would have turned it up a notch or two, as there was certainly room to do so...and check out the various native to the region extras in the prison...looks like they were recruited off the streets, having little idea what was actually going on...the last half of this film could have been titled `The Misadventures of Harry and Fred', as the pair play a more prominent role in the story, becoming entangled in the escape attempt as the women use the lure of hot prison lovin' to get the pair of knuckleheads to unwittingly help them in their plans, culminating in a sequence where the two end up in their underwear, forced at gunpoint to engage some naughty fun in the back of their truck in a twisted effort by the escapees to return some of the humiliation and degradation heaped upon them by their once captors. To say anymore would spoil things, so I'll leave it at that...overall, The Big Doll House was generally what I expected, an entertaining film packed with good, wholesome, scuzzy fun. This film was followed up a year later by one titled The Big Bird Cage (1972), which also featured Grier, and was written and directed by Jack Hill.
The fullscreen (1.33:1) picture quality on this DVD release is decent, and the Dolby Digital audio comes through well. As far as special features, there's cast and crew biographies, an original theatrical trailer, and a five minute interview piece between Leonard Maltin and Roger Corman where the two talk about this film like it was some form of high art. Corman also claims he decided to make this film in the Philippines because he thought he could get more for his money, but I think it was really just an effort to keep more dough in his pocket rather than spend what he saved on better production values. Also included are previews for the films Death Race 2000 (1975), Grand Theft Auto (1977), Eat My Dust (1976), Big Bad Mama (1974), and Humanoids from the Deep (1980), all recently re-issued onto DVD by Walt Disney Video, which, within the past year, acquired the release rights to Corman's extensive Concorde-New Horizons catalog of films.
Cookieman108
If I learned anything from this film, it's that if you ever find yourself in prison, avoid, if at all possible, sharing a cell with a junkie.
![The Big Doll House [Region 2]](http://www.germanelectronics88.com/noimage.gif)
Average customer rating:
- Ladies in the big house.....
- Bad acting, silly dialogue, cheap sets, brief but boring nudity = yawn.
- Welcome to the Dollhouse
- This set the WIP standard...
- "Search them...inside and out!"
|
The Big Doll House [Region 2]
Starring: Judith M. Brown , Roberta Collins , Pam Grier , Brooke Mills , and Pat Woodell
Director: Jack Hill
ProductGroup: DVD
Binding: DVD
General
| Action & Adventure
| Genres
| DVD
| Video
Collins, Roberta
| ( C )
| Actors & Actresses
| Stores
| DVD
| Video
Grier, Pam
| ( G )
| Actors & Actresses
| Stores
| DVD
| Video
Haig, Sid
| ( H )
| Actors & Actresses
| Stores
| DVD
| Video
Hill, Jack
| ( H )
| Directors
| Stores
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| Video
Used DVDs
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| Science Fiction & Fantasy
| Special Interests
| Sports
| Television
| Westerns
( B )
| Titles
| Features
| DVD
| Video
Similar Items:
- Caged Heat
- The Big Bird Cage
- Black Mama, White Mama
- Women in Fury
- Women In Cages
ASIN: B00009W35F |
Amazon.com
Director Jack Hill, a protégé of the original schlockmeister, Roger Corman, knew his way around a low budget and a shocking subject. Women-in-prison films were nothing new in 1971, but The Big Doll House had it all--sex, violence, nudity, a sadistic guard, and a sexually frustrated warden--and served it up with an abundance of cheapjack energy and tongue-in-cheek humor. The beauty of Hill's movies lay in the way they could appeal not only to the hordes who would go see them at drive-ins but also to the true trash-cinema fans who could appreciate his offbeat sensibilities. The plot is rather hoary, with a new inmate discovering the corruption of the prison setup, complete with a drugged-out psycho, a cellmate informer, and a guard who delights in torturing the women with poisonous snakes. The girls put their heads together and begin to devise a way out of their tropical hellhole, but not before disrobing several times and having a knock-down, drag-out fight in the muddy rice paddy where they're forced to toil all day. The Big Doll House, like some of Hill's other movies, was shot in the Philippines, with the cast and crew making up plot elements and dialogue in near-guerrilla filmmaking. Though the islands were a cheap place to produce movies in the '70s, the working conditions were boot camp-like. Where The Big Doll House really succeeds is in its mix of titillation and action, a fast-paced combination that makes it one heck of a fun exploitation movie to watch. It's also worth noting that this movie gave the great Pam Grier her first real starring role; she would become a Jack Hill regular before moving on to more substantial roles. --Jerry Renshaw
Customer Reviews:
Ladies in the big house............2006-11-04
Anyone who likes women in prison films will appreciate this classic.... a lot of death and gore plus eye candy from the various players.... keep in mind the age that the film was made in and you'll enjoy it....
