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Director: Rafal Zielinski, David Greene, Elliot Silverstein
Studio: Lions Gate
Product Type: DVD

Star Wars - Episode III, Revenge of the Sith (Widescreen Edition)

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"So this is how liberty dies. With thunderous applause."
STAR WARS It's Best.
An EPIC end to the Star Wars EPIC
Star wars Fanatic
what a load of garbage

Star Wars - Episode III, Revenge of the Sith (Widescreen Edition)
Starring: Ahmed Best , David Bowers (II) , Silas Carson , Keisha Castle-Hughes , and Hayden Christensen
Manufacturer: 20th Century Fox
ProductGroup: DVD
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Similar Items:

Star Wars - Episode I, The Phantom Menace (Widescreen Edition)
Star Wars - Episode II, Attack of the Clones (Widescreen Edition)
Batman Begins [HD DVD]
Harry Potter and the Goblet of Fire (Two-Disc Special Edition) (Harry Potter 4)
Star Wars Trilogy (Widescreen Edition with Bonus Disc)

ASIN: B00005JLXH
Release Date: 2005-11-01

Product Description

The Star Wars saga is now complete on DVD with Episode III REVENGE OF THE SITH. Torn between loyalty to his mentor, Obi-Wan Kenobi, and the seductive powers of the Sith, Anakin Skywalker ultimately turns his back on the Jedi, thus completing his journey to the dark side and his transformation into Darth Vader. Experience the breathtaking scope of the final chapter in spectacular clarity and relive all the epic battles including the final climactic lightsaber duel between Anakin and Obi-Wan.

System Requirements:
Starring: Ewan McGregor, Natalie Portman, Hayden Christensen, Ian McDiarmid, Samuel L. Jackson, Christopher Lee
Directed By: George Lucas
Running Time: 140 Min.

Format: DVD MOVIE

Amazon.com

Ending the most popular film epic in history, Star Wars: Episode III, Revenge of the Sith is an exciting, uneven, but ultimately satisfying journey. Picking up the action from Episode II, Attack of the Clones as well as the animated Clone Wars series, Jedi Master Obi-Wan Kenobi (Ewan McGregor) and his apprentice, Anakin Skywalker (Hayden Christensen), pursue General Grievous into space after the droid kidnapped Supreme Chancellor Palpatine (Ian McDiarmid).

The Star Wars Family Tree (click for larger image)

It's just the latest maneuver in the ongoing Clone Wars between the Republic and the Separatist forces led by former Jedi turned Sith Lord Count Dooku (Christopher Lee). On another front, Master Yoda (voiced by Frank Oz) leads the Republic's clone troops against a droid attack on the Wookiee homeworld of Kashyyyk. All this is in the first half of Episode III, which feels a lot like Episodes I and II. That means spectacular scenery, dazzling dogfights in space, a new fearsome villain (the CGI-created Grievous can't match up to either Darth Maul or the original Darth Vader, though), lightsaber duels, groan-worthy romantic dialogue, goofy humor (but at least it's left to the droids instead of Jar-Jar Binks), and hordes of faceless clone troopers fighting hordes of faceless battle droids.

But then it all changes.

Star Wars Time Line (click for larger image)

After setting up characters and situations for the first two and a half movies, Episode III finally comes to life. The Sith Lord in hiding unleashes his long-simmering plot to take over the Republic, and an integral part of that plan is to turn Anakin away from the Jedi and toward the Dark Side of the Force. Unless you've been living under a rock the last 10 years, you know that Anakin will transform into the dreaded Darth Vader and face an ultimate showdown with his mentor, but that doesn't matter. In fact, a great part of the fun is knowing where things will wind up but finding out how they'll get there. The end of this prequel trilogy also should inspire fans to want to see the original movies again, but this time not out of frustration at the new ones. Rather, because Episode III is a beginning as well as an end, it will trigger fond memories as it ties up threads to the originals in tidy little ways. But best of all, it seems like for the first time we actually care about what happens and who it happens to.

Episode III is easily the best of the new trilogy--OK, so that's not saying much, but it might even jockey for third place among the six Star Wars films. It's also the first one to be rated PG-13 for the intense battles and darker plot. It was probably impossible to live up to the decades' worth of pent-up hype George Lucas faced for the Star Wars prequel trilogy (and he tried to lower it with the first two movies), but Episode III makes us once again glad to be "a long time ago, in a galaxy far, far away." --David Horiuchi

DVD features
Say what you will about the new Star Wars films--and plenty has been said already--but the DVDs continue to set the standard for technical excellence. From the opening of the first scene, the Dolby 5.1 EX sound is thrilling, and the picture, transferred directly from the digital source, is fantastic. A commentary track is again provided by a combination of people, including George Lucas, producer Rick McCallum, animation director Rob Coleman, and ILM visual effects supervisors John Knoll and Roger Guyett. Lucas admits that the film is political and that he was influenced by Vietnam, but makes no mention of the Bush administration, as is widely speculated.

The main documentary on the second disc is probably the most granular DVD feature ever. "Within a Minute: The Making of Episode III" takes 67 minutes to deconstruct one minute of the film, an excerpt of the duel on Mustafar. The idea is to cover all the aspects that go into creating that minute, from writing to set construction to accounting. Fortunately, many of the concepts such as costumes apply to the movie as a whole, but having producer Rick McCallum tell us the importance of food seems a bit overkill. Two other featurettes are "It's All for Real: The Stunts of Episode III," an 11-minute discussion focusing mainly on the lightsaber duels, and "The Chosen One," a 14-minute examination of Darth Vader's evolution over the six films.

The six deleted scenes were no great loss from the film but are all worth watching. Natalie Portman in particular gets some much-needed screen time as one of the co-plotters of an anti-Palpatine movement, and an early action scene ties in to the Clone Wars animated series. There's also a 15-part series of 5 to 7 minute Web documentaries on topics such as the creation of General Grievous and Ewan McGregor, and an Xbox sampler of Battlefront II (if you're lucky, you can play as Obi-Wan Kenobi cutting through an army of droids) among other supplements. --David Horiuchi

The Complete Star Wars Saga

Episodes 4-6 Trilogy (widescreen)
Episode I: The Phantom Menace
Episde II: Attack of the Clones

Star Wars: Clone Wars Vol. 1
Star Wars: Clone Wars Vol. 2
The Star Wars Store

Stills from Episode III: Revenge of the Sith (click for larger images)

Anakin turning to the dark side
When Wookiees attack

Yoda, Jedi master
Mr. and Mrs. Vader

Saber training with Ewan McGregor and Hayden Christensen
The cast

Customer Reviews:

"So this is how liberty dies. With thunderous applause.".......2007-07-05

Taking place some five years after STAR WARS EPISODE II: THE ATTACK OF THE CLONES, STAR WARS EPISODE III: THE REVENGE OF THE SITH is the final act in the transformation of Anakin Skywalker into Darth Vader.

As SITH opens, the Battle of Coruscant is raging. The Separatists, led by Count Dooku, along with a droid army led by the mechanical General Grevious, have finally penetrated to the heart of the Galactic Republic and taken Chancellor Palpatine hostage. The dwindling Jedi Order has assigned Obi-Wan Kenobi (Ewan McGregor) and Anakin Skywalker (Hayden Christiansen), now a full-fledged Jedi Knight and secretly married to Padme Amidala (Natalie Portman), to rescue Palpatine.

What the combatants on neither side know is that Palpatine is secretly the Sith Lord Darth Sidious and that Count Dooku is his Sith apprentice, Darth Tyranus. Sidious and Tyranus are working together to undermine the Republic. And in fact, the Republic is dry-rotting away from within: The Galactic Senate has become a rubber stamp body almost completely controlled by Palpatine, who, unopposed, continually and unilaterally extends his term of office as Chancellor "for the duration of this crisis"; more remote solar systems are acting independently; there are even the first faint stirrings of the Rebellion---"Maybe we're on the wrong side. Maybe the democracy we think we're supporting is already gone," Padme tells her young husband. Anakin, who has developed a close relationship with the Chancellor, is appalled to hear his wife's words.

His rescue gives Palpatine the opportunity to order the death of Dooku, now a potential rival and the only other man in the galaxy who knows the truth behind the Clone Wars; Dooku is neatly dispatched by Anakin, who decapitates him with crossed lightsabers. This killing of a literally unarmed man (Anakin had just cut Dooku's hands off at the wrists in their lightsaber battle) troubles Anakin profoundly: "It's not the Jedi way."

Perhaps not; but Anakin is universally lauded for his heroic rescue of the Chancellor, who is not the only man to tell him that Dooku was too dangerous to be left alive. Skywalker's star is rising, but as it rises it is drawn further and further into a sky dominated by Palpatine, who is already grooming him as the next Sith Lord.

