Out of the Past

Starring:Robert Mitchum, Jane Greer, Kirk Douglas, Rhonda Fleming, Richard Webb, Steve Brodie, Virginia Huston, Paul Valentine, Dickie Moore, Ken Niles, Bill Wallace, Jose Portugal, Homer Dickenson, Jess Escobar, Victor Romito, Frank Wilcox, Oliver Blake, Sam Warren, Ted Collins (III), Lee Elson
Director: Jacques Tourneur
Studio: Turner Home Ent
Product Type: DVD
Editorial Review:
Amazon.com essential video
"Build my gallows high, baby"--just one of the quintessentially noir sentiments expressed by Robert Mitchum in this classic of the genre. Mitchum, in absolute prime, sleepy-eyed form, relates a complicated flashback about getting hired by gangster Kirk Douglas to find femme fatale Jane Greer. The chain of film noir elements--love, money, lies--drags Mitchum into the lower depths. Director Jacques Tourneur gets the edgy negotiations between men and women as exactly right as he gets the inky shadows of the noir landscape (even the sunlit exteriors are fraught with doubt). This is Mitchum in excelsis, with his usual laid-back cool laced with great dialogue and tragic foreshadowing. As for his co-star, James Agee immortally opined that Jane Greer "can best be described, in an ancient idiom, as a hot number." Remade in 1984, unhappily, as Against All Odds (with Greer in a supporting role). --Robert Horton
Average customer rating:
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The Patriot (Extended Cut) [Blu-ray]
Starring: René Auberjonois , Adam Baldwin , Chris Cooper , Jason Isaacs , and Tchéky Karyo
Director: Roland Emmerich
Manufacturer: Sony Pictures
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ASIN: B000PAAJVA
Release Date: 2007-07-03 |
Amazon.com
Aimed directly at a mainstream audience, The Patriot qualifies as respectable entertainment, but anyone expecting a definitive drama about the American Revolution should look elsewhere. Rising above the blatant crowd pleasing of Stargate, Independence Day, and Godzilla, director Roland Emmerich crafts a marvelous re-creation of South Carolina in the late 1770s (aided immeasurably by cinematographer Caleb Deschanel), and Robert Rodat's screenplay offers the same balance of epic scale and emotional urgency that elevated his earlier script for Saving Private Ryan. Unfortunately, Emmerich embraces clichés and hackneyed melodrama that a more gifted director would have avoided. Instead of attempting a truly great film about the most pivotal years of American history, Emmerich settles for a standard revenge plot with the Revolutionary War as an incidental backdrop.
On those terms, the film is engrossing and sufficiently intelligent, especially when militia leader Benjamin Martin (Mel Gibson) cagily negotiates with British General Cornwallis (Tom Wilkinson) in one of the most rewarding scenes. For the most part, the story concerns Martin's anguished quest for revenge against ruthless redcoat Colonel Tavington (played with snide relish by Jason Isaacs), and the rise to manhood of Martin's eldest son, Gabriel (Heath Ledger), whose battlefield honor exceeds even that of his brutally volatile father. At its best, The Patriot conveys the horror of war among innocent civilians, and the epic battle scenes, while by no means masterful, are graphically intense and impressive. And although Ledger's love interest (Lisa Brenner) is too bland to register much emotion, the focus on family (which frequently relegates the war to background history) provides a suitable vehicle for Gibson, who matches his achievement in Braveheart with an effectively brooding performance. --Jeff Shannon
Product Description
In 1776 South Carolina, widower and legendary war hero Benjamin Martin (Mel Gibson) finds himself thrust into the midst of the American Revolutionary War as he helplessly watches his family torn apart by the savage forces of the British Redcoats. Unable to remain silent, he recruits a band of reluctant volunteers, including his idealistic patriot son, Gabriel (Heath Ledger), to take up arms against the British. Fighting to protect his family's freedom and his country's independence, Martin discovers the pain of betrayal, the redemption of revenge and the passion of love.
Average customer rating:
- My all-time favorite western!
- The Best Spagetti Western To Date
- BEST of the spaghetti Westerns
- Formidable, operatic western
- Poetic and Truly Original
|
Once Upon a Time in the West
Starring: Henry Fonda , Claudia Cardinale , Jason Robards , Charles Bronson , and Gabriele Ferzetti
Director: Sergio Leone
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ASIN: B0000AUHPG
Release Date: 2003-11-18 |
Amazon.com essential video
The so-called spaghetti Western achieved its apotheosis in Sergio Leone's magnificently mythic (and utterly outlandish) Once upon a Time in the West. After a series of international hits starring Clint Eastwood (from A Fistful of Dollars to The Good, The Bad, and The Ugly), Leone outdid himself with this spectacular, larger-than-life, horse-operatic epic about how the West was won. (And make no mistake: this is the wide, wide West, folks--so the widescreen/letterboxed version is strongly recommended.) The unholy trinity of Italian cinema--Leone, Bernardo Bertolucci, and Dario Argento--concocted the story about a woman (Claudia Cardinale) hanging onto her land in hopes that the transcontinental railroad would reach her before a steely-eyed, black-hearted killer (Fonda) does. (The film's advertising slogan was: "There were three men in her life. One to take her ... one to love her ... and one to kill her.") Meanwhile, Leone shoots his stars' faces as if they were expansive Western landscapes, and their towering bodies as if they were looming rock formations in John Ford's Monument Valley. --Jim Emerson
Customer Reviews:
My all-time favorite western!.......2007-06-20
I never really cared for westerns until I saw this movie. I became hooked on spaghetti westerns, and in my opinion, this is the best of them all! The storyline is certainly different, and the ending is somewhat of a surprise. The main characters really stand out: Charles Bronson, Jason Robards, Claudia Cardinale, and Henry Fonda. The music is haunting, and that was what really hooked me.
The Best Spagetti Western To Date.......2007-06-12
Once Upon a Time in the West From start to finish,is by far the best spagetti western ever made to date. It Stars Henry Fonda as a ruthless outlaw. Along with a pose' he murders and destroys his way through every town he and his gang enters.He shows his victims no mercy, not a drop of sympathy is in his bones. He'll make your blood run cold. Henry Fonda is at his acting best! You have never seen him like this! He encounters a mysterious traveler who plays a mysterious melody on a Harmonica. The traveler seems to be looking for him. Why? Here's where the real edge of your seat action really happens. Finally time to reveal what everything means. Right down to the mysterious song played on the harmonica by the traveler througout most of the movie.
Since this film was made other westerns that followed, used Itlalian director Sergi Leone's touch, i.e. The Good, The Bad and The Ugly etc.)
BEST of the spaghetti Westerns.......2007-06-08
Sergio Leone made his indelible mark with the three Clint Eastwood films, but this is his best work, even though Clint is absent. Not to worry. "Once Upon A Time" features a wonderful all-star cast. Avoiding the overdone goodguys vs bad guys cliche, Leone casts perpetual goodguy Henry Fonda as one of the sleaziest amoral villains you'll ever see. And Fonda doesn't disappoint in the role. The so-called goodguys are actually not so good, but they're played brilliantly by Jason Robards and Charles Bronson. Claudia Cardinale is striking as the libertine. Even the opening scene focuses on Jack Elam and Woody Strode - two of the best character actors to appear in any Western.
