Love and War

Starring:Anna Friel
Studio: Questar
Product Type: DVD
Editorial Review:
Description
Anna Friel heads a distinguished cast in this award-winning World War II drama about a high-spirited English war bride who struggles to adjust to her new life on her soldier husband Charlie's remote family farm in Canada. Charlie's mother (Brenda Fricker, My Left Foot) and polio-stricken sister (Molly Parker, Deadwood) are hostile to the "big city" newcomer, but Lily is determined not to let them break her spirit. Their tentative bond is threatened when Charlie returns from the war, haunted by the horrors he experienced.
Average customer rating:
- A step up from Phantom Menace
- "My soul is in torment."
- I've seen a LOT worse
- Another piece of the puzzle...
- Star Wars II
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Star Wars - Episode II, Attack of the Clones (Widescreen Edition)
Starring: Ewan McGregor , Natalie Portman , Hayden Christensen , Christopher Lee , and Samuel L. Jackson
Director: George Lucas
Manufacturer: 20th Century Fox
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Similar Items:
- Star Wars - Episode I, The Phantom Menace (Widescreen Edition)
- Star Wars - Episode III, Revenge of the Sith (Widescreen Edition)
- Star Wars Trilogy (Widescreen Edition with Bonus Disc)
- Star Wars Trilogy (Widescreen Edition Without Bonus Disc)
- Star Wars Episode VI - Return of the Jedi (1983 & 2004 Versions, 2-Disc Widescreen Edition)
ASIN: B00006HBUJ
Release Date: 2005-03-22 |
Amazon.com
If The Phantom Menace was the setup, then Attack of the Clones is the plot-progressing payoff, and devoted Star Wars fans are sure to be enthralled. Ten years after Episode I, Padmé Amidala (Natalie Portman), now a senator, resists the creation of a Republic Army to combat an evil separatist movement. The brooding Anakin Skywalker (Hayden Christensen) is resentful of his stern Jedi mentor, Obi-Wan Kenobi (Ewan McGregor), tormented by personal loss, and showing his emerging "dark side" while protecting his new love, Amidala, from would-be assassins. Youthful romance and solemn portent foreshadow the events of the original Star Wars as Count Dooku (a.k.a. Darth Tyranus, played by Christopher Lee) forges an alliance with the Dark Lord of the Sith, while lavish set pieces showcase George Lucas's supreme command of all-digital filmmaking. All of this makes Episode II a technological milestone, savaged by some critics as a bloated, storyless spectacle, but still qualifying as a fan-approved precursor to the pivotal events of Episode III. --Jeff Shannon
Description
The STAR WARS saga continues on DVD with Episode II Attack of the Clones. Anakin Skywalker has grown into an accomplished Jedi apprentice, and he faces his most difficult challenge yet as he must choose between his Jedi duty and forbidden love. Relive the adventure the way it was meant to be seen in spectacular digital clarity, including the climactic Clone War battle and Jedi Master Yoda in the ultimate lightsaber duel. Experience this 2-disc set that features over six hours of bonus materials, and see how Episode II unlocks the secrets of the entire STAR WARS saga.
Customer Reviews:
A step up from Phantom Menace.......2007-07-05
I'm not a HUGE fan of episodes 1 through 3. However, I AM a huge star wars fan so I took that into account when viewing this movie. The fact is it's a better movie than part 1, plain and simple. You get to see Anakin becoming a jedi and taking his first steps toward losing himself. You learn about an impatient side to him that will ultimately be his undoing.
The movie itself focuses on Anakin's many relationships. That with his mother, with Padme, the Jedi Council, Obi-Wan and, of course, the man that would be Emperor Palpatine. For the importance of forwarding the plot, this movie was vitally important to the series. As a movie in general, I was not entirely impressed. I felt like Anakin was portrayed as way too immature for the man that would ultimately become Darth Vader. In episodes 4, 5 and 6, Darth Vader is ultimate Evil. Are we supposed to buy that ultimate evil was borne out of a whiney teenager?
On second thought, maybe that IS the source of the ultimate evil in the universe.
"My soul is in torment.".......2007-07-02
It is rarely remembered that the original title to the original STAR WARS novel was STAR WARS: BEING THE FURTHER ADVENTURES OF LUKE SKYWALKER. Why George Lucas failed to subtitle his prequel trilogy STAR WARS: THE ADVENTURES OF ANAKIN SKYWALKER is a mystery, since that is exactly what he's given us. In point of fact, the six films together are the biography of the rise and fall and rise of Anakin Skywalker. After stretching twenty five minutes of storyline over 125 minutes of celluloid in STAR WARS EPISODE I: THE PHANTOM MENACE, in STAR WARS EPISODE II: THE ATTACK OF THE CLONES Lucas has successfully returned to his original source material, Joseph Campbell's work on myths and archetypes.
Taking place ten Earth years after THE PHANTOM MENACE, CLONES gives us the late adolescent Anakin Skywalker, now a Padawan Apprentice Jedi, and his older (but still young) mentor and teacher Obi-Wan Kenobi. Mythologically, the two are not only The Mentor and Student (Merlin and Arthur), they are also The Twin Companions (Castor and Pollux, Romulus and Remus, Damon and Pythias), as well as being The Rival Brothers (Cain and Abel, Isaac and Ishmael, Esau and Jacob). Lucas's decision to present these multiply-layered characterizations reflects the complexity of the plot in CLONES, by far the most ambitious of any STAR WARS film.
Anakin (Hayden Christiansen) is the most brilliant and talented Jedi ever, but he is immature, impatient, mercurial, and given to very typical adolescent bouts of angst and anger, all of which foreshadow his looming fate. Obi-Wan (Ewan McGregor) is fast becoming one of the most accomplished Jedi masters. He is stolid, foursquare, reasoned and ultimately unimaginative, being, in the last analysis, unable to restrain his young apprentice.
The conflict between them is reflected on a galactic level. Separatists, led by Count Dooku (Christopher Lee) are taking star systems out of the Republic by the thousand, and the Jedi are at the forefront of trying to reunite the Republic. An increasingly marginalized Senate has voted Chancellor Palpatine (Ian McDiarmid) vast emergency powers for the duration of the crisis. More Hitler-like than Lincoln-like, the ambitious Palpatine has no intention of relinquishing those powers.
The Separatists have massed a huge army of (less than impressive, silly-looking, easily-destroyed, duck-faced) battle-droids (where are the Stormtroopers in white?) and an even more tremendous army of clones. The outnumbered Republic forces are forced to adopt the Separatist strategy of using droids and clones as well, until the two sides are virtually indistinguishable. What no one but the leadership realizes is that the two sides ARE indistinguishable; in fact, there are no sides. Palpatine is secretly the Sith Lord Darth Sidious, and Count Dooku is his apprentice Sith Lord, Darth Tyranus. Together, they have machinated the entire war to overthrow the Republic and establish Sith control of the galaxy.
At the center of this maelstrom (both personal and galactic) is Padme Amidala (Natalie Portman). Her crucial Senatorial vote is courted by the power-hungry Palpatine. Her life is threatened by Count Dooku. Her heart is in the keeping of Anakin, now assigned to protect her. At first resistant to his romantic attentions, the older Padme soon succumbs to the younger Anakin's overwhelming love for her. It is a tragic, jealous love which leaves Anakin's soul in torment and his thoughts consumed with the fear of losing her.