George Lucas has returned once again to his underlying structure of archetype and myth to show us Anakin's downfall. Steeped in Judeo-Christian (primarily Christian) metaphor, REVENGE OF THE SITH is the story of the Prodigal Son, the Fall of Man, and Milton's PARADISE LOST. Anakin has become Lucifer, brightest of all the angels, doomed to be expelled from heaven. No longer an apprentice, and recognized to be the most gifted of the Jedi, Anakin has become arrogant, and indeed "pride goeth before the Fall," never more so than in the cinematic life of Anakin Skywalker. Ironically, it is the Jedi themselves who initiate the slow cascade that destroys Anakin. Placed on the Jedi Council by Palpatine's request (a previously unheard-of act), the Jedi consider Anakin to be a spy for the Chancellor and unwisely attempt to marginalize him by refusing him the rank of Master. At the same time however, the Council asks Anakin to spy on the Chancellor. These two acts in quick succession convince Anakin that Palpatine's blandishments are correct, that the Jedi mean to overthrow the government.

Palpatine, the serpent in the garden, also plays on Anakin's fears. Having seen in a vision that Padme dies in childbirth (she is carrying the twins Luke and Leia), Anakin is frantic to do anything to keep this vision from becoming reality, including studying the Dark Side arts which Palpatine falsely assures him, include the arcane power to defeat death. Anakin's soul stands upon a knife's edge, and most bitterly, it is his love for Padme which drives him finally into the darkness. At the same time, Anakin wants more than anything to live up to his brilliant potential as a Jedi. He reconciles with Obi-Wan and reports to the Council that Palpatine is the hidden Sith Lord they have been seeking. When the Jedi come to kill Palpatine, it is Anakin who demands that Master Mace Windu (Samuel L. Jackson) spare his life for trial. Momentarily distracted, Windu is caught unawares as the Chancellor blasts him with Force lightning, killing him. Although the young Jedi screams, "What have I done?" he also falls to his knees and does obeisance to the revealed Darth Sidious, who gives him a new name: Darth Vader.

This handsome, young Darth Vader is far different and far more frightening than he later becomes as the black-clad armored giant of the second trilogy. Without questioning his Sith Master, he goes to the Jedi temple and slaughters all the occupants, including the youngling students. The unwary Separatist leaders, having outlived their usefulness to the newly-declared Emperor, are slain. The Jedi are decimated. Only Obi-Wan, Yoda and a very few others escape with their lives. The Sith have their revenge. They are triumphant.

Drunk with the power of the Dark Side, Anakin offers Padme the chance to rule the galaxy side by side with him, the selfsame offer he makes to Luke much later in RETURN OF THE JEDI. Like her not-yet-born son, she refuses, and her refusal enrages him. Convinced that she and Obi-Wan have conspired against him, he uses the power of the Force to choke the now very pregnant Padme into unconsciousness. Occurring at the very beginning of his existence, this venial act is, in it's own way, the worst evil that Darth Vader ever perpetrates: The infliction of pain on his own beloved Padme marks his deepest descent into the abyss of the Dark Side.

Darth Vader is in hell, both figuratively and literally. The climactic lightsaber battle of the first trilogy takes place between Obi-Wan and Darth Vader on the planet of Mustafar. Very much like Earth at its birth, Mustafar is a barely-formed planet of steaming lava oceans, boiling magma geysers, and flame. In his defeat, Darth Vader is burned beyond recognition.

Padme gives birth but dies of a broken heart. In her last words to Obi-Wan she presages Luke's words to Obi-Wan almost twenty years later: "I know there is still good in him." And there may well be. Rescued by the Emperor, Darth Vader is cloaked in the blackness which thereafter defines him. It is telling that the first words he utters behind the breath mask which will be his identity until the last moments of his life concern Padme. And the seeming kindness of the Emperor in saving him is exposed as an evil act when the Emperor lies. Palpatine's sardonic smile at this instant may be the most wicked thing to ever appear onscreen. Darth Vader must live with the guilt that he has killed the love of his life. In his guilt he becomes more pliable to the Emperor, more a prisoner to his own sense of hopelessness. With nothing to live for, he gives full rein to his worst impulses. Yet, even with his embrace of evil, Darth Vader is no longer just the faceless Sith Lord of the second trilogy, he is a profoundly impassioned, profoundly sensitive, and profoundly flawed human being.

Although we last see them together gloating over the spherical keel of the barely-begun first Death Star, it is the heart cry that Vader utters at the moment the breath mask is locked down and his bleak, "But I couldn't have!" which remain with the viewer. In the end, Darth Vader is a man consumed by his own loneliness.

As myth, REVENGE OF THE SITH is brilliantly conceived. The myth of Anakin is linked, thematically and in plotline with the myth of Luke. Many of the same lines of dialogue create echoes with the viewer. The loss of the hand---Anakin's to Dooku, Dooku's to Anakin, Luke's to Vader and Vader's to Luke---is a consistent unifying thread, the hand being the seat and instrument of action. And as each fallen Jedi becomes a Sith, there is a depersonalization process that occurs: Darth Maul is marked with Sith tattoos, obscuring his face; Darth Sidious's face is scarred in his battle with Mace Windu; Darth Vader's face is hidden; Darth Tyranus in fact loses his face entirely.

As a cinematic experience, it is less than brilliantly executed. Hayden Christiansen perfectly captures the superciliousness of the maturing Anakin. No longer trepidatious in the face of authority, Christiansen's Anakin Skywalker is rift with the fault lines that will produce Darth Vader in the end. Natalie Portman's Padme Amidala has grown from a beautiful teenage Queen into a lush woman who radiates intelligence, self-assurance, and compassion. The remaining performances are workmanlike but unextraordinary. Ewan McGregor's Obi-Wan Kenobi remains stentorian and immaculate, never exhibiting the humanity---flawed or otherwise---that motivates his fellow Jedi Knight and friend.

George Lucas takes yet another step toward convincing the world that he is a second-tier moviemaker who happens to employ first tier film technicians. His obsessive overuse of CGI and digital effects throughout the second trilogy, even to the point of altering the actors' expressions, prompted Liam Neeson (Qui-Gon Jinn) to make this complaint about his STAR WARS experience: "We are basically puppets. I don't think I can live with the inauthenticity of movies anymore." Lucas seems to have forgotten (if he ever knew) that plot, story and characterization are the underpinnings of any good movie. REVENGE OF THE SITH succeeds because the tale of the downfallen, unredeemed Darth Vader is a seminal story in our collective subconscious. Lucas's layers of computer-generated hoo-hah don't look as convincing as the relatively simple effects of the original STAR WARS, and in fact, they become distracting. The final battle on Mustafar is so heavily enhanced that McEwen and Christiansen (or possibly their digital equivalents) get lost against the background. Special effects can be wonderful. They allow moviemakers to do what would otherwise be impossible. But there is such a thing as too much of a good thing. Lucas's unwillingness to recognize this degrades this second trilogy badly. These films, as good as they are, lack the cultural impact of the first three STAR WARS films.

STAR WARS It's Best........2007-07-05

as aniken progresses through the jedi order, his ever growing taste for power increases. at the end of the clone wars he abandons the jedi and joins the sith under the mis-guided idea that his new power can save the ones he loves from death. after almost 30 years of fandom, movies, books and video games, the legendary sci-fi fantasy adventure has its secrets revealed and brings the saga to a close.

An EPIC end to the Star Wars EPIC.......2007-06-29

I did have a bit of a problem believing Anakin's change to the darkside. I realize that the Emperor was supposed to be very charismatic, but it seems Anakin's own lack of intelligence is what allowed him to turn as much as anything.

That having been said, I felt like the turn was still believable. Just not one I enjoyed.

Other aspects of this movie were simply incredible! The special effects were off the chart. The plot at its base was enjoyable and the characters were just wonderful.

Though it was a satisfying "conclusion" to the epic, this movie left me wanting more Star Wars!

Star wars Fanatic.......2007-06-26

I have the entire collection. Saw the first movie in 1977 in Toronto at the largest theatre on the first day. In the early nineties my friends and I used to have star wars marathon movie days where we would watch episodes 4,5 &6 back to back for 10 hours plus of Star Wars. A Genre that defined an entire generation of movie goers. Long live the empire. Long live Lucasfilm

what a load of garbage.......2007-05-30

Old George must have been high on cleaning fluid when he made this mess, how this is supposed to tie into the original 3 movies begs belief.
For a start the prequel technology is far more sophisticated than the sequels, the look of the films makes it look as though they should actually have been the other way around.
When you look at the lightsabre dules in the prequels, you have all the these guys flying around, yet in the sequels its more like sword fights from El Cid.
Whats with all the sytuff flying around in the background, its distracting from the movie and makes you dizzy as hell, total over-use of
special effects, and as for the acting of Hayden and Natalie Portman, amateurish would be an understatement.
The same can be said for the other 2 prequels, this just goes to show Star War fans like Trekkies will buy into anything.

