Ganja and Hess

Starring:Betty Barney, Marlene Clark, Enrico Fales, Tara Fields, Bill Gunn, Richard Harrow, John Hoffmeister, Leonard Jackson, Duane Jones, Mabel King, Tommy Lane, Candece Tarpley, Betsy Thurman, Sam Waymon
Director: Bill Gunn
Studio: Image Entertainment
Product Type: DVD

Editorial Review:
Amazon.com
A landmark in the history of African American cinema and one of the most important films of the 1970s, Ganja & Hess suffered a tortured fate that nearly resulted in its extinction. Briefly released in New York City in 1973, it was originally intended to be a "blaxploitation" horror thriller, but actor-director Bill Gunn (who died in 1989) created something much more complex and artistically expressive: a vampire film starring the late Duane Jones (earlier immortalized as the hero of Night of the Living Dead) that never mentions the word "vampire," addressing interwoven themes of addiction, passion, class distinction, faith, and the place of blacks in a dominant white society. Unfolding on a sensual level that is better experienced than explained, the film is equal parts dream, nightmare, and existential odyssey.

Amazon.com

A landmark in the history of African American cinema and one of the most important films of the 1970s, Ganja & Hess suffered a tortured fate that nearly resulted in its extinction. Briefly released in New York City in 1973, it was originally intended to be a "blaxploitation" horror thriller, but actor-director Bill Gunn (who died in 1989) created something much more complex and artistically expressive: a vampire film starring the late Duane Jones (earlier immortalized as the hero of Night of the Living Dead) that never mentions the word "vampire," addressing interwoven themes of addiction, passion, class distinction, faith, and the place of blacks in a dominant white society. Unfolding on a sensual level that is better experienced than explained, the film is equal parts dream, nightmare, and existential odyssey.

Description

In this once-lost masterpiece of independent horror, the blade of an ancient African knife spreads a vampiric contagion to research assistant George (director Bill Gunn), whose bloodlust soon infects Dr. Hess Green (Night of the Living Dead's Duane Jones) as well. When Hess is enraptured by George's beautiful wife, Ganja (Enter the Dragon's Marlene Clark), he attempts to conceal his terrible secret... but at a high price. Intended to capitalize on the 1970s market for gothic horror films and blaxploitation, this bold, striking statement from Bill Gunn - playwright, actor, multiple threat artist - is an arthouse thriller about addiction, culture clashes, and moral redemption. Hailed as one of the great artistic achievements of modern American cinema, it was the only American film screened during Critics' Week at the 1973 Cannes Film Festival where it won a standing ovation. It was literally ahead of its time--so audacious and unique it was all but buried after being screened for years in a savagely-butchered edition. We are proud to present this exclusive DVD restoration of Bill Gunn's director's cut, including 3 minutes of footage missing from previous home video versions.

Customer Reviews:

Literary, Smart, Divinely Executed.......2006-12-12

Ganja and Hess is one of those movies that, if you have heard about, you have heard it discussed in the terms used by all the reviewers thus far. Throw all of that away. What this is... is art. The story is masterful, the acting nuanced and subtle, the over-arching story intriguing and the "twist" unexpected enough to leave your jaw hanging open as you understand what you just watched.

Many people call this film "confusing" -- however, it isn't confusing at all. It demands that the viewer make the same leap of faith we make when we read a text and simply "ingest" the action, the characters, and the narrative which is not immediately transparent. You are gonna have to work for it. Wait for it. Keep your eyes and ears open and really pay attention.

This movie does display some of the motifs of this era so there is full frontal male nudity, there are boobies of all body types, there is some stark reality, but this is one of those movies I would have loved to have watched as a young kid... but it is, perhaps, not for the youngun's.

James S. Hinton passed not too long ago and so it is really a joy to watch his cinematography... because it is true, this is an ESPECIALLY beautiful movie.

If you have watched too much Hollywood pap and have lost all sense of imagination, creativity... you should probably pass this one by because it is not giving itself to you the way in which you are used (i.e. it is not spoon-feeding you as much as leading you along a path, beckoning you to enter). However, if you remember and like some story with your entertainment, some meat with your movie, treasure thinking about the ways things happen: Watch this movie. You'll never thank yourself enough.

Better in theory..........2004-10-29

While this movie is termed "legendary", Ganja and Hess is one of those movies that are better in the ideas they present rather than the actual film. Ganja and Hess has its profound moments; it has incredibly intense and sensual imagery as well as a beautiful soundtrack but the plot is very unclear. I honestly don't blame others for wanting to edit the film because the actual storyline is hard to find beneath the dream sequences and the symbolism.
Ganja and Hess is thought-provoking, but flawed. That's all there really is to say about it. I do recommend watching Abel Ferrara's film The Addiction as a companion piece to Ganja and Hess, which explores some of the same ideas.

