Rude Boy

Rude Boy


Starring:John 'Ras Kidus' Cornelius, Beenie Man, LaNease Adams, Scruncho, Jimmy Cliff, Ninja Man, Mark Danvers, Michael Taliferro, Marcia Griffith, Tarita Virtue
Director: Desmond Gumbs
Studio: Lions Gate
Product Type: DVD
Rude Boy
Average customer rating: 4 out of 5 stars
  • 5 Stars for the live performances...
  • London Falling
  • Find the UK version
  • about bleed'in time this came out!
  • Rock The Casbah
Rude Boy
Starring: The Clash
Manufacturer: Legacy/Columbia
ProductGroup: DVD
Binding: DVD

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Similar Items:
  1. Let's Rock Again
  2. The Essential Clash
  3. The Clash - Westway to the World
  4. Elgin Avenue Breakdown Revisited
  5. Redemption Song: The Ballad of Joe Strummer

ASIN: B000FUTUYM
Release Date: 2006-08-01

Amazon.com

For their first film, the Clash could've easily cast themselves in the lead. The fiery foursome, however, were nothing if not unpredictable. Just as the little known Phil Daniels was the star of Quadrophenia--rather than the Who--the completely unknown Ray Gange is the star of the more vérité-like Rude Boy. The year is 1978 and England has gone to the dogs, with the National Front on the rise and rioting in the streets. Ray, as he's also known in the film, is a bleary-eyed punk, who works in a hole-in-the-wall Brixton sex shop. The 20-year-old blows off steam by going to see the Clash. Sometimes he hangs out with them. Eventually, Ray becomes their roadie, but the band fails to convince him that the left-wing has any more to offer than the right. "I don't think you should mix your music with politics," he finally tells Joe Strummer. "It annoys me." In this re-mastered and expanded edition, the quartet performs "I Fought the Law," "White Riot" with Sham 69's Jimmy Pursey, and 15 other songs, both live and in rehearsal. As for Gange, he isn't a great actor, but he's an engaging presence, and Rude Boy plays like a rambling cross between Alan Clarke (Made in Britain) and early Mike Leigh (Meantime). It may be fiction, but feels like fact, and the abundance of early material from the Clash makes up for any shortcomings. Extras include interviews (Gange, road manager Johnny Green, and co-directors Jack Hazan and David Mingay), four deleted scenes, two bonus live tracks, and two rare BBC performances. --Kathleen C. Fennessy

Customer Reviews:

5 out of 5 stars 5 Stars for the live performances..........2006-12-16

Maybe 2 stars for the movie itself. I found the plot hard to follow. The scenes with acting are quite forced and insincere. The filmmakers tried to include a political tone - and i couldn't make much sense of it. Perhaps I'll try to figure it out upon a second viewing.

The live performances, however, are electrifying. It is fortunate that The Clash have been documented live during this period in their career. They were TIGHT. The most amazing part for me was the recording of "All The Young Punks" with Joe Strummer singing into the mic with headphones on. That part is simply breath taking.

I watched the BBC performances - also electrifying, but a bit polished - unlike the raw footage featured in the film.

If you are a major Clash fan, this is obviously a must have.

4 out of 5 stars London Falling.......2006-10-13

If there's any consolation to some of punk's inspirational touchstones like Pete Townshend, The Stooges, and The MC5 being usurped by the Year Zero brigade, it may lie in their spiritual and sonic influence on groups like The Clash, none of whose members have ever had much good to say about "Rude Boy," the part fiction/part documentary/part performance film, now finally available digitally over here in the U.S., in which they had little input until it came time to help Bill Price salvage the soundtrack.

What passes for a plot revolves loosely around the hiring of Ray Gange, playing himself, as a roadie for the 1978 "Sort It Out" tour. Gange, whose life is frequently hazed by a heavy alcohol intake, apparently has nothing better to do between shifts at a porn shop than having sex in toilet stalls, waiting for his dole check to arrive in the post, and hanging out with the band and his vertically-challenged skinhead mate. Most of the dialogue would benefit from subtitles unless you're able to cut through the heavy Pom accents - made even more impenetrable by the effects of fermented malted grains - or translate "jack the lad," "down the nick," or "stroppy wankers." I haven't a clue.

