Mob Justice

Mob Justice


Starring:Tony Danza, Ted Levine, Dan Lauria, Frank Vincent, Joe Lisi, James Rebhorn, Nicholas Turturro, Caroline Aaron, Leonardo Cimino, Sam Coppola (II), Wendy Makkena, Margaret Klenck, Samuel L. Jackson, Kevin Corrigan, Steven Marcus, Al Shannon, Bingo O'Malley, William Cameron, Helena Ruoti, Dean Wells
Director: Peter Markle
Studio: New Concorde
Product Type: DVD
The Punisher
Average customer rating: 3.5 out of 5 stars
  • An earlier Punisher
  • Dolph Lundren AS Elvis...playing The Punisher...
  • I really liked this film
  • So much better than the 2004 version
  • Original and Best
The Punisher
Starring: Dolph Lundgren , Louis Gossett Jr. , Jeroen Krabbé , Kim Miyori , and Bryan Marshall
Director: Mark Goldblatt
Manufacturer: Live / Artisan
ProductGroup: DVD
Binding: DVD

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Similar Items:
  1. The Punisher (Extended Cut)
  2. Masters of the Universe
  3. Showdown in Little Tokyo
  4. Red Scorpion
  5. Silent Trigger

ASIN: 078401132X
Release Date: 1999-04-20

Amazon.com

First, a few facts. Dolph Lundgren expresses emotions ranging from stoic to, well, really stoic. There are holes in the story large enough to pilot the Exxon Valdez through without spilling a drop. And the film is littered with action movie clichés. But none of this matters. The Punisher succeeds because it stays true to its origins, the Marvel comic of the same name. Studio-engineered films such as Batman never quite capture the mixture of loyalty and betrayal, justice and revenge, moral ambiguity and emotional truth that are the hallmarks of the graphic novel. Films such as Darkman do. So does The Punisher. Lundgren plays Frank Castle, a dedicated policeman whose family was wiped out in a mob hit. He went underground (literally) and, as the Punisher, has been exacting his revenge, killing 125 mobsters in the past five years. But when the yakuza (Japanese Mafia) moves in on the mob's territory and kidnaps their children, it's up to the Punisher to rescue the kids. The action blazes, Lundgren (a former full-contact karate champ) moves with feral grace, the production design is a pleasure to watch, and director Mark Goldblatt (whose credits as editor include such big films as Starship Troopers and True Lies) has a clean, efficient style. --Geof Miller

Customer Reviews:

5 out of 5 stars An earlier Punisher.......2007-06-11

I loved Thomas Jane's "Punisher", but my son told me an earlier one had been made a few years ago with Dolph Lundgren. I purchased it and found it to be even better. A bit of a darker version of the same story...told a bit differently. I enjoyed them both and suggest if you are a fan of the lastest one...definately get this one too, you'll find two different stories.

3 out of 5 stars Dolph Lundren AS Elvis...playing The Punisher..........2007-06-06

My first thoughts on this ? Dolph as a very pissed off Elvis Presley...playing The Punisher. The Yakuza ? Now didn't I see him go against the Yakuza in another action film? oh yes showdown in little tokyo, which I might add his co-star in that movie stole every scene he was in, een with some of the ridiculous dialogue they gave him.

All this aside? I'm giving it three stars because thier are a few scenes which are good and show just how dark the punisher really is, as he's being tortured by the yakuza and doesn't even care, even when they start torturing his contact in the "underworld" and probably saved his life by "not caring".

and then there's a strange little scene after castle is captured and they're going to electrocute him. Which was played well and shows that there is nothing "sane" when it comes to "The Punisher".

I think the people who really hate it and despise it with a passion aren't considering the budget or the YEAR this movie was made and the other movies that were coming out the same time this one was.

I picked this up for $5.50 and don't regret it at all. Although you haven't really seen "The Punisher" until you've seen The "Extended Cut" of the 2004 version.

4 out of 5 stars I really liked this film.......2007-01-18

Dolf Lungren truely captures the "Punisher". Although at times he seems stiff, it's still the punisher. Watching this movie I thought it captures the pain and anger better than the 2004 version.