The plot meanders through a number of twists and subplots, requiring the viewer to follow all of the action between gunfights. Leone challenges the conventional concepts of loyalty, friendship, and alliances. Highly recommended.
Formidable, operatic western.......2007-05-30
"Once Upon a Time in the West" is director Sergio Leone's formidable and unique vision of the old west as grand opera. In Leone's work, as in opera, subtlety is replaced by exaggeration, i.e., the villians in his creation are all over-the-top, almost cartoonishly evil while the ingenue/heroine is both pretty and boring to the extreme. The movie's musical score, as in opera, is as important or even more important than dialogue in conveying the story. In fact, words are rarely uttered in this western tale.
I'm not always comfortable with Leone's antagonists and protagonists because the audience never really gets to know or understand them. They are presented more as abstractions of good and evil than they are as fully developed, three-dimensional human beings.
And Ennio Morricone's idiosyncratic score, while elaborate and memorable, sometimes seemed too languid or pretty to suit the violent action in a western. But perhaps Morricone was aiming for irony.
Overall, "Once Upon a Time in the West" is an unusual and gorgeous- looking western very much worth a glance or two.
Poetic and Truly Original.......2007-03-30
"Once Upon a Time in the West" is one of the best films in the Western genre and also the most fun to watch due to its look and style. The movie is directed by Sergio Leone. I'm familiar with Leone's work, but have never seen any of his films. "Once Upon a Time in the West" bares the unmistakable signature of a genius though and I look forward to watching many more Leone films in the future. The film has one of the greatest opening scenes I've ever seen; lasting 13 minutes, the film opens at a train station where three men anxiously await the arrival of the train. They're waiting for someone. After Leone slowly builds the tension (and I don't know about a director that could do it better), the train arrives and a man (Charles Bronson) gets off of it, playing a harmonica. He's supposed to be meeting with a man named Frank, but we learn that Frank is attending to some other business. Soon, the three men there to meet the man are dead; And because of Frank (Henry Fonda, in one of his strongest performances), a family of 4 is dead. Then the young lady set to marry the father of the family, who is actually already married to him, arrives and is shocked to find everyone dead. The police think they know who did it already and are quick to point the finger at Cheyenne (Jason Robards), after all...He left his "signature" there. I don't want to say much more about the plot (and there is much more; The film is 2 hours and 45 minutes)...When you look at all the westerns in the history of cinema (mind you, I haven't seen another Leone film) and say which one you think is "the most well-made," this film has to pop up.
It's not the most entertaining western film (there are long stretches with no dialogue), but it is certainly one of the most suspenseful, colorful (not just in the literal sense), and most compelling of the genre. The performances, especially those of Fonda, Robards, and Bronson are superb. It's also clear while watching the movie how influential it has been on other filmmakers. You can even see more than echoes of this film in "Kill Bill Vo.2." Explaining just how unique a film like this is in writing is difficult, but I recommend that any true fan of cinema see this movie. Any true fan of western movies has probably already seen this movie, but I mean a true LOVER of cinema needs to see this. It's one of the few western movies I can think of off the top of my head that can deservedly be labeled a masterpiece.
GRADE: B+
Average customer rating:
- Good movie.
- MASTERS OF PROPAGANDA...
- if you can muscle your way through the historical blunders you got a good movie
- Braveheart Redone
- seen it many times
|
The Patriot (Special Edition)
Starring: Mel Gibson , Heath Ledger , Joely Richardson , Jason Isaacs , and Chris Cooper
Director: Roland Emmerich
Manufacturer: Sony Pictures
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ASIN: B00004XPPG
Release Date: 2000-10-24 |
Amazon.com
Aimed directly at a mainstream audience, The Patriot qualifies as respectable entertainment, but anyone expecting a definitive drama about the American Revolution should look elsewhere. Rising above the blatant crowd pleasing of Stargate, Independence Day, and Godzilla, director Roland Emmerich crafts a marvelous re-creation of South Carolina in the late 1770s (aided immeasurably by cinematographer Caleb Deschanel), and Robert Rodat's screenplay offers the same balance of epic scale and emotional urgency that elevated his earlier script for Saving Private Ryan. Unfortunately, Emmerich embraces clichés and hackneyed melodrama that a more gifted director would have avoided. Instead of attempting a truly great film about the most pivotal years of American history, Emmerich settles for a standard revenge plot with the Revolutionary War as an incidental backdrop.
On those terms, the film is engrossing and sufficiently intelligent, especially when militia leader Benjamin Martin (Mel Gibson) cagily negotiates with British General Cornwallis (Tom Wilkinson) in one of the most rewarding scenes. For the most part, the story concerns Martin's anguished quest for revenge against ruthless redcoat Colonel Tavington (played with snide relish by Jason Isaacs), and the rise to manhood of Martin's eldest son, Gabriel (Heath Ledger), whose battlefield honor exceeds even that of his brutally volatile father. At its best, The Patriot conveys the horror of war among innocent civilians, and the epic battle scenes, while by no means masterful, are graphically intense and impressive. And although Ledger's love interest (Lisa Brenner) is too bland to register much emotion, the focus on family (which frequently relegates the war to background history) provides a suitable vehicle for Gibson, who matches his achievement in Braveheart with an effectively brooding performance. --Jeff Shannon
Product Description
The Patriot tells the story of Benjamin Martin (Mel Gibson), a reluctant hero swept into the revolutionary war when it invades his hometown and involves his family. He takes up arms beside his son, Gabriel (Heath Ledger) and leads an American militia against the redcoat army. Roland Emmerich directs this adventure filled with violent images from a turbulent era in our nations history.
System Requirements:
Starring: Adam Baldwin, Chris Cooper, Mel Gibson, Tcheky Karyo, Heath Ledger, Joely Richardson, and Tom Wilkinson.
Directed By: Roland Emmerich.
Running Time: 165 Min., Color.
This film is presented in "Widescreen" format.
Copyright 2000 Columbia TriStar Home Video.
Format: DVD MOVIE
Customer Reviews:
Good movie........2007-07-05
It may not be very historicly accuate but makes you fell proud to be a AMERICAN!!!
MASTERS OF PROPAGANDA..........2007-04-30
Patriot brings to the screen a fictitious story from the American Revolution, or else the director and his sponsors' version of what they would like the people to believe as historical fact.
A quiet farmer and veteran of the French and Indian Wars is "forced" into partaking in the American Revolution on the side of the Continentals as a result of a sadistic British Colonel...
The good things first:
1) The cast, the setting, the battle scenes, and the costumes are all very good.
2) The film does show (though sparsely) the pivotal role that France played during the War, without whom the Continentals would have been defeated.
3) The Tomahawk trophy off a fallen Indian warrior (subtly) insinuating the ghastly relations between colonists and the natives i.e. the traditional hatred between the lower class North American colonists and the Indians (not a surprise considering the content of the Declaration of Independence: "the merciless Indian savages, whose known rule of warfare is an undistinguished destruction of all ages, sexes, and conditions").
On the negative side now:
1) It's a biased, one-sided approach to a major historical event which one would think by now would be able to be presented in an objective manner. It's the same old/usual cliches involving one of Hollywood's favorite villains/scapegoats: the British (it must have been really difficult to include Germans, Serbs or Russians in this one...).
For starters, misusing the term Patriot in referring to Englishmen who betrayed their government, their country, and their flag, is reminiscent of the Soviet Union and how they christened their ultimate tool (newspaper) of propaganda Pravda, or "Truth."
