
Editorial Review:
Amazon.com
More of a frontier Western with futuristic trappings than a science fiction film, you can see why this made-for-cable morality play from the pen of the late Rod Serling remained unproduced for 40 years. Infused with the strong character writing and inventive details that enlivened his best Twilight Zone scripts, it nonetheless suffers from Serling's key weakness--playing his allegories so close to the surface that it overpowers the story. Earth in the future becomes so polluted that the human race has left save for two communities: the "dwellers," a ragtag group of off-worlders who mine the planet for its only resource (scrap metal), and the "drivers," a tribe of Native Americans living on the outskirts of the dwellers' rusting city, Carbon. As Carbon's ambitious entrepreneur Ron Perlman (playing the populist leader to the hilt) makes his bid for power by appealing to the mob instincts of his racist township, principled but weak-willed sheriff Stephen Lang faces his fears and the secret that keeps him trapped in inertia. Director Rob Nilsson shoots this drama of racism and mob violence in the murky colors of junkyard, giving the town an appropriately overwhelming ambiance of rust and dust. More importantly, he grounds the film in the personalities of its cast. The film creaks under the overwrought symbolism of Indians and settlers to explore the politics of hate, but the dramatic clash between Perlman and Lang resonates with their excellent performances. --Sean Axmaker
Average customer rating:
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Town Has Turned to Dust
Starring: Stephen Lang , Ron Perlman , Gabriel Olds , Judy Collins , and Barbara Jane Reams Director: Rob Nilsson Manufacturer: Mti Home Video ProductGroup: DVD Binding: DVD Similar Items:
ASIN: 6305299994 Release Date: 1999-03-16 |
Amazon.com
More of a frontier Western with futuristic trappings than a science fiction film, you can see why this made-for-cable morality play from the pen of the late Rod Serling remained unproduced for 40 years. Infused with the strong character writing and inventive details that enlivened his best Twilight Zone scripts, it nonetheless suffers from Serling's key weakness--playing his allegories so close to the surface that it overpowers the story. Earth in the future becomes so polluted that the human race has left save for two communities: the "dwellers," a ragtag group of off-worlders who mine the planet for its only resource (scrap metal), and the "drivers," a tribe of Native Americans living on the outskirts of the dwellers' rusting city, Carbon. As Carbon's ambitious entrepreneur Ron Perlman (playing the populist leader to the hilt) makes his bid for power by appealing to the mob instincts of his racist township, principled but weak-willed sheriff Stephen Lang faces his fears and the secret that keeps him trapped in inertia. Director Rob Nilsson shoots this drama of racism and mob violence in the murky colors of junkyard, giving the town an appropriately overwhelming ambiance of rust and dust. More importantly, he grounds the film in the personalities of its cast. The film creaks under the overwrought symbolism of Indians and settlers to explore the politics of hate, but the dramatic clash between Perlman and Lang resonates with their excellent performances. --Sean AxmakerCustomer Reviews:
A very interesting telling of an old story.......2004-12-24
Rod Serling, Twice Removed.......2000-12-02
"A Town Has Turned To Dust" was a television play written in the 1950s, the heyday of live television drama (I can't recall if this was a Playhouse 90 offering). Serling's original script focused on a real-life case involving the lynching of an African-American man, with the complicity of local law enforcement officials. The network feared that this was too inflamatory and controversial to be produced in Serling's original form, so it was rewritten extensively. The version that *was* produced and aired in the 1950s changed the setting to New Mexico in the late 1800s, and changed the victim's character from African-American to Mexican immigrant. Rod Steiger played the local sheriff.
Rod Serling was extremely upset about these alterations, and felt that they had gutted his story, putting too much distance between audience and subject. The "old West" setting, in his opinion, dulled the impact and relevance that his play was intended to have. The play, as written, was not "allegory" at all -- it was a somewhat fictionalized retelling of recent (or current) events, whose impact came from its *contemporary* relevance.
I can't help wondering what Serling would have thought of this recent version, which now has two thick layers of reworking. It is no longer a "1950s lynching placed in a Western setting", it is now a "1950s lynching placed in a Western setting and moved to a Science Fiction setting." The setting -- and the relevance -- of Serling's original have been distanced even further from his original intention. In drawing the play further and further from its intended context, Serling's voice is increasingly muted.
The world's problems never change........1999-07-25
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