Children of the Century

Starring:Juliette Binoche, BenoÃ®t Magimel, Stefano Dionisi, Robin Renucci, Karin Viard, Isabelle CarrÃ©, Patrick Chesnais, Arnaud Giovaninetti, Denis PodalydÃ¨s, Olivier Foubert, Marie-France Mignal, Michel Robin, Ludivine Sagnier, Victoire Thivisol, Julien LÃ©al, Pascal Ternisien, Jean-Claude de Goros, Mathias MÃ©gard, Robert Plagnol, Yvette Petit
Director: Diane Kurys
Studio: KOCH LORBER FILMS
Product Type: DVD

Product Description

Shot in Salzburg against the majestic Bavarian Alps, THE SOUND OF MUSIC is considered one of the greatest screen musicals ever made. Winner of five Academy Awards, including Best Picture and Best Director (Robert Wise), the film, based on a real family and their true events, tells the story of a young postulate, Maria (Julie Andrews), who, after proving too high-spirited for the Mother Abess and other nuns, is sent off to work as a governess to seven unruly children. The Von Trapp family is run, in military style, by the seemingly cold-hearted Captain Von Trapp (Christopher Plummer), a lonely widowed naval officer. Seeing how badly he and his children need companionship, he proposes to the Baroness Schraeder (Eleanor Parker), a calculating, mutual friend of beloved family friend Max Detweiler (Richard Haydn). It is the baroness who soon realizes that it's Maria--with her warmth and love for the children--the captain really loves. It is nearly bliss for the newly formed family who loves to sing together--except for the cloud looming over their beloved Austrian horizon: Hitler is ascending to power, forcing Von Trapp to decide whether to join the Nazi party--which he loathes--or force his family to leave their home forever. One of the most memorable scores ever written (by Rodgers and Hammerstein) and breathtaking performances by Andrews, Plummer, and the seven children mark this classic as one of the world's most favorite films.

System Requirements:

Running Time 174 Min

Format: DVD MOVIE

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When Julie Andrews sang "The hills are alive with the sound of music" from an Austrian mountaintop in 1965, the most beloved movie musical was born. To be sure, the adaptation of Richard Rodgers and Oscar Hammerstein II's Broadway hit has never been as universally acclaimed as, say, Singin' in the Rain. Critics argue that the songs are saccharine (even the songwriters regretted the line "To sing through the night like a lark who is learning to pray") and that the characters and plot lack the complexity that could make them more interesting. It's not hard to know whom to root for when your choice is between cute kids and Nazis.

Read our interview with
Charmian Carr, who played
Liesl von Trapp in The
Sound of Music.

It doesn't matter. Audiences fell in love with the struggling novice Maria (Andrews), the dashing Captain von Trapp (Christopher Plummer), and, yes, the cute kids, all based on a real-life World War II Austrian family. Such songs as "My Favorite Things," "Do Re Mi," "Climb Every Mountain," and the title tune became part of the 20th century Zeitgeist. In addition, The Sound of Music officially became a cult hit when audiences in London began giving it the Rocky Horror Picture Show treatment, attending showings dressed as their favorite characters and delivering choreographed comments and gestures along with the movie. So why resist, especially when the 40th Anniversary Edition is the best DVD yet.

The DVDs
As if the direct involvement of Julie Andrews weren't enough, the 40th Anniversary Edition of The Sound of Music is a must-have for fans because of the fond sense of nostalgia that will touch all but the worst cynic's heart. Andrews introduces both discs and contributes a commentary track on the film. It's a joy to hear her speak about the film (for example, she explains how she solved her dislike for the lyrics of "I Have Confidence"), and also heard are remarks by Christopher Plummer (who at one point refers to his being 48, which if true would mean his comments were made in about 1975), Charmian Carr (Liesl), choreographer Dee Dee Wood, and Johannes Von Trapp (the real-life Maria Von Trapp's youngest son, who admits that his father did have a whistle but claims that he was not as stern as portrayed in the film). Even with all those people involved, there are still significant gaps of silence, however. Retained from the previous two-disc editions is the commentary track by director Robert Wise, which during the musical numbers becomes an isolated score with no vocals. Also new are sing-along subtitles in English, Spanish, and French, which allow you to have your own sing-along at home. In addition, the film's remastering shows off a truer and much warmer sense of color.

On the second disc, Andrews participates in a new 63-minute documentary "My Favorite Things: Julie Andrews Remembers." But it's really a general making-of documentary with contributions from a number of principals, including director Robert Wise, who died in mid-2005 (not surprisingly, some stories are repeated from the commentary track and from the 87-minute documentary on the previous DVD). Andrews also shares a warm 19-minute sit-down with Christopher Plummer. Carr, who over the years has become the film's biggest advocate, narrates a new 22-minute documentary, "On Location with The Sound of Music," in which she revisits the places in Salzburg where the movie was filmed, and even joins one of the "Sound of Music tours" that have become a booming industry. And acknowledging another big industry, there's a 12-minute featurette on the sing-along phenomenon, focusing specifically on the audience, costumed and otherwise, that attended a sold-out Hollywood Bowl sing-along in 2005. Making special appearances at the event are four von Trapp great-grandchildren and all seven of the actors who played the children. Thankfully, those actors also appear in a 33-minute documentary "From Liesl to Gretl: A 40th Anniversary Reunion," in which they explain what they do now (many are still in show business) and share stories about the film, who was afraid of Christopher Plummer, and what they feel is their responsibility to the film's passionate fans. What's touching is how the group still considers themselves a family so many years later. Other material includes an A&E documentary on the von Trapps, Mia Farrow's screen test for the Liesl role, and a restoration comparison.

What's Missing?
If you already own the previous two-disc editions, you'll want this 40th Anniversary Edition as well, but you might not want to toss those versions. Probably the most significant omission from this edition is the original 14-minute documentary Charmian Carr made in 1967, "Salzburg Sight and Sound." Carr's new documentary includes only a couple clips from the vintage piece. It's not a great work of art, but it's a notable loss and would have made a good contrast with the new documentary. In addition, the new making-of documentary is about 24 minutes shorter than the old one. Also missing are the audio-only features--the interviews, the radio programs, the Ernest Lehman spotlight--and the historical still gallery examining the history of Salzburg and the film. Granted, this material probably got the least play of any of the old features, but completists might want to hold onto their old discs for it. It would have also been nice to have screen tests other than Farrow's. Tests for all the children and for Christopher Plummer (including singing in his own voice before he was dubbed for the film) were included on Hollywood Screen Tests and Rodgers and Hammerstein: The Sound of Movies. Again, they're not critical but it would have been nice to have them all in one place. So maybe the 40th Anniversary Edition isn't the complete package on The Sound of Music, but it's the most satisfying edition yet, with enough new material to please even the veteran SoM DVD watcher. --David Horiuchi

