To Have and Have Not

Starring:Humphrey Bogart, Walter Brennan, Lauren Bacall, Dolores Moran, Hoagy Carmichael, Sheldon Leonard, Walter Szurovy, Marcel Dalio, Walter Sande, Dan Seymour, Aldo Nadi, Lance Fuller, Joy Barlow, Louise Clark, Oscar Loraine, Gussie Morris, Pat West, Chef Milani, Jean De Briac, Suzette Harbin
Director: Howard Hawks, Robert Clampett
Studio: Warner Home Video
Product Type: DVD
Editorial Review:
Amazon.com essential video
Yes, it's true: you can virtually see Humphrey Bogart and Lauren Bacall falling for each other in this Howard Hawks variation on Casablanca but adapted from--as legend has it--Ernest Hemingway's self-declared "worst novel." (The story goes that Hawks told Hemingway he could make a movie of the author's least work, and Hemingway gave him the rights to this story.) The script by William Faulkner and Jules Furthman actually makes this one of Hawks's and Bogart's most interesting and often exciting films. Bogart plays a boat captain who reluctantly agrees to help the French Resistance while wooing chanteuse Bacall. Hoagy Carmichael, wry at the piano, adds a delicious accent to an already wonderful mood. --Tom Keogh
Description
Help the Free French? Not world-weary gunrunner Harry Morgan (Humphrey Bogart). But he changes his mind when a sultry siren-in-distress named Marie asks, "Anybody got a match?" That red-hot match is Bogart and 19-year-old first-time film actress Lauren Bacall. Full of intrigue and racy banter (including Bacall's legendary whistling instructions), this thriller excites further interest for what it has and has not. Cannily directed by Howard Hawks and smartly written by William Faulkner and Jules Furthman, it doesn't have much similarity to the Ernest Hemingway novel that inspired it. And it strongly resembles Casablanca: French resistance fighters, a piano-playing bluesman (Hoagy Carmichael) and a Martinique bar much like Rick's Cafe Americaine. But first and foremost, it showcases Bogart and Bacall, carrying on with a passion that smolders from the tips of their cigarettes clear through to their souls.
Average customer rating:
- If You Want Them, This Is It
- Classic Bogie & Bacall
- What's not to like?
- the big sleep
- A must have for Bogie & Bacall fans
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Bogie and Bacall - The Signature Collection (The Big Sleep / Dark Passage / Key Largo / To Have and Have Not)
Starring: Humphrey Bogart , and Lauren Bacall
Manufacturer: Warner Home Video
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Similar Items:
- Humphrey Bogart - The Signature Collection, Vol. 2 (The Maltese Falcon Three-Disc Special Edition / Across the Pacific / Action in the North Atlantic / All Through the Night / Passage to Marseille)
- Humphrey Bogart - The Signature Collection, Vol. 1 (Casablanca Two-Disc Special Edition / The Treasure of the Sierra Madre Two-Disc Special Edition / They Drive by Night / High Sierra)
- The Maltese Falcon (Three-Disc Collector's Edition)
- Film Noir Classic Collection, Vol. 3 (Border Incident / His Kind of Woman / Lady in the Lake / On Dangerous Ground / The Racket)
- Double Indemnity (Universal Legacy Series)
ASIN: B000FFL2Q6
Release Date: 2006-07-25 |
Amazon.com
Yes, it's true: you can virtually see Humphrey Bogart and Lauren Bacall falling for each other in To Have and Have Not (1945), Howard Hawks's variation on Casablanca but adapted from--as legend has it--Ernest Hemingway's self-declared "worst novel." (The story goes that Hawks told Hemingway he could make a movie of the author's least work, and Hemingway gave him the rights to this story.) The script by William Faulkner and Jules Furthman actually makes this one of Hawks's and Bogart's most interesting and often exciting films. Bogart plays a boat captain who reluctantly agrees to help the French Resistance while wooing chanteuse Bacall. Hoagy Carmichael, wry at the piano, adds a delicious accent to an already wonderful mood.
Bogart and Bacall were never more popular than in The Big Sleep, the 1946 adaptation of Raymond Chandler's novel, directed by Howard Hawks. Bogart plays private eye Philip Marlowe, who is hired by a wealthy socialite (Bacall) to look into troubles stirred up by her wild, young sister (Martha Vickers). Legendarily complicated (so much so that even Chandler had trouble following the plot), the film is nonetheless hugely entertaining and atmospheric, an electrifying plunge into the exotica of detective fiction. William Faulkner wrote the screenplay.
Dark Passage (1947) is a gimmicky film noir starring Bogart as an escaped criminal who undergoes plastic surgery and holes up at the home of Bacall's character while healing and preparing to prove his innocence. If you can last through the first half-hour of this thing--which is shot entirely from the subjective view of Bogart's bandaged face, which we don't see until later--you might find ample reason in the stars' performances to stick around for the conclusion. But director Delmer Daves (A Summer Place) tests a viewer's endurance with such an obvious, attention-getting ploy.
John Huston (The Maltese Falcon) directed Key Largo (1948), a smart thriller about a gangster (Edward G. Robinson) who holds a number of people hostage in a hotel in the Florida Keys during a tropical storm. Bogart is the returning war veteran who takes on the villains, and Bacall is on hand as one of the people on the wrong end of Robinson's gun. Somewhat similar in tone to To Have and Have Not this moody movie captures a certain despair offset by the bond between individuals united by common purpose. Claire Trevor won an Academy Award for her part as Robinson's alcoholic girlfriend. --Tom Keogh
Description
They met on the WB lot. The year was 1944. "I just saw your screen test," Bogart said to Bacall. "I think we're going to have a lot of fun together." And so it began... Listed as the Greatest Male Star of All Time and one the Greatest Female Legends by the American Film Institute, Humphrey Bogart and Lauren Bacall star in the all new Bogie & Bacall: The Signature Collection. This giftset includes all four films that starred one of classic Hollywood's noted couples.
Customer Reviews:
If You Want Them, This Is It.......2007-06-15
"Bogie and Bacall -- The Signature Collection," brings us the four movies the near-legendary Hollywood stars, Humphrey Bogart and Lauren Bacall, made together, from first, Howard Hawks's 1944 "To Have and Have Not," in which the couple, just meeting, literally fall in love on screen, through probably their best together, 1946's "The Big Sleep," again directed by Hawks; their strangest, 1947's "Dark Passage," written and directed by Delmar Daves; and their last, the 1948 "Key Largo," directed by John Huston.
All four films are made by Warner Brothers, in black and white; all but "Dark Passage" made entirely on studio back lots, despite the ostensible tropical settings of "To Have and Have Not," and "Key Largo." In most, Bogie plays a character that will be familiar to his fans from his previous work, particularly the great wartime hit "Casablanca" that directly preceded "To Have." We see some of the familiar Warner Brothers company of supporting players in these films, and some well-known, highly-esteemed actors, but the pictures belong to Bogie and Bacall, as they fire up the screen, as lovers and then newly-marrieds.
