The Life of Emile Zola (Special Edition)

Starring:Paul Muni, Gale Sondergaard, Joseph Schildkraut, Gloria Holden, Donald Crisp, Erin O'Brien-Moore, John Litel, Henry O'Neill, Morris Carnovsky, Louis Calhern, Ralph Morgan, Robert Barrat, Vladimir Sokoloff, Grant Mitchell, Harry Davenport, Robert Warwick, Charles Richman, Gilbert Emery, Walter Kingsford, Paul Everton
Director: William Dieterle
Studio: Warner Home Video
Product Type: DVD

Editorial Review:
Amazon.com
Still as potently relevant today as it was in 1937, The Life of Emile Zola is a marvelously entertaining slab of Hollywood social issue-mongering. The life of the French writer is broadly sketched in the early going, but the film settles into its groove with the Dreyfus affair: the scandalous railroading of a military captain for treason, which shook France to its foundation in the 1890s. The elderly Zola's gradual involvement in the case, climaxing with his electrifying "J'accuse!" essay and subsequent trial for libel, is the heart and soul of the picture.

Amazon.com

Still as potently relevant today as it was in 1937, The Life of Emile Zola is a marvelously entertaining slab of Hollywood social issue-mongering. The life of the French writer is broadly sketched in the early going, but the film settles into its groove with the Dreyfus affair: the scandalous railroading of a military captain for treason, which shook France to its foundation in the 1890s. The elderly Zola's gradual involvement in the case, climaxing with his electrifying "J'accuse!" essay and subsequent trial for libel, is the heart and soul of the picture.

Warner Bros.' version of this story, directed by William Dieterle, carries over the passion (and hokum) of the previous year's Story of Louis Pasteur. It also retains that film's leading man, Paul Muni, who turns in an elaborately theatrical performance. The result was a box-office smash and three Oscars, for best picture, script, and supporting actor (Joseph Schildkraut, who plays Dreyfus). While the film occasionally creaks with Hollywood artifice, the clarion call of truth and outrage come through surprisingly strongly--indeed the film looks prescient as a warning about governments closing ranks to cover up mistakes. Mostly sidestepped is the anti-Semitic vitriol of the campaign against Dreyfus (his Jewishness is referenced only in a written report glimpsed for a moment). This is an old-fashioned barnburner that encourages the viewer to fan the flames. --Robert Horton

Description

The Life of Emile Zola episodically explores the career of the novelist who championed the cause of France's oppressed. Zola (Paul Muni) is a hugely successful French author who risks all his success and comfort to come to the defense of the unjustly jailed Capt. Dreyfus (Oscar winner Joseph Schildkraut). Winner of three Oscars overall-and of immense critical and popular success-this distinguished film is a must-see portrait of a life that's "a moment of the conscience of man." Winner of the Academy Award for Best Picture, Best Screenplay and Best Supporting Actor. Year: 1937 Director: William Dieterle, Irving Rapper Starring: Paul Muni, Gale Sondergaard, Joseph Schildkraut, Gloria Holden, Donald Crisp, Erin O'Brien-Moore, Henry O'Neil, Morris Carnovsky, Louis Calhern.

Customer Reviews:

"Truth is marching on and will not be stopped".......2007-06-11

I was amazed at the power of this "old" movie. Made in 1937, in black and white, obviously, and acted in the over-the-top style that was in vogue in those days (pre-Actors Studio). Yet, dated though some of the aspects of the film are, the message is timeless and certainly is apt for this moment. I won't retell the story, as others here have done a good job and many readers will already know the events on which the film is based. It's certainly worth seeing and pondering how the message applies to today. Zola said, in the end, "Truth is marching on and will not be stopped." Let's all drink to that!

May be the first "accidental" death of a government gad fly?.......2007-02-28

What struck me was the closeness of the death of Emile Zola to
the release of Dreyfus. In more modern terms this fellow Zola reminds one of Upton Sinclair in America who was called a muck raker
and hated by many companies for his exposing horrible practices in the meat packing industry.
For showing the corrupt underbelly of French society Zola was loved by the poor and downtrodden and hated by an upper class of extreme wealth and influence.
The existence of a widening class structure in America would say that we need men like Zola to be appreciated as they were in 1937.