Customer Reviews:

The Sound of Music.......2007-07-02

Shot in pristine color on location near Salzburg--and featuring that dizzying opening shot of Maria belting out the title tune from a verdant hilltop--"Music" fully deserves its reputation as one of the most popular films of all time. The daisy-fresh Andrews is simply terrific, whether she's acting or singing, and the songs--"Do Re Mi," "Climb Every Mountain," and "My Favorite Things"--have become part of our cultural heritage. Adapted from the Rodgers and Hammerstein Broadway play, the film might be a bit schmaltzy at moments, but in all, it remains utterly irresistible. The hills are still alive--and your singing pipes will be too--with the wondrous "Sound of Music."

the magic is alive..........2007-06-26

I was only six but I still remember when my mother took us kids to the movies to see 'The Sound of Music'. A memory permantly ingrained as is this film. From the most amazing opening shot ever filmed this classic film never lets go of yor senses. It's fun, thrilling and holds up extremely well. Julie Andrews and Christopher Plummer are exquisite. Sure some of the lyrics are corny and simple but it all works and I'm not even a fan of musicals.

Pure Magic.......2007-06-25

Who doesn't know the general plot of this movie? Well just in case: Maria is thinking of becoming a nun, yet Sister Superior isn't so sure about that and sends her off to become the governess to seven Von Trapp children. There she meets the very strict father and the not so angelic children. She quickly wins over the children and their father. While all this is going on the Nazis are slowly but surely taking over the country. By the second half of the movie they become a true family and decide to make a dareing escape from the Nazis.

Now that pretty much wraps it up plot wise, yet there is so much more. The songs are very sugar coated but so what? They are there for a purpose: teaching children to not be afraid, coaching them on how to sing,etc. In most parts they are there for the pleasure of the young and the young at heart.

I'll close with an example. I was driving with my wife and our girls in the car, and we were looking at about an hour trip to my mother's house so we popped The Sound of Music in the DVD and we were on our way. As I heard (I coudn't see the movie of course) the movie and we sang the songs on our journey, I looked back and every face was smiling. Now if you are looking for a movie like that you've come to the right place.

The Sound of Music .......2007-06-11

A Family Night is made of... Sound of Music. Worth watching over and over.

saw it as a child and now at my 40s.. it still holds the magic.......2007-06-05

This review is about the movie and not the DVD Product-

I saw it yesterday, Im 43, last time I saw ir I was 28 and prior to that I was 12 the first time I saw it. It still holds the magic, and now I can say its a classic for all the family.

Yes, now I see details I previously did no see. The plot is so idillic that you don't feel the nazi presence inspiring fear, the love scenes are a perfect example of puritanism and political correctness. Yet there is love and there Julie Andrews gives a performance larger than life to captivate all public.

I do not know why in the review preface there is some critisims of the lyrics of the song "Sound of music"- those were elaborated lyrics and none of that senseless rap or overly simplistic lyrics. Sugarcoated? You bet, but just like the pinl lemonade they were sipping on the terrace, "its not too sweet, not too acid, its just too pink "

The movie has an ending that is rather sudden, just as it starts with that glorious song it should have ended with one as well, a triumph song. I still have the same feeling I did when I was 12, what happened to them?

Star Wars - Episode I, The Phantom Menace (Widescreen Edition)

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"I'm a person. And my name is Anakin."
hmmm...give my baby nephew this i will (smiles)
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The best of the new

Star Wars - Episode I, The Phantom Menace (Widescreen Edition)
Starring: Pernilla August , Kenny Baker , Brian Blessed , Ralph Brown , and Anthony Daniels
Director: George Lucas
Manufacturer: 20th Century Fox
ProductGroup: DVD
Binding: DVD

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Star Wars Jedi Knight 2: Jedi Outcast
Star Wars Jedi Knight 2: Jedi Outcast Collectors Edition

ASIN: B00003CX5P
Release Date: 2005-03-22

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"I have a bad feeling about this," says the young Obi-Wan Kenobi (played by Ewan McGregor) in Star Wars: Episode I, The Phantom Menace as he steps off a spaceship and into the most anticipated cinematic event... well, ever. He might as well be speaking for the legions of fans of the original episodes in the Star Wars saga who can't help but secretly ask themselves: Sure, this is Star Wars, but is it my Star Wars? The original elevated moviegoers' expectations so high that it would have been impossible for any subsequent film to meet them. And as with all the Star Wars movies, The Phantom Menace features inexplicable plot twists, a fistful of loose threads, and some cheek-chewing dialogue. Han Solo's swagger is sorely missed, as is the pervading menace of heavy-breather Darth Vader. There is still way too much quasi-mystical mumbo jumbo, and some of what was fresh about Star Wars 22 years earlier feels formulaic. Yet there's much to admire. The special effects are stupendous; three worlds are populated with a mélange of creatures, flora, and horizons rendered in absolute detail. The action and battle scenes are breathtaking in their complexity. And one particular sequence of the film--the adrenaline-infused pod race through the Tatooine desert--makes the chariot race in Ben-Hur look like a Sunday stroll through the park.

Among the host of new characters, there are a few familiar walk-ons. We witness the first meeting between R2-D2 and C-3PO, Jabba the Hutt looks younger and slimmer (but not young and slim), and Yoda is as crabby as ever. Natalie Portman's stately Queen Amidala sports hairdos that make Princess Leia look dowdy and wields a mean laser. We never bond with Jedi Knight Qui-Gon Jinn (Liam Neeson), and Obi-Wan's day is yet to come. Jar Jar Binks, a cross between a Muppet, a frog, and a hippie, provides many of the movie's lighter moments, while Sith Lord Darth Maul is a formidable force. Baby-faced Anakin Skywalker (Jake Lloyd) looks too young and innocent to command the powers of the Force or wield a lightsaber (much less transmute into the future Darth Vader), but his boyish exuberance wins over skeptics.

Near the end of the movie, Palpatine, the new leader of the Republic, may be speaking for fans eagerly awaiting Episode II when he pats young Anakin on the head and says, "We will watch your career with great interest." Indeed! --Tod Nelson

Description

Feature-Length Audio Commentary
The creators of Episode I give you insight into the film like no one else can. Hear from: writer/director George Lucas, Producer Rick McCallum, sound designer and film co-editor Ben Burtt, ILM animation director Rob Coleman and ILM visual effects supervisors John Knoll, Dennis Muren and Scott Squires.

"The Beginning"
Making Episode I Documentary Film
Culled from over 600 hours of behind-the-scenes footage, this all-new hour-long documentary film takes you inside Lucasfilm and Industrial Light & Magic during the making of The Phantom Menace. Sit in on the film's production process including: pre-production, casting, principal photography, editing, rough-cut reviews, visual effects meetings and other events that few people have had access to before.

