Humphrey Bogart 1: Beat the Devil

Starring:Humphrey Bogart, Jennifer Jones, Gina Lollobrigida, Robert Morley, Peter Lorre, Edward Underdown, Ivor Barnard, Marco Tulli, Bernard Lee, Mario Perrone, Giulio Donnini, Saro UrzÃ¬, Aldo Silvani, Juan de Landa, Julie Gibson, Manuel Serano, Alex Pochet, Mimmo Poli
Director: John Huston
Studio: Madacy Records
Product Type: DVD

Average customer rating:

One of the Greats
Bogart himself called it a "mess."
Time is a crook
Review for Unicorn Video Release
Truman Capote and John Huston film a New Yorker cartoon

Humphrey Bogart 1: Beat the Devil
Starring: Humphrey Bogart , Jennifer Jones , Gina Lollobrigida , Robert Morley , and Peter Lorre
Director: John Huston
Manufacturer: Madacy Records
ProductGroup: DVD
Binding: DVD

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ASIN: B00004RE10
Release Date: 2000-02-01

Customer Reviews:

One of the Greats.......2007-02-12

This movie has a an excellent line-up, Humphrey Bogart, and the great Peter Lorre. This is not a very well known film, but I personally enjoyed every minute of it.
Billy Dannreuther (Bogart) is part of a motley group planning to go to Africa, where a friend can help them illegally claim uranium. But trouble arrives: stuffy Harry Chelm (Edward Underdown) and his very imaginative wife Gwen (Jennifer Jones) arrive, and soon they're flirting with Billy and his sensual wife Maria (Gina Lollabrigida).

Even worse, Gwen's "exaggeration" habit is making the gang distrust Billy, thinking that he's withholding information from them. He isn't, of course. But all the personal plots and distrust come to a boil when everyone boards the ship, and Harry reveals that he knows everything about their uranium plot. Now Billy has to save himself and his friends, without Harry being bumped off...

"Beat the Devil" is an all-around satire -- it mocks grabby criminals, pathological liars, stodgy Brits, romance movies, crime capers, and even second-rate boats ("Of course, the captain is drunk!"). In fact, there's very little about this movie that doesn't poke fun at itself, or at the movies of the time.

And since it was adapted by John Huston and Truman Capote, you know that it's being witty as it makes fun. It languidly builds up in a sunny, ruined city where people plot and flirt, and then starts to boil when they get on board the boat. But even engine failures manage to be entertaining when Harry wrecks the oil pump while trying to fix it.

The cast is skilled in that under-the-radar way: Bogart plays a slightly more offbeat version of his noir characters, and Jennifer Jones is hilarious as the ditzy, chattery English girl. Peter Lorre and Robert Morley are also quite good as Bogie's pals, and Underdown plays the insensitive, straight-arrow dunce perfectly. You'll constantly want to smack him.

Bogart himself called it a "mess.".......2006-12-18

The plot, if you can call it that, concerned a group of six stranded adventurers in an Italian port whose plan is to buy up some East African land that supposed1y contains uranium... Double-crossing quickly becomes the name of the game as Bogart and his fellow conspirators (including Robert Morley, Peter Lorre, Gina Lollobrigida, and a seemingly endless parade of bizarre characters) outdo each other in inspired crazy way...

Bogart, trying desperately to maintain his composure, delivered such priceless lines as: 'I'm only in on this because the doctor told me I needed plenty of money. Without money I become dull, listless, and have trouble with my complexion." But his lines weren't the only offbeat ones... In a room where he's being questioned after being captured, while a firing squad goes about its routine work outside, he is asked straight-faced, "Now tell me, do you really know Rita Hayworth?"

The film is one of those rare items that viewers either seem to love or hate, no middle ground accepted... and declared that only the "phonies" thought it was really funny... Many reviewers thought the whole thing was a tasteless joke and decried the waste of time, talent, and money...

In any case, Bogart gave an immensely satisfying performance in his tongue-in-cheek role and the film itself has now become a regular attraction in Bogart film retrospectives... It is also an excellent example of how much Bogart had matured as an actor, since it is not easy to overcome apparently inept material and still give a performance with some meaning and substance...

Time is a crook.......2006-07-05

You'd think that "Beat the Devil" would be far better known than it is, since it was one of the last movies that Humphrey Bogart did before his untimely death. Maybe that's because Bacall wasn't in it, or maybe it was just too quirky for the masses -- a funny, wry noir-satire, with a gang of rather inept criminals.

Billy Dannreuther (Bogart) is part of a motley group planning to go to Africa, where a friend can help them illegally claim uranium. But trouble arrives: stuffy Harry Chelm (Edward Underdown) and his very imaginative wife Gwen (Jennifer Jones) arrive, and soon they're flirting with Billy and his sensual wife Maria (Gina Lollabrigida).