Made me want to read his books........2005-06-24

This is a superbly acted, fantastically written, and impressively staged production about an enormous humanitarian subject. Look far and wide and there are not many films that deal with justice and human callousness with quite as much conviction as this excellent film. Paul Muni, as usual, is spectacular. This, along with "I was a Fugitive from a Chain Gang", are MUST SEE films that will reinvigorate your faith in the validity of American cinema!

Muni at his best in classic barnstorming period biopic.......2005-04-06

'The Life of Emile Zola' is more about the Dreyfuss affair than the author's life - only 'Nana' is given more than a passing nod ('Germinal' gets 30 seconds of screentime while the rest of his novels are dismissed in a montage of covers) while his demise is signposted from the very first scene - and it does fall prey to the usual biopic problems ("Nana, pull up a chair next to Cezanne"), but it's such terrific entertainment, who cares? Muni is great value as Zola, much like the offscreen young Chaplin in the early scenes before becoming the great man of letters, where he walks the tightrope between over and underplaying, and he's given two great setpiece speeches - J'accuse and his address to the court - that are foolproof crowdpleasers that he handles with relish and aplomb. It's like one of Warners' crusading social issue pictures that just happens to have been set in the late 19th century and shot on an epic scale, and it has an immediacy and sense of moral outrage that is surprisingly powerful and deeply felt and even, ultimately, quite moving. Dated, yes, but undeniably impressive stuff despite Donald Crisp's very unfortunate haircut.

The DVD is a great package - a good transfer plus traler and radio adaptation and a couple of incongrous short films - that is well worth adding to any classic collection.

Zola's Public Confrontation - Inspiring Cinema..........2005-02-09

Freedom is often taken for granted in our technologically advancing society, as a political and social complacency seems to have been generated through an overwhelming level of obligation to professional careers and other domestic responsibilities. People are also literally crushed by an ever-growing media tsunami through cable TV, abundance of Internet news sites, and newspapers. In this depth of information the individual simply drowns, as vital information is often smudged with star-studded gossip in the non-stop news tickers. Mass information could therefore function as a form of misinformation when essential information tries to reach the light of public attention. Some of this information could be in regards to decisions politicians and other authority figures make, which could affect the rights of the people. Thus, it has become essential for people to learn how to filter information. However, in the days of Emile Zola information was usually from one, or a few sources, which often proclaimed that the information was the "truth", as it was seldom challenged, until Zola.

In the Life of Emile Zola the audience gets to experience a somewhat fictionalized story of Zola (Paul Muni). Emile Zola, a novelist and critic, frequently struggled to make a living before he wrote the successful novel Nana, which dealt with prostitution. Throughout his career he wrote several masterpieces such as Germinal and the Downfall. Each of Zola's literary contributions was heavily influenced by the social struggle of the French people, which was highly criticized by authorities. Some of his novels where even banned due to their controversial issues as they were released at the end of the 19th century. Nevertheless, Zola persevered and continued to write novels depicting the social and political truth of French society, which he loved and adored.

Throughout the years Zola gained weight and wealth, as he ironically became one of the people who he frequently described with contempt in his novels. This was the result of the acquired wealth, which gave Zola an opportunity to live a life of leisure and delight. In his blissfulness he forgot the world around him, as he drifted into a complacent mind frame. His old friend the painter Paul Cezanne (Vladimir Sokoloff) criticized his neglectful attitude towards the French society, as he promised not to write when has moved south. During this period when Zola was more occupied with finding a fresh lobster at the local market there was a legendary military trial in regards to an officer named Alfred Dreyfus (Joseph Schildkraut) who appeared to the society to have committed the shameful act of treason.

