The Gamble

Starring:Gamble
Studio: Direct Source Label
Product Type: DVD
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The Untouchables (Special Collector's Edition) [HD DVD]
Starring: Peter Aylward , Mike Bacarella , Patrick Billingsley , Richard Bradford , and Larry Brandenburg
Director: Brian De Palma
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ASIN: B000OONQBC
Release Date: 2007-07-03 |
Amazon.com
As noted critic Pauline Kael wrote, the 1987 box-office hit The Untouchables is "like an attempt to visualize the public's collective dream of Chicago gangsters." In other words, this lavish reworking of the vintage TV series is a rousing potboiler from a bygone era, so beautifully designed and photographed--and so craftily directed by Brian De Palma--that the historical reality of Prohibition-era Chicago could only pale in comparison. From a script by David Mamet, the movie pits four underdog heroes (the maverick lawmen known as the Untouchables) against a singular villain in Al Capone, played by Robert De Niro as a dapper caesar holding court (and a baseball bat) against any and all challengers. Kevin Costner is the naive federal agent Eliot Ness, whose lack of experience is tempered by the streetwise alliance of a seasoned Chicago cop (Sean Connery, in an Oscar-winning performance), a rookie marksman (Andy Garcia), and an accountant (Charles Martin Smith) who holds the key to Capone's potential downfall. The movie approaches greatness on the strength of its set pieces, such as the siege near the Canadian border, the venal ambush at Connery's apartment, and the train-station shootout partially modeled after the "Odessa steps" sequences of the Russian classic Battleship Potemkin. It's thrilling stuff, fueled by Ennio Morricone's dynamic score, but it's also manipulative and obvious. If you're inclined to be critical, the movie gives you reason to complain. If you'd rather sit back and enjoy a first-rate production with an all-star cast, The Untouchables may very well strike you as a classic. --Jeff Shannon
Product Description
The critics and public agree. Brian De Palma's The Untouchables is a must-see masterpiece - glorious, fierce, larger-than-life depiction of the mob warlord who ruled Prohibition-era Chicago... and the law enforcer who vowed to bring him down. This classic confrontation between good and evil and stars Kevin Costner as federal agent Eliot Ness, Robert De Niro as gangland kingpin Al Capone and Sean Connery as Malone, the cop who teaches Ness how to beat the mob: shoot fast and shoot first.
Average customer rating:
- The John Hughes universe
- Intense.
- How come every teen movie not made in the 80s stinks
- Were you ever in detention?
- Awesome Movie
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The Breakfast Club (High School Reunion Collection)
Starring: Mary Christian , Perry Crawford , Ron Dean , Emilio Estevez , and Tim Gamble
Manufacturer: Universal Studios
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ASIN: B0000A98ZP
Release Date: 2003-09-02 |
Amazon.com essential video
John Hughes's popular 1985 teen drama finds a diverse group of high school students--a jock (Emilio Estevez), a metalhead (Judd Nelson), a weirdo (Ally Sheedy), a princess (Molly Ringwald), and a nerd (Anthony Michael Hall)--sharing a Saturday in detention at their high school for one minor infraction or another. Over the course of a day, they talk through the social barriers that ordinarily keep them apart, and new alliances are born, though not without a lot of pain first. Hughes (Sixteen Candles), who wrote and directed, is heavy on dialogue but he also thoughtfully refreshes the look of the film every few minutes with different settings and original viewpoints on action. The movie deals with such fundamentals as the human tendency toward bias and hurting the weak, and because the characters are caught somewhere between childhood and adulthood, it's easy to get emotionally involved in hope for their redemption. Preteen and teenage kids love this film, incidentally. The DVD release includes production notes, cast and crew bios, widescreen presentation, Dolby sound, closed captioning, optional French and Spanish soundtracks, and optional Spanish subtitles. --Tom Keogh
Customer Reviews:
The John Hughes universe.......2007-06-13
Many who were teenagers in the 80s see Breakfast Club the way some saw Rebel Without A Cause in the 50s. Both movies are about teenage angst. Most of my "grasshopper" (Kung Fu) moments in my life came from the 80s. That said, this film has it's merits but also it's flaws. One actor makes this movie great. Judd Nelson. He steals the show in every scene. Even when he isn't talking, you are watching his reactions. His performance is perfect. I believe him as a troubled teen even though he's 24(!) at the time of the filming. Another great performance, often overlooked, is Paul Gleason as Vernon. He's dislikeable and believable. Makes you wonder if Vernon was like Brian and who grew up to be authority to get 'even' with guys like Bender and Andy. Just an idea. Gleason's performance is a solid one.
The flaws include the slang (no one then or now calls rich kids "richies". They are either preppies or yuppies.), the inane stories (Andy's locker room story and Brian's flare gun story fail to hold my attention), the fake performances (Brain's forced tears when he says to Clare "&*%$ you") and the continuity shots (Clare and Allison's many hair days during 8 hour detention). The script could've used some fine tuning. Had it been written better, the five students would know each other more even if they aren't friends. The character stereotypes (brain, princess, criminal, jock, and basket case) would mesh with each other. In order words, the five would have more in common with each other instead of coming from five different cliques. Lastly, the term "Breakfast Club" never appeared anywhere until John Hughes coined the phrase. He uses the phrase as if everyone who is in detention is a Breakfast Club member. I would title it something else. A good script doctor would be helpful.
In my opinion, the movie doesn't hold up well today, but it is still entertaining, given it's context. This is the John Hughes universe we are talking about, not the real world.
Intense........2007-04-15
This is an aboslutely amazing movie. Being a teenager, you can really relate to this movie. But adults no doubt can too from their highschool days. You will laugh and maybe cry. The story behind it is truly beautiful. 5 stereotype highschool students end up in detention together and discover after pouring their hearts our to each other, that they have much more in common then they thought. "They only met once, but it changed their lives forever."
How come every teen movie not made in the 80s stinks.......2007-03-26
When I first heard of bfc I don't think I even wanted to see it. Then I saw Ferris Bueller's Day Off and one thing led to another. Anyways the point is, this movie is actually fun to watch. All five of these characters are surprisingly believable and not to mention funny. Though this movie is usually considered a "chick flick" I have no problem watching it. Otherwise, besides certian immoral content in the film, that i try to skip anyways, this movie is great! I'm amused by the scenario the characters are put in. I can actually relate to Brian(the nerd). Its kind of scary though, cause he shares my name. As for the rest characters, they just made me laugh to no end. The basket case I found particularly cool. I won't comment on the emotional aspect of the film, but I will say I felt it and just leave it at that. Oh and as a 17 year old, trust me, its great to see teens actually act like teens!!!!! Now a days it seems most teen flicks are bassically movies about sex crazed monsters(no ones REALLY like that). AND IT'S NOT FUNNY, its just kind of grose. So in conclusion, this movie was actually to my surprise good.The BEST PART is when there all dancing to We Are Not Alone by Karla Devito. I never thought in a million years I would like a movie where some jock started crying about how he tapped some kid's bun cheeks together.
P.S. No seriously though, what was up with that bun cheek thing?
Were you ever in detention? .......2007-03-14
I was a good little girl at school; I was never in detention. So I can't identify with this movie at all. Especially an American detention. They were there the whole of Saturday! And the antics they get up to!
I got recommended this by someone I work with, who was playing the Simple Minds on her mp3 player, and I confessed I had no idea who they were. She said they did a song on the soundtrack to this, I said I'd never seen it, and she told me to get it. So I did.