"To Have and Have Not," supposedly resulted from a bet between Hawks and Ernest Hemingway, famed American author of the book on which it's based. Hawks said he could get a good movie from Hemingway's worst book, which this was. Hawks did so, with a screenplay by another famed American novelist, William Faulkner, and Jules Furthman. The picture, however, is an effort to remake "Casablanca," without Ingrid Bergman, or the earlier movie's sterling supporting cast. Set on a French-speaking Caribbean island, with Vichy French and Free French at war. Almost-heroic Free French fighter, and his wife. Bogie as Henry (Steve) Morgan, hardboiled antihero who sticks his neck out for nobody. Hugely talented American singer-songwriter Hoagy Carmichael as Cricket, singing piano player. Despite his many beautiful compositions, he just doesn't hold the screen as did Dooley Wilson, playing Sam, singer of "As Time Goes By," in the earlier film. Walter Brennan thrown in playing his stellar drunk, Eddie, asking people "Was you ever stung by a dead bee?" He's treated with romanticizing kid gloves by all concerned. And the breathtaking 19-year old Bacall, as Marie (Slim) Browning, who's just landed on the island because she's run out of money. She's given a snazzy check suit, and some snappy dialogue. Remember "You know how to whistle, don't you?" She even sings; legend says she was dubbed by Andy Williams, but that's not necessarily true. They say her part was beefed up when the studio execs saw what was happening onscreen. Sid Hickox's noirish cinematography also contributes greatly to a sexy, old-fashioned, rather routinely plotted, World War II thriller, combining romance, faraway adventure, and a macho Hemingway hero.
"The Big Sleep," 1944, was the second film made by the golden trio, Bogart, Bacall and Hawks. The screenplay, again, was by novelist Faukner, based, this time, on a detective novel of the same name by the Californian author Raymond Chandler. This noir mystery thriller also casts a backwards eye at "Casablanca." Here, Bogie plays Philip Marlowe, Chandler's existential, street-smart, courageous private eye, called to investigate efforts to blackmail the aging, incapacitated, wealthy General Sternwood about one of his daughters. Both the General's daughters, the old man admits, are wild, and have the vices of their class, but Carmen, played by Martha Vickers, is most troublesome; Vivian, played by Bacall, gambles, and seems, carelessly enough, to have recently misplaced her husband, of whom the General was fond. Still, in this picture, Vivian has great rooms and clothes, and a nifty white coupe convertible. Supporting players include Dorothy Malone, Peggy Knudsen, Bob Steele, Lash Canino, and Elisha Cook. Max Steiner contributed the atmospheric score. The notoriously complicated, difficult to follow plot is frequently interrupted by girls admiring Bogie, and stopped dead so Bacall can sing. The screenplay cleans up its source material considerably, still, it was considered an unusually violent and amoral movie for its time. Treatment of Los Angeles is moody; night scenes are shadow and fog, daylight scenes slightly, menacingly overblown. Nobody played harried and world-weary better than Bogart.
1947's "Dark Passage," noir thriller, was written and directed by Delmar Daves, based on a novel by David Goodis, who wrote the novel on which "Shoot The Piano Player" is based. It's set in San Francisco of the 40's, and may be the best screen treatment of that city at that time. Once again, Sidney Hickox's noirish cinematography takes full advantage of its flavorful setting, hills, bay, staircase streets. The building in which Bacall's character, Irene Jansen, supposedly lives, and its glass elevator, and her duplex apartment, are masterpieces of the "moderne" style then highly popular. Bogart plays Vincent Parry, a doctor unjustly convicted of killing his wife; at the film's opening, he's just escaped from San Quentin, coming home to clear himself. For the first hour, we never see him, only see everything through his eyes, then a new filmic technique. The gimmick is, he has plastic surgery so as to no longer be recognizable; he then becomes the Bogart we know. Housely Stevenson plays the plastic surgeon Dr. Walter Coley: his scenes are treated in a most Frankensteinian way. The plot takes some truly odd turns: we're to believe that Agnes Moorhead, who is surely riveting, could give Bacall a run for her money in the Bogart stakes. As if. Bacall doesn't sing, but she looks sensational, and has, in addition to that apartment, some stylish clothes and jewelry -- note the Mexican opals. She's also got an eye-catching, memorable "woody" station wagon.
"Key Largo," 1948, directed by John Huston, was the last screen pairing of our two leads. It's based on a stage play by Maxwell Anderson, nominally set in the tropical Florida Keys. A wheelchair-bound Lionel Barrymore plays James Temple, owner of the island hotel; Bacall plays Nora, his widowed daughter in law. Bogart plays Frank Mc Cloud, who fought the Italian campaign alongside the Temple boy until he was killed. Mc Cloud goes to visit the Temples off-season, and discovers that a powerful hurricane's coming. And that they are being terrorized by Edward G. Robinson, one of the great movie villains, playing gangster Johnny Rocco. Clair Trevor, playing Gaye Downs, Rocco's moll, former nightclub entertainer, gets to sing this time. She does an acapella "Moanin' Low," a song popularized by Libby Holman in the early 30's, and won a Best Supporting Actress Oscar for it. Bogart plays an unusually quiet version of his "I stick my neck out for nobody character." But, such are the burdens of marriage, Bacall is uncharacteristically demure. She doesn't appear to be wearing makeup, her eyes are downcast, and her wardrobe seems to consist of one --dowdy-- outfit. She doesn't have those lines, either: Barrymore and Robinson get them this time.
These four films are the components of this collection. There will be no more by our two great leads, and they were certainly among the screen's most incendiary lovers. If you want them, this is it.
Classic Bogie & Bacall.......2007-05-14
As a writer, I find it interesting to study classic movies that gripped our imaginations, found - and sometimes lost - romance, and always produced suspense. These Bogie & Bacall movies did it without the non-stop action of today's movies, the dynamite, the explosions, the sex, and the questionable language. And they all have withstood the test of time. Well worth watching.
What's not to like?.......2007-02-18
Well, really, this is it, one of the ultimate film collections out there. They are definitely good for what ails you. Have the flu? Settle in with these until it goes away. Three feet of snow outside? These will help you hold out until spring. Tired of special effects and mindless violence? Remind yourself of something truly special, the sparkle in Bacall's eyes when she goes after Bogart, and of a time when only bad guys met a bad end. Recovering from a breakup? Settle in and remind yourself of how relationships are supposed to work!
They are also good if you just want to be entertained. The movies are better together, because you can just keep going from one to the next and chances are, you will. The chemistry between those two is so good that you could completely fail to realize that these finely crafted story-driven films are pretty well written, too. If I had to choose some "desert-island movies," at least two of them would be from this collection and maybe all four.
the big sleep.......2007-01-29
Just when you think he's figured it out, he hasn't, but he does! I wish I'd lived then.
A must have for Bogie & Bacall fans.......2007-01-11
This set is the center of my collection. All four movies are excellent examples of these two at work. From their best "To Have and Have Not" to their work in "Dark Passage".
Average customer rating:
- YOU KNOW HOW TO WHISTLE, DON'T YOU?
- Beat Bogie!
- Great Movie To Watch
- Bogie And Bacall - Where It All Began....
- Bacall was blessed by nature with two advantages...
