Hail Mary

Hail Mary


Starring:Myriem Roussel
Studio: Jef Films Inc.
Product Type: DVD
Hail Mary
Average customer rating: 2.5 out of 5 stars
  • Not worth watching
  • Visually beautiful, surprisingly spiritual... Deserves a Reassessment... Fine DVD
Hail Mary
Starring: Myriem Roussel , Thierry Rode , Philippe Lacoste , Manon Andersen , and Malachi Jara Kohan
Director: Jean-Luc Godard
Manufacturer: New Yorker Video
ProductGroup: DVD
Binding: DVD

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Similar Items:
  1. The Conformist (Extended Edition)
  2. 1900 (Special Collector's Edition)
  3. A Married Woman / Une Femme Mariee
  4. Mouchette - Criterion Collection
  5. Hands Over the City - Criterion Collection

ASIN: B000HC2LTE
Release Date: 2006-10-03

Amazon.com

Hail Mary provocatively combines sexual politics with religion, analyzing the complex, nearly sadistic relationship between Marie (Myriem Roussel) and Joseph (Thierry Rode) as a result of Marie's unexplainable virgin birth. An angel, escorted in Marie's boyfriend Joseph's taxicab, brings news of her upcoming challenge, while she's working at her father's gas station. Joseph, appalled at the idea that the baby isn't his, witnesses her pregnancy and, even after marriage, is not allowed to kiss Marie or see her nude, for Marie's fear that she will curse the child. The passive gender role often assigned to Virgin Mary is overturned as Marie controls Joseph with his own desires. A side-plot in which a Science teacher (Johan Leysen) and his student, Eva (Anne Gauthier), consider human evolution, reminds the viewer of the literal absurdity of a Virgin Birth while honoring its poetic mystery. Godard clearly respects this Biblical story, as he presents a multi-faceted view in this contemporized re-telling. Sophisticated cinematography features heavenly shots of sunbeams shining through clouds. Also on this DVD is The Book of Mary, a short film by Godard's collaborator, Anne-Marie Miéville, describing yet another ultimately doomed relationship between a couple (Bruno Cremer and Aurore Clément) who temporarily stay together as a sacrifice for their daughter, Marie (Rebecca Hampton). Questioning the judgment of those who remain together for the wrong reasons, this short amplifies Joseph's dedication in Hail Mary, adding depth to his character, both in the film and in the original, sacred version. --Trinie Dalton

Description

Denounced by the Pope and banned and boycotted worldwide, this surprisingly serene and lyrical work translates the Virgin Birth into tangible contemporary terms, with Mary as a teenage basketball-playing gas-station attendant who receives the Annunciation by jetliner. Mary is a beautiful yet ordinary teenager who vows to maintain her chastity. Following a warning from an angel, a confused and innocent Mary unexpectedly falls pregnant and is forced to wed her taxi-driving boyfriend Joseph. He, in turn, must love his virgin bride from a distance, revering her without touching her. Forced to face a shocking reality, Mary and Joseph along with their family and friends must struggle to cope as the provocative theme unfolds. HAIL MARY is a sensational and bold work from French master director Jean-Luc Godard which touched off an uproar of protest heard around the world.

Customer Reviews:

1 out of 5 stars Not worth watching.......2007-03-10

This is one of the worst movies I ever watched. It was poorly produced, and the story is really poor. I really felt empty and stupid after having watched this movie. I was waiting (or hoping) for the movie to become more interesting, for the real story to start, and eventually the same poorly produced movie, just dragged on and on until the end. The story is almost non existent, and trying to get something out of this movie, is almost like trying to squeeze juice out of a dry orange.

By the way, if you are buying this movie because you think you will see Juliette Binoche acting, forget it. She only appears a couple of times, and she does not even speak.