Exclusive Deleted Scenes and Documentary
All-new documentary featuring George Lucas, Rick McCallum and guests discussing the painstaking process every director must go through in determining what scenes make the final cut. View seven exclusive deleted sequences that were created specifically for this DVD and learn why they were eliminated from the final version of the film.

Multi-Angle Animatics
Discover the amazing techniques used to create two memorable sequences (Submarine and Podrace Lap 1) from storyboards to animatics to final composites.

Featurettes
Five mini-documentaries give you an insider's look at The Phantom Menace's Storyline, Design, Costumes, Visual Effects and Fight sequences through behind-the-scenes footage and interviews with the cast and filmmakers.

Web Documentaries
Originally released on starwars.com during the production of Episode I, this award-winning twelve-part web documentary series gives you a fly-on-the-wall perspective into the making of the film as it was happening.

Exclusive Production Photo Gallery
Scroll through a never-before-seen gallery of candid cast and crew shots, each with captions.

"Duel of the Fates" Music Video
One of the most popular music videos during its release in May 1999, the "Duel of the Fates" video intertwines live footage of John Williams conducting the London Symphony Orchestra with behind-the-scenes clips and dramatic footage featured in Episode I.

Posters and Print Campaign
Examine the Episode I theatrical posters (Teaser and Launch) and the International Outdoor advertising used to support the release of Episode I around the world.

Trailers and TV Spots
Watch the theatrical teaser and launch trailers, plus seven TV spots (including the five original "Tone Poems" along with "The Saga Begins" and "All Over Again").

"Star Wars: Starfighter-The Making of a Game" from LucasArts
This featurette offers insight into the making of the popular flight action combat game along with information on other Star Wars games from LucasArts.

Exclusive DVD-ROM Content
Your Episode I DVD is a key that unlocks exclusive Star Wars content only available through a special DVD-ROM website.

Customer Reviews:

"I'm a person. And my name is Anakin.".......2007-06-22

STAR WARS EPISODE I: THE PHANTOM MENACE would have had to have been beyond perfect to survive the almost twenty years of fan anticipation and the avalanche of hype it was met with. When released in 1999, reactions to THE PHANTOM MENACE were very mixed. Disappointed (even embittered) fans claimed that George Lucas had created THE PHANTOM MENACE merely to cash in on the STAR WARS franchise---as if he needed to "cash in" on what had already become a multibillion dollar enterprise. As a result, the whole "prequel" trilogy got a bad reputation, none worse than this film.

Revisiting it years later, after all the shouting has died down, THE PHANTOM MENACE seems far better than it did upon its release. It doesn't measure up to any of the films of the original trilogy. It may in fact be the weakest film of the sextet. THE PHANTOM MENACE suffers from the same mistaken approach that George Lucas has adopted toward his "improved" versions of the original films. THE PHANTOM MENACE has most of the same shortcomings, particularly the (very common) sci-fi bugaboo of using a film to showcase special effects. Lucas gave us a truly Shakespearean tale in the first trilogy, and incidentally set it "a long, long time ago, in a galaxy far, far away." The spaceships, the ray guns, and the alien life forms propelled the story, but they were NOT the story.

Lucas wants to show us all kinds of new, colorful, and beautiful visions in THE PHANTOM MENACE, and he does, but at great expense to the storyline, which meanders all the way from Point A to Point A Prime in this installment.

There's even greater expense to the characterizations. We could relate to Luke, Leia, Han, See Threepio and Artoo Detoo in the first trilogy because they were like us in so many ways. Han Solo especially served to ground the STAR WARS universe in familiarity. Han's "scoundrel" energy was very central to the success of the original movies.

There isn't a lovable scoundrel in THE PHANTOM MENACE. Lucas does give us some truly interesting new characters, but they're alien (both literally and figuratively) and we hardly get to know them.

The young Queen of Naboo, Padme Amidala (played by Natalie Portman, one of the beautiful new visions in this film) is oft-times regally remote, and somewhat mysterious. Her lookalike decoy is played by Keira Knightley (another beautiful new vision), and it is truly difficult to tell them apart at times.

Although Portman's Amidala shows herself to be clearly a warm, open, and sympathetic character, by the end of THE PHANTOM MENACE we know much less about her than we do about her cinematic daughter, Princess Leia, in A NEW HOPE.

Young Anakin Skywalker (Jake Lloyd) is a slave-child on Tatooine. An inventor and a gifted pilot even at the age of eight, he is so bright-eyed and kindhearted ("Someday, I'll come back here and free all the slaves") that it is difficult to reconcile this gentle little boy who cries for his mother with the horrific Darth Vader he eventually becomes.

The Jedi Council initially refuses to allow Anakin to be trained as a Jedi ("There is much fear in you, young one," says Yoda). We never really see his fear or feel it. Nor do we get much more than a glimmer of the rage and anger he must feel as a slave. Watto, his owner, is a straw boater wearing, comical-looking flying bumblebee/vulture who speaks with a vaudeville Italian accent. Simon Legree should not be doing stand-up. By making Watto a figure of fun, Lucas fails to either underscore the weaknesses of the Galactic Republic, or presage its descent into darkness.

Essentially, we have only the criticisms of the Jedi Masters to go on in consigning young Anakin to the Minus Column. It just isn't enough, especially when he wins the high stakes podrace that is the main act of the story (the stakes being his own freedom), and is eventually responsible for firing the well-placed shot that defeats the enemy in battle (like his cinematic son, Luke).

The oddly mismatched love between the prepubescent Anakin and the much older teenaged Padme comes out of nowhere, with hardly a forethought (Anakin's shy question to the girl at their first meeting---"Are you an angel?"---is the only indicator of what later blossoms).

Likewise, Lucas utterly wastes two of his most intriguing characters, the iconoclastic Jedi, Qui-Gon Jinn, and the truly satanic Darth Maul. Qui-Gon is wise. Qui-Gon is skilled. Qui-Gon should have been Obi-Wan's Obi-Wan and Anakin's ally. But although Qui-Gon is instrumental in freeing Anakin from bondage, he never develops a truly affectionate (Obi-Wan and Luke-type) relationship with the boy, seeming more interested in him as raw material for Jedi training.

The silent Darth Maul, (the evil lord of shopping centers) with his horned black-and-red face, twin-ended lightsaber, glowing sulfur-yellow eyes, kendo-style fighting technique, and flowing black robes is potentially a figure as memorable and frightening as Darth Vader, but both he and Qui-Gon die in battling one another; and so a fascinating second trilogy dynamic between good and evil dies with them.

Added to these missed opportunities are odd inconsistencies between THE PHANTOM MENACE and the original trilogy. See Threepio turns out to have been built by Anakin on Tatooine, but then why didn't the droid recognize Tatooine or the name "Skywalker" in A NEW HOPE? Although Ben Kenobi claims to have been trained by Yoda in THE EMPIRE STRIKES BACK, he is clearly Qui-Gon's student in THE PHANTOM MENACE. Tatooine is ruled by the Hutts in this film, but not in the original trilogy. Although Anakin's mother references Tatooine's twin suns, they're never seen together in the sky.

