Quicksand

Starring:Barbara Bates, Jeanne Cagney, Wally Cassell, Jimmie Dodd, Lester Dorr, John Gallaudet, Alvin Hammer, Taylor Holmes, Richard Lane, Peter Lorre, Sidney Marion, Frank Marlowe, Tom Monroe, Patsy O'Connor, Kitty O'Neil, Mickey Rooney, Art Smith, Ray Teal, Minerva Urecal
Studio: Alpha Video
Product Type: DVD
Average customer rating:
- Quick review for Quicksand.
- A LITTLE MORE CAINE WOULD'VE HELPED
- Not as good as I'd hoped..
- Neat Flick!!
- A tightly directed and acted thriller
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Quicksand
Starring: Michael Keaton , Michael Caine , Judith Godrèche , Rade Serbedzija , and Matthew Marsh
Director: John Mackenzie
Manufacturer: Lions Gate
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ASIN: B0001932ZK
Release Date: 2004-03-16 |
Customer Reviews:
Quick review for Quicksand........2006-10-16
This low budget drama/thriller was very average even though it has both Michael Kane and Michael Keaton it was still slightly dull and tedious. There were a few interesting parts that I thought were hilarious especially with Kane and the extremely bad acting from the rest of the cast so I guess it wasn't all that bad. The story was about Keaton's character who plays a bank employee who goes to France in order to investigate a bad transaction or transfer of money that appeared on his computer, he soon becomes a fall guy for the Russian mafia and some drug ring so he needs to prevent the bad guys from killing him as well as clearing his name from a murder he did not commit. If you like both these actors then you might be interested in this film but don't expect a high caliber thriller or something like that.
A LITTLE MORE CAINE WOULD'VE HELPED.......2006-02-01
QUICKSAND is a formulaic, by the numbers thriller set in the world of corporate money laundering. Michael Keaton plays Martin Raike, a bank executive who goes to France to investigate the possibility of money laundering there. He meets a lovely CEO (Judith Godreche), who also introduces him to a has been action star (the ubiquitous Michael Caine). It isn't too long, though, that Keaton is set up to take the fall as the assassin of the crooked chief of police, and is on the run to prove his innocence. While the movie is certainly not a bad one, it would have been much better if there had been more of Caine in his delightful role as a has been actor. His scenes with Keaton are the only true energy in the picture and had there been more, QUICKSAND could have been a far more enjoyable film.
Not as good as I'd hoped.........2005-12-18
I really wanted to enjoy this crime thriller because it starred two of my favorite actors, Michael Keaton and Michael Kaine, but as much as I tried to be objective, this one didn't shine for me. The story never came together well because the directing and editing was simply awful. Even the star power of Keaton and Kaine couldn't overcome the lousy directing. The scenes were chopped and stapled together with impunity.
This film had the potential to be a success. It had a reasonably well written script and the right actors to play the parts. It's a shame it didn't turn out that way. I own the DVD, but it's one I won't be watching again any time soon.
Neat Flick!!.......2005-06-02
It seems that not alot of people have watched this little gem of a film, by the number of reviews that it has...but I have to say, that with the likes of Michael Keaton and Michael Caine, this film delivered a great action movie!!! The script was in a nice tight package, and the actors took the parts well. It was one of those films that made me wonder what was going to happen next.
Christopher Berry
A tightly directed and acted thriller.......2004-06-07
QUICKSAND is a terrific action drama that wears a good script well acted by a strong cast headed by Michael Keaton and Michael Caine and well directed by fully in-control Director John Mackenzie. The topic of money laundering is particularly timely at this point in our history so gathering information about the ins and outs of this type of scam is apropos. Michael Keaton is an obsessive-compulsive American investigator sent to France in his role as investigator and ends up being setup as an accused assassin. He is forced into escape and into hiding until he uncovers the truth about the company under investigation (actually a porn industry) and with the help of a has-been actor (played superlatively by Michael Caine) finds a way out. The mechanisms for this good guy-bad guy chase and intrigue make for edge-of-the seat suspense. Not a great movie but certainly one of the better intrigue films greatly enhanced by a strong cast of supporting actors in excellent cameo roles. Recommended.
Average customer rating:
- Watchable B Grade Noir
- Plebian Film Noir.
- "Hollywood Crime Dramas ... Ultimate of Film Noir ... Passport Video"
- A Masterly Piece of Miscasting
- An Inexpensive Surprise
|
Quicksand
Starring: Barbara Bates , Jeanne Cagney , Wally Cassell , Jimmie Dodd , and Lester Dorr
Manufacturer: Alpha Video
ProductGroup: DVD
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Similar Items:
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ASIN: B00011D1JA
Release Date: 2004-01-27 |
Customer Reviews:
Watchable B Grade Noir.......2007-07-06
Micky Rooney was 30 years old when he made Quicksand in 1950. His character Danny Brady is 26, but Rooney still looks eighteen. I think the picture works with Rooney as an auto mechanic who brushes off the advances of "good" girl Helen; played by a very pretty actress named Barbara Bates, and instead is seduced by "bad" girl Vera (Jeanne Cagney). Poor Danny wants to be a player but he has neither the money or the savvy to pull it off. Director Irving Pichel never lets viewers see the all-american persona that seems to embody Danny. Maybe this was done on purpose as a means to shed Rooney's Andy Hardy skin. When Danny lifts a twenty dollar bill from the register at Mackey's Auto his troubles begin. Vera the blonde(who really isn't that good looking, her resemblance to actor brother James Cagney is striking) becomes the reason why Danny slips further and further into quicksand. With each thoughtless caper you almost wish Danny can escape. His liason with the shrewd, dangerous Vera gives Danny just enough of a razor's edge to mark his demise into noir disillusionment. Peter Lorre gives a creepy performance as Nick, the arcade owner from Long Beach's famed waterfront called The Pike. When the sand gets too deep for Danny, this is when the picture fails to deliver. A sugar coated, moralistic ending brings Danny back full circle to Helen his true love. This is why Quicksand is not on par with a noir classic like Crisscross. It is another Hollywood tragedy why a beautiful actress like Barbara Bates commited suicide at age 44, 16 years after this film was made.