4 out of 5 stars Visually beautiful, surprisingly spiritual... Deserves a Reassessment... Fine DVD.......2006-11-06

"Hail Mary" (Je vous salue, Marie) is a modern-day retelling of the Annunciation and Incarnation by France's aging enfant terrible - Jean-Luc Godard. Despite the vociferous condemnation it garnered, it is a visually beautiful and surprisingly spiritual film. It hews closely to biblical narrative, albeit updated to modern times and laced with a wickedly bawdy sense of humour. Marie (Myriem Roussel) is a basketball-loving teenager attending high-school in Geneva. Her boyfriend Joseph (Thierry Rode) is a school-dropout who works as a Taxi driver. He is frustrated with her because unlike other girls, she insists on remaining a virgin. The archangel Gabriel (Philippe Lacoste) appears as a grumpy, unshaven man who arrives by airplane, accompanied by a cherubic sidekick. Gabriel takes Joseph's taxi to the petrol station where Marie works part-time for her dad. There he makes his momentous announcement to the consternation of everyone. The bulk of the film examines Marie's reaction to her situation. It is conceived as a "serious" film, delves into weighty topics, and would be hard to follow for most audiences, who will more likely focus on the pervasive nudity instead and declare themselves mightily offended.

"Hail Mary" is preceded by Anne-Marie Miéville's short film "The Book of Mary" (Le Livre de Marie) and both films should be viewed as a whole, in that order. They were shown as such upon original release. Miéville's "The Book of Mary" has nothing to do with religion or the Marie of Godard's film. It is a lovely 27-minute film about a young girl coming to terms with the separation of her parents. What it has in common with "Hail Mary" is the theme of life-change and the importance of accepting change. There is a particularly lovely sequence where little Marie (Rebecca Hampton) dances to her father's favourite recording of Mahler's 9th Symphony (Final Movement), her anguish mirrored in the music, spinning around the living room and patio until she finally collapses in grief and exhaustion. In the end, little Marie can only regain happiness when she learns to accept that change and loss are all inescapable parts of life. Immediately following the last frame of "The Book of Mary", we see the placard, "en ce temps là" (at this time), which then segues without preamble to the opening storm sequence of "Hail Mary" and then is used throughout the latter film to bookend its different scenes.

The major theme in "Hail Mary" is Marie's repeated question: which is pre-eminent? The soul or the body. This is crystalised in her dilemma; abjure the body and glorify the soul by remaining chaste and a fit vessel for the incarnation or satisfy the body by giving in to Joseph and thereby ensure his love. Marie's choice in putting her soul and God above her need for Joseph's love is contrasted with the other couple in the film, Eva and the Professor. Eva gives in to bodily lust and beds the Professor, who after he has had his way with her, dumps her and goes his merry way. Marie's choice of abstinence is rewarded by Joseph's continued, albeit grumbling presence and slowly dawning love. The final scene shows us Gabriel hailing her across the street with a loud "Je vous salue, Marie," whereupon she turns, puffs on a cigarette, smiles and after a moment's hesitation, puts on her lipstick; a confident young woman, happy with the choices she has made and at peace with herself, both body and soul.

The film is suffused with classical music from the likes of Bach and Dvorak. It also features some of the most beautiful photography in any Godard film. However, it also comes with Godard's often groan-inducing humour. Witness the exasperated angel Gabriel trying literally to beat some sense into a horny Joseph as he gets overly amorous with his espoused. Or the child Jésus exploring under his mother's skirt while she gives hilarious names to the various parts of her anatomy (No prizes for what "la prairie" refers to). Or Marie's tongue-in-cheek reply, in the same scene, to her irritated husband who points out that the child is too old to be seeing his mother naked. Marie's quip "Quia respexit, Joseph," is a playful reference to the old Latin text of the Magnificat (My Soul Doth Magnify the Lord), whose third line goes "Quia respexit humilitatem ancillae suae" (For He hath regarded the low estate of His handmaiden). As little Jésus scampers off to play, he officiously announces, "I must tend to My Father's affairs." And later when Joseph worries about his absconded son, Marie replies laconically, "He'll be back... at Easter... or Trinity."

It is certainly irreverent but there is never malicious intent. In fact when considered carefully, it is a tender and salutary look at a figure many simply pay lip-service to as the "Mother-of-God".

New Yorker Video provide fairly good transfers for both films, both in 1.33:1 (Full Screen). I can't vouch for the original aspect ratio but visual composition looks generally alright. There were a few instances where the framing looked as if it had been cropped but it could be just coincidence. The print is clean and undamaged. The image is sharp with light natural grain throughout. Colours are strong and natural. Sound is in the original French 2.0 Stereo. English subtitles are optional but turned on by default. Extras include a fine 20-minute featurette "Notes About Hail Mary" on Godard's making of the film. It includes several scenes of Godard directing Myriem Roussel and gives us an idea of how he wanted to portray the young Mother-of-God - a combination of "La Pieta" and "La Strada". The film's theatrical trailer completes a fine overall DVD package.