Clearly, Lucas couldn't have reworked the original films after 20 years to fit all these elements in THE PHANTOM MENACE. Their inclusion here is a sign of his hubris. Why not just be true to the original? Clearly, his desire to make these changes overrode any considerations of film continuity and audience expectations. George Lucas isn't really trying to give us a better cinematic experience here, he's just totally into playing with his favorite toys. It's a form of selfishness.

Possibly the worst of Lucas's new ideas is the Social Darwinist/Nazi race theory concept of a high "midichlorian" count giving rise to greater Force sensitivity. Anakin has a mythic virgin birth due to the midichlorians, a bad twist to the tale when one considers that Lucas could have underscored the horrors of slavery by having Anakin fathered by a freeborn man who exploited Shmi Skywalker's position as a slave. Here, once again, the film fails to foreshadow the lawlessness and unethical evils of the rising Galactic Empire.

STAR WARS isn't sociology, but it's insistence on touching universal themes is what made it so wildly successful. The first trilogy was constructed entirely upon the foundation of our shared collective subconscious. Lucas loses that thread in this film.

The inclusion of the midichlorian factor means that the Jedi are no longer a highly-trained spiritual fraternity. They've become racially superior to the rest of us. If ever he re-edits THE PHANTOM MENACE, the midichlorians must end up on the cutting room floor. Sorry, but as ideas go, this one just stinks.

And speaking of stinks, Lucas also brought us the ridiculous Jar-Jar Binks and his race of Rastafari amphibians, the Gungans (Ganja, anyone?). Jar-Jar Binks is a technically interesting additional character, being primarily a CGI character; but he adds nothing (and detracts much) from the film with his distracting brainless chatter, clumsiness, and utter stupidity. If Lucas thought that this duckbilled dunce would provide comic relief, he was wrong. See Threepio and Artoo Detoo serve that purpose in the first trilogy and should have continued to do so in THE PHANTOM MENACE. Jar-Jar merely irritates the viewer, particularly given that he appears throughout the film, not just in a few scenes. He's merely filler. As filler, he's a sign that Lucas wasn't imaginative enough to use THE PHANTOM MENACE's screen time to its best advantage by progressing the storyline.

Binks may be the only character ever that inspired a website advocating his destruction, the aptly-named www.Jarjarbinksmustdie.com. What was George Lucas thinking when he gave us the jarring Jar-Jar?

THE PHANTOM MENANCE is uneven and inconsistent and suffers from some poor scriptwriting and too many missed opportunities. These reduce the film, but do not ruin it. Despite its weaknesses and flaws, THE PHANTOM MENACE is a solid THREE STAR effort. It is essential to the telling of the tale, and leaves us considering what's next?

In that regard, THE PHANTOM MENACE is as successful as any film can be. It finally gives us the entertaining and engaging introduction to that long time ago and far away galaxy we've come to know and love.

hmmm...give my baby nephew this i will (smiles).......2007-06-21

yeah its was ok but definetly for the younger kids. i guess it goes along with the theme of Aniken Skywalker is also a kid. the next 2 are much better. there's just too much comic relief in this one for an adult.

I've discovered something revolutionary!.......2007-06-13

Hey, folks! I don't know about you, but I've realized something extraordinary! Yoda is a HERETIC! How is this possible, you may ask? Well, here's how. You see, in this highly-anticipated prequel, Quack-Gonn Jinn explains the force to Anakin Snobbwalker. He explains how the force is really just a bunch of microorganisms (similar to sweat) that live in your cells and boss you around. However, in Episode V, Yoda (who in Episode I looks like a monkey) claims that the force is something that surrounds every living thing (something like that). If Yoda is a heretic, that means he's bad. If he's bad, then why do you see him with the good jedi at the end of Episode VI? Meeesa have bad feelzing about this. Can you guess who meeesa is? Youssa right! Issa meeesa, I'mgonnahityouovertheheadwithajellyjar-jar-Bonks.

I am Qui-Gonn Jinn. I am a stone-faced, mature Jedi Master, yet I enjoy the presence of my friend Jar-Jar-Binks more than my audience.

Jar-Jar - Exqueese me! You saved my life! Meeesa your servant for life!

Qui-Gonn - Yes, Jar-Jar. If I were in my right mind, I would slash you with my lightsaber until I could see the individual atoms that you're made of. However, I'm never in my right mind, so I will bear with your company. What's more, I'll even take you with me, so that everyone aboard my ship will lose their minds when you crack fart jokes every five seconds.

Obi-Wan finally meets Jar-Jar. He would also slash him to pieces; however, that would mean he'd lose Jedi points, because destroying an unarmed creature is against the jedi rule. It's bad enough that Padme likes snobby, most-horrible-actor-in-the-world Anakin, but she likes Bonks. How is that possible? I think Jar-Jar is a Sith! How else could anyone like him, than by using Jedi mind tricks? How else could he not die, when thousands of battle droids are around him and none hear his ridiculous screams?

Finally, we see the villain of the movie! Darth Maul, who is not in it at all! What does he do in the movie? Except for some incredibly awesome lightsaber moves, he rolls his eyes! Probably an addiction he developed when going through the movie's storyline with Lucas.

Who is the hero of the movie?

JOHN WILLIAMS!!!!!!!

Star Wars I.......2007-06-12

I think George Lucas has a wonderful imagination and not afraid to apply that imagination on screen. However, I find it hard to believe a boy that young (Anakin) could manuver a craft like that or for that matter, build one. None the less, I loved it and will watch it over again.

Rita

The best of the new.......2007-06-11

Of the 3 new episodes, this is by far the best one. It has a captivating storyline and never ceases to amaze with the fantastic CGI special effects at every angle. Many die-hard SW fans do not approve of all the CGI, but I believe that feeling goes hand in hand with the fact that they were around when the first SW came out, and that film was "theirs" so to speak and can never be duplicated. Something so magnificent as SW in 1977 must've captivated the mind and created such a frenzy that many opinions will be biased some 30 years later. I was not born yet when the first ones came out, but I'm a fan of all 6 and didn't really understand the SW buzz until I was able to watch the first 3 (newer ones) in succession followed by Episodes IV, V, and VI. Many fans have seen it the other way around, but I find the SW saga to still be enjoyable if you watch them in numerical order.

Of course, as a young buck myself, I will gladly say that Episodes I-III are great. A true treat to eye and a gem in fantasy/sci-fi land if you're in to that type of genre. Lucas could've not created anything better in my eyes. As I stated earlier, many old-school fans don't appreciate the new ones and that's completely understandable. For me and my generation, my Star Wars films were The Lord of the Rings trilogies. For me, I will go to my grave saying that LOTR was and is the best film of the genre. Hopefully they will make more as Tolkien wrote a lot, but I will not appreciate them as much as LOTR. That's just the way it is I guess.