Bad acting, silly dialogue, cheap sets, brief but boring nudity = yawn........2006-04-07
I wasn't impressed. The action centers around some barely ok looking 70's female cellmates - six of `em - in a Filipino prison. At first everybody talks about how tough they are then finally some fighting breaks out and some prison guard torture, but it's all tame and slow moving.
The prisoners decide to escape so they talk about it loudly and openly so anybody can hear them, whether they want to or not. They kidnap the crooked warden and escape. People get shot and blown up. The End.
Welcome to the Dollhouse.......2006-03-17
This film is not one of the best Women in prsion movies I have seen but it is good. Pam Grier does bring a big bad quality to it and it gets really good with mud wrestling! I recommend this film if you are into the sleazy, campy, Women in prison movies like me!
This set the WIP standard..........2006-03-08
OH YEAH! This is the film which set the standard for the women-in-prison genre. The Big Doll House has everything you could possibly need if you are WIP junkie: cat fights (one even takes place in the mud), group showers, sadistic guards, scantically clothed gun toting babes, lesbianism, torture, and Pam Grier. OH YEAH!
"Search them...inside and out!".......2006-02-02
In the late 1960s actor/producer John Ashley, initially famous for appearing in a number of JD flicks, hooked up with writer/director/producer Eddie Romero in the Philippines to crank out a handful of inexpensive (i.e.cheapo), somewhat successful horror features. Always an eye towards the frugal, producer/director/writer Roger Corman jumped on the bandwagon in the early 1970s, teaming up with the pair to release his second feature under his newly formed `New World' (later to be known as Concorde) film group, a chicks in chains flick titled The Big Doll House (1971). Directed by Jack Hill (Spider Baby, The Big Bird Cage, Switchblade Sisters), the film features Judith M. Brown (Willie Dynamite), Roberta Collins (Women in Cages, Caged Heat), Brooke Mills (The Student Teachers), Pat Woodell (The Twilight People), and Pam Grier (Coffy, Foxy Brown), in her first major role. Also appearing is Christiane Schmidtmer (The Giant Spider Invasion), Kathryn Loder (Foxy Brown), Jerry Frank (Voodoo Island), and Sid `tall, bald and bearded' Haig (Spider Baby, Diamonds Are Forever).
The film starts out with the arrival of three new inmates at some podunk, backwater, women's prison located in the Philippines, I'm guessing, given the large number of Philippino extras running around. As the women are processed (full body cavity searches for everyone!) we meet Collier (Brown), one of the three prisoners, along with a butcher than butch head guard named Lucian (Loder). After this we get to meet Collier's new cellmates, and they're quite the assortment...there's Grear (Grier), who got tossed in the pokey for hustling and has a real hate/hate complex towards men, Bodine (Woodell), a political prisoner whose boyfriend is a rebel insurgent leader hiding out in the hills, Harrad (Mills), a weird junkie type with pyromaniac tendencies, incarcerated for killing her baby (that's lovely), a blondie named Alcott (Collins), and so on...life is difficult in the prison, as the days are filled with tedium labor either toiling in excessively muddy fields or weaving baskets, while the nights involve entertaining oneself with cockroach races, shankings, snitching on your cellmates, or spending time in Lucian's private chamber of sadomasochistic delights. As the film progresses we witness scenes of torture, a gratuitous and pointless shower sequence, more torture, talk of escape, a food fight, a mysterious figure in a hood overseeing the torture, a catfight that devolves into a fine display of mud wrestling, time outs in the hot box, electroshock therapy, snakes, and fun and games with Harry (Haig) and his new partner Fred (Frank), a pair of entrepreneurs who sell food, smokes, and what not to the prisoners (don't worry if you don't have the cash, as Harry will let you slide for a good groping), fantasizing about all the man hungry flesh locked behind the bars. Tired of being used and abused, a core group of girls plan an elaborate escape attempt, one that involves kidnapping the head mistress named Miss Dietrich (Schmidtmer).
