Evelyn

Starring:Sophie Vavasseur, Niall Beagan, Hugh McDonagh, Pierce Brosnan, Mairead Devlin, Frank Kelly (II), Claire Mullan, Alvaro Lucchesi, Garrett Keogh, Daithi O'Suilleabhain, Andrea Irvine, Marian Quinn, Karen Ardiff, Julianna Margulies, Bosco Hogan, Des Braiden, Sorcha Herlihy, Lauren Carpenter, Lauren O'Connell, Stephen Rea
Director: Bruce Beresford
Studio: MGM (Video & DVD)
Product Type: DVD
Editorial Review:
Amazon.com
With a gentle tug at the heartstrings, Evelyn tells the true story of an imperfect father whose devotion brought much-needed change to rigid Irish law. It's a labor of love for star and coproducer Pierce Brosnan, who brings just the right touch of Everyman charm to his role as Desmond Doyle, a struggling Dublin tradesman, father of three, and chronic pub-crawler whose wife abandons their family the day after Christmas, 1953. Desmond's a loving father who's boyishly irresponsible; Irish law dictates the removal of his children to stern Catholic orphanages, and his battle for custody is aided by two lawyers (Stephen Rea, Aidan Quinn) who seize this opportunity to revolutionize the courts. With straightforward, unobtrusive style, director Bruce Beresford draws fine performances from Brosnan, Julianna Margulies (as a barmaid who inspires Desmond's sobriety), and especially young Sophie Vavasseur in the title role as Desmond's bright, determined daughter. Sentimental without being saccharine, Evelyn is simple, well made, and bursting with genuine Irish spirit. --Jeff Shannon
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- A Great Lie Lesson for Pinocchio
- Was my father favorite carttoon !
- My least favorite Disney animation
- ONE OF THE ALL TIME GREATS NEEDS AN UPGRADED EDITION!
- My Favorite Classic Disney from Years Past
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Pinocchio (Disney Gold Classic Collection)
Starring: Walter Catlett , Frankie Darro , Patricia Page , Cliff Edwards , and Don Brodie
Director: Hamilton Luske , and Ben Sharpsteen
Manufacturer: Walt Disney Video
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ASIN: B00001QEE9
Release Date: 1999-10-26 |
Amazon.com essential video
This Disney masterpiece from 1940 will hold up forever precisely because it doesn't restrain or temper the most elemental emotions and themes germane to its story. Based on the Collodi tale about a wooden puppet who wants to become a real boy, Pinocchio is among the most magical, mythical, and frightening films to come from the studio in its long history. A number of scenes make permanent impressions on young minds (just ask Steven Spielberg, who quoted the film more than once in Close Encounters of the Third Kind), and the songs ("When You Wish upon a Star") can't be beat. --Tom Keogh
Customer Reviews:
A Great Lie Lesson for Pinocchio.......2007-05-22
I love Pinocchio when he lies. His nose grew and grew longer and sure gives me an idea how creative author has. It's original powerful animation that Walt Disney has to present. Also I must add when Pinocchio asking the creator Why, Why, and Why and suddenly I asked my parents why Pinocchio asking Why's. A perfect family animation film.
Was my father favorite carttoon !.......2007-04-13
My father loved Disney 's Pinocchio as a child and I still had the video tape of the carttoon in his memory !
My least favorite Disney animation.......2007-04-09
I've enjoyed a lot of classics by Walt himself - Dumbo, Bambi, 101 Dalmatians, Lady and the Tramp etc. But I just cannot bring myself to like Pinocchio. I'm sorry, but it looked like was made for babies, or four or five year olds at the most. Although, even at the age of five, I found it too childish. I've heard some reviewers say that this film is quite dark, but I just cannot believe that! Firstly, they tried too hard on the animation. It was far too saturated. The colour is all screwed up. The acting is poor. The only good well-developed character is Jiminy Cricket. The other characters are very underdeveloped, so I didn't really care what happened to them. They made Pinocchio really sickly sweet, and I didn't feel for him, he was just annoying. The plot is ridiculous. It was just Pinocchio and Jiminy running into one problem after another. Oh, and the donkey scene is not disturbing - it's just plain stupid!
All in all, Pinocchio is only of interest to VERY young children. Otherwise, do not waste your money. If you want a good family film, rent Amblimation's 'Balto' instead.
ONE OF THE ALL TIME GREATS NEEDS AN UPGRADED EDITION!.......2007-03-13
This is one of Disney's finest animated features and it has not had a complete restoration done!! Mind boggling! The print here looks like it is direct from VHS. I hope there is a 2 disc Platinum edition coming soon?
My Favorite Classic Disney from Years Past.......2007-02-22
This movie is a beautifully-made masterpiece that, very unfortunately, seems to be overlooked sometimes because of other old Disney movies that were made around that time (like Snow White). However, of all the "old" Disney movies (made before the era of Eisner), this is the one that most hits the mark for me. Not only is it an interesting story with involving characters, but the overlooked soundtrack is also quite wonderful. "Hi-Diddle-Dee-Dee" is an old favorite of mine, and not to mention "Little Wooden Head" is a catchy little tune. This is my favorite of the oldies-but-goodies because not only does it completely hit the mark, but it doesn't rely on the old cliche of "princess captured by evil stepmother and then saved later on by a nameless Prince Charming who has no personality whatsoever". Though some of those movies are good, like Snow White, some of them are dull like Cinderella, and this movie doesn't make you make that choice.
Now I haven't always been a fan of this movie; this is more of a "grown-up" movie than many of the others that were made around that time. This is a darker tale than the likes of Snow White, and a more intense and involving one than movies like Cinderella. It also doesn't follow the oft-degraded Disney Formula, because there's no real cookie-cutter "bad guy". And since there's no real cookie-cutter bad guy, it makes it all the more interesting to see four or five villains make their entrances and exits, more like a real-life fairy tale than others. None of the villains "gets what he deserves", like in most Disney movies where they fall to their deaths.
That isn't to say that the other Disney movies aren't good. That is, however, to say that this Disney movie was ahead of its time in its innovations in realistic story developments. Granted, the story itself isn't that realistic, but we all know the story, and can take it for granted. And I'm not saying that the film is COMPLETELY underrated either. Just about everybody's heard the song "When You Wish Upon A Star", and it truly is a wonderfully sweet tune.
Speaking of which, Jiminy Cricket is a masterpiece of a character if there ever was one. And there are plenty of other great characters in this movie too: the old puppet master, Geppetto, who just wants a real boy; Cleo and Figaro, the domesticated fish and jealous cat; and of course many great villains, including Honest John, Stromboli, Lampwick, and of course Monstro, most of whom are also used for on-the-spot comic relief. But despite the comic relief, there are definitely some scenes that are too scary for the youngsters, including quite a few edgy scenes including the mad old puppeteer Stromboli. However, it's not ALL dark, which is good. There are some very fun, and some laugh-out-loud funny, scenes, both for the youngsters and for the adults.
