Evil Eyes

Evil Eyes


Starring:Adam Baldwin, Udo Kier, Mark Sheppard, Jennifer Gates (III), Kristin Lorenz, Jason David, Lee Anne Moore, Audra Wolfmann, Donn Kennedy, Erica Steele, Julie Dickson, Lanre Idewu, Dominic Ceci, Rene Sanders, Mirjam Novak, Elizabeth Uhl, Peta Johnson, Colin Vais, Eric Caselton, Byron James
Director: Mark Atkins (IV)
Studio: The Asylum
Product Type: DVD
Lord of Illusions
Average customer rating: Not rated
    Lord of Illusions
    Starring: J. Trevor Edmond , Daniel von Bargen , Kevin J. O'Connor , Joseph Latimore , and Sheila Tousey
    Director: Clive Barker
    Manufacturer: MGM (Video & DVD)
    ProductGroup: DVD
    Binding: DVD

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    ASIN: 0792839706
    Release Date: 1998-09-29

    Description

    From best-selling author and celebrated director Clive Barker comes a supernatural thriller that rips apart the boundaries between sanity and madness, between the art of illusion and the terrifying forces of magic. With heart-stopping suspense, masterful visual effects (Roger Ebert, Chicago Sun-Times) and non-stop terror, it's a riveting journey into the shadowy corners of the human soul. Scott Bakula ( Quantum Leap ) portrays Harry D Amour, a private detective visiting Los Angeles ona routine investigation. Harry gets more than he bargains for when he encounters Philip Swann (Kevin J. O Connor), a performer whose amazing illusions captivate the world. But are they really illusions? Harry isn't so sure as he is thrust into a nightmare of murder, deception and terrifying assaults from the dark beyond.
    Tower of Evil
    Average customer rating: Not rated
      Tower of Evil
      Starring: Bryant Haliday , Jill Haworth , Mark Edwards , Jack Watson , and Anna Palk
      Director: Jim O'Connolly
      Manufacturer: Elite Entertainment
      ProductGroup: DVD
      Binding: DVD

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      ASIN: B00000JYX8
      Release Date: 1999-11-02
      Two Evil Eyes
      Average customer rating: 3.5 out of 5 stars
      • Great horror anthology from Romero and Argento.
      • Two Evil Eyes
      • Romero fumbles, but Argento scores
      • Soooo worth it for the Argento part
      • "Life here has become ugly..."
      Two Evil Eyes
      Starring: Adrienne Barbeau , Ramy Zada , Bingo O'Malley , Jeff Howell , and E.G. Marshall
      Director: Dario Argento , and George A. Romero
      Manufacturer: Blue Underground
      ProductGroup: DVD
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      ASIN: B00008WJD9
      Release Date: 2003-04-29

      Amazon.com

      Legendary horror directors George Romero and Dario Argento team up to direct a pair of short films inspired by the writing of Edgar Allen Poe. In Romero's story, a woman (Adrienne Barbeau) and her lover hypnotize her ailing, older husband into signing over his riches. But when he dies while still under their command, his soul haunts them, seeking to be freed from their hypnotic spell. In Argento's tale, a crime-scene photographer (Harvey Keitel) kills his live-in girlfriend in a fit of jealous rage, but her black cat continues to torment him after her death. While Romero's piece toys with horror conventions and Argento's plays out in his typically elongated fashion, their dramatic story lines, unexpectedly gruesome imagery, and ironic endings shock some life into the movie. It is rumored that this was originally meant to be a quartet of horror tales with contributions from Wes Craven and John Carpenter, but at least we got these two. --Bryan Reesman

      Description

      The masters of modern horror - George Romero and Dario Argento - bring you an unprecedented pair of shockers inspired by the tales of Edgar Allan Poe.

      In Romero's The Facts In The Case Of Mr. Valdemar, a conniving wife (Adrienne Barbeau of THE FOG) and her lover use a hypnotic trance to embezzle a fortune from her dying husband, only to receive some chilling surprises from beyond the grave. Then in Argento's The Black Cat, a deranged crime scene photographer (Harvey Keitel of RESERVOIR DOGS) is driven to brutal acts of madness and murder by his girlfriend's new pet. But will this cunning feline deliver a final sickening twist of its own?

      Customer Reviews:

      5 out of 5 stars Great horror anthology from Romero and Argento........2007-03-20

      A collection of two stories inspired by Edgar Allen Poe, the first tale "The Facts of the Case of Mr. Valamar" has a woman (Andrienne Barbabeu) who's married to an old rich man, she decides to take his money as her secret lover hypnotizes him then literally freeze him so they can kill him. They both hear his voice to find out that he's not all dead as later he returns from beyond the grave to seek revenge. Next is "The Black Cat" which tells the story of a crime scene photographer (Harvey Keitel) who's girlfriend brought a stray cat in that seems to drive him mad to the brink of insanity.

      A winning horror anthology from George A. Romero and famed Italian horror master Dario Argento that delivers scares, splatter and thrills. Both stories have the macabre and dark feel of Edgar Allen Poe's works for Tom Savini's gruesome make-up effects really make the movie and there's amusing appearences by Tom Atkins and E.G. Marshall.

      This 2-Disc DVD has great picture and sound quality with nifty extras like poster-and-still gallery, trailer, talent bios, interviews and featurettes.

      3 out of 5 stars Two Evil Eyes.......2007-01-15

      This is an interesting adapation of two E.A. Poe short stories. The one chosen by Argento is the classic "The Black Cat". The one chosen by Romero is the lesser known "The Facts in the Case of M. Valdemar". In my opinion, Argento's part is the superior one, full of innovative and inventive camera shots and a good performance by Keitel. The Romero part of it is not bad, but not nearly the usual inspired and creative level of his work.