Plebian Film Noir. .......2007-03-18
"Quicksand" is a little film noir that runs only 1 hour and 19 minutes. It lacks clever dialogue and complex characterization but goes right for the working class audience with a cast of ordinary folk. Dan Brady (Mickey Rooney) is a regular guy, an auto mechanic and WWII veteran who is reluctant to get tied down to girlfriend Helen (Barbara Bates). Helen is a pretty young woman, patient to a fault, in love with Dan, and willing to put up with his rebuffs. She's the perfect companion for Dan, but Vera Novak (Jeanne Cagney), blond bombshell cashier at the local coffee shop, appeals to his ego. Dan cajoles Vera into a date but finds that he hasn't enough money to take her out on the town. So he takes $20 from the cash drawer at work, intending to replace it the next day. When he is unable to come up with the cash in time, Dan's attempts at creative financing get him deeper and deeper into trouble.
"Quicksand" isn't a bad film, but there isn't much to it, and what there is is repetitive. Dan is a nice guy with limited intellect and scruples who makes the same mistake repeatedly, digging himself deeper into the same nightmarish hole. He's an unimaginative sort of fool, though not inauthentic. Vera's a trashy, simple femme fatale, but a convincing threat. When Dan asks her, "Think you can handle me?" She replies, "Sure, I can handle you easy." And there is no one easier than Dan, whose aptitude for idiocy and self-pity prove a poor combination. Mickey Rooney is perfectly good in the role. Peter Lorre is wasted as the sleazy owner of a penny arcade. Maybe Lorre was gray-listed during this time. "Quicksand"'s characters are not sophisticated enough to be compelling, and the movie's ending lowers the film where more courageous writing might have elevated it. But "Quicksand" is effective as a sort of plebian film noir. The Image Entertainment DVD (2000) has no subtitles or bonus features.
"Hollywood Crime Dramas ... Ultimate of Film Noir ... Passport Video".......2006-10-17
Passport Video presents "THE ULTIMATE FILM NOIR" (1945-1953), --- (Dolby digitally remastered) --- ten tantalizing tales of Film Noir on five suspenseful discs --- featuring top performances from the '40s and '50s with outstanding drama and screenplays, along with a wonderful cast and supporting actors to bring it all together ... another winner from the vaults of Film Noir Hollywood gems.
Film noir is a cinematic term used primarily to describe Hollywood crime dramas that set their protagonists in a world perceived as inherently corrupt and unsympathetic...Hollywood's classic film noir period is generally regarded as stretching from the early 1940s to the late 1950s...Film noir of this era is associated with a low-key black-and-white visual style that has roots in German Expressionist cinematography, while many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Depression...the term film noir (French for "black film"), first applied to Hollywood movies by French critic Nino Frank in 1946, was unknown to most of the American filmmakers and actors while they were creating the classic film noirs..the canon of film noir was defined in retrospect by film historians and critics; many of those involved in the making of film noir later professed to be unaware at the time of having created a distinctive type of film.
Five-disc collector's set includes "SCARLET STREET" (1945) (95 mins/Universal Pictures), featuring Edward G. Robinson, Joan Bennett, Dan Duryea and Margaret Lindsay --- "DETOUR" (1945) (67 mins/PRC), featuring Tom Neal, Ann Savage, Claudia Drake and Edmund MacDonald --- "THE STRANGE LOVE OF MARTHA IVERS" (1946) (117 mins/Paramount Pictures), featuring Barbara Stanwyck, Van Heflin, Kirk Douglas, Lizabeth Scott and Judith Anderson --- "WHISTLE STOP" (1946) (85 mins/United Artists) featuring George Raft, Ava Gardner, Victor McLaglen, Tom Conway and Jorja Curtright --- "HE WALKED BY NIGHT" (1948) (80 mins/Eagle-Lion), featuring Richard Basehart, Scott Brady, Jack Webb, Roy Roberts, Whit Bissell and James B. Cardwll --- "TRAPPED" (1949) (78 mins/Bryan Foy Productions / Eagle-Lion), featuring Lloyd Bridges, Barbara Payton, John Hoyt, Russ Conway and James Todd --- "IMPACT" (1949) (83 mins/United Artists), featuring Brian Donlevy, Ella Raines, Charles Coburn and Helen Walker --- "D.O.A." (1950) (83 mins/United Artists), featuring Edmond O'Brien, Pamela Britton, Luther Adler and Beverly Campbell --- "QUICKSAND" (1950) (79 mins/Samuel Steifel Productions / United Artists), featuring Mickey Rooney, Jeannie Cagney, Peter Lorre and Barbara Bates --- "THE HITCH-HIKER" (1953) (71 mins/RKO Pictures), featuring Edmond O'Brien, Frank Lovejoy and William Talman --- and the documentary "THE BEST OF FILM NOIR".
Film noirs tend to revolve around heroes who are more flawed and morally questionable than the norm, often fall guys of one sort or another...the characteristic heroes of noir are described by many critics as "alienated"; in the words of Silver and Ward, "filled with existential bitterness."...certain archetypal characters appear in many film noirs--hardboiled detectives, femmes fatales, corrupt policemen, jealous husbands, intrepid claims adjusters, and down-and-out writers...as can be observed in many movies of an overtly neo-noir nature, the private eye and the femme fatale are the character types with which film noir has come to be most identified, but a minority of movies now regarded as classic noir feature either...crime, usually murder, is an element of almost all film noirs; in addition to standard-issue greed, jealousy is frequently the criminal motivation...a crime investigation--by a private eye, a police detective (sometimes acting alone), or a concerned amateur--is the most prevalent, but far from dominant, basic plot...in other common plots the protagonists are implicated in heists or con games, or in murderous conspiracies often involving adulterous affairs...false suspicions and accusations of crime are frequent plot elements, as are betrayals and double-crosses...amnesia is far more common in film noir than in real life, and cigarette smoking can seem virtually mandatory.