Overall, this truly is a great movie for anybody, but especially for those who have ever been through the struggle of being a real boy. :)
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- Gone With the Wind
- Four-Disc Collector's Edition Gives New Luster to Selznick's masterpiece...
- THE GREATEST MOVIE OF ALL TIME!!!
- The best movie of all times
- Gone with the Wind DVD must have set
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Gone with the Wind (Two-Disc Special Edition)
Starring: Everett Brown , Fred Crane , Clark Gable , Howard C. Hickman , and Leslie Howard
Director: Cukor, George , and Fleming, Victor
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ASIN: B000BYA4LA
Release Date: 2006-01-31 |
Amazon.com essential video
David O. Selznick wanted Gone with the Wind to be somehow more than a movie, a film that would broaden the very idea of what a film could be and do and look like. In many respects he got what he worked so hard to achieve in this 1939 epic (and all-time box-office champ in terms of tickets sold), and in some respects he fell far short of the goal. While the first half of this Civil War drama is taut and suspenseful and nostalgic, the second is ramshackle and arbitrary. But there's no question that the film is an enormous achievement in terms of its every resource--art direction, color, sound, cinematography--being pushed to new limits for the greater glory of telling an American story as fully as possible. Vivien Leigh is still magnificently narcissistic, Olivia de Havilland angelic and lovely, Leslie Howard reckless and aristocratic. As for Clark Gable: we're talking one of the most vital, masculine performances ever committed to film. --Tom Keogh
Customer Reviews:
Gone With the Wind.......2007-06-20
One of the world's most cherished and enduring pictures, "Wind" was birthed in the mind of novelist Margaret Mitchell and incubated by the brilliant, obsessive David O. Selznick, who spared no expense in bringing this powerful, affecting story to the big screen. The ultra-lavish production features ornate costumes and art design, jaw-dropping set pieces and historical sequences (especially the burning of Atlanta, for which a Hollywood set was torched), all wrapped around the story of a resourceful, if not likable, heroine. Leigh plays the self-absorbed Scarlett to perfection, while Gable's Rhett is devilishly suave and fiercely masculine. Grand studio filmmaking at its aristocratic best, Selznick's brainchild nabbed an armload of Oscars, including Best Picture.
Four-Disc Collector's Edition Gives New Luster to Selznick's masterpiece..........2007-06-08
Just as Margaret Mitchell's Pulitzer Prize-winning novel was one of the most readable works ever written, so is David O. Selznick's production one of the most watchable films of all time. Something is happening every moment--and all of the characters relate to each other in fascinating ways only apparent after repeated viewings. It's the kind of movie that transports you to a time and place that may not have existed except in the mind of its Southern author--and yet, whatever historical inaccuracies are presented here--it's a remarkable achievement and has rightly become a part of American folklore and culture.
No other film has so many memorable "quotes" from a large cast of characters--and at the centerpiece is Vivien Leigh's striking performance as the willful Southern belle. Others around her are equally impressive, down to the smallest character roles--everyone has their moment of glory with the only weakness being the casting of Leslie Howard as Ashley Wilkes. Otherwise, the casting is perfect--Clark Gable, Olivia de Havilland, Thomas Mitchell, Barbara O'Neil, Evelyn Keyes, Harry Davenport, Jane Darwell, Victor Jory, Ann Rutherford, Rand Brooks, Ona Munson--and the wonderful Hattie McDaniel giving the most genuine display of emotion in the whole film with her "staircase scene" with Melanie when she tells Scarlett's friend what Rhett has said and done after Bonnie's death.
All of the sets, costumes, art direction and photography are of the highest order. William Cameron Menzie's production design is superb (he storyboarded the whole concept of what the scenes should look like with beautiful watercolor paintings). The one film above all others that shows what Hollywood's expertise could do with a gigantic novel when transferring it to the screen.
Much of the dialog is witty and pointed with some of the best lines delivered in mocking style by Clark Gable. An abundant amount of humor and sharp observations about human nature are present in the script. No wonder it's still the most beloved American movie of all time--not just here in the U.S. but elsewhere in the international market. It was an instant classic and still remains one, richly deserving all eight of the Oscars it won, as well as the Irving G. Thalberg Award for David O. Selznick.
Selznick would have been proud of what the Ultra-Resolution process has been able to achieve in the new 4-Disc version. Image clarity has never been as fully realized before and makes the viewing an even richer movie-going experience for today's viewers. Highly recommended.
"The Making of a Legend" is included, one of the best documentaries ever filmed about a feature film that was an instant classic with critics and public, and the "Melanie Remembers" feature gives Olivia de Havilland the chance to recall why making the film remains one of her favorite memories.
THE GREATEST MOVIE OF ALL TIME!!!.......2007-06-03
This is the Greatest Movie of all time because all aspects of the movie were carefully and painstakingly crafted with such precision and agility. The story is a classic and the cinematography is superb. The lighting is dream-like and the delivery of acting compliments the era that was showcased. There will never be a production such as this. Clark Gable is at his prime as the dashing Leading Man. Vivian Leigh steals all scenes and it is no wonder that she won the Academy Award for this picture. George Reeves plays one of the twins in the very early part of the movie. He is Super! This movie was well- directed and produced. It has endured the test of time. Frankly, my Dear ...You will give a Damn about this Classic. Pick it up today!
Noel Serrano
The best movie of all times.......2007-05-17
This 4 DVD set is a must to own for those who like this probably the best movie ever made.
Gone with the Wind DVD must have set.......2007-05-14
I never get tired of this movie. And the four disc set is really nice. I consider it a must for my DVD collection.
Average customer rating:
- Rear Window
- Brutally...Boring!!!!
- Showing its age, but it is still Stewart, Kelly and Hitch...
- Not So Thrilling
- Best Hitchcock film ever!
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Rear Window (Collector's Edition)
Starring: Ross Bagdasarian , Benny Bartlett , Sara Berner , Raymond Burr , and Frank Cady
Manufacturer: Universal Studios
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ASIN: B00003CXC7
Release Date: 2001-03-06 |
Amazon.com essential video
Like the Greenwich Village courtyard view from its titular portal, Alfred Hitchcock's classic Rear Window is both confined and multileveled: both its story and visual perspective are dictated by its protagonist's imprisonment in his apartment, convalescing in a wheelchair, from which both he and the audience observe the lives of his neighbors. Cheerful voyeurism, as well as the behavior glimpsed among the various tenants, affords a droll comic atmosphere that gradually darkens when he sees clues to what may be a murder.