Note: Although I liked the film overall and did not find it offensive, bear in mind that most Christians, both Catholic and Protestant, would. The late Pope John Paul II is quoted as saying: "Hail Mary deeply wounds the religious sentiments of believers." The usually generous film critic Roger Ebert gave it one of his rare 1-star ratings. Although Ebert tried to defend it on theological grounds, he was scathing in demolishing it artistically. Whether you find it offensive or not depends more on your tolerance and comfort level with issues of sexuality, nudity and irreverent humour, especially in relation to religious figures.
Hail Mary (Je vous salue, Marie) [ NON-USA FORMAT, PAL, Reg.0 Import - Australia ]
Average customer rating: 5 out of 5 stars
  • At Last
Hail Mary (Je vous salue, Marie) [ NON-USA FORMAT, PAL, Reg.0 Import - Australia ]
Director: Jean-Luc Godard
Manufacturer: Umbrella Entertainment
ProductGroup: DVD
Binding: DVD

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ASIN: B000FV8XK8

Product Description

Australia released, PAL/Region 0 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada. LANGUAGES: French (Dolby Digital 2.0), English (Subtitles), SYNOPSIS: Condemed by the Pope and banned across Europe and the US, Jean-Luc Godard's notorious retelling of the birth of Christ is the great French director's most daring cinematic work. In Godard's contemporary twist on the story of the Virgin, the Virgin Mary is a Swiss gas station employee, and Joseph her tax-driving boyfriend. Mary is a beautiful yet ordinary teenager who plays basketball; but who vows to maintain her chastity. Following a warning from an avuncular angel, a confused Mary unexpectedly falls pregnant and is forced to wed her besotted Joseph. He in turn must love his virgin bride from a distance, revering her without touching her. Hail Mary's lush cinematography captures "ravishing shots of pure luminosity" (All Movie Guide), while the haunting score - with music from Bach, Dvorak and John Coltrane - highlights the richness and poignancy of Godard's controversial classic. SPECIAL FEATURES: Interactive Menu, Short Film, Trailer(s),

Customer Reviews:

5 out of 5 stars At Last.......2007-02-21

To see this movie when it screened in Boston, I had to cross a picket line set up by the SLAVES OF THE IMMACULTE HEART OF MARY, the vestiges of a rabid right wing anti-semetic movement headed by the radio personality Father Coughlin (father of hate radio) in the 1930s. It was worth it to see what was arguably Godard's most beautiful film. Like most really smart people, Godard is only about 20% right, but that beats the 2% average for the rest of us. Godard's musings on the Rubrik cube as an arguement for inteligent design are crap, but the tension between Mary's conflicted maternal sexuality and Joseph's subjugated male sexuality are as primordial as the blues and every bit as poetic. The gynocological exam (much more humane in France than the US)that validates her pre-partum virginity throws arguements about physical purity into the pit of absudity where they belong.

The DVD includes The Book Of Mary, a short film by Anne-Marie Mieville which has no direct tie to the Godard film, but but is equally poetic, more lyrical actualy, and sets the mood perfectly for the main attraction.

When I bought this DVD, I also bought a PAL/NTSC all-region DVD player so I could watch it. It was worth the combined price, and having the international DVD player opened a whole range of other DVDs unavialble in the US market
Hail Mary
Average customer rating: 1 out of 5 stars
  • No Stars at all for Hail Mary
  • I would give it no stars if I could...
  • A disgrace.
  • Dreadful transfer is utterly unacceptable
Hail Mary
Starring: Myriem Roussel
Manufacturer: Jef Films
ProductGroup: DVD
Binding: DVD

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ASIN: B0007GP7QO
Release Date: 2005-03-29

Customer Reviews:

1 out of 5 stars No Stars at all for Hail Mary.......2006-02-07

I haven't seen the DVD release of "Hail Mary," so I can't comment on its technical qualities. But I CAN comment on the movie itself.

The movie is a vile piece of French s---.

The movie places the "Holy Family" (Jesus, Mary, & Joseph) into a 20th Century context, where the family lives in Paris and Joseph is a cab-driver.

The moment of the Incarnation of Jesus, or conception of Jesus inside his mother, is amazing. "Mary" is shown in full-frontal nudity, writhing on her bed in sexual frenzy, as she is becoming pregnant by the Holy Spirit.