Similarly, the British Colonel asked the Loyalist how he could betray his neighbors and not the other way around.
2) From the beginning, the setting is South Carolina and all that is heard throughout the film is either a British or a Northern (Yankee) accent!
3) South Carolina was home to most of the 13 colonies' Loyalists, even to the point of outnumbering the Continentals, yet all we saw was but a few.
4) At the time when the S.C. Assembly voted in favor of secession not a single Red Coat or a single Loyalist were in the vicinity! Not a single shot was fired...
5) There is no clarification that taxes set by the British Government are taxes set by King and Parliament, not King George III alone.
6) Throughout the film the Continentals are presented in good light while the Red Coats are demonized. Oh, I forgot; the British have to be the baddies while the Continentals are the heroes... Have mercy on us, please!
7) The movie does not really portray the double-crossing merchants, farmers, and politicians that supported whichever side the wind happened to be blowing in, always in search of profit and personal gain. Nor does it show the clash within the Continental side (the undermining, the personality clashes, favoritism, public relations, political connections), between Congress and the Army, as well as the farmers and most importantly the merchants profiteering at the expense of whoever/whichever side etc.
8) Martin's slaves were not slaves; they were "free men" working of their own will...
9) Does not show what the Continentals did to the Loyalists during and after the Revolution.
10) Blacks and Whites fighting together against the British was simply absurd for that era. What's more, the British policy, which was indeed to free the slaves from the colonists, is ridiculed in the movie...
In short, the film does a good job, as it should do, in presenting a case study on the use of propaganda on unaware people and the danger it poses.
If the American Revolution is what you had in mind, check out the AMAZING films Revolution starring Al Pacino and Donald Sutherland, and Benedict Arnold: A Question of Honor starring Aidan Quinn and Kelsey Grammer.
In conclusion, the potential for a great movie was there. A shame really... 2 Stars
if you can muscle your way through the historical blunders you got a good movie.......2007-04-27
a very good movie about the creation of america.but the following are big blunders that make it not perfect.1. all of the men look away while firing ,this although was tought up to a piont,near the end of the war this was given up.2. the battle of the cowpens is very unaccurate such as the fact that no french took part in the battle(but its only based on the cowpens any way).3. all men march shoulder to shoulder , this was NOT tought by any side that late in the war.plus many other small things.overall its good put not accurate
Braveheart Redone.......2007-03-22
Yes, it was. Braveheart taken to a different century and country. Otherwise, it's pretty much the same movie. -Shrugs.- I think Mel has something against the English.
Oddly enough, the best part of this movie was the English, vilified character of Colonel William Tavington, played by one of my top two actors, Jason Isaacs. Isaacs has always been a phenomenal actor, and this time, I think, he saved this movie from flopping.
The coolest thing about this movie was Tavington's Green Dragoons... or was it his long silky brown hair... or was it his accent? Hmm. It's a little of everything, I think.
Anyway. Great movie for the sake of seeing Isaacs in another awesome role.
Gibson? Not so much. See Braveheart.
seen it many times.......2007-03-07
I've seen this movie enough times to know that i won't get tired of it easily. it's brutal enough to hold my attention during the fighting scenes while the rest of the storyline's plot doesn't let you go during the down time. I don't know and don't care if this movie was based on factual or fictional characters, so whether it is historically accurate is the last thing on my list of worries.
What i did like was how the protagonist maintained a reluctant stance until given no other choice. it felt real, and the reactions of all the other characters felt real as well; they didn't feel scripted. That is about the only concern i have with most of these past war movies and that's something i flushed away as soon as i started watching it the first time. one of my top movies of all time.
Average customer rating:
- Oldboy Review
- TRULY SHOCKING
- Revenge Taken to The Extreme!!!
- Boring and Outrageous
- Brilliant master work from Park Chan-Wook
|
Oldboy
Starring: Min-sik Choi , Ji-tae Yu , Hye-jeong Kang , Dae-han Ji , and Dal-su Oh
Director: Chan-wook Park
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- A Tale of Two Sisters (Deluxe Edition)
- Ong-Bak - The Thai Warrior
ASIN: B0009S2T0M
Release Date: 2005-08-23 |
Amazon.com
In the realm of revenge thrillers, you'd be hard pressed to find more ultra-violent vengeance and psycho thrills than in the creepy story of Oldboy. This Korean import made a pop splash at the Cannes Film Festival and during its limited theatrical run thanks to the imprimatur of Quentin Tarantino, who raved about it and its visionary director, Chan-wook Park, to anyone who would listen. It's easy to see why QT fell in love with the grindhouse attitude, fast-paced action, violent imagery, and icy-black humor, but it's a disservice to think of Oldboy as another Tarantino homage or knockoff. The darkly existential undercurrent in the themes that Oldboy traces over its life-long narrative arc is much more complex and deeply disturbing than anything of its kind. The movie's tagline is, "15 years of imprisonment... 5 days of vengeance." The imprisonee is Oh Dae-Su, an ordinary Joe who is snatched off a Seoul street corner and locked away in a dank, windowless fleabag hotel room for the aforementioned 15 years. Just as abruptly he is released, and thus the five days begin. Why did this happen to Oh Dae-Su? Ah, but that would be telling, and in fact we don't know ourselves until the final wrenching scenes.
Oldboy breaks into a classic three-act saga, the first of which details the hallucinatory period of imprisonment in which Oh Dae-Su wades from mild insanity to outright psychosis in the hands of unseen yet attentive captors. Act 2 is the revenge, when an entirely different tone takes over and Oh Dae-Su moves with single-minded purpose and clarity. It's this section that has gained the most notoriety, primarily for the claw-hammer dentistry scene, the one-man-army tracking shot, and the wriggling octopus that Oh Dae-Su consumes in a sushi bar (he's been dead so long he simply needs life back inside him in any way possible). In act 3, answers finally start to emerge and the sinister atmosphere grows even more profound--not without a healthy dose of extra bloodletting, of course. Oldboy is an undeniably poetic masterpiece of tension, fury, and dynamic craft. Ultimately, its epic cycle of tragedy is of the sort that mankind has been inflicting upon itself for all time. Some of the images may be gruesome, but all converge into a kind of beauty. It's in the telling of this lurid tale that these details become one and the memories of pain ultimately heal. --Ted Fry
Description
Oh Dae-su is an ordinary Seoul businessman with a wife and little daughter who, after a drunken night on the town, is abducted and locked up in a strange, private prison. No one will tell him why hes there and who his jailer is and his fury builds to a single-minded focus of revenge. 15 years later, he is unexpectedly freed, given a new suit, a cell-phone and 5 days to discover the mysterious enemy who had him imprisoned. Seeking vengeance on all those involved, he soon finds that his enemys tortures are just beginning.
Customer Reviews:
Oldboy Review.......2007-07-04
What can I say? For the first half of the movie I was lost. It was only at the last 30 minutes the movie caught my interest. It was not the worst film I have seen but it certainy was not for me.
TRULY SHOCKING.......2007-06-26
Incredible. Shocking. Heart-wrenching. Bloody. Violent. Amazing. This movie is a rollercoaster ride from beginning to end. This is definitely a "revenge" movie on all fronts.
During the movie the hunter becomes the hunted. There are surprise twists and turns that are truly shocking. This is actually a movie within a movie and it will definitely surprise the hell out of the first time viewer.