Star Wars - Episode I, The Phantom Menace (Widescreen Edition)

Average customer rating:

"I'm a person. And my name is Anakin."
hmmm...give my baby nephew this i will (smiles)
I've discovered something revolutionary!
Star Wars I
The best of the new

Star Wars - Episode I, The Phantom Menace (Widescreen Edition)
Starring: Pernilla August , Kenny Baker , Brian Blessed , Ralph Brown , and Anthony Daniels
Director: George Lucas
Manufacturer: 20th Century Fox
ProductGroup: DVD
Binding: DVD

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Star Wars - Episode II, Attack of the Clones (Widescreen Edition)
Star Wars - Episode III, Revenge of the Sith (Widescreen Edition)
Star Wars Trilogy (Widescreen Edition with Bonus Disc)
Star Wars Trilogy (Widescreen Edition Without Bonus Disc)
Star Wars Episode VI - Return of the Jedi (1983 & 2004 Versions, 2-Disc Widescreen Edition)

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Star Wars Jedi Knight 2: Jedi Outcast
Star Wars Jedi Knight 2: Jedi Outcast Collectors Edition

ASIN: B00003CX5P
Release Date: 2005-03-22

Amazon.com

"I have a bad feeling about this," says the young Obi-Wan Kenobi (played by Ewan McGregor) in Star Wars: Episode I, The Phantom Menace as he steps off a spaceship and into the most anticipated cinematic event... well, ever. He might as well be speaking for the legions of fans of the original episodes in the Star Wars saga who can't help but secretly ask themselves: Sure, this is Star Wars, but is it my Star Wars? The original elevated moviegoers' expectations so high that it would have been impossible for any subsequent film to meet them. And as with all the Star Wars movies, The Phantom Menace features inexplicable plot twists, a fistful of loose threads, and some cheek-chewing dialogue. Han Solo's swagger is sorely missed, as is the pervading menace of heavy-breather Darth Vader. There is still way too much quasi-mystical mumbo jumbo, and some of what was fresh about Star Wars 22 years earlier feels formulaic. Yet there's much to admire. The special effects are stupendous; three worlds are populated with a mélange of creatures, flora, and horizons rendered in absolute detail. The action and battle scenes are breathtaking in their complexity. And one particular sequence of the film--the adrenaline-infused pod race through the Tatooine desert--makes the chariot race in Ben-Hur look like a Sunday stroll through the park.

Among the host of new characters, there are a few familiar walk-ons. We witness the first meeting between R2-D2 and C-3PO, Jabba the Hutt looks younger and slimmer (but not young and slim), and Yoda is as crabby as ever. Natalie Portman's stately Queen Amidala sports hairdos that make Princess Leia look dowdy and wields a mean laser. We never bond with Jedi Knight Qui-Gon Jinn (Liam Neeson), and Obi-Wan's day is yet to come. Jar Jar Binks, a cross between a Muppet, a frog, and a hippie, provides many of the movie's lighter moments, while Sith Lord Darth Maul is a formidable force. Baby-faced Anakin Skywalker (Jake Lloyd) looks too young and innocent to command the powers of the Force or wield a lightsaber (much less transmute into the future Darth Vader), but his boyish exuberance wins over skeptics.

Near the end of the movie, Palpatine, the new leader of the Republic, may be speaking for fans eagerly awaiting Episode II when he pats young Anakin on the head and says, "We will watch your career with great interest." Indeed! --Tod Nelson

Description

Feature-Length Audio Commentary
The creators of Episode I give you insight into the film like no one else can. Hear from: writer/director George Lucas, Producer Rick McCallum, sound designer and film co-editor Ben Burtt, ILM animation director Rob Coleman and ILM visual effects supervisors John Knoll, Dennis Muren and Scott Squires.

"The Beginning"
Making Episode I Documentary Film
Culled from over 600 hours of behind-the-scenes footage, this all-new hour-long documentary film takes you inside Lucasfilm and Industrial Light & Magic during the making of The Phantom Menace. Sit in on the film's production process including: pre-production, casting, principal photography, editing, rough-cut reviews, visual effects meetings and other events that few people have had access to before.

Exclusive Deleted Scenes and Documentary
All-new documentary featuring George Lucas, Rick McCallum and guests discussing the painstaking process every director must go through in determining what scenes make the final cut. View seven exclusive deleted sequences that were created specifically for this DVD and learn why they were eliminated from the final version of the film.

Multi-Angle Animatics
Discover the amazing techniques used to create two memorable sequences (Submarine and Podrace Lap 1) from storyboards to animatics to final composites.

Featurettes
Five mini-documentaries give you an insider's look at The Phantom Menace's Storyline, Design, Costumes, Visual Effects and Fight sequences through behind-the-scenes footage and interviews with the cast and filmmakers.

Web Documentaries
Originally released on starwars.com during the production of Episode I, this award-winning twelve-part web documentary series gives you a fly-on-the-wall perspective into the making of the film as it was happening.

Exclusive Production Photo Gallery
Scroll through a never-before-seen gallery of candid cast and crew shots, each with captions.

"Duel of the Fates" Music Video
One of the most popular music videos during its release in May 1999, the "Duel of the Fates" video intertwines live footage of John Williams conducting the London Symphony Orchestra with behind-the-scenes clips and dramatic footage featured in Episode I.

Posters and Print Campaign
Examine the Episode I theatrical posters (Teaser and Launch) and the International Outdoor advertising used to support the release of Episode I around the world.

Trailers and TV Spots
Watch the theatrical teaser and launch trailers, plus seven TV spots (including the five original "Tone Poems" along with "The Saga Begins" and "All Over Again").

"Star Wars: Starfighter-The Making of a Game" from LucasArts
This featurette offers insight into the making of the popular flight action combat game along with information on other Star Wars games from LucasArts.

Exclusive DVD-ROM Content
Your Episode I DVD is a key that unlocks exclusive Star Wars content only available through a special DVD-ROM website.

Customer Reviews:

"I'm a person. And my name is Anakin.".......2007-06-22

STAR WARS EPISODE I: THE PHANTOM MENACE would have had to have been beyond perfect to survive the almost twenty years of fan anticipation and the avalanche of hype it was met with. When released in 1999, reactions to THE PHANTOM MENACE were very mixed. Disappointed (even embittered) fans claimed that George Lucas had created THE PHANTOM MENACE merely to cash in on the STAR WARS franchise---as if he needed to "cash in" on what had already become a multibillion dollar enterprise. As a result, the whole "prequel" trilogy got a bad reputation, none worse than this film.

Revisiting it years later, after all the shouting has died down, THE PHANTOM MENACE seems far better than it did upon its release. It doesn't measure up to any of the films of the original trilogy. It may in fact be the weakest film of the sextet. THE PHANTOM MENACE suffers from the same mistaken approach that George Lucas has adopted toward his "improved" versions of the original films. THE PHANTOM MENACE has most of the same shortcomings, particularly the (very common) sci-fi bugaboo of using a film to showcase special effects. Lucas gave us a truly Shakespearean tale in the first trilogy, and incidentally set it "a long, long time ago, in a galaxy far, far away." The spaceships, the ray guns, and the alien life forms propelled the story, but they were NOT the story.

Lucas wants to show us all kinds of new, colorful, and beautiful visions in THE PHANTOM MENACE, and he does, but at great expense to the storyline, which meanders all the way from Point A to Point A Prime in this installment.

There's even greater expense to the characterizations. We could relate to Luke, Leia, Han, See Threepio and Artoo Detoo in the first trilogy because they were like us in so many ways. Han Solo especially served to ground the STAR WARS universe in familiarity. Han's "scoundrel" energy was very central to the success of the original movies.

There isn't a lovable scoundrel in THE PHANTOM MENACE. Lucas does give us some truly interesting new characters, but they're alien (both literally and figuratively) and we hardly get to know them.

The young Queen of Naboo, Padme Amidala (played by Natalie Portman, one of the beautiful new visions in this film) is oft-times regally remote, and somewhat mysterious. Her lookalike decoy is played by Keira Knightley (another beautiful new vision), and it is truly difficult to tell them apart at times.

Although Portman's Amidala shows herself to be clearly a warm, open, and sympathetic character, by the end of THE PHANTOM MENACE we know much less about her than we do about her cinematic daughter, Princess Leia, in A NEW HOPE.

Young Anakin Skywalker (Jake Lloyd) is a slave-child on Tatooine. An inventor and a gifted pilot even at the age of eight, he is so bright-eyed and kindhearted ("Someday, I'll come back here and free all the slaves") that it is difficult to reconcile this gentle little boy who cries for his mother with the horrific Darth Vader he eventually becomes.