Despite his rigorous Jedi training, Anakin continues to be emotional and impulsive. Seeing his mother, Shmi, tortured in a vision, he returns to Tatooine to rescue her. When she dies in his arms, his rage explodes, and he kills the responsible community of Tusken Raiders down to the babies, his first true step toward the Dark Side of The Force.
Portman is the jewel of the piece as she was in THE PHANTOM MENACE, but Christiansen gives us a surprisingly powerful performance as the profoundly conflicted Anakin. Even his occasional stiffness fits the late-teenage character of Anakin, who like most adolescents does not know who he is or where he is going. Overly pressured by Jedi expectations to be "the Chosen One who will restore balance to The Force," Anakin lacks the maturity and insight to cope with this role thrust upon him too soon, and uses his powers too casually, too carelessly, and even destructively. He clings to the maternal Padme obsessively, and rages that "Obi-Wan is holding me back!" out of jealousy, but left to his own devices, accomplishes little but to confuse himself more. "Young Skywalker is in terrible pain," Yoda tells Master Windu (Samuel L. Jackson) but none of these wise and reverend Jedi seem to have the skill to help him. They can barely help themselves, needing to be rescued from Count Dooku in the end by the clones. Truly, their "ability to use The Force is diminished."
This, the middle, is the best installment of the second trilogy. In terms of story and action, it is on a par with THE EMPIRE STRIKES BACK, also the middle film of the first trilogy. ATTACK OF THE CLONES is also a crucial incremental step in the PARADISE LOST-like story of Anakin, who, like Lucifer, was the brightest of the angels but doomed to fall from heaven and become Satan.
Despite the fineness of this film it was not the critical success it should have been. This reviewer felt an inexplicable, vague sense of unease while watching it. Many others have said the same thing. It was not until a fourth or fifth viewing that the reason for this uneasiness struck home. ATTACK OF THE CLONES was created almost totally with digital filmmaking techniques. Although Digital and CGI have advanced technologically far enough along to give us an appearance of reality, they cannot substitute for reality. Thus, while most of the "inorganic" items in the film have a very real look, and the planetary city of Coruscant is absolutely intriguing to view, many of the "organic" backgrounds, the alien creatures, and sometimes even the droids and the sets, have an artificial feel to them, less seen than sensed, which disturbs we human beings on some visceral level. No matter how "natural" a computer can make a desert rock formation look, a computer is still a binary code machine, and it can only provide a "non-random randomness" to the scene. The stones are just an erg-fraction too sharp-edged, the mist is just a molecule too misty, the fall of the shadows is just a bit too angular, and it all lacks the subtle aliveness of an actual location.
At the end of THE RETURN OF THE JEDI, Lucas celebrated the victory of life over technology; by relying so heavily on special effects in ATTACK OF THE CLONES he undoes that victory.
I've seen a LOT worse.......2007-05-31
Between some of Lucas's questionable dialogue, not to mention the Geonosis C-3PO parts, and Portman's wooden performance, AOTC came way too close to being a disaster. I'm not sure what possessed George to hold back on showing Anakin as the powerful Jedi he was supposed to be but it was a bad decision. Anakin's duel with Dooku should've been better in content & directing. But again, there's few movies I'd rather watch than SW because of the good stuff.
Even though I still question the wisdom of killing off Maul in TPM, I love Dooku. He's the ultimate precise, smug second fiddle. And can you get a better henchman than Jango Fett? I loved the mystery surrounding him & Kamino as well as Geonosis. I get chills everytime I watch the first appearance of the future Stormtroopers. Anakin's first encounter with the Dark Side seemed very natural. It was nice to hear the `Imperial March' theme twice too. It was also a welcome scene to see Yoda go Jedi Master on somebody.
Another piece of the puzzle..........2007-05-25
Okay, I'm tired of all these people coming on here and complaining about how they hated this movie. The people who don't like the Prequel Trilogy are really missing out on the deeper and complete meaning of the Star Wars saga. They have to remember that this trilogy is set in a different era than Episodes 4, 5, and 6. This is the era of the Republic and the Jedi Order, which aren't present in 4, 5, and 6 because they were destroyed by the rise of Palpatine's Empire at the end of Episode 3. Episode 2 is very important because here we see Anakin's character development. Crucial events occur that will lead up to him turning to the dark side. The death of Anakin's mother, his marriage to Padme, and his friendship with Obi-Wan, as well as Anakin's strained relationship with the Jedi Council are all extremely important elements in the saga. Also present is Palpatine's manipulation and deception of politics in the galaxy and the guise of his grandfatherly-like relationship with Anakin. We need to see all these things in order to understand the story better. Star Wars is the story of Anakin Skywalker told in six episodes, and each one is important, because the story would be incomplete and not make sense if one episode was missing. This is a great movie, just like the other five. Any true fan of Star Wars would know that.
Star Wars II.......2007-05-17
This film fits in beautifully to the entire Star Wars saga. The acting is excellent -- the characters feel real as well as larger than life. As in all of the Star Wars movies, the special effects are breathtaking and fit seamlessly into the action.
Average customer rating:
- "What happens if a car comes?" "We die."
- Awesome
- The Notebook
- My favorite movie!
- Unforgettable Summer Romance
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The Notebook (New Line Platinum Series)
Starring: Tim Ivey , Gena Rowlands , Starletta DuPois , James Garner , and Anthony-Michael Q. Thomas
Director: Nick Cassavetes
Manufacturer: New Line Home Video
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Similar Items:
- The Notebook
- A Walk to Remember
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- Pirates of the Caribbean - Dead Man's Chest (Two-Disc Collector's Edition)
- Wedding Crashers - Unrated (Widescreen New Line Platinum Series)
ASIN: B000683VI4
Release Date: 2005-02-08 |
Amazon.com
When you consider that old-fashioned tearjerkers are an endangered species in Hollywood, a movie like The Notebook can be embraced without apology. Yes, it's syrupy sweet and clogged with clichés, and one can only marvel at the irony of Nick Cassavetes directing a weeper that his late father John--whose own films were devoid of saccharine sentiment--would have sneered at. Still, this touchingly impassioned and great-looking adaptation of the popular Nicholas Sparks novel has much to recommend, including appealing young costars (Ryan Gosling and Rachel McAdams) and appealing old costars (James Garner and Gena Rowlands, the director's mother) playing the same loving couple in (respectively) early 1940s and present-day North Carolina. He was poor, she was rich, and you can guess the rest; decades later, he's unabashedly devoted, and she's drifting into the memory-loss of senile dementia. How their love endured is the story preserved in the titular notebook that he reads to her in their twilight years. The movie's open to ridicule, but as a delicate tearjerker it works just fine. Message in a Bottle and A Walk to Remember were also based on Sparks novels, suggesting a triple-feature that hopeless romantics will cherish. --Jeff Shannon
Description
Behind every great love is a great story. Two teenagers from opposite sides of the tracks fall in love during one summer together, but are tragically forced apart. When they reunite 7 years later, their passionate romance is rekindled, forcing one of them to choose between true love and class order.
DVD Features:
Audio Commentary:2 Commentaries --Director Nick Cassavettes --Novelist Nicholas Sparks
DVD ROM Features
Deleted Scenes:12 Deleted Scenes
Documentaries:Nick Cassavetes Profile Featurette Author Nicholas Sparks Featurette Locating "The Notebook" Featurette Casting Noah and Allie featurette
Other:Widescreen & Fullscreen versions on one disc Rachel McAdams Screen Test
Theatrical Trailer
Customer Reviews:
"What happens if a car comes?" "We die.".......2007-07-02
A must have! This is by far one of the best movies I've ever watched. After witnessing a few scenes from this movie I just had to go out and buy it and I don't regret it!
