The Fire That Burns (La Ville Dont le Prince Est un Enfant)

Starring:Michel Aumont, Luc Denoux, Michel Dussauze, Alain Gilbert, Pierre-Alexis Hollenbeck, Pierre-Arnaud Juin, Luc Levy, NaÃ«l Marandin, ClÃ©ment van den Bergh
Studio: Picture This Home Entertainment
Product Type: DVD

Description

A richly textured drama based on the novel "The Land Whose King is a Child" (referring to Ecclesiastes 10:6 "Woe to the land whose king is a child) by prolific, French novelist and dramatist Henry de Montherlant. Whose king is a child) by prolific, French novelist and dramatist Henry de Montherlant. The story takes place before World War II in a Catholic boys' school in Paris, where the friendship between bright philosophy student Andre Sevrais (Nael Marandin) and his younger schoolmate Souplier (Clement van den Bergh of Class Trip) arouses the jealousy of the Abbot de Pradts (Christophe Malavoy), who is secretly in the thrall of young Souplier. De Pradts lays a trap for Sevrais but ends up crushed by his own machinations to the utter disdain of the Father Superior (Michel Aumont of The Closet and Man is a Woman).

Customer Reviews:

Please pay attention.......2007-01-06

"Pay attention", That could pass for what a teacher says to the class or what is being broadcast to the world at large.

The subtext for this movie is: "Some kids should be left the hell alone".

Attending a catholic school from grades 1 to 8 I learned to hide my affections for fellow students. This was taken as non-attachment to be aided by the spiritual and physical ministrations of priests. Once that nightmare was over I was enrolled in a catholic boys high school. After being smitten with a fellow 2nd year student I was labelled as 'feminine' though the object of my affection was totally gay. This led to severe counselling, all the while being felt up.
This movie nails it. No matter what critics may say, I say "You haven't been there, so shut up."
My only sad regret is that I did not battle them, but in retrospect, I had no power.

Good But, Not Fulfilling.......2005-01-19

I will not go into what this movie is about. I did not read a book....yet, so I can't realy compare it to the movie. However, after viewing The Fire That Burns, I was left with a feeling that something was missing or the movie was too plain. As if, all scenes (except two last ones) were shorter than they could've been--typical French movie. For example there was only one brief intimate scene, and I feel like there could have been more. Yet overall, the movie was done well and plot made perfect sense. I enjoyed it. Let's now hope for the Canadian, modern, remake. I doubt Hollywood will have the balls to pick this story up.

What is Love?.......2004-11-26

Ah, les Francais! Only they could make such a sensitive film about the love between two boys, and without sex, nudity or (believe it or not) profanity!
This is a real romance in the noblest sense. It never descends to lesser things than a pure expression of human affection and its relationship to the sacred - the theme of the movie.
It is Sevrais, the handsome, doe-eyed, love-smitten 15 year old played with heart-crushing feeling by Nael Marandin that energizes this film till its dark ending. His overpowering love for young Souplier transports one to a new level of experience of the profoundly transforming power of friendship, last seen in the 1963 French film 'This Special Friendship' (Les Amities Particulieres), an almost identical story.
Sevrais' love for Souplier never falters from his first scene when he is searching the school grounds for Souplier. Upon seeing him his face beams with rapture as it does later in the scene in the gym when he is transfixed by Souplier's entrance. And you feel again how hopelessly Sevrais is smitten when one night instead of going home, he stands under the choir room window in the cold darkness just to hear Souplier's voice. This is no ordinary love story!
The most moving moment occurs in the cave when Sevrais and Souplier embrace which lends power to the rest of the movie's soaring theme.
There are two tangled stories in this film. The jealous and manipulating priest, Abbot de Pradts, and his seeming fatherly affection for Souplier and enmity towards his rival Sevrais; and that between the two boys. In the long marvelously scripted final scene between de Pradts and the Father Superior, the tables are turned and the question of what is profane and what is sacred love is addressed in a powerful exchange.
As for Sevrais and Souplier - well, it couldn't end like this! (I have ordered the book in French in hopes of finding a happier ending.) Shattered, Sevrais leaves the school in shock, broken, empty, tear stained, a shadow of his former impeccable self, dying the slow death of separation from Souplier, the light of his life.
This is a gem of a film. The taboo subject of love between two boys is opened an we see that it can rise suspened between the sacred and the profane, pulling us into Sevrais' world where we can feel the power of sacrificial love. (Didn't He say: "No greater love hath man than this, that a man lay down his life for a friend"?)
Five stars for this film? How about the whole Milky Way!
Vive les amities particulieres! Vive les Francais!

A Stunning, Intelligent, Wholly Satisfying Film.......2004-11-15

THE FIRE THAT BURNS may seem like an odd title for this French film originally titled LE VILLE DONT LE PRINCE EST UN ENFANT ("The Land Where the King is a Child") - until the final scene. But such idiosyncrasies abound in this story set in WW II Paris and at times the blend of surrealism, nascent passion, mysticism, philosophy, and ecclesiastic order makes this film feel like visual and cerebral flights of fancy. The trip is worth it!

Abbot de Pradts (Christophe Melavoy, who also directs) is a handsome, sensitive priest in a Catholic boys school in Paris, a school whose boys live both on-campus or at home. de Pradts has taken under his wing a poor, beautiful young boy Souplier (Clement van der Bergh) whose studies suffer and who is somewhat of a behavior problem. Souplier thrives on the attention paid him by de Pradts, but is more focused on another older student Sevrais (Nael Marandin) with whom he spends time skipping classes, exploring, and actually loving: the very pure and lovely love affair between these two lads is beautifully captured by both the actors and the director. It is not long before de Pradts feels jealousy for the influence of Sevrais on Souplier, and eventually de Pradts finds a way to remove Sevrais from the school. This of course results in his demanding that Souplier forsake Sevrais and the results of this demand constitute the finale of the film best saved for the viewer to discover.

Though the suggestion of de Pradts' physical attraction to Souplier is sub rosa, the head of the school Father Superior (Michel Aumont) observes the dynamics and in a visceral confrontation between the two priests probes the meaning of sacred vs. profane love. The sublime intelligence of this duet is some of the best writing ever for film on this difficult subject and both Malavoy and Aumont give performances of great power and depth.

"The Fire That Burns" is that passion within the soul that can lead to evil if not sublimated. de Pradts has fallen victim to that fire and allowed 'the child to be the king of his land'. This is a powerful movie, graced with stunning sets and photography, and a score that is based on Gounod's music ('Kyrie eleison') throughout. Highly recommended. Grady Harp, November 2004

Captivating from the start..........2004-10-10

The Frenchies pulled this movie off fantastically! This is about two French boys studying in a Catholic School, who are in love with each other. Im smittened by how the story adds so much character of wholeness, innocence, and bitter sweet love into these two boys (one about 15, the other about 10) to the point I didnt cringe at seeing them kiss. And I also rooted for their love.

But alas, love so divine will be asundered, by the Abbot. And he is bent on throwing the older boy out of the picture, out the school. Under the pretense and (his unbelievable) denial, he claims his motives for the younger boy is out of altruism. No, here's the twisted part, he is lusting after the boy. Eeeew.

When the Abbot rids of the older boy, he is smug as a pug. But only for the Superior to pull a fast one on him. This movie goes beyond 88 minutes, as the box says. The last 15 minutes is a didactic conversation between the Abbot and the Superior. Therein lies the moral.

I really wanted this movie to have a happily-ever-after-end, or my definition of it.

This movie reminds me of "My Life as a Dog". Yes, the Sverige version.

Enjoy the flavour of this movie.

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