None of the actors have really done much since this film, apart from Emilio Estevez, who is still floating around out there. There's been lots of fuss about a sequel, but I doubt that will ever happen. It doesn't really warrant a sequel. Which means they will make a sequel or a remake. And that will ruin it.
Basically you have five teenage stereotypes - the rebel (Bender), the princess (Claire), the jock (Andy), the brain (Brian), and the outcast (Allison) - who would never normally associate with each other, but they get stuck together in detention. It can be a bit overacted, and a bit melodramatic at times, but yes, it works. My favourite character was the outcast, Allison, played by Ally Sheedy. She actually reminded me quite a lot of myself during high school (and at the beginning of college), hiding behind her fringe, coat, whatever comes to hand, and not speaking to anyone. Her haircut was practically the same as mine too! And the dandruff/snow on the drawing scene was absolutely classic! The reasons they all get into detention are a bit strange as well: Bender: pulls a false fire alarm; Brian: flare gun goes off in his locker; Andy: tapes a guy's butt cheeks together in the locker room; Claire: ditches class to go shopping; and Allison: didn't do anything, she didn't have anything better to do on a Saturday. (That last bit made the character for me.)
The rest of the movie is pretty much forgettable, apart from the dancing sequence, which is so funny.
If you recognise yourself in these characters, or know someone else who was that particular stereotype, then I would recommend getting it. It's easy enough to while away an hour or so watching. It will also show what you're really like depending which character is your favourite. What does your favourite reveal about you? It's a shame I'm not old enough to remember the 80s (ha!) I was born halfway through, and wasn't old enough to know about the whole Rat Pack phenomenon. But if you can pick this up for cheap, I certainly would recommend it.
Awesome Movie.......2007-03-01
I'm 36 and this is STILL one of my favorite movies of all times. I cannot wait to share it with my children.
Average customer rating:
- Get Them In Your Crosshairs And Take Them Down...
- One of the most original and entertaining comedies of the '90s...
- You either love it or hate it.
- Not really my cup of tea....*Spoilers*
- Great flick for nerds
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Rushmore
Starring: Jason Schwartzman , Bill Murray , Olivia Williams , Seymour Cassel , and Brian Cox
Director: Wes Anderson
Manufacturer: Walt Disney Video
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ASIN: 6305428239
Release Date: 1999-06-29 |
Amazon.com essential video
Wes Anderson's follow-up to the quirky Bottle Rocket is a wonderfully unorthodox coming-of-age story that ranks with Harold and Maude and The Graduate in the pantheon of timeless cult classics. Jason Schwartzman (son of Talia Shire and nephew of Francis Coppola) stars as Max Fischer, a 15-year-old attending the prestigious Rushmore Academy on scholarship, where he's failing all of his classes but is the superstar of the school's extracurricular activities (head of the drama club, the beekeeper club, the fencing club...). Possessing boundless confidence and chutzpah, as well as an aura of authority he seems to have been born with, Max finds two unlikely soulmates in his permutations at Rushmore: industrial magnate and Rushmore alumnus Herman Blume (Bill Murray) and first-grade teacher Rosemary Cross (Olivia Williams). His alliance with Blume and crush on Miss Cross, however, are thrown out of kilter by his expulsion from Rushmore, and a budding romance between the two adults that threatens Max's own designs on the lovely schoolteacher.
Never stooping to sentimentality or schmaltz, Anderson and cowriter Owen Wilson have fashioned a wickedly intelligent and wildly funny tale of young adulthood that hits all the right notes in its mix of melancholy and optimism. As played by Schwartzman, Max is both immediately endearing and ferociously irritating: smarter than all the adults around him, with little sense of his shortcomings, he's an unstoppable dynamo who commands grudging respect despite his outlandish projects (including a school play about Vietnam). Murray, as the tycoon who determinedly wages war with Max for the affections of Miss Cross, is a revelation of middle-aged resignation. Disgusted with his family, his life, and himself, he's turned around by both Max's antagonism and Miss Cross's love. Williams is equally affecting as the teacher who still carries a torch for her dead husband, and the superb supporting cast also includes Seymour Cassel as Max's barber father, Brian Cox as the frustrated headmaster of Rushmore, and a hilarious Mason Gamble as Max's young charge. Put this one on your shelf of modern masterpieces. --Mark Englehart
Description
RUSHMORE is the story of a gifted, rebellious teenager named Max Fischer (Jason Schwartzman), a 10th grader at elite Rushmore Academy. Editor of the school newspaper, captain or president of innumerable clubs and societies, Max is also one of the worst students in the school, and the threat of expulsion hangs permanently over his head. Max's world is rocked when he falls for elegant 1st grade teacher Miss Cross (Olivia Williams) and he plans to erect an aquarium in her honor -- then finds himself competing for her affections with his friend, steel tycoon Mr. Blume (Bill Murray), the wealthy father of two of his classmates.
Customer Reviews:
Get Them In Your Crosshairs And Take Them Down..........2007-06-24
This is probably my favorite movie of all time.
The story concerns one Max Fischer, 15 years old, student at the illustrious Rushmore Academy. But Max is not your average student- he's one of the worst.
Max (Schwartzman) befriends wealthy industrialist Herman Bloom (Murray), and falls in love with Rushmore's newest teacher, Rosemary, a widow from England, and unleashes some truly machiavellian schemes to get her to fall in love with him, (including trying to build an unauthorized aquarium for her on school grounds, backed by Mr. Bloom's millions), getting himself expelled in the process. Meanwhile, the married Herman also falls in love with her and they begin to have an affair, which sets off one of the funniest sequences in American film history; watching a 50 year-old man being attacked by bees that have mysteriously invaded his hotel room and intentionally running over a 15 year old boy's bicycle always makes me smile.
In the end, Max learns alot about life and love and friendship and all of that, and makes peace with Mr. Bloom, Rosemary, the memory of his deceased mother and the end of his tenure at Rushmore Academy. While watching, ask yourself why Max does what he does, why he never wants to leave Rushmore- his reason, never stated, is among the most touching aspects of a character that I have ever seen in any movie.
The soundtrack is truly amazing, as with all of the Wes Anderson films; check out The Who singing "A Quick One While He's Away."
The best thing I can say about this movie is that most people will see a bit of themselves and the people they know in the characters. Truly a wonderful film.
One of the most original and entertaining comedies of the '90s..........2007-05-23
Since making his directing debut with the 1996 cult caper film "Bottle Rocket," Wes Anderson has established himself as one of film's most exciting young directors. His second film, "Rushmore," is a witty, heartfelt and often amusing film that features a hilarious performance by Bill Murray.
Anderson wrote the quirky script with his right-hand man, actor Owen Wilson, with whom he also collaborated on "Bottle Rocket" and "The Royal Tenenbaums." The story follows the trials and travails of high school student Max Fischer (Jason Schwartzman), a sharp kid who focuses his attention on a plethora of offbeat extracurricular pursuits (fencing club, Latin, playwriting) rather than his studies.
In between attending to his various activities at Rushmore (the name of the private school he attends), Max develops a crush on Miss Cross (Olivia Williams), an elementary school teacher at his school. He also befriends Herman Blume (Bill Murray), an eccentric millionaire whose two sons attend school with Max.
Things soon fall apart for Max: The school expels him, Miss Cross denies his flirtations, and Blume begins courting Miss Cross himself. That sets up an extremely funny tete-a-tete between Max and Blume, highlighted by the scene in which Blume runs over Max's bike with his car.