This collection of "The Ultimate Film Noir" (1945-1953) --- still has the magic that we remember from those bygone years --- but as long as we have the labels and networks who play and show these wonderful films of yesteryear, they will never be forgotten --- plus the Bonus of Best of Film Noir on the final disc --- and a great job by Passport Video for this release --- looking forward to more of the same from the '40s and '50s vintage...order your copy now from Amazon or Passport Video, stay tuned once again for more remarkable films from the vaults of classic television and Hollywood during the Golden Era of Film Noir --- All My Heroes have been Gumshoe Detectives!
Total Time: 909 mins on DVD ~ Passport Video #5480 ~ (5/02/2006)
A Masterly Piece of Miscasting.......2006-09-21
This is Film Noir with a heart of gold. Unlike most films in this genre, it has a strong moral message, serving a good social purpose. Rooney is well cast as the average Joe, a mechanic who borrows $20 for a date from the till, leading to an unfortunate sequence of events that almost land him in the electric chair.
Some reviewers have complained that he is too "baby-faced" for the role, which centres on trying to impress some hard-boiled blonde with a thing about mink, but the whole point of this movie is that, throughout, Rooney's character is stretching to be something he is not - a cool, manly, streetwise tough guy, never short of money.
We all know the relationship with the blond is a mismatch. These elements maintain the feeling of constant imbalance and tension that pervade this movie and greatly add to the drama. If he were Bogart, he'd handle this blonde without even noticing, and the movie would be all the poorer for that.
Peter Lorre reinforces the Noirish mood as an oily game-centre manager. When you see him, you automatically expect to Bogart walk round the corner and make him sweat 'n' roll his dog eyes, but instead Rooney does. This is why this movie works. If it's miscasting, it's a masterly piece of miscasting.
An Inexpensive Surprise.......2006-06-15
Mickey Rooney stars in Quicksand, a great film about how a small unnoticeable crime can turn into something large and out of control if one isn't careful. After needing money for a date with a beautiful woman in town (Jeanne Cagney), Dan turns to his cash register at the auto shop where he works for a twenty that he can easily replace later. However, when the accountant comes early to check up on the place, he's in need of cash faster than he planned, so he buys a watch on the installment plan and pawns it for the cash. When he learns this is a crime, he has to come up with $100 in a day, leading to even more problems down the line.
Rooney is wonderful in the leading role of this gripping film. His innocent face does not hinder him in this serious part. His kisses are passionate and reason to support why he was such a ladies man.
Although this is a bargain DVD, the picture is crisp and clear and the sound quality is good.
Average customer rating:
- Watchable B Grade Noir
- Plebian Film Noir.
- "Hollywood Crime Dramas ... Ultimate of Film Noir ... Passport Video"
- A Masterly Piece of Miscasting
- An Inexpensive Surprise
|
Quicksand
Starring: Barbara Bates , Jeanne Cagney , Wally Cassell , Jimmie Dodd , and Lester Dorr
Manufacturer: Image Entertainment
ProductGroup: DVD
Binding: DVD
General
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Bates, Barbara
| ( B )
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Cagney, Jeanne
| ( C )
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Cassell, Wally
| ( C )
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Holmes, Taylor
| ( H )
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Lane, Richard
| ( L )
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Lorre, Peter
| ( L )
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Rooney, Mickey
| ( R )
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Teal, Ray
| ( T )
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Similar Items:
- The Crooked Way
- The Dark Corner (Fox Film Noir)
- Fallen Angel (Fox Film Noir)
- Trapped
- Cover Up
ASIN: B00004Z4VF
Release Date: 2000-11-07 |
Description
It costs a lot to win, but even more to lose! Mickey Rooney is a skirt-chasing auto mechanic who meets brassy blonde temptress, Jeanne Cagney (James Cagney's sister) and falls all over himself trying to please her, which includes lying, cheating and stealing. The problem is, Peter Lorre, the owner of a seedy San Francisco carnival, has his eye on her, too! As Rooney's good-hearted girlfriend, Barbara Bates, watches helplessly, Mickey slides deeper and deeper into a quagmire of deception and desire.
Customer Reviews:
Watchable B Grade Noir.......2007-07-06
Micky Rooney was 30 years old when he made Quicksand in 1950. His character Danny Brady is 26, but Rooney still looks eighteen. I think the picture works with Rooney as an auto mechanic who brushes off the advances of "good" girl Helen; played by a very pretty actress named Barbara Bates, and instead is seduced by "bad" girl Vera (Jeanne Cagney). Poor Danny wants to be a player but he has neither the money or the savvy to pull it off. Director Irving Pichel never lets viewers see the all-american persona that seems to embody Danny. Maybe this was done on purpose as a means to shed Rooney's Andy Hardy skin. When Danny lifts a twenty dollar bill from the register at Mackey's Auto his troubles begin. Vera the blonde(who really isn't that good looking, her resemblance to actor brother James Cagney is striking) becomes the reason why Danny slips further and further into quicksand. With each thoughtless caper you almost wish Danny can escape. His liason with the shrewd, dangerous Vera gives Danny just enough of a razor's edge to mark his demise into noir disillusionment. Peter Lorre gives a creepy performance as Nick, the arcade owner from Long Beach's famed waterfront called The Pike. When the sand gets too deep for Danny, this is when the picture fails to deliver. A sugar coated, moralistic ending brings Danny back full circle to Helen his true love. This is why Quicksand is not on par with a noir classic like Crisscross. It is another Hollywood tragedy why a beautiful actress like Barbara Bates commited suicide at age 44, 16 years after this film was made.