4 out of 5 stars So much better than the 2004 version.......2005-11-14

This movie is so much better than the new 04 version. If Batman Begins
is the perfect adaptation from comic book character to big screen hero,
The Punisher (2004) is the perfect example of how to destroy a great
comic book character. The first thirty minutes are boring and
unoriginal. Whereas Christopher Nolan made good use of the first half
of Batman Begins to present a credible transition from rich man's son
to Dark Knight, Jonathan Hensleigh bores viewers to death by picturing
Frank Castle as the perfect American family man who then loses his
beautiful wife and perfect son in a cheap Mad Max rip off. In contrast,
the 1989 low budget but far superior version started off smack in the
middle of the action with a seriously disturbed ex cop already on the
rampage and the reason for his decline into madness was gradually
explained by means of flashbacks and memories form Louis Gousset Jr
trying to bring his old friend back into a sane life. But whereas the
comic book Punisher, brought to life by similarly huge 6' 6" Dolph
Lundgren in the first movie, becomes a bitter, meaner than hell, cold
blooded killer with no compassion whatsoever, the 04 Frank Castle turns
into your friendly neighborhood watchman who uses an ice cream cone to
"torture" his first victim. Batman Begins also has its share of humor,
but it is subtle and not out of place. The bad guys don't fare much
better. Whereas Jeroen Krabbe also had his share of trouble with the
Yakuza in the 80s version, at least he was a serious gangster not to be
taken lightly. John Travolta is a looser who can't stand his own
against other mobsters and is being pushed around by his wife. Message
to all Punisher fans: go rent the 1989 version or just stick to the
written word, but don't spent any money on this monstrosity which shows
no respect whatsoever to a great comic book series.

5 out of 5 stars Original and Best.......2005-10-24

Better then the 2004 version hands down. Dolph Lundgren plays the ultimate punisher, captures and delivers the story of an ice cold world that is "The Punisher". Just a great movie for this character, total classic.
Where the Sidewalk Ends (Fox Film Noir)
Average customer rating: 4.5 out of 5 stars
  • Standard Film Noir
  • ...is where the gutter begins
  • One of the best detective films of the Fifties!
  • A solid noir, thanks to Otto Preminger's direction and Joseph LaShelle's cinematography
  • SUPERB NOIR -- INVOLVING, COMPLEX MORAL DRAMA
Where the Sidewalk Ends (Fox Film Noir)
Starring: Dana Andrews , Gene Tierney , Gary Merrill , Bert Freed , and Tom Tully
Director: Otto Preminger
Manufacturer: 20th Century Fox
ProductGroup: DVD
Binding: DVD

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Similar Items:
  1. The Dark Corner (Fox Film Noir)
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ASIN: B000B8384Q
Release Date: 2005-12-06

Amazon.com

Otto Preminger made four films noirs at Fox, all terrific. If we set aside the peerless Laura as more psychological mystery-romance than noir, there's plenty of evidence for judging Where the Sidewalk Ends the best of the lot (the other two being Fallen Angel, a study in small-town perversity, and Whirlpool, a delicious exercise in creepy psychology, slippery mise-en-scène, and daringly complicated point-of-view). It's a hard-edged tale of a borderline-vicious New York police detective, Mark Dixon (Dana Andrews), with tortuous personal reasons for overzealousness in going after the bad guys. Much of the film unreels in one night, when the murder of a high-roller from out of town precipitates a string of events that lead to Dixon's becoming an accidental killer. Preminger's direction is taut, forceful, and fluid, especially when Dixon sets about creating an alibi for himself. Unfortunately, an innocent man gets implicated, with Dixon looking on, and the guilty cop's moral and psychological torment increases with each turn of the screw.

Tightly scripted by Ben Hecht, Preminger's film lacks the anguished poetry of Nicholas Ray's On Dangerous Ground, another 1950 noir centered on a cop (Robert Ryan) addicted to ultraviolence, but its grip is relentless. Preminger had a shrewd instinct for tapping a certain thuggish strain in Andrews, whose performance here is arguably his best. They're reunited with Gene Tierney, as a woman caught in the sidewash of sordid goings-on, and Laura cameraman Joseph La Shelle, whose work has a luster beyond the accustomed semidocumentary look of Fox noirs. Gary Merrill, usually a bland nice-guy, relishes the chance to play nasty as Dixon's gangland bête noire Tommy Scalise, a homoerotic villain in the Tommy Udo vein with a menthol inhaler as fetish object. --Richard T. Jameson

Customer Reviews:

5 out of 5 stars Standard Film Noir.......2007-06-19

Not the greatest film noir, nor from Preminger, but very professionally made, very enjoyable, except for the last five minutes where the censor steps in. The quality of the film was excellent, as good as when I saw it 56 years ago. Well worth an entry into my film noir collection.

4 out of 5 stars ...is where the gutter begins.......2007-03-17

Dana Andrews needed a director like Otto Preminger to bring out his best qualities: here, as a police detective who is haunted by his father's criminal past and enjoys roughing up suspects, he gets one of the best roles of his career. In this unusually well written film noir from Fox, Andrews accidentally kills a murderer he was sent to question and must cover up his crime; he falls in love with the murderer's widow (Gene Tierney), and then must scramble when her adoring father is blamed for the murder. The sense of atmosphere here is very fine, and the direction is stunning: there are some great shots in a car elevator, for example, and also in a steam room. Preminger de-emphasizes Andrews's handsomeness and brings out his more weary tough qualities; unfortunately, he can't seem to do much with poor Gene Tierney, who as always seems far too beautiful for the part she's playing. (Things are not helped by the stunning outfits designed for her by her husband Oleg Cassini, who has a small role in the film. Her fabulous plaid coat, for example, has a scarf made exactly to match it, which are both so eye-catching you are distracted by them in every scene they're in.) Gary Merrill, Bette Davis's husband, has a great unusual role as a very insinuating mobster that Andrews's detective can't stand; Karl Malden has a duller role as Andrews's by-the-book rival.