As the intriguing love triangle of Max, Blume and Miss Cross plays out, Max finds solace in his caring father and a female student at his new school. The ending, which features all the characters coming together to watch Max's newest play, is entirely satisfying without being hokey or cynical.
Schwartzman, the nephew of director Francis Ford Coppola ("The Godfather"), exhibits a great knack for comedy throughout "Rushmore." But Murray steals the show with a masterfully funny turn that scored him a Golden Globe Nomination and Independent Spirit Award for Best Supporting Actor. In one unforgettable scene, Herman suggests that his sons invite Max to their birthday party. "There's gonna be girls there," replies one. "Yeah," adds the other, "Get your head out of your a--." Murray's initial deadpan reaction will have you howling; his subsequent reach into the back seat to pummel his son will have you rolling on the floor.
Anderson, who captured the Independent Spirit Award for Best Director, exhibits a sense of craft that's rare for comedic directors. Rather than depend solely on physical gags or even amusing one-liners, Anderson uses set direction, art direction and music to enhance his vision. Even if your sense of humor doesn't jive with Anderson's, you'll walk away from "Rushmore" with an appreciation for his careful attention to detail.
You either love it or hate it........2007-05-12
You have to love the little moments because this movie is made of little moments. I watched this before I knew it was a comedy and when I found out it was I figured they just couldn't think of anywhere else to put it. This movie makes me feel like there are lots of things moving and changing that have nothing to do with me. A lot of people say they don't like the movie because they think Max is a prick. You're supposed to feel that way, I think. You're supposed to forgive him for that because he's got something special in him, or at least that in his case he knows about it. But it also seems like some people don't like the movie because it's different. I guess that if you're patient and you like the little things, you'll enjoy this movie. Also, if you feel like you're left out or sort of an outcast you might enjoy this movie. You know, the kind of person that doesn't have red or hammer as the first thing they think of when you ask them for a tool and a color.
Not really my cup of tea....*Spoilers*.......2007-03-20
2.5 stars. I'm not really sure how I feel about this movie. I truely didn't contect to Max. I, too, found him to be a pompous spoiled brat and often times bordered on the creepy side in his pursuit of Mrs. Cross. And I'm not sure where his air of entitlement came from. For a boy with such humble orgins, his character seems totally out of whack. Bill Murray surely has his middle-aged blues shtick down (Lost in translation/Broken Flowers). he, too, was not a character I could root for. I understand he was not happy with the direction of his life, but the whole affair thing just seems so typical...and I'm not sure if he and Mrs. Cross were going to pick up things where they left off or not. Max never does pick up his grades or cut back on the extracurriculum activies--so I'm not sure about his character arch. He's pretty much the same boy at the end of the film as he was in the begining. Oh, except, he does admit his father is a barber now. Overall, check it out at your own peril.
Great flick for nerds.......2007-03-11
OK...my title is a little mean, but I found this kid, whom we're supposed to "just love" a little mean and the fact that I lost sympathy for him early on (due to his meanness) kept me from rooting for him. This is defintely a film in which we are supposed to root for the hero (or the anti-hero)...the adorable short nerdy kid with a big nose and glasses. His mother died of cancer, his father is a poor-but-good hearted barber,
he got into this fancy prep school on a scholarship, he is so smart that he solved a math problem that stumped MIT profs in a matter of minutes, etc. And the school bully picks on him.
Well he isn't really that nice, himself. He's insufferably rude to the Chinese girl, destroys Blume's marriage without a second thought, disables Blume's car which could have killed him. But he's still "adorable nerdy Max" so we're supposed to overlook these quirks and love him. I found his egotism much more annoying than cute.
I suspect that guys who felt like nerds in middle school might like this film due to some sort of wish fulfillment but beware, he doesn't end up with the pretty school teacher in the end! Maybe if another, more naturally likable actor had starred I'd have more interest in him..(Leonardo DiCaprio captured our sympathy as a young kid, in spite of committing huge crimes in Catch Me if You Can and I think that a lot of that was due to DiCaprio's natural sweetness) Jason Shwartzman (whom I actually liked a lot in Marie Antoinette) just didn't grab my heart the way the script obviously intended. Only once, when he smiled in the end did he seem a little sympathetic. For most of the film he sails through his antics with a vague superior smirk on an opaque, masklike face. There's no light there except an evil glint in his eyes when he's seeking revenge.
He looks like a cross between Woody Allan and Groucho Marx (were those his real eyebrows?.) Maybe if you find those guys endearing, you'll love Max. Otherwise... well, I warned you.
On the plus side, Bill Murray was genuinely touching and funny and many of the supporting cast were very good. I liked the music too.
Average customer rating:
- A sci-fi movie for slash fans!
- Gattaca is great
- Gattaca
- Underated, Maybe Unknown, but Definitely a Masterwork.
- Such a good movie. Underrated or at least under advertised
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Gattaca
Starring: Ethan Hawke , Uma Thurman , Gore Vidal , Xander Berkeley , and Jayne Brook
Director: Andrew Niccol
Manufacturer: Sony Pictures
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ASIN: 0767805712
Release Date: 1998-07-01 |
Amazon.com essential video
Confidently conceived and brilliantly executed, Gattaca had a somewhat low profile release in 1997, but audiences and critics hailed the film's originality. It's since been recognized as one of the most intelligent science fiction films of the 1990s. Writer-director Andrew Niccol, the talented New Zealander who also wrote the acclaimed Jim Carrey vehicle The Truman Show, depicts a near-future society in which one's personal and professional destiny is determined by one's genes. In this society, "Valids" (genetically engineered) qualify for positions at prestigious corporations, such as Gattaca, which grooms its most qualified employees for space exploration. "In-Valids" (naturally born), such as the film's protagonist, Vincent (Ethan Hawke), are deemed genetically flawed and subsequently fated to low-level occupations in a genetically caste society. With the help of a disabled "Valid" (Jude Law), Vincent subverts his society's social and biological barriers to pursue his dream of space travel; any random mistake--and an ongoing murder investigation at Gattaca--could reveal his plot. Part thriller, part futuristic drama and cautionary tale, Gattaca establishes its social structure so convincingly that the entire scenario is chillingly believable. With Uma Thurman as the woman who loves Vincent and identifies with his struggle, Gattaca is both stylish and smart, while Jude Law's performance lends the film a note of tragic and heartfelt humanity. --Jeff Shannon
Customer Reviews:
A sci-fi movie for slash fans!.......2007-06-01
A very good futeristic movie. Our world becomes a place where you lot in life is decied by how good your DNA is. If you like scifi or pretty boys with pretty eyes you cant go wrong with this movie! Also very slash-able! ;)
-ksha2222
Gattaca is great.......2007-05-18
I seldom watch a movie more than once. I've already seen this one twice and am buying it so I can watch it more. It is currently plausible enough to be scary due to gene mapping and manipulation. It shows the effect of classing people by genes on those considered lower class (limiting them even though passion can cause someone to rise above their limits) and the effect on the higher class (depression from not meeting high expectations). It's a strong look at how we view ourselves and others. This movie really reached my heart and keeps me thinking about it for weeks.
Gattaca .......2007-05-12
Uma Thurman is a favorite actress of mine and since this film included her husband at the time Ethan Hawke,I thought it couldn't be a bad movie.
The subject line is about a man who always felt inferior and had the opportunity to excel.
Sci_Fi at the time,it is becoming plasible at this time.