Plebian Film Noir. .......2007-03-18
"Quicksand" is a little film noir that runs only 1 hour and 19 minutes. It lacks clever dialogue and complex characterization but goes right for the working class audience with a cast of ordinary folk. Dan Brady (Mickey Rooney) is a regular guy, an auto mechanic and WWII veteran who is reluctant to get tied down to girlfriend Helen (Barbara Bates). Helen is a pretty young woman, patient to a fault, in love with Dan, and willing to put up with his rebuffs. She's the perfect companion for Dan, but Vera Novak (Jeanne Cagney), blond bombshell cashier at the local coffee shop, appeals to his ego. Dan cajoles Vera into a date but finds that he hasn't enough money to take her out on the town. So he takes $20 from the cash drawer at work, intending to replace it the next day. When he is unable to come up with the cash in time, Dan's attempts at creative financing get him deeper and deeper into trouble.
"Quicksand" isn't a bad film, but there isn't much to it, and what there is is repetitive. Dan is a nice guy with limited intellect and scruples who makes the same mistake repeatedly, digging himself deeper into the same nightmarish hole. He's an unimaginative sort of fool, though not inauthentic. Vera's a trashy, simple femme fatale, but a convincing threat. When Dan asks her, "Think you can handle me?" She replies, "Sure, I can handle you easy." And there is no one easier than Dan, whose aptitude for idiocy and self-pity prove a poor combination. Mickey Rooney is perfectly good in the role. Peter Lorre is wasted as the sleazy owner of a penny arcade. Maybe Lorre was gray-listed during this time. "Quicksand"'s characters are not sophisticated enough to be compelling, and the movie's ending lowers the film where more courageous writing might have elevated it. But "Quicksand" is effective as a sort of plebian film noir. The Image Entertainment DVD (2000) has no subtitles or bonus features.
"Hollywood Crime Dramas ... Ultimate of Film Noir ... Passport Video".......2006-10-17
Passport Video presents "THE ULTIMATE FILM NOIR" (1945-1953), --- (Dolby digitally remastered) --- ten tantalizing tales of Film Noir on five suspenseful discs --- featuring top performances from the '40s and '50s with outstanding drama and screenplays, along with a wonderful cast and supporting actors to bring it all together ... another winner from the vaults of Film Noir Hollywood gems.
Film noir is a cinematic term used primarily to describe Hollywood crime dramas that set their protagonists in a world perceived as inherently corrupt and unsympathetic...Hollywood's classic film noir period is generally regarded as stretching from the early 1940s to the late 1950s...Film noir of this era is associated with a low-key black-and-white visual style that has roots in German Expressionist cinematography, while many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Depression...the term film noir (French for "black film"), first applied to Hollywood movies by French critic Nino Frank in 1946, was unknown to most of the American filmmakers and actors while they were creating the classic film noirs..the canon of film noir was defined in retrospect by film historians and critics; many of those involved in the making of film noir later professed to be unaware at the time of having created a distinctive type of film.
Five-disc collector's set includes "SCARLET STREET" (1945) (95 mins/Universal Pictures), featuring Edward G. Robinson, Joan Bennett, Dan Duryea and Margaret Lindsay --- "DETOUR" (1945) (67 mins/PRC), featuring Tom Neal, Ann Savage, Claudia Drake and Edmund MacDonald --- "THE STRANGE LOVE OF MARTHA IVERS" (1946) (117 mins/Paramount Pictures), featuring Barbara Stanwyck, Van Heflin, Kirk Douglas, Lizabeth Scott and Judith Anderson --- "WHISTLE STOP" (1946) (85 mins/United Artists) featuring George Raft, Ava Gardner, Victor McLaglen, Tom Conway and Jorja Curtright --- "HE WALKED BY NIGHT" (1948) (80 mins/Eagle-Lion), featuring Richard Basehart, Scott Brady, Jack Webb, Roy Roberts, Whit Bissell and James B. Cardwll --- "TRAPPED" (1949) (78 mins/Bryan Foy Productions / Eagle-Lion), featuring Lloyd Bridges, Barbara Payton, John Hoyt, Russ Conway and James Todd --- "IMPACT" (1949) (83 mins/United Artists), featuring Brian Donlevy, Ella Raines, Charles Coburn and Helen Walker --- "D.O.A." (1950) (83 mins/United Artists), featuring Edmond O'Brien, Pamela Britton, Luther Adler and Beverly Campbell --- "QUICKSAND" (1950) (79 mins/Samuel Steifel Productions / United Artists), featuring Mickey Rooney, Jeannie Cagney, Peter Lorre and Barbara Bates --- "THE HITCH-HIKER" (1953) (71 mins/RKO Pictures), featuring Edmond O'Brien, Frank Lovejoy and William Talman --- and the documentary "THE BEST OF FILM NOIR".
Film noirs tend to revolve around heroes who are more flawed and morally questionable than the norm, often fall guys of one sort or another...the characteristic heroes of noir are described by many critics as "alienated"; in the words of Silver and Ward, "filled with existential bitterness."...certain archetypal characters appear in many film noirs--hardboiled detectives, femmes fatales, corrupt policemen, jealous husbands, intrepid claims adjusters, and down-and-out writers...as can be observed in many movies of an overtly neo-noir nature, the private eye and the femme fatale are the character types with which film noir has come to be most identified, but a minority of movies now regarded as classic noir feature either...crime, usually murder, is an element of almost all film noirs; in addition to standard-issue greed, jealousy is frequently the criminal motivation...a crime investigation--by a private eye, a police detective (sometimes acting alone), or a concerned amateur--is the most prevalent, but far from dominant, basic plot...in other common plots the protagonists are implicated in heists or con games, or in murderous conspiracies often involving adulterous affairs...false suspicions and accusations of crime are frequent plot elements, as are betrayals and double-crosses...amnesia is far more common in film noir than in real life, and cigarette smoking can seem virtually mandatory.
This collection of "The Ultimate Film Noir" (1945-1953) --- still has the magic that we remember from those bygone years --- but as long as we have the labels and networks who play and show these wonderful films of yesteryear, they will never be forgotten --- plus the Bonus of Best of Film Noir on the final disc --- and a great job by Passport Video for this release --- looking forward to more of the same from the '40s and '50s vintage...order your copy now from Amazon or Passport Video, stay tuned once again for more remarkable films from the vaults of classic television and Hollywood during the Golden Era of Film Noir --- All My Heroes have been Gumshoe Detectives!