"The Notebook" breaks away from the typical kind of chick flick and adds a touch of humor. The movie adds more focus to the character's first Summer together, unlike the book which I found to be quite a snoozer. Also, the character's personalities seems more realistic and have more depth to them as you will discover during their heated arguements. Noah's personality is so dreamy and you can't help but fall in love with him over and over again.
I found many differences between the book and movie, but I won't spoil it for you if you haven't seen either. :3 This movie definately allows you to take a step back and appreciate the relationship you have with your loved one.
Awesome.......2007-06-27
Excellent movie ! A wonderful story about soul mates, soul mates for life. It will bring tears of happiness and sadness. Definitely a feel good movie.
The Notebook.......2007-06-27
I rented this and decided it was one I could enjoy again and again
I figured the story right away which was good as it made it more enjoyable
My favorite movie!.......2007-06-22
I'm glad I finally got to buy this movie, it is one of my favorites. If you want to know what love could do to somebody and how powerful can be just watch this movie and you'll see what love is all about...
Just to let you know make sure you have a box of tissue handy, or maybe two haha!
Unforgettable Summer Romance.......2007-05-31
`The Notebook' is a sweet romance with a compelling story. The appeal easily develops with freewheeling dating scenes and revelations which unfold lovers sorting out priorities that hit so close to home. A bitter-sweet romance, the film is a beautiful tale of two sweethearts who come from completely different backgrounds but live in the same Southern town during the early forties.
Noah (Ryan Gosling) is from a dirt poor family and works as a logger for forty cents an hour. Allie (Rachel McAdams) belongs to the Southern aristocracy. She has private tutors for every class and most of her whims satisfied. It is love at first sight for Noah who spots Allie at a carnival and jumps between her and her chosen date from the platform of a Ferris wheel. Once he has her attention, he threatens to let go and fall to the pavement if she won't agree to date him. From there his colorful presence challenges every route she's ever known. They each bring a measure of deep beauty to each other: He recites poetry, and she creates paintings. All the oddball adventure he presents from lying down in the middle of a street to dare the traffic, letting go in a torrential rainstorm, to dancing in the street provide those defining moments that demonstrate how strangely people act when they are in love. As the summer ends their lives are disrupted: She is forced to go to Sarah Lawrence College in New York, and soon later he is drafted to fight in Europe during World War II. They split ways and find different lovers, but their relationship is truncated, especially when Allie's manipulative mother (Joan Allen) intercepts Noah's letters that are meant for her.
`The Notebook' is told from the point-of-view of "Duke" (James Garner) who reads the story of Noah and Allie to a beloved nursing home resident (Gena Rowlands) suffering from dementia. I kept thinking as they sit on a park bench in one scene that the story is retold in a manner not entirely different from 'Forrest Gump'. Duke narrates the story, and we come back to him and the woman until the two stories meet and have meaning.
Besides solid, absorbing performances by Gosling and McAdams, Garner softens the edge of the story as narrator, and Allen and Rowlands are easily captivating as Allie's complex and emotional mother and the elderly dementia patient. 'The Notebook' is a pleasing old-fashioned movie that easily plays on our heartstrings and provides a very satisfying viewing experience. (Based on a novel by Nicholas Sparks)
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- Dr. Strangelove
- One of the Great Black Comedies
- Watch This Movie and Sleep Better At Night
- Peter Sellers heads up a great cast
- Embrace the Horror!
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Dr. Strangelove or How I Learned to Stop Worrying and Love the Bomb (Special Edition)
Starring: Peter Sellers , George C. Scott , Sterling Hayden , Keenan Wynn , and Slim Pickens
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Similar Items:
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- Being There
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ASIN: B000055Y0X
Release Date: 2001-02-27 |
Amazon.com essential video
Arguably the greatest black comedy ever made, Stanley Kubrick's cold-war classic is the ultimate satire of the nuclear age. Dr. Strangelove is a perfect spoof of political and military insanity, beginning when General Jack D. Ripper (Sterling Hayden), a maniacal warrior obsessed with "the purity of precious bodily fluids," mounts his singular campaign against Communism by ordering a squadron of B-52 bombers to attack the Soviet Union. The Soviets counter the threat with a so- called "Doomsday Device," and the world hangs in the balance while the U.S. president (Peter Sellers) engages in hilarious hot-line negotiations with his Soviet counterpart. Sellers also plays a British military attaché and the mad bomb-maker Dr. Strangelove; George C. Scott is outrageously frantic as General Buck Turgidson, whose presidential advice consists mainly of panic and statistics about "acceptable losses." With dialogue ("You can't fight here! This is the war room!") and images (Slim Pickens's character riding the bomb to oblivion) that have become a part of our cultural vocabulary, Kubrick's film regularly appears on critics' lists of the all-time best. --Jeff Shannon
Customer Reviews:
Dr. Strangelove.......2007-06-27
The most inspired piece of Cold War satire ever and one of the screen's supreme black comedies, Kubrick's 1964 "Strangelove" confronted jittery audiences in the aftermath of the Cuban Missile Crisis, and not long after the advent of the H bomb. With Kubrick's twisted genius as director and screenwriter in full bloom, and peerless performances by Peter Sellers (in three roles), Scott, and the unhinged Hayden, the film is unbearably funny and extremely disturbing all at once.
One of the Great Black Comedies.......2007-06-21
This work doesn't need much explaination. It is a true classic black comedy. It uses humaor to show how ludicrous and easily corrupted our governments truly are. It simultaneously shines a homorous and frightening light on nuclear war. In my opinion, this is well worth your time. And if you are interested in nuclear war, World War III or end times works, I highly recommend the book Mysteries of the Universe... it is shocking, controversial and frightening! Here's tha amazon page link: Mysteries of the Universe: A Revolutionary Commentary on UFOs, Aliens, Angels, Pyramids, Bible Codes, Reincarnation, the Antichrist...
Watch This Movie and Sleep Better At Night .......2007-06-12
This movie offers the best tongue and cheek commentary on the absurdities of war. I am sure this movie has been heavily "borrowed" from by Hollywood. The "Survival Kit Content Check" scene reminded me alot about the more recent "duct tape your windows" survival tactics. If you believe that the end of the world will come in a flash of light, this movie will validate you.
Peter Sellers heads up a great cast.......2007-06-08
Peter Sellers heads up a great cast in a very funny movie. Worth having in your Peter Sellers collection!
Embrace the Horror!.......2007-05-29
Does the end of the world scare you? Do you stay awake at night wondering when those madmen will finally really do it? Does the idea of a mushroom cloud strike terror in your heart?
Then you my friend need to sit down and watch Dr. Strangelove or How I learned to Stop Worrying and Love the Bomb. This entertaining and educational(dare I say edutaining?) film shows you what would really happen if a United States Air Force Commander ignored the requirement for Presidential authorization and simply attacked the Soviet Union on his own initiative. All the safeguards that are put in place to prevent such an action come crashing down and conspire against those racing to prevent nuclear armageddon.
See fighting in the war room! Learn about the big board! Find out the truth about fluoride! See the dedication of US military servicemen in the face of illogical orders and impossible odds! Discover the secret of Dr. Strangelove!