The Dreamers (Original Uncut NC-17 Version)

Average customer rating:

THE DREAMERS
perfect quality and cheap, too
Adequate productions, etc.
Great Movie!
House of 'Yes' in the War Zone or The First Tango in Paris

The Dreamers (Original Uncut NC-17 Version)
Starring: Michael Pitt (II) , Eva Green , Louis Garrel , Anna Chancellor , and Robin Renucci
Director: Bernardo Bertolucci
Manufacturer: 20th Century Fox
ProductGroup: DVD
Binding: DVD

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Release Date: 2004-07-13

Amazon.com

A love letter to movies (and the French new wave of the 1960s in particular), Bernardo Bertolucci's The Dreamers starts with a 1968 riot outside of a Parisian movie palace then burrows into an insular love triangle. Matthew (Michael Pitt, Hedwig and the Angry Inch), an expatriate American student, bonds with a twin brother and sister, Isabelle (Eva Green) and Theo (Louis Garrel), over their mutual love of film--they not only quote lines of dialogue, they act out small bits and challenge each other to name the cinematic source. Matthew suspects the twins of incest, but that doesn't stop him from falling into his own intimacies with Isabelle. As the threesome becomes threatened, Paris succumbs to student riots. The Dreamers aspires to be kinky, but the results are more decorative than decadent; nonetheless, the movie's lively energy recalls the careless and vital exuberance of Godard and Truffaut. --Bret Fetzer

Description

From Academy Award®-winning director Bernardo Bertolucci (The Last Emperor, 1987), comes an erotic tale of three young film lovers brought together by their passion for movies -- and each other. When Isabelle and Theo (Eva Green, Louis Garrel) invite Matthew (Michael Pitt) to stay with them, what begins as a casual friendship ripens into a sensual voyage of discovery and desire in which nothing is off limits and anything is possible. Featuring an engaging, seductive cast, The Dreamers is a ?spellbinding, provocative feast!" (Ebert & Roeper)

Customer Reviews:

THE DREAMERS.......2007-07-01

Its tempting to try selling this film as the debut performance by the newest Bond girl Eva Green.

As an alternate, see my review, as well as this Amazon review by Bret Fetzer below mine.

Many would attempt judging this film as kinky with a sprinkling of frontal nudity and a menage a' trois scene thrown in (the NC-17) version. However, this Bernardo Bertolucci film would rather like to remembered as a love letter to the movies and to the average Parisian's intense love for good films. Using a backdrop of the 1968 student riots brought about by the firing of the director at the Cinematheque Francais - a temple for students and afficionados of art films, the story weaves into it the coming-of-age story of a bother-sister par and a young exchange student from America living together duing the heady days, and their evolving relationship.
-------------------------------
"A love letter to movies (and the French new wave of the 1960s in particular), Bernardo Bertolucci's The Dreamers starts with a 1968 riot outside of a Parisian movie palace then burrows into an insular love triangle. Matthew (Michael Pitt, Hedwig and the Angry Inch), an expatriate American student, bonds with a twin brother and sister, Isabelle (Eva Green) and Theo (Louis Garrel), over their mutual love of film--they not only quote lines of dialogue, they act out small bits and challenge each other to name the cinematic source. Matthew suspects the twins of incest, but that doesn't stop him from falling into his own intimacies with Isabelle. As the threesome becomes threatened, Paris succumbs to student riots. The Dreamers aspires to be kinky, but the results are more decorative than decadent; nonetheless, the movie's lively energy recalls the careless and vital exuberance of Godard and Truffaut". --Bret Fetzer
--------------------------------

perfect quality and cheap, too.......2007-05-13

For $5, a great film at an even better price...

Adequate productions, etc........2007-05-07

This was an ok flick...........always good to see up and coming artists and these were fine......Eva Green should definitely do more of these types........very sexy.....sequel might do better.........

Great Movie!.......2007-05-07

If you haven't seen it you should, if you have then you're already here to buy it.

Some of the finest modern film making, subtle, sensual, insightful.

Not a fan of the last 4 minutes though.. other than that better than great till that point.

House of 'Yes' in the War Zone or The First Tango in Paris.......2007-04-26

When Bernardo Bertolucci makes a new film, I want to see it. I know it will be visually beautiful, deep and meaningful. Even when he is not completely successful - his films are difficult to forget. It applies to "The Dreamers" (2003)

In this film, Bertolucci returns to Paris of 1968. His First Tango is as shocking as Last one - it received NC-17 rating for very open scenes of nudity, masturbation, sex, and the hints to incest. But it is not just about sex - it is about film itself. It was the time when Pauline Kael said, "Bertolucci and Brando have altered the face of an art form". It was the time when a crowd in Chicago would line up under umbrellas on the sidewalk, waiting in the rain to get into the next screening of Godard's "Weekend." It was the time when movie makers became the Artists. It was the time when closing down of the famous Cinematheque Francais in Paris by the government started the student culture riots which became the part of youthful rebellion all over the Western World.

Young American, Mathew, a devoted movie buff (Michael Pitt who by the opinion of several reviewers looks like cross between Leo DiCaprio and Macaulay Culkin. I found him looking more like young Roger Ebert would've. ) becomes friends with two French students and fellow movie lovers, twins Isabella (Eva Green, in a star making debut) and Theo (Louis Garrel) and accepts their invitation to stay with them at their apartment while their intellectual parents are away for vacation.

All three are big fans of movies - they not only talk about movies, they live their favorite scenes. "The Dreamers" is Bertolucci's love letter to cinema, and his irony toward people taking it so seriously that the real world is ignored.

When Matthew moves in with the twins, the result closely resembles "Last Tango in Paris". Much of the film's second half occurs in that apartment, as insular as Marlon Brando and Maria Schneider's more than thirty years ago. Flirting becomes passion becomes dark and dangerous games to see how far someone will go. The difference is that the kids of "The Dreamers" are not as complicated and interesting as Paul or Jeanne (especially Paul, one of the greatest performances by genius Brando).

With this wistful ode to sex, cinema, and the heated atmosphere of the '60s, Bertolucci has proved that he is still on the top of his game. I will be happily waiting for his next film.