This is not a movie for those who have weak stomaches. There is such strong violence and gore -- yet it is essential to the movies plot and various sub-plots.
I gave OLDBOY 5 stars. There is so much going on in the movie and it is all tied together so neatly at the end that it just amazed me. The acting is great, the storyline is great. It is an intense action movie that will absolutely thrill any one who enjoys revenge movies.
Revenge Taken to The Extreme!!!.......2007-06-15
If you like revenge films, you will not be dissapointed with this one. This is the Craziest movie i have ever seen,especially the ending!!!
This is truely one of the best foreign films i have ever seen.
This is A dvd that you must add to your collection!!!
Boring and Outrageous.......2007-05-31
Oldboy was gratuitously violent and warped. Sadly, the violence wasn't even creative or exciting. The scenarios were also too improbable and forced -- for example, the ending scene with the tongue as well as the incestuous relationships. The only impression I got was that the director enjoyed creating a deep sense of meanness, sort of like when a psychopath goes DEFCON-1 on some innocent person walking on the street. I can see why Oldboy was highly regarded by the Virginia Tech mass murderer Cho Seung-hui.
Brilliant master work from Park Chan-Wook.......2007-05-26
Based on Garon Tsuchiya's manga, Oldboy is about Oh Dae-su, an ordinary salaryman type, who is held at a police station for being drunk. Afterwards, he is kidnapped, locked up in a hotel-like room without windows, gassed repeatedly so the room is cleaned and so he can get a haircut and clean clothes, and kept there for 15 years. "If they had told me then that it would be fifteen years, would it have been easier to endure....or harder?" His only contact to the outside world is the TV. "It's both a clock and a calendar. It's your school, your home, your church, your friend... and your lover
It's after being let out and into "life in a bigger prison" that Oh Dae-su's quest really begins. Who imprisoned him and why? He is given a cell-phone and a wallet full of money by a scraggly bum, then goes to a sushi restaurant where he meets Mido, a beautiful young woman who takes pity on him and takes him back to her place when he collapses. It also appears he has been hypnotized during his imprisonment--but why? His nemesis, a man later identified as Lee Woo-Jin, is quite the mastermind. When they first confront each other, Lee gives him five days to find out the truth, or he will kill Mido. If Oh Dae-su wins, Lee promises to kill himself.
Through clues of finding out which Chinese restaurant provided him with the same potstickers he ate for 15 years, he finds Mr. Park, the owner of the hotel where he was imprisoned. It is here that two memorable scenes occur, one a tooth torture scene where he extracts Mr. Park's teeth out with a hammer, all set to Vivaldi's "Winter" section of the Four Seasons. Using such music in such a scene adds a bit of humor in it. He then takes on a handful of Park's thugs armed only with a hammer, his fists, and keeps on fighting even though a knife is plunged into his back. The sardonic smile on his face when he encounters an elevator full of thugs is priceless. Guess what happens to them?
The theme of revenge and Lee Woo-jin's attitude, "Whether it is a grain of sand or a rock, in water they both sink alike" implies that no sin is too small for revenge. He later tells Oh Dae-su, "Seeking revenge is the best cure for someone who has been hurt. Try it. ... Once again, revenge is good for your health." But to quote Hamlet, aye, there's the rub. "But what happens after you've had your revenge? I bet that hidden pain probably emerges again." The whole point is that this isn't about Oh Dae-Su's revenge on Lee Woo-Jin, but vice-versa. As someone who holds grudges easily, I can easily relate to what Lee says.
Oh Dae-Su's introspection in seeing who it was he had offended reveals that every life is far from perfect. "Study your whole lifetime," he is told by Lee. But he also realizes that his imprisonment has changed him, as he figures Mido wouldn't like him the way he was before imprisonment. But there is hope for redemption, as seen in the scene with snow, symbolizing a clean new start.
This was actually the second film I'd seen with Choi Min-sik, the first being Shiri, but so far, this is his master performance, a creditable and credible performance as Oh Dae-Su. He later appears as the villainous Mr. Baek in Lady Vengeance. Yu Ji-Tae scores well as the devilish but weak Lee Woo-Jin, and has a cameo in LV. Ditto for Kang Hye-jeong as the cute-as-a-button Mido. She is a TV reporter in LV. And Oh Dal-Su (Mr. Park) plays the bakery owner Mr. Chang in LV.
The movie's score is another triumph. Whether it is the upbeat techno beat of the opening shot of Oh Dae-su grabbing onto the suicidal man's tie, the haunting quiet ambience during Oh's fight with Han in Lee Wu-Jin's penthouse, the Godfather-like waltz that is Lee Woo-Jin's theme, and Mido's sad theme with clarinet and strings, the music team scored a big triumph.
This is hailed as the best in Park Chan-Wook's trilogy in story-telling, film-making, acting, and techniques. One of the best films I've seen in awhile.
Average customer rating:
- A good movie for the family
- Truly disappointing; leaves a bad taste
- Family First - Always
- Cute Movie
- Swearing
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The Family Man
Starring: Nicolas Cage , Téa Leoni , Don Cheadle , Jeremy Piven , and Saul Rubinek
Director: Brett Ratner
Manufacturer: Universal Studios
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ASIN: B00005JCCC
Release Date: 2001-07-17 |
Amazon.com
Jack Campbell (Nicolas Cage) is the quintessential Wall Street shark, scoring killer deals by day and shallow escort sex by night. His round-the-clock routine of empty luxuries is disturbed one lonely Christmas Eve when a gun-packing punk (Don Cheadle)--perhaps an angel of mercy--responds to an altruistic gesture from Jack by giving him "a glimpse" of the life he could have had. Could have, that is, if he had married the girlfriend (Téa Leoni) he'd abandoned 13 years earlier, raised two adorable children, worked in his father-in-law's retail tire outlet, and lived happily ever after in suburban New Jersey. Thrust into this "glimpse" of the path not taken, Jack's a single-malt man in a lite-brew world, wondering if he'll ever return to his "better" life of callous wealth and solitude--or if he even wants to.
Carp all you want about this derivative premise, with its marginal stereotypes and biased embrace of domestic bliss and dirty diapers. The simple fact is, The Family Man works like a charm. Under the assured direction of Brett Ratner (Rush Hour), this holiday crowd-pleaser offers comedy and chemistry in equal measure, making the hilarity of Jack's predicament a smooth catalyst for that rarest of movie romances: the marital love story. Leoni is Cage's perfect match as Jack's idealized but imperfect wife, and the movie's appeal largely derives from its awareness that any life has its pleasures and pains. While it only flirts with the dark desperation that makes It's a Wonderful Life a classic predecessor, The Family Man is an irresistible what-if fantasy, and even its debatable ending rides on a wave of genuine warmth and sentiment. --Jeff Shannon
Customer Reviews:
A good movie for the family.......2007-06-06
This is an inspriation movie that helps you take pause in your life and consider possibility. Nicolas Cage has once again done an excellent job of taking the character and making them real. This is a movie that I share with my family and that we all enjoy and talk about. It's in my library and shall remain their for quite some time.