Photographer L.B. "Jeff" Jeffries (James Stewart) is, in fact, a voyeur by trade, a professional photographer sidelined by an accident while on assignment. His immersion in the human drama (and comedy) visible from his window is a by-product of boredom, underlined by the disapproval of his girlfriend, Lisa (Grace Kelly), and a wisecracking visiting nurse (Thelma Ritter). Yet when the invalid wife of Lars Thorwald (Raymond Burr) disappears, Jeff enlists the two women to help him to determine whether she's really left town, as Thorwald insists, or been murdered.
Hitchcock scholar Donald Spoto convincingly argues that the crime at the center of this mystery is the MacGuffin--a mere pretext--in a film that's more interested in the implications of Jeff's sentinel perspective. We actually learn more about the lives of the other neighbors (given generic names by Jeff, even as he's drawn into their lives) he, and we, watch undetected than we do the putative murderer and his victim. Jeff's evident fear of intimacy and commitment with the elegant, adoring Lisa provides the other vital thread to the script, one woven not only into the couple's own relationship, but reflected and even commented upon through the various neighbors' lives.
At minimum, Hitchcock's skill at making us accomplices to Jeff's spying, coupled with an ingenious escalation of suspense as the teasingly vague evidence coalesces into ominous proof, deliver a superb thriller spiked with droll humor, right up to its nail-biting, nightmarish climax. At deeper levels, however, Rear Window plumbs issues of moral responsibility and emotional honesty, while offering further proof (were any needed) of the director's brilliance as a visual storyteller. --Sam Sutherland
Customer Reviews:
Rear Window.......2007-06-26
One of the most celebrated films in history, this classic takes its time, but once the tension starts building, it doesn't stop until the heart-pounding conclusion is upon you. A new peak for Hitchcock in blending the story of a crime that may have happened with the dark side of human obsession--in this case, voyeurism. The movie marks a high point for James Stewart, who would be remembered as Hitchcock's most human and vulnerable hero. And who can resist the bewitching Grace Kelly?
Brutally...Boring!!!!.......2007-05-21
Alfred Hitchcock made approximately zero good movies in his life except maybe The Birds, which I liked a lot. But most of his movies, including and especially Rear Window are just two hours of people sitting around talking about suspenseful things. I know because they're old these movies are supposed to be so great, but you can't tell me that Rear Window is as exciting as a movie like Disturbia!!! I guess you can tell me that, but I don't plan to listen to you.
Here's what happens in Rear Window:
No, I didn't make a mistake in that paragraph. I was proving a point that nothing happens (by leaving a lot of blank space after the colon). It's a movie about Jimmy Stewart sitting in a wheelchair and watching real action happen through binoculars. Guess what, Alfred Hitchcock? Maybe it would have been a better movie if we had been watching whatever was going on in that other building and not wasted our time watching the guy who was watching all the cool stuff go down!
That would be like if Steven Spielberg decided to make E.T. a story about a scientist in a lab coat who does nothing for 2 hours and then at the end he gets to poke and prod a little alien fella for about a second. Hey, Steven Spielberg: thanks for not making that movie!!!
Anyway, Rear Window is not recommended for the young or the young at heart, but maybe for the young at brain.
Showing its age, but it is still Stewart, Kelly and Hitch..........2007-05-08
This suspense yarn is quieter than many of Hitchcock's efforts, and the New York apartment life it depicts, along with how one recovers from a broken leg, operates a life as a free-lance photographer, and courts a fashion model girlfriend, are all quite changed from 50 years ago. If you must have the same tale updated, try the Christopher Reeve version from about ten years ago...it has charms of its own, but it isn't Hitchcock, and it does lack Jimmy and Grace (who is hot as a pistol despite keeping her clothes on.) In Hitchcock's version, the heroes are at least innocent, if not naive, and the bad guy is a killer, but not a psychopathic mass murderer who kills strangers for no reason. Worth seeing for the stars' performances in roles that give them little to do physically, and much to convey psychologically.
Not So Thrilling.......2007-05-08
Rear Window is the story of a photographer with a broken leg (Jimmy Stewart). He spends his time in his wheelchair confined to his room with little to do but spy on the neighbors. There is a ballerina star, a lonely middle-aged woman, and a married couple. He becomes very interested in the married couple when one day the invalid wife disappears and the husband begins acting strangely. The photographer includes his girlfriend (Grace Kelly), his nurse (Thelma Ritter), and a detective friend in his theory that the man murdered his wife.
When one thinks of Hitchcock, thoughts of crimes and plot twists come to mind. This film seems to be much more straightforward. It moves very slowly and none of the big events in the film seem all that major to the audience because most of them happen outside Stewart's apartment building. The most exciting part of the film is of course the ending, but even it is too little too late. If you have high expectations for this film as a constant thrill ride, see another film. You will certainly be disappointed.
Best Hitchcock film ever!.......2007-04-15
How can anyone not like Rear Window starring Jimmy Stewart and Grace Kelly? There should be absolutely zero thats who!! I recently bought it on DVD and have never stopped watching it since. Everything is so perfect, the cast, the story, the direction, even the cinematography is striking. James Stewart as the protagonist L.B. Jefferies and Grace Kelly as his love interest Lisa Fremont were excellent together throughout the film along with the supporting characters. The story was a clever fresh execution displaying the whole mystery that needed to be solved from an apartment window. The movie is a film that should be watched while your laying down with your feet propped up at night when you have nothing else to do in that busy schedule. I have seen just about every Hitchcock film out there that were all very good, but my favorite is still Rear Window. Simply Amazing!
Average customer rating:
- Gone With the Wind
- Four-Disc Collector's Edition Gives New Luster to Selznick's masterpiece...
- THE GREATEST MOVIE OF ALL TIME!!!
