The Human Voice (Broadway Theatre Archive)

Starring:Ingrid Bergman
Director: Ted Kotcheff
Studio: Kultur Video
Product Type: DVD

Editorial Review:
Amazon.com
Ingrid Bergman gives a virtuoso solo performance in this Jean Cocteau one-act. The plot of this hour-long piece is a simple one: a woman, devastated after her lover leaves her for someone else, speaks to him on the phone one last time. The piece is beautifully, perfectly written and performed--all of the little lies and desperate hopes of heartbreak are captured. Bergman's performance is as brave as it is complex--she is willing to let her character crumble into an embarrassing weakness that few actresses would risk. Anyone who has ever nursed false hopes of salvaging a relationship will find this piece all too well done. See it, but not right after a breakup. --Ali Davis
Description
Ingrid Bergman plays a middle-aged woman going through a psychological crisis as a love affair ends. French playwright Jean Cocteau's one-character drama unfolds in the form of an extended monologue--a one-sided telephone conversation in which the woman tries to win back her lover despite her growing suspicion that he is calling from his young fiancée's home. "A tour de force... Ingrid Bergman gave a formidable display of passionate despair, showing a side in her talent not often vouchsafed by the movies." --Variety

The Human Voice (Broadway Theatre Archive)
Average customer rating:

A Stunning Representation of a Woman's Emotions

The Human Voice (Broadway Theatre Archive)
Starring: Ingrid Bergman
Director: Ted Kotcheff
Manufacturer: Kultur Video
ProductGroup: DVD
Binding: DVD

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Similar Items:

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Alice at the Palace (Broadway Theatre Archive)

ASIN: B0000640TC
Release Date: 2002-04-16

Amazon.com

Ingrid Bergman gives a virtuoso solo performance in this Jean Cocteau one-act. The plot of this hour-long piece is a simple one: a woman, devastated after her lover leaves her for someone else, speaks to him on the phone one last time. The piece is beautifully, perfectly written and performed--all of the little lies and desperate hopes of heartbreak are captured. Bergman's performance is as brave as it is complex--she is willing to let her character crumble into an embarrassing weakness that few actresses would risk. Anyone who has ever nursed false hopes of salvaging a relationship will find this piece all too well done. See it, but not right after a breakup. --Ali Davis

Description

Ingrid Bergman plays a middle-aged woman going through a psychological crisis as a love affair ends. French playwright Jean Cocteau's one-character drama unfolds in the form of an extended monologue--a one-sided telephone conversation in which the woman tries to win back her lover despite her growing suspicion that he is calling from his young fiancée's home. "A tour de force... Ingrid Bergman gave a formidable display of passionate despair, showing a side in her talent not often vouchsafed by the movies." --Variety

Customer Reviews:

A Stunning Representation of a Woman's Emotions.......2005-07-03

Human Voice is initially unassuming and it takes about 5 minutes or more to fully realize the potential of this painful expose of a woman's emotions. The scenes all take place in one room.

Ingrid Bergman plays a woman in the most painful state she could possibly exist in besides the state in which she is mourning the loss of a child. She has just lost the love of her life and has tried to commit suicide. Fortunately she wakes to find she has survived taking all the pills in her medicine cabinet.

What happens next is rather disturbing really. When a woman feels these emotions, she may happen to glance at herself in the mirror, but more than likely she is in bed crying her eyes out. The honesty is captivating, but painful to observe.

Through a one-sided telephone conversation a woman first tries to hide her feelings and then after numerous attempts to talk to the man she loves and convince him she is handling the break up, she finally breaks down. She experienced devastation, desperation, completely heartache, longings of the soul, everything a woman feels when she has lost the man she thinks she will spend the rest of her life with; it is poetic and tragic.

Ingrid Bergman wanders about in a pink housecoat, clinging to a old-fashioned phone and is stunning in this solo performance. At one point she wraps the phone cord around her neck and says that her lover's words are now around her neck. It is very provocative at times as she plays with ideas in creative ways.

This movie may stir up memories from the past and may cause you to hunt down doughnuts, chocolate or anything comforting. Watching this movie is similar to riding the waves in a storm. The sad part of this movie is that women feel these emotions all too often. The callousness of her lover is especially difficult to take. While we never hear his voice, we hear her reactions. Even when she is expressing her undying affection, he seems angry with her and displays an almost inhuman disregard for her feelings.

This movie might make you angry, it might make you cry and it will definitely leave you with a lasting impression. Human Voice is a true classic and one of the best representations of complete desperation and loss of self-esteem I've ever observed.

~The Rebecca Review

Faerie Tale Theatre - The Little Mermaid

Average customer rating:

TRUE LOVE REQUIRES TRUE SACRIFICE IN FAITHFUL VERSION OF POIGNANT AND BITTERSWEET STORY
I may look like your mother's bridge partner, but I assure you that I am a witch!
Good for a movie made in the 80's
One of the better episodes
a true FAERIE TALE THEATRE classic

Faerie Tale Theatre - The Little Mermaid
Starring: Brian Dennehy , Pam Dawber , Helen Mirren , Karen Black , and Patrick DeSantis
Director: Robert Iscove
Manufacturer: Starmaker II
ProductGroup: DVD
Binding: DVD

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ASIN: B00061UI1Y
Release Date: 2004-11-16

Description

A mermaid decides to drink a magical potion that will turn her tail into legs so she can be with the sailor she has fallen in love with.