Truly disappointing; leaves a bad taste.......2007-03-26
This is the typical film that looks uplifting when you see it, but that when afterwards you start thinking about it, you realize how phony and manipulative it is. Here, Nicolas Cage is an arrogant yuppie businessman in Manhattan, who one day wakes up and finds himself in a paralell world, living a supposedly dreadful life in suburban New Jersey with his wife (her former girlfriend, in his previous life) and his (previously non existent) kids. The beautiful Tea Leoni, as the wife, deserved better than to be in this movie. The movie chastises the main character for not raising a family, yet the film shows family life as dreadful. The idea that Nicolas Cage had to sacrifice a family in order to get ahead in business is also phony. Most male yuppies are married; it's the women that usually have to made those sacrifices. Also, this movie is supposedly critical of heartless capitalism, yet it ends up celebrating it.
Family First - Always.......2007-03-19
"Don't screw up the best thing in your life just because you're a little unsure about who you are."
I don't know how many married guys can recall it, but I know the exact time I decided to finally take the plunge with my then-girlfriend (now my wife). It was about an hour after I watched Nicolas Cage's Family Man, a full-wonder story about a wealthy Wall Street guy, Jack, given a glimpse of the non-wealthy life he could have lived had he not gotten on a plane and be separated from his then-girlfriend almost 2 decades ago.
The transitional moments, from big-time dealer to small-time salesman, are hilarious. Used to waking up alone or with girls he just met, Jack wakes up with a wife and two kids and a dog jumping all over him. He rushes away to his sky-scraper to see his name - next to President - replaced by his junior. He tries to get into premium condo but the doorman doesn't recognize him and blocks his entrance. He struggles to change his baby son's, Josh, diapers. He has to ask his daugher, Annie, what the after-school S.O.Ps' are. He curses when his junior appears on TV shaking hands with a two corporate presidents whose merger his (ex-)company has arranged.
But then Jack learns - or discovers - the joy of loving and living in spite of financial want, in spite of the no-cushion savings, in spite of not having that suit which makes him "feel like a man" (but which requires taking out his kids' education fund). He misses his trappings of status but grows to love Kate, Annie and Josh more than anything in the world. The quote at the start, by Arnie his friend, captures Jack's seizing and holding on to a family he knows he loves without having to figure out entirely this new world he's been thrown into.
Sorrow beckons, though, when he realises he has to 'leave' this dream-like alternate reality which he started out hating but ended up cherishing. When the moment comes, it's full of dread, because he's back to his old super-wealthy but no-family life. He drives to the house belong to "him and Kate" but there's just a guy there who doesn't know any Kate. The real Kate is now a hot-shot lawyer, who's just packing up and about to transfer to Paris.
Final drama arrives when Jack rushes to the airport looking for Kate, and trying to stop her before she flies off. Remember we are already in the "real world" and Jack has stopped 'dreaming'.
He creates some commotion because Kate is already at the departure gate and about to board, and she keeps saying, "Jack, do you need closure?" which is probably what any woman would say if her boyfriend from 15 years ago, started pestering her about what "could have been". Kate then turns towards the gate and walks away. Jack is about to give up when he suddenly turns to Kate and desperately cries out to describe the alternate reality he's lived through with an alternate her:
"We have a house in Jersey. We have two kids, Annie and Josh. Annie's not much of a violin player, but she tries real hard. She's a little precocious, but that's only because she says what's on her mind. And when she smiles...
"And Josh, he has your eyes. He doesn't say much, but we know he's smart. He's always got his eyes open, he's always watching us. Sometimes you can look at him and you just know he's learning something new. It's like witnessing a miracle.
"The house is a mess but it's ours. After 122 more payments, it's going to be ours. And you, you're a non-profit lawyer. That's right, you're completely non-profit, but that doesn't seem to bother you.
"And we're in love. After 13 years of marriage we're still unbelievably in love. You won't even let me touch you until I've said it. I sing to you. Not all the time, but definitely on special occasions. We've dealt with our share of surprises and made a lot of sacrifices but we've stayed together.
"You see, you're a better person than I am. And it made me a better person to be around you. I don't know, maybe it was just all a dream. Maybe I went to bed one lonely night in December and I imagined it all. But I swear, nothing has ever felt more real.
"And if you get on that plane right now, it'll disappear forever. I know we could both go on with our lives and we'd both be fine, but I've seen what we could be like together. And I choose us."
Little did Cage & Co. know that six years later, there would be another movie with another husband, another wife and another two kids (plus another dog which looked like the dog in Family Man). This movie is also about family and getting a glimpse into a major What-If. Whilst Cage started out in a scenario he did enjoy and ended back in the same situation he later detested, the main character of this movie starts out being "tired with his life", but ends back in the same situation an entirely changed man, thoroughly grateful for the life he has (as opposed to the life he thought he had lost).
I'm talking about Adam Sandler's Click. But I won't ruin two movies at one go (smile), so I'll end with the theme which unites these two masterpieces: Family is first, the job is completely secondary. Never take for granted the ones who love you, no matter what riches beckon and no matter how attractive alternatives may appear to be.
Cute Movie.......2007-03-13
I LOVE movies and have an ever increasing, eclectic collection. This is a movie that I like to watch if I want to smile. It's a feel good movie I think, a nice family film. A man has a chance to explore one "what if" of his life, and he expereinces the ups and downs of family life. The older daughter is just the cutest and when she knows theres something different about him and assumes he's an alien and says welcome to Earth, so cute! I think the ending is a little strange but it's good that it's not a "perfect" predictable canned ending.
Swearing .......2007-03-09
With the title of family man I did not think they would put the "F" word in the movie. It would have been an excellent movie if it were swear free.
Average customer rating:
- Very funny and entertaining romantic comedy
- Fun movie with Walken and Fraser shining
- good info
- Great romantic comedy
- A Blast to Watch!
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Blast From the Past
Starring: Steve Bean , Dave Foley , Brendan Fraser , Richard Gilbert-Hill , and Ted Kairys
Manufacturer: New Line Home Video
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ASIN: 0780626494
Release Date: 1999-07-27 |
Amazon.com
Coasting on the successes of Gods and Monsters and George of the Jungle, Brendan Fraser turns in yet another winning performance in this fish-out-of-water comedy in which Pleasantville meets modern-day Los Angeles, with predictably funny results. Fraser stars as Adam, who was born in the bomb shelter of his paranoid inventor dad (a less-manic-than-usual Christopher Walken), who spirited his pregnant wife (Sissy Spacek, in fine comic form) underground when he thought the Communists dropped the bomb (actually, it was a plane crash). Armed with enough supplies to last 35 years, the parents bring up Adam in Leave It to Beaver style with nary any exposure to the outside world. When the supplies run out, and dad suffers a heart attack, Fraser goes up to modern-day L.A. for some shopping and long-awaited culture shock. More of a cute premise with lots of clever ideas attached than a fully fleshed out story, Blast from the Past is also supposed to be part romantic comedy, as the hunky Adam hooks up with his jaded Eve (Alicia Silverstone) and tries to convince her to marry him and go underground. The sparks don't fly, though, because Silverstone is saddled with the triple whammy of being miscast, playing an underwritten character, and suffering a very bad hairdo. Fraser, however, carries the film lightly and easily on his broad, goofy shoulders, mixing Adam's gee-whiz innocence with genuine emotion and curiosity; only Fraser could pull off Adam's first glimpse of a sunrise or the ocean with both humor and pathos. Also winning is Dave Foley as Silverstone's gay best friend, who manages to make the most innocuous statements sound like comic gems. --Mark Englehart
Customer Reviews:
Very funny and entertaining romantic comedy .......2007-05-20
Perfect vehicle for Brenden Fraser. Good script, cast, comedic timing. I have watched it 3 times. I like more each time
Fun movie with Walken and Fraser shining.......2007-05-14
The movie has a good pace, with a lot of screen time dedicated to
Fraser and Walken, who give fresh and fun performances. Spacek
also gives a solid performance. Some parts drag, like the whole
gag about the bartender turned cult leader, and Silverstone is just
god awful. But otherwise, there's some quirky humor from Walken's
paranoid character and also some good lines from Fraser when he
meets 'reality'. Cute and upbeat overall. An overlooked film that is
certainly better than most of the comedy garbage out there.
good info.......2007-05-11
Lots of helpful info for everybody. You never know when you may be in this situation.