3 out of 5 stars One of the best detective films of the Fifties!.......2007-01-17

Perhaps the most gripping and intelligent of crooked cop movies is Otto Preminger's 'Where the Sidewalks Ends,' from a really excellent script by Ben Hecht based on the novel 'Night Cry' by Frank Rosenberg...

Dana Andrews is the honest, tough New York policeman, always in trouble with his superiors because he likes his own strong-arm methods as much as he detests crooks... When he hit someone, his knuckles hurt... And the man he wants to hit is a smooth villain (Gary Merrill) who points up the title. 'Why are you always trying to push me in the gutter?' he asks Andrews. 'I have as much right on the sidewalk as you.'

Dana Andrew's obsession and neurosis are implanted in his hidden, painful discovery that he is the son of a thief... His deep hatred of criminals led him to use their own illegal methods to destroy them, and the pursuit of justice became spoiled in private vendetta...

By a twist of irony unique to the film itself, Dana Andrews and Gene Tierney of 'Laura' are united once more, and Andrews now seems to be playing the same detective a few years later, but no longer the romantic, beaten down by his job, by the cheap crooks... This time, he goes too far, and accidentally kills a suspect... The killing is accidental, the victim worthless, yet it is a crime that he knows can break him or send him to jail...

Using his knowledge of police procedure, he covers up his part in the crime, plants false clues, and tries to implicate a gang leader, but cannot avoid investigating the case himself... The double tension of following the larger case through to its conclusion without implicating himself in the murder, is beautifully maintained and the final solution is both logical, satisfying, and in no way a compromise...

The film is one of the best detective films of the 50's, with curious moral values, also one of Preminger's best...

Preminger uses a powerful storytelling technique, projecting pretentious camera angles and peculiar touches of the bizarre in order to externalize his suspense in realism...

4 out of 5 stars A solid noir, thanks to Otto Preminger's direction and Joseph LaShelle's cinematography.......2006-11-09

There's a hole as big as Carlsbad Caverns right in the middle of the plot. What is so surprising is that, thanks to Otto Preminger's skill and that of his cinematographer, Joseph LaShelle, how the story is told more than makes up for it. Here's the set-up. A police detective with a well-earned reputation for beating up low-lifes tracks down a suspect in a murder. The guy is drunk and the cop is impatient. One thing leads to another and the guy stands up and smacks the cop on the chin. While the cop is picking himself up, the guy reaches for a whiskey bottle and starts to bring it down on the cop's head. The cop blocks that swing, then punches the guy hard, and I mean hard, right in the chest, then connects just as hard with the guy's chin. The guy goes down and doesn't get up. He's dead. So now we're off on a plot-line where the cop's hatred of crooks, which is based on some family issues, suddenly has him hiding the corpse. Wouldn't you know it, the corpse is found...and an aggressive young precinct head decides that the man responsible is the father of a girl the detective starts to fall for. And while this is going on, the detective hasn't stopped his obsessive search for the crook he thinks is really behind the original murder, a sneering mobster with a fondness for nasal inhalers.

Wait, now. Any cop who hit and accidently killed a guy in self defense would instantly have a wall of blue thrown protectively around him, no matter how hard a case he might be. Every resource would be used to see that the cop was exonerated. I know, I know, this is a movie, but Detective Mark Dixon's (Dana Andrews) reaction is so excessive that it becomes nothing more than a glaring plot device. And, in my view, that undermines the tension of the movie.

Another thing that doesn't help is that both Dana Andrews and Gene Tierney (as Margaret Taylor, who becomes Dixon's love interest) are, in my opinion, not compelling actors. Andrews had a great voice but, to my way of thinking, a somewhat wooden face and a stolid acting style. Sometimes he was effective, sometimes not. Tierney is, as usual, gorgeous to look at, but she is no actress. She seems to spend all her time in this movie either being noble toward the man Dixon accidently killed, or noble and loving toward her father, or noble and loving toward Dixon. I'm fairly well convinced that her performance in Leave Her to Heaven, a first-rate acting job, was some mysterious and happy accident.

Some critics have made much of the apparent moral ambiguity in Mark Dixon's character. I don't quite see it that way. Yes, he hates crooks for reasons a psychoanalyst could help him deal with. When given a semi-legal chance to rough them up, he does. But there is no moral ambiguity in his character. He may be an angry man, but he has friends. He doesn't need to agonize about spending his savings to help another person; he just does it. Dixon is a man with problems, but moral ambiguity isn't one of them.