Total Time: 909 mins on DVD ~ Passport Video #5480 ~ (5/02/2006)
A Masterly Piece of Miscasting.......2006-09-21
This is Film Noir with a heart of gold. Unlike most films in this genre, it has a strong moral message, serving a good social purpose. Rooney is well cast as the average Joe, a mechanic who borrows $20 for a date from the till, leading to an unfortunate sequence of events that almost land him in the electric chair.
Some reviewers have complained that he is too "baby-faced" for the role, which centres on trying to impress some hard-boiled blonde with a thing about mink, but the whole point of this movie is that, throughout, Rooney's character is stretching to be something he is not - a cool, manly, streetwise tough guy, never short of money.
We all know the relationship with the blond is a mismatch. These elements maintain the feeling of constant imbalance and tension that pervade this movie and greatly add to the drama. If he were Bogart, he'd handle this blonde without even noticing, and the movie would be all the poorer for that.
Peter Lorre reinforces the Noirish mood as an oily game-centre manager. When you see him, you automatically expect to Bogart walk round the corner and make him sweat 'n' roll his dog eyes, but instead Rooney does. This is why this movie works. If it's miscasting, it's a masterly piece of miscasting.
An Inexpensive Surprise.......2006-06-15
Mickey Rooney stars in Quicksand, a great film about how a small unnoticeable crime can turn into something large and out of control if one isn't careful. After needing money for a date with a beautiful woman in town (Jeanne Cagney), Dan turns to his cash register at the auto shop where he works for a twenty that he can easily replace later. However, when the accountant comes early to check up on the place, he's in need of cash faster than he planned, so he buys a watch on the installment plan and pawns it for the cash. When he learns this is a crime, he has to come up with $100 in a day, leading to even more problems down the line.
Rooney is wonderful in the leading role of this gripping film. His innocent face does not hinder him in this serious part. His kisses are passionate and reason to support why he was such a ladies man.
Although this is a bargain DVD, the picture is crisp and clear and the sound quality is good.
Average customer rating:
- ENOUGH ALREADY
- Baz is an egotistical, self-centered prick - that's why he's gone!
- okay caz we get it
- They should have Never Fired Matt Fallon!
|
Skid Row - No Frills Video
ProductGroup: DVD
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Similar Items:
- Skid Row - The Last Voyage [Moscow Peace Festival]
- Sebastian Bach: Forever Wild
- Oh Say Can You Scream
- Revolutions Per Minute
- The Arsenal of Megadeth
ASIN: B0009PN1ZW |
Product Description
Songs from on the Album "Slave to the Grind" and the EP "B-Side Ourselves":
The tracks are "Monkey Business", "Wasted Time", "Slave To The Grind", "Quicksand Jesus", and "In A Darkened Room" (from the "Slave To The Grind" album), as well as "Psycho Therapy" (Rachel Bolan, the bass player, takes the microphone on this) and "Little Wing" (from the EP "B-Side Ourselves").
++++ DVD FEATURES:
This officially licensed release from South Korea is All-Region NTSC Code 0 (playable worldwide) and provides 4:3 Full Screen display with Dolby Digital Surround Sound in ENGLISH.
To access the DVD-ROM features you must have a computer capable of playing DVD movies (the disc will NOT work in a CD-ROM drive) running Microsoft Windows 95 or higher. The DVD-ROM features of this disc will not work on a Macintosh. Some features may require an Internet connection (not included).
Customer Reviews:
ENOUGH ALREADY.......2006-05-21
It's time to grow up and think about something new! The 80's are gone.Just like our big hair.Life is good almost 20 years later. It was fun,what I remember of it and today...?No regrets!Just some sweet memories. Have a nice day!
Matt Fallon. Now of British Columbia
Baz is an egotistical, self-centered prick - that's why he's gone!.......2006-05-21
Yeah, Matt was a great guy, but Baz put the Skids on the map. Unfortunately, he's a god in his own mind and pretty much destroyed the band from the inside all by himself. Shades of Van Halen...... As a fan, I agree that he is the voice of Skid Row, but having known the guys personally for over 20 years, I would never wish the pain they went through trying to deal with Baz on anyone. Better to limp along and enjoy life that do deal with that Bazzhole...............
Yeah guys, it's Tim and I'm tellin' it like it is.........
okay caz we get it.......2006-03-17
you are the one and only Matt Fallon fan. Let it go. No one has any interest in hearing anything by him. If they did, then he would have been the voice of Skid Row. Baz was, is, and always will be the voice of Skid Row. That is why he has a record contract and they don't even have a label.
They should have Never Fired Matt Fallon!.......2006-01-27
What were they thinking when they fired Matt Fallon(the original singer of Skid Row) Bach is over-rated and now won't even get back together with the original band and tour again. What a Loser!
Average customer rating:
|
MythBusters Season 3 - Episode 19: Quicksand
Manufacturer: Discovery Channel
ProductGroup: DVD
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Similar Items:
- MythBusters Season 3 - Episode 21: Ping Pong Rescue
- Mythbusters Season 3 - Episode 34: Bullet Proof Water
- MythBusters Season 3 - Episode 38: Mythbusters revisited
- MythBusters Season 3 - Episode 39: Chinese Invasion Alarm
ASIN: B000NDI4YS
Release Date: 2007-02-09 |
Average customer rating:
- "Hollywood Crime Dramas ... Ultimate of Film Noir ... Passport Video"
|
Mystery Classics Volume 7: Impact, He Walked by Night, Quicksand, Eyes in the Night
Starring: Brian Donlevy; Richard Basehart; Mickey Rooney; Donna Reed
Manufacturer: Mill Creek Entertainment
ProductGroup: DVD
Binding: DVD
General
| Horror
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Suspense
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Similar Items:
- Dark Crimes Collection: 50 Movie Pack
ASIN: B00083BAGC
Release Date: 2004-01-01 |
Product Description
This is a 4 Movies in One Pack DVD. It includes Impact staring Brian Donlevy, Helen Walker, and Tony Barrett - He Walked By Night starring Richard Basehart - Quicksand starring Mickey Rooney and Peter Lorre - and Eyes in the Night staring Donna Reed, John Emery, Ed Arnold, and Ann Walker.