Great romantic comedy.......2007-03-28
The first time I saw this movie I watched because of the actors. Alicia Silverstone, and Brendon Fraiser. I have enjoyed both actors in other movies, and Blast from the Past is no different. I am a fan of Brendon Fraiser, he has such a great comedic sense, and in this movie gives a great performance. I particularly like the scene in the 40"s dance club. The swing dancing really captured my attention. All in all this is a great movie to add to your collection.
A Blast to Watch!.......2007-03-17
A paranoid scientist builds a full sized home in a large nuclear bomb shelter for his pregnant wife. A plane crash that he thinks is a bomb prompts him to whisk his wife down below, and they live in the shelter with enough supplies for 35 years.
But the father has an apparent cardiac episode in the early 1990s, and so they send their son (Adam) to the earth to buy supplies. He meets a beautiful girl named (surprise!) Eve, who befriends him and helps him to find his way in the world.
There are many funny and entertaining moments, and Brendan Fraser does a great job of playing the well educated, well behaved son. I lover it when he tells the guy at the memorabilia store to stop taking the Lord's name in vain. The store owner says "Why, do you have a problem with it?" Adam says "Yes, I have a BIG problem with it!"
Adam not only has a lot to learn from the world, but the world has a lot to learn from him. This was one of the most entertaining movies I've seen in a while.
Average customer rating:
- Play Misty For Me
- The Originals Are Always the Best.
- An oldie - but a GOODIE!
- Wears well
- Some people won't take "no" for an answer
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Play Misty for Me
Starring: Duke Everts , George Fargo , Mervin W. Frates , Tim Frawley , and Jack Ging
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- The Beguiled
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ASIN: B00005LC4R
Release Date: 2001-09-18 |
Amazon.com essential video
Clint Eastwood (making his very assured directorial debut) is a poetry-spouting stud-muffin DJ stalked by a maniacally amorous fan after a misguided one-night stand in this enjoyably schlocky, undeniably effective film about good intentions gone murderously wacky. Although many of the very '70s trappings presented here may ultimately be too dated to be taken seriously (including a very self-indulgent jazz number and a hilariously gooey seduction number between Eastwood and Donna Mills), the core premise of infatuation taken out of bounds remains uncomfortably plausible--and was influential enough to be appropriated by one of the biggest hits of the '80s. (Here's a hint--it starred Michael Douglas, Glenn Close, and a very unfortunate bunny rabbit). A well-staged and occasionally very frightening thriller worth watching for Jessica Walter's peerlessly unhinged performance alone. Frequent Eastwood collaborator Don Siegel (director of Dirty Harry, Coogan's Bluff, and The Beguiled, to name but a few) has a nice cameo as Murphy, the mustachioed, chess-playing bartender. --Andrew Wright
Customer Reviews:
Play Misty For Me.......2007-05-07
Play Misty for Me A Good movie for an early 1970's suspense/thriller. By today's vstandards it would be considered "sappy and predictable". Clint Eastwood does a grat job playing a DJ in the early 1970's and Jessica Walter does a great job of playing an obseesed stalker.
Good movie if you want to see Clint Eastwood play something other than a cop or cowboy.
The Originals Are Always the Best........2007-04-02
In an age when Hollywood can seem to do nothing original, and the Silver Screen is awash with remakes, it's nice to go back and revisit the artistry of which the film industry has made hash.
A tense psychological thriller, Play Misty for Me is the template from which the likes of Fatal Attraction sprang.
Clint Eastwood plays a terminally cool yet sensitive late night jazz DJ who, while estranged from girlfriend Donna Mills, has a one night stand with Jessica Walter.
As her obsession grows, her violent emotions manifest themselves first against herself in a manipulative suicide attempt, and then against the others in Eastwood's life.
Edgy, hard, and oh, so seventies, the tension ramps smoothly with Walter's character's escalating psychosis until the final scene where bloodied and exhausted, a single punch to the face sends Walter through a french door, and over the edge of a terrace to fall to the cold Pacific below.
Clint Eastwood as actor and director does a good job of making the characters believable and sympathetic. Bravo.
Jim Bob says - Spend the money; it's worth a night in a darkened living room with a bowl of popcorn, wondering whether or not your ex-girlfriend really meant what she said when you dumped her.
An oldie - but a GOODIE!.......2007-02-06
Good "stalker" flick. Forerunner of Basic Instinct. This movie is really
"dated" in terms of dress & hair & music, but it is worth viewing for the performances of the young Clint Eastwood, Jessica Walter and Donna Mills.
This is one of my all-time favorite "rainy afternoon" movies!
Wears well.......2007-01-10
I first saw this movie on release as a teenager, and thought it was a great scary movie. The main reason I bought it now was to get a hold of the great Jerry Mulligan soundtrack. The whole family have enjoyed the film now, and leaving out the 70's gear and hairstyles, its a great thriller.
Some people won't take "no" for an answer.......2006-10-22
In this 1971 thriller (a directorial debut for Clint Eastwood), a California radio DJ, Dave Garver (Eastwood) finds himself stalked by an obsessed, crazed fan, Evelyn (Jessica Walter), with whom he has had a one-night stand. She makes his life a living hell--showing up at his home in the middle of the night, waiting for him outside his favorite hangout, and even ruining an opportunity-making business lunch for him. Now, this is not a woman who can't take "no" for an answer. She WON'T take "no" for an answer. And this isn't just a movie. There are real-life instances of "Play Misty for Me". As a matter of fact, "Misty" was based on a story by Universal Studios secretary Jo Heims about a friend of hers who was a stalker in the same vein as Evelyn.
Evelyn tells Dave that she loves him, but what she's feeling isn't love--it's obsession. Real love means respecting someone's space and privacy. And sometimes, it means taking "no" for an answer.
Average customer rating:
- AT LAST A SEQUEL WORTH WATCHING!
- Jamie Lee Curtis returns to the film that made her a star
- Halloween H20-TwentyYears Later-Zsendsational movie-still
- "I'm not who you think I am." Halloween: H20 - 20 Years Later
- Surprisingly good!
