Traffik - Miniseries

Starring:Bill Paterson, Lindsay Duncan, Jamal Shah, Talat Hussain, Fritz MÃ¼ller-Scherz, Vincenzo Benestante, Linda Bassett, Knut Hinz, Roedad Khan, Roohi Raza, Shirley Allmond, Sven Walser, Salma Shaheen, Abu Rahi, Karl-Heinz von Hassel, Behroze Sabzwari, Syed Sadiq Shirazi, Bernard Adena, Latif Kapadia, Mohammed Qasim Fani
Director: Alastair Reid
Studio: Acorn Media
Product Type: DVD

Amazon.com essential video

Like The Singing Detective, Alastair Reid's award-winning 1989 British miniseries (broadcast in the U.S. on Masterpiece Theatre) has taken on mythic status. The critical and box-office success of Steven Soderbergh's Oscar®-winning feature-film adaptation paved the way for Traffik's home-video release, and it's an even more gripping and devastating experience. This is understandable in that it unfolds over five riveting hours, allowing for richer characterization. Traffik also operates on a broader canvas, as the interlocking stories play out in such far-flung locales as London and Hamburg, Germany, as well as Pakistan, a reminder that the war on drugs--in this case, heroin--is a global one. Comparisons between the miniseries and the movie are inevitable, and in the role played by Michael Douglas, Bill Paterson (perhaps best known as the lovelorn disc jockey in Comfort and Joy) makes a more convincing bureaucratic Everyman trying to hash out a financial-aid agreement with Pakistan that would eradicate the impoverished farmers' precious poppy crop. His world is shattered when his own daughter (Julia Ormond in her heartbreaking screen debut) becomes an addict. Lindsay Duncan is even more chilling than Catherine Zeta-Jones as Helen, a "housewife" who takes over her husband's smuggling operation when he is arrested. Aware of his illicit activities, she vows, "I'm not going to let go of everything we fought for." In the Don Cheadle role is Fritz Müller-Scherz as Ulli, a crafty and relentless German detective on Helen's case. One tragic story line unique to the miniseries concerns Fazal (Jamal Shah), an impoverished Pakistani farmer who finds work with Tariq Butt (Tallat Hussain), a major drug trafficker. This is one of television's finest hours (or five), and it's impossible not to get caught up in it. --Donald Liebenson

Customer Reviews:

Rather intresting .......2007-01-10

I had to watch the Miniseries for a class and write a 12 page paper on it about one of the characters.... Some points in the movie were long and could have been made shorter and to the point. But over all it was rather intresting and showed the many sides that Heroin Production covers and who it affects and how. From the Drug dealer to the drug user to the Drug Manufacter....

wooh - eyeopening and unforgettable.......2006-12-10

Yikes. The situation is incredibly fubar and it doesn't look to improve given the chaos in the Middle East. I liked this more than the American remake where I couldn't forget the actors playing the roles.

The Absolute Best .......2005-06-01

I originally saw this on Masterpiece Theater in 1990 and was blown away at the quality of this film. I can't say enough positives. I waited so many years until this was finally released on DVD. Anyone who has seen the American film "Traffic" should see this. No comparison.

Definitely better than the Hollywood production.......2004-07-05

I was one of the few people in the world who watched this mini-series before the Hollywood production. I must admit the Hollywood version was excellent as well, considering the fact that it didn't have time to build up on characters. This miniseries is one of the most gripping and well-made productions ever. Although it is six hours long, you don't feel that it is and don't even remember looking at the clock while watching it. The lengths at which the production team has gone through to make sure everything looks authentic is admirable. This mini-series was filmed at a time when Pakistan was struggling with its poppy production. I'm glad to say that Pakistan has successfully rooted out the poppy cultivation within its borders, thanks to efforts made by this movie and the like. However, Afghanistan has more than made up for the loss.
Overall, an excellent movie, except for a few overdone scenes, especially the last dramatic climactic scene.

From a time when C4 produced quality television..........2004-04-22

"Traffik" written by Simon Moore and directed by Alastair Reid is a milestone in recent British television history. It is a beautifully crafted and terrifying vision of the international drugs trade and the effect this trade has on different individuals. It destroys the myth from a Western European viewpoint that heroin begins and ends its life in areas of urban decay and dislocation and gives us an unemotional snapshot of the whole process of its production.
Steven Soderbergh's US adaptation was always going to fail to reach the heights of its British counterpart (although it was a highly worthy effort), and an issue and narrative of this scale needed six hours (at least) to give it gravitas. Each character in "Traffik" is well developed and expertly played: Bill Patterson's Jack Lithgow, the stubborn drugs czar who fails to comprehend the problem he is tasked with solving while simultaneously watching his college educated daughter (Julia Ormond) slip further into heroin addiction; Lindsay Duncan as a drug importer's wife who plays the Lady Macbeth role much more effectively than Catherine Zeta Jones in "Traffic"; Jamal Shah as Fazal, opium farmer turned heroin producer and the closest thing the audience has to having it's conscience openly voiced; Fritz Muller Scherz's single minded Hamburg cop, out to bust the suppliers and dealers no matter what the cost.
One of the main strengths of this mini series is that in never uses too many quick emotional taglines. The viewer is sucked into the storyline of each character and is constantly forced to re-assess their previous assumptions. Fazal is a particularly good example of this. By the final episode we finally see Moore and Reid create some brilliantly gut wrenching moments: Fazal's vengeance for his wife's death against his drug lord patron (Tallat Hussain) via a heroin filled syringe and Jack's final fall and redemption give the series a depth the US version could only aspire to.
The other strengths of the series are too numerous to mention. Aside from the main characters there is excellent support from Linda Bassett, George Kukura, Tilo Pruckner and for my money, Ronan Vibert as Caroline's (Julia Ormaond) drug supplier, Lee.
On the technical front, scenes in Hamburg and London are filtered in a cold cyan while those in Pakistan are given a warm ochre only helping to underline the claustrophobia of the slums and mansions of Karachi and the general corruption that permeates them. Add to this a brilliantly evocative soundtrack you have one of the best drama series to be produced in Britain in many years.

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