Customer Reviews:
"Hollywood Crime Dramas ... Ultimate of Film Noir ... Passport Video".......2006-10-17
Passport Video presents "THE ULTIMATE FILM NOIR" (1945-1953), --- (Dolby digitally remastered) --- ten tantalizing tales of Film Noir on five suspenseful discs --- featuring top performances from the '40s and '50s with outstanding drama and screenplays, along with a wonderful cast and supporting actors to bring it all together ... another winner from the vaults of Film Noir Hollywood gems.
Film noir is a cinematic term used primarily to describe Hollywood crime dramas that set their protagonists in a world perceived as inherently corrupt and unsympathetic...Hollywood's classic film noir period is generally regarded as stretching from the early 1940s to the late 1950s...Film noir of this era is associated with a low-key black-and-white visual style that has roots in German Expressionist cinematography, while many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Depression...the term film noir (French for "black film"), first applied to Hollywood movies by French critic Nino Frank in 1946, was unknown to most of the American filmmakers and actors while they were creating the classic film noirs..the canon of film noir was defined in retrospect by film historians and critics; many of those involved in the making of film noir later professed to be unaware at the time of having created a distinctive type of film.
Five-disc collector's set includes "SCARLET STREET" (1945) (95 mins/Universal Pictures), featuring Edward G. Robinson, Joan Bennett, Dan Duryea and Margaret Lindsay --- "DETOUR" (1945) (67 mins/PRC), featuring Tom Neal, Ann Savage, Claudia Drake and Edmund MacDonald --- "THE STRANGE LOVE OF MARTHA IVERS" (1946) (117 mins/Paramount Pictures), featuring Barbara Stanwyck, Van Heflin, Kirk Douglas, Lizabeth Scott and Judith Anderson --- "WHISTLE STOP" (1946) (85 mins/United Artists) featuring George Raft, Ava Gardner, Victor McLaglen, Tom Conway and Jorja Curtright --- "HE WALKED BY NIGHT" (1948) (80 mins/Eagle-Lion), featuring Richard Basehart, Scott Brady, Jack Webb, Roy Roberts, Whit Bissell and James B. Cardwll --- "TRAPPED" (1949) (78 mins/Bryan Foy Productions / Eagle-Lion), featuring Lloyd Bridges, Barbara Payton, John Hoyt, Russ Conway and James Todd --- "IMPACT" (1949) (83 mins/United Artists), featuring Brian Donlevy, Ella Raines, Charles Coburn and Helen Walker --- "D.O.A." (1950) (83 mins/United Artists), featuring Edmond O'Brien, Pamela Britton, Luther Adler and Beverly Campbell --- "QUICKSAND" )1950) (79 mins/Samuel Steifel Productions / United Artists), featuring Mickey Rooney, Jeannie Cagney, Peter Lorre and Barbara Bates --- "THE HITCH-HIKER" (1953) (71 mins/RKO Pictures), featuring Edmond O'Brien, Frank Lovejoy and William Talman --- and the documentary "THE BEST OF FILM NOIR".
Film noirs tend to revolve around heroes who are more flawed and morally questionable than the norm, often fall guys of one sort or another...the characteristic heroes of noir are described by many critics as "alienated"; in the words of Silver and Ward, "filled with existential bitterness."...certain archetypal characters appear in many film noirs--hardboiled detectives, femmes fatales, corrupt policemen, jealous husbands, intrepid claims adjusters, and down-and-out writers...as can be observed in many movies of an overtly neo-noir nature, the private eye and the femme fatale are the character types with which film noir has come to be most identified, but a minority of movies now regarded as classic noir feature either...crime, usually murder, is an element of almost all film noirs; in addition to standard-issue greed, jealousy is frequently the criminal motivation...a crime investigation--by a private eye, a police detective (sometimes acting alone), or a concerned amateur--is the most prevalent, but far from dominant, basic plot...in other common plots the protagonists are implicated in heists or con games, or in murderous conspiracies often involving adulterous affairs...false suspicions and accusations of crime are frequent plot elements, as are betrayals and double-crosses...amnesia is far more common in film noir than in real life, and cigarette smoking can seem virtually mandatory.
This collection of "The Ultimate Film Noir" (1945-1953) --- still has the magic that we remember from those bygone years --- but as long as we have the labels and networks who play and show these wonderful films of yesteryear, they will never be forgotten --- plus the Bonus of Best of Film Noir on the final disc --- and a great job by Passport Video for this release --- looking forward to more of the same from the '40s and '50s vintage...order your copy now from Amazon or Passport Video, stay tuned once again for more remarkable films from the vaults of classic television and Hollywood during the Golden Era of Film Noir --- All My Heroes have been Gumshoe Detectives!
Total Time: 909 mins on DVD ~ Passport Video #5480 ~ (5/02/2006)
Average customer rating:
- DO NOT BUY FROM Caiman.com
|
Film Noir - Quicksand/Scarlet Street/Suddenly
Starring: Barbara Bates , Jeanne Cagney , Wally Cassell , Jimmie Dodd , and Lester Dorr
Director: Irving Pichel
Manufacturer: Vintage Home Ent.
ProductGroup: DVD
Binding: DVD
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Bates, Barbara
| ( B )
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Cagney, Jeanne
| ( C )
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Similar Items:
- Film Noir Classic Collection, Vol. 3 (Border Incident / His Kind of Woman / Lady in the Lake / On Dangerous Ground / The Racket)
- Fallen Angel (Fox Film Noir)
- House on Telegraph Hill (Fox Film Noir)
- Whirlpool (Fox Film Noir)
- The Crooked Way
ASIN: B000228EUE
Release Date: 2004-05-18 |
Description
Enter a realm of mystery, suspense, and femme fatales in these 3 classic black & white films. QUICKSAND - Danny Brady is a garage mechanic who falls for a waitress who destroys his life in less than a week. SCARLET STREET - Christopher Cross is a cashier whose only outlet for his frustrations is painting. Realizing that he has been duped for his work, Cross resorts to murder. SUDDENLY - John Baron (Frank Sinatra) and his band of paid killers take over a house while posing as FBI agents in the small town of Suddenly.