If you don't see this film, you won't just have to answer to me and the United States Government, but also to the Coca-Cola Corporation.
Average customer rating:
- Gone With the Wind
- Four-Disc Collector's Edition Gives New Luster to Selznick's masterpiece...
- THE GREATEST MOVIE OF ALL TIME!!!
- The best movie of all times
- Gone with the Wind DVD must have set
|
Gone with the Wind (Two-Disc Special Edition)
Starring: Everett Brown , Fred Crane , Clark Gable , Howard C. Hickman , and Leslie Howard
Director: Cukor, George , and Fleming, Victor
Manufacturer: Warner Home Video
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- The Sound of Music (Two-Disc 40th Anniversary Special Edition)
- Citizen Kane
ASIN: B000BYA4LA
Release Date: 2006-01-31 |
Amazon.com essential video
David O. Selznick wanted Gone with the Wind to be somehow more than a movie, a film that would broaden the very idea of what a film could be and do and look like. In many respects he got what he worked so hard to achieve in this 1939 epic (and all-time box-office champ in terms of tickets sold), and in some respects he fell far short of the goal. While the first half of this Civil War drama is taut and suspenseful and nostalgic, the second is ramshackle and arbitrary. But there's no question that the film is an enormous achievement in terms of its every resource--art direction, color, sound, cinematography--being pushed to new limits for the greater glory of telling an American story as fully as possible. Vivien Leigh is still magnificently narcissistic, Olivia de Havilland angelic and lovely, Leslie Howard reckless and aristocratic. As for Clark Gable: we're talking one of the most vital, masculine performances ever committed to film. --Tom Keogh
Customer Reviews:
Gone With the Wind.......2007-06-20
One of the world's most cherished and enduring pictures, "Wind" was birthed in the mind of novelist Margaret Mitchell and incubated by the brilliant, obsessive David O. Selznick, who spared no expense in bringing this powerful, affecting story to the big screen. The ultra-lavish production features ornate costumes and art design, jaw-dropping set pieces and historical sequences (especially the burning of Atlanta, for which a Hollywood set was torched), all wrapped around the story of a resourceful, if not likable, heroine. Leigh plays the self-absorbed Scarlett to perfection, while Gable's Rhett is devilishly suave and fiercely masculine. Grand studio filmmaking at its aristocratic best, Selznick's brainchild nabbed an armload of Oscars, including Best Picture.
Four-Disc Collector's Edition Gives New Luster to Selznick's masterpiece..........2007-06-08
Just as Margaret Mitchell's Pulitzer Prize-winning novel was one of the most readable works ever written, so is David O. Selznick's production one of the most watchable films of all time. Something is happening every moment--and all of the characters relate to each other in fascinating ways only apparent after repeated viewings. It's the kind of movie that transports you to a time and place that may not have existed except in the mind of its Southern author--and yet, whatever historical inaccuracies are presented here--it's a remarkable achievement and has rightly become a part of American folklore and culture.
No other film has so many memorable "quotes" from a large cast of characters--and at the centerpiece is Vivien Leigh's striking performance as the willful Southern belle. Others around her are equally impressive, down to the smallest character roles--everyone has their moment of glory with the only weakness being the casting of Leslie Howard as Ashley Wilkes. Otherwise, the casting is perfect--Clark Gable, Olivia de Havilland, Thomas Mitchell, Barbara O'Neil, Evelyn Keyes, Harry Davenport, Jane Darwell, Victor Jory, Ann Rutherford, Rand Brooks, Ona Munson--and the wonderful Hattie McDaniel giving the most genuine display of emotion in the whole film with her "staircase scene" with Melanie when she tells Scarlett's friend what Rhett has said and done after Bonnie's death.
All of the sets, costumes, art direction and photography are of the highest order. William Cameron Menzie's production design is superb (he storyboarded the whole concept of what the scenes should look like with beautiful watercolor paintings). The one film above all others that shows what Hollywood's expertise could do with a gigantic novel when transferring it to the screen.
Much of the dialog is witty and pointed with some of the best lines delivered in mocking style by Clark Gable. An abundant amount of humor and sharp observations about human nature are present in the script. No wonder it's still the most beloved American movie of all time--not just here in the U.S. but elsewhere in the international market. It was an instant classic and still remains one, richly deserving all eight of the Oscars it won, as well as the Irving G. Thalberg Award for David O. Selznick.
Selznick would have been proud of what the Ultra-Resolution process has been able to achieve in the new 4-Disc version. Image clarity has never been as fully realized before and makes the viewing an even richer movie-going experience for today's viewers. Highly recommended.
"The Making of a Legend" is included, one of the best documentaries ever filmed about a feature film that was an instant classic with critics and public, and the "Melanie Remembers" feature gives Olivia de Havilland the chance to recall why making the film remains one of her favorite memories.
THE GREATEST MOVIE OF ALL TIME!!!.......2007-06-03
This is the Greatest Movie of all time because all aspects of the movie were carefully and painstakingly crafted with such precision and agility. The story is a classic and the cinematography is superb. The lighting is dream-like and the delivery of acting compliments the era that was showcased. There will never be a production such as this. Clark Gable is at his prime as the dashing Leading Man. Vivian Leigh steals all scenes and it is no wonder that she won the Academy Award for this picture. George Reeves plays one of the twins in the very early part of the movie. He is Super! This movie was well- directed and produced. It has endured the test of time. Frankly, my Dear ...You will give a Damn about this Classic. Pick it up today!
Noel Serrano
The best movie of all times.......2007-05-17
This 4 DVD set is a must to own for those who like this probably the best movie ever made.
Gone with the Wind DVD must have set.......2007-05-14
I never get tired of this movie. And the four disc set is really nice. I consider it a must for my DVD collection.
Average customer rating:
- Gone With the Wind
- Four-Disc Collector's Edition Gives New Luster to Selznick's masterpiece...
- THE GREATEST MOVIE OF ALL TIME!!!
