Grass: A Nation's Battle For Life

Starring:Marguerite Harrison, Haidar Khan, Lufta, Ernest B. Schoedsack
Director: Ernest B. Schoedsack
Studio: Image Entertainment
Product Type: DVD

Editorial Review:
Description
A classic adventure by the makers of "King Kong." In 1924, neophyte filmmakers Merian C. Cooper and Ernest B. Schoedsack hooked up with journalist and sometime spy Marguerite Harrison and set off to film an adventure. They found excitement, danger and unparalleled drama in the migration of the Bakhtiari tribe of Persia (now Iran). Twice a year, more than 50,000 people and half a million animals surmounted seemingly impossible obstacles to take their herds to pasture. The filmmakers captured unforgettable images of courage and determination as the Bakhtiari braved the raging and icy waters of the half-mile-wide Karun River. Cooper and Schoedsack almost froze when they filmed the breathtaking, almost unbelievable, sight of an endless river of men, women and children--their feet bare or wrapped in rags--winding up the side of the sheer, snow-covered rock face of the 15,000-foot-high Zardeh Kuh mountain.

Grass: A Nation's Battle For Life
Average customer rating:

An astonishing film

And You Thought You Had a Hard Day?

One of best documentaries ever.

GREAT VINTAGE DOCUMENTARY BY KING KONG'S CREATORS

A remarkable document, with message aimed at contemporaries

Grass: A Nation's Battle For Life
Starring: Marguerite Harrison , Haidar Khan , Lufta , and Ernest B. Schoedsack
Director: Ernest B. Schoedsack
Manufacturer: Image Entertainment
ProductGroup: DVD
Binding: DVD

General | Classics | Genres | DVD | Video
General | Documentary | Genres | DVD | Video
World History & Culture | History | Documentary | Genres | DVD | Video
General | Educational | Genres | DVD | Video
( G ) | Titles | Features | DVD | Video
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ASIN: 6305773955
Release Date: 2000-03-28

Description

A classic adventure by the makers of "King Kong." In 1924, neophyte filmmakers Merian C. Cooper and Ernest B. Schoedsack hooked up with journalist and sometime spy Marguerite Harrison and set off to film an adventure. They found excitement, danger and unparalleled drama in the migration of the Bakhtiari tribe of Persia (now Iran). Twice a year, more than 50,000 people and half a million animals surmounted seemingly impossible obstacles to take their herds to pasture. The filmmakers captured unforgettable images of courage and determination as the Bakhtiari braved the raging and icy waters of the half-mile-wide Karun River. Cooper and Schoedsack almost froze when they filmed the breathtaking, almost unbelievable, sight of an endless river of men, women and children--their feet bare or wrapped in rags--winding up the side of the sheer, snow-covered rock face of the 15,000-foot-high Zardeh Kuh mountain.

Customer Reviews:

An astonishing film.......2007-05-08

This is one of the most important films ever made about tribal nomadic life, and the rigors of the filmmaking process make it all the more astonishing. The film does practice a bit of romanticism that was completely unnecessary. It pretends that the Bakhtiari tribe are making their migration as a one-time desperate bid for survival. In fact the Bakhtiari make this 250 km. journey twice every year, and they are still doing it, though they now do some of it by road. The film is inspiring, breath-taking and miraculous for the time it was shot. It belongs in the annals of the best film classics.

And You Thought You Had a Hard Day?.......2006-12-24

You absolutely, positively MUST see this movie. Merion C. Cooper, director of the original (1930's) King Kong & two other Americans filmed this incredible exodus in 1927. With heavy, old camera equipment. In the winter. In the mountains of Iran. By foot and mule. And their subjects are utterly awe inspiring.

I first saw this silent, B&W documentary in 2005. I was right in the middle of packing for a huge, draining household move from the mountains of New Mexico to Texas. My husband was sick, I was utterly exhausted, and I was just 3 days out from the moving company's arrival. I sat down at midnight & caught this on TCM (Turner Classic Movies) and was so inspired I promised to never complain about modern moving again (and I haven't)!

These Iranian tribesman undertake an annual pilgrimage across the most challenging terrain you would ever believe humans could traverse JUST TO GET THEIR ANIMALS TO GRASS. They walk barefoot through the snow. Herding cattle and sheep and horses. With cradles on their backs. And dogs tied to the tops of the animals. They cross freezing meltwaters on inflatable goatskins.

If I hadn't seen it myself, I wouldn't believe it. Anyone with a sense of adventure has got to see this one!!!

One of best documentaries ever........2006-11-12

I first saw the film on the TCM on Silent Sunday Night. I was impressed then and am still impressed. What indurance these people must have.

GREAT VINTAGE DOCUMENTARY BY KING KONG'S CREATORS.......2006-09-18

In the early 1920s, the creators of King Kong, Merian C. Cooper and his partner Ernest B. Schoedseck, were fledgling filmmakers when they shot GRASS: A NATION'S BATTLE FOR LIFE.

In dramatic black and white, silent, with music score added later, this account of the Persian (now Iran) Bakhtiarian tribe's annual migration is as gripping as the like-minded People of the Wind (also available on DVD).

This great companion piece to the later and similar film reveals how minimal the changes -- besides fewer numbers, only 50,000 persons -- in the routines over the intervening 50 years between the films.

I like this film's artistry (Shoedsack's photography) and the bold theatrical sense of Cooper's direction. It's the same journey but with different people and from a more primitive and perhaps more daring perspective.

Unrated. Genre: Adventure documentary. 1 hour, 21 minutes. Director: Merian C. Cooper, Ernest B. Shoedsack and Marguerite Harrison.

A remarkable document, with message aimed at contemporaries.......2005-05-27

This remarkable film easily fits on the same shelf with the finest early documentaries, such as Nanook of the North, Silent Enemy and Man of Aran, whose aim was to capture on film ways of life that were in the process of passing away and now no longer exist. What sets this one apart from the others is that in this film there was a real effort to achieve authenticity and not to create a false (even if "true in spirit") narrative as a backdrop for the plot. In all of the other films mentioned there was a fairly substantial artificiality to the story that was used to retain interest in the material (i.e. they show natives engaging in activities that they no longer engage in, or that they rarely engage in; they set up little dramas; this is something that Schoedsack and Cooper found they needed to do for the success of their next film: Chang; but here they tried to be more naturalistic). In this case, there are two narratives that undergird the document: the story of Schoedsack and Cooper themselves (who remain for the most part in the background) and of the woman who accompanied them (Marguerite Harison); the second is the story of the tribal leader and his young son who will someday take the mantel of the father and lead the villagers along the same journey. While there is some staging of these "stories," it is less complex than in the other films and retains a ring of authenticity -- the boy really will have to become a leader and the crew really did make it across (it is also interesting to note that they include a mark of the authenticity of their journey in the film by filming a signed affidavit from a local authority that they had in fact completed the trek). The real "heroes" of the story, whose actions could not be faked, were the tribe as a whole who had to walk barefoot over snowy mountains to bring their animals to pasture.

In addition to a compelling portrait of a passing way of life, which is full of poignant and witty intertitles and small moments that humanize the massive scope of the operation, the film has a subtext which is to remind American audiences that they have "gone soft" -- that they have lost the hardiness of their pioneer ancestors and that these living people retain it. This is a message that Schoedsack and Cooper remind us of in their subsequent fictional masterpiece: King Kong.

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