Average customer rating:

Colorful, whimsical adventure
FUN FANTASY ADVENTURE
Always loved it!
Great Classic
Great Family Movie

Willow (Special Edition)
Starring: Billy Barty , Tony Cox , Warwick Davis , Joanna Dickens , and Phil Fondacaro
Director: Ron Howard
Manufacturer: 20th Century Fox
ProductGroup: DVD
Binding: DVD

General | Action & Adventure | Genres | DVD | Video

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The Dark Crystal

ASIN: B00003CXDD
Release Date: 2001-11-27

Amazon.com

This epic Lucasfilm fantasy serves up enough magical adventure to satisfy fans of the genre, though it treads familiar territory. With abundant parallels to Star Wars, the story (by George Lucas) follows the exploits of the little farmer Willow (Warwick Davis), an aspiring sorcerer appointed to deliver an infant princess from the evil queen (Jean Marsh) to whom the child is a crucial threat. Val Kilmer plays the warrior who joins Willow's campaign with the evil queen's daughter (Joanne Whalley, who later married Kilmer). Impressive production values, stunning locations (in England, Wales, and New Zealand) and dazzling special effects energize the routine fantasy plot, which alternates between rousing action and cute sentiment while failing to engage the viewer's emotions. A parental warning is appropriate: director Ron Howard has a light touch aimed at younger viewers, but doesn't shy away from grisly swordplay and at least one monster (a wicked two-headed dragon) that could induce nightmares. --Jeff Shannon

Description

From legendary filmmakers George Lucas and Ron Howard comes one of the most beloved fantasy tales of all time. This groundbreaking film features stunning special effects, dazzling action and a classic battle between good and evil.

When young Willow Ufgood (Warwick Davis) finds an abandoned baby, he is suddenly thrust unto an adventure filled with magic and danger. According to an ancient prophecy, the sacred child is destined to end the reign of the evil sorceress Queen Bavmorda (Jean Marsh). Now, the only a single swordsman (Val Kilmer) at his side, Willow must overcome the forces of darkness that threaten to destroy anyone who stands in the Queen's way!

Customer Reviews:

Colorful, whimsical adventure.......2007-07-04

It doesn't get any better than this. The imagery in this film is so wonderful that it runs through your mind for hours after watching it. The colors are so bold, the scenes are beautiful, and if you ask me, the story is very enjoyable. Plus, if there are fairies, it always gets five stars.

FUN FANTASY ADVENTURE.......2007-06-27

Willow is one of my favorite movies. Willow loves his family, friends and community. He tries hard to please all of them! Val Kilmer did a great job in this movie. His character is a rough, tough guy who tries to hide his good heart. There's lots to like in this movie---comedy, adventure, battles, fantasy, even monsters! It's the kind of movie my husband and I love to watch --more than once.

Always loved it!.......2007-05-17

I loved this movie when I was young! I am still YOUNG BTW :P Anyway, great movie, Val Kilmer is a hottie in this movie! Love watching it, and always a joy to pop it in the DVD player.

For the price, I had to add it to my collection! Awesome movie!

Great Classic.......2007-05-13

A great movie classic for fantasy and adventure lovers. Good plot, great acting, and good clean fun!

Great Family Movie.......2007-05-12

Sit down on a rainy Sunday afternoon with a bag of popcorn, pop in Willow and you will spend two very enjoyable hours with your family.

Average customer rating:

Sci Fi At It's Best
Campy Drama / Sci-Fi Classic
One of the best sci-fi movies of the 50's
The Day the Earth Stood Still
The Earth Stood Still This Movie Moves On

The Day the Earth Stood Still
Starring: Frances Bavier , Marshall Bradford , John Burton , Wheaton Chambers , and James Craven
Director: Robert Wise
Manufacturer: 20th Century Fox
ProductGroup: DVD
Binding: DVD

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ASIN: B00005JKFR
Release Date: 2003-03-04

Amazon.com essential video

A hallmark of the science fiction genre as well as a wry commentary on the political climate of the 1950s, The Day the Earth Stood Still is a sci-fi movie less concerned with special effects than with a social parable. A spacecraft lands in Washington, D.C., carrying a humanoid messenger from another world (Michael Rennie) imparting a warning to the people of Earth to cease their violent behavior. But panic ensues as the messenger lands and is shot by a nervous soldier. His large robot companion destroys the Capitol as the messenger escapes the confines of the hospital. He moves in with a family as a boarder and blends into society to observe the full range of the human experience. Director Robert Wise (West Side Story) not only provides one of the most recognizable icons of the science fiction world in his depiction of the massive robot loyal to his master, but he avoids the obvious camp elements of the story to create a quiet and observant story highlighting both the good and the bad in human nature. --Robert Lane

Description

The Day The Earth Stood Still depicts the arrival of an alien dignitary, Klaatu (Michael Rennie), who has come to earth with his deadly robot, Gort (Lock Martin), to deliver the message that earthlings must stop warring among themselves--or else. After being shot at by military guards, Klaatu is brought to a Washington, D.C. hospital, where he begs a sympathetic but frank Major White (Robert Osterloh) to gather all the world's leaders so he can tell them more specifically what he has come to warn them about. Losing patience, Klaatu slips into the human world, adapting a false identity and living at a boarding house where he meets a smart woman with a conscience and her inquisitive son. Both mother and son soon find themselves embroiled in the complex mystery of Klaatu, his message and the government's witch hunt for the alien.

Customer Reviews:

Sci Fi At It's Best.......2007-05-18

This movie earned a Golden Globe and it's message still holds true today.

Campy Drama / Sci-Fi Classic.......2007-05-12

Who knew that actress Patricia Neal and good old Francis Bavier (Aunt Bea from Mayberry fame) would ever appear together, along with Michael Rennie, in this sci-fi-cult screamer of a black-and-white classic, and that we will forever remember the line: "Gort! Klaatu Barada nikto!" This item is worth having just as a peerless piece of 50's memorabilia! Get it, watch it... and Wikipedia it for little known factoids!

One of the best sci-fi movies of the 50's.......2007-04-24

If ever a film could capture the very essence of syrupy conception while making us love it with utter devotion, this is it. The story is perfectly linear in construction, the characters neat and tidy. The story unfolds before you like a clean, speckled linoleum walkway. Just put on your high-tops and stroll along, glass of milk in one hand, cookies in the other. This is the film that reminds the peacenik in us that those higher powers, you know - the guardians of intergalactic peace we just know are out there, are watching, waiting for that single telltale act of malicious intent from homo sapiens that will bring down every last heat ray of righteous fury the outer space cops can muster and "leave our world a burned out cinder."

You'll love the fact that huge diamonds are the currency on the space cops' planet, and that he carries a few million dollars worth in the pockets of his borrowed woolen suit for change. You'll especially love the fact that just three little words, constructed of strangely Germanic phonemes, when spoken to a ten-foot tall robot awakened with a boy scout's flashlight, can belay its built-in command to destroy our world. Watch in bug-eyed awe as Michael Rennie's hands play over those big `ol light bulbs that double as his flying saucer's controls, waving this way and that, as he launches the most complex shipboard functions. Gasp agog as you discover that the cop's ship is made of material so tough that it's un-scratchable, un-filable and un-blowtorchable. Watch the space cop scribble the answer to a monstrously long mathematical equation on Albert Einstein's doppelganger's chalkboard to get the pipe-smoking professor's attention. It's pure poetry I tell you.

