Eugene O'Neill's A Moon for the Misbegotten (Broadway Theatre Archive)

Starring:Jason Robards, Colleen Dewhurst, Ed Flanders, Edwin McDonough, John O'Leary
Director: José Quintero, Gordon Rigsby
Studio: Image Entertainment
Product Type: DVD

Editorial Review:
Amazon.com
Eugene O'Neill's final completed play stands among his most compelling achievements. But its reception was tardy in grasping the true quality of this swan song. Written in the early 1940s, A Moon for the Misbegotten was first produced by the Theatre Guild in 1947 and was a flop; O'Neill himself voiced insecurity about the play before his death in 1953. If only he had experienced Jose Quintero's production in 1973, he would have seen his work vindicated. From the start, Moon is an immense challenge to cast properly and to pace effectively. The smallest miscalculation can shift what should be emotionally wrenching into insufferable sentimentality. This long, lyrical drama offers no place to hide from the searingly intense light it casts on its two central characters. Yet the match here between Colleen Dewhurst and Jason Robards is so ideal that they set the gold standard for the play, which has since become much better known in an increasing number of subsequent revivals.

On one level a sequel to Long Day's Journey into Night, Moon continues the former's process of exorcism, but without its turmoil and rage. Instead, the tone--so beautifully calibrated in Quintero's sense of rhythm and musical shaping--is one of elegy, resignation, and compassion. Robards built a career on his uncanny ability to project himself as a soulmate of O'Neill's down-and-out, disillusioned breed of "misbegotten" mortals. He plays alcoholically self-destructive, poetry-quoting older brother Jamie Tyrone (from Journey) with hard-edged honesty. The "giantess" earth-mother Josie is eloquently realized by Colleen Dewhurst in a sturdy and stoical but nuanced portrayal that makes Jamie's confession at the heart of Moon just as much her story and need to experience a "night different from all the rest." Somehow, in the unexpected grace they share, both manage to break free, just for one night, from the patterns they've allowed to predict their behavior. Ed Flanders (who won a Tony with Dewhurst for the revival) brings a magnificent deadpan humor to the Irish tenant farmer father Hogan, concealing his love behind a shared ritual of play-acting with Josie.

Amazon.com

Eugene O'Neill's final completed play stands among his most compelling achievements. But its reception was tardy in grasping the true quality of this swan song. Written in the early 1940s, A Moon for the Misbegotten was first produced by the Theatre Guild in 1947 and was a flop; O'Neill himself voiced insecurity about the play before his death in 1953. If only he had experienced Jose Quintero's production in 1973, he would have seen his work vindicated. From the start, Moon is an immense challenge to cast properly and to pace effectively. The smallest miscalculation can shift what should be emotionally wrenching into insufferable sentimentality. This long, lyrical drama offers no place to hide from the searingly intense light it casts on its two central characters. Yet the match here between Colleen Dewhurst and Jason Robards is so ideal that they set the gold standard for the play, which has since become much better known in an increasing number of subsequent revivals.

On one level a sequel to Long Day's Journey into Night, Moon continues the former's process of exorcism, but without its turmoil and rage. Instead, the tone--so beautifully calibrated in Quintero's sense of rhythm and musical shaping--is one of elegy, resignation, and compassion. Robards built a career on his uncanny ability to project himself as a soulmate of O'Neill's down-and-out, disillusioned breed of "misbegotten" mortals. He plays alcoholically self-destructive, poetry-quoting older brother Jamie Tyrone (from Journey) with hard-edged honesty. The "giantess" earth-mother Josie is eloquently realized by Colleen Dewhurst in a sturdy and stoical but nuanced portrayal that makes Jamie's confession at the heart of Moon just as much her story and need to experience a "night different from all the rest." Somehow, in the unexpected grace they share, both manage to break free, just for one night, from the patterns they've allowed to predict their behavior. Ed Flanders (who won a Tony with Dewhurst for the revival) brings a magnificent deadpan humor to the Irish tenant farmer father Hogan, concealing his love behind a shared ritual of play-acting with Josie.