The Jedi Council initially refuses to allow Anakin to be trained as a Jedi ("There is much fear in you, young one," says Yoda). We never really see his fear or feel it. Nor do we get much more than a glimmer of the rage and anger he must feel as a slave. Watto, his owner, is a straw boater wearing, comical-looking flying bumblebee/vulture who speaks with a vaudeville Italian accent. Simon Legree should not be doing stand-up. By making Watto a figure of fun, Lucas fails to either underscore the weaknesses of the Galactic Republic, or presage its descent into darkness.

Essentially, we have only the criticisms of the Jedi Masters to go on in consigning young Anakin to the Minus Column. It just isn't enough, especially when he wins the high stakes podrace that is the main act of the story (the stakes being his own freedom), and is eventually responsible for firing the well-placed shot that defeats the enemy in battle (like his cinematic son, Luke).

The oddly mismatched love between the prepubescent Anakin and the much older teenaged Padme comes out of nowhere, with hardly a forethought (Anakin's shy question to the girl at their first meeting---"Are you an angel?"---is the only indicator of what later blossoms).

Likewise, Lucas utterly wastes two of his most intriguing characters, the iconoclastic Jedi, Qui-Gon Jinn, and the truly satanic Darth Maul. Qui-Gon is wise. Qui-Gon is skilled. Qui-Gon should have been Obi-Wan's Obi-Wan and Anakin's ally. But although Qui-Gon is instrumental in freeing Anakin from bondage, he never develops a truly affectionate (Obi-Wan and Luke-type) relationship with the boy, seeming more interested in him as raw material for Jedi training.

The silent Darth Maul, (the evil lord of shopping centers) with his horned black-and-red face, twin-ended lightsaber, glowing sulfur-yellow eyes, kendo-style fighting technique, and flowing black robes is potentially a figure as memorable and frightening as Darth Vader, but both he and Qui-Gon die in battling one another; and so a fascinating second trilogy dynamic between good and evil dies with them.

Added to these missed opportunities are odd inconsistencies between THE PHANTOM MENACE and the original trilogy. See Threepio turns out to have been built by Anakin on Tatooine, but then why didn't the droid recognize Tatooine or the name "Skywalker" in A NEW HOPE? Although Ben Kenobi claims to have been trained by Yoda in THE EMPIRE STRIKES BACK, he is clearly Qui-Gon's student in THE PHANTOM MENACE. Tatooine is ruled by the Hutts in this film, but not in the original trilogy. Although Anakin's mother references Tatooine's twin suns, they're never seen together in the sky.

Clearly, Lucas couldn't have reworked the original films after 20 years to fit all these elements in THE PHANTOM MENACE. Their inclusion here is a sign of his hubris. Why not just be true to the original? Clearly, his desire to make these changes overrode any considerations of film continuity and audience expectations. George Lucas isn't really trying to give us a better cinematic experience here, he's just totally into playing with his favorite toys. It's a form of selfishness.

Possibly the worst of Lucas's new ideas is the Social Darwinist/Nazi race theory concept of a high "midichlorian" count giving rise to greater Force sensitivity. Anakin has a mythic virgin birth due to the midichlorians, a bad twist to the tale when one considers that Lucas could have underscored the horrors of slavery by having Anakin fathered by a freeborn man who exploited Shmi Skywalker's position as a slave. Here, once again, the film fails to foreshadow the lawlessness and unethical evils of the rising Galactic Empire.

STAR WARS isn't sociology, but it's insistence on touching universal themes is what made it so wildly successful. The first trilogy was constructed entirely upon the foundation of our shared collective subconscious. Lucas loses that thread in this film.

The inclusion of the midichlorian factor means that the Jedi are no longer a highly-trained spiritual fraternity. They've become racially superior to the rest of us. If ever he re-edits THE PHANTOM MENACE, the midichlorians must end up on the cutting room floor. Sorry, but as ideas go, this one just stinks.

And speaking of stinks, Lucas also brought us the ridiculous Jar-Jar Binks and his race of Rastafari amphibians, the Gungans (Ganja, anyone?). Jar-Jar Binks is a technically interesting additional character, being primarily a CGI character; but he adds nothing (and detracts much) from the film with his distracting brainless chatter, clumsiness, and utter stupidity. If Lucas thought that this duckbilled dunce would provide comic relief, he was wrong. See Threepio and Artoo Detoo serve that purpose in the first trilogy and should have continued to do so in THE PHANTOM MENACE. Jar-Jar merely irritates the viewer, particularly given that he appears throughout the film, not just in a few scenes. He's merely filler. As filler, he's a sign that Lucas wasn't imaginative enough to use THE PHANTOM MENACE's screen time to its best advantage by progressing the storyline.

Binks may be the only character ever that inspired a website advocating his destruction, the aptly-named www.Jarjarbinksmustdie.com. What was George Lucas thinking when he gave us the jarring Jar-Jar?

THE PHANTOM MENANCE is uneven and inconsistent and suffers from some poor scriptwriting and too many missed opportunities. These reduce the film, but do not ruin it. Despite its weaknesses and flaws, THE PHANTOM MENACE is a solid THREE STAR effort. It is essential to the telling of the tale, and leaves us considering what's next?

In that regard, THE PHANTOM MENACE is as successful as any film can be. It finally gives us the entertaining and engaging introduction to that long time ago and far away galaxy we've come to know and love.

hmmm...give my baby nephew this i will (smiles).......2007-06-21

yeah its was ok but definetly for the younger kids. i guess it goes along with the theme of Aniken Skywalker is also a kid. the next 2 are much better. there's just too much comic relief in this one for an adult.

I've discovered something revolutionary!.......2007-06-13

Hey, folks! I don't know about you, but I've realized something extraordinary! Yoda is a HERETIC! How is this possible, you may ask? Well, here's how. You see, in this highly-anticipated prequel, Quack-Gonn Jinn explains the force to Anakin Snobbwalker. He explains how the force is really just a bunch of microorganisms (similar to sweat) that live in your cells and boss you around. However, in Episode V, Yoda (who in Episode I looks like a monkey) claims that the force is something that surrounds every living thing (something like that). If Yoda is a heretic, that means he's bad. If he's bad, then why do you see him with the good jedi at the end of Episode VI? Meeesa have bad feelzing about this. Can you guess who meeesa is? Youssa right! Issa meeesa, I'mgonnahityouovertheheadwithajellyjar-jar-Bonks.

I am Qui-Gonn Jinn. I am a stone-faced, mature Jedi Master, yet I enjoy the presence of my friend Jar-Jar-Binks more than my audience.

Jar-Jar - Exqueese me! You saved my life! Meeesa your servant for life!

Qui-Gonn - Yes, Jar-Jar. If I were in my right mind, I would slash you with my lightsaber until I could see the individual atoms that you're made of. However, I'm never in my right mind, so I will bear with your company. What's more, I'll even take you with me, so that everyone aboard my ship will lose their minds when you crack fart jokes every five seconds.

Obi-Wan finally meets Jar-Jar. He would also slash him to pieces; however, that would mean he'd lose Jedi points, because destroying an unarmed creature is against the jedi rule. It's bad enough that Padme likes snobby, most-horrible-actor-in-the-world Anakin, but she likes Bonks. How is that possible? I think Jar-Jar is a Sith! How else could anyone like him, than by using Jedi mind tricks? How else could he not die, when thousands of battle droids are around him and none hear his ridiculous screams?

Finally, we see the villain of the movie! Darth Maul, who is not in it at all! What does he do in the movie? Except for some incredibly awesome lightsaber moves, he rolls his eyes! Probably an addiction he developed when going through the movie's storyline with Lucas.

Who is the hero of the movie?

JOHN WILLIAMS!!!!!!!

Star Wars I.......2007-06-12

I think George Lucas has a wonderful imagination and not afraid to apply that imagination on screen. However, I find it hard to believe a boy that young (Anakin) could manuver a craft like that or for that matter, build one. None the less, I loved it and will watch it over again.

Rita

The best of the new.......2007-06-11

Of the 3 new episodes, this is by far the best one. It has a captivating storyline and never ceases to amaze with the fantastic CGI special effects at every angle. Many die-hard SW fans do not approve of all the CGI, but I believe that feeling goes hand in hand with the fact that they were around when the first SW came out, and that film was "theirs" so to speak and can never be duplicated. Something so magnificent as SW in 1977 must've captivated the mind and created such a frenzy that many opinions will be biased some 30 years later. I was not born yet when the first ones came out, but I'm a fan of all 6 and didn't really understand the SW buzz until I was able to watch the first 3 (newer ones) in succession followed by Episodes IV, V, and VI. Many fans have seen it the other way around, but I find the SW saga to still be enjoyable if you watch them in numerical order.

Of course, as a young buck myself, I will gladly say that Episodes I-III are great. A true treat to eye and a gem in fantasy/sci-fi land if you're in to that type of genre. Lucas could've not created anything better in my eyes. As I stated earlier, many old-school fans don't appreciate the new ones and that's completely understandable. For me and my generation, my Star Wars films were The Lord of the Rings trilogies. For me, I will go to my grave saying that LOTR was and is the best film of the genre. Hopefully they will make more as Tolkien wrote a lot, but I will not appreciate them as much as LOTR. That's just the way it is I guess.