There's an undercurrent of social commentary at work here on the parts of directors David Mingay and Jack Hazan that I don't even have a prayer of trying to convey, having slept through political science, economics AND social studies in high school. Many of the exterior shots from in and around a pre-Thatcher London are perpetually shrouded in gray and depict skirmishes between police in riot gear, the National Front, and uh, the anti-National Front (see what I mean?), abandoned council flats tagged with racist graffiti, and a malaise which hangs over the proceedings like a funeral shroud.

With The Clash's name appearing above the title, though, most won't come here for either a message or character development. Gange, on film and reportedly in real life, spirals downward, drowning in a sea of tipple and stumbling through several scenes so seedy that you're tempted to start shooting up. There's no doubt he has a knack, but I'm not sure if it's for acting or vomiting.

Actually, that's entirely unfair. Admittedly no actor, Gange had the role presented to him by Mingay and his acceptance was based more on a chance to get close to his favorite band than any utopian vision of film stardom. The bonus interview footage reveals a bright, cerebral guy who saw his payment from the producers as a way out of the country, and his performance exudes such a natural and understated sense of scruffy charisma that it's easy to forget he's in character. Although barely conscious through most of the first two reels, it's hard to not to love Gange, in a drooling-floppy-eared-dog-that-perpetually-humps-your-leg-as-soon-as-you-get-in-the-door way.

Any notions that the band many feel to be the best of its generation was living a life filled with limousines, five-star hotels, champagne and groupies on ice in the dressing room, and nights of glory under the bright lights are scotched early on as they stagger from one spartan accommodation to the next, crammed into small cars alongside their gear, road manager Johnny Green practically bartering his soul in exchange for replacement equipment and Joe Strummer acting as his own wardrobe manager (as if!), washing his Brigade Rossi t-shirt in a hotel sink.

Since the camera crew wasn't cheek-by-jowl with the band 24 hours a day, they were asked to re-enact and/or improvise certain key scenes from which their legend has grown for the sake of substance and continuity, including the arrests of Paul Simonon and Topper Headon for pigeon sniping from atop their rehearsal space which formed the inspiration for "Guns on the Roof," and the Glasgow Apollo dogfight between bouncers and fans which landed Simonon and Strummer in the chokey.

Despite revelations that "Rude Boy" may not have been filmed as close to "as it happened" as originally represented, there's plenty here to recommend it, such as (and you had to see this coming) the concert scenes, which are the picture of spontaneity, abandon, and chest-thumping bravado, The Clash lining `em up and knocking `em down with little or no regard for their or their crew's physical well being, wedged onto postage stamp-sized stages and in many instances, sharing them with their audience. For Strummer, the guitar was less a musical instrument than a stage prop, but Simonon, Headon, and Mick Jones show no compunction about wielding and rattling theirs like sabres.

The BBC clips of "Clash City Rockers" and "Tommy Gun" are contemptuous and white hot, the band brazenly throwing down a gauntlet on enemy turf and stepping over it on their way out the door. The interviews of Hazan and Mingay shed a little light on just what the hell they were trying to accomplish with this project and Green still seems woozy, nay gobsmacked, by it all some 25 years later. He oughta write a book. Wait, he already did? Never mind.

If you're looking for an ending that ties things up into a neat, tidy package, though, look away now because quite frankly, it doesn't exist, "Rude Boy" coming full stop with questions unanswered, conflicts unresolved, and anthems unwritten.

Just like The Clash.

3 out of 5 stars Find the UK version.......2006-09-25

Most of these reviews are spot on - terrible movie, great music. However, from the details here, it seems the US version has been short changed - the English version also had a 7-song set from a German 1977 concert/student documentary film. That alone was worth the purchase price.

5 out of 5 stars about bleed'in time this came out!.......2006-07-21

For some of us unfortunates, this was our first exposure to the awesome fire power of the Clash live.The movie isnt to bad either,Ray Grange plays a lazy drunk with right wing leanings trying to catch a ride on the rockin roller coaster.The Clash wise up and give him the boot.Of course the reason to own this is all the live and studio tracks, and the sound track has been upgraded and sounds great{even in 5.1 surround}.Includes 2 live tracks previously unreleased and extended scenes.Did i mention Interviews with Johnny Green,Ray Grange etc.Plus 2 live tracks from British television.P.S. Buy Lets Rock Again today].God bless JS!

