Who's Who

Starring:Whos Who
Studio: Water Bearer Films, Inc
Product Type: DVD

Average customer rating:

interesting flick
everybody should watch this
Just what I always suspected.
Good premise, flawed presentation
Sometimes a documentary can bring about change!

Who Killed the Electric Car?
Starring: Martin Sheen
Manufacturer: Sony Pictures
ProductGroup: DVD
Binding: DVD

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ASIN: B000I5Y8FU
Release Date: 2006-11-14

Amazon.com

It begins with a solemn funeral…for a car. By the end of Chris Paine's lively and informative documentary, the idea doesn't seem quite so strange. As narrator Martin Sheen notes, "They were quiet and fast, produced no exhaust and ran without gasoline." Paine proceeds to show how this unique vehicle came into being and why General Motors ended up reclaiming its once-prized creation less than a decade later. He begins 100 years ago with the original electric car. By the 1920s, the internal-combustion engine had rendered it obsolete. By the 1980s, however, car companies started exploring alternative energy sources, like solar power. This, in turn, led to the late, great battery-powered EV1. Throughout, Paine deftly translates hard science and complex politics, such as California's Zero-Emission Vehicle Mandate, into lay person's terms (director Alex Gibney, Oscar-nominated for Enron: The Smartest Guys in the Room, served as consulting producer). And everyone gets the chance to have their say: engineers, politicians, protesters, and petroleum spokespeople--even celebrity drivers, like Peter Horton, Alexandra Paul, and a wild man beard-sporting Mel Gibson. But the most persuasive participant is former Saturn employee Chelsea Sexton. Promoting the benefits of the EV1 was more than a job to her, and she continues to lobby for more environmentally friendly options. Sexton provides the small ray of hope Paine's film so desperately needs. Who Killed the Electric Car? is, otherwise, a tremendously sobering experience. --Kathleen C. Fennessy

Stills from Who Killed the Electric Car? (click for larger image)

Product Description

In 1996, electric cars began to appear on roads all over California. They were quiet and fast, produced no exhaust and ran without gasoline. Ten years later, these futuristic cars were almost entirely gone. What happened? Why should we be haunted by the ghost of the electric car?

Customer Reviews:

interesting flick.......2007-07-03

wow- cool film. showed me a world I have never seen. Its amazing how far ahead of the times these cars were and now....gone.

everybody should watch this.......2007-07-03

shocking documentary, shows to what extent lobbies and politicians wield their power in order to protect their interest against ours

every school around the world should show this to their pupils

Just what I always suspected........2007-06-30

I am a mechanical engineer. I have always suspected that the car companies and oil companies are keeping the electric car down. The technology is available right now to produce a viable electric car. Instead they are deceiving us with the promise of a hydrogen car - 20 to 30 years in the future! Give me a break.

What puzzles me is why an electric car hasn't been produced and marketed by any other company.

Good premise, flawed presentation.......2007-06-30

This is a documentary that I truly wanted to like. The electric car is a program that, on the surface, looked very good. I have no doubt that it was actually done in by the automakers and fossil fuel lobbyists. I think that widespread use of vehicles like the EV-1 would have made a positive impact on both reducing dependency on oil imports and improving air quality in congested urban areas.

But this documentary was repetitive to the point of boredom. I got the definite impression that much of the film was filler, put there to make it qualify as a "feature length" product.

And, the rise of hybrid vehicles has resulted in a MUCH more practical technology than what the EV-1 represented. And wider public acceptance of hybrids will ensure that the savings in imported oil and the impact on the environment will be considerable. This was somewhat downplayed in the film. They went on to give the hydrogen fuel concept a good bashing, too. Maybe deservedly so. But the potential for a hydrogen fueled transportation system does have some advantages, and these were not presented.

Sometimes a documentary can bring about change!.......2007-06-27

I loved the movie! Perhaps just a tiny bit "paranoid" about the reasons for crushing all the EV1s, perhaps not. But the most interesting thing about this documentary is that I do believe it will result in a new look at electric vehicles by GM and perhaps other manufacturers. In the June 2007 Automotive News magazine, an article discussing this movie went to print. The author of the article implies that manufacturers would be wise to put aside immediate profit pictures and take the lead in alternative power vehicles for future profit AND to demonstrate that they care about environmental issues. He implies that if GM hadn't "taken the safe road and killed the vehicle that appeared to be unprofitable" they might be in better shape today! Will the manufacturers take note? Perhaps the media can actually change history.

Average customer rating:

Great Fun!
Return of the Cybermen and Daleks
If I could give it -50,000 stars I would.
Almost worth the extravagent price
Doctor Who Rocks!

Doctor Who - The Complete Second Series
Starring: David Tennant
Manufacturer: BBC Warner
ProductGroup: DVD
Binding: DVD

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Doctor Who - The Complete First Series
Doctor Who - The Sontaran Experiment (Episode #77)
Doctor Who - The Invasion
Doctor Who - The Hand of Fear (Episode 87)
Doctor Who - New Beginnings (The Keeper of Traken / Logopolis / Castrovalva)

ASIN: B000JBWWP6
Release Date: 2007-01-16

Amazon.com

Christopher Eccleston's tenure as the time-traveling title hero in the venerable UK sci-fi series Doctor Who lasted just 13 episodes, but he left enough of a impression on fans to make some wonder how his replacement, veteran television performer David Tennant, might fare in the role. As this second-series boxed set proves, the answer is: he's a near-perfect Doctor who combines the eccentricities of earlier incarnations (most notably Tom Baker) with a fresh and youthful interpretation of his own, and even brings a healthy dash of romantic chemistry with his sidekick, Rose Tyler (the equally charming Billie Piper). And their adventures retain the solid blend of thoughtful speculative fiction, pulp action, and quirky humor that typified the series at its best. Among the 15 terrific stories contained in the six-disc set are the "Children in Need" (a.k.a. "Pudsey Cutaway") mini-episode from the 2005 Children in Need telethon that showed Eccleston's transformation into Tennant; "School Reunion," in which Elisabeth Sladen returns as Sarah Jane Smith; "The Girl in the Fireplace," which draws together robots in 18th century France with a derelict space station in the distant future; and the season finale, "Army of Ghosts/Doomsday," which not only revives the series' most popular villains, the robotic Daleks, in a head-to-head struggle against the Cybermen, but also marks the final appearance of another series regular. For fans and first-time visitors to the TARDIS alike, the Second Series is simply thrilling sci-fi TV.