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Halloween H20 - 20 Years Later (Dimension Collector's Series)
Starring: Adam Arkin , LL Cool J , Jamie Lee Curtis , Joseph Gordon-Levitt , and Adam Hann-Byrd
Director: Steve Miner
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ASIN: 6305291446
Release Date: 1999-10-19 |
Amazon.com
Halloween is one of the great modern horror films, but as a franchise its track record has been spotty at best, painfully bad at worst. Halloween H2O: Twenty Years Later, directed by horror vet Steve Miner (Friday the 13th parts 2 and 3, House), won't displace John Carpenter's original but it might help you forget the films in between. Miner certainly has: the film begins as if sequels 3 through 6 never happened. Laurie Strode (Jamie Lee Curtis, reprising her role for the first time in almost two decades) faked her death and is now a single mom and headmistress of an exclusive California private school. She's also a secret alcoholic who lives in fear of her homicidal brother-bogeyman Michael Myers. Guess who decides to show up for a family reunion? The film begins with classic horror-movie exposition (the deserted college campus, Michael's escape, Laurie's waking nightmares) accomplished with some humor and style, but it's all setup for the second half, a driving roller coaster of stalk-and-slash thrills. There's little of the self-conscious genre referencing of Scream and at times the film is a little far-fetched--it is a slasher movie about a knife-wielding homicidal maniac who won't stay dead, after all--but Curtis transforms Laurie from a shrieking victim into an empowered, determined horror-movie heroine who's learned a thing or two from the previous films. Adam Arkin, Josh Hartnett, and TV cutie Michelle Williams (Dawson's Creek) costar, and the script received uncredited polish from Scream writer Kevin Williamson; Curtis's mom, Janet Leigh, pops up in a cameo. --Sean Axmaker
Description
This smart and suspenseful thriller scares up a bone-chilling good time with original scream queen Jamie Lee Curtis (TRUE LIES, HALLOWEEN I&II) and a hot cast of hip young stars! Now the headmistress of a private school, Laurie Strode (Curtis) is still struggling with the horrifying, 20-year-old memories of the maniacal killer Michael Myers ... when he suddenly reappears with a vengeance! And this Halloween, his terror will strike a whole new generation! Laurie's rebellious son (Josh Hartnett -- THE FACULTY), his girlfriend (Michelle Williams -- TV's DAWSON'S CREEK), and the school security guard (LL COOL J -- WOO, B.A.P.S.) will become Michael's newest victims unless Laurie can conquer her greatest fears and put evil in its place once and for all! The time has come again for you to experience the frightening fun of HALLOWEEN -- the motion picture series that totally redefined terror!
Customer Reviews:
AT LAST A SEQUEL WORTH WATCHING!.......2007-06-04
This entry into the halloween series is probably about as good as it is gonna get! After two really really bad installments(parts 5 and 6) we get a pretty darn good sequel "Halloween H20". The best thing about the movie is that Jamie Lee Curtis is back and it makes all the difference. I still don't understand why they keep changing Michael's mask? It looked great in the first movie...why fix what ain't broke? This movie is really a 3 and 1/2 star movie,but they don't have that option. The DVD transfer is good,but I would like to see a 16X9 upgrade someday.
Jamie Lee Curtis returns to the film that made her a star.......2007-05-20
In HALLOWEEN H20, Jamie Lee Curtis returns to the film franchise which made her a star. This is probably the best entry since "Halloween II", in terms of performances and the fact that Jamie Lee Curtis is back as terrorised Laurie Strode. To properly enjoy this film, you have to disregard the 4th, 5th, and 6th films which featured Laurie's daughter, Jamie Lloyd. There is no daughter here, instead we have Laurie's son John (played by Josh Hartnett).
The film picks up 20 years to the day of the original Haddonfield slayings. With a new name and persona, Laurie Strode is the headmistress of a private school in Southern California, yet still living with the daily terror of her past literally coming back to haunt her. Sadistic, unstoppable Michael Myers has tracked down her records and decides a little family reunion is needed, but this time, Laurie vows to ensure it will be the final showdown...
Jamie Lee Curtis perfectly slips back into the role of Laurie, and the rest of the cast is equally fine, including Jamie's legendary mother (Janet Leigh, "Psycho") in a fun cameo as the school receptionist, Josh Hartnett as her son, and Adam Arkin as her boyfriend. There are some brilliant set-ups and action scenes, and the tension is taut.
HALLOWEEN H20 originally set out to close the chapter on Laurie and Michael, but the franchise has continued with "Halloween: Resurrection", again with Jamie Lee Curtis.
Halloween H20-TwentyYears Later-Zsendsational movie-still.......2007-05-15
The cast of actors-charactors blend in so well with suspense-its just unbelievable. Ms.Jamie Lee Curtis and the cameo appearance of her mother working together is very nice to see-and historical (Ms. Lana Turner was in the orginial movie of the notorious thriller, "PSYCHO") and her appearance really contribute to the suspense to the movie-Halloween H20. And seeing LL Cool J acting, WOW! Mr. LL Cool J is a multi-talented performer-he can do it all! I just love this movie.
"I'm not who you think I am." Halloween: H20 - 20 Years Later.......2007-05-13
In 1998, Director Steve Minor put his stamp on the Halloween series. This is the entry, the sequel everyone was looking forward to, the return of Jamie Lee Curtis and when Laurie and Michael see each other again. "I'm not who you think I am." is exactly right, it truely is a great sequel even though it is part 7.
Laurie has a 17 year old son and she is the headmistress of a secluded private boarding school. 20 years after he first attacked her he came back, she thinks her son is the one in danger, he is, but she has more to fear than her son's life. Laurie stops running and faces her fear in the most amazing ending the series has ever seen.
Note that this movie completely ignores parts 3-6 so continuity for this entry as part of the series is completely screwed up. The acting is extra ordinary in this entry, the best acting in the entire series comes from this entry. Jamie gives her strongest performance as Lauries in this entry. And unlike the previous two entries Michael is top notch in this entry, Michael is really scary.
This entry doesn't suffer from much asside from giving LL Cool J a role this entry soars on all levels. The ending where she attempts to grab his hand is the most emotional part of the series.
The bonus feature "Unmasking the Horror" is very informative, but again, Jamie sounds like an idiot in her interviews and everyone else sounds smarter than her which is the exact opposite as on film where she appears to be the smartest person on screen.
In conclusion, this is the definitive ending to one of the longest running horror series. This entry has an A list cast and some great scares. Too bad the series continued on and on and on...
Surprisingly good!.......2007-04-12
I liked it! While nothing can top John Carpenter's original Halloween -- sequels and remakes almost always fall short of our expectations -- H20 is suspensful and good, and the musical score includes a variation of John Carpenter's classic, errie theme as a reminder. Jamie Lee Curtis brings class and authenticity to the film, which is almost as scary as the original Halloween. The film's vibe succeeds without too much gratutious sex and gore, and keeps you on the edge until the end. I agree with the other reviewers who didn't like the other cheap sequels after Halloween II ... they just didn't have the same vibe as the first two films with Jamie Lee. This one is a worthy addition to anyone's Halloween collection.
Average customer rating:
- worth the trip
- A Good Film
- A trip worth taking
- The Trip up
- great show!