5 out of 5 stars Rock The Casbah.......2006-04-05

This is the holy grail for Clash fans.

PS-You can get the dvd on the Amazon UK site.
Rude Boy
Average customer rating: 1.5 out of 5 stars
  • IF IT WASN'T 4 BEENIE MAN & MICH "THE BEAR" TALLIFERRO I WOULD'VE GAVE IT 1 STAR! THIS IS LIKE KLASH!
  • bad movie and in a negative way
  • If i could i would give it 1/2 stars
  • I hope future anthropologists don't judge us for this
  • HAS SOME DECENT ACTING, BUT...
Rude Boy
Starring: John 'Ras Kidus' Cornelius , Scruncho , Marcia Griffith , Beenie Man , and LaNease Adams
Director: Desmond Gumbs
Manufacturer: Lions Gate
ProductGroup: DVD
Binding: DVD

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  1. Third World Cop
  2. Shottas
  3. Dancehall Queen
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  5. It's All About Dancing: Jamaican Dancehall

ASIN: B0001US628
Release Date: 2004-05-18

Customer Reviews:

3 out of 5 stars IF IT WASN'T 4 BEENIE MAN & MICH "THE BEAR" TALLIFERRO I WOULD'VE GAVE IT 1 STAR! THIS IS LIKE KLASH! .......2006-12-13

%%%%%%%%%%%%%%%%%R.I.P MICHAEL "THE BEAR" TALIFFERO%%%%%%%%%%%%%%
>>>>>>>I DON'T EVEN KNOW WHERE 2 START! *I WILL ALWAYS BIG-UP JAMAICA & ANY TALENT THAT IT PRODUCES BUT JAMAICA HAS MANY GREAT FILMS!(& THIS ISN'T 1 OF THEM)... I GAVE IT A 3 NOT BECAUSE I LIKE IT -JUST BECAUSE OF BEENIE MAN & MICH "THE BEAR" TALIFERRO (IN FACT THEY'RE THE REASON I GOT IT)! MARK DANVERS WHO PLAYS JULIUS ST.JOHN HAS DONE MUCH BETTER ACTING IN "DANCEHALL QUEEN" AS JR.! I'M NOT FAMILIAR WITH THE DIRECTOR DESMOND GUMBS BUT I'M NOT SURE WHERE HE WAS TAKING THIS FILM? *HE THREW IN GOOD CAMEOS SUCH AS: THE GREAT JIMMY CLIFF & THE TAXI DRIVER JAMAICAN COMEDIAN "OLIVER", BUT THIS IS A FLICK THAT'S GONNA @ THE BOTTOM OF MY COLLECTION 4SURE W/ KLASH!!!!
***I ALWAYS GET A KICK OUT OF HEARING "THE PATOIS", I JUST LOVED WHAT BEENIE/CROWN DON SAID 2 GARGON/NINJA MAN AFTER THEIR DISPUTE!!!!(I LUV BEENIE HE LOOKS LIKE MY FATHER)... I LUV THAT SONG THAT JULIUS WAS RAPPIN EARLY IN THE MOVIE, I BET IF IT THIS HAS A SOUNDTRACK IT WILL BE WICKED!!!! * IF YOU WANT 2 SEE REALLY GREAT "JAMAICAN MOVIES" THEN I WOULD SUGGEST: SHOTTAS, DANCEHALL QUEEN, 3RD WORLD COP, THE HARDER THEY COME THE HARDER THEY FALL, MARKED 4 DEATH!!!!
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>DA TRUTH < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < <

1 out of 5 stars bad movie and in a negative way.......2006-03-24

not worth spending any money on. stick to third world cop and dancehall queen if you want to watch a good jamaican movie.