      4 out of 5 stars Romero fumbles, but Argento scores.......2006-08-28

      Two Evil Eyes threatened to be another disappointment from Dario Argento, especially since the first half of this modernized Edgar Allen Poe double-header, The Facts in the Case of Mr Valdemar, directed by George A. Romero, felt like a competent but uninspired network TV compilation episode. So it's a real surprise just how much dark fun Argento has with The Black Cat, playfully riffing both on Poe's other short stories and classic movies (there's even a subtle Psycho moment where Martin Balsam's nosey neighbor finds himself at the foot of another staircase looking for another missing woman) as Harvey Keitel's crime photographer - first seen photographing the aftermath of a Pit and the Pendulum incident - finds his life going to Hell when he gets rid of the girlfriend's cat. It's not prime Argento, but compared to his stale going-through-the-motions later efforts like Phantom of the Opera, The Card Player and Phenomena, it'll remind you why you liked him in the first place.

      3 out of 5 stars Soooo worth it for the Argento part.......2006-03-29

      Edgar Allen Poe stories modernized by George A. Romero and Dario Argento. Sounds like it can't miss, right?

      The Facts in the Case of M. Valdemar is George Romero's part. At only an hour the film somehow seems overlong. It looks like Romero's on a sedative here, the pacing is way too slow and in the end nothing much happens. There's one decent zombie scene near the end and the finale is quite horrific but I'm sure Mr. Romero could have spiced things up somewhat. It looks like his heart wasn't all together in this project.

      Dario Argento's The Black Cat is way better than Romero's film. Loosely adapting Poe's original story and splicing in numerous references from other Poe stories, The Black Cat has moody and creepy atmosphere to spare along with some solid suspense. Harvey Keitel gives a good performance in the lead, Tom Savini serves up some great gore effects and Dario, fresh from his insane camera-acrobatics in 1987's ultra violent Opera, is in top form with some great stylistic touches left and right.

      This Blue-Underground 2 Disc Special Edition is really the only way to go, some great extras included here. An interesting documentary with intetviews with both Argento and Romero and some very entertaining behind the scenes footage, along with Blue-Underground's usual high standard in terms of audio and visual quality.

      In short; Two Evil Eyes is well worth purchasing; terrific Argento segment and good extras. What's not to like?

      3 out of 5 stars "Life here has become ugly...".......2006-02-06

      So what happens when you draw two masters of cinematic horror together to each provide their own, particular take on a couple of Edgar Allen Poe stories? Two great tastes that taste great together? Not exactly...but it is kind of fun. Originally titled Due occhi diabolici (1990), and then later called Two Evil Eyes (1991) for the American release, is comprised of two hour long segments. The first, titled "The Facts in the Case of Mr. Valdemar", was adapted and directed by George A. Romero (Night of the Living Dead, Martin), and features Adrienne Barbeau (Swamp Thing, Creepshow), Ramy Zada (After Midnight), Bingo O'Malley (Knightriders, Creepshow), and E.G. Marshall (12 Angry Men, Tora! Tora! Tora!). The second, titled "The Black Cat", adapted and directed by Dario `Visconti of Violence' Argento (The Bird with the Crystal Plumage, Suspiria), features Harvey Keitel (Reservoir Dogs, The Piano), Madeleine Potter (Slaves of New York), Sally Kirkland (Fatal Games), Martin Balsam (12 Angry Men, Psycho), and John Amos (The Beastmaster, Die Hard 2), probably best known to 1970s television fans as the no nonsense patriarchal figure James Evans, Sr. from the series "Good Times".

      The movie starts with a short dedication to Poe, including a shot of his grave (or, at least a reasonable facsimile), just so we, the audience, are aware the material featured in this film was stolen...er, I mean, adapted from the works of Edgar Allen Poe. After this we kick into the tale titled "The Facts in the Case of Mr. Valdemar". Adrienne Barbeau plays Jessica Valdemar, an older, still highly attractive woman who is currently scheming with her sickly husband's physician, Dr. Robert Hoffman (Ramy), to bilk the her dying husband Ernest (O'Malley) out of as much money as they can, by using hypnosis to get him to sign important documents and such. Well, things go slightly awry after the old codger croaks sooner than expected, so the pair put him in cold storage, namely the freezer in the basement (who's up for some ice cream?) until they can see their plans all the way through. Only thing is, the geezer died while still under hypnosis...so what? Well, it also seems now, besides being a Popsicle, he's stuck between two worlds, that of the living and that of the dead. After Ernest starts vocalizing his predicament and freaking everyone out, Jessica decides to take matters into her own hands, which raises the question how can you kill what's already dead? The next story, titled "The Black Cat", features Harvey Keitel as Roderick Usher, a photographer who specializes in still life, often working with the local police documenting gristly crime scenes. Anyway, one day his live-in, witchy woman girlfriend Annabel, played by Potter, brings home a black cat. Well, turns out Roderick and the cat don't get along, as the cat has an unnerving habit of sitting and staring at Roderick. Soon the cat goes missing, Annabel is inconsolable, and Roderick is less than sympathetic. After a bizarre medieval dream sequence, one in which Roderick is punished with a sharpened pole inserted into a very uncomfortable place, the couple's relationship deteriorates quickly, not helped by Roderick's love for the drink, eventually leading to Annabel deciding to split...and split she does when Roderick comes home with a snootful and takes to her with a meat cleaver. After a bit of creative dry walling, Roderick conceals his crime, but the cat, which has since returned, sees all, and remembers even more...