- The best movie of all times
- Gone with the Wind DVD must have set
|
Gone with the Wind (Four-Disc Collector's Edition)
Starring: Clark Gable , Vivien Leigh , Leslie Howard , Olivia de Havilland , and Thomas Mitchell
Director: Victor Fleming , George Cukor , and Sam Wood
Manufacturer: Warner Home Video
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ASIN: B0002V7TZ6
Release Date: 2004-11-09 |
Amazon.com essential video
David O. Selznick wanted Gone with the Wind to be somehow more than a movie, a film that would broaden the very idea of what a film could be and do and look like. In many respects he got what he worked so hard to achieve in this 1939 epic (and all-time box-office champ in terms of tickets sold), and in some respects he fell far short of the goal. While the first half of this Civil War drama is taut and suspenseful and nostalgic, the second is ramshackle and arbitrary. But there's no question that the film is an enormous achievement in terms of its every resource--art direction, color, sound, cinematography--being pushed to new limits for the greater glory of telling an American story as fully as possible. Vivien Leigh is still magnificently narcissistic, Olivia de Havilland angelic and lovely, Leslie Howard reckless and aristocratic. As for Clark Gable: we're talking one of the most vital, masculine performances ever committed to film. --Tom Keogh
Description
DVD Features: Disc 1 & 2 (The Film)
* Commentary by film historian Rudy Behlmer
* 5.1 Dolby Digital Soundtrack
* Original Mono Soundtrack
DVD Features: Disc 3
* The Making of a Legend: Gone With The Wind the acclaimed 1989 documentary made by Selznick's sons and narrated by Christopher Plummer (125 Minutes, Never-before-available on DVD)
* Restoring a Legend- An in-depth look at the restoration and Ultra-Resolution process utilized by Warner Bros. For this new DVD presentation
* Footage from 1939 Atlanta and 1961 Civil War Centennial Atlanta premieres
* The Old South - Fred Zinnerman directed this historical 1940 theatrical short, which was shown by MGM in theatres prior to the release of Gone With The Wind
DVD Features: Disc 4
* Melanie Remembers: Olivia de Havilland Recalls Gone With The Wind - All new documentary produced especially for this new DVD set, features Ms. de Havilland's personal recollections of the film
* Clark Gable: A King Remembered - A Portrait of the legendary actor's long and distinguished career as M-G-M's most famous leading man
* Vivien Leigh: Scarlett and Beyond hosted by Jessica Lange, this is an insightful look at Leigh's short and troubled life
* Mini documentaries covering lives and careers of the most prominent cast members
Customer Reviews:
Gone With the Wind.......2007-06-20
One of the world's most cherished and enduring pictures, "Wind" was birthed in the mind of novelist Margaret Mitchell and incubated by the brilliant, obsessive David O. Selznick, who spared no expense in bringing this powerful, affecting story to the big screen. The ultra-lavish production features ornate costumes and art design, jaw-dropping set pieces and historical sequences (especially the burning of Atlanta, for which a Hollywood set was torched), all wrapped around the story of a resourceful, if not likable, heroine. Leigh plays the self-absorbed Scarlett to perfection, while Gable's Rhett is devilishly suave and fiercely masculine. Grand studio filmmaking at its aristocratic best, Selznick's brainchild nabbed an armload of Oscars, including Best Picture.
Four-Disc Collector's Edition Gives New Luster to Selznick's masterpiece..........2007-06-08
Just as Margaret Mitchell's Pulitzer Prize-winning novel was one of the most readable works ever written, so is David O. Selznick's production one of the most watchable films of all time. Something is happening every moment--and all of the characters relate to each other in fascinating ways only apparent after repeated viewings. It's the kind of movie that transports you to a time and place that may not have existed except in the mind of its Southern author--and yet, whatever historical inaccuracies are presented here--it's a remarkable achievement and has rightly become a part of American folklore and culture.
No other film has so many memorable "quotes" from a large cast of characters--and at the centerpiece is Vivien Leigh's striking performance as the willful Southern belle. Others around her are equally impressive, down to the smallest character roles--everyone has their moment of glory with the only weakness being the casting of Leslie Howard as Ashley Wilkes. Otherwise, the casting is perfect--Clark Gable, Olivia de Havilland, Thomas Mitchell, Barbara O'Neil, Evelyn Keyes, Harry Davenport, Jane Darwell, Victor Jory, Ann Rutherford, Rand Brooks, Ona Munson--and the wonderful Hattie McDaniel giving the most genuine display of emotion in the whole film with her "staircase scene" with Melanie when she tells Scarlett's friend what Rhett has said and done after Bonnie's death.
All of the sets, costumes, art direction and photography are of the highest order. William Cameron Menzie's production design is superb (he storyboarded the whole concept of what the scenes should look like with beautiful watercolor paintings). The one film above all others that shows what Hollywood's expertise could do with a gigantic novel when transferring it to the screen.
Much of the dialog is witty and pointed with some of the best lines delivered in mocking style by Clark Gable. An abundant amount of humor and sharp observations about human nature are present in the script. No wonder it's still the most beloved American movie of all time--not just here in the U.S. but elsewhere in the international market. It was an instant classic and still remains one, richly deserving all eight of the Oscars it won, as well as the Irving G. Thalberg Award for David O. Selznick.
Selznick would have been proud of what the Ultra-Resolution process has been able to achieve in the new 4-Disc version. Image clarity has never been as fully realized before and makes the viewing an even richer movie-going experience for today's viewers. Highly recommended.
"The Making of a Legend" is included, one of the best documentaries ever filmed about a feature film that was an instant classic with critics and public, and the "Melanie Remembers" feature gives Olivia de Havilland the chance to recall why making the film remains one of her favorite memories.
THE GREATEST MOVIE OF ALL TIME!!!.......2007-06-03
This is the Greatest Movie of all time because all aspects of the movie were carefully and painstakingly crafted with such precision and agility. The story is a classic and the cinematography is superb. The lighting is dream-like and the delivery of acting compliments the era that was showcased. There will never be a production such as this. Clark Gable is at his prime as the dashing Leading Man. Vivian Leigh steals all scenes and it is no wonder that she won the Academy Award for this picture. George Reeves plays one of the twins in the very early part of the movie. He is Super! This movie was well- directed and produced. It has endured the test of time. Frankly, my Dear ...You will give a Damn about this Classic. Pick it up today!
Noel Serrano
The best movie of all times.......2007-05-17
This 4 DVD set is a must to own for those who like this probably the best movie ever made.
Gone with the Wind DVD must have set.......2007-05-14
I never get tired of this movie. And the four disc set is really nice. I consider it a must for my DVD collection.
Average customer rating:
- Paul Newman's Finest Performance, in Tale of Redemption...
- Mesmerizing.
- Great film and an unforgettable acting performance
- There are no other cases. This is the case!
- The last gem of Sidney Lumet
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The Verdict (Two-Disc Collector's Edition)
Starring: Paul Newman , Charlotte Rampling , Jack Warden , James Mason , and Milo O'Shea
Director: Sidney Lumet
Manufacturer: 20th Century Fox
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ASIN: B000O77SPY
Release Date: 2007-06-12 |
Amazon.com essential video
In this 1982 courtroom drama written by David Mamet and directed by Sidney Lumet, Paul Newman found the perfect role for a transitional period of his stellar career. As alcoholic Boston lawyer Frank Galvin, Newman shook off his screen persona as a handsome, blue-eyed hunk to portray an aging, weary man whose best years are behind him, with a shot-glass future that looks very bleak indeed. But when Galvin is given a chance to redeem himself--by proving medical negligence in the case of a comatose woman--he makes one final effort to regain his self-respect and tarnished reputation. He's an underdog against formidable odds, facing a powerful, politically connected lawyer (James Mason, slick as ever) who will do anything to win his case, regardless of professional ethics. Further complicating matters is a woman (Charlotte Rampling) who only appears to be worthy of Galvin's trust and love, until Galvin's best friend and colleague (Jack Warden) proves otherwise. Excellent as both courtroom drama and riveting character study, the film crackles with Mamet's sharp dialogue; and Lumet's direction is a brilliant example of forceful restraint. The film gave Newman one of the best roles of his career; many felt he deserved the Oscar (he lost to Ben Kingsley in Gandhi) that would belatedly be given to Newman for The Color of Money. Along with Hud, Cool Hand Luke, and Butch Cassidy and the Sundance Kid, The Verdict ranks highly as a signature performance by one of America's all-time greatest actors. --Jeff Shannon
Description
Sidney Lumet's riveting courtroom drama earned five Oscar(r) nominations including Best Picture and Best Actor for Paul Newman's towering performance as a down-and-out alcoholic attorney who stumbles onto one last chance to redeem himself. When attorney Frank Calvin (Newman) is given an open-and-shut medical malpractice case that no one thinks he can win, he courageously decides to refuse a settlement from the hospital. Instead he takes the case, and the entire legal system, to court.