Star Wars - Episode II, Attack of the Clones (Widescreen Edition)

Average customer rating:

"My soul is in torment."
I've seen a LOT worse
Another piece of the puzzle...
Star Wars II
me and my stepdad hated this too!

Star Wars - Episode II, Attack of the Clones (Widescreen Edition)
Starring: Ewan McGregor , Natalie Portman , Hayden Christensen , Christopher Lee , and Samuel L. Jackson
Director: George Lucas
Manufacturer: 20th Century Fox
ProductGroup: DVD
Binding: DVD

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Similar Items:

Star Wars - Episode I, The Phantom Menace (Widescreen Edition)
Star Wars - Episode III, Revenge of the Sith (Widescreen Edition)
Star Wars Trilogy (Widescreen Edition with Bonus Disc)
Star Wars Trilogy (Widescreen Edition Without Bonus Disc)
Star Wars Episode VI - Return of the Jedi (1983 & 2004 Versions, 2-Disc Widescreen Edition)

ASIN: B00006HBUJ
Release Date: 2005-03-22

Amazon.com

If The Phantom Menace was the setup, then Attack of the Clones is the plot-progressing payoff, and devoted Star Wars fans are sure to be enthralled. Ten years after Episode I, Padmé Amidala (Natalie Portman), now a senator, resists the creation of a Republic Army to combat an evil separatist movement. The brooding Anakin Skywalker (Hayden Christensen) is resentful of his stern Jedi mentor, Obi-Wan Kenobi (Ewan McGregor), tormented by personal loss, and showing his emerging "dark side" while protecting his new love, Amidala, from would-be assassins. Youthful romance and solemn portent foreshadow the events of the original Star Wars as Count Dooku (a.k.a. Darth Tyranus, played by Christopher Lee) forges an alliance with the Dark Lord of the Sith, while lavish set pieces showcase George Lucas's supreme command of all-digital filmmaking. All of this makes Episode II a technological milestone, savaged by some critics as a bloated, storyless spectacle, but still qualifying as a fan-approved precursor to the pivotal events of Episode III. --Jeff Shannon

Description

The STAR WARS saga continues on DVD with Episode II Attack of the Clones. Anakin Skywalker has grown into an accomplished Jedi apprentice, and he faces his most difficult challenge yet as he must choose between his Jedi duty and forbidden love. Relive the adventure the way it was meant to be seen in spectacular digital clarity, including the climactic Clone War battle and Jedi Master Yoda in the ultimate lightsaber duel. Experience this 2-disc set that features over six hours of bonus materials, and see how Episode II unlocks the secrets of the entire STAR WARS saga.

Customer Reviews:

"My soul is in torment.".......2007-07-02

It is rarely remembered that the original title to the original STAR WARS novel was STAR WARS: BEING THE FURTHER ADVENTURES OF LUKE SKYWALKER. Why George Lucas failed to subtitle his prequel trilogy STAR WARS: THE ADVENTURES OF ANAKIN SKYWALKER is a mystery, since that is exactly what he's given us. In point of fact, the six films together are the biography of the rise and fall and rise of Anakin Skywalker. After stretching twenty five minutes of storyline over 125 minutes of celluloid in STAR WARS EPISODE I: THE PHANTOM MENACE, in STAR WARS EPISODE II: THE ATTACK OF THE CLONES Lucas has successfully returned to his original source material, Joseph Campbell's work on myths and archetypes.

Taking place ten Earth years after THE PHANTOM MENACE, CLONES gives us the late adolescent Anakin Skywalker, now a Padawan Apprentice Jedi, and his older (but still young) mentor and teacher Obi-Wan Kenobi. Mythologically, the two are not only The Mentor and Student (Merlin and Arthur), they are also The Twin Companions (Castor and Pollux, Romulus and Remus, Damon and Pythias), as well as being The Rival Brothers (Cain and Abel, Isaac and Ishmael, Esau and Jacob). Lucas's decision to present these multiply-layered characterizations reflects the complexity of the plot in CLONES, by far the most ambitious of any STAR WARS film.

Anakin (Hayden Christiansen) is the most brilliant and talented Jedi ever, but he is immature, impatient, mercurial, and given to very typical adolescent bouts of angst and anger, all of which foreshadow his looming fate. Obi-Wan (Ewan McGregor) is fast becoming one of the most accomplished Jedi masters. He is stolid, foursquare, reasoned and ultimately unimaginative, being, in the last analysis, unable to restrain his young apprentice.

The conflict between them is reflected on a galactic level. Separatists, led by Count Dooku (Christopher Lee) are taking star systems out of the Republic by the thousand, and the Jedi are at the forefront of trying to reunite the Republic. An increasingly marginalized Senate has voted Chancellor Palpatine (Ian McDiarmid) vast emergency powers for the duration of the crisis. More Hitler-like than Lincoln-like, the ambitious Palpatine has no intention of relinquishing those powers.

The Separatists have massed a huge army of (less than impressive, silly-looking, easily-destroyed, duck-faced) battle-droids (where are the Stormtroopers in white?) and an even more tremendous army of clones. The outnumbered Republic forces are forced to adopt the Separatist strategy of using droids and clones as well, until the two sides are virtually indistinguishable. What no one but the leadership realizes is that the two sides ARE indistinguishable; in fact, there are no sides. Palpatine is secretly the Sith Lord Darth Sidious, and Count Dooku is his apprentice Sith Lord, Darth Tyranus. Together, they have machinated the entire war to overthrow the Republic and establish Sith control of the galaxy.

At the center of this maelstrom (both personal and galactic) is Padme Amidala (Natalie Portman). Her crucial Senatorial vote is courted by the power-hungry Palpatine. Her life is threatened by Count Dooku. Her heart is in the keeping of Anakin, now assigned to protect her. At first resistant to his romantic attentions, the older Padme soon succumbs to the younger Anakin's overwhelming love for her. It is a tragic, jealous love which leaves Anakin's soul in torment and his thoughts consumed with the fear of losing her.

Despite his rigorous Jedi training, Anakin continues to be emotional and impulsive. Seeing his mother, Shmi, tortured in a vision, he returns to Tatooine to rescue her. When she dies in his arms, his rage explodes, and he kills the responsible community of Tusken Raiders down to the babies, his first true step toward the Dark Side of The Force.

Portman is the jewel of the piece as she was in THE PHANTOM MENACE, but Christiansen gives us a surprisingly powerful performance as the profoundly conflicted Anakin. Even his occasional stiffness fits the late-teenage character of Anakin, who like most adolescents does not know who he is or where he is going. Overly pressured by Jedi expectations to be "the Chosen One who will restore balance to The Force," Anakin lacks the maturity and insight to cope with this role thrust upon him too soon, and uses his powers too casually, too carelessly, and even destructively. He clings to the maternal Padme obsessively, and rages that "Obi-Wan is holding me back!" out of jealousy, but left to his own devices, accomplishes little but to confuse himself more. "Young Skywalker is in terrible pain," Yoda tells Master Windu (Samuel L. Jackson) but none of these wise and reverend Jedi seem to have the skill to help him. They can barely help themselves, needing to be rescued from Count Dooku in the end by the clones. Truly, their "ability to use The Force is diminished."

This, the middle, is the best installment of the second trilogy. In terms of story and action, it is on a par with THE EMPIRE STRIKES BACK, also the middle film of the first trilogy. ATTACK OF THE CLONES is also a crucial incremental step in the PARADISE LOST-like story of Anakin, who, like Lucifer, was the brightest of the angels but doomed to fall from heaven and become Satan.

Despite the fineness of this film it was not the critical success it should have been. This reviewer felt an inexplicable, vague sense of unease while watching it. Many others have said the same thing. It was not until a fourth or fifth viewing that the reason for this uneasiness struck home. ATTACK OF THE CLONES was created almost totally with digital filmmaking techniques. Although Digital and CGI have advanced technologically far enough along to give us an appearance of reality, they cannot substitute for reality. Thus, while most of the "inorganic" items in the film have a very real look, and the planetary city of Coruscant is absolutely intriguing to view, many of the "organic" backgrounds, the alien creatures, and sometimes even the droids and the sets, have an artificial feel to them, less seen than sensed, which disturbs we human beings on some visceral level. No matter how "natural" a computer can make a desert rock formation look, a computer is still a binary code machine, and it can only provide a "non-random randomness" to the scene. The stones are just an erg-fraction too sharp-edged, the mist is just a molecule too misty, the fall of the shadows is just a bit too angular, and it all lacks the subtle aliveness of an actual location.

At the end of THE RETURN OF THE JEDI, Lucas celebrated the victory of life over technology; by relying so heavily on special effects in ATTACK OF THE CLONES he undoes that victory.