Even worse, Gwen's "exaggeration" habit is making the gang distrust Billy, thinking that he's withholding information from them. He isn't, of course. But all the personal plots and distrust come to a boil when everyone boards the ship, and Harry reveals that he knows everything about their uranium plot. Now Billy has to save himself and his friends, without Harry being bumped off...

"Beat the Devil" is an all-around satire -- it mocks grabby criminals, pathological liars, stodgy Brits, romance movies, crime capers, and even second-rate boats ("Of course, the captain is drunk!"). In fact, there's very little about this movie that doesn't poke fun at itself, or at the movies of the time.

And since it was adapted by John Huston and Truman Capote, you know that it's being witty as it makes fun. It languidly builds up in a sunny, ruined city where people plot and flirt, and then starts to boil when they get on board the boat. But even engine failures manage to be entertaining when Harry wrecks the oil pump while trying to fix it.

The cast is skilled in that under-the-radar way: Bogart plays a slightly more offbeat version of his noir characters, and Jennifer Jones is hilarious as the ditzy, chattery English girl. Peter Lorre and Robert Morley are also quite good as Bogie's pals, and Underdown plays the insensitive, straight-arrow dunce perfectly. You'll constantly want to smack him.

As for editions, pretty much none of them are "good" per se. They havne't been cleaned up or restored. But the best one I've seen is Diamond Entertainment's, which has a steady picture and soundtrack, and no splices, crackling, or so on. It's slightly fuzzy as for details, but not so that it isn't watchable or enjoyable.

Though not as respected as it deserves, "Beat the Devil" is a little gem of a Bogart movie, with a witty, satirical script and lots of wild twists. Definitely a keeper.

Review for Unicorn Video Release.......2005-02-06

I have only seen the 90 minute version, so whether it's inferior to the uncut version, I can't really say. This is one of my favorite Bogart movies however. It's also one of the few old movies with a sense of humor that doesn't seem outdated (to me at least).

Technically speaking this version looks as good as any old movie. The DVD is digitally remastered and features a digital 5.1 surround soundtrack, Dolby digital sound, scene access and interactive menus. I don't have the gear to evaluate the 5.1 or Dolby, but the sound is fine on my tv speakers.

I know that I bought the Unicorn Video version because of the price I paid, but Unicorn Video does not appear anywhere on the DVD case. If you're looking for this version in stores, the cover has a picture of Bogart against a wine colored background with 'Digital Gold Collection' in a gold banner at the top of the case.

Truman Capote and John Huston film a New Yorker cartoon.......2004-10-20

Beat the Devil is a subtle comedy of manners. It's not a big Hollywood film, but a small independent (Bogart's own production company) that happens to have an amazing cast, is directed by one of the best (John Huston), with a Truman Capote screenplay. It's become one of my favorite off-beat films and can't recommend it enough.

What's not to like? Quite a bit if you read some of the disgruntled reviews below! But don't be dissuaded, it's a gem. And remember, Pauline Kael was a huge fan of this movie; if she's a reviewer you trust, that might be enough for you.

Other reviewers have outlined the plot so I won't go into that, and in any case, that's not the reason to watch this movie. The plot's certainly as good as any amusing Hitchcock film, with its MacGuffin and several surprising twists and comic suspense subplots unraveling throughout.

There are subtleties to Beat the Devil that apparently escape many reviewers, who perhaps wanted another formulaic 'noir' classic or some kind of slapstick laff-fest. If you like New Yorker cartoons, you'll likely enjoy this movie as much as I do: I've watched this movie at least 5 times and still love it.

Beat the Devil escapes categorization, except to say that it's a brilliant comic screenplay performed with skill and insight by several of the best actors of the 50s. Robert Morley is sublimely funny, and brings out the best in Peter Lorre and the other criminals in the gang.

Jennifer Jones is sexy and charming in her role as a compulsive liar, as is her classic and earnestly doltish husband. They reek naive British charm and are marvelous together, providing a poignant tension in contrast to the gang of conniving scoundrels.

Bogart himself has one foot in each boat, and much of the film revolves around the conflict he suffers in this double life, playing each off the other. As in most Bogie flicks, he's hilariously dry and sly, with lollapalooza actress Gina Lollobrigida playing his scheming wife. Everyone's on the make except Harry Chelm, Jennifer Jones' character's husband.

There isn't the passion of a Bogie/Bacall film, and it's not the classic noir we all love with Bogart, so don't be disappointed.

One word of warning: Beat the Devil slipped into the public domain, so the DVDs on the market are of varying quality. The one I have is ok, but only just... it's like watching an old movie, with herky jerky pops and cuts and some noise. It doesn't bother me that much though, and emphasizes the 'rare find' quality if you're feeling charitable. If you're a digital maniac, you'll be better served watching something Criterion's had its way with.

Beat the Devil is one of the most unusual 50s movies I can think of, and I don't normally watch any movie as often as I've watched this one. With the possible exception of other Bogart classics.

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