Customer Reviews:
Paul Newman's Finest Performance, in Tale of Redemption..........2007-06-22
In a career of unforgettable portrayals, "The Verdict" stands as Paul Newman's pinnacle; as a shattered idealistic lawyer, on an alcoholic road to self-destruction, finding a chance at redemption, he is absolutely perfect. With respect to Ben Kingsley, Newman SHOULD have won the 'Best Actor' Oscar in 1982!
Directed by Sidney Lumet, from a remarkably candid screenplay by David Mamet, this is a film that never makes a wrong step. Newman's 'Frank Galvin' is not heroic, or even likable, in the film's opening scenes, but he finds, in a simple malpractice suit, an injustice so blatant that he sees an opportunity to redeem himself...but he'll have to defeat a rich, duplicitous law firm (headed by legendary James Mason), argue before an indifferent judge (Milo O'Shea), and, worst of all, face betrayal from within his tiny circle of friends, if he has any hope of rising out of his personal 'hell'.
With a superb cast, including the remarkable Jack Warden as his ex-mentor/best friend, and Charlotte Rampling, as the woman he trusts far too much, "The Verdict" is raw, powerful, and occasionally disturbing, but never dull!
This new two-disc edition is certainly THE version to own, with commentary by Newman and Lumet, and an entire disc of extras, including Lumet and Newman's personal recollections, and several 'Making of' documentaries, from 1982, and today. You'll never find a more complete presentation of a truly extraordinary film!
There are few films that I can watch, again and again, and never grow tired of..."The Verdict" is one. Bravo to Newman, Lumet, Mamet, and everyone involved in creating this classic!
Mesmerizing. .......2007-01-01
The Verdict is one of the most powerful films I've ever seen in my life. Frankly, I'm not sure what to rave over more--Newman's acting ability or the script itself. Imagining a physically gifted and charismatic man like Newman as an alcoholic loser on his last legs is not an easy thing to do, but his performance accomplishes this seamlessly. As for Mason, what a loss his death was because even nearing the end of his life he could do absolutely everything. His portrayal of Concannon is quite amazing. In O'Shea, Warden, and Rampling the lesser characters become quite major, and the courtroom finale is so good that I watched it several times over again. This should be on everyone's Top 50 list, in my humble opinion.
Great film and an unforgettable acting performance.......2006-11-10
Frank Galvin (Paul Newman) is on a downward slide as an ambulence-chasing alcoholic lawyer when his associate (Jack Warden) tries to slap him out of his stupor in order to remind him that he is throwing away an opportunity to get back on his feet. Galvin starts going through the motions of collecting information about a case that involves a young child-bearing woman who suffered brain damage as a result of being given the wrong anaesthesia. Some of his old fight comes back to him when he starts to realize the negligence involved, and before he has thought much about it, he starts on the path of what he takes to be doing the right thing. But doing the right thing can be a formidible undertaking. He had once lost a prestigious job and his wife had divorced him after he tried to do right thing. Now, as he struggles to clear out the cobwebs, before he realizes it, he has managed to alienate almost everyone, including his previously very trusting clients, and faces almost all by himself a power structure that is aware of and capable of subverting his every move.
The judge (Milo O'Shea) is always eating in his chambers, the defense attorney (James Mason) and his legions of lawyers are constantly winking and nodding at each other: they are like caricatures used as devices to condense the viciousness of self-interest. The greatness of this film especially concerns the script and the acting force of Paul Newman. The contrast is striking between the muddled, uncertain man on the verge of being a complete failure and the flashes of brilliance that he shows as he fights with his back against the wall. Some of the oratory has a Shakespearian quality to it.
There are no other cases. This is the case!.......2006-06-30
That was Paul Newman's response to Jack Warden, as Warden massages Mr. Newman's back and tries to assuage him by telling him there will be other cases. ( Pardon me, I always wanted to use the word ASSUAGE in a review ).
I live in Connecticut, and my wife and I drive thru Westport regularly, on our way to Trader Joe's. I know exactly where Mr. Newman lives,( I'll never tell ) and I always kid to my wife,
" I wonder what Paul is doing today? " Then I jokingly say that maybe we'll see him at Trader Joe's ( grocery store ) or at Mario's ( great place for lunch or dinner). Of course if I ever did actually meet him, I'd be stammering and babbling just like Jackie Gleason used to do in his old Honeymooner's television show. But enough of my dreaming. So, how was the movie? Sometimes there are events or moments in a movie that stay with you for a long time. In this movie, those times were: " There are no other cases..This is the case! " and the confrontation Mr. Newman had with the judge, when he proclaims, " I know about you! " as he taps his fingers on the judge's desk. Classic moments.
If I ever had a chance to become an actor, and had my pick of
acting coaches, one of them would be Paul Newman. I'm not sure how he does it, but somehow, after watching him on screen for a few moments, I forget he is Paul Newman, and believe he is the character he is portraying.I guess that's the " magic " of great acting. They make it look so effortless. And now onto Jack Warden. He is perhaps one of the most under-rated actors in history. A great performance from a great actor.
Back to Paul Newman. The next time you watch one of his movies, watch the pauses...the times when he's not speaking. It's the entire package that makes an actor great. It's the phrasing, the reaction, the eye movements, the pauses and how long he holds them. ( Sure the director has a lot of input too)- but just watch him. What you are witnessing is a STAR in action. As I write this ( June 29, 2006 ) Paul Newman is 81 years old. He may be a little slower, a little more wrinkled, but his acting just gets better with age. ( Watch Empire Falls ). I truly hope he makes more movies. And who knows, perhaps one day I WILL run into him at Trader Joe's or Mario's place. And in true Jackie Gleason form, say to him, " Hubba, Hubba, Hubba. "
And that, my friends, will be no act.
The last gem of Sidney Lumet.......2006-04-18
This outstanding and bold director has always paid special attention respect the dark side of the state of things; like in this case where a lawyer practically out of the game due the drink, decides to assume a delicate case of unorthodox medical praxis. Please notice how Lumet works with grayish tunes in the lawyer ' s office to accent his personal drama.