I've seen a LOT worse.......2007-05-31

Between some of Lucas's questionable dialogue, not to mention the Geonosis C-3PO parts, and Portman's wooden performance, AOTC came way too close to being a disaster. I'm not sure what possessed George to hold back on showing Anakin as the powerful Jedi he was supposed to be but it was a bad decision. Anakin's duel with Dooku should've been better in content & directing. But again, there's few movies I'd rather watch than SW because of the good stuff.

Even though I still question the wisdom of killing off Maul in TPM, I love Dooku. He's the ultimate precise, smug second fiddle. And can you get a better henchman than Jango Fett? I loved the mystery surrounding him & Kamino as well as Geonosis. I get chills everytime I watch the first appearance of the future Stormtroopers. Anakin's first encounter with the Dark Side seemed very natural. It was nice to hear the `Imperial March' theme twice too. It was also a welcome scene to see Yoda go Jedi Master on somebody.

Another piece of the puzzle..........2007-05-25

Okay, I'm tired of all these people coming on here and complaining about how they hated this movie. The people who don't like the Prequel Trilogy are really missing out on the deeper and complete meaning of the Star Wars saga. They have to remember that this trilogy is set in a different era than Episodes 4, 5, and 6. This is the era of the Republic and the Jedi Order, which aren't present in 4, 5, and 6 because they were destroyed by the rise of Palpatine's Empire at the end of Episode 3. Episode 2 is very important because here we see Anakin's character development. Crucial events occur that will lead up to him turning to the dark side. The death of Anakin's mother, his marriage to Padme, and his friendship with Obi-Wan, as well as Anakin's strained relationship with the Jedi Council are all extremely important elements in the saga. Also present is Palpatine's manipulation and deception of politics in the galaxy and the guise of his grandfatherly-like relationship with Anakin. We need to see all these things in order to understand the story better. Star Wars is the story of Anakin Skywalker told in six episodes, and each one is important, because the story would be incomplete and not make sense if one episode was missing. This is a great movie, just like the other five. Any true fan of Star Wars would know that.

Star Wars II.......2007-05-17

This film fits in beautifully to the entire Star Wars saga. The acting is excellent -- the characters feel real as well as larger than life. As in all of the Star Wars movies, the special effects are breathtaking and fit seamlessly into the action.

me and my stepdad hated this too!.......2007-05-16

it was boring. I don't like anakin because he was mean and was stupid all the time. My stepdad and me saw part 1 and hated it, but my stepdad said we should see part 2 just in case it was better, and it wasn't! It was even worst than part 1! My stepdad swore at the movie because it was so bad! The story was this: anakin and his girlfriend get involved in bad people then there is a war and some people get hurt. ObiWan does stuff and it reveals things about robots. I wasn't really paying attention cuz it was so boring. There is JarJar too and he was funny. There was also Yoda and an old man who fought and that was funny because the old man was old and could barely keep up with Yoda! I think Yoda beat him up. I wouldn't recommend this movie though because it was lame and didn't have enough cool stuff to make my stepdad and me interested. The whole movie was very stupid and confusing and you should see SpiderMan 3 instead!

Flags of Our Fathers (Widescreen Edition)

Average customer rating:

BORING AND DEPRESSING
Too much bouncing around
Flags of Our Fathers (HD DVD) Review by Justin Sluss
Simle Review
Anti-War film with some fighting

Flags of Our Fathers (Widescreen Edition)
Starring: Ryan Phillippe , Jesse Bradford , Adam Beach , John Benjamin Hickey , and John Slattery
Director: Clint Eastwood
Manufacturer: Dreamworks Video
ProductGroup: DVD
Binding: DVD

General | Action & Adventure | Genres | DVD | Video

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ASIN: B000M4RG42
Release Date: 2007-02-06

Amazon.com

Thematically ambitious and emotionally complex, Clint Eastwood's Flags of Our Fathers is an intimate epic with much to say about war and the nature of heroism in America. Based on the non-fiction bestseller by James Bradley (with Ron Powers), and adapted by Million Dollar Baby screenwriter Paul Haggis (Jarhead screenwriter William Broyles Jr. wrote an earlier draft that was abandoned when Eastwood signed on to direct), this isn't so much a conventional war movie as it is a thought-provoking meditation on our collective need for heroes, even at the expense of those we deem heroic. In telling the story of the six men (five Marines, one Navy medic) who raised the American flag of victory on the battle-ravaged Japanese island of Iwo Jima on February 23rd, 1945, Eastwood takes us deep into the horror of war (in painstakingly authentic Iwo Jima battle scenes) while emphasizing how three of the surviving flag-raisers (played by Adam Beach, Ryan Phillippe, and Jesse Bradford) became reluctant celebrities - and resentful pawns in a wartime publicity campaign - after their flag-raising was immortalized by Associated Press photographer Joe Rosenthal in the most famous photograph in military history.

As the surviving flag-raisers reluctantly play their public roles as "the heroes of Iwo Jima" during an exhausting (but clearly necessary) wartime bond rally tour, Flags of Our Fathers evolves into a pointed study of battlefield valor and misplaced idolatry, incorporating subtle comment on the bogus nature of celebrity, the trauma of battle, and the true meaning of heroism in wartime. Wisely avoiding any direct parallels to contemporary history, Eastwood allows us to draw our own conclusions about the Iwo Jima flag-raisers and how their postwar histories (both noble and tragic) simultaneously illustrate the hazards of exploited celebrity and society's genuine need for admirable role models during times of national crisis. Flags of Our Fathers defies the expectations of those seeking a more straightforward war-action drama, but it's richly satisfying, impeccably crafted film that manages to be genuinely patriotic (in celebrating the camaraderie of soldiers in battle) while dramatizing the ultimate futility of war. Eastwood's follow-up film, Letters from Iwo Jima, examines the Iwo Jima conflict from the Japanese perspective. --Jeff Shannon

Beyond Flags of Our Fathers

Other World War II DVDs
Essential DVDs by Director Clint Eastwood
Flags of Our Fathers by James Bradley

Stills from Flags of Our Fathers (click for larger image)

Product Description

From Academy Award-winning director Clint Eastwood (Million Dollar Baby, Unforgiven) comes the World Was II epic Flags of Our Fathers, produced by Eastwood, Academy Award winner Steven Spielberg (Saving Private Ryan, Schindler's List), and Rob Lorenz (Mystic River), and from a screenplay adapted by William Broyles, Jr. (Cast Away) and Oscar winner Paul Haggis (Million Dollar Baby, Crash).
February 1945. Even as victory in Europe was finally within reach, the war in the Pacific raged on. One of the most crucial and bloodiest battles of the war was the struggle for the island of Iwo Jima, which culminated with what would become one of the most iconic images in history: five Marines and a Navy corpsman raising the American flag on Mount Suribachi. The inspiring photo capturing that moment became a symbol of victory to a nation that had grown weary of war and made instant heroes of the six American soldiers at the base of the flag, some of whom would die soon after, never knowing that they had been immortalized. But the surviving flag raisers had no interest in being held up as symbols and did not consider themselves heroes; they wanted only to stay on the front with their brothers in arms who were fighting and dying without fanfare or glory.
Flags of Our Fathers is based on the bestselling book by James Bradley with Ron Powers, which chronicled the battle of Iwo Jima and the fates of the flag raisers and some of their brothers in Easy Company. Bradley's father, John "Doc" Bradley, was one of the soldiers pictured raising the flag, although James never knew the full extent of his father's experiences until after the elder Bradley's death in 1994.

Customer Reviews:

BORING AND DEPRESSING.......2007-07-01

I like war films like Saving Private Ryan and Pearl Harbor, but I found this film depressing, hopeless ("everything is a lie!") and downright boring. It seems interesting but after a while you just feel aweful about your own country and feel fooled. I love you Clint but you should have just changed directions of the film from the beginning

Too much bouncing around.......2007-06-30

I'm a little bit of a history buff and like to watch movies about different periods of history to learn a little bit. I was disappointed with this movie. Seemed like we were bouncing around a little too much and it was hard to track events and people. In the end, I felt the movie was more about Post Traumatic Stress Syndrome than about Iwo Jima or the war.

I would probably pass on this one and watch something else, unless you are really curious about it.

Flags of Our Fathers (HD DVD) Review by Justin Sluss.......2007-06-21

The Movie Itself is one part of a pair of films done by legendary actor/director Clint Eastwood about the battle at Iwo Jima in World War II. "Flags of Our Fathers" is one of two films that Clint did about the battle from both side's perspectives. "Letters from Iwo Jima" (this movie's counter-part) tells the Japanese perspective. While this film tells the American perspective I guess you could say, it's primarily about a real life photo that can be found on the cover of this release. The picture is a very patriotic photograph that shows six soldiers raising the American flag after the battle at Iwo Jima. This picture starts a lot of media coverage and hype labeling the three surviving soldiers "war heroes." This film follows the lives during and after that battle of those three remaining soldiers, John "Doc" Bradley (played by Ryan Phillippe), Rene Gagnon (played by Jesse Bradford) and Ira Hayes (played by Adam Beach). I'd like to point out that this film is based on true events and the names of the soldiers are real. In fact the original book "Flags of Our Fathers" was written by James Bradley (son of John "Doc" Bradley). This film was also produced by Hollywood legend Steven Spielberg.