Because of all this, what's important in this movie is how Preminger and LaShelle go about telling the story, not the story itself. They do terrific jobs. The feel of the movie captures Dixon's anger, his short fuse, his loneliness. The movie looks gritty, dark and authentic. Small details add a lot to the sense of reality. When we walk into Dixon's small apartment we can see just a quick glimpse of an icebox behind a screen. Even in 1950 there were a lot of iceboxes still around. The bar where Dixon's partner orders a scotch and water looks like any number of old, dark downtown bars. Margaret Taylor's apartment is tiny. There's no bedroom, just a single bed next to the wall as you walk in. And the movie has faces, actors you sort of recognize who look right for their parts...Tom Tully as Margaret's father, Bert Freed as his partner, Ruth Donnelly as Gladys, the owner of a small Italian restaurant, Karl Malden as the new precinct captain, Neville Brand as one of the goons; even Gary Merrill who overacts a little looks the part as Tommy Scalise, the mobster. Brand, in particular, looks like a man you never want to irritate.

I enjoyed the movie because it was so well put together. That hole in the plot, however, kept me from getting very involved with the story-line. The DVD transfer looks just fine. The major extra is a commentary by Eddie Muller, identified as a film noir historian. I didn't listen to the commentary but Muller has gotten good notices for his noir work.

4 out of 5 stars SUPERB NOIR -- INVOLVING, COMPLEX MORAL DRAMA.......2006-09-18

Otto Preminger's WHERE THER SIDEWALK ENDS (1950) is another color noir, this one's about a troubled, brutal cop already on probation who accidentally kills a murder suspect. Desperate to protect himself, he pins the whack on a hated shark who's committed similar kills. When the cop falls in love with the stiff's widow, he remains mum when her father is charged with the murder. Oh what webs we weave when we first deceive...

This complex and involving moral drama about a guy who puts off doing what's right until it's almost too late will keep you involved and guessing until the final fade out.
Zatoichi 16 - The Outlaw
Average customer rating: 4 out of 5 stars
  • #16: ZATOICHI THE TRUCE MAKER?
  • This is the review you been looking for!!!!!!!!!!!!!!!
  • A touching and heroic film. Shintaro Katsu does it again.
  • A great film
  • Zato Ichi & his flashing sword provides humor & fast action!
Zatoichi 16 - The Outlaw
Starring: Shintarô Katsu , Rentaro Mikuni , Kô Nishimura , Yuko Hamada , and Toshiyuki Hosokawa
Director: Satsuo Yamamoto
Manufacturer: ANIMEIGO
ProductGroup: DVD
Binding: DVD

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Similar Items:
  1. Zatoichi the Blind Swordsman, Vol. 18 - Zatoichi and the Fugitives
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  3. Zatoichi the Blind Swordsman, Vol. 15 - Zatoichi's Cane Sword
  4. Zatoichi 23 - Zatoichi at Large
  5. Zatoichi 21 - The Festival of Fire

ASIN: B0001610OS
Release Date: 2004-03-09

Customer Reviews:

3 out of 5 stars #16: ZATOICHI THE TRUCE MAKER?.......2006-09-03

This 16th episode of Zatoichi tends to have a more complicated plotline than usual. This may be due to the fact that there are quite a few complicated characters in this film. Farmers in the province that Ichi has wandered into have clashed with the local Yakuza bosses, who wish to see the farms fail in order to increase their revenues.

The champion of the farmers are led by two different groups. One is by benenvolent and caring boss who wants to see the farmers taken care of better, and the other is a sort of philospher-samurai who wants to start an agrarian cooperative of sorts. The Yakuza bosses want to see the farms fail, because it will help increase their gambling revenues. Sound a little complicated yet?

The acting in this episode is very good; however, it seems as if the director Satsuo Yamamoto was trying to put too much into this particular Zatoichi episode. Moreover, lost in this film is the noble qualities that we are used to with the Ichi character. I believe too much reliance on severed limbs, and lots of blood was the major problem with this episode. Yes, I am aware that Ichi lives in violent times and the nature of the swordsman sometimes requires the lopping off of a limb or two. But good writing always takes precedence to the violence.

However, the cinematography in the film is absolutely beautiful as usual: The stunning Japanese countryside is shown in all its splendor. I would not say this was the worst Zatoichi film. It could have been better; however, the storyline just didn't go anywhere with me. Recommended, but with caution.

2 out of 5 stars This is the review you been looking for!!!!!!!!!!!!!!!.......2005-02-09

Here are the pros and conts:

Good:
* Great cinematography.
* Awesome moves by Zatoichi.
* Great acting.

Bad:
* The dvd trailer fool you by showing a horse battle, barrel battle, daylight forest battle and a bridge battle that didn't appear in the movie!!!!!!!!!!
* There were like 3 action scenes in the whole movie and the only one that was cool was the night forest battle.
* To much blah,blah,blah!!!!!!!!!!!!

Sometimes I think that the best Zatoichi movie is Zatoichi goes to the Festival of Fire!!!

P.S: If you like to see movies like this, I recommend to buy the original Zatoichi in 1962.

Adios!!