      Of the two tales featured here, I enjoyed Argento's more...both include better than expected production values, strong performers, and solid source material, but where Romero's piece seems a little tired and, well, trite, Argento's piece is a bit more substantial, flowing, and visually entertaining (not to mention visceral). I can't help but wonder if perhaps Ms. Barbeau taking one for the team by popping her top would have helped Romero's story...it couldn't have hurt...as far as the story itself, it's sort of similar to that segment titled "Something to Tide You Over", featuring Leslie Nielsen and Ted Danson, from the 1982 film Creepshow, as both included a re-animated corpse slumping around, seeking vengeance from those who wronging it prior to it becoming a corpse. The effects are excellent, but the adaptation lacks the punch I was expecting. There did seem a half-hearted effort to create something meaningful between the two main characters, specifically in terms of the pair seeing each other at their worst, and the subsequent effect this had on their relationship (murder's always been a turn off for me), but it never really developed into anything noteworthy. Seems like George had a couple of novel ideas, ones that he then filled in the rest of the story around. The bit at the end was definitely fresh, with the apparitions and the lighting, but not worth the price of admission. E.G. Marshall and Tom Atkins make limited appearances as a lawyer and a police detective, respectively. Argento's piece, on the other hand, comes across a bit stronger, despite the fact it includes an outlandish dream sequence, a tactic I generally despise, as it usually comes off as an effort to pad out the running time or introduce some crucial aspect to the story in a ridiculous manner. This one's set during medieval times, as we see a lot of people running around in ratty clothes, bad hair, and even worse teeth...oh, and look, there's a little person (is that the correct term nowadays? I'd say dwarf, but I need no blowback from the various midget/dwarf support organizations out there). Everyone knows a dream sequence just isn't a dream sequence without a little person, clad in strange garb, running around and cackling like a little a-hole...if you feel this way you should see the film Living in Oblivion (1995), but I digress...one of the reason's Argento's piece comes across as well as it does is because his eye towards hideous detail, his focus on vivid imagery, and his willingness to draw the audience's attention towards nasty, unpleasant things we might normally steer away from...overall the performances are solid, but I had a hard time swallowing Keitel's stereotypical beret wearing, pretentious, jazz listening, booze swilling, bohemian artist type character. The funniest bits for me were after the fact, as he tries to explain the subsequent absence of his girlfriend to the neighbors and her friends (apparently she was well-liked). Keitel's character was about the worst liar I've ever seen. The story flowed along nicely, and ended with a few, gruesome and welcomed twists.

      The picture quality, presented in widescreen (1.85:1) anamorphic, on this Blue Underground DVD release, is very sharp, and the audio excellent. There are a few different audio tracks to choose from, including Dolby Digital Surround EX, 6.1 DTS - ES, and Dolby Digital Surround 2.0. As far as extras, it depends which version you purchase (there are two). If you buy the single disc version you'll get a theatrical trailer, a poster and still gallery, and biographies for the directors. If you get the double disc version, you'll get what I've already mentioned plus four featurettes. The first is titled `Two Masters' Eyes', and it's basically series of interviews strung together, lasting about a half hour, followed by a bit about Savini's effects (12 mins), At Home with Tom Savini (16 mins), and lastly Adrienne Barbeau talking about George Romero (5 mins). There's some interesting stuff in the two disc version, but not interesting enough for me to recommend to someone to pony up the extra cost over the single disc version...at the end of the day both versions feature the exact, same film.

      Cookieman108
      The Night Has Eyes
      Average customer rating: 3 out of 5 stars
      • You Get What You Pay For With This DVD
      The Night Has Eyes
      Starring: Dorothy Black , Mary Clare , Amy Dalby , Joyce Howard , and Wilfred Lawson
      Director: Leslie Arliss
      Manufacturer: Genius Entertainment
      ProductGroup: DVD
      Binding: DVD

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      ASIN: B0006GAOHC
      Release Date: 2004-01-01

      Customer Reviews:

      3 out of 5 stars You Get What You Pay For With This DVD.......2004-11-13

      Two young school teachers decide to visit the Yorkshire moors where, a year earlier, a friend of theirs disappeared. They find an isolated mansion on the edge of a foggy, desolate marsh. In it, James Mason, a pianist recovering from nightmares, is taken care of by a housekeeper and a handyman. Something mysterious is going on, with doors slowly closing and warnings about the marshland.

      This is early Mason, but he already has the romantic but driven and possibly violent persona down pat. The movie itself is pretty good.

      But the DVD transfer is no better than the old VHS tape of the movie, and that wasn't very good. The transfer is shaky, a little out of focus and some of the action in the night scenes (and there are a lot of night scenes) gets lost. At this price with a public domain movie I didn't expect any extras, but there aren't even any chapter stops. Still, if you like old, dark houses, stormy nights and James Mason, it's worth the price. And I doubt if there will ever be a better DVD transfer. I'd have given the movie 4 stars except that, while barely watchable, the transfer really isn't any good.
      Two Evil Eyes
      Average customer rating: 3.5 out of 5 stars
      • Great horror anthology from Romero and Argento.
      • Two Evil Eyes
      • Romero fumbles, but Argento scores
      • Soooo worth it for the Argento part
      • "Life here has become ugly..."
      Two Evil Eyes
      Starring: Adrienne Barbeau , Ramy Zada , Bingo O'Malley , Jeff Howell , and E.G. Marshall
      Director: Dario Argento , and George A. Romero
      Manufacturer: Blue Underground
      ProductGroup: DVD
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      ASIN: B000A2V8T0
      Release Date: 2005-10-25