These three soldiers are brought home labeled as "war heroes" as stated above and soon being used by the U.S. government to help sell war bonds to help the war effort. Which they do accomplish but at the same time there's a lot of demons inside these men that came from seeing such a horrific battle at Iwo Jima. This is especially true for both John Bradley and Ira Hayes who throughout the film have post-war stress induced flashbacks that really got to them on a really emotional level that they can't talk about with anyone or even come to terms with themselves. This movie is not one that glorifies war but instead one that shows the hell that comes with it. So if you're expecting to see a bunch of Japanese get slaughtered you might wanna look elsewhere and seek therapy. That's not what this movie is about. This movie and what it stands for can really be stated best by a quote by the real John "Doc" Bradley, "The real heroes of Iwo Jima are the guys who didn't come back". I think after watching this film that Clint Eastwood made you'll have a better understanding for that quote.

Video Quality on this release is presented in 1080p VC-1 encoded on a 30gb HD DVD for the feature film. This film visually is up there with "Saving Private Ryan" in terms of amazing visual CG special effects and such. Even though war as it is portrayed in this film is a very ugly and disturbing thing to watch at times, this release in terms of video quality itself really does offer just an amazing transfer with great picture. The blacks are perfect, no artifacts or pixilation to be found in this video presentation. The cinematography style that this film as well as it's counter-part, "Letters from Iwo Jima" uses might lead some to think the contrast is off but it's just the visual style that Clint Eastwood was going for to show the time period in both films. This release is one of the best in terms of video quality yet from Paramount and I hope it's a sign of things to come.

Audio Quality on this release is the standard Dolby Digital Plus 5.1 @ 1.5Mbps. One thing most important to this sound mix is the fact it's a film about war, World War II at that. So it's kind of expected a movie like this have a great surround mix and I can honestly say it lives up to those expectations very much so. Dialog comes out in obviously the center and front channels as you'd expect in the less intense scenes of the film. When you're in the flashbacks of battle scenes of the film you really notice an awesome surround presence that will make you hear gunfire up close, distant or passing gunfire as well as mortar shells. The surround experience on this release is one that is sure to please any action film fan.

Bonus Materials are included on their very own extra HD DVD and are in High Definition. First off there's "An Introduction by Clint Eastwood" (5 minutes), then "Words on the Page" (17 minutes) which tells us a bit about the original book written by James Bradley. James is the son of John Bradley (played by Ryan Phillipe in the film). This feature offers interviews with James Bradley (again the book's original author) as well as the screenplay writers William Broyles, Jr. and Paul Haggis. Next is "Six Brave Men" (20 minutes) which tells the personal stories of each of the six real life soldiers in the photograph and offers interviews with the actors who portray them in this film. "The Making of an Epic" (30 minutes) is your typical making of documentary of a film. It includes interviews with everyone from the producer (Robert Lorenz), director of photography (Tom Stern), special effects coordinator, editor (Joel Cox), art director, costume designer and even the military technical adviser. "The Making of an Epic" is really by far the real highlight of the bonus materials for this film and looks amazing in High Def. "Raising the Flag" (3 minutes) is a short feature about reenacting the photograph that the film is primarily about in the film just as it was in real life. "Visual Effects" (15 minutes) is exactly what the name says, a feature on the visual ("CG") special effects used on this film. "Looking into the Past" (10 minutes) offers up a lot of old historical military video footage of the actual battle at Iwo Jima. History Channel fans will definitely love this while some of the more action film oriented crowd may want to skip this. The last feature included is the original Theatrical Trailer in High Def. This release definitely packs some great bonus materials on it's very own disc and is really impressive.

-- Review written by Justin Sluss of HighDefDiscNews.com

Simle Review.......2007-06-20

If you are thinking that this movie is "Saving Private Ryan" in the Pacific -- it is not.

If you are curious how World War II soldiers dealt with the experience of war, and the efforts of the U.S. government to fund World War II then you may find this movie interesting.

If you are interested in the battle of Iwo Jima take a look at Letters from Iwo Jima or the History channel.

Anti-War film with some fighting.......2007-06-18

I am not sure if anyone else saw this film the same way but I took it as a 90 minute Anti-War film with 15 minutes of battle scenes. Why was there so much time put into having the wrong names of the Marines who raised the flag on the island and the government covering it up? This point seem to be thrown out at you all throughout the film when there was on need for it. It should have been stated to set the record straight and then not brought up again. If they wanted to really honor the Marines they should have focused more on the events that took place during the battle, not the politics of the tour to increase the sale of War Bonds. Also the movie jumped around far too much. The son of one of the Marines who raised the flag was interviewing individuals who were on the island with flashbacks to the tour in the US for War Bonds who had flashbacks of the fighting which took place on the island. Too much time was wasted trying to figure out who was talking to who and at what point in time it was taking place. Someone should have watched "Saving Private Ryan" instead of "Pearl Harbour" before making this film. We have had enough anti-war talk from Hollywood. When is it going to stop? Don't waste your time with this movie, there are better films out there that honor the men and women who have fought for this country. Films like "The Longest Day" come to mind.

Not Just the Best of the Larry Sanders Show

Average customer rating:

Talk About An Overlooked Series!
Almost the best.
Below average production quality and not as funny as I remember
you may be satisified, but i am not
unbelievable extras; great dvd

Not Just the Best of the Larry Sanders Show
Starring: Garry Shandling , Jeffrey Tambor , Rip Torn , Wallace Langham , and Mary Lynn Rajskub
Director: Todd Holland , and John Riggi
Manufacturer: Sony Pictures
ProductGroup: DVD
Binding: DVD

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Similar Items:

The Larry Sanders Show - The Complete First Season
Extras - The Complete First Season
Borat - Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (Widescreen Edition)
Seinfeld - Season 8
Children of Men (Widescreen Edition)

ASIN: B000MTFDB0
Release Date: 2007-04-17

Amazon.com

Garry Shandling wraps up the run of his groundbreaking HBO comedy series in definitive yet nostalgic fashion in this boxed set, wryly titled Not Just the Best of The Larry Sanders Show. Now there's truth in advertising. Along with 23 of what Shandling felt were the best episodes of the show's run (89 episodes from 1992-98) comes eight hours of newly produced material, including a feature-length "making of" documentary, cast and star interviews, deleted scenes, commentaries, and footage of Shandling on personal visits with stars like Alec Baldwin, Jon Stewart, and Jerry Seinfeld. The personal visits are some of the most interesting moments (a breakfast with Sharon Stone is so strained and forced it's hard not to laugh) and the new features bring so much of Garry's personal thoughts and feelings into play that maybe this set would have been better named Being Garry Shandling. But it seems only fair to get such a subjective and in-depth personal view on the series from the man who made awkward self-consciousness a comedic art form.

The Larry Sanders Show was at the forefront of changing the genre of TV comedy, and influenced the development of many shows to follow, like Curb Your Enthusiasm, Arrested Development, and both versions of The Office. The source of that inspiration is on full display here, as talk-show host Larry Sanders (Shandling) along with his producer Artie (Rip Torn) and his "poor deluded bastard" sidekick Hank (Jeffrey Tambor), struggles to keep his late-night talk show on the air despite dropping ratings, absurd notes from the network, and a hilarious tendency to self-sabotage his personal life. His guest stars, including some of the biggest names in show business, seem to enjoy lampooning their images and provide some of the sharpest comic moments. It's great stuff, and it's too bad all six seasons are not scheduled to be released on DVD. Shandling reportedly went this route with the release, rather than continuing with complete seasons, because of a desire to wrap it all up at once after a long legal battle with producer Brad Grey. While many fans might bemoan the fact that there will be no complete-season sets of The Larry Sanders Show released after this, there are episodes from all six seasons here to enjoy, including the first and the double-part finale. With a gem like this, it's better to savor what's available than to lament what might have been. --Daniel Vancini

Product Description

Undeniably the hippest show to air on cable in the 1990s, The Larry Sanders Show takes you backstage at a fictional late night talk show with real-life guests from movies, music and television. The Larry Sanders Show was ahead of its time, becoming an immediate critical and audience hit for its satirical, tongue-in-cheek look at Hollywood. The series that combined documentary-like camerawork with a clever blend of fact and fiction set the standard of quality for HBO and influenced the development of shows like Sex and the City, Six Feet Under, The Sopranos, Curb Your Enthusiasm, and The Office.