5 out of 5 stars A touching and heroic film. Shintaro Katsu does it again........2002-05-25

The best entry I've seen so far in the Zatoichi series. The setting in these films seems so real and the stories touch the soul in a profound nature. I found myself tense throughout this entire movie, desperatley yearning for Zatoichi the blind masseur to distribute justice to those who wrong the innocent. The horrors that the villains commit become more and more unbearable and they really get under your skin. Zatoichi of course punishes the wrong doers in the end producing two very memorable fight scenes and leaving the viewer feeling completely fufilled. It should be noted that this episode contains a satisfying amount of blood and severed body parts, something the earlier entries in the series lacked. Great stuff.

5 out of 5 stars A great film.......2001-10-17

This was an excellent movie. Great martial arts action with the sword as well as a good story, acting and characters. I really enjoyed this film and have ordered more of them to view. Zatoichi is a great character and the sword action is incredible.It's really a unique concept in a movie. I highly recommend it.

4 out of 5 stars Zato Ichi & his flashing sword provides humor & fast action!.......1999-06-15

ZatoIchi, blind swordsman of Japan is at his best. The film portrays a historical period of Japanese history largely unknown to Western Audiences.

Ichi once again protects the weak while making fools of the corrupt and powerful. The film provides blend of interesting & unexpected turns of fate with fast paced action.

Definitely a film of the moral high ground. Recommended for all audiences, although some may find the film violent for young audiences.
Mob Justice
Average customer rating: 2 out of 5 stars
  • What'cha gone do
  • Dead and Alive is an oxymoron!
Mob Justice
Starring: Tony Danza , Ted Levine , Dan Lauria , Frank Vincent , and Joe Lisi
Director: Peter Markle
Manufacturer: New Concorde
ProductGroup: DVD
Binding: DVD

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  1. Gotti
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ASIN: B000067IZK
Release Date: 2002-07-23

Customer Reviews:

2 out of 5 stars What'cha gone do.......2005-06-01

Is this Tony from "who's the boss?" All dieseled up and focused on making certain that he isn't playing with the FEDS.

BAD BOY
BAD BOY
WHAT'CHA GONE DO?
WHAT'CHA GONE DO WHEN THEY COME FOR YOU?

In this Docudrama we watch as Gus Farce a murderous drug dealer becomes expendable to the MOB as well as the few friends that he had.

For this to be a mob movie it was very little action. You got more of a glimpse of what the FEDS/cops do in order to entrap fugitives.

As gangster movies go, this is one that is more of a cold chill and not because it's action packed!

2 out of 5 stars Dead and Alive is an oxymoron!.......2003-02-21

Having contributed in some small way to the making of this movie, I found it barely resembled the original cut. The excessive editing destroyed the continuity and artistry. I found the producers attempt at retitling and billing Samuel L. Jackson as the star... Gus Farace, to be shameful! Tony Danza plays the title role in this movie and Mr. Jackson is not even a first billing in 1992 when this movie was shot. Where is the integrity?
Charlie's Death Wish
Average customer rating: 4 out of 5 stars
  • Destined for Cult Classic...
Charlie's Death Wish
Starring: Jeremy , and Dollar
Manufacturer: VITAL FLUIDS RELEASING
ProductGroup: DVD
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  1. Alien 3000

ASIN: B0007L86NK
Release Date: 2005-05-10

Customer Reviews:

4 out of 5 stars Destined for Cult Classic..........2005-07-23

I was curious about a Ron Jeremy film that was not in his (ahmem)usual genre, and was pleasantly surprised. Very well made for a lo budget flick. The female lead is a very strong character it's kinda entertaining to see the miscellaneous rocker-dudes in their bad-boy roles. Couldn't remember all the details but found a good description at IMDB:

What happens when rock stars, scream queens and a porn icon get together? Find out in this explosive actioner following a Dixie chick stripper as she attempts to avenge the murder of her imprisoned sister. With the help of a sympathetic cop, the sexy siren faces off against a dangerous band of assassins in the ultimate fight for revenge. Ron Jeremy, Phoebe Dollar, Dizzy Reed, Tracii Guns, and Lemmy from Motorhead star. When a stripper finds out that her sister has been murdered while in prison, she seeks revenge in this pulse-racing action-thriller. The cast features a glorious mixture of lawless rock & roll stars such as Lemmy (from Motorhead) and Tracii Guns, scream queen Phoebe Dollar, and acclaimed porn star Ron Jeremy in a rare fully-clothed role. As the stripper attempts to track down the evildoers who made mincemeat of her sister she enlists the help of a friendly cop. But her courage is pushed to the limits as she encounters a dangerous band of assassins in her tireless quest to avenge her sibling.