Pitiful.......2004-01-04

I had heard of this movie for so many years, first as a kid reading "Famous Monsters," then as a film buff who kept hearing and reading tales of a complex and challenging vampire film that the distributors wouldn't release. I was thrilled when I got my hands on this DVD. I must say I've liked my share of oddball, offbeat films that few others seem to connect with, and it was with that spirit that I went into "Ganja and Hess." Sadly, despite what "art" some see in it, "Ganja and Hess" is a total mess and a waste of time. It's execution is amaturish and it's plot is hopelessly muddled (except of course if you view plot as something that just interferes with the artist making his point). You could call this the "Plan 9 From Outer Space" of blaxploitation films, but that would be an insult to "Plan 9" and suggest that "Ganja and Hess" is fun in a bad movie sort of way. It's not. It's just bad. I get the idea that Ben Gunn has some sort of point to make, but by the time he gets around to making it, you're so numb you just don't care anymore. If you're looking for a good vampire film from the "blaxploitation" period, "Blacula" is coming to DVD soon. And if you're looking for art, look elsewhere. You won't find it here.

Interesting "vampire" film........2002-11-18

This is an odd movie to say the least. Dr. Hess Green (Duane Jones) acquires the "addiction" from a ceremony while travelling in Africa and becomes, basically, a vampire. Not your standard fictional vampire mind you, but someone who has a hunger for blood and cannot die. After that, all similarities with your standard vampire end. He walks in the daylight, sleeps in a bed, goes to church and does not have fangs. He lives on a large estate and has a butler and chauffeur who take care of him. There is a bit of narration from the butler who knows about the doctor's affliction, but it is mostly to get us up to speed at the beginning of the film. A ways into the film Ganja (Marlene Clark) comes to stay with Dr. Hess. She finds evidence of strange goings on and tells Hess an interesting story from her childhood. Somehow this leads to their getting married and him performing the ceremony on her to give her the same affliction he has.

There are parts of the film that have a lot of dialog and then other parts that have very little, if any. There are also some extended scenes from a gospel singing church that look more like a documentary than a fictional vampire movie. Flashback scenes are interspersed with dream sequences and at times it is difficult to tell if it is present reality or a dream. There are a few violent scenes where the doctor feeds including one at a whorehouse where he somewhat violently kills his victim and laps up the blood that has spilled. In another scene he robs a medical clinic, walking away with their supply of blood in his leather satchel.

I can't say that this is a great movie, but it is somewhat entertaining, if not a little slow. When the film was first screened the producers were disappointed that it was not a traditional "blaxpoitation" film and cut it down from 110 minutes to 78 minutes. It bombed and was soon forgotten.

All Day Entertainment released the fully restored dvd to much fanfare from fans of the movie back in 1998 and it is still in release. There is an essay from Tim Lucas and and a commentary from producer Chiz Schultz, actress Marlene Clark, cinematographer James Hinton and soundtrack composer Sam Waymon. The full retail price is [X] and I am certainly glad I rented it from Netflix instead of buying it, but some collectors might consider it for their collection, mostly those intereseted in really offbeat, independent vampire films, or collectors of interesting black cinema (blaxploitation it is not).

Peculiar, intriguing, confusing.......2002-05-13

Bill Gunn's Ganja and Hess, originally released in 1973, has had a checkered career, to say the least. It was chopped, slashed, re-edited, and re-released no less than FIVE times throughout the 70s and 80s with five additional titles--very likely a record. Its original length of 110 minutes was sliced down to 78 minutes by Fima Novick in the original chopped version (Blood Couple), but as Tim Lucas points out in his terrific essay included in this DVD release, Novick introduced a few elements missing from the original that were actually helpful in clarifying the action.

This DVD release is the full director's cut and that is all to the good. Yet this version of the film is hard to follow unless you have some backstory. For example, without knowing that the main character, a black intellectual, Hess Green, somehow came across a Myrthian dagger and then accidentally (or is it on purpose?) was scratched or stabbed with it by his assistant, George Meda (played by the director himself)--AND that this dagger's touch can bring on vampirism--you would never know how Hess got to be the way he was. The scene in which this is supposedly revealed has such vague exposition that it leaves you scratching your head trying to figure out how things got from point A to point B.

Yet the film also boasts some brilliant dream imagery, some of the best in any film from the 70s, if not since then as well. These dream scenes give the film tremendous power.

But the dream scenes are juxtaposed with other scenes that seem somewhat too long for their purpose, or that don't really go anywhere. For example, in one scene, deleted from the chopped version, Hess talks to his son--who looks to be about 13 or 14--speaking in French to him, asking him about his studies at his private school. This is no doubt meant to bring out Hess' social and intellectual standing as a man of culture and refinement. But the son is never seen in the rest of the film and the scene seems completely isolated from the rest of the movie.

In another scene, Hess visits a white woman from a trashy part of town. It's obvious what the purpose of the visit is, and this is no doubt to bring out Hess' conflicted character. This does work to some extent, in that later on, he goes to church, supposedly for absolution based on his deeds, but there is too much fragmentation of purpose working in this film to make it cohere.

It's a fascinating failure. Ganja Meda, played by Marlene Clark, is another frustratingly developed character. She discovers her husband, George, is dead, but while suspicion definitely points to Hess as the perpetrator, she's walks around mad for a couple of minutes and then is lovey-dovey with him.

Amazon.com

Customer Reviews:

Literary, Smart, Divinely Executed.......2006-12-12

Better in theory..........2004-10-29

Pitiful.......2004-01-04

Interesting "vampire" film........2002-11-18

Peculiar, intriguing, confusing.......2002-05-13

Yet the film also boasts some brilliant dream imagery, some of the best in any film from the 70s, if not since then as well. These dream scenes give the film tremendous power.

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