The Day the Earth Stood Still.......2007-04-04

This is the original classic movie that everyone should see. The props and the technology of film making has advanced but the differences in our world are the same. Man only does one thing well. He finds improved ways of killing each other. In this movie, though many years old, man is faced with a dilemma. Live in harmony or be eliminated by higher intelligence. Let's face it folks, no intelligent life form would want to have anything to do with a race of people that only excell at murdering each other and their own environment! It is a great movie.

The Earth Stood Still This Movie Moves On.......2007-03-19

After so many years this movie couldn't have been written better today than it was back then. A great theme ahead of it's time with a great cast. I wish they could still make movies today like they did back then. Unfortunately most of these older movies have lost their moral meaning throughout the 60's, 70's, 80's, and whatever was the 90's. It just goes to show that just because something is new doesn't make it better. Watch this movie and you will know what I mean.

Average customer rating:

Delightful Doris Day/James Garner romantic comedy
A Great Movie
I Love It.
move over darling sure is a darling movie
Move Over Darling

Move Over Darling
Starring: Doris Day , James Garner , Polly Bergen , Thelma Ritter , and Fred Clark
Director: Michael Gordon
Manufacturer: 20th Century Fox
ProductGroup: DVD
Binding: DVD

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ASIN: B000JJSJPK
Release Date: 2007-01-30

Amazon.com

Doris Day, the perky, chaste adult star of an odd collection of winking 1960s sex comedies, takes the Irene Dunne role in this remake of the comedy classic My Favorite Wife. As the survivor of a five-year ordeal on a desert island, she returns home the very day her husband has remarried. James Garner, trading his Maverick impish humor and con man cool for a mugging performance of double takes and pratfalls, is her overjoyed husband who is too cowardly to tell his neurotic bride (Polly Bergen). All of this, naturally, leads to a ridiculously complicated plot that combines door-slamming sex farce with mistaken identities (Day poses as a Swedish masseuse) and a goofy sped-up car chase. Chuck Connors, who costars as Day's hunky, he-man island mate "Adam," leads a topnotch supporting cast that includes sassy Thelma Ritter as Garner's no-nonsense mother, Don Knotts as a nervous shoe salesman enlisted by Day to impersonate Adam, Fred Clark at his indignant best, and John Astin and Pat Harrington in early roles. Edgar Buchanan practically steals the film as a gruff, irascible judge who growls through the legal circus that forms the film's chaotic climax. The cast for the most part rises above the tepid script and bland direction and Day sings two songs. Interestingly, this remake was originally developed for Marilyn Monroe and Dean Martin as the never completed Something's Got to Give. --Sean Axmaker

Description

Say "I do" to "madcap comedy" (Box Office) and "exuberant farce" (Film Daily) in this feel-good romp about one groom, two wives and one delightfully daffy honeymoon! Starring Doris Day, James Garner and Polly Bergen, Move Over, Darling is "a funny, funny film!" (Hollywood Citizen News) that's the perfect union of "humor, romance and heart" (The Hollywood Reporter)!

Five years after losing his first wife Ellen (Day) at sea, Nick (Garner) is finally ready to have her declared legally dead, get remarried and settle down to a peaceful second marriage! But wedded bliss becomes marital mayhem when Ellen turns up alive -- with a hilarious, hair-brained scheme to win back her husband, put a stop to the honeymoon and give first love a second chance-at happily-ever-after!

Customer Reviews:

Delightful Doris Day/James Garner romantic comedy.......2007-06-28

MOVE OVER, DARLING (1963) offers delightful romantic comedy fun for fans of Doris Day and James Garner. This color and CinemaScope remake of the Irene Dunne-Cary Grant MY FAVORITE WIFE (1940) is so close to the B&W original that WIFE's writers get screenplay credit. DARLING is about a man (Garner) marrying his second wife (Polly Bergen) and honeymooning in a fancy Monterey hotel when his first wife (Day) shows up alive after a several year's absence. So we have a screwball comedy treatment of bigamy, with Bergen in suite C wondering why Garner keeps going to Doris in suite A or down to the hotel lobby for an all evening shave..

Whole scenes here are duplicated in WIFE, sometimes with the same dialogue. But I like DARLING more because it adds a wild car chase and a hilarious scene with Doris going in an open convertible through a carwash. And the supporting cast here is spectacular: Thelma Ritter, Fred Clark, Don Knotts, John Astin, Edgar Buchanan as the Judge, Chuck Connors as hunky "Adam", the list goes on. All are wonderful. WIFE cannot begin to match them, despite a good script.

MOVE OVER, DARLING is not a musical. There are no songs. But this was the 1960's, when Doris was making romantic comedies with (ironically) Cary Grant or James Garner, and not musicals. This started out as a vehicle called SOMETHING'S GOT TO GIVE, with Marilyn Monroe, and was left unfinished with Marilyn's tragic death in 1962. It was revamped a year later into DARLING with Day and Garner and Bergen. Complicating matters is that MY FAVORITE WIFE is itself a remake of the D. W. Griffith silent drama, ENOCH ARDEN (1911), based on the poem by Alfred Lord Tennyson! That version plays complete at 35 minutes as a wonderful bonus with DARLING; it has been supplied from the Library of Congress.

Besides all that exists of ENOCH ARDEN, liberal bonuses with MOVE OVER, DARLING include a behind-the-scenes filmmaking documentary, a Marilyn vs. Doris featurette, and a welcome chat with a still-beautiful Polly Bergen. It's not a masterpiece, but still one of Doris Day's most enjoyable films. Love that carwash scene and Don Knotts playing a shoe salesman sex symbol!

A Great Movie.......2007-06-28

This is a great movie. i love the whole movie but the car wash scene is awesome and one of my favourites.

I Love It........2007-06-13

I wasn't a James Garner fan until I saw this movie for the first time. Now I am.

move over darling sure is a darling movie .......2007-06-08

this movie gets a 5+ STAR IN MY OPTION THIS MOVIE IS SO CUTE THAT i WATCHED IT OVER AND OVER AFTER i GOT IT AND IT IS STILL MY FAVORATE MOVIE OF ALL TIME PLEASE BUY THIS MOVIE IF YOU HAVE NOT THAN DO IT IS A AL TIME CLASIC MOVIE

Move Over Darling.......2007-06-02

This one of my favorite movies. No deep message, just good entertainment. Doris Day and James Garner have a great chemistry.