Changing and rearranging DNA always a unique idea and subject too controversy.
Underated, Maybe Unknown, but Definitely a Masterwork........2007-04-21
This film takes place in a not to distant future, after a high-profile murder has been committed at an elite company named Gattacca. The story's main character works for this elite company, and the film shows how this murder affects the events related to him.
The setting is amid a society that "creates" their children made to order through genetic enhancement. This creates more capable humans, but also creates an underclass who are relegated to the menial tasks of society. Anyone in this "class" wanting a better life must find creative (read illegal) ways of taking on the identity of someone genetically superior, but has fallen on hard times, so is willing to sell their identity. The name given to a person taking on the new identity is considered an "In-valid" (if caught).
The story tells of our main character, an elite amongst the company's elite even though genetically his is an "in-valid", one with a purchased, superior identity to hide his own. He does this because his dream is to explore space and the way to do this is to work for the company Gattacca (which would never hire him due to his genetic "inferiority".) He must live with the actual person his identity was purchased from and the film contrasts their situations well - An underdog who overcomes, and a "superior" who acts and thinks anything but. A love story is also intertwined with the main character and a woman investigating the murder, who also works with him.
* The story is about the triumph of the human spirit against the most insurmountable of obstacles.
* The story just happens to take place in the not-too-distant future, but is not "futuristic" or about space at all. It is a drama that just happens to take place in a still familiar future.
* The main character is an underdog by all accounts..
* This film was nominated for an academy award for Best Art Direction alongside Kundun, L.A. Confidential, Men In Black and Titanic. In my opinion Gattacca should have won and I think you will agree when you watch it.
* The marketing was not well devised when this film originally opened, which explains why you may not be familiar with this title, but is definitely one of the best films out there.
* FYI #1: The title "Gattacca" is the name of the company that the main character works for, but is also made up of the 4 letters used to describe the 4 building blocks that make up DNA (GTCA). DNA and its genetic altering is a main theme this film incorporates.
* FYI #2: many shots of the building the company Gattacca occupies are set in the actual Marin County Civic Center in California designed by the elite great architect Frank Lloyd Wright and built in 1959, almost 40 years prior to the opening of the movie. One of the wings of the real building is actually called the "Halls of Justice." It's ironic compared to the main character and his story. (these FYIs of course have nothing to do with the movie, just something of interest.)
This is a definite keeper. Get it and you will watch it over and over, it's that good.
Such a good movie. Underrated or at least under advertised .......2007-03-15
This is a great movie that I never heard much about before seeing it. Many people have never heard of it, or if they have, they were never motivated to see it. One of my favorites to be sure.
Average customer rating:
- Peter Lorre - a great actor
- MR. MOTO bad follow-up.
- Mr. Moto's last Warning
- Magnificent Moto
- Excellent Adventure/Detective Series
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Mr. Moto Collection - Vol. 2 (Mr. Moto's Gamble / Mr. Moto in Danger Island / Mr. Moto Takes a Vacation / Mr. Moto's Last Warning)
Starring: Peter Lorre , Joseph Schildkraut , Lionel Atwill , Virginia Field , and John 'Dusty' King
Director: Norman Foster , and Herbert I. Leeds
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Similar Items:
- Mr. Moto Collection, Vol. 1 (Mr. Moto Takes A Chance / Mysterious Mr. Moto / Thank You Mr. Moto / Think Fast Mr. Moto) (4DVD)
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ASIN: B000K7VHMI
Release Date: 2007-02-13 |
Description
Disc 1: MR.MOTO IN DANGER ISLAND Disc 2: MR. MOTO'S GAMBLE Disc 3: MR. MOTO'S LAST WARNING Disc 4: THINK FAST MR. MOTO
Customer Reviews:
Peter Lorre - a great actor.......2007-07-05
The role of Mr. Moto is such an intriuging character and Peter Lorre plays him perfectly. Mr. Moto's Last Warning has just the right amount of suspense and chracter development. Very nice clean entertainment.
MR. MOTO bad follow-up........2007-06-16
I purchased Volume One of the MR. MOTO series from Fox, and was delighted with the entire package. The restoration of these films is perfect, and for 1930s' programmers, they are surprisingly exciting, with fine production values.
That said, Volume Two gives us the poorest MR. MOTO features, weak scripts, inept comedy relief. Several of these films need "dramatic relief" from the comedy. It was not WW II that stopped this series;
it was the dwindling quality of the films. Save your money.
Mr. Moto's last Warning.......2007-06-14
This is the epitomy of the Mr. Moto films and is an outstanding example from this series of films. Mr. Moto is traveling by ship to the northern Suez port and is killed early in the film shortly after docking. There is a ring of spies and sabotuers that plan to scuttle the French Fleet at the mouth of the canal to stop all marine passage. Moto wears disquises to remain unknown, and yet mixes in well with the enemy agents to learn what they plan. Comic relief comes from several Brits: the Port Commander, and a self centered traveler who has no common sense. People are killed left and right until Moto swings into action and dispatches the entire band of spys. He takes no prisoners and while his methods seem a bit extreme by today's standards, he eliminates the need for a public trial for these patently unscrupulous men.
This is the movie that pulls together all the parts of earlier films and provides a great adventure of non-stop thrills.
I found it a bit period in nature, but completely satisfying in its means of resolving a weighty problem, including coming back from the dead.
Tom Fetters
Magnificent Moto.......2007-04-10
Both collections 1 and 2 are fun filled evenings. Invite a few friends over and have a Moto party. MUCH better than a super bowl party - Moto is entertaining and even a bit cheesy-campy - not hormonal on screen or off.
Excellent Adventure/Detective Series.......2007-03-29
The Mr. Moto series is an excellent group of adventure/detective movies. Peter Lorre's characterization as Mr. Moto and a fine supporting cast elevates these movies above the usual "B" detective movies.
The restoration of these films by Twentieth Century Fox is excellent. The picture quality of this set(and its companion set) are far superior to the public domain versions of these films.
Please consider two (2) other related purchases (not to mention to other volume of Mr. Moto films) to become an expert fan of Mr. Moto and Peter Lorre. Howard Berlin has written a concise and well-organized overview of the Mr. Moto series, The Complete Mr. Moto Phile: A Casebook. This softcover book is available for approximately $[...] from Amazon.com. Stephen Youngkin has written a book on Peter Lorre, The Lost One: A Life of Peter Lorre. Youngkin's book is one of the most comprehensive and best researched biographes of a Hollywood star - it is a a treasure trove of information about Peter Lorre. This hardcover book is available for approximately [...]from Amazon.com. I gained a greater appreciation for Peter Lorre's acting talents in the Mr. Moto series after I read both of these books. Please review the Amazon.com reviews for these books!
The Complete Mr. Moto Film Phile: A Casebook
The Lost One: A Life of Peter Lorre
Average customer rating:
- Dennis the Menace
- If you want to
- dennis the mence
- Great Family Movie
- Dennis the Mennace
|
Dennis the Menace (Special Edition)
Starring: Walter Matthau , Mason Gamble , Joan Plowright , Christopher Lloyd , and Lea Thompson
Director: Nick Castle
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ASIN: B00007G1Z9
Release Date: 2003-01-28 |
Amazon.com
The Hank Ketcham comic strip about a mischievous boy named Dennis Mitchell (Mason Gamble) becomes a film directed by Nick Castle (The Last Starfighter) based on a weak script by John Hughes (The Breakfast Club). Gamble is fine and Walter Matthau is persuasive as the grouchy neighbor Mr. Wilson, but Hughes spoils everything by throwing in a formulaic subplot about a criminal (Christopher Lloyd) who doesn't know what he's getting into by abducting Dennis. Been there, done that. --Tom Keogh
Description
Hank Ketcham's popular comic-strip kid comes to uproarious screen life in Dennis the Menace, from writer/producer John Hughes, the creative force behind the family mega-hits Home Alone and Beethoven. Young Mason Gamble is all-boy, all-menace, all-Dennis right down to his slingshot and dog, Ruff.
