I, The Worst of All (Yo, la Peor de Todas)

I, The Worst of All (Yo, la Peor de Todas)


Starring:Assumpta Serna, Dominique Sanda, Héctor Alterio, Lautaro Murúa, Graciela Araujo, Alberto Segado, Gerardo Romano, Franklin Caicedo, Hugo Soto, Margara Alonso, Lidia Catalano, Fernando Noy, Margarita Padín, Rosario Blefari, Marcos Woinsky, Cecilia Roth
Director: María Luisa Bemberg
Studio: First Run Features
Product Type: DVD
I, The Worst of All (Yo, la Peor de Todas)
Average customer rating: 4.5 out of 5 stars
  • Sor Juana
  • STUNNINGLY BEAUTIFUL FILM-MAKING
  • Tremendous Film - It's about time!
  • Excellent biography, Not a "Lesbian" Love Film
  • Yes, It Really Is About Lesbian Love
I, The Worst of All (Yo, la Peor de Todas)
Starring: Assumpta Serna , Dominique Sanda , Héctor Alterio , Lautaro Murúa , and Graciela Araujo
Director: María Luisa Bemberg
Manufacturer: First Run Features
ProductGroup: DVD
Binding: DVD

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ASIN: B000083C7U
Release Date: 2003-03-25

Customer Reviews:

5 out of 5 stars Sor Juana.......2007-01-12

Excellent movie! Based on Sor Juana's biography by Octavio Paz; movie's title refers to the way Sor Juan signed her last letter.

5 out of 5 stars STUNNINGLY BEAUTIFUL FILM-MAKING.......2002-11-19

One of my best friends saw that I was reading a novel about Sor Juana, SOR JUANA'S SECOND DREAM, by Alicia Gaspar de Alba, and recommended this film to me -- with the admonishment to ignore the tawdry blurb on the cover: "Lesbian passions seething behind convent walls", indeed! How ridiculous -- it would be like describing FORREST GUMP as "partying with coeds in a dorm room after hours". It's a cheap attempt to draw the wrong conclusions about this moving story. Don't let it put you off.

This film about the amazing woman who has been called Mexico's 'Tenth muse' -- a reference to the title Plato bestowed on Sappho -- is a beautiful piece of film-making. Even considering the scenes that were meant to be outdoors, that were obviously shot on a sound stage, this is a lovely experience. The direction is superb, the acting amazingly sensitive -- I was enthralled, and I usually don't enjoy films with subtitles.

Sor Juana was an amazing woman -- intellectual, creative, always pushing her own boundaries, and brave. For a woman in her era (seventeenth century Mexico) to profess that women had just as much right to an education, to learning, as men, set her against some powerful forces -- mainly the hierarchy of the Catholic Church. Her courage and determination in the face of such opposition is inspiring -- it's easy to see why she's seen as a hero by so many.

4 out of 5 stars Tremendous Film - It's about time!.......2002-08-23

The "Tenth Muse" has finally been portrayed accurately. I've studyed the writings of Sor Juana for nearly a decade and continue to be impressed by her artistry. This film captures much of what I appreciate about her and her writing. It shows Sor Juana as a strong woman who is truly a master of her art and a master of herself. That may seem an odd thing to say, but being a master of oneself in the cloister of the 17th century convent is a feat worthy of mention.

For years there has been speculation that Sor Juana was, at the least, a sapphic poet, and probably a lesbian. Lets set the record straight. There is no direct evidence that Sor Juana Ines de la Cruz was a lesbian. Did she write love poems to the Marquesa de Mancera? Yes. Does that make her a lesbian? No. She was simply writing poems to, and for, a friend in a commonly accepted style. Other contemporary male poets also wrote love poems to the Marquesa. Does that mean they were in love with her. Not at all. It was a common practice and was done as a sign of devotion, of friendship, and often as an attempt to earn a pension from the noble family. Having now said that, is it possible that she was a lesbian? Of course it's possible. Does it matter? No! Sor Juana is one of the finest scholars and poets of the Americas. That's what's important.

5 out of 5 stars Excellent biography, Not a "Lesbian" Love Film.......2002-03-11

The video states that the film is about hot lesbian love inside the convent walls. Wrong! There are a few implied moments but nothing graphic.
This film gives the viewer an accurate depiction of the life of one of the best authors of any genre of literature. I first saw this film in a Latin American literature university classroom. It is so good that I would like to show it in my high school classroom.
Sor Juana was quite adept at placing a mirror in front of the faces of the male hierarchy and they didn't like it. She paid for it and we gained from her pain.
There is great historical value in this biographical film as well. It gives the viewer an idea of what life was like during the Spanish Inquisition in "New Spain" or Mexico.
I know the vendors believe that sex will sell this film. But, they are billing it all wrong. It is an intellectual foreign film. Why cheapen it by giving potential buyers a deceptive description of the content?

5 out of 5 stars Yes, It Really Is About Lesbian Love.......2001-11-26

The movie is well made, although not much money seems to have been spent on sets! It sticks fairly closely to the basic historical data, but a quick read up on Sor Juana in the Encyclopedia Brittanica might help many viewers.

Now to the rating issue. There is no good reason why this movie should be restricted to those over 18. There is no overt nudity or genital sex. There is a fairly chaste kiss between women. I suppose the violent scenes of nuns whipping themsleves in a penitential exercise might be offensive to some, but self-flagellation was indeed a part of Catholic monastic life until well into the 20th century, and the scene is not presented in any prurient way. If this amounts to a need to ban the movie for young people, then the Bible also would need to be banned. It has far more sex, nudity, and violence.

Those writers who object to the "Lesbian passion" line on the box do have a point. Anyone buying this for erotic arousal would be profoundly mislead.

There is, however, a real lesbian aspect to this film. Sor Juana is clearly a "woman identified woman." She achieves her greatest triumphs while in the nurturing and all-female world of the Convent; her relationship with the Vicereine is the most heated in the film; and the destruction of her writing comes from the intrusion of the exclusively male world of the church hierarchy and the inquistion. Most importantly, her writing reflects an explicit feminist critique of women's oppression.

Just as one does not need to have genital sex in order to be a "heterosexual," neither does one need genital sex in order to be part of the lesbian continuum. Sor Juana is indeed part of the that continuum.

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