      Amazon.com

      Legendary horror directors George Romero and Dario Argento team up to direct a pair of short films inspired by the writing of Edgar Allen Poe. In Romero's story, a woman (Adrienne Barbeau) and her lover hypnotize her ailing, older husband into signing over his riches. But when he dies while still under their command, his soul haunts them, seeking to be freed from their hypnotic spell. In Argento's tale, a crime-scene photographer (Harvey Keitel) kills his live-in girlfriend in a fit of jealous rage, but her black cat continues to torment him after her death. While Romero's piece toys with horror conventions and Argento's plays out in his typically elongated fashion, their dramatic story lines, unexpectedly gruesome imagery, and ironic endings shock some life into the movie. It is rumored that this was originally meant to be a quartet of horror tales with contributions from Wes Craven and John Carpenter, but at least we got these two. --Bryan Reesman

      Description

      A Double Dose of Terror from the Directors of DAWN OF THE DEAD and SUSPIRIA!

      The masters of modern horror - George Romero and Dario Argento - bring you an unprecedented pair of shockers inspired by the tales of Edgar Allan Poe.

      In Romero's "The Facts in the Case of Mr. Valdemar," a conniving wife (Adrienne Barbeau of THE FOG) and her lover use a hypnotic trance to embezzle a fortune from her dying husband, only to receive some chilling surprises from beyond the grave. Then in Argento's "The Black Cat," a deranged crime scene photographer (Harvey Keitel of RESERVOIR DOGS) is driven to brutal acts of madness and murder by his girlfriend's new pet. But will this cunning feline deliver a final sickening twist of its own?

      Martin Balsam (PSYCHO) and Tom Atkins (MANIAC COP) co-star in this wild horror hit that also features grisly effects by gore master Tom Savini (DAWN OF THE DEAD, THE PROWLER). Blue Underground is proud to present TWO EVIL EYES newly transferred from an original vault negative and loaded with exclusive Extras.

      Customer Reviews:

      5 out of 5 stars Great horror anthology from Romero and Argento........2007-03-20

      A collection of two stories inspired by Edgar Allen Poe, the first tale "The Facts of the Case of Mr. Valamar" has a woman (Andrienne Barbabeu) who's married to an old rich man, she decides to take his money as her secret lover hypnotizes him then literally freeze him so they can kill him. They both hear his voice to find out that he's not all dead as later he returns from beyond the grave to seek revenge. Next is "The Black Cat" which tells the story of a crime scene photographer (Harvey Keitel) who's girlfriend brought a stray cat in that seems to drive him mad to the brink of insanity.

      A winning horror anthology from George A. Romero and famed Italian horror master Dario Argento that delivers scares, splatter and thrills. Both stories have the macabre and dark feel of Edgar Allen Poe's works for Tom Savini's gruesome make-up effects really make the movie and there's amusing appearences by Tom Atkins and E.G. Marshall.

      This 2-Disc DVD has great picture and sound quality with nifty extras like poster-and-still gallery, trailer, talent bios, interviews and featurettes.

      3 out of 5 stars Two Evil Eyes.......2007-01-15

      This is an interesting adapation of two E.A. Poe short stories. The one chosen by Argento is the classic "The Black Cat". The one chosen by Romero is the lesser known "The Facts in the Case of M. Valdemar". In my opinion, Argento's part is the superior one, full of innovative and inventive camera shots and a good performance by Keitel. The Romero part of it is not bad, but not nearly the usual inspired and creative level of his work.

      4 out of 5 stars Romero fumbles, but Argento scores.......2006-08-28

      Two Evil Eyes threatened to be another disappointment from Dario Argento, especially since the first half of this modernized Edgar Allen Poe double-header, The Facts in the Case of Mr Valdemar, directed by George A. Romero, felt like a competent but uninspired network TV compilation episode. So it's a real surprise just how much dark fun Argento has with The Black Cat, playfully riffing both on Poe's other short stories and classic movies (there's even a subtle Psycho moment where Martin Balsam's nosey neighbor finds himself at the foot of another staircase looking for another missing woman) as Harvey Keitel's crime photographer - first seen photographing the aftermath of a Pit and the Pendulum incident - finds his life going to Hell when he gets rid of the girlfriend's cat. It's not prime Argento, but compared to his stale going-through-the-motions later efforts like Phantom of the Opera, The Card Player and Phenomena, it'll remind you why you liked him in the first place.

      3 out of 5 stars Soooo worth it for the Argento part.......2006-03-29

      Edgar Allen Poe stories modernized by George A. Romero and Dario Argento. Sounds like it can't miss, right?

      The Facts in the Case of M. Valdemar is George Romero's part. At only an hour the film somehow seems overlong. It looks like Romero's on a sedative here, the pacing is way too slow and in the end nothing much happens. There's one decent zombie scene near the end and the finale is quite horrific but I'm sure Mr. Romero could have spiced things up somewhat. It looks like his heart wasn't all together in this project.

      Dario Argento's The Black Cat is way better than Romero's film. Loosely adapting Poe's original story and splicing in numerous references from other Poe stories, The Black Cat has moody and creepy atmosphere to spare along with some solid suspense. Harvey Keitel gives a good performance in the lead, Tom Savini serves up some great gore effects and Dario, fresh from his insane camera-acrobatics in 1987's ultra violent Opera, is in top form with some great stylistic touches left and right.

      This Blue-Underground 2 Disc Special Edition is really the only way to go, some great extras included here. An interesting documentary with intetviews with both Argento and Romero and some very entertaining behind the scenes footage, along with Blue-Underground's usual high standard in terms of audio and visual quality.

