
Editorial Review:
Amazon.com
Do yourself a favor and buy some canned goods, a flashlight, and a radio before you watch this film. Unfairly dismissed by the critics and missed by the public, this pre-Y2K suspense film by writer-director David Koepp (the writer of Jurassic Park and Apartment Zero) is a chilling, sobering experience that will turn any practical person into a paranoid, apocalyptic loon. When the power goes out in the big city and society starts to break down, husband and wife Matthew (Kyle MacLachlan) and Annie (Elisabeth Shue) find out that not even suburbia is safe. Complicating the situation is their mutual friend Joe (Dermot Mulroney), who stays with them during the blackout, partially because of his interest in Annie. Koepp's inventive and authentic take on interpersonal relationships (Shue and MacLachlan are great as a foundering couple) and the assault on the white-collar male ego are spot-on. Koepp doesn't stop there. He also plays and builds imaginatively on suspense conventions (including the casting of character-baddie Michael Rooker), race relations, and our prejudicial, judgmental attitudes toward strangers. The concatenation of events, how they affect us without our knowledge, and our dependence on the machinery and power that prop up our society complete this involving, perceptive analysis of our very weak social fabric. (The DVD includes some interesting production notes, including the fact that Annie and Matthew live on Maple and Willoughby, a nod to two famous episodes of The Twilight Zone, one of them being the paranoid "The Monsters Are Coming to Maple Street" episode.) --Keith Simanton
Average customer rating:
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The Trigger Effect
Starring: Kyle MacLachlan , Elisabeth Shue , Dermot Mulroney , Richard T. Jones , and Bill Smitrovich Director: David Koepp Manufacturer: Universal Studios ProductGroup: DVD Binding: DVD Similar Items:
ASIN: B00000IQW8 Release Date: 1999-07-20 |
Amazon.com
Do yourself a favor and buy some canned goods, a flashlight, and a radio before you watch this film. Unfairly dismissed by the critics and missed by the public, this pre-Y2K suspense film by writer-director David Koepp (the writer of Jurassic Park and Apartment Zero) is a chilling, sobering experience that will turn any practical person into a paranoid, apocalyptic loon. When the power goes out in the big city and society starts to break down, husband and wife Matthew (Kyle MacLachlan) and Annie (Elisabeth Shue) find out that not even suburbia is safe. Complicating the situation is their mutual friend Joe (Dermot Mulroney), who stays with them during the blackout, partially because of his interest in Annie. Koepp's inventive and authentic take on interpersonal relationships (Shue and MacLachlan are great as a foundering couple) and the assault on the white-collar male ego are spot-on. Koepp doesn't stop there. He also plays and builds imaginatively on suspense conventions (including the casting of character-baddie Michael Rooker), race relations, and our prejudicial, judgmental attitudes toward strangers. The concatenation of events, how they affect us without our knowledge, and our dependence on the machinery and power that prop up our society complete this involving, perceptive analysis of our very weak social fabric. (The DVD includes some interesting production notes, including the fact that Annie and Matthew live on Maple and Willoughby, a nod to two famous episodes of The Twilight Zone, one of them being the paranoid "The Monsters Are Coming to Maple Street" episode.) --Keith SimantonCustomer Reviews:
Pretty good.......2007-02-04
Horribly written stinker.......2005-09-26
Doesn't explore the trigger concept to its full extent.......2004-07-29
A darn good little thriller..........2004-06-15
This was filmed as David Koepp's calling card into feature films as a director (having already written "Carlito's Way" and "Jurrasic Park," among other terrific films) and it is very light on action and very character driven... obviously budget gets in the way of major action set pieces, but that should never be an obstacle to good characters and plausible writing... Koepp handles all those chores adeptly and keeps a very good pace going... While his characters decide what to do when the blackout hits (and then lingers for days, and days, and days and...) you never feel as if their actions are out-of-line with reality and what people might do under the very same conditions.
This is a taut thriller, but hardly of the depth of Hitchcock's work. Instead, the film is an elaborate "Twilight Zone" episode (and gives its nods to Rod Serling's classic anthology show in both visual and verbal gags... the characters literally live at the corner of Maple and Willoughby streets (a gag on the episodes "The Monsters Are Due on Maple Street" (a direct antecedent to "The Trigger Effect") and "Last Stop, Willoughby" (which has nothing at all to do with this film, but is still a nice touch for those who feel this film is a direct lift from "The Monsters Are Due On Maple Street") and is filmed in very sparse and minimalist ways to highlight the tension and agitation of the characters.
The key scene in this film comes fairly early, when all bets for civilized society are called off... this scene, when Matt (Kyle MacLachlan) attempts to get amoxicilin for his little infant girl (ear infection, very painful and made excruciating in the prior scene with Elizabeth Shue's character holding the crying girl during heatwave-like conditions inside the home). The pharmacist will not let him have it... plain and simple. The electricity does not work, the phones are also screwed and the doctor cannot verfiy the prescription... therefore, no medicine no matter how much pleading and cajoling Matt can attempt with the larger man behind the counter... as the scene progresses it turns ugly, a microcosm of just how frayed our civil attitudes have become in this day of technology handling just about everything for us. It's tense, it's upsetting, and it works very, very well without one punch thrown or one drop of blood spilled, a credit to Koepp's burgeoning (at the time) directorial skills.
The film kind of falls apart about 3/4's of the way through... it tries to wrap things up a little too neatly, but in the end, it's a satisfying film for those that like their thrillers with an apocalyptic edge (the film reminded me, just a bit, of the nuclear war thrillers of the 1980's including "The Day After," "Testament" and "Threads"... especially "Threads").
It's not corny, but it's not a masterpiece either... instead it's a competently written film with a first-time director (who wrote it) who pulls off the thrills on a tight budget. Worth a rental, if not a buy (especially at a price of under $10).
SHOULD TRIGGER SOME THOUGHTS.......2004-04-17
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