- The best movie of all times
- Gone with the Wind DVD must have set
|
Gone with the Wind (Four-Disc Collector's Edition)
Starring: Clark Gable , Vivien Leigh , Leslie Howard , Olivia de Havilland , and Thomas Mitchell
Director: Victor Fleming , George Cukor , and Sam Wood
Manufacturer: Warner Home Video
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ASIN: B0002V7TZ6
Release Date: 2004-11-09 |
Amazon.com essential video
David O. Selznick wanted Gone with the Wind to be somehow more than a movie, a film that would broaden the very idea of what a film could be and do and look like. In many respects he got what he worked so hard to achieve in this 1939 epic (and all-time box-office champ in terms of tickets sold), and in some respects he fell far short of the goal. While the first half of this Civil War drama is taut and suspenseful and nostalgic, the second is ramshackle and arbitrary. But there's no question that the film is an enormous achievement in terms of its every resource--art direction, color, sound, cinematography--being pushed to new limits for the greater glory of telling an American story as fully as possible. Vivien Leigh is still magnificently narcissistic, Olivia de Havilland angelic and lovely, Leslie Howard reckless and aristocratic. As for Clark Gable: we're talking one of the most vital, masculine performances ever committed to film. --Tom Keogh
Description
DVD Features: Disc 1 & 2 (The Film)
* Commentary by film historian Rudy Behlmer
* 5.1 Dolby Digital Soundtrack
* Original Mono Soundtrack
DVD Features: Disc 3
* The Making of a Legend: Gone With The Wind the acclaimed 1989 documentary made by Selznick's sons and narrated by Christopher Plummer (125 Minutes, Never-before-available on DVD)
* Restoring a Legend- An in-depth look at the restoration and Ultra-Resolution process utilized by Warner Bros. For this new DVD presentation
* Footage from 1939 Atlanta and 1961 Civil War Centennial Atlanta premieres
* The Old South - Fred Zinnerman directed this historical 1940 theatrical short, which was shown by MGM in theatres prior to the release of Gone With The Wind
DVD Features: Disc 4
* Melanie Remembers: Olivia de Havilland Recalls Gone With The Wind - All new documentary produced especially for this new DVD set, features Ms. de Havilland's personal recollections of the film
* Clark Gable: A King Remembered - A Portrait of the legendary actor's long and distinguished career as M-G-M's most famous leading man
* Vivien Leigh: Scarlett and Beyond hosted by Jessica Lange, this is an insightful look at Leigh's short and troubled life
* Mini documentaries covering lives and careers of the most prominent cast members
Customer Reviews:
Gone With the Wind.......2007-06-20
One of the world's most cherished and enduring pictures, "Wind" was birthed in the mind of novelist Margaret Mitchell and incubated by the brilliant, obsessive David O. Selznick, who spared no expense in bringing this powerful, affecting story to the big screen. The ultra-lavish production features ornate costumes and art design, jaw-dropping set pieces and historical sequences (especially the burning of Atlanta, for which a Hollywood set was torched), all wrapped around the story of a resourceful, if not likable, heroine. Leigh plays the self-absorbed Scarlett to perfection, while Gable's Rhett is devilishly suave and fiercely masculine. Grand studio filmmaking at its aristocratic best, Selznick's brainchild nabbed an armload of Oscars, including Best Picture.
Four-Disc Collector's Edition Gives New Luster to Selznick's masterpiece..........2007-06-08
Just as Margaret Mitchell's Pulitzer Prize-winning novel was one of the most readable works ever written, so is David O. Selznick's production one of the most watchable films of all time. Something is happening every moment--and all of the characters relate to each other in fascinating ways only apparent after repeated viewings. It's the kind of movie that transports you to a time and place that may not have existed except in the mind of its Southern author--and yet, whatever historical inaccuracies are presented here--it's a remarkable achievement and has rightly become a part of American folklore and culture.
No other film has so many memorable "quotes" from a large cast of characters--and at the centerpiece is Vivien Leigh's striking performance as the willful Southern belle. Others around her are equally impressive, down to the smallest character roles--everyone has their moment of glory with the only weakness being the casting of Leslie Howard as Ashley Wilkes. Otherwise, the casting is perfect--Clark Gable, Olivia de Havilland, Thomas Mitchell, Barbara O'Neil, Evelyn Keyes, Harry Davenport, Jane Darwell, Victor Jory, Ann Rutherford, Rand Brooks, Ona Munson--and the wonderful Hattie McDaniel giving the most genuine display of emotion in the whole film with her "staircase scene" with Melanie when she tells Scarlett's friend what Rhett has said and done after Bonnie's death.
All of the sets, costumes, art direction and photography are of the highest order. William Cameron Menzie's production design is superb (he storyboarded the whole concept of what the scenes should look like with beautiful watercolor paintings). The one film above all others that shows what Hollywood's expertise could do with a gigantic novel when transferring it to the screen.
Much of the dialog is witty and pointed with some of the best lines delivered in mocking style by Clark Gable. An abundant amount of humor and sharp observations about human nature are present in the script. No wonder it's still the most beloved American movie of all time--not just here in the U.S. but elsewhere in the international market. It was an instant classic and still remains one, richly deserving all eight of the Oscars it won, as well as the Irving G. Thalberg Award for David O. Selznick.
Selznick would have been proud of what the Ultra-Resolution process has been able to achieve in the new 4-Disc version. Image clarity has never been as fully realized before and makes the viewing an even richer movie-going experience for today's viewers. Highly recommended.
"The Making of a Legend" is included, one of the best documentaries ever filmed about a feature film that was an instant classic with critics and public, and the "Melanie Remembers" feature gives Olivia de Havilland the chance to recall why making the film remains one of her favorite memories.
THE GREATEST MOVIE OF ALL TIME!!!.......2007-06-03
This is the Greatest Movie of all time because all aspects of the movie were carefully and painstakingly crafted with such precision and agility. The story is a classic and the cinematography is superb. The lighting is dream-like and the delivery of acting compliments the era that was showcased. There will never be a production such as this. Clark Gable is at his prime as the dashing Leading Man. Vivian Leigh steals all scenes and it is no wonder that she won the Academy Award for this picture. George Reeves plays one of the twins in the very early part of the movie. He is Super! This movie was well- directed and produced. It has endured the test of time. Frankly, my Dear ...You will give a Damn about this Classic. Pick it up today!
Noel Serrano
The best movie of all times.......2007-05-17
This 4 DVD set is a must to own for those who like this probably the best movie ever made.
Gone with the Wind DVD must have set.......2007-05-14
I never get tired of this movie. And the four disc set is really nice. I consider it a must for my DVD collection.
Average customer rating:
- Director's Cut coming!!!
- A good addition to the epic film category
- One of the better war movies
- An (almost) great movie
- HOW DO YOU DISCRIBE EXALINTS
|
Troy (Two-Disc Special Edition)
Starring: Julian Glover , Brian Cox , Nathan Jones , Adoni Maropis , and Jacob Smith
Director: Wolfgang Petersen
Manufacturer: Warner Home Video
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Similar Items:
- Alexander Revisited - The Final Cut (Two-Disc Collector's Edition)
- King Arthur - The Director's Cut (Widescreen Edition)
- Gladiator - Extended Cut (Three-Disc Special Edition)
- Kingdom of Heaven - The Director's Cut (Four-Disc Special Edition)
- The Last Samurai (Two-Disc Special Edition)
ASIN: B0002Z0EYK
Release Date: 2005-01-04 |
Amazon.com
There are many reasons to recommend Troy as a good ol' fashioned Hollywood epic, especially if you've never read Homer's The Iliad. Dispensing with Greek gods altogether, this earnestly massive production (budgeted at upwards of $200 million) will surely offend historians and devoted students of the classics (for them, there's the History Channel's Troy). But there's politics aplenty in the grand-scale war that erupts when Trojan prince Paris (Orlando Bloom) makes off with Helen (blandly beautiful German model Diane Kruger), wife of Spartan ruler Menelaus (Brendan Gleeson), whose brother, the Greek king Agamemnon (Brian Cox) prods him into enraged retaliation. Greek warrior Achilles (Brad Pitt) brings lethal force to his battles (and there are many of them, mostly impressive), and his Trojan counterpart, Paris's brother Hector (Eric Bana), adds even more buffed-up beefcake to a film so chock-full o' hunks that there's barely room for Peter O'Toole (doing fine work as Trojan king Priam) and even less for Julie Christie, appearing ever-so-briefly as Achilles's melancholy mother. The drama is nearly as arid as the sun-baked locations (Mexico and Malta) that stand in for the Aegean coast, and many critics suggested that Pitt (who valiantly tries to give Achilles some tormented dimension) was simply miscast. But when you consider that Wolfgang Petersen also made The Perfect Storm, there's nothing wrong with enjoying Troy as a semi-guilty pleasure with a touch of ancient class. --Jeff Shannon
Description
Brad Pitt picks up a sword and brings a muscular, brooding presence to the role of Greek warrior Achilles in this spectacular retelling of The Iliad. Orlando Bloom and Diane Kruger play the legendary lovers who plunge the world into war, Eric Bana portrays the prince who dares to confront Achilles, and Peter O'Toole rules Troy as King Priam. Director Wolfgang Petersen recreates a long-ago world of bireme warships, clashing armies, the massive fortress city and the towering Trojan Horse.