1 out of 5 stars If i could i would give it 1/2 stars.......2005-12-15

This movie is the worst Jamaican movie ever. It makes Top Shottas look like Scarface. The "story", "acting" an "action scenes" were all laughable. If your a real fan of Jamaican films save your money or invest it in "Smile Orange", "The Harder They Come", "Third World Cop" or "Dancehall Queen" or even "Top Shotta".

1 out of 5 stars I hope future anthropologists don't judge us for this.......2004-07-19

This film would reflect poorly on Jamaican cinema, but it was mostly filmed in the United States so West Indians can sleep easy knowing it's not their fault. This is a remarkably bad movie in concept and execution from all aspects save the soundtrack.

The film follows the story of Julius (Mark Danvers) an aspiring musician and mass murderer. Emigrating to the United States as a mule for a Suge Knightesque fellow, he immediately is frustrated by an employer who demands that he actually work in order to receive remuneration. Faced with so tyrannical a demand, he is torn with the dilemma of returning to his rude ways or sticking it out legit to save money for studio time. The devil on one shoulder snuffs the angel on the other. The poor acting having started from the get go, the film then begins wandering aimlessly from drug deal to drug deal and shooting to shooting all the while trying to pawn off on the audience bad acting and poor character development. Luckily, the technical aspects of the film are terrible as well so as to make for almost perfect symmetry across the quality board. Only Beenie Man's competence as an actor keeps the film from achieving anti-perfection, well, that and a halfway decent soundtrack.

As the film drags on one realizes that journeyman writers Bentley Kyle and Trenton Gumbs refuse to take advantage of many opportunities to make the film stop. Instead, they continue on piling superfluity at every chance to a film already much too long at the first natural conclusion point. The script lacks throughout in every way imaginable. The audience should heed the warning from Ninja Man's first appearance that further viewing will be a testing ordeal. He's a legendary freestyler but a terrible actor. There are perhaps two or three funny lines in the film but the real joke is on me as I didn't turn it off thinking it might get better.

2 out of 5 stars HAS SOME DECENT ACTING, BUT..........2004-06-09

A REGGAE MUSICIAN BEGINS TO DEAL DRUGS FOR A DRUG KINGPIN SO HE COULD GET THE MONEY FOR STUDIO TIME. HAS A DECENT PLOT, BUT MOST OF THE ACTING ISN'T GOOD, AND MOST OF THE CHARACTERS WERE JUST CLICHED CHARCTERS THAT YOU'D USUALLY SEE A JAMAICAN ACTOR PLAY. I DO AGREE THAT THERE IS QUITE A BIT OF THINGS TO LAUGH AT WHEN WATCHING THIS MOVIE. NOT THE WORST OF ITS KIND, BUT, I DON'T THINK ITS REALLY WORTH BUYING.
The Rude Boy Returns
Average customer rating: Not rated
    The Rude Boy Returns
    Starring: Neville Staple
    Manufacturer: Asian Man
    ProductGroup: DVD
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    ASIN: B000BI5MT0
    Release Date: 2005-11-08
    The Clash: Rude Boy - The Movie
    Average customer rating: 4 out of 5 stars
    • 5 Stars for the live performances...
    • London Falling
    • Find the UK version
    • about bleed'in time this came out!
    • Rock The Casbah
    The Clash: Rude Boy - The Movie
    Starring: Reg Bazell , Ian Galland , John Woods , Ben Gaze , and Dave Wakefield
    Director: David Mingay , and Jack Hazan
    Manufacturer: Fremantle Media
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    5. Redemption Song: The Ballad of Joe Strummer