DVD Features:
Challenges:Dennis's Tin Can Challenge
DVD ROM Features:Garbage Contraption game
Featurette:Behind-the-scenes featurette
Interactive Menus
Interviews:Memories of a Menace, a 10th anniversary visit with Mason Gamble; conversations with Walter Matthau and John Hughes
Scene Access
TV Special:Original network special "A Menace Named Dennis"
Theatrical Trailer:Trailers of this and the sequel "Dennis the Menace Strikes Again"
Customer Reviews:
Dennis the Menace .......2007-05-16
Excellent! Fast, easy and reliable. My children enjoyed it immencely.
If you want to .......2007-05-06
have a good laugh with your children. Watch this movie! It is so cute. Any other child might make you lose your mind but Dennis makes all his antics seem funny!
The story of a relationship between two neighbors that brings an end to the generational gap! Wish it were as easy as it is in the movies!
dennis the mence.......2007-01-22
it was very simple ordering here. the product was shipped and recived when expected. would order here again
Great Family Movie.......2007-01-06
My kids love watching this movie!!! I can remember watching this with my dad and I still remember him laughing so hard!! This is a great moving and should be added to any collection young or old! Especially if you know any ornery children!!!
Dennis the Mennace.......2006-11-05
A fall down laughing movie ! A must to have ! Perfect condition too.
Average customer rating:
- A new look on werwolf movies
- Bucharest and Special Effects Soften this Werewolf Film
- Excellent Film. Better Than Chocolate.
- Blood and Chocolate
- Book and Movie Don't Mesh
|
Blood & Chocolate [Blu-ray]
Starring: Tom Harper , Katja Riemann , Olivier Martinez , Kata Dobo , and Agnes Bruckner
Director: Katja von Garnier
Manufacturer: Sony Pictures
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ASIN: B000OCY7YE
Release Date: 2007-06-12 |
Amazon.com
When graphic novelist Aiden (Hugh Dancy) travels to Bucharest to research the loup garou legend, he nearly gets devoured in the latest female werewolf film, Blood and Chocolate. In the tradition of Werewolf Woman and Ginger Snaps, Blood and Chocolate stars Vivian Gandillon (Agnes Bruckner), a girl who's forced to face her lupine tendencies in order to discover how capable of loving Aiden she really is. Based on a book by Annette Curtis Clause, the film chronicles the lives of the remaining loup garou who are an extended Romanian family waiting for their pack leader, Gabriel, to select his new mate. His desire for Vivian means trouble when her wish to be with Aiden results in her revealing too much about the clan's secretive lifestyle. In this film, werewolves look fully human until their eyes glow with colored contact lenses while they fly through the air to then land as full-fledged wolves. Gone are the days, apparently, of films showing the transformation in all its hairy, explosive detail. A lack of scenes describing the werewolf metamorphosis make this film more a love story than a monster tale, though two forest gatherings in which the loup garou hunt human sacrifices offer some grizzly satisfaction. Unlike the aforementioned femme werewolf films, Blood and Chocolate features a girl fighting her urge to kill in a bid to unite humans with her brethren, making this movie the most peaceful in its genre. With a tame wolf as protagonist, the potential nightmare is really just a pleasant dream to unite the two disparate worlds. The question is: Do we want that to happen? --Trinie Dalton
Product Description
As a young girl living in the remote mountains of Colorado, Vivian (Bruckner) watched helplessly as her family was murdered by a pack of angry men for the secret they carried in their blood. Vivian survived the attack by running into the woods and changing into a wolf. Ten years later, Vivian is living a relatively safe and normal life in Bucharest, Romania. Vivian spends her days working in a chocolate shop and nights trawling the city's underground clubs, fending off the reckless antics of her cousin Rafe, and his gang of delinquents he refers to as "The Five."
Vivian's life begins to unravel when she has a chance encounter with Aiden (Dancy), an artist researching Bucharest' ancient art and relics for his next graphic novel. Aiden pursues Vivian until she relents and begins to see him, but she can't bring herself to tell him the truth - and lives in fear of showing him who she really is. Even though Vivian has sworn never to kill, she is as much an animal as she is human, and her love for Aiden threatens to cast him to the very wolves who saved her life and who are waiting for their chance to hunt him as prey.
Stills from Blood & Chocolate (click for larger image)
Beyond Blood & Chocolate at Amazon.com
Gothic Horror on DVDs |
More from Olivier Martinez |
DVDs of "Things That Go Bump" |
Customer Reviews:
A new look on werwolf movies.......2007-07-03
Blood & Chocolate is a very good movie it takes a new look on werewolf movies and this movie is awesome.
Bucharest and Special Effects Soften this Werewolf Film.......2007-07-01
BLOOD AND CHOCOLATE (a misnomer at best!) is another in the seemingly endless appetite-for-horror-flicks appeasers. Freely adapted from the Annette Curtis Klause's novel by screenwriters Ehren Kruger and Christopher Landon and directed by Katja von Garnier, this version of the loup-garou legend takes place in Bucharest, Romania and while the corps group of 'night creatures' carrying the mantle of the clan appears small, the group seems more updated in its views of survival in the world of 'normal man' than most: the werewolves are a normal appearing bunch who change into rather elegant wolves through computer generated magic in a manner that removes much of the gruesome element form the film. It helps.
Loup-garou child Vivian (Agnes Bruckner) witnessed the death of her parents at the hands of men in Colorado and escaped to Bucharest where 10 years later she is the next in line to be the 'bride' of pack leader Gabriel (a gaunt appearing Olivier Martinez). Her aunt Astrid (Katja Riemann) with whom she lives had been the first love of Gabriel and a tension is set early in the film about the plight of the pack versus the desire to be a normal human, a tension that will help the resolution of the film's love story. The mysterious, questioning Vivian meets young artist Aiden (Hugh Dancy) who himself has escaped America and his own demons. An obvious infatuation cum attraction occurs and though Vivian admits to warm feelings for Aiden, she knows her affair is doomed: her cousin Rafe (Bryan Dick) and his pack of five discover her tragic near crossover the line of human desire, and the crisis of the story proceeds along the lines of victim and pursuer.
The unfortunate title for the film is clumsily drawn from the negligently important job Vivian has working in a chocolate factory, hardly a comparison for the importance blood plays in the hunt and kill formula that the title supposedly represents. But then it does set up the dichotomy of choice Vivian must make, whether to obey her loup-garou destiny or enter the realm of normal human motivations and desires. Yes, it all gets pretty corny, but in many ways this 'netherworld of monster types' film rises above others in its management of the transformation scenes (actually quite beautiful) and in the acting of Hugh Dancy. In the end it is the chance to see how truly Bucharest as a city really is that makes the movie worth watching. The cast does the best it can with the weak material. Grady Harp, July 07
Excellent Film. Better Than Chocolate........2007-06-28
I watched this film with a modicum of hesitation because it is not really my genre. I was more than pleasantly surprised to enjoy what I consider the best cinematic offering for the year to date. It is a beautiful combination of a "Werewolf in London", the "Bourne Identity" and "Before Sunrise", with Romania providing an exquisite location for what essentially is a very poignant love story, and very tastefully executed, with finesse and class and Romance. The soundtrack is simply first rate, the acting is very capable, with the two very memorable and commanding leads, and the violence is the antithesis to gratuitous. An Avid and very astute reader stated that the film followed the book very well. However, you need not have read the book in order to find this film a truly well done film, with virtually nothing lacking, with the exception of more special features. As of late June, this is the best film of the year, in any genre. After seeing this film, Lace, Chocolate, Romania, the Colorado Rockies, not so much blood, will be all that more appreciated.