When this movie hit a single theater in Boston around 1989, it was this scene that drove hundreds of the faithful nuts. Hundreds of them gathered outside the single theater in Cambridge (where else?) where the movie was showing to pray. As a result, the movie received a lot of attention -- far, far more than it deserved.

The Archdiocese of Boston was smart enough to keep its mouth shut about the movie. If the protesters had been equally as clever, the movie would have shown for a few days before a few dozens spectators and then quietly would have deservedly vanished. But because of the protests, the movie showed to a packed house for several weeks, so that the protesters themselves were indirectly responsible for the greater desecration of the Holy Family.

Something happened near the end of the movie that caused the audience to do something I've never seen an audience ever do, before or since. It's now about 12 years after "Jesus" was born, and he disappears for a few days. When he returns, "Mary" asks him where he'd been, and "Jesus" replies, "Woman, don't you know I must be about My Father's business?"

What a corny, lame, ham-handed line! The audience groaned IN DISGUST when the line was uttered.

I was thinking about this film recently because as I write this, there is a great controversy in the Islamic world about a dozen tepid, lame cartoons that were printed in Europe that supposedly insulted the Prophet Muhammed. The Muslims burned the Danish embassy in Syria to the ground, and have threatened to take hostages elsewhere.

"Hail Mary" was a FAR MORE grievous insult to Christianity than were those lame cartoons. Christianity and Judaism both get knocked daily far worse. Yet, the Muslims have reacted in greatly more barbarous ways.

That may be "Hail Mary's" gratest contribution to civilization, allowing us to place gthe Muslims' childish behavior in its proper context...

James A. Nollet aka the Altosackbuteer

1 out of 5 stars I would give it no stars if I could..........2005-07-18

I'm not even going to attempt a review of Jean-Luc Godard's film Hail Mary (Je Vous Salue Marie) here. The DVD is of such bad quality that I could not watch it all and returned it to the store.

As the reviews below point out there is nothing Digital about this release, it is a bad transfer of a VHS copy. How dare New Star Video sell this as a digitally remastered film! Shame on them for releasing such shoddy merchandise and taking our hard earned cash for it!

1 out of 5 stars A disgrace........2005-05-18

I agree entirely with D. O. Hanlon. This DVD should be avoided. The picture quality is abysmal; looks like it's been transferred through a grey filter. The cast "extra" includes a tiny bit of information about Mieville's short, The Book of Mary, which precedes Godard's feature; there is nothing about Godard's film at all. I'm returning mine for a refund.

1 out of 5 stars Dreadful transfer is utterly unacceptable.......2005-04-14

I would give the 1984 film Hail Mary (Je Vous Salue, Marie) by Jean-Luc Godard 4 stars out of 5. Sadly however I would give the recently released New Star Video/Jef Films version 1 star (0 stars if I could).

This DVD version is a disgrace and a rip off. The cover claims it is a digitally re-mastered version of the film. It is not. It is a DVD mastered from the analogue Video masters. For those not so technically minded it means that the non digital video originals from the 1980s have been digitised for this DVD. It is not sourced from an original print of the film. In fact the print is so bad that tracking marks can be seen constantly throughout the film. As a digital medium DVD does not track like video used to. This confirms this disks dreadful origins.

The quality of the image is worse than I could ever have imagined. The picture is blurred, dull and dark. Again this is a characteristic of its source. The sound is no better as it is fuzzy and distant. The burnt in subtitles on this film also proove problematic as each time a title appears or diappears the entire image changes colour ( a characterisitc of bad DVD source and encoding).

This DVD is totally unacceptable for a number of reasons. Firstly a Japanese DVD version prooves that the original film prints of this film are still available and in good condition. The Japanese version is beautifully restored and features a worthwhile behind the scenes featurette, not included on this disk. Secondly the full price of this DVD makes it nothing short of a rip off.

In the infancy of DVD a number of smaller companies produced DVDs of questionable quality. This was down to a lack of skilled DVD technicians and a lack of knowledge of the format and its capabilities. This is not however acceptable at this stage in the format's life.