The truth was unknown to the world, as generals and other high-ranking officers had decided that Dreyfus was guilty due to his ethnicity. It was an anti-Semitic approach that led this innocent man into suffering years of imprisonment on the Devil's Island of the South American coast. Dreyfus' wife insisted on her husband's innocence, as she finally approached Zola for his help when she had documents proving Dreyfus' innocence. Initially Zola leaned on his complacency, but a quick reminder from a glimpse of his friend Cezanne led him to take on the French Army and the biased court system of France. Unfortunately, it lead Zola to escape imprisonment by traveling across the English Channel and make London his temporary home while continuing to write about the unjust French legal system and the French military's error.

William Dieterle directs a masterful story in Life of Emile Zola, which grabs the audience with an inspiring affect that stirs an internal motivation to help the fight against injustice in a cerebral and peaceful manner. In addition, the film has a strong historical perspective as the film was released a couple of years before World War II and during a period when several million Jews were persecuted in Nazi-Germany. Ultimately, Life of Emile Zola ended up winning three Oscars of its 10 nominations. Yet, the Oscars do not disclose the monumental value of the film, which offers a truly unique cinematic experience that the studio company Warner Brother's will have a hard time to match.

Average customer rating:

Great way to start your collection of Best Pictures
Eighteen of the best movies of all time
Best Picture Oscar Collection - fantastic present
good deal but not in collectible condition
This is a great deal; looks like they fixed the problems,,,

Best Picture Oscar Collection (18-Pack)

Manufacturer: Warner Home Video
ProductGroup: DVD
Binding: DVD

General | Classics | Genres | DVD | Video

General | Drama | Genres | DVD | Video

( B ) | Titles | Features | DVD | Video

Special Editions | Fully Loaded DVDs | Features | DVD | Video

Drama | Boxed Sets | Stores | DVD | Video

Classics | Boxed Sets | Stores | DVD | Video

Studio Classics - Best Picture Collection (Sunrise / How Green Was My Valley / Gentleman's Agreement / All About Eve)
Classic Comedies Collection (Bringing Up Baby / The Philadelphia Story Two-Disc Special Edition / Dinner at Eight / Libeled Lady / Stage Door / To Be or Not to Be)
From Here to Eternity
The Alfred Hitchcock Signature Collection (Strangers on a Train Two-Disc Edition / North by Northwest / Dial M for Murder / Foreign Correspondent / Suspicion / The Wrong Man / Stage Fright / I Confess / Mr. and Mrs. Smith)
Lawrence of Arabia (Limited Edition)

ASIN: B0007KXRZI
Release Date: 2005-02-08

Customer Reviews:

Great way to start your collection of Best Pictures.......2007-02-03

This is the set of 18 Best Picture winners on DVD that Warner Home Video controlled the rights to as of Feb. 2005, and spans the time period 1929-1992. Some of them hold up over time, and others were given the award because of technical achievements that no longer seem important. I'll go through each one and give my opinion:

Broadway Melody of 1929 - This was the first "talkie" to win the award. The screenplay is a mediocre love story, but the song and dance numbers are good. There's even a musical number in Technicolor - "Wedding of the Painted Doll".

Grand Hotel - Won in 1932 and contained a great ensemble cast about the personal lives of guests in a fancy Berlin hotel. This is a great one that still is worthy viewing today.

Mutiny on the Bounty (1935) - Probably the best of all the pictures about the famous mutiny. Still good viewing today. An odd aside - all of the nominees for best actor that did not win were from this film - Clark Gable, Franchot Tone, and Charles Laughton.

The Great Ziegfield (1936) - After the Hays code was fully in effect, the personal aspects of Ziegfield's life had to be modified for the screen. Still, a great movie with a great performance by William Powell as the famous showman.

The Life of Emile Zola (1937) - One of those period pieces that just didn't grab me. It is a very skillfully done film, very artistic, and Paul Muni gives a tremendous performance in the title role. It's hard to believe the articulate and gentile Emile Zola is being portrayed by the same actor who was equally convincing in "Scarface".