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To Have and Have Not (Snap case)
Starring: Humphrey Bogart , Walter Brennan , Lauren Bacall , Dolores Moran , and Hoagy Carmichael
Director: Howard Hawks , and Robert Clampett
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Similar Items:
- The Big Sleep
- Key Largo (Snap Case)
- Dark Passage (Snap Case)
- The Maltese Falcon (Three-Disc Collector's Edition)
- The Treasure of the Sierra Madre (Two-Disc Special Edition)
ASIN: B0000B1OGH
Release Date: 2003-11-04 |
Amazon.com essential video
Yes, it's true: you can virtually see Humphrey Bogart and Lauren Bacall falling for each other in this Howard Hawks variation on Casablanca but adapted from--as legend has it--Ernest Hemingway's self-declared "worst novel." (The story goes that Hawks told Hemingway he could make a movie of the author's least work, and Hemingway gave him the rights to this story.) The script by William Faulkner and Jules Furthman actually makes this one of Hawks's and Bogart's most interesting and often exciting films. Bogart plays a boat captain who reluctantly agrees to help the French Resistance while wooing chanteuse Bacall. Hoagy Carmichael, wry at the piano, adds a delicious accent to an already wonderful mood. --Tom Keogh
Description
Help the Free French? Not world-weary gunrunner Harry Morgan (Humphrey Bogart). But he changes his mind when a sultry siren-in-distress named Marie asks, "Anybody got a match?" That red-hot match is Bogart and 19-year-old first-time film actress Lauren Bacall. Full of intrigue and racy banter (including Bacall's legendary whistling instructions), this thriller excites further interest for what it has and has not. Cannily directed by Howard Hawks and smartly written by William Faulkner and Jules Furthman, it doesn't have much similarity to the Ernest Hemingway novel that inspired it. And it strongly resembles Casablanca: French resistance fighters, a piano-playing bluesman (Hoagy Carmichael) and a Martinique bar much like Rick's Cafe Americaine. But first and foremost, it showcases Bogart and Bacall, carrying on with a passion that smolders from the tips of their cigarettes clear through to their souls.
Customer Reviews:
YOU KNOW HOW TO WHISTLE, DON'T YOU? .......2007-04-19
A story based, very loosely based I might add, on Ernest Hemingway's short novel. A screenplay written in part by William Faulkner. The lead roles played by the charismatic Humphrey Bogart and the dishy Lauren Bacall with able assists by Walter Brennan and the legendary songwriter Hoagy Carmichael. Some classic Hollywood lines. What is not to like about this 1940's black white film that still plays well after over fifty years. Only if you naively expected faithfulness to the author's novelistic intent by those who bought the film rights. But, don't be silly it happens all the time. If you want Hemingway's gritty tale of a down and out sea captain scratching out a living for his family anyway he can go read the book. Here we are talking about the film adaptation. And on those terms what a seamless piece of cinematic art.
As is the case in most of the early movies the story line is simple. Jaded boy meets slightly world-weary girl in the throes of Vichy-administered Martinique during World War II. Naturally, given the times, the local variant of the French Resistance is in need of help and a skittish, but in the end courageous, Captain Morgan (the Bogart role) is dragged into the middle of it. Some of this is an echo of the story line in Casablanca but this time Bogart, thankfully, does not let the dame go. All the politics and heroics aside this film is all about the romance. For a 1940's film the sexual tension and resolution between Morgan and Slim (Bacall's role) is as steamy as it gets with two people who still have their clothes on. It probably does not hurt the romantic buildup that Bogart and Bacall were becoming an item off-screen, as well. If you want classic Bogart and Bacall this is for you.
Beat Bogie!.......2007-04-10
DVD's have really spruced up my life! This is probably my favorite Bogart of them all. For years I have wanted to see it again and now to have it for anytime I want is great!
To me this is just a hair under Casablaca. The whole Nazi thing and the period of World War II movies. Bacall does a pretty good job for a 19 year old! Walter Brennan almost stole the show and it was good to see Delores Moran, what a doll! Always wondered why she made so few movies.
Bogie at his best in a film that almost did'nt get made.
Great Movie To Watch.......2007-04-01
I was inspired to watch "To Have and Have Not" by to reasons: Humphrey Bogart was always one of my favorite actors of Golden Age and also after reading an amazing book by Lauren Bacall " By myself and Some More".
The movie shows a great chemistry between Bogart and Bacall, the good actors can always convince us that there is chemistry, but when it's the real thing it is something different. "To Have and Have Not" is the starting point of one of the most romantic relationships in Old Hollywood.
Movie has great humour, some lines are hilarious, and leaves you cheered up. My only regret that it is a bit too short!
Bogie And Bacall - Where It All Began...........2007-01-19
Supposedly Howard Hawkes told Ernest Hemingway a movie could be made of the "least" of the author's novels. And Hemingway signed over the rights to this novel. Between the movie and novel there is barely anything to compare, other than the main character's name is Harry Morgan, he has a sidekick by the name of Eddie, and a romantic interest by name of Marie. Mercifully, Howard Hawkes changed everything about the novel and cast Humphrey Bogart in the lead role. By casting up and coming model Lauren Bacall opposite Humphrey Bogart, movie history - and legend - was born.
The plot and dialogue in this film are certainly not stellar, and there are many other films from the 1940s that far outshine this one. However, the chemistry and sparks that ignite between Bogie and Bacall cannot be denied. Bogie plays the role he is most known for: self-possessed, street-wise, hard-boiled, with just a touch of desperation. This is the man one wants around in a crisis.
But Lauren Bacall plays a new type of leading lady. Beautiful and sexy, yes, but smart. This gal is not given over to hysterics or drama. Her life hasn't been easy, but she isn't sinking into a bottle or embittered about it. She faces life like a challenge - and knows that somehow she's going to win it. She's tough without being rough, strong while still looking fabulous, and she can turn a man to jello with "the look." If for no other reason, it is worth seeing this movie just to watch the debut of this actress!
When the movie ends, I'll doubt one remembers the plot or what everyone was up to and it won't even matter. This movie revolves so strongly around Bogie and Bacall, and they certainly do hold it together so very, very well, one doesn't even miss the rest of the movie. A pure delight!
Bacall was blessed by nature with two advantages..........2007-01-15
Lauren Bacall, who gave men the license to whistle, was blessed by nature with two advantages: the personality of a buddy and the look of a Femme Fatale...
This combination initially took the only 19-years-old actress to the top with her first two films - 'To Have and Have Not' and 'The Big Sleep' - scoring a success even the deadpan expressions of a Buster Keaton could not undermine...
It helped, of course, to be co-starred in them with Humphrey Bogart who fell in love with her during shooting, and to have Howard Hawks, who deliberately set out to prove that he could make her a star, directing her every move in the same totally controlled way Joseph Von Sternberg had done with Marlene Dietrich...
'To Have and Have Not' is an almost unrecognizable adaptation of the Hemingway novel... The Rick character again appears, though with a new name... The film is a fairly routinely adventure, with a plot that isn't all that interesting, and with a frequently laughable dialog, but it sparks into life when Bogart and the leading blonde, with whom he is deeply in love and to whom he will later be married, appear...
The girl is Lauren Bacall, in her first movie... Cool, smooth, and gorgeous, she sets the screen on fire from her first entrance... She was a new kind of heroine...
Opposite Bogart she was colorful and believable... She had no illusions about herself... She was used to getting by, making out as best she could... She wanted Bogey and she let him know it... She offers herself to him, bravely and without shame: ' You know you don't have to act with me, Steve. You don't have to say anything and you don't have to do anything. Not a thing. Oh, maybe just whistle. (She opens his door and pauses.) You know how to whistle, don't you, Steve? You just put your lips together - and blow.'