Avoid this DVD of Hail Mary. It is a copy of the 1980s Vestron Video VHS version. The quality is no better and the price is a rip off.
Hail Mary [Region 4]
Average customer rating: 2.5 out of 5 stars
  • Not worth watching
  • Visually beautiful, surprisingly spiritual... Deserves a Reassessment... Fine DVD
Hail Mary [Region 4]
Starring: Myriem Roussel , Thierry Rode , Philippe Lacoste , Manon Andersen , and Malachi Jara Kohan
Director: Jean-Luc Godard
ProductGroup: DVD
Binding: DVD

FrenchFrench | By Original Language | Art House & International | Genres | DVD | Video
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Binoche, JulietteBinoche, Juliette | ( B ) | Actors & Actresses | Stores | DVD | Video
Roussel, MyriemRoussel, Myriem | ( R ) | Actors & Actresses | Stores | DVD | Video
Godard, Jean LucGodard, Jean Luc | ( G ) | Directors | Stores | DVD | Video
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( H )( H ) | Titles | Features | DVD | Video
Similar Items:
  1. The Conformist (Extended Edition)
  2. 1900 (Special Collector's Edition)
  3. A Married Woman / Une Femme Mariee
  4. Mouchette - Criterion Collection
  5. Hands Over the City - Criterion Collection

ASIN: B000EQ5SM0
Release Date: 2006-03-07

Amazon.com

Hail Mary provocatively combines sexual politics with religion, analyzing the complex, nearly sadistic relationship between Marie (Myriem Roussel) and Joseph (Thierry Rode) as a result of Marie's unexplainable virgin birth. An angel, escorted in Marie's boyfriend Joseph's taxicab, brings news of her upcoming challenge, while she's working at her father's gas station. Joseph, appalled at the idea that the baby isn't his, witnesses her pregnancy and, even after marriage, is not allowed to kiss Marie or see her nude, for Marie's fear that she will curse the child. The passive gender role often assigned to Virgin Mary is overturned as Marie controls Joseph with his own desires. A side-plot in which a Science teacher (Johan Leysen) and his student, Eva (Anne Gauthier), consider human evolution, reminds the viewer of the literal absurdity of a Virgin Birth while honoring its poetic mystery. Godard clearly respects this Biblical story, as he presents a multi-faceted view in this contemporized re-telling. Sophisticated cinematography features heavenly shots of sunbeams shining through clouds. Also on this DVD is The Book of Mary, a short film by Godard's collaborator, Anne-Marie Miéville, describing yet another ultimately doomed relationship between a couple (Bruno Cremer and Aurore Clément) who temporarily stay together as a sacrifice for their daughter, Marie (Rebecca Hampton). Questioning the judgment of those who remain together for the wrong reasons, this short amplifies Joseph's dedication in Hail Mary, adding depth to his character, both in the film and in the original, sacred version. --Trinie Dalton

Customer Reviews:

1 out of 5 stars Not worth watching.......2007-03-10

This is one of the worst movies I ever watched. It was poorly produced, and the story is really poor. I really felt empty and stupid after having watched this movie. I was waiting (or hoping) for the movie to become more interesting, for the real story to start, and eventually the same poorly produced movie, just dragged on and on until the end. The story is almost non existent, and trying to get something out of this movie, is almost like trying to squeeze juice out of a dry orange.

By the way, if you are buying this movie because you think you will see Juliette Binoche acting, forget it. She only appears a couple of times, and she does not even speak.

4 out of 5 stars Visually beautiful, surprisingly spiritual... Deserves a Reassessment... Fine DVD.......2006-11-06

"Hail Mary" (Je vous salue, Marie) is a modern-day retelling of the Annunciation and Incarnation by France's aging enfant terrible - Jean-Luc Godard. Despite the vociferous condemnation it garnered, it is a visually beautiful and surprisingly spiritual film. It hews closely to biblical narrative, albeit updated to modern times and laced with a wickedly bawdy sense of humour. Marie (Myriem Roussel) is a basketball-loving teenager attending high-school in Geneva. Her boyfriend Joseph (Thierry Rode) is a school-dropout who works as a Taxi driver. He is frustrated with her because unlike other girls, she insists on remaining a virgin. The archangel Gabriel (Philippe Lacoste) appears as a grumpy, unshaven man who arrives by airplane, accompanied by a cherubic sidekick. Gabriel takes Joseph's taxi to the petrol station where Marie works part-time for her dad. There he makes his momentous announcement to the consternation of everyone. The bulk of the film examines Marie's reaction to her situation. It is conceived as a "serious" film, delves into weighty topics, and would be hard to follow for most audiences, who will more likely focus on the pervasive nudity instead and declare themselves mightily offended.