    ASIN: B0000AQVJI

    Amazon.com

    For their first film, the Clash could've easily cast themselves in the lead. The fiery foursome, however, were nothing if not unpredictable. Just as the little known Phil Daniels was the star of Quadrophenia--rather than the Who--the completely unknown Ray Gange is the star of the more vérité-like Rude Boy. The year is 1978 and England has gone to the dogs, with the National Front on the rise and rioting in the streets. Ray, as he's also known in the film, is a bleary-eyed punk, who works in a hole-in-the-wall Brixton sex shop. The 20-year-old blows off steam by going to see the Clash. Sometimes he hangs out with them. Eventually, Ray becomes their roadie, but the band fails to convince him that the left-wing has any more to offer than the right. "I don't think you should mix your music with politics," he finally tells Joe Strummer. "It annoys me." In this re-mastered and expanded edition, the quartet performs "I Fought the Law," "White Riot" with Sham 69's Jimmy Pursey, and 15 other songs, both live and in rehearsal. As for Gange, he isn't a great actor, but he's an engaging presence, and Rude Boy plays like a rambling cross between Alan Clarke (Made in Britain) and early Mike Leigh (Meantime). It may be fiction, but feels like fact, and the abundance of early material from the Clash makes up for any shortcomings. Extras include interviews (Gange, road manager Johnny Green, and co-directors Jack Hazan and David Mingay), four deleted scenes, two bonus live tracks, and two rare BBC performances. --Kathleen C. Fennessy

    Customer Reviews:

    5 out of 5 stars 5 Stars for the live performances..........2006-12-16

    Maybe 2 stars for the movie itself. I found the plot hard to follow. The scenes with acting are quite forced and insincere. The filmmakers tried to include a political tone - and i couldn't make much sense of it. Perhaps I'll try to figure it out upon a second viewing.

    The live performances, however, are electrifying. It is fortunate that The Clash have been documented live during this period in their career. They were TIGHT. The most amazing part for me was the recording of "All The Young Punks" with Joe Strummer singing into the mic with headphones on. That part is simply breath taking.

    I watched the BBC performances - also electrifying, but a bit polished - unlike the raw footage featured in the film.

    If you are a major Clash fan, this is obviously a must have.

    4 out of 5 stars London Falling.......2006-10-13

    If there's any consolation to some of punk's inspirational touchstones like Pete Townshend, The Stooges, and The MC5 being usurped by the Year Zero brigade, it may lie in their spiritual and sonic influence on groups like The Clash, none of whose members have ever had much good to say about "Rude Boy," the part fiction/part documentary/part performance film, now finally available digitally over here in the U.S., in which they had little input until it came time to help Bill Price salvage the soundtrack.

    What passes for a plot revolves loosely around the hiring of Ray Gange, playing himself, as a roadie for the 1978 "Sort It Out" tour. Gange, whose life is frequently hazed by a heavy alcohol intake, apparently has nothing better to do between shifts at a porn shop than having sex in toilet stalls, waiting for his dole check to arrive in the post, and hanging out with the band and his vertically-challenged skinhead mate. Most of the dialogue would benefit from subtitles unless you're able to cut through the heavy Pom accents - made even more impenetrable by the effects of fermented malted grains - or translate "jack the lad," "down the nick," or "stroppy wankers." I haven't a clue.

    There's an undercurrent of social commentary at work here on the parts of directors David Mingay and Jack Hazan that I don't even have a prayer of trying to convey, having slept through political science, economics AND social studies in high school. Many of the exterior shots from in and around a pre-Thatcher London are perpetually shrouded in gray and depict skirmishes between police in riot gear, the National Front, and uh, the anti-National Front (see what I mean?), abandoned council flats tagged with racist graffiti, and a malaise which hangs over the proceedings like a funeral shroud.

    With The Clash's name appearing above the title, though, most won't come here for either a message or character development. Gange, on film and reportedly in real life, spirals downward, drowning in a sea of tipple and stumbling through several scenes so seedy that you're tempted to start shooting up. There's no doubt he has a knack, but I'm not sure if it's for acting or vomiting.

    Actually, that's entirely unfair. Admittedly no actor, Gange had the role presented to him by Mingay and his acceptance was based more on a chance to get close to his favorite band than any utopian vision of film stardom. The bonus interview footage reveals a bright, cerebral guy who saw his payment from the producers as a way out of the country, and his performance exudes such a natural and understated sense of scruffy charisma that it's easy to forget he's in character. Although barely conscious through most of the first two reels, it's hard to not to love Gange, in a drooling-floppy-eared-dog-that-perpetually-humps-your-leg-as-soon-as-you-get-in-the-door way.

    Any notions that the band many feel to be the best of its generation was living a life filled with limousines, five-star hotels, champagne and groupies on ice in the dressing room, and nights of glory under the bright lights are scotched early on as they stagger from one spartan accommodation to the next, crammed into small cars alongside their gear, road manager Johnny Green practically bartering his soul in exchange for replacement equipment and Joe Strummer acting as his own wardrobe manager (as if!), washing his Brigade Rossi t-shirt in a hotel sink.