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The Trip
Starring: Rosemary Alexander , Alexis Arquette , Dennis Bailey , Ray Baker , and Steve Braun (II)
Director: Swain, Miles
Manufacturer: TLA Releasing
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- The 24th Day
- Just a Question of Love
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ASIN: B0000DD75N
Release Date: 2003-12-09 |
Amazon.com
Miles Swan's romantic comedy The Trip spans 11 years, charting the lives of two men through the Gay Rights movement of the '70s, the conservative backlash of the Reagan-era, and through the AIDS epidemic. Straight, Young Republican author Alan (played by Larry Sullivan) meets Tommy (Steve Braun), a Gay Rights activist, while Alan is completing his anti-gay book. Falling in love with Tommy, Alan tries to avoid publishing "The Straight Truth," but an alleged friend of Alan's underhandedly sabotages him by not only publishing it but also securing for it a place on the bestseller list. As a converted gay man, this enrages Alan and also ruins Tommy's credit as an activist, thereby breaking them up for several years during the '80s. Finally, the two do reunite to pledge their eternal love, though under tragic circumstances. Relevant gay rights news footage, from Stonewall for example, historically sets each segment in the film, making the movie more realistic and educational. Alan and Tommy's plight to fight for the acceptance of homosexuality takes on metaphorical significance, while other characters in the film, like Tommy's best friend, Michael (Alexis Arquette), and Alan's mother (Jill St. John), bring the narrative humor specific to The Trip back into focus. At times, the movie verges on corny, but for the most part avoids cliché. The satisfaction one gets from watching a deep relationship unfold over the years makes this coming-of-age tale a meaningful reminder that there is absolutely no justification for keeping any couples in love apart. --Trinie Dalton
Description
An ambitious epic romance that traces the course of two men through their initial meeting as teenagers in 1973 until the mid 80's. Alan is a member of the Young Republicans and an aspiring journalist. He's working on a book about the evils of homosexuality, and invites Tommy, a gay rights activist, over for dinner and to interview him for the book. Thus begins a friendship that leads to a love affair told against the background of Anita Bryant, radical politics and the emerging gay rights movement. A huge audience hit during its festival and National Theatrical release, THE TRIP is a funny, touching and powerful film.
Customer Reviews:
worth the trip.......2007-06-12
one of my favorites, seen originally at a film festival. Alexis Arquette is hilarious as the roommate and there is the special appearance of Jill St. John (somebody must have known somebody). Still, it is funny and poignant and production values are very good, which sometimes is not the case with these independent gay features.
A Good Film.......2007-06-07
I am not a professional film critic nor do I have an understanding of the professional criteria by which to determine a good or bad film. I am not a person who watches films as I perfer books instead. Having said this, I need to say this film touched me and why.
I have my own criteria for determining a good or bad film: let me list them. Within the film's context is the story line believable? Do the actors allow the personality of their characters to flow onto the screen? Does the film manage to hold my continuing interest? And lastly, do I wake up the next morning thinking about the film and its characters - does the film take on a life of its own?
Using my criteria, I have to answer "yes" to the the above. In fact it is 4:45 AM PST and I am motivated to write this review and to give it four stars.
My life span, so far, has covered the general time period of the film and I recognized the historical events and emotions protrayed. Maybe that is why the film took on a significence for me.
One last comment: Being a romatic, I like happy endings and this one has a bitter-sweet one. Although I would have perferred a "happily ever after" end, the film was far more effective with the one it has - hence the fifth star. Kudos to those involved.
A trip worth taking.......2007-06-02
The trip is a moving film that balances between the sweet, tender, comic, romantic and tragic. You actually embark on a trip with the main characters throughout the movie due to their powerful and none pretentious performance. If you liked Brokeback Mountain you'll like this film.
The Trip up.......2007-05-17
It was a good movie, in the beginning. It should have ended better. There was no real closure though. A better ending would have done this movie justice.
great show!.......2007-04-15
Better than brokeback! the trip was a great movie kinda like boys on the side and Thelma and Louise meets Will and Grace with a hint of beaches good storyline, would recommend giving it a watch!
Average customer rating:
- "Flashdance" director's 1987 blockbuster
- Disappointing....
- Bunny a la Mode!
- The moral of the story...Don't cheat on your wife with psycho chicks!
- A riviting study of a maniac,, concealed in a woman's body.
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Fatal Attraction (Special Collector's Edition)
Starring: Anne Archer , Michael Arkin , Jonathan Brandis , Tom Brennan , and Glenn Close
Director: Adrian Lyne
Manufacturer: Paramount
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ASIN: B00003CXA0
Release Date: 2002-04-16 |
Amazon.com essential video
The date movie of the late 1980s, this had everyone arguing in the aisles. Does Michael Douglas deserve the unwanted attention he and his family are receiving at the hands of loony stalker Glenn Close? After a weekend extramarital affair with colleague Close, he returns home to wife Anne Archer, and Close becomes progressively angrier. You might even say she is boiling bunny mad.
Directed by Adrian Lyne, this is not your average thriller, as it garnered six Academy Award nominations. The plot is too obvious, but the dialogue rings true and the intense performances hold the story together. Anne Archer deserves kudos for side-stepping cliché as the strong but frightened wife, and Close is a scream as she chews up the scenery.
The film's original ending, which was reshot after poor preview screenings, has been added to the video release. --Rochelle O'Gorman
Customer Reviews:
"Flashdance" director's 1987 blockbuster.......2007-04-12
FLASHDANCE director Adrian Lyne brought moviegoers this 1987 blockbuster starring Michael Douglas,Glenn Close and Anne Archer. New York lawyer Dan Gallagher(Douglas) has an affair with a colleague named Alex(Close). Dan's wife Kate(Archer) learns about the affair and is briefly pissed at him. Kate even threatened to kill Alex if she came within range of her,Dan and their young son again. Alex herself became violent in one of the last scenes,wielding a filet knife but she ends up stabbed with it,drowning in the Gallaghers' water-filled bathtub. I believe that was where Alex and Kate were fighting a duel. I remember a scene like that in 1992's THE HAND THAT ROCKS THE CRADLE. Other '87 blockbusters include THREE MEN AND A BABY,LETHAL WEAPON and BEVERLY HILLS COP 2. Aside from FLASHDANCE,Lyne directed 1986's 9 1/2 WEEKS. Douglas' fans also loved him in other favorites like BASIC INSTINCT,IT'S MY TURN despite its box-office disappointment,THE IN-LAWS,THE WAR OF THE ROSES,ROMANCING THE STONE,THE JEWEL OF THE NILE,COMA,THE CHINA SYNDROME,THE AMERICAN PRESIDENT and FALLING DOWN.
Disappointing...........2007-04-04
If, like me, you bought this DVD with fond memories of the opening scenes of Ms. Archer, delectable in her white underthings, be prepared to be disappointed. The widescreen (ha!) aspect chops the bottom off both the screen and Ms. Archer in the opening moments.
*Sigh*
Bunny a la Mode!.......2007-02-01
I watch this movie when I need a good jolt of "realism." Glenn Close plays a psychotic stalker to Michael Douglas' "it-happened-only-one-time, it-didn't-mean-a-thing" adulterer. Honey, didn't your daddy tell you it only takes one time?
With the alternate ending included, as well as the interviews with the cast members, makes this a must-have film.
On the down side, why she had to boil the bunny was just wrong!!
The moral of the story...Don't cheat on your wife with psycho chicks!.......2007-01-16
This movie is a classic! A story about a successful attorney Dan (Douglas)who should have known better than to have an affair with a sexy but psycotic Alex Forrest (Glen Close). Dan is a happily married guy with a beautiful wife and a daughter (the 'daughter' who totally looks, talks and dresses like a boy! This role could have been cast better in my opinion or they could have at least dressed the little girl like a GIRL to avoid confusion, especially since her hair is very short and her face rather ambiguous) and for some reason decides to have a fling while his wife is out of town. It's a little hard to see his motive for the affair, Alex is sexy and