What The Big Doll House lacks in aspects like cohesive story, good acting, and solid characters it more than makes up for in unmitigated sleazy fun. One thing that did surprise me a little was the fact there wasn't as much nekkidness in this movie as I would have expected. Oh, there was a decent amount, most all topless shots, a lot limited to flashes of flesh soon to be obscured by an arm, or someone turning their back towards the camera. This didn't bother me because what there was, was pretty nice (hello Ms. Grier...nice to see you and the twins). What was most notable was the complete absence of any Sapphic action. It was often alluded to in the story, but the film never delivered the goods (I wasn't looking for any hardcore dueling batwing action, but a little face suckage and copious fondling would have been nice). The plot is of the loosey goosey variety, meaning this is more or less an assemblage of sleaze soaked sequences eventually leading up to the big escape attempt. This was pretty much what I was expecting, as director Hill obviously knew enough to avoid attempting the premise of serious, social commentary in an effort to cover up the exploitive nature of the material, as was done in Corman's earlier film The Student Nurses (1970), which tried to conceal its lurid and skeezy nature by touching awkwardly upon a slew of feminine issues. While the characters themselves were of the garden-variety stock one would normally expect in a feature like this, some of the performances did stand out. Pam Grier makes one helluva butch prisoner, and I thought Haig's character just a whole lot of fun. Loder's character of Lucian, the sadistic, snake loving head guard was decent, but I only wish she would have turned it up a notch or two, as there was certainly room to do so...and check out the various native to the region extras in the prison...looks like they were recruited off the streets, having little idea what was actually going on...the last half of this film could have been titled `The Misadventures of Harry and Fred', as the pair play a more prominent role in the story, becoming entangled in the escape attempt as the women use the lure of hot prison lovin' to get the pair of knuckleheads to unwittingly help them in their plans, culminating in a sequence where the two end up in their underwear, forced at gunpoint to engage some naughty fun in the back of their truck in a twisted effort by the escapees to return some of the humiliation and degradation heaped upon them by their once captors. To say anymore would spoil things, so I'll leave it at that...overall, The Big Doll House was generally what I expected, an entertaining film packed with good, wholesome, scuzzy fun. This film was followed up a year later by one titled The Big Bird Cage (1972), which also featured Grier, and was written and directed by Jack Hill.
The fullscreen (1.33:1) picture quality on this DVD release is decent, and the Dolby Digital audio comes through well. As far as special features, there's cast and crew biographies, an original theatrical trailer, and a five minute interview piece between Leonard Maltin and Roger Corman where the two talk about this film like it was some form of high art. Corman also claims he decided to make this film in the Philippines because he thought he could get more for his money, but I think it was really just an effort to keep more dough in his pocket rather than spend what he saved on better production values. Also included are previews for the films Death Race 2000 (1975), Grand Theft Auto (1977), Eat My Dust (1976), Big Bad Mama (1974), and Humanoids from the Deep (1980), all recently re-issued onto DVD by Walt Disney Video, which, within the past year, acquired the release rights to Corman's extensive Concorde-New Horizons catalog of films.
Cookieman108
If I learned anything from this film, it's that if you ever find yourself in prison, avoid, if at all possible, sharing a cell with a junkie.