Summary written by Gokart
Mob Justice/Urban Crossfire
Average customer rating: Not rated
    Mob Justice/Urban Crossfire
    Starring: Tony Danza , Ted Levine , Dan Lauria , Frank Vincent , and Joe Lisi
    Director: Peter Markle , and Dick Lowry
    Manufacturer: New Concorde
    ProductGroup: DVD
    Binding: DVD

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    ASIN: B000087F2A
    Release Date: 2003-04-22
    Mob Hitmen
    Average customer rating: Not rated
      Mob Hitmen
      Starring: American Justice
      Manufacturer: A&E Home Video
      ProductGroup: DVD
      Binding: DVD

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      1. Crime Inc: The True Story of the Mafia, Part 2
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      3. Wannabes
      4. Boss of Bosses

      ASIN: B000H0M3Y4
      Release Date: 2006-09-26

      Description

      They are the most feared figures in organized crime the triggermen who carry out the boss's orders to eliminate witnesses, rivals and fellow mobsters. But the modern hitman is a different breed than the Tommy-gun-toting stereotype many think of. In fact he or she wears many different hats in the organization, killing when ordered, but performing much more mundane tasks at other times. This exposé goes inside the bloody mob wars that have scarred Philadelphia over the past decade with the men who did the dirty work. See footage and news accounts of some of the 25 known mob hits that have occurred as the city's gangsters struggled for power. Meet the police and prosecutors who devote their lives to catching these killers, and see chilling interviews with some of the most notorious triggermen. This is the ultimate look at the shadowy figures who administer the brutal judgements of the Mob.
      Hunting Piranha/ Ohota Na Piranyu (Russian soundtrack only)
      Average customer rating: Not rated
        Hunting Piranha/ Ohota Na Piranyu (Russian soundtrack only)
        Director: Andrei Kavun
        Manufacturer: The Russia Channel, Central Partnership, REKUN-TV, & CP Digital
        ProductGroup: DVD
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        Product Features:
        • 1 DVD/ 120 minutes/ Russia
        • Genre: action & suspense, drama
        • Russian soundtrack only, NO subtitles

        ASIN: B000MKN2O4

        Product Description

        Special agent Kiril Mazur (Vladimir Mashkov) and his colleague Olga (Svetlana Antonova) are on a mission to liquidate a secret deadly weapon in the Siberian woods. Suddenly, they are captured by a group of uncivilized criminals, headed by Prohor (Eugene Mironov), who has stolen the deadly weapon and is about to sell it to extremists abroad. Prohor enjoys entertaining himself by hunting humans in the woods, and Kiril with Olga become his prey among others. Kiril has never expected to switch his shot gun for a handmade knife, and instead of saving the world he is faced with the task of saving his own life as well as the life of his partner...
        Where the Sidewalk Ends [Region 2]
        Average customer rating: 4.5 out of 5 stars
        • Standard Film Noir
        • ...is where the gutter begins
        • One of the best detective films of the Fifties!
        • A solid noir, thanks to Otto Preminger's direction and Joseph LaShelle's cinematography
        • SUPERB NOIR -- INVOLVING, COMPLEX MORAL DRAMA
        Where the Sidewalk Ends [Region 2]
        Starring: Dana Andrews , Gene Tierney , Gary Merrill , Bert Freed , and Tom Tully
        Director: Otto Preminger
        Manufacturer: 20th Century Fox
        ProductGroup: DVD
        Binding: DVD

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        Similar Items:
        1. The Dark Corner (Fox Film Noir)
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        ASIN: B0001GNJFG

        Amazon.com

        Otto Preminger made four films noirs at Fox, all terrific. If we set aside the peerless Laura as more psychological mystery-romance than noir, there's plenty of evidence for judging Where the Sidewalk Ends the best of the lot (the other two being Fallen Angel, a study in small-town perversity, and Whirlpool, a delicious exercise in creepy psychology, slippery mise-en-scène, and daringly complicated point-of-view). It's a hard-edged tale of a borderline-vicious New York police detective, Mark Dixon (Dana Andrews), with tortuous personal reasons for overzealousness in going after the bad guys. Much of the film unreels in one night, when the murder of a high-roller from out of town precipitates a string of events that lead to Dixon's becoming an accidental killer. Preminger's direction is taut, forceful, and fluid, especially when Dixon sets about creating an alibi for himself. Unfortunately, an innocent man gets implicated, with Dixon looking on, and the guilty cop's moral and psychological torment increases with each turn of the screw.

        Tightly scripted by Ben Hecht, Preminger's film lacks the anguished poetry of Nicholas Ray's On Dangerous Ground, another 1950 noir centered on a cop (Robert Ryan) addicted to ultraviolence, but its grip is relentless. Preminger had a shrewd instinct for tapping a certain thuggish strain in Andrews, whose performance here is arguably his best. They're reunited with Gene Tierney, as a woman caught in the sidewash of sordid goings-on, and Laura cameraman Joseph La Shelle, whose work has a luster beyond the accustomed semidocumentary look of Fox noirs. Gary Merrill, usually a bland nice-guy, relishes the chance to play nasty as Dixon's gangland bête noire Tommy Scalise, a homoerotic villain in the Tommy Udo vein with a menthol inhaler as fetish object. --Richard T. Jameson

        Customer Reviews:

        5 out of 5 stars Standard Film Noir.......2007-06-19

        Not the greatest film noir, nor from Preminger, but very professionally made, very enjoyable, except for the last five minutes where the censor steps in. The quality of the film was excellent, as good as when I saw it 56 years ago. Well worth an entry into my film noir collection.