Blood and Chocolate.......2007-06-24
Blood & Chocolate [Region 99]
This movie sucked. If you read the book, please save yourself the trauma of watching this!!! The only thing that it did have from the book was the title and the names of characters. It truly traumatized me. My friend said that I sat for 2 1/2 hours saying "what the hell happened? They had the book...what the hell happened?" Needless to say I liked the book and wish I had saved the $9 it cost to watch it in theatre. I should have asked for my money back, but I was too traumatized to think straight.
Book and Movie Don't Mesh.......2007-06-23
Have you ever read a book that you LOVE and then they turn it into a movie that just doesn't seem to match? That's what they did with Blood and Chocolate.
The movie ruined the book, and that's all there is to it.
I LOVED the book, and I had read it more than one time before I had heard that it was being turned into a movie. I was really excited, but then tonight I actually saw the movie.
At the end, for the last 5 minutes, my eyes were open REALLY wide and my mouth was wide open because I couldn't believe what was happening. The ending was almost the complete opposite of the ending in the book...which I happened to like.
If you like the book, don't see the movie.
If you've seen the movie, read the book and then yell at the movie for being so different.
Average customer rating:
- Get Them In Your Crosshairs And Take Them Down...
- One of the most original and entertaining comedies of the '90s...
- You either love it or hate it.
- Not really my cup of tea....*Spoilers*
- Great flick for nerds
|
Rushmore - Criterion Collection
Starring: Jason Schwartzman , Bill Murray , Olivia Williams , Seymour Cassel , and Brian Cox
Director: Wes Anderson
Manufacturer: Walt Disney Video
ProductGroup: DVD
Binding: DVD
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ASIN: B00003Q42P
Release Date: 2000-01-18 |
Amazon.com essential video
Wes Anderson's follow-up to the quirky Bottle Rocket is a wonderfully unorthodox coming-of-age story that ranks with Harold and Maude and The Graduate in the pantheon of timeless cult classics. Jason Schwartzman (son of Talia Shire and nephew of Francis Coppola) stars as Max Fischer, a 15-year-old attending the prestigious Rushmore Academy on scholarship, where he's failing all of his classes but is the superstar of the school's extracurricular activities (head of the drama club, the beekeeper club, the fencing club...). Possessing boundless confidence and chutzpah, as well as an aura of authority he seems to have been born with, Max finds two unlikely soulmates in his permutations at Rushmore: industrial magnate and Rushmore alumnus Herman Blume (Bill Murray) and first-grade teacher Rosemary Cross (Olivia Williams). His alliance with Blume and crush on Miss Cross, however, are thrown out of kilter by his expulsion from Rushmore, and a budding romance between the two adults that threatens Max's own designs on the lovely schoolteacher.
Never stooping to sentimentality or schmaltz, Anderson and cowriter Owen Wilson have fashioned a wickedly intelligent and wildly funny tale of young adulthood that hits all the right notes in its mix of melancholy and optimism. As played by Schwartzman, Max is both immediately endearing and ferociously irritating: smarter than all the adults around him, with little sense of his shortcomings, he's an unstoppable dynamo who commands grudging respect despite his outlandish projects (including a school play about Vietnam). Murray, as the tycoon who determinedly wages war with Max for the affections of Miss Cross, is a revelation of middle-aged resignation. Disgusted with his family, his life, and himself, he's turned around by both Max's antagonism and Miss Cross's love. Williams is equally affecting as the teacher who still carries a torch for her dead husband, and the superb supporting cast also includes Seymour Cassel as Max's barber father, Brian Cox as the frustrated headmaster of Rushmore, and a hilarious Mason Gamble as Max's young charge. Put this one on your shelf of modern masterpieces. --Mark Englehart
Description
Wes Anderson's dazzling sophomore effort is equal parts coming-of-age story, French New Wave homage, and screwball comedy. Tenth grader Max Fischer (Jason Schwartzman) is Rushmore Academy's most extracurricular student-and its least scholarly. He faces expulsion, and enters into unlikely friendships with both a lovely first-grade teacher (Olivia Williams) and a melancholy self-made millionaire (Bill Murray, in an award-winning performance). Set to a soundtrack of classic British Invasion tunes, Rushmore defies categorization even as it captures the pain and exuberance of adolescence with wit, emotional depth, and cinematic panache. Criterion is proud to present one of 1998's most acclaimed films in a Director Approved special edition.
Customer Reviews:
Get Them In Your Crosshairs And Take Them Down..........2007-06-24
This is probably my favorite movie of all time.
The story concerns one Max Fischer, 15 years old, student at the illustrious Rushmore Academy. But Max is not your average student- he's one of the worst.
Max (Schwartzman) befriends wealthy industrialist Herman Bloom (Murray), and falls in love with Rushmore's newest teacher, Rosemary, a widow from England, and unleashes some truly machiavellian schemes to get her to fall in love with him, (including trying to build an unauthorized aquarium for her on school grounds, backed by Mr. Bloom's millions), getting himself expelled in the process. Meanwhile, the married Herman also falls in love with her and they begin to have an affair, which sets off one of the funniest sequences in American film history; watching a 50 year-old man being attacked by bees that have mysteriously invaded his hotel room and intentionally running over a 15 year old boy's bicycle always makes me smile.
In the end, Max learns alot about life and love and friendship and all of that, and makes peace with Mr. Bloom, Rosemary, the memory of his deceased mother and the end of his tenure at Rushmore Academy. While watching, ask yourself why Max does what he does, why he never wants to leave Rushmore- his reason, never stated, is among the most touching aspects of a character that I have ever seen in any movie.
The soundtrack is truly amazing, as with all of the Wes Anderson films; check out The Who singing "A Quick One While He's Away."
The best thing I can say about this movie is that most people will see a bit of themselves and the people they know in the characters. Truly a wonderful film.
One of the most original and entertaining comedies of the '90s..........2007-05-23
Since making his directing debut with the 1996 cult caper film "Bottle Rocket," Wes Anderson has established himself as one of film's most exciting young directors. His second film, "Rushmore," is a witty, heartfelt and often amusing film that features a hilarious performance by Bill Murray.
Anderson wrote the quirky script with his right-hand man, actor Owen Wilson, with whom he also collaborated on "Bottle Rocket" and "The Royal Tenenbaums." The story follows the trials and travails of high school student Max Fischer (Jason Schwartzman), a sharp kid who focuses his attention on a plethora of offbeat extracurricular pursuits (fencing club, Latin, playwriting) rather than his studies.
In between attending to his various activities at Rushmore (the name of the private school he attends), Max develops a crush on Miss Cross (Olivia Williams), an elementary school teacher at his school. He also befriends Herman Blume (Bill Murray), an eccentric millionaire whose two sons attend school with Max.