Gone with the Wind (1939) - This movie charts the life of a Southern belle who always wanted what she didn't have and took for granted what she did have as she lives through the Civil War and reconstruction. It is the most popular film of all time and probably the biggest money-maker if you factor in inflation. It was shown in movie theatres until it made its TV debut in 1976.

Mrs. Miniver (1942) - This is a good film, and it has great acting, but it is one of those films that probably won because of the times. It depicts how the British coped while under seige during World War II as experienced by one British family headed by Mrs. Miniver.

Casablanca (1943) - This one probably won because of the wartime theme, but it is a great piece of moviemaking that just gets better with time. The chemistry between Ingrid Bergman and Humphrey Bogart just oozes off the screen. It's more what's not said than what is in this film. The fact that Bogart didn't win best actor was one of the great injustices of all time.

An American in Paris (1951) - Of course the point of this film not the plot, it is Gene Kelly's dancing, which is fabulous as always. It inspired the quickly thrown together and even more popular "Singin In the Rain".

Around the World in 80 Days (1956) - A fun adventure, David Niven is great, and how they got all of those stars to play bit parts I'll never know. However, it really doesn't hold up as a great movie 50 years after the fact.

Gigi (1958) - The academy award winner in the year of my birth just does not inspire today. There are a couple of good songs, but not many. Plus the screenplay is antiquated and outright campy by today's standards.

Ben-Hur (1959) - One of those great Bible-era epics of the 50's. Even though it is a story on a large scale, it is all of the small scale stories going on that make it great - revenge, love, loyalty, loss.

My Fair Lady (1964) - One of the great musicals starring Rex Harrison in one of his greatest and most amusing roles. Nobody did stuffy British low-key comedy like Rex. He was robbed when it came to best actor, but fortunately the Academy rectified the situation a few years later.

One Flew Over the Cuckoo's Nest (1975) - Jack Nicholson is a rebel confined to a mental institution. When he doesn't conform, the evil nurse Ratchett has him lobotimized. A great film that will stir emotions even today.

Chariots of Fire (1981) - I personally love this film about the 1924 Olympic games and the conflict between God, country, and conscience seen through the eyes of two men - one a Christian who wants to be a missionary, the other Jewish who wants to be an insider in British society. It's a love it or hate it kind of film - either you find the internal struggles of these men compelling, or you'll find it torture to sit through.

Amadeus (1984) - Another of the modern era Oscars where you either love the message and love the film, or it puts you to sleep. I really loved this one too, partly because Mozart has always interested me, and partly because Salieri was such a ridiculous creature thinking he could best God by destroying Mozart. Didn't he ever realize that the fact that he recognized Mozart's talent before everyone else did was a talent in itself? If you can't build Microsoft yourself, then the next best thing was to have bought stock in it in 1975.

Driving Miss Daisy (1989) - The story of a wealthy elderly woman and her driver from 1948 up to the mid-70's. In spite of the difference in their races and the place - Georgia - they have much in common and slowly become friends. She is Jewish and he is Black in a time and place that wasn't ordinarily welcoming to either group of people. This is a sentimental favorite of mine, plus there's some good comic one-liners in it too.

Unforgiven (1992) - A different kind of Western in which Clint Eastwood wins his first award for Best Director. Eastwood is out to avenge the scarring of a prostitute in return for money when the justice the sheriff metes out on the offending cowboy is just not satisfactory to the prostitute or her friends. Eastwood plays an ex-criminal widower trying to make a go of farming when this assignment lands in his lap. In the end, he doesn't have a hard time finding his "inner killer". A really great film. Who'd have thought in 1965 that Ramrod Rowdy Yates had it in him?

This package is a good value at eleven dollars per Oscar winner, especially when you consider one of those Oscar winners is Gone with the Wind. Plus it has a good sampling of Oscar winners from all genres up to 1992. Depending on how you feel about the more modern Oscar winners (post 1965) that are usually slower, more thoughtful films, you may or may not feel the same. To me the only real dud is Gigi.