DVD Features:
Easter Eggs
Featurette:3 Featurettes: 1.In The Thick of the Battle: Discover how Troy's epic battle sequences were created--from thousands of warrior-extras training in the scorching heat of Mexico to fierce, one on one duels to the death. 2.From Ruins to Reality: Explore how the ruins of ancient Troy were unearthed, and how Troy's production design magicians created their own version of this breathtaking, legendary city. 3.Troy: An Effects Odyssey: The secrets of Troy's stunning visual effects are revealed--fro
Photo gallery:Gallery of the Gods: Take a computer generated, 3-D tour of Mount Olympus and meet the fabled Gods of Ancient Greece
Theatrical Trailer
Customer Reviews:
Director's Cut coming!!!.......2007-05-03
This news is about a month old as of this writing, but DavisDVD reported on April 3rd that director Wolfgang Peterson is getting $1M and his chance to go back and put out his definitive version of this historical epic film, much like Ridley Scott did with Kingdom of Heaven and Oliver Stone with Alexander.
Apparently, this new cut will be about a half-hour longer and be much more violent along with more sex. (Rubs hands together...)
It'll probably be released on home video in Sept. 2007.
A good addition to the epic film category.......2007-04-17
I know I learned all about Greek history and mythology in high school, but that was too many years ago so I didn't know what in this movie was true to history and what was altered. Maybe my ignorance helped me enjoy the movie more than some. I thought the battle sequences were well done and the costuming excellent. Some of the characters didn't have much to do, while others we were given a good amount of depth to understand their motivations. Peter O'Toole owned the screen in his scene with Achilles asking for his son's body to be returned. Brad Pitt did a nice job with Achilles. The only complaint I have is the nihilistic way the character was written became a little irritating to deal with as the movie went on. Brian Cox is his usual nasty self as Agamemnon and it would have been nice to see Brendon Gleason have a bigger role as Menelaus.
My biggest trouble with Troy is the almost 3 hour length. It didn't need to be that long. A few scenes cut out or shortened would have made a tighter movie. Overall, I thoroughly enjoyed Troy and would recommend it.
One of the better war movies.......2007-03-18
If you are looking for a great rendition of Homers tale the Iliad then dont bother with this movie. If you are looking for an entertaining movie about warfare during the time of the Greek city states then this is right for you. Not like many other Hollywood war movies where all the good guys live at the end and are able to defeat armies many time their size with little problem...cough...cough...Lord of the Rings. This movie is somewhat realistic where you have the good guys as your fighting soldiers and the higher ups numb or fighting for corrupt or concealed motives (if they are actually fighting at all). The losses of warfare are apparent as some of the more noble and likable characters in the movie lose their lives. It leaves the viewer of the movie wondering if the cost of that war was worth the sacrfices.
An (almost) great movie.......2007-03-09
If I could give it 4.5 stars, I would. For the most part, I thought Brad Pitt was an excellent Achilles, although there were a couple scenes where he spontaneously forgot how to act. The battle-scenes are impressive and the personal dual between Hector and Achilles was very well-done: I'd never seen such a well-choreographed fight with spears.
O.k., so they had to condense ten years of war into two weeks (or whatever), but what can you expect for a 2 hour movie? The Trojan Horse is somewhat underwhelming (but I guess that's to be expected since you know how the story ends).
As long as you're not a Homer purist, then "Troy" will not disappoint.
HOW DO YOU DISCRIBE EXALINTS.......2007-03-09
THIS IS THE BEST OR 1 OF THE BEST THAT WAS EVER SENT
Average customer rating:
- One of the best 007 movies!
- From Russia With Love
- The Bond movie that started a craze
- An excellent addition to the Bond franchise.
- One of the best of the entire series
|
From Russia With Love
Starring: Sean Connery , Daniela Bianchi , Pedro Armendáriz , Lotte Lenya , and Robert Shaw
Director: Terence Young
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ASIN: B000NDEXPC
Release Date: 2007-05-22 |
Amazon.com
Directed with consummate skill by Terence Young, the second James Bond spy thriller is considered by many fans to be the best of them all. Certainly Sean Connery was never better as the dashing Agent 007, whose latest mission takes him to Istanbul to retrieve a top-secret Russian decoding machine. His efforts are thwarted when he gets romantically distracted by a sexy Russian double agent (Daniela Bianchi), and is tracked by a lovely assassin (Lotte Lenya) with switchblade shoes, and by a crazed killer (Robert Shaw), who clashes with Bond during the film's dazzling climax aboard the Orient Express. From Russia with Love is classic James Bond, before the gadgets, pyrotechnics, and Roger Moore steered the movies away from the more realistic tone of the books by Ian Fleming. --Jeff Shannon
Customer Reviews:
One of the best 007 movies!.......2007-06-28
Along with Goldfinger, this is probably the best of the early James Bond films. Sean Connery was excellent in it. The story and the cast is great. The fight scene on the train between Connery and Shaw is worth the price alone! A face paced, well thought out and entertaining film.
From Russia With Love.......2007-06-27
This stylish second entry in the Bond franchise features a less cold-blooded, more dashing 007, played to the hilt with campy savoir faire by the ever-classy Connery. Young streamlines the action, too, and in the absence of fancy gadgets (those came later), gave audiences thrilling, well-orchestrated chases and clashes, culminating in a heart-racing death match between Connery and deadly, dyed-blond assassin Shaw aboard the Orient Express. The kittenishly seductive Romanova is fetching as Bond's dicey love interest, but German chanteuse Lenya has the most fun springing poisonous blades from her shoes. Racy, exhilarating, and loads of fun, "Love" breathes flashy new life into Ian Fleming's classic novel.
The Bond movie that started a craze.......2007-06-27
From Russia With Love set the stage for all the James Bond movies that followed. With an excellent startup from Dr. No, James Bond gets into full swing battling SPECTRE up and down Europe, and has one of the best Bond fights on the Orient Express. Beautiful women, tough bad guys and just the right amount of Bond toys make it one of the best James Bond movies of them all!
An excellent addition to the Bond franchise........2007-06-16
Brimming with tension, suspense, and understated cool, From Russia with Love is one of the very best movies in the entire James Bond series. The plot, which revolves around the criminal organization SPECTRE and its attempt to steal a Soviet codemaking machine by manipulating and ultimatley murdering a certain British secret agent (guess which one), is clever and engrossing. Part of the movie's charm comes from simply watching SPECTRE's plan unfold. The film is also incredibly atmospheric: Bond travels to a lush, decedant Istanbul before heading back west on a train trip that hangs heavy with mystery and paranoia.