With the effective use of her sexy, sultry, speaking voice and her confident eyes, Howard Hawks creates a new screen image, and one of the most sizzling yet sexual propositions on film...
Lauren Bacall has become heir to our memories of the truly memorable star of the 1940s, and, in her own way, one of them...
"To Have or Have Not" was remade as "The Breaking Point" with John Garfield and "The Gun Runners" with Audie Murphy and both were, inferior to the original...
Average customer rating:
- YOU KNOW HOW TO WHISTLE, DON'T YOU?
- Beat Bogie!
- Great Movie To Watch
- Bogie And Bacall - Where It All Began....
- Bacall was blessed by nature with two advantages...
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To Have and Have Not (Keepcase)
Starring: Humphrey Bogart , Walter Brennan , Lauren Bacall , Dolores Moran , and Hoagy Carmichael
Director: Howard Hawks
Manufacturer: Warner Home Video
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Similar Items:
- The Big Sleep
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- Dark Passage (Snap Case)
- The Maltese Falcon (Three-Disc Collector's Edition)
- The Treasure of the Sierra Madre (Two-Disc Special Edition)
ASIN: B000FFJYAW
Release Date: 2006-07-25 |
Amazon.com essential video
Yes, it's true: you can virtually see Humphrey Bogart and Lauren Bacall falling for each other in this Howard Hawks variation on Casablanca but adapted from--as legend has it--Ernest Hemingway's self-declared "worst novel." (The story goes that Hawks told Hemingway he could make a movie of the author's least work, and Hemingway gave him the rights to this story.) The script by William Faulkner and Jules Furthman actually makes this one of Hawks's and Bogart's most interesting and often exciting films. Bogart plays a boat captain who reluctantly agrees to help the French Resistance while wooing chanteuse Bacall. Hoagy Carmichael, wry at the piano, adds a delicious accent to an already wonderful mood. --Tom Keogh
Description
Help the Free French? Not world-weary gunrunner Harry Morgan (Humphrey Bogart). But he changes his mind when a sultry siren-in-distress named Marie asks, "Anybody got a match?" That red-hot match is Bogart and 19-year-old first-time film actress Lauren Bacall. Full of intrigue and racy banter (including Bacall's legendary whistling instructions), this thriller excites further interest for what it has and has not. Cannily directed by Howard Hawks and smartly written by William Faulkner and Jules Furthman, it doesn't have much similarity to the Ernest Hemingway novel that inspired it. And it strongly resembles Casablanca: French resistance fighters, a piano-playing bluesman (Hoagy Carmichael) and a Martinique bar much like Rick's Cafe Americaine. But first and foremost, it showcases Bogart and Bacall, carrying on with a passion that smolders from the tips of their cigarettes clear through to their souls.
Customer Reviews:
YOU KNOW HOW TO WHISTLE, DON'T YOU? .......2007-04-19
A story based, very loosely based I might add, on Ernest Hemingway's short novel. A screenplay written in part by William Faulkner. The lead roles played by the charismatic Humphrey Bogart and the dishy Lauren Bacall with able assists by Walter Brennan and the legendary songwriter Hoagy Carmichael. Some classic Hollywood lines. What is not to like about this 1940's black white film that still plays well after over fifty years. Only if you naively expected faithfulness to the author's novelistic intent by those who bought the film rights. But, don't be silly it happens all the time. If you want Hemingway's gritty tale of a down and out sea captain scratching out a living for his family anyway he can go read the book. Here we are talking about the film adaptation. And on those terms what a seamless piece of cinematic art.
As is the case in most of the early movies the story line is simple. Jaded boy meets slightly world-weary girl in the throes of Vichy-administered Martinique during World War II. Naturally, given the times, the local variant of the French Resistance is in need of help and a skittish, but in the end courageous, Captain Morgan (the Bogart role) is dragged into the middle of it. Some of this is an echo of the story line in Casablanca but this time Bogart, thankfully, does not let the dame go. All the politics and heroics aside this film is all about the romance. For a 1940's film the sexual tension and resolution between Morgan and Slim (Bacall's role) is as steamy as it gets with two people who still have their clothes on. It probably does not hurt the romantic buildup that Bogart and Bacall were becoming an item off-screen, as well. If you want classic Bogart and Bacall this is for you.
Beat Bogie!.......2007-04-10
DVD's have really spruced up my life! This is probably my favorite Bogart of them all. For years I have wanted to see it again and now to have it for anytime I want is great!
To me this is just a hair under Casablaca. The whole Nazi thing and the period of World War II movies. Bacall does a pretty good job for a 19 year old! Walter Brennan almost stole the show and it was good to see Delores Moran, what a doll! Always wondered why she made so few movies.
Bogie at his best in a film that almost did'nt get made.
Great Movie To Watch.......2007-04-01
I was inspired to watch "To Have and Have Not" by to reasons: Humphrey Bogart was always one of my favorite actors of Golden Age and also after reading an amazing book by Lauren Bacall " By myself and Some More".
The movie shows a great chemistry between Bogart and Bacall, the good actors can always convince us that there is chemistry, but when it's the real thing it is something different. "To Have and Have Not" is the starting point of one of the most romantic relationships in Old Hollywood.
Movie has great humour, some lines are hilarious, and leaves you cheered up. My only regret that it is a bit too short!
Bogie And Bacall - Where It All Began...........2007-01-19
Supposedly Howard Hawkes told Ernest Hemingway a movie could be made of the "least" of the author's novels. And Hemingway signed over the rights to this novel. Between the movie and novel there is barely anything to compare, other than the main character's name is Harry Morgan, he has a sidekick by the name of Eddie, and a romantic interest by name of Marie. Mercifully, Howard Hawkes changed everything about the novel and cast Humphrey Bogart in the lead role. By casting up and coming model Lauren Bacall opposite Humphrey Bogart, movie history - and legend - was born.
The plot and dialogue in this film are certainly not stellar, and there are many other films from the 1940s that far outshine this one. However, the chemistry and sparks that ignite between Bogie and Bacall cannot be denied. Bogie plays the role he is most known for: self-possessed, street-wise, hard-boiled, with just a touch of desperation. This is the man one wants around in a crisis.
But Lauren Bacall plays a new type of leading lady. Beautiful and sexy, yes, but smart. This gal is not given over to hysterics or drama. Her life hasn't been easy, but she isn't sinking into a bottle or embittered about it. She faces life like a challenge - and knows that somehow she's going to win it. She's tough without being rough, strong while still looking fabulous, and she can turn a man to jello with "the look." If for no other reason, it is worth seeing this movie just to watch the debut of this actress!
When the movie ends, I'll doubt one remembers the plot or what everyone was up to and it won't even matter. This movie revolves so strongly around Bogie and Bacall, and they certainly do hold it together so very, very well, one doesn't even miss the rest of the movie. A pure delight!
Bacall was blessed by nature with two advantages..........2007-01-15
Lauren Bacall, who gave men the license to whistle, was blessed by nature with two advantages: the personality of a buddy and the look of a Femme Fatale...
This combination initially took the only 19-years-old actress to the top with her first two films - 'To Have and Have Not' and 'The Big Sleep' - scoring a success even the deadpan expressions of a Buster Keaton could not undermine...
It helped, of course, to be co-starred in them with Humphrey Bogart who fell in love with her during shooting, and to have Howard Hawks, who deliberately set out to prove that he could make her a star, directing her every move in the same totally controlled way Joseph Von Sternberg had done with Marlene Dietrich...