"Hail Mary" is preceded by Anne-Marie Miéville's short film "The Book of Mary" (Le Livre de Marie) and both films should be viewed as a whole, in that order. They were shown as such upon original release. Miéville's "The Book of Mary" has nothing to do with religion or the Marie of Godard's film. It is a lovely 27-minute film about a young girl coming to terms with the separation of her parents. What it has in common with "Hail Mary" is the theme of life-change and the importance of accepting change. There is a particularly lovely sequence where little Marie (Rebecca Hampton) dances to her father's favourite recording of Mahler's 9th Symphony (Final Movement), her anguish mirrored in the music, spinning around the living room and patio until she finally collapses in grief and exhaustion. In the end, little Marie can only regain happiness when she learns to accept that change and loss are all inescapable parts of life. Immediately following the last frame of "The Book of Mary", we see the placard, "en ce temps là" (at this time), which then segues without preamble to the opening storm sequence of "Hail Mary" and then is used throughout the latter film to bookend its different scenes.

The major theme in "Hail Mary" is Marie's repeated question: which is pre-eminent? The soul or the body. This is crystalised in her dilemma; abjure the body and glorify the soul by remaining chaste and a fit vessel for the incarnation or satisfy the body by giving in to Joseph and thereby ensure his love. Marie's choice in putting her soul and God above her need for Joseph's love is contrasted with the other couple in the film, Eva and the Professor. Eva gives in to bodily lust and beds the Professor, who after he has had his way with her, dumps her and goes his merry way. Marie's choice of abstinence is rewarded by Joseph's continued, albeit grumbling presence and slowly dawning love. The final scene shows us Gabriel hailing her across the street with a loud "Je vous salue, Marie," whereupon she turns, puffs on a cigarette, smiles and after a moment's hesitation, puts on her lipstick; a confident young woman, happy with the choices she has made and at peace with herself, both body and soul.

The film is suffused with classical music from the likes of Bach and Dvorak. It also features some of the most beautiful photography in any Godard film. However, it also comes with Godard's often groan-inducing humour. Witness the exasperated angel Gabriel trying literally to beat some sense into a horny Joseph as he gets overly amorous with his espoused. Or the child Jésus exploring under his mother's skirt while she gives hilarious names to the various parts of her anatomy (No prizes for what "la prairie" refers to). Or Marie's tongue-in-cheek reply, in the same scene, to her irritated husband who points out that the child is too old to be seeing his mother naked. Marie's quip "Quia respexit, Joseph," is a playful reference to the old Latin text of the Magnificat (My Soul Doth Magnify the Lord), whose third line goes "Quia respexit humilitatem ancillae suae" (For He hath regarded the low estate of His handmaiden). As little Jésus scampers off to play, he officiously announces, "I must tend to My Father's affairs." And later when Joseph worries about his absconded son, Marie replies laconically, "He'll be back... at Easter... or Trinity."

It is certainly irreverent but there is never malicious intent. In fact when considered carefully, it is a tender and salutary look at a figure many simply pay lip-service to as the "Mother-of-God".

New Yorker Video provide fairly good transfers for both films, both in 1.33:1 (Full Screen). I can't vouch for the original aspect ratio but visual composition looks generally alright. There were a few instances where the framing looked as if it had been cropped but it could be just coincidence. The print is clean and undamaged. The image is sharp with light natural grain throughout. Colours are strong and natural. Sound is in the original French 2.0 Stereo. English subtitles are optional but turned on by default. Extras include a fine 20-minute featurette "Notes About Hail Mary" on Godard's making of the film. It includes several scenes of Godard directing Myriem Roussel and gives us an idea of how he wanted to portray the young Mother-of-God - a combination of "La Pieta" and "La Strada". The film's theatrical trailer completes a fine overall DVD package.

Note: Although I liked the film overall and did not find it offensive, bear in mind that most Christians, both Catholic and Protestant, would. The late Pope John Paul II is quoted as saying: "Hail Mary deeply wounds the religious sentiments of believers." The usually generous film critic Roger Ebert gave it one of his rare 1-star ratings. Although Ebert tried to defend it on theological grounds, he was scathing in demolishing it artistically. Whether you find it offensive or not depends more on your tolerance and comfort level with issues of sexuality, nudity and irreverent humour, especially in relation to religious figures.

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