Sean Connery is, of course, incredible. To put it plainly, the guy simply IS James Bond. He's in complete command of the character, playing his role with absolute confidence, brimming with wit, charm, and ruthless intelligence. Connery's Bond is mesmerizing, his performance a masterpiece. The rest of the cast is fantastic as well: Lotte Lenya is unforgettable as the brutal Colonel Rosa Kleb, playing her part with relentless authority and barely subdued insanity. Ditto for Robert Shaw, whose portrayal of ruthless assassain Donald "Red" Grant is fiery and intense. Shaw turns his charater into an omen, a source of constantly escalating tension and nervous energy. Pedro Armendariz is superb as the exuberant, friendly, and loveable Kerim Bey, who befriends and assists Bond in Istanbul. The film also contains the first appearance of Desmond Llewelyn as Q, one of the series' most beloved characters (he'd appear in every subsequent Bond film until 1999's The World is Not Enough).
Throw in John Berry's tension-filled soundtrack and some of the sharpest one-liners ever found in a Bond film and you've got an absolute classic, and one of the finest entries in an excellent series.
One of the best of the entire series.......2007-04-08
A favorite of many Bond fans and filmmakers alike is this second entry into the EON Bond film canon (a separate production company had produced Fleming's CASINO ROYALE for American television CBS in the 1950s). Alongside 1969s ON HER MAJESTY'S SECRET SERVICE as one of the more faithful movie adaptations of the Fleming book this movie is disliked by some for its slower pace and less fantastical plot and adored by others for precisely the same reasons.
I suppose it all depends on what you are looking for in a Bond movie. For it was not until the next entry in the series in 1964s GOLDFINGER that the movies budgets ballooned and took on the more recognizable Bond-movie shape of fantastic world domination plots, cartoonish action and over-the-top villains. Here, we have a more quiet down-to-earth plot involving extortion and revenge, but its carefully woven plot makes the movie just as thrilling and the action just as compelling.
There are some deviations from the plot of the Fleming novel, but nothing that detracts too seriously from what is the most important element here - the story and characterization. For example in the book Flemings villains was the real-life Soviet agency SMERSH, which is changed to the fictional private organization SPECTRE (which Fleming created along with Kevin McClory for a failed movie script after he had written the novel on which this movie is based.) No doubt the filmmakers decided to change the villain for political reasons as well as to develop the recurring villain mentioned in passing in the first of the EON movies (1962s DR. NO).
The plot concerns SPECTRE's attempts to use British intelligence to steal a valuable Soviet decoder, blackmail British intelligence and murder British agent James Bond in revenge for the loss of their agent Dr. No.
In order to pull off this audacious scheme, SPECTRE's Col. Rosa Klebb (brilliantly played by Lotte Lenya) enlists the aid of Russian clerk Tatiana Romanova who believes that she is working for the KGB. Romanova is chosen for her beauty as a lure for James Bond and the Lektor decoder as a lure for 007 and British intelligence. Indeed the ploy works to perfection as we witness later the disinterest of 007 change to amiable interest after being shown a picture of Romanova.
Following the traditional gunbarrel sequence we are given our first true precredits sequence. In the first movie the gunbarrel went straight into the credits sequence, but here we are treated to a mini-adventure in what would become a standard trademark for the series. James Bond is on the hunt, or is he the hunted? Stalking around a garden in the middle of the night when all of a sudden Bond is set upon by a giant man (played to perfection by the always excellent Robert Shaw.) Who then pulls a wire from his watch and garrotes the British agent. The sequence serves as a foreshadowing of a scene towards the end of the movie and is also the first instance in which the audience is tricked into believing that 007 has been killed. In the future 007 movies 1967s YOU ONLY LIVE TWICE and the rogue movie 1983s NEVER SAY NEVER AGAIN this ploy would also be used. Sure enough following the death of "James Bond" the lights go up revealing a big estate house (actually a house on the backlot of Pinewood Studios) and it is revealed as a SPECTRE training session with a man posing as 007.
Shaw is excellent as Red Grant. Even today over 40 years later he regularly tops the list among Bond fans as a favorite villain. He plays the role with understated deliberate menace and the fight scene on the orient express (which is usually cut down for television) is brutal and frenetic. Similar scenes of fighting on a train have been repeated in later Bond movies but none have quite matched this one.
Other elements that would become a series trademark also make their first appearances in this picture. We have the introduction of a real bona fide gadget and the first screen appearance of the actor who would become famous for introducing James Bond to all manner of incredible gizmos while in real-life being the most un-mechanically minded of people - the late Desmond Llewelyn.
Here Bond is equipped with a briefcase with such hidden qualities as a knife that protrudes out of the side, coinage for bribing enemy agents and a innocent looking bottle of talc that is actually tear gas for disabling prying eyes who open the case the wrong way. Of course all of these help save 007 later on in the movie (strange how he always seems to have just what he needs for any eventuality).
Overall then we have a taut, well-crafted James Bond movie with standout performances from all the principal actors. Of particular note is the Mexican actor Pedro Armendáriz who plays the Turkish British agent Kerim Bey. There seems to be a genuine friendship between Bond and this amiable rogue, a chemistry similar to that between Bond and Columbo in the 1981 movie FOR YOUR EYES ONLY.
With a travelogue feel that was a feature of the early movies, this was after all before the holiday shows and Discovery Channel documentaries on different areas of the world. And some compelling action (though on a smaller scale than later scenes the fight between Bond and Klebb with the latter wielding a poisoned tipped shoe is white knuckle stuff). This is a movie that should be on everyone's must-see list.
Average customer rating:
- Fantastic musical!
- A Classic
- Having acted Hair.. the movie seems too shallow
- Musicals are back!!!
- Bad Hair Day
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Hair
Starring: John Savage , Treat Williams , Beverly D'Angelo , Annie Golden , and Dorsey Wright
Director: Milos Forman
Manufacturer: MGM (Video & DVD)
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Similar Items:
- Jesus Christ Superstar (Special Edition)
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- Hair: Original Soundtrack Recording - Special Anniversary Edition
- Godspell
- Cabaret
Accessories:
- Gillette Fusion Power Replacement Cartridges, 8-Count Package
ASIN: 0792841638
Release Date: 1999-04-27 |
Amazon.com essential video
The Age of Aquarius is brought to life by the filmmaker who made Amadeus a household word. Milos Forman directed this version of James Rado, Gerome Ragni, and Galt MacDermot's landmark musical in 1979 between his Oscar-winning films One Flew Over the Cuckoo's Nest and Amadeus. With mixed reviews (Gene Siskel named it that year's best film) and lukewarm box-office grosses, the film all but disappeared from the collective consciousness. Yet the film beautifully delivers on its promise to bring the '60s back to life. Hair re-creates a colorful world of counterculture finding an anvil to pound on: the Vietnam War. Forman and his design team allow the film to wash over you, starting at the free-flowing opening in which masses of hippies, police, and even their horses eagerly groove to the familiar beat of "Aquarius." In the best work of his career, Treat Williams makes his leading- man debut as Berger, the leader of the Central Park troop who takes draftee Claude (John Savage) under his wing on his trip through New York City and the apex of what the '60s was. The new recording of the music is quite fine, with Chicago band member Don Dacus's rendition of the title song a highlight. As Berger's pièce de résistance number says, "I've Got Life"; so does the film, right down to its poignant declaration to "let the sunshine in." --Doug Thomas
Description
Brimming with the energy, passion and music that rocked a nation, Hair is an entertaining and powerful tribute to the turbulent spirit of the '60s. Brilliantly recreated by OscarÂ(r)-winning* director Milos Forman and screenwriter Michael Weller (Ragtime), this vibrant screen version of the Broadway phenomenon ranks "among the best film musicals" (The Hollywood Reporter)! Fresh from the farm, Claude Bukowski (John Savage, The Thin Red Line) arrives in New York City for a date with the Army Induction Board, only to walk into a hippie "happening" inCentral Park and fall in love with the beautiful Shelia (Beverly D'Angelo, American History X). Befriended by the hippies' pacifist leader, Berger (Treat Williams, Mulholland Falls), and urged to crash a formal party in order to declare his love for Shelia, Claude begins an adventure that lands him in jail, Central Park Lake and, finally, in the army. But Berger's final effort to save Claude from Vietnam sets in motion a bizarre twist of fate with shocking consequences. *1975: One Flew Over the Cuckoo's Nest; 1984: Amadeus
Customer Reviews:
Fantastic musical!.......2007-06-24
This movie was upbeat and fast paced. An extremely interesting storyline taking place during an extremely interesting time period in America. The tunes were catchy and I recommend buying the original broadway soundtrack- you'll memorize every song before you know it :-P
I actually had to watch this movie for my Asian Religions class...it's amazing what intellectual insights you can gain from this movie!