Not Just the Best of the Larry Sanders Show features more than 8 hours of newly-produced material including Garry Shandling in personal and intimate visits with friends like Alec Baldwin, Tom Petty, Sharon Stone, Jerry Seinfeld, and Jon Stewart and including the compellingly entertaining, feature-length documentary, "The Making of The Larry Sanders Show."

Customer Reviews:

Talk About An Overlooked Series!.......2007-07-02

I'm what you might call a Seinfeld-fanatic. I pretty much have thought of it as the pinnacle of TV comedy for years now and Larry David's Curb Your Enthusiasm came in a close second for the longest time.

But you know what? That was before I watched The Larry Sanders Show. I never even knew of its existence up until a couple months ago and Garry Shandling was just some weird looking unknown comedian in my mind. Imagine my surprise when I learn that not only is Shandling very funny, but that Rip Torn and Jeffery Tambor are in the show as well...AND even funnier! By the end of this boxset I was eagerly looking forward to picking up Season 1 of the show. I was even thinking this show MIGHT be better (overall) than Seinfeld.

Don't get me wrong though, it's not like this way of thinking happened instantly. In fact, at first glance, the show is kinda underwhelming. None of the characters are zany and goofy (even Hank Kingsley isn't a goofball idiot all the time) and it really isn't like any other comedy you've seen. It even does a better job of one-camera use than Arrested Development (a show that relies heavily on narration to create humor) and once you start to focus on the nuances of the show, you'll see that this was not some cheesy Friends or Will & Grace show that was thrown together two minutes before filming.

The characters are great, the acting is dead-on, the jokes are hilarious and even though the show has a "Dramady" feel to it because of the off-screen documentary style of filming, you never get sappy "Full House" or "Friends" moments. This is a comedy series through and through and is one of the very best shows I have ever seen...and I've seen a lot.

Almost the best........2007-06-27

Having seen the original series on HBO and not having seen it again until now, the show itself still gets 5 stars. Among a cast of great actors, Rip Torn is still our favorite. We also enjoyed the behind the scenes commentary from various actors on the show (some are better than others). I docked a star because the extra current interviews Gary does with actors that were once guests on the show are interesting but a little tedious. You gotta be a die hard fan to get through them, we are and did. If you're not a big Shandling fan you might just want a DVD of the shows themselves.

Below average production quality and not as funny as I remember.......2007-06-21

I recalled the laughs I got from the Larry Sanders Show when it originally aired and looked forward to this DVD. As mentioned in other reviews, the picture quality is unexplainably poor, but it doesn't detract too much from the viewing experience. However, I found quite a few of the shows to be not nearly as funny as I recall; in fact some episodes are real duds. The selected episodes in my opinion don't reflect the best the show had to offer. Some of the special features are interesting, such as the breakfast with Sharon Stone. But, by and large, this DVD is a bit disappointing.

you may be satisified, but i am not.......2007-06-21

it is because we are such huge fans that we are so disappointed. you don't have to explain how well the show has aged - most people posting these messages own the first season and have been waiting for the rest of the episodes for several years. i see zero benefit in some "lovingly-prepared best-of" - save the fluff and nonsense and give me the complete set of episodes. i agree with other fans here who say save your money and send them a message. in a day when the worst series of all time get complete releases, to not have a complete larry sanders is a sad joke. i will be waiting for a complete release - period.

unbelievable extras; great dvd.......2007-06-12

Some people gave this dvd a bad review, but only because they're mad that the entire seasons aren't being released. I'm upset too-- but as far as rating this dvd individually goes, it's awesome. Garry shows sides of himself in the extras that he never shows publicly. Of course, all the episodes are incredible because this is one of the best shows ever.

Lady and the Tramp (50th Anniversary Edition) (Platinum Edition)

Average customer rating:

Lady and the Tramp
It's Lady And The Tramp And We Love It!
Memories
Lady and the Tramp
Sweet Disney classic

Lady and the Tramp (50th Anniversary Edition) (Platinum Edition)
Starring: Peggy Lee , Barbara Luddy , Larry Roberts (II) , Bill Thompson , and Bill Baucom
Director: Hamilton Luske , Clyde Geronimi , and Wilfred Jackson
Manufacturer: Walt Disney Home Entertainment
ProductGroup: DVD
Binding: DVD

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ASIN: B000B8QG4A
Release Date: 2006-02-28

Amazon.com

It's still one of the sweetest kisses onscreen, up there with Bergman and Grant, Bogey and Bacall: the moment when pampered purebred Lady and streetwise mongrel Tramp, sharing a moonlit plate of spaghetti in an alley behind an Italian café, unknowingly slurp the same strand, and suddenly find their mouths meeting in surprise and tenderness. Ah, puppy love. Lady and the Tramp is a delight of animation and surprisingly deep character development, given that the stars are all dogs. Lady, an adorable Cocker Spaniel, feels neglected when her owners become distracted by the pending birth of a baby. But the last straw is clueless Aunt Sarah's appearance with her conniving Siamese cats (among Disney's most creatively evil villains), who wreak havoc on Lady's blissful home life. Soon Lady is off on an adventure in the streets, where the savvy Tramp takes her under his paw. The lessons of friendship and loyalty, of integrity--not to mention trusting in the kindness of strangers--ring true to delighted children and adults alike. And unlike many Disney films, there's no real violence, only challenges that smart dogs (including a tough-talking vamp named Peg, voiced sublimely by Peggy Lee, who also wrote the songs), banding together, can tackle. The animation is terrific; the scene where we first meet Tramp shows him rinsing off under a pipe, and his subsequent shaking-off of the water follows the detailed rippling up and down his back that any dog lover will recognize. And is there any song more romantic than "Bella Notte"? Bellissima! --A.T. Hurley

Description

Walt Disney's LADY AND THE TRAMP, filled with memorable music and purebred fun, now shines like never before with an all-new digital restoration! Embark on a thrilling adventure with the most unforgettable characters: Lady, a lovingly pampered cocker spaniel; Tramp, a mutt from across the tracks with a heart of gold; Jock and Trusty, Lady's best friends; and Si and Am, two of the most devious cats to prowl across the screen. The happiest of endings takes place on a lovely bella notte as Lady learns what it means to be footloose and leash-free. Unleash all the fun and excitement in this 2-Disc Special Edition, including never-before-seen deleted scenes, 5.1 Disney Enhanced Home Theater Mix, all-new games, making-of secrets, and much more!

Customer Reviews:

Lady and the Tramp.......2007-06-26

One of Disney's most endearing family classics, "Tramp" is a marvel of lively animation, bright voice acting, and sensational songwriting, courtesy of the inimitable Peggy Lee (who also voices the sinister twin kitties, Si and Am.) Watching a pampered female pooch fall for a declassé but charismatic male doggie is not only fun but enlightening about the magic of mutual attraction. And the famous spaghetti-slurping scene leading to a surprise first kiss is charming no matter how many times you view it. Highlights include the vamp-y "He's a Tramp" and "Siamese Cat Song."

It's Lady And The Tramp And We Love It!.......2007-06-25

LADY AND THE TRAMP is my favorite of all the Disney animated films. It has great memorable characters from the down on her luck show dog Peg (voiced by the fabulous Peggy Lee who also voices a couple of other characters) to Aunt Sarah's sly pair of Siamese cats. The music is also among the best from Disney with "Bella Noche", Quiet As a Snowflake" and especially "He's A Tramp" with the wonderful dog pound chorus as well as a couple of other memorable songs. The film touts the virtures of both pure bred dogs like the beautiful sweet Cocker Spaniel Lady and also the advantages of mixed breeds like her clever Heinz 57 mate Tramp. This movie is a must for dog lovers and can be enjoyed by all ages.

Memories.......2007-06-09

Just as I remembered it with my son (now 42)and enjoyed equally with my grandkids (3 & 5)

Lady and the Tramp.......2007-05-18

Lady and the Tramp was one of my favorite movies in childhood. Watching it again only supports my endeared feelings I have had for so many years. I am glad I was able to watch, go back and experience like I did when I was a child. This movie, I will always hold dear. The talent has transcended into this decade and has kept the meaning of romance and true love alive with the music and animation.

Sweet Disney classic.......2007-05-15

Gorgeous Disney classic film. An original, beautiful story in a new format that can't be missed. The extras make this a very special edition.

Average customer rating:

Love the stomp
unimpressive dance film
Stomp the Yard
Great dvd
stomp the yard

Stomp the Yard (Widescreen Edition)
Starring: Columbus Short , Meagan Good , Ne-Yo , Darrin Dewitt Henson , and Brian J. White
Director: Sylvain White
Manufacturer: Sony Pictures
ProductGroup: DVD
Binding: DVD

General | Drama | Genres | DVD | Video

General | Musicals & Performing Arts | Genres | DVD | Video

Drama | African American Cinema | Genres | DVD | Video

General | African American Cinema | Genres | DVD | Video

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