Customer Reviews:
DO NOT BUY FROM Caiman.com.......2005-01-13
The film quality is OK and it is a good 3 piece selection. The problem I have is the Vendor, Caiman.com. The DVD skips and appears corrupted in spots and after 3 emails to Caiman's "automated" customer service link, claire@caiman.com., I've received no reply on my issue. My recommendation is not to buy from Caiman.com as they are unresponsive and apparently no one is on board to help, should there be an issue. I've had good success with MovieWeb and Alphacraze.
r.
Average customer rating:
|
Quicksand
Manufacturer: Disc Plaza Entertainment
ProductGroup: DVD
Binding: DVD
General
| Crime
| Mystery & Suspense
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ASIN: B000MPOWY8 |
Product Description
Auto mechanic dan (mickey rooney) scores a hot date with new waitress vera (jeanne cagney)but finds himself a little shorter on cash. so he borrows $20 from his shop's register believing he can replace it before anybody notices and spends it all. when the shop's accountant shows up the next day, dan scrambles to replace the missing $20 putting himself further into debt, and beginning a downward spiral into crim and deception, now it's a race against time to dig himself out of debt, or drown in his lake of larceny. starring: mickey rooney, peter lorre, jeanne cagney, barbara bates, taylor holmes, and art smith directed by irving pichel. in b&w
Average customer rating:
- "Hollywood Crime Dramas ... Ultimate of Film Noir ... Passport Video"
|
Quicksand
Manufacturer: Front Row Entertainment
ProductGroup: DVD
Binding: DVD
General
| Classics
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ASIN: B000248RHM |
Product Description
Mickey Rooney stars a a well-meaning garage mechanic who fall for a waitress named Vera who destroys his life in less than a week.
Customer Reviews:
"Hollywood Crime Dramas ... Ultimate of Film Noir ... Passport Video".......2006-10-17
Passport Video presents "THE ULTIMATE FILM NOIR" (1945-1953), --- (Dolby digitally remastered) --- ten tantalizing tales of Film Noir on five suspenseful discs --- featuring top performances from the '40s and '50s with outstanding drama and screenplays, along with a wonderful cast and supporting actors to bring it all together ... another winner from the vaults of Film Noir Hollywood gems.
Film noir is a cinematic term used primarily to describe Hollywood crime dramas that set their protagonists in a world perceived as inherently corrupt and unsympathetic...Hollywood's classic film noir period is generally regarded as stretching from the early 1940s to the late 1950s...Film noir of this era is associated with a low-key black-and-white visual style that has roots in German Expressionist cinematography, while many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Depression...the term film noir (French for "black film"), first applied to Hollywood movies by French critic Nino Frank in 1946, was unknown to most of the American filmmakers and actors while they were creating the classic film noirs..the canon of film noir was defined in retrospect by film historians and critics; many of those involved in the making of film noir later professed to be unaware at the time of having created a distinctive type of film.
Five-disc collector's set includes "SCARLET STREET" (1945) (95 mins/Universal Pictures), featuring Edward G. Robinson, Joan Bennett, Dan Duryea and Margaret Lindsay --- "DETOUR" (1945) (67 mins/PRC), featuring Tom Neal, Ann Savage, Claudia Drake and Edmund MacDonald --- "THE STRANGE LOVE OF MARTHA IVERS" (1946) (117 mins/Paramount Pictures), featuring Barbara Stanwyck, Van Heflin, Kirk Douglas, Lizabeth Scott and Judith Anderson --- "WHISTLE STOP" (1946) (85 mins/United Artists) featuring George Raft, Ava Gardner, Victor McLaglen, Tom Conway and Jorja Curtright --- "HE WALKED BY NIGHT" (1948) (80 mins/Eagle-Lion), featuring Richard Basehart, Scott Brady, Jack Webb, Roy Roberts, Whit Bissell and James B. Cardwll --- "TRAPPED" (1949) (78 mins/Bryan Foy Productions / Eagle-Lion), featuring Lloyd Bridges, Barbara Payton, John Hoyt, Russ Conway and James Todd --- "IMPACT" (1949) (83 mins/United Artists), featuring Brian Donlevy, Ella Raines, Charles Coburn and Helen Walker --- "D.O.A." (1950) (83 mins/United Artists), featuring Edmond O'Brien, Pamela Britton, Luther Adler and Beverly Campbell --- "QUICKSAND" (1950) (79 mins/Samuel Steifel Productions / United Artists), featuring Mickey Rooney, Jeannie Cagney, Peter Lorre and Barbara Bates --- "THE HITCH-HIKER" (1953) (71 mins/RKO Pictures), featuring Edmond O'Brien, Frank Lovejoy and William Talman --- and the documentary "THE BEST OF FILM NOIR".
Film noirs tend to revolve around heroes who are more flawed and morally questionable than the norm, often fall guys of one sort or another...the characteristic heroes of noir are described by many critics as "alienated"; in the words of Silver and Ward, "filled with existential bitterness."...certain archetypal characters appear in many film noirs--hardboiled detectives, femmes fatales, corrupt policemen, jealous husbands, intrepid claims adjusters, and down-and-out writers...as can be observed in many movies of an overtly neo-noir nature, the private eye and the femme fatale are the character types with which film noir has come to be most identified, but a minority of movies now regarded as classic noir feature either...crime, usually murder, is an element of almost all film noirs; in addition to standard-issue greed, jealousy is frequently the criminal motivation...a crime investigation--by a private eye, a police detective (sometimes acting alone), or a concerned amateur--is the most prevalent, but far from dominant, basic plot...in other common plots the protagonists are implicated in heists or con games, or in murderous conspiracies often involving adulterous affairs...false suspicions and accusations of crime are frequent plot elements, as are betrayals and double-crosses...amnesia is far more common in film noir than in real life, and cigarette smoking can seem virtually mandatory.