A Classic.......2007-05-16
Even if you don't usually like musicals, like me, you should still like this one, it is one of my all time favorites. It has some classic songs in it, including "Easy to be Hard", one of the very few that we are forced to listen to at work that I actually like, here are the lyrics to it:
"How can people be so heartless
How can people be so cruel
Easy to be hard, easy to be cold
How can people have no feelings
How can they ignore their friends
Easy to be proud, easy to say no
{Refrain}
Especially people who care about strangers
Who care about evil and social injustice
Do you only care about bleeding crowd
How about a needing friend, I need a friend
How can people be so heartless
You know I'm hung up on you
Easy to be proud, easy to say no
{Refrain}
How can people be so heartless
How can people be so cruel
Easy to be proud, easy to say no
Easy to be cold, easy to say no
Come, on, easy to give in, easy to say no
Easy to be cold, easy to say no
Much too easy to say no
Lyrics by James Rado
It has a young Treat Williams and John Savage, the latter playing a country boy who goes to the big city before he is supposed to go in the military. He meets a bunch of cool hippies led by Treat's character. There are some other classic songs in it like "Aquarius" and "Good Morning Starshine". Glad to see it on DVD. A bit of trivia via IMBD, it was the highest grossing film in Hungary in 1980. You can watch the trailer there, too, at IMBD. This is a very entertaining film, check it out.
Having acted Hair.. the movie seems too shallow.......2007-05-14
As a child of the 60's (1963) I never had the chance to see the plays that must have touched sensitive if not censored issues revolving around those days.. I had the chance of playing it in english here in Caracas in 1983 while in my early 20's.., by going ove the script and the music I got an appreciation for the depth of the play and its musical mastery!! well even in 1983 the director's decided to censor certain "nationalistic" questionings.. so I still hope that sometime I will get a full non-censured performance, is that too much to ask of life?
After this introduction I was excited on seeing the movie.. and what a disappointment, both musically as well as in performance.. and censored!!!! In the play we made people cry at Bergers death..in here, well see for yourself
Musicals are back!!!.......2007-05-12
I recently took a trip to Utah, and saw Treat Williams in a local restaurant. Our host mentioned this movie that he was in..therefore I purchased it as a THANK YOU for our stay..she said she laughed her [...] off watching this movie..now I wished I had bought a copy for myself!
Bad Hair Day.......2007-03-01
First off let me exclude Beverly D'Angelo from everything you are about to read. She is in my opinion one of if not the most talented actress/singers there ever was.....period! She is as always flawless. So here we go. As far as watching this movie ever again.....not if they held a gun to my head. Bad acting, bad directing, bad cinemetography, bad script, bad dance (can we call them dance) numbers, hense bad coreography, bad sound, bad politcal statement, in short a "Bad Hair Day"! A waste of film. Deserves to be in the dollar bin. Buy it and throw the DVD away and just keep the plastic box. It is the only thing in the package that has any value. A stinker!
Average customer rating:
- The One and Only Broken Arrow
- Broken Arrow
- Broken Arrow - James Stewart
- Realistic Western from the 50's!
- One of the Absolute Best
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Broken Arrow
Starring: James Stewart , Jeff Chandler , Debra Paget , Basil Ruysdael , and Will Geer
Director: Delmer Daves
Manufacturer: 20th Century Fox
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Similar Items:
- White Feather
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- Tyrone Power: The Swashbuckler Box Set (Blood and Sand / Son of Fury / The Black Rose / Prince of Foxes / The Captain from Castile)
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- Hell and High Water
ASIN: B000OT6V0U
Release Date: 2007-05-22 |
Description
In 1870, when white men and Indians are fighting bitterly, Tom Jeffords (Stewart) strongly believes the Apaches are treated unfairly. After befriending their leader Cochise (Jeff Chandler) and arranging a truce, he is called upon by a U.S. Army general to negotiate a government peace treaty. Though he fulfills his mission, Jeffords soon experiences great tragedy when he, his Indian wife (Debra Paget) and good friend Cochise become targets of a renegade ambush.
Customer Reviews:
The One and Only Broken Arrow.......2007-07-04
A rare movie for the 1950's where the Indians are protrayed as real people.
Excellent casting and acting. Though Jeff Chandler and Debra Paget are not Native Americans.
Broken Arrow.......2007-06-27
Jimmy Stewart is always great. In this film Debra Paget is super great. While she usually plays a lady of fashion or a college student but as the American Indian girl she has hit her "ZENITH"!!!
Broken Arrow - James Stewart.......2007-06-17
James Stewart and Jeff Chandler have fine performances in thie 1958 Western. Good portrayal of the American Indians. This production was nominated for three Academy Awards, "damn good western" with plenty of action. Good performance by Debra Paget who plays the part of an American Indian woman. This is a Ten (10) excellent.
Realistic Western from the 50's!.......2007-06-08
This really is a terrific Western! The story you probably know by now, what you may not know is the great DVD tranfer, great color, and great Sedona Ariz. filming locations!
Jimmy Stewart starting doing westerns in 1950 with Winchester 73', a black and white film and a classic. Broken Arrow was his second entry and 5 more followed in the 1950's. But none were to top Broken Arrow. Or Winchester 73'!
Not only is the story very solid, fiction based on real events and people, but all the actors casting is flawless! Will Geer, an emotionally hurt settler, Debra Paget at 17 looking like a Indian instead of a young startlet, and Jeff Chandler as Cochise in a very believable good performance. Mabye his best!
And make sure to check out Jay Silverheels in the role of Geronimo, a top notch performance and I think biggest speaking part of anything he'd ever been in, including the Lone Ranger series. When he defies Cochise to follow the peace trail, his emotion is so powerful that it jumps off the screen. A truly great moment in the film. I had to replay that scene many times because I liked it so much!
I'm proud to place this among my Western Collection of DVDs!
One of the Absolute Best.......2007-06-07
From time to time on the net I come across these ever-present lists where someone is sounding off about what they say are the "best" of such and so . Frequently I see "best westerns" or "best war movie" lists and find myself laughing out loud when one of these things omits something universally acknowledged to be a Classic. When that happens you know you're dealing with a relative "newbie" in the world whose exposure to genre cinema isn't nearly as expansive as they think it is. War Movie lists that leave off "Sergeant York" (out of s