Average customer rating:
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Pam Grier Uncaged Collection (Women in Cages / The Big Doll House / The Arena / The Big Bird Cage)
Starring: Judith M. Brown , Roberta Collins , Pam Grier , Brooke Mills , and Pat Woodell
Director: Jack Hill , Gerardo de Leon , and Joe D'Amato
Manufacturer: New Concorde
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Collins, Roberta
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Haig, Sid
| ( H )
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Damato, Joe
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Similar Items:
- Black Mama, White Mama
ASIN: B0000UX5EI
Release Date: 2004-01-20 |
Description
THE ARENA: Kidnapped by Roman soldiers, four beautiful women must battle for their lives in The Arena… attempting to beat the Romans at their own game.
BIG DOLL HOUSE: Pam Grier joins a group of sexy, young female prisoners in their struggle against a sadistic warden. This shocking film is perhaps one of the most influential of all women-in-prison films!
WOMEN IN CAGES: When innocent woman Jennifer Gan is sent to prison, she must face off against head matron, Pam Grier, who takes pleasure in alternately seducing and torturing her prisoners.
THE BIG BIRD CAGE: Inside the women prison hell called The Big Bird Cage… inmates like "The Price is Right's" Anitra Ford Struggle to survive. They get their chance at ascape when scheming revolutionary Pam Grier engineers a prison break… from the outside in!
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The Big Bird Cage (1972) [Special Edition]
Manufacturer: new concorde
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Similar Items:
- Big Doll House
ASIN: B0009IT1JO |
Product Description
SPECIAL FEATURES: Feature length commentary by Director Jack Hill, Digitally Remastered, Original Trailer, Cast Biographies, Scene Index, Interactive Menus, Preview Attractions
Average customer rating:
- Ladies in the big house.....
- Bad acting, silly dialogue, cheap sets, brief but boring nudity = yawn.
- Welcome to the Dollhouse
- This set the WIP standard...
- "Search them...inside and out!"
|
The Big Doll House
Starring: Judith M. Brown , Roberta Collins , Pam Grier , Brooke Mills , and Pat Woodell
Director: Jack Hill
Manufacturer: New Horizons Home Video
ProductGroup: DVD
Binding: DVD
General
| Drama
| Genres
| DVD
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Collins, Roberta
| ( C )
| Actors & Actresses
| Stores
| DVD
| Video
Grier, Pam
| ( G )
| Actors & Actresses
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| Video
Haig, Sid
| ( H )
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Hill, Jack
| ( H )
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Similar Items:
- Caged Heat
- The Big Bird Cage
- Black Mama, White Mama
- Women in Fury
- Women In Cages
ASIN: B00003L9CX
Release Date: 1999-05-11 |
Amazon.com
Director Jack Hill, a protégé of the original schlockmeister, Roger Corman, knew his way around a low budget and a shocking subject. Women-in-prison films were nothing new in 1971, but The Big Doll House had it all--sex, violence, nudity, a sadistic guard, and a sexually frustrated warden--and served it up with an abundance of cheapjack energy and tongue-in-cheek humor. The beauty of Hill's movies lay in the way they could appeal not only to the hordes who would go see them at drive-ins but also to the true trash-cinema fans who could appreciate his offbeat sensibilities. The plot is rather hoary, with a new inmate discovering the corruption of the prison setup, complete with a drugged-out psycho, a cellmate informer, and a guard who delights in torturing the women with poisonous snakes. The girls put their heads together and begin to devise a way out of their tropical hellhole, but not before disrobing several times and having a knock-down, drag-out fight in the muddy rice paddy where they're forced to toil all day. The Big Doll House, like some of Hill's other movies, was shot in the Philippines, with the cast and crew making up plot elements and dialogue in near-guerrilla filmmaking. Though the islands were a cheap place to produce movies in the '70s, the working conditions were boot camp-like. Where The Big Doll House really succeeds is in its mix of titillation and action, a fast-paced combination that makes it one heck of a fun exploitation movie to watch. It's also worth noting that this movie gave the great Pam Grier her first real starring role; she would become a Jack Hill regular before moving on to more substantial roles. --Jerry Renshaw
Customer Reviews:
Ladies in the big house............2006-11-04
Anyone who likes women in prison films will appreciate this classic.... a lot of death and gore plus eye candy from the various players.... keep in mind the age that the film was made in and you'll enjoy it....