'To Have and Have Not' is an almost unrecognizable adaptation of the Hemingway novel... The Rick character again appears, though with a new name... The film is a fairly routinely adventure, with a plot that isn't all that interesting, and with a frequently laughable dialog, but it sparks into life when Bogart and the leading blonde, with whom he is deeply in love and to whom he will later be married, appear...
The girl is Lauren Bacall, in her first movie... Cool, smooth, and gorgeous, she sets the screen on fire from her first entrance... She was a new kind of heroine...
Opposite Bogart she was colorful and believable... She had no illusions about herself... She was used to getting by, making out as best she could... She wanted Bogey and she let him know it... She offers herself to him, bravely and without shame: ' You know you don't have to act with me, Steve. You don't have to say anything and you don't have to do anything. Not a thing. Oh, maybe just whistle. (She opens his door and pauses.) You know how to whistle, don't you, Steve? You just put your lips together - and blow.'
With the effective use of her sexy, sultry, speaking voice and her confident eyes, Howard Hawks creates a new screen image, and one of the most sizzling yet sexual propositions on film...
Lauren Bacall has become heir to our memories of the truly memorable star of the 1940s, and, in her own way, one of them...
"To Have or Have Not" was remade as "The Breaking Point" with John Garfield and "The Gun Runners" with Audie Murphy and both were, inferior to the original...
Average customer rating:
- If You Want Them, This Is It
- Classic Bogie & Bacall
- What's not to like?
- the big sleep
- A must have for Bogie & Bacall fans
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Bogie & Bacall - The Signature Collection (The Big Sleep / Dark Passage / Key Largo / To Have and Have Not) (1946)
Starring: Humphrey Bogart , Lauren Bacall , John Ridgely , Martha Vickers , and Dorothy Malone
Director: Howard Hawks , Delmer Daves , and John Huston
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Similar Items:
- Humphrey Bogart - The Signature Collection, Vol. 2 (The Maltese Falcon Three-Disc Special Edition / Across the Pacific / Action in the North Atlantic / All Through the Night / Passage to Marseille)
- Humphrey Bogart - The Signature Collection, Vol. 1 (Casablanca Two-Disc Special Edition / The Treasure of the Sierra Madre Two-Disc Special Edition / They Drive by Night / High Sierra)
- The Maltese Falcon (Three-Disc Collector's Edition)
- Film Noir Classic Collection, Vol. 3 (Border Incident / His Kind of Woman / Lady in the Lake / On Dangerous Ground / The Racket)
- Double Indemnity (Universal Legacy Series)
ASIN: B000EMGCV0
Release Date: 2006-04-25 |
Amazon.com
Yes, it's true: you can virtually see Humphrey Bogart and Lauren Bacall falling for each other in To Have and Have Not (1945), Howard Hawks's variation on Casablanca but adapted from--as legend has it--Ernest Hemingway's self-declared "worst novel." (The story goes that Hawks told Hemingway he could make a movie of the author's least work, and Hemingway gave him the rights to this story.) The script by William Faulkner and Jules Furthman actually makes this one of Hawks's and Bogart's most interesting and often exciting films. Bogart plays a boat captain who reluctantly agrees to help the French Resistance while wooing chanteuse Bacall. Hoagy Carmichael, wry at the piano, adds a delicious accent to an already wonderful mood.
Bogart and Bacall were never more popular than in The Big Sleep, the 1946 adaptation of Raymond Chandler's novel, directed by Howard Hawks. Bogart plays private eye Philip Marlowe, who is hired by a wealthy socialite (Bacall) to look into troubles stirred up by her wild, young sister (Martha Vickers). Legendarily complicated (so much so that even Chandler had trouble following the plot), the film is nonetheless hugely entertaining and atmospheric, an electrifying plunge into the exotica of detective fiction. William Faulkner wrote the screenplay.
Dark Passage (1947) is a gimmicky film noir starring Bogart as an escaped criminal who undergoes plastic surgery and holes up at the home of Bacall's character while healing and preparing to prove his innocence. If you can last through the first half-hour of this thing--which is shot entirely from the subjective view of Bogart's bandaged face, which we don't see until later--you might find ample reason in the stars' performances to stick around for the conclusion. But director Delmer Daves (A Summer Place) tests a viewer's endurance with such an obvious, attention-getting ploy.
John Huston (The Maltese Falcon) directed Key Largo (1948), a smart thriller about a gangster (Edward G. Robinson) who holds a number of people hostage in a hotel in the Florida Keys during a tropical storm. Bogart is the returning war veteran who takes on the villains, and Bacall is on hand as one of the people on the wrong end of Robinson's gun. Somewhat similar in tone to To Have and Have Not this moody movie captures a certain despair offset by the bond between individuals united by common purpose. Claire Trevor won an Academy Award for her part as Robinson's alcoholic girlfriend. --Tom Keogh
Customer Reviews:
If You Want Them, This Is It.......2007-06-15
"Bogie and Bacall -- The Signature Collection," brings us the four movies the near-legendary Hollywood stars, Humphrey Bogart and Lauren Bacall, made together, from first, Howard Hawks's 1944 "To Have and Have Not," in which the couple, just meeting, literally fall in love on screen, through probably their best together, 1946's "The Big Sleep," again directed by Hawks; their strangest, 1947's "Dark Passage," written and directed by Delmar Daves; and their last, the 1948 "Key Largo," directed by John Huston.
All four films are made by Warner Brothers, in black and white; all but "Dark Passage" made entirely on studio back lots, despite the ostensible tropical settings of "To Have and Have Not," and "Key Largo." In most, Bogie plays a character that will be familiar to his fans from his previous work, particularly the great wartime hit "Casablanca" that directly preceded "To Have." We see some of the familiar Warner Brothers company of supporting players in these films, and some well-known, highly-esteemed actors, but the pictures belong to Bogie and Bacall, as they fire up the screen, as lovers and then newly-marrieds.
"To Have and Have Not," supposedly resulted from a bet between Hawks and Ernest Hemingway, famed American author of the book on which it's based. Hawks said he could get a good movie from Hemingway's worst book, which this was. Hawks did so, with a screenplay by another famed American novelist, William Faulkner, and Jules Furthman. The picture, however, is an effort to remake "Casablanca," without Ingrid Bergman, or the earlier movie's sterling supporting cast. Set on a French-speaking Caribbean island, with Vichy French and Free French at war. Almost-heroic Free French fighter, and his wife. Bogie as Henry (Steve) Morgan, hardboiled antihero who sticks his neck out for nobody. Hugely talented American singer-songwriter Hoagy Carmichael as Cricket, singing piano player. Despite his many beautiful compositions, he just doesn't hold the screen as did Dooley Wilson, playing Sam, singer of "As Time Goes By," in the earlier film. Walter Brennan thrown in playing his stellar drunk, Eddie, asking people "Was you ever stung by a dead bee?" He's treated with romanticizing kid gloves by all concerned. And the breathtaking 19-year old Bacall, as Marie (Slim) Browning, who's just landed on the island because she's run out of money. She's given a snazzy check suit, and some snappy dialogue. Remember "You know how to whistle, don't you?" She even sings; legend says she was dubbed by Andy Williams, but that's not necessarily true. They say her part was beefed up when the studio execs saw what was happening onscreen. Sid Hickox's noirish cinematography also contributes greatly to a sexy, old-fashioned, rather routinely plotted, World War II thriller, combining romance, faraway adventure, and a macho Hemingway hero.