    Since the camera crew wasn't cheek-by-jowl with the band 24 hours a day, they were asked to re-enact and/or improvise certain key scenes from which their legend has grown for the sake of substance and continuity, including the arrests of Paul Simonon and Topper Headon for pigeon sniping from atop their rehearsal space which formed the inspiration for "Guns on the Roof," and the Glasgow Apollo dogfight between bouncers and fans which landed Simonon and Strummer in the chokey.

    Despite revelations that "Rude Boy" may not have been filmed as close to "as it happened" as originally represented, there's plenty here to recommend it, such as (and you had to see this coming) the concert scenes, which are the picture of spontaneity, abandon, and chest-thumping bravado, The Clash lining `em up and knocking `em down with little or no regard for their or their crew's physical well being, wedged onto postage stamp-sized stages and in many instances, sharing them with their audience. For Strummer, the guitar was less a musical instrument than a stage prop, but Simonon, Headon, and Mick Jones show no compunction about wielding and rattling theirs like sabres.

    The BBC clips of "Clash City Rockers" and "Tommy Gun" are contemptuous and white hot, the band brazenly throwing down a gauntlet on enemy turf and stepping over it on their way out the door. The interviews of Hazan and Mingay shed a little light on just what the hell they were trying to accomplish with this project and Green still seems woozy, nay gobsmacked, by it all some 25 years later. He oughta write a book. Wait, he already did? Never mind.

    If you're looking for an ending that ties things up into a neat, tidy package, though, look away now because quite frankly, it doesn't exist, "Rude Boy" coming full stop with questions unanswered, conflicts unresolved, and anthems unwritten.

    Just like The Clash.

    3 out of 5 stars Find the UK version.......2006-09-25

    Most of these reviews are spot on - terrible movie, great music. However, from the details here, it seems the US version has been short changed - the English version also had a 7-song set from a German 1977 concert/student documentary film. That alone was worth the purchase price.

    5 out of 5 stars about bleed'in time this came out!.......2006-07-21

    For some of us unfortunates, this was our first exposure to the awesome fire power of the Clash live.The movie isnt to bad either,Ray Grange plays a lazy drunk with right wing leanings trying to catch a ride on the rockin roller coaster.The Clash wise up and give him the boot.Of course the reason to own this is all the live and studio tracks, and the sound track has been upgraded and sounds great{even in 5.1 surround}.Includes 2 live tracks previously unreleased and extended scenes.Did i mention Interviews with Johnny Green,Ray Grange etc.Plus 2 live tracks from British television.P.S. Buy Lets Rock Again today].God bless JS!

    5 out of 5 stars Rock The Casbah.......2006-04-05

    This is the holy grail for Clash fans.

    PS-You can get the dvd on the Amazon UK site.
    Rude Boy [Region 2]
    Average customer rating: 4 out of 5 stars
    • 5 Stars for the live performances...
    • London Falling
    • Find the UK version
    • about bleed'in time this came out!
    • Rock The Casbah
    Rude Boy [Region 2]
    Starring: Reg Bazell , Ian Galland , John Woods , Ben Gaze , and Dave Wakefield
    Director: David Mingay , and Jack Hazan
    ProductGroup: DVD
    Binding: DVD

    GeneralGeneral | Drama | Genres | DVD | Video
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    Similar Items:
    1. Let's Rock Again
    2. The Essential Clash
    3. The Clash - Westway to the World
    4. Elgin Avenue Breakdown Revisited
    5. Redemption Song: The Ballad of Joe Strummer