Bad acting, silly dialogue, cheap sets, brief but boring nudity = yawn........2006-04-07
I wasn't impressed. The action centers around some barely ok looking 70's female cellmates - six of `em - in a Filipino prison. At first everybody talks about how tough they are then finally some fighting breaks out and some prison guard torture, but it's all tame and slow moving.
The prisoners decide to escape so they talk about it loudly and openly so anybody can hear them, whether they want to or not. They kidnap the crooked warden and escape. People get shot and blown up. The End.
Welcome to the Dollhouse.......2006-03-17
This film is not one of the best Women in prsion movies I have seen but it is good. Pam Grier does bring a big bad quality to it and it gets really good with mud wrestling! I recommend this film if you are into the sleazy, campy, Women in prison movies like me!
This set the WIP standard..........2006-03-08
OH YEAH! This is the film which set the standard for the women-in-prison genre. The Big Doll House has everything you could possibly need if you are WIP junkie: cat fights (one even takes place in the mud), group showers, sadistic guards, scantically clothed gun toting babes, lesbianism, torture, and Pam Grier. OH YEAH!
"Search them...inside and out!".......2006-02-02
In the late 1960s actor/producer John Ashley, initially famous for appearing in a number of JD flicks, hooked up with writer/director/producer Eddie Romero in the Philippines to crank out a handful of inexpensive (i.e.cheapo), somewhat successful horror features. Always an eye towards the frugal, producer/director/writer Roger Corman jumped on the bandwagon in the early 1970s, teaming up with the pair to release his second feature under his newly formed `New World' (later to be known as Concorde) film group, a chicks in chains flick titled The Big Doll House (1971). Directed by Jack Hill (Spider Baby, The Big Bird Cage, Switchblade Sisters), the film features Judith M. Brown (Willie Dynamite), Roberta Collins (Women in Cages, Caged Heat), Brooke Mills (The Student Teachers), Pat Woodell (The Twilight People), and Pam Grier (Coffy, Foxy Brown), in her first major role. Also appearing is Christiane Schmidtmer (The Giant Spider Invasion), Kathryn Loder (Foxy Brown), Jerry Frank (Voodoo Island), and Sid `tall, bald and bearded' Haig (Spider Baby, Diamonds Are Forever).
The film starts out with the arrival of three new inmates at some podunk, backwater, women's prison located in the Philippines, I'm guessing, given the large number of Philippino extras running around. As the women are processed (full body cavity searches for everyone!) we meet Collier (Brown), one of the three prisoners, along with a butcher than butch head guard named Lucian (Loder). After this we get to meet Collier's new cellmates, and they're quite the assortment...there's Grear (Grier), who got tossed in the pokey for hustling and has a real hate/hate complex towards men, Bodine (Woodell), a political prisoner whose boyfriend is a rebel insurgent leader hiding out in the hills, Harrad (Mills), a weird junkie type with pyromaniac tendencies, incarcerated for killing her baby (that's lovely), a blondie named Alcott (Collins), and so on...life is difficult in the prison, as the days are filled with tedium labor either toiling in excessively muddy fields or weaving baskets, while the nights involve entertaining oneself with cockroach races, shankings, snitching on your cellmates, or spending time in Lucian's private chamber of sadomasochistic delights. As the film progresses we witness scenes of torture, a gratuitous and pointless shower sequence, more torture, talk of escape, a food fight, a mysterious figure in a hood overseeing the torture, a catfight that devolves into a fine display of mud wrestling, time outs in the hot box, electroshock therapy, snakes, and fun and games with Harry (Haig) and his new partner Fred (Frank), a pair of entrepreneurs who sell food, smokes, and what not to the prisoners (don't worry if you don't have the cash, as Harry will let you slide for a good groping), fantasizing about all the man hungry flesh locked behind the bars. Tired of being used and abused, a core group of girls plan an elaborate escape attempt, one that involves kidnapping the head mistress named Miss Dietrich (Schmidtmer).