This collection of "The Ultimate Film Noir" (1945-1953) --- still has the magic that we remember from those bygone years --- but as long as we have the labels and networks who play and show these wonderful films of yesteryear, they will never be forgotten --- plus the Bonus of Best of Film Noir on the final disc --- and a great job by Passport Video for this release --- looking forward to more of the same from the '40s and '50s vintage...order your copy now from Amazon or Passport Video, stay tuned once again for more remarkable films from the vaults of classic television and Hollywood during the Golden Era of Film Noir --- All My Heroes have been Gumshoe Detectives!
Total Time: 909 mins on DVD ~ Passport Video #5480 ~ (5/02/2006)
Average customer rating:
- "Hollywood Crime Dramas ... Ultimate of Film Noir ... Passport Video"
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Product Description
Mickey Rooney, with his kid roles and musicals behind him, went for a major change of image in this harrowing film noir. He gives what many consider to be the best performance of his career as Danny... More
Customer Reviews:
"Hollywood Crime Dramas ... Ultimate of Film Noir ... Passport Video".......2006-10-17
Passport Video presents "THE ULTIMATE FILM NOIR" (1945-1953), --- (Dolby digitally remastered) --- ten tantalizing tales of Film Noir on five suspenseful discs --- featuring top performances from the '40s and '50s with outstanding drama and screenplays, along with a wonderful cast and supporting actors to bring it all together ... another winner from the vaults of Film Noir Hollywood gems.
Film noir is a cinematic term used primarily to describe Hollywood crime dramas that set their protagonists in a world perceived as inherently corrupt and unsympathetic...Hollywood's classic film noir period is generally regarded as stretching from the early 1940s to the late 1950s...Film noir of this era is associated with a low-key black-and-white visual style that has roots in German Expressionist cinematography, while many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Depression...the term film noir (French for "black film"), first applied to Hollywood movies by French critic Nino Frank in 1946, was unknown to most of the American filmmakers and actors while they were creating the classic film noirs..the canon of film noir was defined in retrospect by film historians and critics; many of those involved in the making of film noir later professed to be unaware at the time of having created a distinctive type of film.
Five-disc collector's set includes "SCARLET STREET" (1945) (95 mins/Universal Pictures), featuring Edward G. Robinson, Joan Bennett, Dan Duryea and Margaret Lindsay --- "DETOUR" (1945) (67 mins/PRC), featuring Tom Neal, Ann Savage, Claudia Drake and Edmund MacDonald --- "THE STRANGE LOVE OF MARTHA IVERS" (1946) (117 mins/Paramount Pictures), featuring Barbara Stanwyck, Van Heflin, Kirk Douglas, Lizabeth Scott and Judith Anderson --- "WHISTLE STOP" (1946) (85 mins/United Artists) featuring George Raft, Ava Gardner, Victor McLaglen, Tom Conway and Jorja Curtright --- "HE WALKED BY NIGHT" (1948) (80 mins/Eagle-Lion), featuring Richard Basehart, Scott Brady, Jack Webb, Roy Roberts, Whit Bissell and James B. Cardwll --- "TRAPPED" (1949) (78 mins/Bryan Foy Productions / Eagle-Lion), featuring Lloyd Bridges, Barbara Payton, John Hoyt, Russ Conway and James Todd --- "IMPACT" (1949) (83 mins/United Artists), featuring Brian Donlevy, Ella Raines, Charles Coburn and Helen Walker --- "D.O.A." (1950) (83 mins/United Artists), featuring Edmond O'Brien, Pamela Britton, Luther Adler and Beverly Campbell --- "QUICKSAND" (1950) (79 mins/Samuel Steifel Productions / United Artists), featuring Mickey Rooney, Jeannie Cagney, Peter Lorre and Barbara Bates --- "THE HITCH-HIKER" (1953) (71 mins/RKO Pictures), featuring Edmond O'Brien, Frank Lovejoy and William Talman --- and the documentary "THE BEST OF FILM NOIR".
Film noirs tend to revolve around heroes who are more flawed and morally questionable than the norm, often fall guys of one sort or another...the characteristic heroes of noir are described by many critics as "alienated"; in the words of Silver and Ward, "filled with existential bitterness."...certain archetypal characters appear in many film noirs--hardboiled detectives, femmes fatales, corrupt policemen, jealous husbands, intrepid claims adjusters, and down-and-out writers...as can be observed in many movies of an overtly neo-noir nature, the private eye and the femme fatale are the character types with which film noir has come to be most identified, but a minority of movies now regarded as classic noir feature either...crime, usually murder, is an element of almost all film noirs; in addition to standard-issue greed, jealousy is frequently the criminal motivation...a crime investigation--by a private eye, a police detective (sometimes acting alone), or a concerned amateur--is the most prevalent, but far from dominant, basic plot...in other common plots the protagonists are implicated in heists or con games, or in murderous conspiracies often involving adulterous affairs...false suspicions and accusations of crime are frequent plot elements, as are betrayals and double-crosses...amnesia is far more common in film noir than in real life, and cigarette smoking can seem virtually mandatory.
This collection of "The Ultimate Film Noir" (1945-1953) --- still has the magic that we remember from those bygone years --- but as long as we have the labels and networks who play and show these wonderful films of yesteryear, they will never be forgotten --- plus the Bonus of Best of Film Noir on the final disc --- and a great job by Passport Video for this release --- looking forward to more of the same from the '40s and '50s vintage...order your copy now from Amazon or Passport Video, stay tuned once again for more remarkable films from the vaults of classic television and Hollywood during the Golden Era of Film Noir --- All My Heroes have been Gumshoe Detectives!
Total Time: 909 mins on DVD ~ Passport Video #5480 ~ (5/02/2006)
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