Go for this emblematic film, where Paul Newman makes a delirious performance.
Average customer rating:
- Bar none: one of the best seasons, if not THE best.
- Compelling Viewing
- Dallas Season 6
- The best season so far.
- Great series
|
Dallas - The Complete Sixth Season
Starring: Howard Keel , Victoria Principal , Susan Howard , Priscilla Presley , and Sheree J. Wilson
Director: Michael A. Hoey , Don McDougall , and Vincent McEveety
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ASIN: B000JLTRFE
Release Date: 2007-01-30 |
Amazon.com
Dallas: The Complete Sixth Season begins with a bang: Miss Ellie (Barbara Bel Geddes), Bobby (Patrick Ewing) and Lucy (Charlene Tilton) vote to remove J.R. Ewing (Larry Hagman) as president of Ewing oil. Big stuff, but J.R. soon lands a job running competitor Harwood Oil. Meanwhile, in this classic primetime soap, J.R. and brother Bobby find themselves on opposite ends of a titanic clash set in motion by patriarch Jock Ewing's will once the latter is declared legally dead. And now that he is officially deceased, Jock's widow, Miss Ellie, becomes interested in a social life again. This results in some discomfort for J.R., who wants his mom to be mom, despite having almost blackmailed her in the first place to release the will. Ludicrous as it all might sound, Dallas is always nothing less than absorbing, and the changes and surprises that come with the territory--the ever-shifting alliances, the come-from-behind victories, the constant scheming to tear down family and friends--are fascinating.
In Dallas: The Compete Fifth Season, J.R. won back his estranged wife, Sue Ellen (Linda Gray). Yet she seems to be having second thoughts about life as a Ewing, prompting J.R. to take another crack at convincing her to stay with him--while doing his bidding in unscrupulous business maneuvers, of course. Sue Ellen and sister-in-law Pamela (Victoria Principal) become unexpectedly close, and even more unexpected is Pamela's request to husband Bobby that he drop the fraternal competition with J.R. to run Ewing Oil for good. Abortions, tensions, and a chance for longtime, obsessive enemy of the Ewings Cliff Barnes (Ken Kercheval), so recently comatose, to get even with his nemesis are all on the menu. As usual, watching Dallas is like witnessing a car crash and being too mesmerized to leave. --Tom Keogh
Description
The saga of the wealthy Ewing family continues in its sixth season - full of sibling wars, adultery, reconciliation and power struggles. Season 6 starts with ice: J.R. gets the cold shoulder when the family votes him out as president of Ewing Oil. And it ends with fire: Southfork ablaze, with four Ewings trapped by roaring flames. In between, J.R. and Bobby bare-knuckle it out in their biggest fight yet over Ewing Oil, thanks to their father's will. It seems Jock just couldn't decide who should inherit, so he split the company in half and gave his boys one year to see who could make the biggest bucks ? and win the whole shebang. Plus Bobby and Pam split up, J.R. and Sue Ellen remarry and J.R. sees Cuba's jail system from the wrong side of the bars. Add a Texas whirlwind of lying, cheating and bed hopping and, as J.R. might say, "Darlin', this here is Dallas!"
Customer Reviews:
Bar none: one of the best seasons, if not THE best........2007-07-04
Dallas season 6(really season 5) is unbelievable.like some other seasons, the storylines and arcs in this season come fast and strong. I even liked this season more than season 3, which everyone seems to favor the most. But i think this is my favorite with the season before it maybe in 2nd place.The end of the previous season, everyone finds out Cliff Barnes attempted suicide partly because of being cheated by J.R.Miss Ellie tells him something to the effect of" You are a cold and unfeeling man,J.R, and as soon as BObby gets back( from California with pam, investigating christophers birth),I will dismantle you as president of Ewing OIL", and in this season opener, she does just that...Little does she know J.R, soon runs another oil business,Harwood Oil, via a pretty little thing named Holly Harwood, who at once becomes Jr's reluctant ally,and then rival. Holly plans her revenge,and has much to do with changing his and SueEllens life in a way that has reprecussions for the rest of the series.The previous seasons, you got glimpses that Pam and Bobbys marraige was headed for trouble.When Jocks will is read and announces the fight for Ewing oil, their marraige cannot survive the intense change in Bobby and the toll it takes.In some episodes Bobby is irritable and downright nasty!(around the time he and ray are following Walt Driscoll), and this is the first season Bobby resorts to J.R like tactics like blackmail, to get his way in the business world..also worth mentioning is the more prominent reintroduction ( she was introduced in a previous season as were many other characters)of Cliff and pams devious half sister Katherine Wentworth, and Prescilla Pointer as their mother, Rebecca respectively. Miss Ellie gets closer with Clayton....boring, and Cliff is an amazing actor,,,he really owns the scenes he is in and ended up as one of my favorite characters as the series progressed although i feel he was unlikeable in the early seasons.lastly, The Lucy/Mickey storyline just kills me.The writing and chemisty between is so soft, and feels so special, you almost forget you are watching two characters in a tv show...I dont want to give anything away, but they make him out to be the love of Lucys life, certainly much more of a connection than she ever had with Mitch.Their story arc culminates in a very important plot point ...Charlene Hilton(lucY) is another one that won me over this season, from the abortion storyline at the beginning of the season( she was really pregnant by the time they started shooting the season, which explains all the funny/clever ways they had her sitting down or standing behind something for the first few episodes), to the Mickey storyline, you could really see what a good actress she was, and her costar was very talented too.All the episodes are excellent, none are boring,like all dallas seasons, the last 4 or 5 episodes are especially juicy, and the season finale office confrontation between J.R and Pam is classic, I promise you will want to watch this season over and over.
Compelling Viewing.......2007-05-21
We love Dallas! The storylines just keep getting more intriguing. Can't wait to purchase Seventh Season. Hope they never come to an end!
Dallas Season 6.......2007-05-21
Product arrived on time in excellent condition.
As always Amazon is a great place to deal with.
The best season so far........2007-05-16
Up until this sixth season came along, season 3 was my favorite. The 6th season sees J.R. more vicous and cold as ever before. With Jock dead, J.R. and Bobby are at each others throats to see who will gain full control of Ewing oil. Bobby gets his hands dirty in a blackmail scam, and when J.R. attempts to take over and run another oil company with his usual form of manipulation, and double dealing, he finds himself staring down the wrong end of a gun. I enjoy Dallas for the dirty business deals, and back-stabbing, I could'nt care less for the soft, emotional, feel sorry for me, crybaby junk, so if you want to know about that, read someone elses review.
Great series.......2007-05-14
Really enjoyed the contest between Bobby and JR. Cant wait for season 7.
Average customer rating:
- Oklahoma!