      In short; Two Evil Eyes is well worth purchasing; terrific Argento segment and good extras. What's not to like?

      3 out of 5 stars "Life here has become ugly...".......2006-02-06

      So what happens when you draw two masters of cinematic horror together to each provide their own, particular take on a couple of Edgar Allen Poe stories? Two great tastes that taste great together? Not exactly...but it is kind of fun. Originally titled Due occhi diabolici (1990), and then later called Two Evil Eyes (1991) for the American release, is comprised of two hour long segments. The first, titled "The Facts in the Case of Mr. Valdemar", was adapted and directed by George A. Romero (Night of the Living Dead, Martin), and features Adrienne Barbeau (Swamp Thing, Creepshow), Ramy Zada (After Midnight), Bingo O'Malley (Knightriders, Creepshow), and E.G. Marshall (12 Angry Men, Tora! Tora! Tora!). The second, titled "The Black Cat", adapted and directed by Dario `Visconti of Violence' Argento (The Bird with the Crystal Plumage, Suspiria), features Harvey Keitel (Reservoir Dogs, The Piano), Madeleine Potter (Slaves of New York), Sally Kirkland (Fatal Games), Martin Balsam (12 Angry Men, Psycho), and John Amos (The Beastmaster, Die Hard 2), probably best known to 1970s television fans as the no nonsense patriarchal figure James Evans, Sr. from the series "Good Times".

      The movie starts with a short dedication to Poe, including a shot of his grave (or, at least a reasonable facsimile), just so we, the audience, are aware the material featured in this film was stolen...er, I mean, adapted from the works of Edgar Allen Poe. After this we kick into the tale titled "The Facts in the Case of Mr. Valdemar". Adrienne Barbeau plays Jessica Valdemar, an older, still highly attractive woman who is currently scheming with her sickly husband's physician, Dr. Robert Hoffman (Ramy), to bilk the her dying husband Ernest (O'Malley) out of as much money as they can, by using hypnosis to get him to sign important documents and such. Well, things go slightly awry after the old codger croaks sooner than expected, so the pair put him in cold storage, namely the freezer in the basement (who's up for some ice cream?) until they can see their plans all the way through. Only thing is, the geezer died while still under hypnosis...so what? Well, it also seems now, besides being a Popsicle, he's stuck between two worlds, that of the living and that of the dead. After Ernest starts vocalizing his predicament and freaking everyone out, Jessica decides to take matters into her own hands, which raises the question how can you kill what's already dead? The next story, titled "The Black Cat", features Harvey Keitel as Roderick Usher, a photographer who specializes in still life, often working with the local police documenting gristly crime scenes. Anyway, one day his live-in, witchy woman girlfriend Annabel, played by Potter, brings home a black cat. Well, turns out Roderick and the cat don't get along, as the cat has an unnerving habit of sitting and staring at Roderick. Soon the cat goes missing, Annabel is inconsolable, and Roderick is less than sympathetic. After a bizarre medieval dream sequence, one in which Roderick is punished with a sharpened pole inserted into a very uncomfortable place, the couple's relationship deteriorates quickly, not helped by Roderick's love for the drink, eventually leading to Annabel deciding to split...and split she does when Roderick comes home with a snootful and takes to her with a meat cleaver. After a bit of creative dry walling, Roderick conceals his crime, but the cat, which has since returned, sees all, and remembers even more...

      Of the two tales featured here, I enjoyed Argento's more...both include better than expected production values, strong performers, and solid source material, but where Romero's piece seems a little tired and, well, trite, Argento's piece is a bit more substantial, flowing, and visually entertaining (not to mention visceral). I can't help but wonder if perhaps Ms. Barbeau taking one for the team by popping her top would have helped Romero's story...it couldn't have hurt...as far as the story itself, it's sort of similar to that segment titled "Something to Tide You Over", featuring Leslie Nielsen and Ted Danson, from the 1982 film Creepshow, as both included a re-animated corpse slumping around, seeking vengeance from those who wronging it prior to it becoming a corpse. The effects are excellent, but the adaptation lacks the punch I was expecting. There did seem a half-hearted effort to create something meaningful between the two main characters, specifically in terms of the pair seeing each other at their worst, and the subsequent effect this had on their relationship (murder's always been a turn off for me), but it never really developed into anything noteworthy. Seems like George had a couple of novel ideas, ones that he then filled in the rest of the story around. The bit at the end was definitely fresh, with the apparitions and the lighting, but not worth the price of admission. E.G. Marshall and Tom Atkins make limited appearances as a lawyer and a police detective, respectively. Argento's piece, on the other hand, comes across a bit stronger, despite the fact it includes an outlandish dream sequence, a tactic I generally despise, as it usually comes off as an effort to pad out the running time or introduce some crucial aspect to the story in a ridiculous manner. This one's set during medieval times, as we see a lot of people running around in ratty clothes, bad hair, and even worse teeth...oh, and look, there's a little person (is that the correct term nowadays? I'd say dwarf, but I need no blowback from the various midget/dwarf support organizations out there). Everyone knows a dream sequence just isn't a dream sequence without a little person, clad in strange garb, running around and cackling like a little a-hole...if you feel this way you should see the film Living in Oblivion (1995), but I digress...one of the reason's Argento's piece comes across as well as it does is because his eye towards hideous detail, his focus on vivid imagery, and his willingness to draw the audience's attention towards nasty, unpleasant things we might normally steer away from...overall the performances are solid, but I had a hard time swallowing Keitel's stereotypical beret wearing, pretentious, jazz listening, booze swilling, bohemian artist type character. The funniest bits for me were after the fact, as he tries to explain the subsequent absence of his girlfriend to the neighbors and her friends (apparently she was well-liked). Keitel's character was about the worst liar I've ever seen. The story flowed along nicely, and ended with a few, gruesome and welcomed twists.