        4 out of 5 stars ...is where the gutter begins.......2007-03-17

        Dana Andrews needed a director like Otto Preminger to bring out his best qualities: here, as a police detective who is haunted by his father's criminal past and enjoys roughing up suspects, he gets one of the best roles of his career. In this unusually well written film noir from Fox, Andrews accidentally kills a murderer he was sent to question and must cover up his crime; he falls in love with the murderer's widow (Gene Tierney), and then must scramble when her adoring father is blamed for the murder. The sense of atmosphere here is very fine, and the direction is stunning: there are some great shots in a car elevator, for example, and also in a steam room. Preminger de-emphasizes Andrews's handsomeness and brings out his more weary tough qualities; unfortunately, he can't seem to do much with poor Gene Tierney, who as always seems far too beautiful for the part she's playing. (Things are not helped by the stunning outfits designed for her by her husband Oleg Cassini, who has a small role in the film. Her fabulous plaid coat, for example, has a scarf made exactly to match it, which are both so eye-catching you are distracted by them in every scene they're in.) Gary Merrill, Bette Davis's husband, has a great unusual role as a very insinuating mobster that Andrews's detective can't stand; Karl Malden has a duller role as Andrews's by-the-book rival.

        3 out of 5 stars One of the best detective films of the Fifties!.......2007-01-17

        Perhaps the most gripping and intelligent of crooked cop movies is Otto Preminger's 'Where the Sidewalks Ends,' from a really excellent script by Ben Hecht based on the novel 'Night Cry' by Frank Rosenberg...

        Dana Andrews is the honest, tough New York policeman, always in trouble with his superiors because he likes his own strong-arm methods as much as he detests crooks... When he hit someone, his knuckles hurt... And the man he wants to hit is a smooth villain (Gary Merrill) who points up the title. 'Why are you always trying to push me in the gutter?' he asks Andrews. 'I have as much right on the sidewalk as you.'

        Dana Andrew's obsession and neurosis are implanted in his hidden, painful discovery that he is the son of a thief... His deep hatred of criminals led him to use their own illegal methods to destroy them, and the pursuit of justice became spoiled in private vendetta...

        By a twist of irony unique to the film itself, Dana Andrews and Gene Tierney of 'Laura' are united once more, and Andrews now seems to be playing the same detective a few years later, but no longer the romantic, beaten down by his job, by the cheap crooks... This time, he goes too far, and accidentally kills a suspect... The killing is accidental, the victim worthless, yet it is a crime that he knows can break him or send him to jail...

        Using his knowledge of police procedure, he covers up his part in the crime, plants false clues, and tries to implicate a gang leader, but cannot avoid investigating the case himself... The double tension of following the larger case through to its conclusion without implicating himself in the murder, is beautifully maintained and the final solution is both logical, satisfying, and in no way a compromise...

        The film is one of the best detective films of the 50's, with curious moral values, also one of Preminger's best...

        Preminger uses a powerful storytelling technique, projecting pretentious camera angles and peculiar touches of the bizarre in order to externalize his suspense in realism...

        4 out of 5 stars A solid noir, thanks to Otto Preminger's direction and Joseph LaShelle's cinematography.......2006-11-09

        There's a hole as big as Carlsbad Caverns right in the middle of the plot. What is so surprising is that, thanks to Otto Preminger's skill and that of his cinematographer, Joseph LaShelle, how the story is told more than makes up for it. Here's the set-up. A police detective with a well-earned reputation for beating up low-lifes tracks down a suspect in a murder. The guy is drunk and the cop is impatient. One thing leads to another and the guy stands up and smacks the cop on the chin. While the cop is picking himself up, the guy reaches for a whiskey bottle and starts to bring it down on the cop's head. The cop blocks that swing, then punches the guy hard, and I mean hard, right in the chest, then connects just as hard with the guy's chin. The guy goes down and doesn't get up. He's dead. So now we're off on a plot-line where the cop's hatred of crooks, which is based on some family issues, suddenly has him hiding the corpse. Wouldn't you know it, the corpse is found...and an aggressive young precinct head decides that the man responsible is the father of a girl the detective starts to fall for. And while this is going on, the detective hasn't stopped his obsessive search for the crook he thinks is really behind the original murder, a sneering mobster with a fondness for nasal inhalers.

        Wait, now. Any cop who hit and accidently killed a guy in self defense would instantly have a wall of blue thrown protectively around him, no matter how hard a case he might be. Every resource would be used to see that the cop was exonerated. I know, I know, this is a movie, but Detective Mark Dixon's (Dana Andrews) reaction is so excessive that it becomes nothing more than a glaring plot device. And, in my view, that undermines the tension of the movie.