    ASIN: B0000CDUY0

    Amazon.com

    For their first film, the Clash could've easily cast themselves in the lead. The fiery foursome, however, were nothing if not unpredictable. Just as the little known Phil Daniels was the star of Quadrophenia--rather than the Who--the completely unknown Ray Gange is the star of the more vérité-like Rude Boy. The year is 1978 and England has gone to the dogs, with the National Front on the rise and rioting in the streets. Ray, as he's also known in the film, is a bleary-eyed punk, who works in a hole-in-the-wall Brixton sex shop. The 20-year-old blows off steam by going to see the Clash. Sometimes he hangs out with them. Eventually, Ray becomes their roadie, but the band fails to convince him that the left-wing has any more to offer than the right. "I don't think you should mix your music with politics," he finally tells Joe Strummer. "It annoys me." In this re-mastered and expanded edition, the quartet performs "I Fought the Law," "White Riot" with Sham 69's Jimmy Pursey, and 15 other songs, both live and in rehearsal. As for Gange, he isn't a great actor, but he's an engaging presence, and Rude Boy plays like a rambling cross between Alan Clarke (Made in Britain) and early Mike Leigh (Meantime). It may be fiction, but feels like fact, and the abundance of early material from the Clash makes up for any shortcomings. Extras include interviews (Gange, road manager Johnny Green, and co-directors Jack Hazan and David Mingay), four deleted scenes, two bonus live tracks, and two rare BBC performances. --Kathleen C. Fennessy

    Customer Reviews:

    5 out of 5 stars 5 Stars for the live performances..........2006-12-16

    Maybe 2 stars for the movie itself. I found the plot hard to follow. The scenes with acting are quite forced and insincere. The filmmakers tried to include a political tone - and i couldn't make much sense of it. Perhaps I'll try to figure it out upon a second viewing.

    The live performances, however, are electrifying. It is fortunate that The Clash have been documented live during this period in their career. They were TIGHT. The most amazing part for me was the recording of "All The Young Punks" with Joe Strummer singing into the mic with headphones on. That part is simply breath taking.

    I watched the BBC performances - also electrifying, but a bit polished - unlike the raw footage featured in the film.

    If you are a major Clash fan, this is obviously a must have.

    4 out of 5 stars London Falling.......2006-10-13

    If there's any consolation to some of punk's inspirational touchstones like Pete Townshend, The Stooges, and The MC5 being usurped by the Year Zero brigade, it may lie in their spiritual and sonic influence on groups like The Clash, none of whose members have ever had much good to say about "Rude Boy," the part fiction/part documentary/part performance film, now finally available digitally over here in the U.S., in which they had little input until it came time to help Bill Price salvage the soundtrack.

    What passes for a plot revolves loosely around the hiring of Ray Gange, playing himself, as a roadie for the 1978 "Sort It Out" tour. Gange, whose life is frequently hazed by a heavy alcohol intake, apparently has nothing better to do between shifts at a porn shop than having sex in toilet stalls, waiting for his dole check to arrive in the post, and hanging out with the band and his vertically-challenged skinhead mate. Most of the dialogue would benefit from subtitles unless you're able to cut through the heavy Pom accents - made even more impenetrable by the effects of fermented malted grains - or translate "jack the lad," "down the nick," or "stroppy wankers." I haven't a clue.

    There's an undercurrent of social commentary at work here on the parts of directors David Mingay and Jack Hazan that I don't even have a prayer of trying to convey, having slept through political science, economics AND social studies in high school. Many of the exterior shots from in and around a pre-Thatcher London are perpetually shrouded in gray and depict skirmishes between police in riot gear, the National Front, and uh, the anti-National Front (see what I mean?), abandoned council flats tagged with racist graffiti, and a malaise which hangs over the proceedings like a funeral shroud.

    With The Clash's name appearing above the title, though, most won't come here for either a message or character development. Gange, on film and reportedly in real life, spirals downward, drowning in a sea of tipple and stumbling through several scenes so seedy that you're tempted to start shooting up. There's no doubt he has a knack, but I'm not sure if it's for acting or vomiting.

    Actually, that's entirely unfair. Admittedly no actor, Gange had the role presented to him by Mingay and his acceptance was based more on a chance to get close to his favorite band than any utopian vision of film stardom. The bonus interview footage reveals a bright, cerebral guy who saw his payment from the producers as a way out of the country, and his performance exudes such a natural and understated sense of scruffy charisma that it's easy to forget he's in character. Although barely conscious through most of the first two reels, it's hard to not to love Gange, in a drooling-floppy-eared-dog-that-perpetually-humps-your-leg-as-soon-as-you-get-in-the-door way.