      The picture quality, presented in widescreen (1.85:1) anamorphic, on this Blue Underground DVD release, is very sharp, and the audio excellent. There are a few different audio tracks to choose from, including Dolby Digital Surround EX, 6.1 DTS - ES, and Dolby Digital Surround 2.0. As far as extras, it depends which version you purchase (there are two). If you buy the single disc version you'll get a theatrical trailer, a poster and still gallery, and biographies for the directors. If you get the double disc version, you'll get what I've already mentioned plus four featurettes. The first is titled `Two Masters' Eyes', and it's basically series of interviews strung together, lasting about a half hour, followed by a bit about Savini's effects (12 mins), At Home with Tom Savini (16 mins), and lastly Adrienne Barbeau talking about George Romero (5 mins). There's some interesting stuff in the two disc version, but not interesting enough for me to recommend to someone to pony up the extra cost over the single disc version...at the end of the day both versions feature the exact, same film.

      Cookieman108
      Evil Eyes
      Average customer rating: 3 out of 5 stars
      • Ms Lorenz stands out in this genre horror
      • MORE LIKE DROOPY EYES
      • Too many jumps, too many questions
      • Narcissistic Nonsense
      Evil Eyes
      Starring: Adam Baldwin , Udo Kier , Mark Sheppard , Jennifer Gates (III) , and Kristin Lorenz
      Director: Mark Atkins (III)
      Manufacturer: Asylum Home Entertaiment
      ProductGroup: DVD
      Binding: DVD

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      ASIN: B00064ALMM
      Release Date: 2004-12-28

      Customer Reviews:

      5 out of 5 stars Ms Lorenz stands out in this genre horror.......2006-08-07

      A somewhat passable diversion for a lazy Sunday afternoon. Kristin Lorenz stands out.

      2 out of 5 stars MORE LIKE DROOPY EYES.......2005-09-30

      EVIL EYES is a derivative a la Stephen King/Dean Koontz variety. A failing screenwriter (Adam Baldwin) is approached by a mysterious "agent" (Udo Keir) to write the screenplay based on a true story of a screenwriter who went mad and killed his mother, father and wife. As Baldwin begins writing his screenplay, it seems that the things he is writing start to come true, with tragic results for some of his friends.
      Veiled in inexplicable ambiguity, EVIL EYES never fully explains what is going on so the viewer is left with no sense of resolution or understanding. Vague film making at the least.

      3 out of 5 stars Too many jumps, too many questions.......2005-05-03

      Evil Eyes is the story of a writer, portrayed by Adam Baldwin, that finds that what he writes comes true, in a tale eerily similar to the true crime movie he happens to be working on. In that case, a writer director turned serial killer after everything he wrote came true.

      However, while this movie had the power to be fun and scary, like Stephen King's Dark Half, I had a few problems with the film.

      One: The editing style on the film is choppy, and the story jerks around quite a bit. Several times you're left wondering if what you saw actually transpired or if it only occurred within the realm of the story.

      Two: Even after one of his best friends is killed in a manner parallels a story he just wrote, the writer continues to picture friends in the scenes, or to write scenes about people he knows. This doesn't seem very logical to me.

      Over all this is one of the better films to be produced by Asylum lately, and it shows their growth as a movie house.

      1 out of 5 stars Narcissistic Nonsense.......2005-03-02

      Are all screenwriters narcissistic? Seems like a lot of them think that their life is so interesting that it deserves to be told to the whole world as a feature film. In a best case scenario, you get Charlie Kaufman's Adaptation... which I liked because it took that narcissism and made fun of it. In a worst case scenario you get Evil Eyes.

      For the whole movie, the main character goes around doing screenwriter things: talking to his agent, trying to get some job at Dreamworks, complaining about how no one understands his art... etc. Just like Charlie Kaufman in Adaptation, but without any of the style.

      Boring, boring, boring.

      About twenty minutes in, our protagonist gets a job offer. It comes from a strange foreign gentleman (a la Angel Heart) and soon he's off writing a MOW about a guy who killed his wife. Pretty soon, he becomes convinced that the words that he writes can actually kill. If anyone out there has ever read the Stephen King short story called Word Processor of the Gods, you'll recognize the plot... that's clearly what the writer stole... Er... was inspired by.
      Scream Queen Collection 1: Eyes of the Werewolf/The Bagman/Evil in the Bayou
      Average customer rating: Not rated
        Scream Queen Collection 1: Eyes of the Werewolf/The Bagman/Evil in the Bayou
        Starring: Stephanie Beaton Box Set
        Manufacturer: Woodside
        ProductGroup: DVD
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        ASIN: B0002DB5HW
        Release Date: 2004-09-14
        Extreme Horror Two-fer - Dead & Buried / Two Evil Eyes
        Average customer rating: 4 out of 5 stars
        • Two for the Price of One
        Extreme Horror Two-fer - Dead & Buried / Two Evil Eyes
        Starring: Extreme Horror
        Manufacturer: Blue Underground
        ProductGroup: DVD
        Binding: DVD

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        ASIN: B0009HMTUS
        Release Date: 2005-06-28

        Customer Reviews:

        4 out of 5 stars Two for the Price of One.......2007-01-18

        I originally bought this because I was looking for "Two Evil Eyes" but figured I'd buy it this way since it's like getting "Dead & Buried" for free. As a Dario Argento fan I really was looking forward to Blue Underground's release of "Two Evil Eyes". I wasn't disappointed. Blue Underground has succeeded in putting out another great DVD set. I had never seen "Dead & Buried" before but i quite enjoyed it. It was deiniftely a nice bonus at no cost. I ended up enjoying "Dead & Buried" more than I did the release if "Two Evil Eyes". This set is definitely the way to go if you are looking for either one of these films.
        Evil Eyes
        Average customer rating: Not rated
          Evil Eyes
          Starring: Evil Eyes
          Manufacturer: Timeless Media Group
          ProductGroup: DVD
          Binding: DVD

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          ASIN: B000QUEQ2M
          Release Date: 2007-10-02
          Two Evil Eyes [Region 2]
          Average customer rating: 3.5 out of 5 stars
          • Great horror anthology from Romero and Argento.
          • Two Evil Eyes
          • Romero fumbles, but Argento scores
          • Soooo worth it for the Argento part
          • "Life here has become ugly..."
          Two Evil Eyes [Region 2]
          Starring: Adrienne Barbeau , Ramy Zada , Bingo O'Malley , Jeff Howell , and E.G. Marshall
          Director: Dario Argento , and George A. Romero
          ProductGroup: DVD
          Binding: DVD

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          ASIN: B00006JI1J

          Amazon.com

          Legendary horror directors George Romero and Dario Argento team up to direct a pair of short films inspired by the writing of Edgar Allen Poe. In Romero's story, a woman (Adrienne Barbeau) and her lover hypnotize her ailing, older husband into signing over his riches. But when he dies while still under their command, his soul haunts them, seeking to be freed from their hypnotic spell. In Argento's tale, a crime-scene photographer (Harvey Keitel) kills his live-in girlfriend in a fit of jealous rage, but her black cat continues to torment him after her death. While Romero's piece toys with horror conventions and Argento's plays out in his typically elongated fashion, their dramatic story lines, unexpectedly gruesome imagery, and ironic endings shock some life into the movie. It is rumored that this was originally meant to be a quartet of horror tales with contributions from Wes Craven and John Carpenter, but at least we got these two. --Bryan Reesman

          Customer Reviews:

          5 out of 5 stars Great horror anthology from Romero and Argento........2007-03-20

          A collection of two stories inspired by Edgar Allen Poe, the first tale "The Facts of the Case of Mr. Valamar" has a woman (Andrienne Barbabeu) who's married to an old rich man, she decides to take his money as her secret lover hypnotizes him then literally freeze him so they can kill him. They both hear his voice to find out that he's not all dead as later he returns from beyond the grave to seek revenge. Next is "The Black Cat" which tells the story of a crime scene photographer (Harvey Keitel) who's girlfriend brought a stray cat in that seems to drive him mad to the brink of insanity.

          A winning horror anthology from George A. Romero and famed Italian horror master Dario Argento that delivers scares, splatter and thrills. Both stories have the macabre and dark feel of Edgar Allen Poe's works for Tom Savini's gruesome make-up effects really make the movie and there's amusing appearences by Tom Atkins and E.G. Marshall.

          This 2-Disc DVD has great picture and sound quality with nifty extras like poster-and-still gallery, trailer, talent bios, interviews and featurettes.

          3 out of 5 stars Two Evil Eyes.......2007-01-15

          This is an interesting adapation of two E.A. Poe short stories. The one chosen by Argento is the classic "The Black Cat". The one chosen by Romero is the lesser known "The Facts in the Case of M. Valdemar". In my opinion, Argento's part is the superior one, full of innovative and inventive camera shots and a good performance by Keitel. The Romero part of it is not bad, but not nearly the usual inspired and creative level of his work.

          4 out of 5 stars Romero fumbles, but Argento scores.......2006-08-28

          Two Evil Eyes threatened to be another disappointment from Dario Argento, especially since the first half of this modernized Edgar Allen Poe double-header, The Facts in the Case of Mr Valdemar, directed by George A. Romero, felt like a competent but uninspired network TV compilation episode. So it's a real surprise just how much dark fun Argento has with The Black Cat, playfully riffing both on Poe's other short stories and classic movies (there's even a subtle Psycho moment where Martin Balsam's nosey neighbor finds himself at the foot of another staircase looking for another missing woman) as Harvey Keitel's crime photographer - first seen photographing the aftermath of a Pit and the Pendulum incident - finds his life going to Hell when he gets rid of the girlfriend's cat. It's not prime Argento, but compared to his stale going-through-the-motions later efforts like Phantom of the Opera, The Card Player and Phenomena, it'll remind you why you liked him in the first place.

          3 out of 5 stars Soooo worth it for the Argento part.......2006-03-29

          Edgar Allen Poe stories modernized by George A. Romero and Dario Argento. Sounds like it can't miss, right?

          The Facts in the Case of M. Valdemar is George Romero's part. At only an hour the film somehow seems overlong. It looks like Romero's on a sedative here, the pacing is way too slow and in the end nothing much happens. There's one decent zombie scene near the end and the finale is quite horrific but I'm sure Mr. Romero could have spiced things up somewhat. It looks like his heart wasn't all together in this project.

          Dario Argento's The Black Cat is way better than Romero's film. Loosely adapting Poe's original story and splicing in numerous references from other Poe stories, The Black Cat has moody and creepy atmosphere to spare along with some solid suspense. Harvey Keitel gives a good performance in the lead, Tom Savini serves up some great gore effects and Dario, fresh from his insane camera-acrobatics in 1987's ultra violent Opera, is in top form with some great stylistic touches left and right.

