Nomads of the North / The Shock

Editorial Review:
Amazon.com
The Man of a Thousand Faces wears his own rugged countenance in this rousing pair of silent melodramas from the early 1920s. Though typically known for his heavily made-up portrayals of monstrous villains and disabled outcasts, Lon Chaney plays the noble leading man in the gorgeously filmed Nomads of the North, adapted from James Oliver Curwood's timeless tale of love and murder on the lush Canadian frontier. Chaney is heroic as he saves his beloved Nanette (Betty Blythe) from a snidely suitor, but he's nearly upstaged by the adorable pets Brimstone and Neela, a black Labrador and brown bear cub (respectively) who survive river rapids, cougars, and the film's climactic (and genuinely dangerous) forest inferno. The Shock finds Chaney in familiar "cripple" mode as an underworld denizen seeking redemption, foiling the dragon queen of San Francisco's Chinatown and winning the heart of a sympathetic beauty. Vague shades of Quasimodo here, and Chaney's follow-up was the classic Hunchback of Notre Dame. --Jeff Shannon
Description
Lon Chaney, one of the most gifted and versatile actors of the silent era, headlines this exciting double bill of action classics. In "Nomads of the North" (1920, 77 min.), three men vie for the love of beautiful Nanette Roland while the majestic north woods become the site for murder, a manhunt, and a raging forest fire. Chaney plays Nanette's true love, Raoul Challoner, who arrives to stop her forced marriage. An accidental death sends the couple fleeing to the north, where lawman Corporal O'Connor (Lewis Stone) doggedly pursues them--and the mayhem begins. Then, Chaney portrays dope-peddling, safecracking, handicapped hoodlum Wilse Dilling in "The Shock" (1923, 89 min.), a gripping gangster yarn. Dragging himself from the darkness of Chinatown to the redemptive sunlight of the countryside, Dilling turns away from his life of crime but finds himself pulled back when the father of the woman he loves is blackmailed. Drawn into a whirlpool of vice and intrigue, Dilling fights to retain his humanity as the film careens to a spectacular, earth-shaking climax.
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Nomads of the North / The Shock
Starring: Lon Chaney , Lewis Stone , Melbourne MacDowell , Spottiswoode Aitken , and Betty Blythe Director: David Hartford , and Lambert Hillyer Manufacturer: Image Entertainment ProductGroup: DVD Binding: DVD Similar Items:
ASIN: B0000687D6 Release Date: 2002-07-30 |
Amazon.com
The Man of a Thousand Faces wears his own rugged countenance in this rousing pair of silent melodramas from the early 1920s. Though typically known for his heavily made-up portrayals of monstrous villains and disabled outcasts, Lon Chaney plays the noble leading man in the gorgeously filmed Nomads of the North, adapted from James Oliver Curwood's timeless tale of love and murder on the lush Canadian frontier. Chaney is heroic as he saves his beloved Nanette (Betty Blythe) from a snidely suitor, but he's nearly upstaged by the adorable pets Brimstone and Neela, a black Labrador and brown bear cub (respectively) who survive river rapids, cougars, and the film's climactic (and genuinely dangerous) forest inferno. The Shock finds Chaney in familiar "cripple" mode as an underworld denizen seeking redemption, foiling the dragon queen of San Francisco's Chinatown and winning the heart of a sympathetic beauty. Vague shades of Quasimodo here, and Chaney's follow-up was the classic Hunchback of Notre Dame. --Jeff ShannonDescription
Lon Chaney, one of the most gifted and versatile actors of the silent era, headlines this exciting double bill of action classics. In "Nomads of the North" (1920, 77 min.), three men vie for the love of beautiful Nanette Roland while the majestic north woods become the site for murder, a manhunt, and a raging forest fire. Chaney plays Nanette's true love, Raoul Challoner, who arrives to stop her forced marriage. An accidental death sends the couple fleeing to the north, where lawman Corporal O'Connor (Lewis Stone) doggedly pursues them--and the mayhem begins. Then, Chaney portrays dope-peddling, safecracking, handicapped hoodlum Wilse Dilling in "The Shock" (1923, 89 min.), a gripping gangster yarn. Dragging himself from the darkness of Chinatown to the redemptive sunlight of the countryside, Dilling turns away from his life of crime but finds himself pulled back when the father of the woman he loves is blackmailed. Drawn into a whirlpool of vice and intrigue, Dilling fights to retain his humanity as the film careens to a spectacular, earth-shaking climax.Customer Reviews:
The great Chaney.......2007-01-11
Wilderness and God.......2006-09-04
Two great films with a great actor!.......2004-06-29
"Nomads of the North" has many lovely scenes of the Canadian wilderness and for animal lovers there are several nice scenes of a cute bear cub playing with a puppy who are Chaney's two companions in the wilderness. In the midst of this nice scenery, a rather complicated situation develops when he is wanted for the accidental death of a man, and his beloved Nanette helps him escape to a life on the run together. It has a few moments of suspense as he is almost caught and you keep hoping he won't be, and although the ending might be predictable to some, it's still very rewarding viewing.
The second film, "The Shock" is my favourite, mainly due to more suspense and twists and turns, as well as Chaney's excellent portrayal of a cripple working for an underworld "queen" in Chinatown whom he later disobeys. His life is changed by Gertrude, the woman he falls in love with, and he determines to change the outcome of the underworld queen's plans. There is a surprising dramatic climax at the end, and although it's only a short film of just over an hour, it feels like you've watched quite a dramatic epic.
Both films are digitally mastered and the picture quality is very good throughout, and the music is by Robert Israel. I found it especially good in "Nomads of the North", to which Israel plays a Fotoplayer - an instrument created to accompany silent films - and it includes various sounds for special effects. "The Shock" has the more standard, but also very good, orchestral musical score. I've really enjoyed both these films, both on their own and because of Lon Chaney, and recommend them to anyone who enjoys a quality silent film.
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