"The Big Sleep," 1944, was the second film made by the golden trio, Bogart, Bacall and Hawks. The screenplay, again, was by novelist Faukner, based, this time, on a detective novel of the same name by the Californian author Raymond Chandler. This noir mystery thriller also casts a backwards eye at "Casablanca." Here, Bogie plays Philip Marlowe, Chandler's existential, street-smart, courageous private eye, called to investigate efforts to blackmail the aging, incapacitated, wealthy General Sternwood about one of his daughters. Both the General's daughters, the old man admits, are wild, and have the vices of their class, but Carmen, played by Martha Vickers, is most troublesome; Vivian, played by Bacall, gambles, and seems, carelessly enough, to have recently misplaced her husband, of whom the General was fond. Still, in this picture, Vivian has great rooms and clothes, and a nifty white coupe convertible. Supporting players include Dorothy Malone, Peggy Knudsen, Bob Steele, Lash Canino, and Elisha Cook. Max Steiner contributed the atmospheric score. The notoriously complicated, difficult to follow plot is frequently interrupted by girls admiring Bogie, and stopped dead so Bacall can sing. The screenplay cleans up its source material considerably, still, it was considered an unusually violent and amoral movie for its time. Treatment of Los Angeles is moody; night scenes are shadow and fog, daylight scenes slightly, menacingly overblown. Nobody played harried and world-weary better than Bogart.
1947's "Dark Passage," noir thriller, was written and directed by Delmar Daves, based on a novel by David Goodis, who wrote the novel on which "Shoot The Piano Player" is based. It's set in San Francisco of the 40's, and may be the best screen treatment of that city at that time. Once again, Sidney Hickox's noirish cinematography takes full advantage of its flavorful setting, hills, bay, staircase streets. The building in which Bacall's character, Irene Jansen, supposedly lives, and its glass elevator, and her duplex apartment, are masterpieces of the "moderne" style then highly popular. Bogart plays Vincent Parry, a doctor unjustly convicted of killing his wife; at the film's opening, he's just escaped from San Quentin, coming home to clear himself. For the first hour, we never see him, only see everything through his eyes, then a new filmic technique. The gimmick is, he has plastic surgery so as to no longer be recognizable; he then becomes the Bogart we know. Housely Stevenson plays the plastic surgeon Dr. Walter Coley: his scenes are treated in a most Frankensteinian way. The plot takes some truly odd turns: we're to believe that Agnes Moorhead, who is surely riveting, could give Bacall a run for her money in the Bogart stakes. As if. Bacall doesn't sing, but she looks sensational, and has, in addition to that apartment, some stylish clothes and jewelry -- note the Mexican opals. She's also got an eye-catching, memorable "woody" station wagon.
"Key Largo," 1948, directed by John Huston, was the last screen pairing of our two leads. It's based on a stage play by Maxwell Anderson, nominally set in the tropical Florida Keys. A wheelchair-bound Lionel Barrymore plays James Temple, owner of the island hotel; Bacall plays Nora, his widowed daughter in law. Bogart plays Frank Mc Cloud, who fought the Italian campaign alongside the Temple boy until he was killed. Mc Cloud goes to visit the Temples off-season, and discovers that a powerful hurricane's coming. And that they are being terrorized by Edward G. Robinson, one of the great movie villains, playing gangster Johnny Rocco. Clair Trevor, playing Gaye Downs, Rocco's moll, former nightclub entertainer, gets to sing this time. She does an acapella "Moanin' Low," a song popularized by Libby Holman in the early 30's, and won a Best Supporting Actress Oscar for it. Bogart plays an unusually quiet version of his "I stick my neck out for nobody character." But, such are the burdens of marriage, Bacall is uncharacteristically demure. She doesn't appear to be wearing makeup, her eyes are downcast, and her wardrobe seems to consist of one --dowdy-- outfit. She doesn't have those lines, either: Barrymore and Robinson get them this time.
These four films are the components of this collection. There will be no more by our two great leads, and they were certainly among the screen's most incendiary lovers. If you want them, this is it.
Classic Bogie & Bacall.......2007-05-14
As a writer, I find it interesting to study classic movies that gripped our imaginations, found - and sometimes lost - romance, and always produced suspense. These Bogie & Bacall movies did it without the non-stop action of today's movies, the dynamite, the explosions, the sex, and the questionable language. And they all have withstood the test of time. Well worth watching.
What's not to like?.......2007-02-18
Well, really, this is it, one of the ultimate film collections out there. They are definitely good for what ails you. Have the flu? Settle in with these until it goes away. Three feet of snow outside? These will help you hold out until spring. Tired of special effects and mindless violence? Remind yourself of something truly special, the sparkle in Bacall's eyes when she goes after Bogart, and of a time when only bad guys met a bad end. Recovering from a breakup? Settle in and remind yourself of how relationships are supposed to work!
They are also good if you just want to be entertained. The movies are better together, because you can just keep going from one to the next and chances are, you will. The chemistry between those two is so good that you could completely fail to realize that these finely crafted story-driven films are pretty well written, too. If I had to choose some "desert-island movies," at least two of them would be from this collection and maybe all four.
the big sleep.......2007-01-29
Just when you think he's figured it out, he hasn't, but he does! I wish I'd lived then.
A must have for Bogie & Bacall fans.......2007-01-11
This set is the center of my collection. All four movies are excellent examples of these two at work. From their best "To Have and Have Not" to their work in "Dark Passage".
Average customer rating:
- Simply the best collection you can hope for.
- It would have been perfect with African Queen
- THERE IS NO DELETED SCENE IN THE MALTESE FALCON
- Good collection, but wait
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The Bogart Collection (Casablanca/The Maltese Falcon/To Have and Have Not/The Big Sleep/The Treasure of the Sierra Madre)
Starring: Humphrey Bogart
Manufacturer: Warner Home Video
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Similar Items:
- Key Largo (Snap Case)
- The Alfred Hitchcock Signature Collection (Strangers on a Train Two-Disc Edition / North by Northwest / Dial M for Murder / Foreign Correspondent / Suspicion / The Wrong Man / Stage Fright / I Confess / Mr. and Mrs. Smith)
- Alfred Hitchcock - The Masterpiece Collection (Psycho / Vertigo / Rear Window / The Birds / Shadow of a Doubt / Family Plot / Frenzy / The Man Who Knew Too Much / Marnie / Rope / Saboteur / Topaz / Torn Curtain / The Trouble with Harry)
- Dark Passage (Snap Case)
- The Bridge on the River Kwai
ASIN: B0000TG48S
Release Date: 2003-11-04 |
Customer Reviews:
Simply the best collection you can hope for........2006-10-06
You can't get a better combination of films from Bogart than this collection. True, 90 dollars is a bit extreme, but if you shop around and find it for a little less than it's a steal. For instance I just purchased this same collection at Costco for 65 dollars. All releases are good, any problems with Maltese Falcon or Big Sleep is nay unrecognizable from my standpoint. One of the few collections I have ever seen that has actually made a conscious effort to pit together truly the best films from a given actor.