          This Blue-Underground 2 Disc Special Edition is really the only way to go, some great extras included here. An interesting documentary with intetviews with both Argento and Romero and some very entertaining behind the scenes footage, along with Blue-Underground's usual high standard in terms of audio and visual quality.

          In short; Two Evil Eyes is well worth purchasing; terrific Argento segment and good extras. What's not to like?

          3 out of 5 stars "Life here has become ugly...".......2006-02-06

          So what happens when you draw two masters of cinematic horror together to each provide their own, particular take on a couple of Edgar Allen Poe stories? Two great tastes that taste great together? Not exactly...but it is kind of fun. Originally titled Due occhi diabolici (1990), and then later called Two Evil Eyes (1991) for the American release, is comprised of two hour long segments. The first, titled "The Facts in the Case of Mr. Valdemar", was adapted and directed by George A. Romero (Night of the Living Dead, Martin), and features Adrienne Barbeau (Swamp Thing, Creepshow), Ramy Zada (After Midnight), Bingo O'Malley (Knightriders, Creepshow), and E.G. Marshall (12 Angry Men, Tora! Tora! Tora!). The second, titled "The Black Cat", adapted and directed by Dario `Visconti of Violence' Argento (The Bird with the Crystal Plumage, Suspiria), features Harvey Keitel (Reservoir Dogs, The Piano), Madeleine Potter (Slaves of New York), Sally Kirkland (Fatal Games), Martin Balsam (12 Angry Men, Psycho), and John Amos (The Beastmaster, Die Hard 2), probably best known to 1970s television fans as the no nonsense patriarchal figure James Evans, Sr. from the series "Good Times".

          The movie starts with a short dedication to Poe, including a shot of his grave (or, at least a reasonable facsimile), just so we, the audience, are aware the material featured in this film was stolen...er, I mean, adapted from the works of Edgar Allen Poe. After this we kick into the tale titled "The Facts in the Case of Mr. Valdemar". Adrienne Barbeau plays Jessica Valdemar, an older, still highly attractive woman who is currently scheming with her sickly husband's physician, Dr. Robert Hoffman (Ramy), to bilk the her dying husband Ernest (O'Malley) out of as much money as they can, by using hypnosis to get him to sign important documents and such. Well, things go slightly awry after the old codger croaks sooner than expected, so the pair put him in cold storage, namely the freezer in the basement (who's up for some ice cream?) until they can see their plans all the way through. Only thing is, the geezer died while still under hypnosis...so what? Well, it also seems now, besides being a Popsicle, he's stuck between two worlds, that of the living and that of the dead. After Ernest starts vocalizing his predicament and freaking everyone out, Jessica decides to take matters into her own hands, which raises the question how can you kill what's already dead? The next story, titled "The Black Cat", features Harvey Keitel as Roderick Usher, a photographer who specializes in still life, often working with the local police documenting gristly crime scenes. Anyway, one day his live-in, witchy woman girlfriend Annabel, played by Potter, brings home a black cat. Well, turns out Roderick and the cat don't get along, as the cat has an unnerving habit of sitting and staring at Roderick. Soon the cat goes missing, Annabel is inconsolable, and Roderick is less than sympathetic. After a bizarre medieval dream sequence, one in which Roderick is punished with a sharpened pole inserted into a very uncomfortable place, the couple's relationship deteriorates quickly, not helped by Roderick's love for the drink, eventually leading to Annabel deciding to split...and split she does when Roderick comes home with a snootful and takes to her with a meat cleaver. After a bit of creative dry walling, Roderick conceals his crime, but the cat, which has since returned, sees all, and remembers even more...

          Of the two tales featured here, I enjoyed Argento's more...both include better than expected production values, strong performers, and solid source material, but where Romero's piece seems a little tired and, well, trite, Argento's piece is a bit more substantial, flowing, and visually entertaining (not to mention visceral). I can't help but wonder if perhaps Ms. Barbeau taking one for the team by popping her top would have helped Romero's story...it couldn't have hurt...as far as the story itself, it's sort of similar to that segment titled "Something to Tide You Over", featuring Leslie Nielsen and Ted Danson, from the 1982 film Creepshow, as both included a re-animated corpse slumping around, seeking vengeance from those who wronging it prior to it becoming a corpse. The effects are excellent, but the adaptation lacks the punch I was expecting. There did seem a half-hearted effort to create something meaningful between the two main characters, specifically in terms of the pair seeing each other at their worst, and the subsequent effect this had on their relationship (murder's always been a turn off for me), but it never really developed into anything noteworthy. Seems like George had a couple of novel ideas, ones that he then filled in the rest of the story around. The bit at the end was definitely fresh, with the apparitions and the lighting, but not worth the price of admission. E.G. Marshall and Tom Atkins make limited appearances as a lawyer and a police detective, respectively. Argento's piece, on the other hand, comes across a bit stronger, despite the fact it includes an outlandish dream sequence, a tactic I generally despise, as it usually comes off as an effort to pad out the running time or introduce some crucial aspect to the story in a ridiculous manner. This one's set during medieval times, as we see a lot of people running around in ratty clothes, bad hair, and even worse teeth...oh, and look, there's a little person (is that the correct term nowadays? I'd say dwarf, but I need no blowback from the various midget/dwarf support organizations out there). Everyone knows a dream sequence just isn't a dream sequence without a little person, clad in strange garb, running around and cackling like a little a-hole...if you feel this way you should see the film Living in Oblivion (1995), but I digress...one of the reason's Argento's piece comes across as well as it does is because his eye towards hideous detail, his focus on vivid imagery, and his willingness to dra