Also note that if you buy this set, "Studio Classics Best Picture Collection", and the new "Best Picture Collection", you'll have 29 of the soon to be 79 best picture winners. Not a bad start on your collection.

My only real complaints are that there have been four changes that should be incorporated into the pack to really make it complete as of Spring 2007 based on what is available, although it might require a price increase.
1. Ben-Hur is now available in a 4 disc special edition that includes the silent version of the film.
2. Cimarron, Best Picture 1930-1931, was released on DVD in 2006 by Warner Home Video and should be included.
3. After this pack was released "Million Dollar Baby" and "The Departed" won Best Picture for 2004 and 2006, respectively. These films are not included.
I'm really just pointing out minor flaws because, compared to all of the other studios, Warners has done the best job of putting all of the Best Picture winners they control into one attractively priced package.

Eighteen of the best movies of all time.......2005-09-26

This set contains 18 Best Picture winners from the Warner Video library. A few of them are fairly basic, with limited extras (Broadway Melody, Grand Hotel), while others are multi-disc deluxe editions (Gone with the Wind, Ben Hur). If you're looking to get your collection off to a start, with some of the all-time classics, I haven't seen a better boxed set than this one.

Best Picture Oscar Collection - fantastic present.......2005-09-21

This made my father very happy - has all the golden favourites and is great value.

good deal but not in collectible condition.......2005-06-11

It's a bunch of oscar winning movies from warner brothers with a great discount. but collectors beware of this set :

1. First of all, most of the items are not sealed. many of them looks like new, but some are not brand new, at least look like used!
2. I talked with 3 persons who purchased this item. all of them had complains about ruptures at the edge of some boxes which had caused with a blade or a sharp instrument.
3. there is not a huge outer box. only a wrap around all items.

after those negative points, lets say that, all of the DVDs are the best releases of each item. my word is, it's a good deal but don't expect to receive all of them in collectible condition! I don't want to blame warner but it seems that some of these DVDs are clean returned to market items!

This is a great deal; looks like they fixed the problems,,,.......2005-05-28

I purchased this set when the price was $140. However, I did not get Casablanca or Cuckoo's net SE's, but after I contacted AMAZON twice and waited for a while, they corrected the problem to my full satisfaction! I have never been happier with their service!

But, this is a great set because it has 18 of the best picture winners.

It has some of the best ones, and all the discs are the top of the line editions! way to go!!!

Now, if they could opnly get the last three best picture winners on DVD, I'd have them all!

Best Picture Oscar Collection - Drama (Amadeus/Casablanca Special Edition/Driving Miss Daisy/The Life of Emile Zola/Mrs. Miniver)

Average customer rating:

Best Picture Oscar Collection - Drama (Amadeus/Casablanca Special Edition/Driving Miss Daisy/The Life of Emile Zola/Mrs. Miniver)
Starring: Morgan Freeman , Jessica Tandy , Dan Aykroyd , Patti LuPone , and Esther Rolle
Director: Bruce Beresford , William Dieterle , and Milos Forman
Manufacturer: Warner Home Video
ProductGroup: DVD
Binding: DVD

General | Drama | Genres | DVD | Video

Drama | Boxed Sets | Stores | DVD | Video

( B ) | Titles | Features | DVD | Video

Special Editions | Fully Loaded DVDs | Features | DVD | Video
Similar Items:

Best Picture Oscar Collection - Musicals (My Fair Lady Special Edition / An American in Paris / The Broadway Melody of 1929 / Gigi / The Great Ziegfeld)
Studio Classics - Best Picture Collection (Sunrise / How Green Was My Valley / Gentleman's Agreement / All About Eve)
The Lost Weekend
Classic Comedies Collection (Bringing Up Baby / The Philadelphia Story Two-Disc Special Edition / Dinner at Eight / Libeled Lady / Stage Door / To Be or Not to Be)
The Gary Cooper Collection (Design for Living / The Lives of a Bengal Lancer / Peter Ibbetson / The General Died at Dawn / Beau Geste)

ASIN: B0006V6TOE
Release Date: 2005-02-08

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