- One of the all time great musicals
- Purchase for use in Europe
- An American original
- Great music. lyrics
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Oklahoma! (50th Anniversary Edition)
Starring: Gordon MacRae , Gloria Grahame , Gene Nelson , Charlotte Greenwood , and Shirley Jones
Director: Fred Zinnemann
Manufacturer: 20th Century Fox
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ASIN: B000AP04NI
Release Date: 2005-11-15 |
Amazon.com
The hit Broadway musical from the 1940s gets a lavish if not always exciting workout in this 1955 film version directed by old lion Fred Zinnemann (High Noon). Gordon MacRae brings his sterling voice to the role of cowboy Curly, and Shirley Jones plays Laurie, the object of his affection. The Rodgers and Hammerstein score includes "The Surrey with the Fringe on Top," "Oh, What a Beautiful Mornin'," and "People Will Say We're in Love," and Agnes DeMille provides the buoyant choreography. Among the supporting cast, Gloria Grahame is memorable as Ado Annie, the "girl who cain't say no," and Rod Steiger overdoes it as the villainous Jud. --Tom Keogh
Description
Set in the Oklahoma Territory in the early 1900's, this joyous celebration of frontier life is a story of tender romance and dangerous passion. Gordon MacRae is Curly, a sunny, good-natured ranch hand, and Shirley Jones is Laurey Williams, the farmer's daughter he loves. Rod Steiger is he menacing Jud, who tries to comes between them. The first Rodgers and Hammerstein collaboration, this Academy Award winner for Best Score features the classic songs "Oh, What a Beautiful Mornin'," "The Surrey With The Fringe On Top" and "People Will Say We're In Love."
Customer Reviews:
Oklahoma!.......2007-06-26
Though the film is long and contains a fairly high corn factor, it's also visually stunning, and truly soars whenever the music and dancing starts, with peerless renditions of "People Will Say We're In Love," "The Surrey With The Fringe On The Top," and the immortal title tune. The dance numbers, choreographed by Agnes de Mille, are original and exuberant, while Steiger and Gloria Grahame turn in fine performances, respectively playing the dastardly Jud and the naively amorous Ado Annie, "the girl who can't say no."
One of the all time great musicals.......2007-05-13
The music is great as well as the singing and acting. This movie is a visual treat for the eyes and it has great dancing as well. If you love musicals (particularly those made in the 40's 50's and 60's) than you will love this movie. While this movie has a dark side for the most part it reflects the optimism that seems to be so much a part of the American character. Watch it you will enjoy it.
Purchase for use in Europe.......2007-04-23
I was so disappointed on receipt of the Oklahoma DVD that it would not work outside of the USA. I am sure it is well the cost.
An American original.......2007-04-05
This version of "Oklahoma" will always remain my favorite. Gordon McRae and Shirley Jones are sheer perfection. Every single Rodgers and Hammerstein song including "Oh What a Beautiful Morning,""People Will Say We're in Love," "The Surrey With the Fringe on Top," "I'm Just a Girl Who Can't Say No," and the title song are romantic, humorous, original and beautifully sung and directed. This show is considered the quintessential American musical and after experiencing the amazing on-location sets, costumes, choreography by Martha Graham, dream sequence, and charming and delightful overall mood of this movie, you'll be humming these tunes for days!
Great music. lyrics.......2007-03-17
One of Rodgers and Hammerstein's best. I think 4.5 would be more accurate. But not quite up to "The Sound of Music", or "The King and I"
Average customer rating:
- Two Good Films - Three Forgettable
- All but one of the Powell/Loy films are now on DVD
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Myrna Loy and William Powell Collection (Manhattan Melodrama / Evelyn Prentice / Double Wedding / I Love You Again / Love Crazy)
Starring: Myrna Loy , William Powell , Jack Carson , and Clark Gable
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ASIN: B000Q7ZLUG
Release Date: 2007-08-07 |
Customer Reviews:
Two Good Films - Three Forgettable.......2007-06-17
Powell and Loy are at their best in the last two films, which makes them great fun. I personally prefer I Love You Again to Love Crazy, which is slightly skewered and in some ways unpleasant - Powell's characterization of a cad being a bit too good. I Love You Again finds Powell genuinely loveable, and works better. The moment when he suggests he and his wife, Loy, recreate their honeymoon night, but do everything 'backwards' is as priceless as is Loy's cooling rebutal to his attempt at jumping the gun on the bedroom. Too, Gail Patrick and Jack Carson are more effective in their set-up roles. The best scene: a Lincoln-like Powell, pretending insanity to prevent a divorce proceeding, sets top hats sailing on a swimming pool, "Be free!"
The other three films are hopelessly forgettable.
If I Love You Again and Love Crazy were paired I would rate them at least a 4, possibly a 4 and half. But the rating plummets when they're connected to the others.
When will we be able to see some Powell movies without Loy? Life With Father demands release restored to its glorious colors, not to mention Mr. Peabody and the Mermaid. A set of the best of Powell's Warner Brothers films?
All but one of the Powell/Loy films are now on DVD.......2007-05-09
This collection contains five titles currently not on DVD that were made starring the famous duo during the same time frame as their "Thin Man" series. With the exception of 1947's "The Senator was Indiscreet", this puts all of the Loy/Powell films on DVD. The extras described below are from a press release from Warner Home Video. The biggest let-down about this set is the lack of commentary for any of the films, but Warner probably figures with the amount of documentary material they put in the Thin Man Boxed Set, they would just be going over old territory. The films, in chronological order, are as follows:
Manhattan Melodrama (1934)
This is more of a movie with Powell and Loy than one about them as a couple. The focus is more on Clark Gable and William Powell, who play two orphans who grow up together but wind up on opposite sides of the law. Myrna Loy plays the woman that both characters love. Gable plays the gangster in this film, Powell the guy who goes up the political ladder. The melodramatic part is that as D.A. Powell's character wins a conviction against Gable's character, and as a result he is sentenced to death. Later, as governor, Powell must decide whether or not to commute his childhood friend's sentence. Powell is very good here at playing a more serious role.
Special Features:
· Comedy short "Goofy Movies #2"
· Classic cartoon "The Old Pioneer"
· Theatrical trailer
· Subtitles: English & French (feature film only)
Evelyn Prentice (1934)
This one seems to miss a step as far as plot holes go, but it is still above average. Powell plays a defense attorney who is also part detective, and whose heavy-duty work habits cause him to neglect his wife, played by Loy in the title role. As a result of this neglect, Loy commits an indiscretion with a playboy and ultimately figures into her husband's next big murder case.