It would have been perfect with African Queen.......2005-03-12
This collection would have been awesome if only it included The African Queen...it definitely has 5 of his best movies, but with African Queen, you get the best 6 movies of his career in one single pack! Now that, I would call his signature collection.
This is not bad though. Most of the so-called signature collections have so-so movines mixed with good ones. At least all the movies in this set are great gems. All 5 movies are very important movies of probably the greatest actor of Hollywood, 3 of the movies make AFI top 100 list (Cassablanca at #2, Maltese Falcon and Treasure of Sierra Madre, both in top 30) and the rest of the 2 are real close and are considered the part of classic film-noir. So if you don't mind spending 80 bucks for 5 DVDs and love the classic golden age of Hollywood, go for it.
THERE IS NO DELETED SCENE IN THE MALTESE FALCON.......2004-10-21
There are no scenes deleted in The Maltese Falcon dvd. This patron also posted for TMF dvd itself. I quote: 'The deleted scene is the one whereby Lorre is given back his gun by Bogart, lorre then points it at Bogart yet again-and the dvd fades to black to prepare for the next scene. What is deleted is Bogart laughing at Lorre and saying "Go right ahead (laugh, laugh), You go right ahead" THEN fade to black.' That scene is most definitely in there. I just watched it to check.
This dvd set features five ESSENTIAL Bogart films. It's true that The Big Sleep, To Have And Have Not, and The Maltese Falcon could all do with some restoration --but I'd say that the flaws don't detract that much from the films themselves, and until that day comes this set is a must for the Bogart fan.
Humphrey Bogart is still considered by many to be the greatest movie star of all time. These five films are a brilliant testament as to why. I advise you to score.
Good collection, but wait.......2003-12-13
All good movies, of course. Maltese Falcon and Big Sleep editions will probably be re-released as two disc sets in the future, the current dvd of Maltese Falcon has a messy look to it, and also has a missing scene ( inexcusable, really).
I would wait on this collection. Get Treasure and Casablanca two disc sets, individually, they are fan tastic...
Average customer rating:
- Humphrey Bogart and Lauren Bacall
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Bogart/Bacall 3-Pack (To Have and Have Not / Key Largo / The Big Sleep)
Starring: Humphrey Bogart , Walter Brennan , Lauren Bacall , Dolores Moran , and Hoagy Carmichael
Director: Howard Hawks , and John Huston
Manufacturer: Warner Home Video
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Similar Items:
- The Maltese Falcon (Three-Disc Collector's Edition)
- Dark Passage (Snap Case)
- Bogie and Bacall - The Signature Collection (The Big Sleep / Dark Passage / Key Largo / To Have and Have Not)
- The Treasure of the Sierra Madre (Two-Disc Special Edition)
- Laura (Fox Film Noir)
ASIN: B0007514US
Release Date: 2005-03-01 |
Customer Reviews:
Humphrey Bogart and Lauren Bacall.......2005-11-09
This three DVD set of films featuring Humphrey Bogart and Lauren Bacall is the cream rising to the top. Each film is fabulous by itself, and watched together over a short period of time will really give any film lover a sense of why so many people love Bogie and Bacall. It is also an excellent example of two great directors in their prime. Howard Hawks, who has never fully received the credit he deserves fo the many film masterpieces for which he was responsible, helmed two of these films, and John Huston directed the other. This DVD set includes both the first and last of the couple's films together.
First, we have Hawks' "The Big Sleep." It is one of the most unique adaptations of a detective novel ever brought to the screen. Watching this film is one of the true joys of being a film buff. This is extraordinary entertainment that grabs your attention quickly and keeps it until the final shot. It is exciting and engaging, and a favorite of all detective film fans.
Director Howard Hawks turned Raymond Chandler's most popular story into an absolutely mesmerizing celluloid masterpiece. Raymond Chandler's complex novel was adapted for the screen by William Faulkner. We may never know for sure who committed one of the murders in this blurry crime noir, but like all Hawks' films, it is so incredibly entertaining we really don't care. It is full of sharp dialog and dreamy images much like the aftereffects of a drinking binge.
The story itself moves at a terrific clip, and there is so much going on you might get lost if you blink. Humphry Bogart is Raymond Chandler's Philip Marlowe, and from the moment he arrives to talk to General Sternwood and gets mixed up with his daughters this is a film classic. One would think with a young and sultry Bacall getting tangled up with Bogart in their first film together, they would be everything in this film; they are not, however, as Martha Vickers gives a performance that has you thinking about her in every scene, even when she isn't present. She steals every scene she is in and is one of the most memorable dolls in noir history.
Bacall portrays the General's sultry older daughter, Vivian, but it is the sexy and thumb sucking younger daughter Carmen (Martha Vickers) whom Marlowe meets first. She leaves an immediate impression on both the viewer and Marlowe: as he tells the General: "Yeah, we met. She tried to sit in my lap and I was standing up." The very sick Sternwood wants Marlowe to look into a little matter involving blackmail and his daughters.
As Marlowe follows the trail of gambling debts, he finds one body after another and tries to extricate the daughters from the mess. Marlowe and Vivian have a spark that gives him incentive to get the job done, but he may not be able to head off the rollercoaster headed for the little kitten Carmen, who may turn out to have some very large claws. Dorothy Malone has a brief but sexy role as a clerk who shares more than a drink with Marlowe.
Hawks filmed this as moody dream of dialog and images hard to forget. Bogart's Marlowe has his hands full trying to keep Carmen out of trouble. The sparks that begin to fly between he and Carmen's big sister, Vivian, is complicated by her involvement with some of the players for the other team. Trying to find a way to keep the fast rising body count from getting any higher, while keeping Vivian and her little sister Carmen in the clear, will take some dangerous turns for Marlowe.
Bacall has never been more beautiful or inviting than when she is slumped down in the seat of Bogart's car, just waiting for him to kiss her. You have to see this film to really appreciate it. No description could ever do it justice. You'll never see anything else like it in American cinema. A true noir classic, and one of Howard Hawks' masterpieces. A must see film for noir fans.
The same could be said of the second film in this collection directed by Howard Hawks, "To Have and Have Not." The summer of 1940 in Martinique as people began to choose sides is the setting for another Howard Hawks masterpiece. William Faulkner, who had adapted Raymond Chandler's complex novel for the director's other Bogart screen classic, "The Big Sleep," expanded a thin Hemingway story with writing partner Jules Furthman into another. This is sort of "Casablanca" with grit rather than gloss, and is just as enjoyable. "To Have and Have Not" does, in fact, outshine that film with its upbeat ending, and marks the real contrast between the two films, despite their similarities.
Bogart is Harry Morgan, trying to stay neutral about the local politics while he and his pal Eddie (Walter Brennan) take tourists ocean fishing in the waters of Martinique. His pal Frenchy (Marcel Dalio) wants him to use his boat to pick up a couple that will put him square in the middle of all that's going on both in Martinique and the rest of the world as the Germans make their move across the globe.
Morgan is fending off getting involved just fine until his latest fishing customer gets knocked off by accident before he can pay up. Complicating things further for Morgan is a newcomer named Marie Browning (Lauren Bacall) who sort of attaches herself to him from the moment they meet. She has come from Brazil by way of Trinidad and ends up in Martinique only because she doesn't have money to go any further. They seem a perfect fit despite all the sparring between them; a point driven home by her response to Eddie's question about bees. The viewer knows at that moment that she and Harry are a match made in Hollywood heaven.