Customer Reviews:

TRUE LOVE REQUIRES TRUE SACRIFICE IN FAITHFUL VERSION OF POIGNANT AND BITTERSWEET STORY.......2007-07-03

"Faerie Tale Theatre" productions are sometimes scary ("HANSEL & GRETEL") and often hilarious ("LITTLE RED RIDING HOOD", "THE PRINCESS AND THE PEA"). Rarely are they as touching and as poignant as this version of
"THE LITTLE MERMAID," directed by Robert Iscove from a teleplay by Anne Beatts.
You won't find any Disneyfied sea creatures singing a Broadway musical number under the sea; or a tacked-on Disney "happy ending" here. What we do have is a beautiful, live-action version that is faithful and true to Hans Christian Anderson's original bittersweet fairy tale.
The cast is superb. Pam Dawber's role as little mermaid Pearl, who sacrifices everything for the love of Sailor/Prince Andrew (the extremely attractive Treat Williams), is largely mute. So she must communicate her emotions mostly with just her eyes and face. The depth of sadness and despair she conveys in the face of unrequited love is truly heart-breaking.
Brian Dennehy is Pearl's father King Neptune, and also serves as Narrator. Loraine Newman and Donna McKechnie are featured as Pearl's sisters Coral and Anemone. Karen Black makes a memorable cameo appearance as the Sea Witch who begs Pearl not to sacrifice everything for the love of Andrew. "Trust me," she says, "no guy is worth it. Love is a disease that only humans catch. And once you've caught it, you can never be rid of it." The Sea Witch also tells her that when she walks on human legs, she will feel a pain like walking on knives. Nevertheless, she is prepared to endure anything. Unfortunately, although he cares for her, Andrew's heart belongs to Princess Amelia (Oscar winner Helen Mirren). Given a final opportunity to save herself, Pearl still can not and will not betray her beloved; teaching us that true love often requires truly tragic sacrifices. I actually cry every time I watch this.

I may look like your mother's bridge partner, but I assure you that I am a witch!.......2006-11-01

I don't need a singing crab, or barbie-esque animation to enjoy a faerie tale. Anyone who would compare the pioneering efforts of Shelley Duvall's faerie tale theatre to a Disney film is seriously beyond my comprehension.

I found this episode delightful as an eight-year-old boy, and I find it delightful 20 years later. Karen Black truly amazes as the sea witch. Her precious few minutes onscreen make it worth purchasing the disc. As for the rest of the cast, they all performed rather effectively in my opinion. I am anxiously awaiting the entire set.

Good for a movie made in the 80's.......2005-01-20

In response to M. Reinking's review, I agree that Disney's The Little Mermaid was the best Little Mermaid movie. And the quality of the acting and etc. of the Faerie Tale Theatre version is a little sad, but it was made in the 80's..or early early 90's...
Also, she did become a Spirit of the Air in the original Hans Christian Anderson story...because she spared the Prince's life. So I value this version of the story, because it's the first (and so far, only) true version of the actual story. I think that's what was good about all the Faerie Tale Theater movies. Also, if anyone happens to know...there was a bunch of fairy tales that used to show on the Disney Channel. Does anyone know what those were called? Please, let me know...

One of the better episodes.......2004-12-11

QUOTED FROM M REINKING -""One also must note the ending, which tries to change the sad ending of the original fairy tale where the Mermaid turns into seafoam, and that's the end of that. But here, they make her a "Spirit of the Air", so she can watch over her Prince. Blah. A bad ending to a bad film.""

M. Reinking obviously did not read the original story by Hans Anderson. Yes the mermaid did start to turn to sea foam, but that was not the end of that. in the book she was transformed into a "Daughter of the Air" and given a second chance at obtaining an eternal soul. So M Reinking doesn't even know what they are talking about.

As for the film, Yes, the special effects would be laughed at by kids today spoiled with amazing looking films like Harry Potter and Lord of the Rings. Where the film still stands strong though is in the story and performances by Pam Dawber, Treat Williams and the always admirable Helen Mirren. Shelly Duvall did a great service for kids in the 80's with her series of Faerie Tale Theaters. Sure today we have films and series of better quality but I would hope that everyone who grew up with these can still appriciate them the way they did when they were kids.

a true FAERIE TALE THEATRE classic.......2004-11-07

FAERIE TALE THEATRE's touching and tender recreation of THE LITTLE MERMAID (the second-last in the series) is one of their best efforts.

Pearl (Pam Dawber) is a beautiful young mermaid who lives with her father King Neptune (Brian Dennehy) and her sisters Coral and Anemonie (Donna McKechnie and Laraine Newman) in a kingdom at the bottom of the ocean. When Pearl comes of age and is allowed a brief glimpse of the world above the sea, she falls in love with a handsome Prince (Treat Williams) whom she saves from drowning when his ship has a fatal explosion.

She makes a bargain with the Sea Witch (Karen Black): her voice in exchange for a pair of legs and hopefully the love of the Prince. Once on land Pearl quickly returns to the Prince, though he only has eyes for the lovely Princess Emilia (Helen Mirren).

What follows is a heartbreaking story of selfless love and sacrifice, as Pearl risks everything for true love...

Pam Dawber leads a strong cast. Karen Black is amazing as the Sea Witch; Newman and McKechnie are a delight as Pearl's sisters and Treat Williams fills the role of the Prince admirably. A true gem in the series

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