Things soon fall apart for Max: The school expels him, Miss Cross denies his flirtations, and Blume begins courting Miss Cross himself. That sets up an extremely funny tete-a-tete between Max and Blume, highlighted by the scene in which Blume runs over Max's bike with his car.
As the intriguing love triangle of Max, Blume and Miss Cross plays out, Max finds solace in his caring father and a female student at his new school. The ending, which features all the characters coming together to watch Max's newest play, is entirely satisfying without being hokey or cynical.
Schwartzman, the nephew of director Francis Ford Coppola ("The Godfather"), exhibits a great knack for comedy throughout "Rushmore." But Murray steals the show with a masterfully funny turn that scored him a Golden Globe Nomination and Independent Spirit Award for Best Supporting Actor. In one unforgettable scene, Herman suggests that his sons invite Max to their birthday party. "There's gonna be girls there," replies one. "Yeah," adds the other, "Get your head out of your a--." Murray's initial deadpan reaction will have you howling; his subsequent reach into the back seat to pummel his son will have you rolling on the floor.
Anderson, who captured the Independent Spirit Award for Best Director, exhibits a sense of craft that's rare for comedic directors. Rather than depend solely on physical gags or even amusing one-liners, Anderson uses set direction, art direction and music to enhance his vision. Even if your sense of humor doesn't jive with Anderson's, you'll walk away from "Rushmore" with an appreciation for his careful attention to detail.
You either love it or hate it........2007-05-12
You have to love the little moments because this movie is made of little moments. I watched this before I knew it was a comedy and when I found out it was I figured they just couldn't think of anywhere else to put it. This movie makes me feel like there are lots of things moving and changing that have nothing to do with me. A lot of people say they don't like the movie because they think Max is a prick. You're supposed to feel that way, I think. You're supposed to forgive him for that because he's got something special in him, or at least that in his case he knows about it. But it also seems like some people don't like the movie because it's different. I guess that if you're patient and you like the little things, you'll enjoy this movie. Also, if you feel like you're left out or sort of an outcast you might enjoy this movie. You know, the kind of person that doesn't have red or hammer as the first thing they think of when you ask them for a tool and a color.
Not really my cup of tea....*Spoilers*.......2007-03-20
2.5 stars. I'm not really sure how I feel about this movie. I truely didn't contect to Max. I, too, found him to be a pompous spoiled brat and often times bordered on the creepy side in his pursuit of Mrs. Cross. And I'm not sure where his air of entitlement came from. For a boy with such humble orgins, his character seems totally out of whack. Bill Murray surely has his middle-aged blues shtick down (Lost in translation/Broken Flowers). he, too, was not a character I could root for. I understand he was not happy with the direction of his life, but the whole affair thing just seems so typical...and I'm not sure if he and Mrs. Cross were going to pick up things where they left off or not. Max never does pick up his grades or cut back on the extracurriculum activies--so I'm not sure about his character arch. He's pretty much the same boy at the end of the film as he was in the begining. Oh, except, he does admit his father is a barber now. Overall, check it out at your own peril.
Great flick for nerds.......2007-03-11
OK...my title is a little mean, but I found this kid, whom we're supposed to "just love" a little mean and the fact that I lost sympathy for him early on (due to his meanness) kept me from rooting for him. This is defintely a film in which we are supposed to root for the hero (or the anti-hero)...the adorable short nerdy kid with a big nose and glasses. His mother died of cancer, his father is a poor-but-good hearted barber,
he got into this fancy prep school on a scholarship, he is so smart that he solved a math problem that stumped MIT profs in a matter of minutes, etc. And the school bully picks on him.
Well he isn't really that nice, himself. He's insufferably rude to the Chinese girl, destroys Blume's marriage without a second thought, disables Blume's car which could have killed him. But he's still "adorable nerdy Max" so we're supposed to overlook these quirks and love him. I found his egotism much more annoying than cute.
I suspect that guys who felt like nerds in middle school might like this film due to some sort of wish fulfillment but beware, he doesn't end up with the pretty school teacher in the end! Maybe if another, more naturally likable actor had starred I'd have more interest in him..(Leonardo DiCaprio captured our sympathy as a young kid, in spite of committing huge crimes in Catch Me if You Can and I think that a lot of that was due to DiCaprio's natural sweetness) Jason Shwartzman (whom I actually liked a lot in Marie Antoinette) just didn't grab my heart the way the script obviously intended. Only once, when he smiled in the end did he seem a little sympathetic. For most of the film he sails through his antics with a vague superior smirk on an opaque, masklike face. There's no light there except an evil glint in his eyes when he's seeking revenge.
He looks like a cross between Woody Allan and Groucho Marx (were those his real eyebrows?.) Maybe if you find those guys endearing, you'll love Max. Otherwise... well, I warned you.
On the plus side, Bill Murray was genuinely touching and funny and many of the supporting cast were very good. I liked the music too.
Average customer rating:
- FantaStic..
- Good acting, direction, script... and yet incredibly annoying...
- Absolutely horrible in all aspects
- A Good Thriller
- A threat from within
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Arlington Road
Starring: Jeff Bridges , Tim Robbins , Joan Cusack , Hope Davis , and Robert Gossett
Director: Mark Pellington
Manufacturer: Sony Pictures
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ASIN: 0767836286
Release Date: 1999-10-26 |
Amazon.com
It's easy to understand why Arlington Road sat on the studio shelf for nearly a year. No, the film isn't awful; rather, it's an extremely edgy and ultimately bleak thriller that offers no clear-cut heroes or villains. In other words, Hollywood had no idea how to sell it. Director Mark Pellington's underrated directorial debut, Going All the Way, suffered the same fate, essentially because the filmmaker's presentation of suburban America often shifts dramatically within the same film. Characters are usually miserable and bordering on meltdown, no situation is straightforward, and things usually end badly. Arlington Road begins as an astute study of suburban paranoia. Michael Faraday (a face-pinched Jeff Bridges, who spends most of the film on the brink of tears) is a college professor who teaches American history courses on terrorism. He's been a conspiracy freak since his wife, an FBI agent, was killed during a botched raid that feels like a thinly fictionalized reference to the Waco tragedy. After saving the life of his next-door neighbor's child, he initially befriends the family (Tim Robbins and Joan Cusack), but soon believes the husband is a terrorist. The first half of the film mocks Faraday: he has no real evidence and is not the most stable of protagonists. Despite the fact that it was government paranoia that got his wife killed, Faraday repeats the same type of behavior. Pellington shifts gears in the second half, however, and for awhile, it seems that the film has simultaneously sunk into a cheap, high-octane brand of Hollywood entertainment and undermined its own point. Arlington Road, though, possesses a stunning ending that's a real gut punch, one that may leave you needing a second viewing to catch all of its smartly executed setup. --Dave McCoy
Customer Reviews:
FantaStic.........2007-07-05
This is terrific..TerrifYing..Terrible.It has cutiES (Jeff Bridges is Hot..)Tim Robbins and Joan Cusack in it.I'm going to get a makeover and become a porn star,but thiS (Movies) right up My alleY with My Criminal Corrections degree.Joan Cusack's a cutie and from ChicagO.CHristine Orszula's the woman for me.
Good acting, direction, script... and yet incredibly annoying..........2007-06-09
This is one of those movies in which everything seems to be in place... and yet it still just falls flat.
The acting is good, Bridges giving the strongest performance, though it's always a pleasure to see Joan Cusack in ANYTHING. The script is good, the direction is good... but the movie as a whole left me empty and a little irritated.