        Another thing that doesn't help is that both Dana Andrews and Gene Tierney (as Margaret Taylor, who becomes Dixon's love interest) are, in my opinion, not compelling actors. Andrews had a great voice but, to my way of thinking, a somewhat wooden face and a stolid acting style. Sometimes he was effective, sometimes not. Tierney is, as usual, gorgeous to look at, but she is no actress. She seems to spend all her time in this movie either being noble toward the man Dixon accidently killed, or noble and loving toward her father, or noble and loving toward Dixon. I'm fairly well convinced that her performance in Leave Her to Heaven, a first-rate acting job, was some mysterious and happy accident.

        Some critics have made much of the apparent moral ambiguity in Mark Dixon's character. I don't quite see it that way. Yes, he hates crooks for reasons a psychoanalyst could help him deal with. When given a semi-legal chance to rough them up, he does. But there is no moral ambiguity in his character. He may be an angry man, but he has friends. He doesn't need to agonize about spending his savings to help another person; he just does it. Dixon is a man with problems, but moral ambiguity isn't one of them.

        Because of all this, what's important in this movie is how Preminger and LaShelle go about telling the story, not the story itself. They do terrific jobs. The feel of the movie captures Dixon's anger, his short fuse, his loneliness. The movie looks gritty, dark and authentic. Small details add a lot to the sense of reality. When we walk into Dixon's small apartment we can see just a quick glimpse of an icebox behind a screen. Even in 1950 there were a lot of iceboxes still around. The bar where Dixon's partner orders a scotch and water looks like any number of old, dark downtown bars. Margaret Taylor's apartment is tiny. There's no bedroom, just a single bed next to the wall as you walk in. And the movie has faces, actors you sort of recognize who look right for their parts...Tom Tully as Margaret's father, Bert Freed as his partner, Ruth Donnelly as Gladys, the owner of a small Italian restaurant, Karl Malden as the new precinct captain, Neville Brand as one of the goons; even Gary Merrill who overacts a little looks the part as Tommy Scalise, the mobster. Brand, in particular, looks like a man you never want to irritate.

        I enjoyed the movie because it was so well put together. That hole in the plot, however, kept me from getting very involved with the story-line. The DVD transfer looks just fine. The major extra is a commentary by Eddie Muller, identified as a film noir historian. I didn't listen to the commentary but Muller has gotten good notices for his noir work.

        4 out of 5 stars SUPERB NOIR -- INVOLVING, COMPLEX MORAL DRAMA.......2006-09-18

        Otto Preminger's WHERE THER SIDEWALK ENDS (1950) is another color noir, this one's about a troubled, brutal cop already on probation who accidentally kills a murder suspect. Desperate to protect himself, he pins the whack on a hated shark who's committed similar kills. When the cop falls in love with the stiff's widow, he remains mum when her father is charged with the murder. Oh what webs we weave when we first deceive...

        This complex and involving moral drama about a guy who puts off doing what's right until it's almost too late will keep you involved and guessing until the final fade out.
        Mob Justice
        Average customer rating: 2 out of 5 stars
        • What'cha gone do
        • Dead and Alive is an oxymoron!
        Mob Justice
        Starring: Tony Danza , Ted Levine , Dan Lauria , Frank Vincent , and Joe Lisi
        Director: Peter Markle
        Manufacturer: Video Service Corp
        ProductGroup: DVD
        Binding: DVD

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        ASIN: B0000C89JR
        Release Date: 2004-03-09

        Customer Reviews:

        2 out of 5 stars What'cha gone do.......2005-06-01

        Is this Tony from "who's the boss?" All dieseled up and focused on making certain that he isn't playing with the FEDS.

        BAD BOY
        BAD BOY
        WHAT'CHA GONE DO?
        WHAT'CHA GONE DO WHEN THEY COME FOR YOU?

        In this Docudrama we watch as Gus Farce a murderous drug dealer becomes expendable to the MOB as well as the few friends that he had.

        For this to be a mob movie it was very little action. You got more of a glimpse of what the FEDS/cops do in order to entrap fugitives.

        As gangster movies go, this is one that is more of a cold chill and not because it's action packed!

        2 out of 5 stars Dead and Alive is an oxymoron!.......2003-02-21

        Having contributed in some small way to the making of this movie, I found it barely resembled the original cut. The excessive editing destroyed the continuity and artistry. I found the producers attempt at retitling and billing Samuel L. Jackson as the star... Gus Farace, to be shameful! Tony Danza plays the title role in this movie and Mr. Jackson is not even a first billing in 1992 when this movie was shot. Where is the integrity?

        DVD:

        1. Bluebeard (1944) (B&W)
        2. The Kidnapping of the President
        3. Jack of Hearts
        4. Street Anarchy
        5. Oceans of Fire
        6. Family Fables: The Pied Piper of Hamelin/The Inspector General/Royal Wedding
        7. Hiroshima
        8. Forever Evil
        9. Richard Wright's Almos' a Man
        10. Damaged Lives

        DVD

        DVD

        DVD

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        Babylon 5: The Complete Fourth Season

        Freeway Speedway, Vol. 5: Megolopolis Express Way Trail (REG

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        Force of Evil - Evil Comes ... Alive