Special Features:
· Comedy short "Goofy Movies #3"
· Classic cartoon "Discontented Canary"
· Theatrical trailer
· Subtitles: English & French (feature film only)
Double Wedding (1937)
This is a different kind of film for Powell and Loy. Loy plays high-powered businesswoman Margit Agnew who is unhappy to learn that her little sister is planning to marry vagabond Charlie Lodge (William Powell) who, since he lives in a trailer, is hardly in a position to support her. Margit tries to intervene, and in the end winds up with Lodge herself. The plot is thin, but the comedy is very good. This film was shot partly before and after the death of Jean Harlow, who was Powell's lover and Loy's good friend. Filming was suspended for awhile due to the tragedy.
Special Features:
· Musical short "Dancing on the Ceiling"
· Classic cartoon "The Hound and the Rabbit"
· Theatrical trailer
· Subtitles: English & French (feature film only)
I Love You Again (1940)
My favorite non-Thin Man Loy and Powell movie and showcases everything that is great about the chemistry the two had on screen. Powell plays stuffy and rich Larry Wilson, who, after a blow to the head, realizes he is actually confidence man George Carey. Wilson is just some alternate identity he assumed after he first got amnesia nine years before. Realizing he has a sweet deal in his wealthy second identity, Carey decides to clean out Wilson's finances and leave town. However, when Carey meets Wilson's estranged wife, played by Loy, he falls for her and decides to hang around long enough to win her back.
Special Features:
· Crime Doesn't Pay Series short "Jackpot"
· Classic cartoon "Tom Turkey and His Harmonica Humdingers"
· Theatrical trailer
· Subtitles: English & French (feature film only)
Love Crazy (1941)
Another excellent entry in the Loy and Powell series of movies. After four years of marriage, Stephen Ireland (William Powell) runs into an old girlfriend that lives nearby. The two end up just talking, but a series of comic misadventures cause Stephen's wife, Susan (Myrna Loy), to believe Stephen is cheating on her and she decides to divorce Stephen. Desperate to keep Susan, Stephen decides to pretend he is not in his right mind to draw things out. He does such a good job that everyone believes him - except his wife. There is some great physical comedy here by Powell.
Special Features:
· Classic cartoon "The Alley Cat"
· Audio-only bonus: Screen Directors Guild Playhouse Radio Broadcast
· Theatrical trailer
· Subtitles: English & French (feature film only)
Average customer rating:
- The best Bedazzled
- Bedeviled
- Hilarious!
- At last!
- Speak of the Devil
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Bedazzled
Starring: Peter Cook , Dudley Moore , Eleanor Bron , Raquel Welch , and Alba
Director: Stanley Donen
Manufacturer: 20th Century Fox
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ASIN: B000MQ54M6
Release Date: 2007-04-03 |
Amazon.com essential video
When the Devil (Peter Cook) offers suicidal short-order cook Stanley (Dudley Moore) seven wishes, Stanley easily surrenders his soul. All of his wishes are granted, to the letter. Unfortunately, as each wish comes to life, the Devil--cheeky sod!--manages to slip some unexpected problem into the mix, ruining everything in a deliciously funny way. Bedazzled was made long before 10 and Arthur made Dudley Moore an unlikely movie star. It's a much purer expression of the off-kilter British humor that Moore and his writing partner Cook pioneered, humor that would lead to Monty Python's Flying Circus and other absurdist goofballs. Moore is charming enough, but what really makes Bedazzled work is Cook, who combines upper-class arrogance with a cheerful, even casual lunacy. Though he played character roles in movies like The Princess Bride and Black Beauty, he was never able to parlay his sneaky sense of humor into starring roles. Bedazzled is his outstanding triumph. Not only does the movie offer some sly commentary on Christian morality, it has a cameo with Raquel Welch as the embodiment of Lust. A classic. --Bret Fetzer
Description
Stanley (Moore) is a hapless short-order cook who is hopelessly in love with a waitress named Margaret (Eleanor Bron) - although she barely knows he's alive. Enter George Spiggott (Cook), a.k.a. Satan, who grants Stanley seven wishes in order to win Margaret over, but his efforts are hilariously hampered by the Seven Deadly Sins - including the insatiable Lilian Lust (Raquel Welch)!
Customer Reviews:
The best Bedazzled.......2007-06-27
Forget the Elizabeth Hurley/Brendan Frazier version (amusing as Ms. Hurley is as the Devil). This is one of the five greatest comedies of the modern film era. Period.
Bedeviled.......2007-06-13
This is my wife's favorite film and one of my favorites. It is extremely witty and funny in an ironic fashion. It is an example of classical british comedy that is more cerebral than American "slap stick" humor.
Hilarious!.......2007-05-25
There's no doubt that the late Dudley Moore was underrated as a comedic performer. "Bedazzled" shows what he could do, and his incredible range (in the scenes in which he's given his wishes by the Devil, he portrays, among other things, a daft supercilious vaguely Scottish intellect, a rich prig, and an Oxbridge professor). Just the anguished pop star face he makes in the scene parodying the 60s-style "Top of the Pops" show is enough to make me cry with laughter. He even wrote the theme song! The film itself looks quite good as well, and has a swingin' London/psychedelic overtone that holds up better than many of its contemporary films. Well worth seeing.
At last!.......2007-05-25
Finally a DVD of "Bedazzled" has been released in the United States. This is simply one of the funniest movies ever made. It is packed with razor-sharp dialogue and delivery. The cast is perfect. The thick 60's vibe holds up very well in this context.
It is perhaps not surprising that "Bedazzled" made little impact in the U.S. when it came out. It consists almost entirely of people standing around talking, which even in those days was problematic for many Americans.
To his great credit, Peter Cook was able to insert a coherent and meaningful discussion of theological issues into his hilarious script without bogging it down at all. I suppose you'd have to call this irreverent humor, but it is far from disrespectful or offensive.
If you don't mind paying attention to a comedy, then you will be rewarded with a smart, layered, consistently side-splitting movie.
The picture and sound on this disk seem fine and clean, if not fabulous. The extras are unexceptional.
Speak of the Devil.......2007-05-12
Bedazzled doesn't actually dazzle, though it's pretty good for its time. The title comes from a song central to one of the scenes, with DudleyMoore's character attempting the role of rock star. With typically understated British humor, Dudley sells his soul to the Devil (Peter Cook), who makes the most of his purchase by too literal interpretation of the wishes Dudley gets as his payoffs. Raquel Welch has a somewhat memorable but short role as Lust, one of the seven deadly sins. Of course, nothing really untoward is allowed to happen; it's all in fun. There is even a suitable ending, where Dudley gets to keep his soul after all, and the whole experience becomes a morality play in the tradition of English theater.
Average customer rating:
- New Crew, New Light
- "Lets See What's Out There"
- STAR TREK THE NEXT GENERATION(FIRST SEASON)
- star trek season 1
- Nostalgic Next Generation
|
Star Trek The Next Generation - The Complete First Season
Starring: Patrick Stewart , Jonathan Frakes , LeVar Burton , Denise Crosby , and Michael Dorn
Director: Corey Allen
Manufacturer: Paramount
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