    Any notions that the band many feel to be the best of its generation was living a life filled with limousines, five-star hotels, champagne and groupies on ice in the dressing room, and nights of glory under the bright lights are scotched early on as they stagger from one spartan accommodation to the next, crammed into small cars alongside their gear, road manager Johnny Green practically bartering his soul in exchange for replacement equipment and Joe Strummer acting as his own wardrobe manager (as if!), washing his Brigade Rossi t-shirt in a hotel sink.

    Since the camera crew wasn't cheek-by-jowl with the band 24 hours a day, they were asked to re-enact and/or improvise certain key scenes from which their legend has grown for the sake of substance and continuity, including the arrests of Paul Simonon and Topper Headon for pigeon sniping from atop their rehearsal space which formed the inspiration for "Guns on the Roof," and the Glasgow Apollo dogfight between bouncers and fans which landed Simonon and Strummer in the chokey.

    Despite revelations that "Rude Boy" may not have been filmed as close to "as it happened" as originally represented, there's plenty here to recommend it, such as (and you had to see this coming) the concert scenes, which are the picture of spontaneity, abandon, and chest-thumping bravado, The Clash lining `em up and knocking `em down with little or no regard for their or their crew's physical well being, wedged onto postage stamp-sized stages and in many instances, sharing them with their audience. For Strummer, the guitar was less a musical instrument than a stage prop, but Simonon, Headon, and Mick Jones show no compunction about wielding and rattling theirs like sabres.

    The BBC clips of "Clash City Rockers" and "Tommy Gun" are contemptuous and white hot, the band brazenly throwing down a gauntlet on enemy turf and stepping over it on their way out the door. The interviews of Hazan and Mingay shed a little light on just what the hell they were trying to accomplish with this project and Green still seems woozy, nay gobsmacked, by it all some 25 years later. He oughta write a book. Wait, he already did? Never mind.

    If you're looking for an ending that ties things up into a neat, tidy package, though, look away now because quite frankly, it doesn't exist, "Rude Boy" coming full stop with questions unanswered, conflicts unresolved, and anthems unwritten.

    Just like The Clash.

    3 out of 5 stars Find the UK version.......2006-09-25

    Most of these reviews are spot on - terrible movie, great music. However, from the details here, it seems the US version has been short changed - the English version also had a 7-song set from a German 1977 concert/student documentary film. That alone was worth the purchase price.

    5 out of 5 stars about bleed'in time this came out!.......2006-07-21

    For some of us unfortunates, this was our first exposure to the awesome fire power of the Clash live.The movie isnt to bad either,Ray Grange plays a lazy drunk with right wing leanings trying to catch a ride on the rockin roller coaster.The Clash wise up and give him the boot.Of course the reason to own this is all the live and studio tracks, and the sound track has been upgraded and sounds great{even in 5.1 surround}.Includes 2 live tracks previously unreleased and extended scenes.Did i mention Interviews with Johnny Green,Ray Grange etc.Plus 2 live tracks from British television.P.S. Buy Lets Rock Again today].God bless JS!

    5 out of 5 stars Rock The Casbah.......2006-04-05

    This is the holy grail for Clash fans.

    PS-You can get the dvd on the Amazon UK site.
    The Clash: Rude Boy
    Average customer rating: 4 out of 5 stars
    • This IS available.
    The Clash: Rude Boy
    Starring: Catherine Alric , Pierre Clémenti , Bernard Fresson , Vjenceslav Kapural , and Christian Forges
    Director: Raphaël Delpard
    Manufacturer: Salvation Films/Metrodome Group
    ProductGroup: DVD
    Binding: DVD

    GeneralGeneral | Horror | Genres | DVD | Video
    Fresson, BernardFresson, Bernard | ( F ) | Actors & Actresses | Stores | DVD | Video
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    ASIN: B00005NCZE

    Customer Reviews:

    4 out of 5 stars This IS available........2006-01-19

    Go to http://www.amazon.co.uk for the Region O version of it. It will play on most Region 1 players. It's worth it for the Clash footage alone.

    Signed,
    epsteinsmutha

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