Description

Theatrical sparks flew when veteran Eugene O'Neill interpreters Jason Robards and Colleen Dewhurst joined forces in the celebrated 1973 revival of O'Neill's tender semi-autobiographical drama. In a towering performance, the great Robards portrays a cynical, self-hating alcoholic actor based on O'Neill's elder brother, Jamie. The majestic Colleen Dewhurst plays the earthy, gruff daughter of his scheming Irish tenant farmer (Ed Flanders), with whom the failed actor spends a soul-baring night of guilt-ridden confessions, tenderness, and absolution. Both Dewhurst and Flanders won Tony Awards for their performances.

Customer Reviews:

a masterpiece.......2005-10-13

this production has some of the greats in it and directing it. jason robards and colleen dewhurst really make the characters come alive. it is a bittersweet story, all the more satisfying if you happened to have seen "long days journey into night" first. Eugene O'Neill is a master.

totally satisfied.......2005-07-28

Delivery was prompt in a well conditioned packaging.
Good quality recording of a known play by Nobel Prize winner Eugene O'Neill.I am totally satisfied

Theatrical Experience of the Decade?.......2002-07-09

This play revival marks the pinnacle of several noteworthy careers. Jose Quintero has made a reputation, in part, as his generation's foremost interpreter of O'Neill. Colleen Dewhurst was one of the great stage actresses of her time. Those aware of the history of the American Stage, know about Jason Robards' credentials when it comes to nailing down an O'Neill character. Throw in Hal Holbrooke for good measure, in ostensibly his finest stage performance apart from Mark Twain Tonight, and you've got a harmonic convergence of the highest order.

For those who were not lucky enough to watch the magic unfold on stage, this video will have to suffice. Though it suffers from the same limitations as other filmed versions of staged performances, it is nevertheless a record to be treasured by lovers of O'Neill, theatre fans, and connisseurs of great acting and directing everywhere and always.

Those of us who had the pleasure to know Jason Robards, know how close the actor's own past paralleled that of the character he portrayed in this play (James Tyrone, Jr.). Like Tyrone, Robards fought with his alcoholic demons. In his last decades, he conquered his disease, with the help of a strong, loving, Irish-American wife. Robards threw himself exhaustingly, night after night into this role, as did Dewhurst. The result was an evening of true catharsis, in the strict Greek sense of the word, for actors and audience. As Dewhurst cradles Robards in her pieta-like embrace and the lights fade out at the end of the play, we know we have all been changed by a profound confluence of talent and tears.

The Moon and the Stars.......2002-05-07

Written in 1943, it took "A Moon for the Misbegotten" over 30 years to find its place as one of the most important works in the Eugene O'Neill canon. First produced on Broadway in 1958, the play was originally dismissed as second-rate O'Neill. It took the powerhouse 1974 revival directed by Jose Quintero and starring Jason Robards, Colleen Dewhurst and Ed Flanders to finally earn O'Neill's painful reminiscence about his brother Jamie, unforgettably introduced to audiences in "Long Days Journey Into Night," the deserved accolade of "masterpiece."

The story is incidental: dirt farmers Josie and her father attempt to dupe their alcoholic landlord James Tyrone, Jr. into spending the night with Josie in the hopes of initiating a vague stab at retaliation against a scheme that Tyrone has hatched against him. But when the drunken lessor shows up for the assignation, what unfolds is a series of jolting revelations that leaves all of the characters - and the audience - emotionally spent, with only a lingering sense of compassion haunting their well-traveled spirits.

amazon.com

First, A conversation with Harvard professor Stanley Hoffmann about France, Iraq, and US forein policy around the world. || Next, Actor Kevin Spacey talks about the Broadway production of Eugene O'Neill's "Moon for the Misbegotten".

DVD:

DVD

DVD

DVD

Versus (Director's Cut)

Saints For Kids - Vol. 3 : Video

13 Moons (REGION 1) (NTSC)

DVD: Mark of Zorro/Don Q. Son of Zorro

Gesetzbuch der lateinischen Kirche. Bd. 1. Allgemeine Normen