What The Big Doll House lacks in aspects like cohesive story, good acting, and solid characters it more than makes up for in unmitigated sleazy fun. One thing that did surprise me a little was the fact there wasn't as much nekkidness in this movie as I would have expected. Oh, there was a decent amount, most all topless shots, a lot limited to flashes of flesh soon to be obscured by an arm, or someone turning their back towards the camera. This didn't bother me because what there was, was pretty nice (hello Ms. Grier...nice to see you and the twins). What was most notable was the complete absence of any Sapphic action. It was often alluded to in the story, but the film never delivered the goods (I wasn't looking for any hardcore dueling batwing action, but a little face suckage and copious fondling would have been nice). The plot is of the loosey goosey variety, meaning this is more or less an assemblage of sleaze soaked sequences eventually leading up to the big escape attempt. This was pretty much what I was expecting, as director Hill obviously knew enough to avoid attempting the premise of serious, social commentary in an effort to cover up the exploitive nature of the material, as was done in Corman's earlier film The Student Nurses (1970), which tried to conceal its lurid and skeezy nature by touching awkwardly upon a slew of feminine issues. While the characters themselves were of the garden-variety stock one would normally expect in a feature like this, some of the performances did stand out. Pam Grier makes one helluva butch prisoner, and I thought Haig's character just a whole lot of fun. Loder's character of Lucian, the sadistic, snake loving head guard was decent, but I only wish she would have turned it up a notch or two, as there was certainly room to do so...and check out the various native to the region extras in the prison...looks like they were recruited off the streets, having little idea what was actually going on...the last half of this film could have been titled `The Misadventures of Harry and Fred', as the pair play a more prominent role in the story, becoming entangled in the escape attempt as the women use the lure of hot prison lovin' to get the pair of knuckleheads to unwittingly help them in their plans, culminating in a sequence where the two end up in their underwear, forced at gunpoint to engage some naughty fun in the back of their truck in a twisted effort by the escapees to return some of the humiliation and degradation heaped upon them by their once captors. To say anymore would spoil things, so I'll leave it at that...overall, The Big Doll House was generally what I expected, an entertaining film packed with good, wholesome, scuzzy fun. This film was followed up a year later by one titled The Big Bird Cage (1972), which also featured Grier, and was written and directed by Jack Hill.
The fullscreen (1.33:1) picture quality on this DVD release is decent, and the Dolby Digital audio comes through well. As far as special features, there's cast and crew biographies, an original theatrical trailer, and a five minute interview piece between Leonard Maltin and Roger Corman where the two talk about this film like it was some form of high art. Corman also claims he decided to make this film in the Philippines because he thought he could get more for his money, but I think it was really just an effort to keep more dough in his pocket rather than spend what he saved on better production values. Also included are previews for the films Death Race 2000 (1975), Grand Theft Auto (1977), Eat My Dust (1976), Big Bad Mama (1974), and Humanoids from the Deep (1980), all recently re-issued onto DVD by Walt Disney Video, which, within the past year, acquired the release rights to Corman's extensive Concorde-New Horizons catalog of films.
Cookieman108
If I learned anything from this film, it's that if you ever find yourself in prison, avoid, if at all possible, sharing a cell with a junkie.
DVD:
- Country Diary of Edwardian Lady (2 Pk) / TV Show
- The Big Chance
- Shorty
- Kevin Costner Collection (3000 Miles To Graceland/Tin Cup/Robin Hood - Prince of Thieves)
- Mob Movies
- Classic Romance
- Victim of Beauty
- The Setting Son
- White Lies
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DVD
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Dragonball Z, Vol. 15 - Trouble
Tweenies - Animal Friends / Party Games, Laughs And Giggles
Thirsty Dead [Collector's Edition]
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Enterprise 1.1 - Aufbruch ins Unbekannte