Average customer rating:

Compulsory For Anbody Thinking of Using
Pacino Can't Save a Tired Script
Al Pacino's first starring role, a stunning debut.
The Boredom in Needle Park
Pacino and Wynn

The Panic in Needle Park
Starring: Al Pacino , Kitty Winn , Alan Vint , Richard Bright , and Kiel Martin
Director: Jerry Schatzberg
Manufacturer: 20th Century Fox
ProductGroup: DVD
Binding: DVD

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ASIN: B000A9QK6E
Release Date: 2007-06-19

Customer Reviews:

Compulsory For Anbody Thinking of Using.......2007-06-27

I was a little taken aback by the film's "PG" rating. Drug use is treated frankly, there's some strong language and fleeting nudity. But then I thought why shouldn't young people of a certain age see this film. They are the most vulnerable in being ensnared into the drug culture and maybe they should heed the film's cautionary message. I also found the timing of this film's release, 1971, interesting because it comes at a time when the drug culture was in full bloom and we were only a few years removed from "Easy Rider". The selling point is, of course, Al Pacino who is nothing short of amazing as the small-time thief who goes from pecking to full-blown addiction. I thought this was more Kitty Winn's picture, though. Her character could be anybody's daughter who for reason's unknown takes up a serious drug habit. The film is essentially a love story between Pacino and Winn's characters. I couldn't decide whether the love between the two brought a little light to their dismal straits or that they were enabling each other into a worse addiction. For obvious reasons the film's message is timeless because, unfortunately, we don't live in a perfect world. Pacino and director Jerry Schatzberg would later collaborate on another seventies gem, "Scarecrow", that is well worth checking out.

Pacino Can't Save a Tired Script.......2007-06-26

I can't help but compare this film to Drugstore Cowboy, another drama detailing the life of heroin users. The comparison does not favor Panic. While Drugstore Cowboy feels like a story written by someone who really knows what it's like to be a junkie (it was), this tale feels like it was written by an intellectual who had never touched smack but thought it would be cool to write a story about strung-out people. The whole thing feels affected, stale, acted out. You can't help but love Al Pacino, overacting in an endearing way in the earliest days of his career. And Kitty Winn, the actress who plays Pacino's partner in crime here, is cute and charming in a Margot Kidder/Karen Allen kind of way. But actors' charms aside, the film is bland and sterile. Skip this and go watch Drugstore Cowboy, which will make you feel like you are really inside the world of a group of heroin users.

Al Pacino's first starring role, a stunning debut........2007-04-08

Thirty-six years (1971) after it came out it is finally being released on DVD. This stark and grim film was heavily criticized by critics mostly because of its brutal and honest drug content. Filmed on location in New York City, THE PANIC IN NEEDLE PARK, marked the real beginning of what was to become the amazing career of one of the greatest actors to ever grace the screen the legendary Al Pacino. Great movie that I am happy is finally making its way to video. The movie had been released in Europe for some time but never in the United States that is until now. I will definitely be purchasing this underrated movie classic that for years has become among die-hard Pacino fans one of his most sought after movies ever. To the studio that finally thought about releasing this movie after so many years of waiting I thank you kindly.

The Boredom in Needle Park.......2007-02-12

This film drags along at snails pace, without any discernible plot. Although occasionally one is hinted at, it never seems to unfold. The "highlights" are a couple of extended, graphic heroin injection scenes, and otherwise two hours of muddy, low register mumbling of street jive and drug talk. After an hour it became a struggle just to sit through, but I forced myself to keep watching, convinced it was all leading to 'something'. Unfortunately it wasn't, and nothing happens.

Pacino himself is not remotely convincing as a down and out addict, and he doesn't fit in at all with the junkie crew. The lone saving grace is Pacino's creepy brother Hank (played by Richard Bright), who convincingly portrays a career burgular. His scenes and character draw you in, but unfortunately he vanishes midway, and we're back to dragged out scenes of Pacino and his girl slumped in bedrooms, high and staring vacantly into space.

Maybe this film will be of some interest to the Pacino-completist, but my personal advice would be to steer clear. And this is coming from both a Pacino fan, and a fan of 70s American cinema. Otherwise if you still want to proceed, a shot of heroin may be necessary before viewing.

Pacino and Wynn.......2007-02-05

A true (*****) star movie is one that: 1.) Makes you think 2.) Makes you cry 3.) Makes you shudder 4.) then think again.
Ordinary People, A Tree Grows in Brooklyn, Goodfellas, Shawshank Redemption, and "I Want To Live", are five star movies.
This IS a five star movie.
The writing is rough, the characters are flawed, camera angles are off, yet this film is gripping to the core. I first saw this film on AMC when AMC was a pay channel. My first impression was,... how can a film end this way?
On second viewing,... what a masterpiece.
Pacino is at his (RAW) best. Wynn,... how can anyone act in this manner if they truly aren't like this in true life?
Moving and thought provoking.
(*****)

Star Wars Episode IV - A New Hope (1977 & 2004 Versions, 2-Disc Widescreen Edition)

Average customer rating:

george come on!
Original version is important.
Thanks for nothing, George.
A Long, Long time ago . . . The World was soon to be completely amazed and I just turned 13 in May 1977
George, if it ain't broke, don't fix it! Rated: *(****)

Star Wars Episode IV - A New Hope (1977 & 2004 Versions, 2-Disc Widescreen Edition)
Starring: Mark Hamill , Harrison Ford , Carrie Fisher , Peter Cushing , and Alec Guinness
Director: George Lucas
Manufacturer: Twentieth Century Fox Home Entertainment
ProductGroup: DVD
Binding: DVD

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Star Wars - Episode III, Revenge of the Sith (Widescreen Edition)
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ASIN: B000FQJAIW
Release Date: 2006-09-12

Amazon.com

The 2006 limited-edition two-disc release of George Lucas's epic space fantasy Star Wars is not only the first time the movie has been officially available by itself on DVD. It marks the first-ever DVD release of Star Wars as it originally played in theaters in 1977. What does that mean exactly? Well, for starters, the initial title crawl proclaims that this is just Star Wars, not Episode IV, A New Hope. Second, the film is without the various "improvements" and enhancements Lucas added for the theatrical rerelease in 1997 as well as the DVD premiere in 2004. So no more critters and droids scurrying around the port of Mos Eisley when Luke and Obi-Wan Kenobi first arrive, no meetings between Han Solo and Jabba the Hut and between Luke and Biggs (extraneous scenes that were cut in 1977), no enhanced explosions during the final reel, and--most importantly to some fans--no more of Greedo shooting first in the bar. Instead Han is free to be the scoundrel and not even let Greedo squeeze off a shot.

What do you lose by watching the 1977 version? Dolby Digital 5.1 EX sound, for one thing (only 2.0 Surround here). Digital cleanup for another--Tatooine looks like it's been coated with an additional layer of sand cloud. But for home-theater owners, the biggest frustration will be from the non-anamorphic picture. On a widescreen TV, an anamorphically enhanced (16x9) picture at a 2.35:1 aspec