Brennan is just terrific as Harry's old pal in constant need of a drink to keep the shakes at bay. He thinks he's looking after Harry when in fact it's Harry who's looking after him. The trademark male world of Howard Hawks is much in evidence here, as Bogart's autonomy begins to crack only when he finds his match in Bacall. Like many of Hawks' characters, Morgan lives by his own code and his own rules, and only breaks them out of loyalty to someone else. Another Hawks trademark of the sizing up of people from the inside out is also much in evidence here. Bogart and Bacall never even speak the other's name in this film: she calls him "Steve" and he refers to her as "Slim" throughout the entire film.
When Harry finally agrees to pick up Frenchy's pals in the Resistance to earn enough money to get Slim home, he gets more than he bargained for in more ways than one. It convinces Slim to stay on because she now knows for sure that "Steve" is the right guy. She gets a job singing for the piano player at the Hotel Martinique, Cricket (Hoagy Charmichael). And after a patrol boat takes a potshot at one of his passengers, his very beautiful wife begins to warm up to Harry in a big hurry, causing a bit of jealousy on Slim's part. Doloros Moran is very nice and quite pretty as that wife, Hellene de Bursac.
There are a ton of great exchanges between Bacall and Bogart here, the most famous being the "just whistle" scene. There are many others equally as good, however, including an exchange about strings that has Bacall walking around Bogart, and a great line from Bacall about walking home if it weren't for all that water. It is this latter exchange, and one other about Slim's lack of a reaction when being slapped that Hawks uses to highlight the personal baggage both Harry and Marie are bringing to the table.
A young Bacall looks gorgeous in gowns by Milo Anderson, and Sid Hickox's photography gives the film a real feel of a tiny island with palm trees lining the streets. Bogart's Harry will eventually engage in the fight when he decides he likes the people on one side and doesn't like the people on the other side. It is very much both a Hawks and Bogart type moment, the personal moral code of the anti-hero coming fully into play.
This is a fun film with great characters, lots of atmosphere, and an ending the polar opposite of "Casablanca." The song "How Little We Know" from Hoagy Charmichael and Johnny Mercer never amounted to much compared to the more famous "As Time Goes By" from "Casablanca," but works nicely with the mood Hawks created for his second film with Humphrey Bogart and Lauren Bacall. If you're looking for a big dose of Bogie and Bacall, and want the kind of ending "Casablanca" didn't have, then "To Have and Have Not" is a sure bet to please you. A fine film and a true screen classic.
Last but by no means least is the somber, "Key Largo." John Huston crafted this very fine film with the underlying theme of isolation from a play by Maxwell Anderson. The backdrop of a gangster taking over a hotel in the Florida Keys is filled with inner emotional depth rather than a lot of action, making this the most mature and realistic of romances Bogart and Bacall would have on screen.
Major Frank McCloud (Bogart) shows up at the Largo hotel in the Keys to see his war buddy's father and widow to give them some news about how George died a hero. McCloud himself is disillusioned from trying to save the world and has been drifting since the war in both a personal and literal sense.
Nora (Bacall) had been drifting before she met George and begins to feel this same connection to Frank as they talk about their lives since the war. There is a maturity here as Huston shows a deeper aspect to caring about someone instead of the fireworks of physical attraction. The themes of loneliness and isolation run through every aspect of this film.
Frank once again must decide whether to save the world when the Largo is taken over by fallen gangster Johnny Rocco (Robinson). Rocco was once big and despite his deportation back to Cuba by the United States government as an undesirable, plans to be big again. Frank had gone to war as an idealist, hoping to rid the world of gangsters like Rocco but now views it as a lost cause.
But as Nora keeps telling Frank, your head may say one thing but your whole life says another. As the tension of being held hostage as a hurricane approaches the sweltering Keys builds, Frank slowly begins to go with his whole life rather than his head, breaking his own personal isolation from the fight he gave up. The turning point comes when Rocco humiliates his former girlfriend Gay Dawn by making her sing for a drink and then refuses to give her one when she comes across.
Claire Trevor gives a great performance as a girl much like Nora who got hooked up with the wrong guy and became a lush. She will have her own turning point when she slips Frank a gun before he takes Rocco and his pals back to Cuba. Lionel Barrymore gives a good performance also as George's disabled father, holding on to his son's memory and his beliefs.
A great score by Max Steiner complements the lonely mood of this film perfectly. Bacall is terrific as she waits for Frank to return against the odds, so she can open up the shutters of her loneliness and let the light in once more. This is a somber and mature film that deserves to be viewed more than once. Bogart and Bacall fans will love this film but find more here than just Bogie and Bacall. A minor masterpiece and one you need to own.
All three of these films are just fabulous in their own ways, and are indeed screen classics. This set of films is for romantics, and no one is more romantic than noir lovers. Humphrey Bogart and Lauren Bacall are the image of a noir couple in the minds of many moviegoers, and they will find a lot to love here with these three magnificent films.
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SAHARA with Humphrey Bogart-High Quality Import Edition-NTSC format-all region
Starring: Lloyd Bridges, Bruce Bennett
Director: Zoltan Korda
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High quality DVD manufactured in South Korea. Original English Dialog. On screen menus are in English and are easy to use. Optional Korean subtitles can be easily turned on or off. Full screen black and white image. Cast includes Humphrey Bogart, Bruce Bennett(who is alive and well at age 100), J. Carroll Naish, Kurt Krueger and Lloyd Bridges. The following review appears in Amazon for the VHS version: "Hollywood made few movies about the desert conflict during World War II--and curiously, two that they did (Five Graves to Cairo is the other) were remakes of films set elsewhere. John Howard Lawson based his script on a prewar Russian film (Lawson would later be blacklisted, incidentally) about a military patrol besieged by Asian bandits. The situation readily lent itself to a wartime parallel and became one of the most engrossing story lines of its era.
A U.S. tank crew and their commander (Humphrey Bogart), separated from the main force, make their way through the desert, accumulating a veritable United Nations of stragglers as they go: a few of Montgomery's tommies (including that old limey Lloyd Bridges) and a towering African (Rex Ingram) and his prisoner--a garrulous Italian (Oscar-nominated J. Carrol Naish) who can't wait to tell his new friends about his relatives in "Peets-a-bourg Pennsylvania." They come upon a ruin, the onetime site of an oasis, and almost immediately find themselves defending it against a small army of Germans who believe there's still water to be had there. Yes and no--there's a biblical wrinkle to this tale--and the standoff between the polyglot democrats and the Nazis who far outnumber them is a fine, sun-baked study in suspense.
For Bogart, this Columbia picture was a rare furlough from Warner Bros., where he always felt embattled. His pleasure must have seeped into his work, because Sgt. Joe Gunn is one of the most sympathetic and heartfelt characterizations the actor ever gave us. This is one good movie. --Richard T. Jameson"
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To Have And Have Not / Dark Passage (Two-Pack)
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ASIN: B0002QO40Y
Release Date: 2004-10-12 |
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To Have and to Hold
Starring: Steve Jacobs , Tchéky Karyo , David Field , Rachel Griffiths , and Anni Finsterer
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ASIN: B00024I16O
Release Date: 2004-07-20 |
Product Description
Great condiion, includes the original DVD, case, and paperwork, fast shipped, ask me for my DVD List! :D
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