It's unclear what this film would like to do, aside from entertain. Should we walk out feeling that terrorists are much more complex than they seem? Should we walk out feeling unsafe and suspecting everyone? There are scenes in this movie where Jeff Bridges is teaching a class in terrorism, and he talks about how illusory our feeling of safety is... and that's fine, but I wanted one of the students to ask "So what do you want us to do? Be afraid? Worry? Never leave the house? What?" In that way the movie seems to want to just stir up a lot of fear without giving it any direction or offering any possible solution. Of course there ISN'T a solution, but I feel that this movie stirs up a lot of fear and paranoia just to draw the audience into some excitement, and then makes the audience feel bad for being excited by such a thing. I felt manipulated and annoyed after it ended.
I also think this entire subject is a little too sensitive to be trying to milk entertainment dollars out of. If you want to make a serious drama, go ahead, but don't try to both draw us in with the promise of "spooky terrorist thrills" and then want to have a serious look at the issue. I was also a little bit uncomfortable with the sheer number of children-in-extreme-peril scenes. Again, if you want to treat this subject seriously, go ahead, but don't invite us to be "thrilled" by it.
I will say that the cinematography [by Bobby Bukowski] in this film was amazing. It makes SUCH a difference simply to have some visually interesting compositions up on the screen for once, instead of having movies that have all the compositional thought of snapshots. It just gives you something to LOOK at. My favorite scenes were the one with the RED phones against the grey sky, and the fence with the grey roofs above it. Amazing! Kudos to you, guys! This was literally my favorite part of the movie.
As for the "surprise" ending-- Woo Hoo, Big Deal.
I have come to like this movie less and less since I saw it [and that was pre-9/11]. This is one I would say you could skip completely, not even wait for the video. Just skip it. It leaves you with nothing but a bad taste in your mouth.
Absolutely horrible in all aspects.......2007-04-16
Horrible. Absolutely horrible in characters, story and atmospherics.
Jeff Bridges' character is so inconsistent and contradictory that he is not only unbelievable, but grating. The story fails in every way possible. The bad guy's plan depends upon being able predict (not just manipulate) actions of multiple characters, but to intricately synchronize them, even when they have only indirect access. Even worse, their plan depends upon Bridges' character making critical inferences on a tight schedule. But the cardinal sin is that script has the bad guys attempt to subvert a key element of their own plan.
Pacing and other atmospherics can overcome substantial flaws in the script, but in this movie, they are so amateurish that they emphasize and exacerbate those problems.
A Good Thriller.......2007-03-09
I avoid calling this a good "political" thriller, as I think the movie director might like to bill it, because the political motivations invoked to set the villains in motion here are almost ludicrous. This movie was made before 9/11 - so the film's "terrorists" are presented as a "vast right-wing conspiracy."
However even this simple-minded conception of the threat of terrorism is muddied by Jeff Bridges' fervid ranting. Bridges plays a college professor teaching classes in government, civil liberties, and terrorism. However he seems to be almost unhinged and perhaps suspiciously complicit in terrorist acts himself as he spirals off into confused diatribes against - first lone right-wing bombers like the Unibomber - then pervasive right-wing conspiracies - then the U.S. government itself, and specifically the F.B.I. Bridges blames all these entities for his wife's death, and his lectures apparently consist of little more than projected pictures of severed limbs and bleeding bodies left in the wake of such terrorist attacks. Furthermore, he incites his students to similar suspicion and hatred. I doubt that a professor who conducted his classes in such a way would hold his job very long.
So in order to enjoy this movie, it might be best to disregard all its muddled political assumptions. Just take it as a contest between some scary villains and some good guys. Then you can sit back and appreciate the very real suspense that this movie builds.
"Arlington Road" has one of the eeriest opening sequences I've seen in any movie. And then most memorable of all - is a scene involving Joan Cusack. We usually associate Cellular Joan with mildly comic turns. But one of the scenes featuring her in this movie delivers what is perhaps the ultimate jolting fright. It will probably literally make you jump out of your seat.
A threat from within.......2007-02-11
This raises eyebrows on the real possibility of domestic terrorism. Unfortunately, this is a legitimate fear, especially now. That's what makes this movie so nerve-jangling.
Jeff Bridges plays Michael Faraday, a college professor who teaches a course on terrorism. Tim Robbins plays his mysterious neighbor that raises some suspicion.
This movie does have some minor flaws. Although Jeff and Tim are fine actors, this wasn't their best performances. Plus, the story seems a little choppy, but the ending will make you disregard any of this. Your heart will be racing at the climax, without a doubt.
Average customer rating:
- Half of a Good Movie
- A terrible movie
- A lesson of life!
- what about the other kid in the movie ! ! ! ? ?
- PURE........................................................
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Gentleman's Game
Starring: Mason Gamble , Gary Sinise , Philip Baker Hall , Dylan Baker , and Henry Simmons
Director: J. Mills Goodloe
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ASIN: B0000694X7
Release Date: 2002-08-20 |
Customer Reviews:
Half of a Good Movie.......2007-06-06
The first half starts to tell a good golf story. But somewhere on the way to a good movie the need to make the point that all rich people are basically evil gets in the way. The second half of the movie just made me shake my head shows how bad a movie can be when the scoring political points becomes the objective.
A terrible movie.......2005-10-12
If this director was trying to see how many ugly stereotypes he could cram into 111 minutes I think he succeeded. If you want to see a golf movie see any of the Bobby Jones flicks or better yet get some clubs and learn this wonderful game. You'll meet great folks whether its public or club golf.
A lesson of life!.......2005-06-03
Amateur is according the Greek meaning: all those who love what they do .
And somehow the spirit of constant and ascendant improving established the difference in Foster that day when the cheat was done. He imposed to himself the maximum penalty to finish with that hard and unbearable memories.
But when he watches that young promise who tries by all means to get close him and knowing about him, he will feel the last call and something inside him it will awake.
This slow paced but interesting script is a lesson of life, the constancy, tenacity and work ness will never lead you to a dead zone. Something is watching you and sooner or later the truth will shine.
Along the film there are another secondary lines that support the script: the caddy world, the racism and the secret passions. Splendid photography and a brilliant performance of Gary Sinise and Phillip Baker Hal confer this movie an artistic status.
what about the other kid in the movie ! ! ! ? ? .......2005-05-22
all things aside, the other kid in the movie the caddie friend that has the episode at the end [stated this way without ruining the ending]played a great part as a supporting actor. his name is justin goncalves i think. this kid was very believable in every aspect of the part he played. in fact i think he stole the scenes when he was onscreen with the gamble kid. believability is important and this kid carried his weight the entire movie for what limited scenes he had. i was particularly impressed with the part he played.
PURE...............................................................2005-04-26
I don't know if it was because the main character's name is Gamble, or because Henry Simmons fine self is in here, but whichever the case was, I wanted to see this movie!
Timmy Price, and only child listens as his father teaches him "A Gentleman's Game" How relevant it is to take care of your things. This is hard to stomach seeing that it appears Dad, is a pushover. Price is an accountant, who has invested a nice sum to join a prestigious country club. He decides that maybe Timmy could learn how to play golf. Before seeing if he had a niche for it, decides maybe being a caddy would be more fruitful.
Unbeknownst to dad, Timmy Price (Mason Gamble) seems to have a promising future in golf and it's not long before he's considered "a trophy." Foster considered one of the elite golfer's in his