As with the First Series set, the supplemental features are plentiful here; commentary by the show's cast and crew is provided on each episode, and four feature picture-in-picture commentary tracks; deleted scenes and outtakes are also included, as are video diaries by Tennant and Piper, and a lengthy featurette, "Doctor Who Confidential," which covers nearly every aspect of the series' production, including the introduction of the Torchwood Institute and the return of Sarah Jane, both of which would be featured in their own respective spin-off series (the first in Doctor Who's long history) in 2007. - Paul Gaita

Description

Can Rose trust a man with a new face? David Tennant (Viva Blackpool, Harry Potter) steps into the role of the Doctor, now in his 10th incarnation. Following on from the phenomenal success of the first series, the second series is full of more thrills, more laughs, more heartbreak and some terrifying new aliens and old acquaintances. The Doctor and Rose meet Queen Victoria, an evil race of Cat Women, K9 and Sarah Jane, and the dreaded Cybermen.

DVD Features:
Audio Commentary
Deleted Scenes
Other:Doctor Who is the longest running sci-fi franchise in television history
Outtakes:Doctor Who is the longest running sci-fi franchise in television history
Other

Customer Reviews:

Great Fun!.......2007-07-03

The new Doctor Who series has a bigger budget and better writing than the past generations and it's tons of fun! We prefer Christopher Eccleston in the 1st series as the Doctor. David Tennant's Doctor is just a bit melodramtic nutsy with a tinge of mushy humanism (a few too many diatribes about how magnificance of the human race). Otherwise, we've enjoyed the 2nd series as much as the first and are looking forward to the 3rd. We just might have to go back and watch some of the original series just so we know the history of the Doctor better.

Return of the Cybermen and Daleks.......2007-06-27

The second series is great! As hardcore Dr. Who fans, my son and I enjoyed every episode, particularly the ones with the Cybermen and Daleks.

One nice aspect of Dr. Who is that it is appropriate for all ages.

If I could give it -50,000 stars I would........2007-06-19

I agree with the other 2 one star reviewers - why bother? This is some of the worst television I have ever seen. I love old Doctor Who up to somewhere towards the end of Tom Baker - then it gets patchy and is only sporadically worthwhile. This new series is Doctor Who in name only - when compared with the old stuff this is a good demonstration of our culture going to seed.
The format has changed completely - admittedly this second series Tennant is much better than CE, but neither of them are 'Doctor-like' at all in my opinion. The new BBC production is glossy and looks kind of impressive but it fails to hide the lack of heart beneath. Everything is sensationalised and overly dramatic - the writing is terrible, the characters particularly annoying and the Doctor, although historically sometimes playing the fool, here adds to the role a cocksure arrogance which somehow doesn't feel right anymore.
In fact, this new Doctor Who is an apt metaphor for the once Great Britain going to seed in modern times. Slappers, whingers, louts and bullies make up the characters and there is so much pulling of the heart-strings that it all snaps pretty quickly. The new 'action' emphasis represents a dumbing down of the format into a more modern American feel but 90s Star Trek was so much better than this.
It shows how lacking in imagination the BBC is that it had to drag the Doctor kicking, screaming and whinging back into the 21st century to a treatment and postmodern environment that doesn't suit at all. They really should be ashamed of themselves but they wouldn't have the good sense to be I guess.
It is obvious I am out of step with popular opinion - you'll find lots of people who loved the new Star Wars films too - but I reckon if you genuinely enjoy this stuff then that's pretty sad.
This is empty, flashy rubbish that recycles old ideas into an ill-fitting new format designed to suit the morons of today with 10-second attention spans and a need for explicit romantic content and soppy emotional rubbish entirely lacking in credibility or sincerity.
It's not that I think they should have remade it trying to keep it as it was, they just should have let it RIP and come up with a new idea - obviously too hard for the masterminds running BBC these days.
(On a similar theme - the decline of the British persona is shown up in a series of embarrassing interviews done by some young git for the Fawlty Towers boxset. Check out the one with Prunella Scales - I felt sorry for her having to tolerate the fool.)
OK - tell me how unhelpful it is to post a different opinion here rather than the normal, gushing 5-star rave and the sycophantic Amazon official review - I'm waiting.....

Almost worth the extravagent price.......2007-06-13

The problem with BBC is that they tend to price everything into the realm of ridiculous. Any fan of Rome - The Complete First Season or The Sopranos: The Complete Second Season is familiar with HBO's draconian pricing strategy so we shouldn't be surprised when BBC pulls the same kind of stunt. It's still annoying. And while Doctor Who - The Complete First Series was well worth the price, this one is good...but not really.

First off, we have some solid episodes to establish David Tenant. The Xmas Invasion is one of those "Doctor Who can't deal with his regeneration" stories that started with Castravolva and the writers keep writing. I suppose we can't ask for Tom Baker to jump up and start fighting big robots and pushing Brigidier around, but I do miss the days when the Doctor could just be the Doctor. Still, there is a joy when David Tennant finally wakes up out of his coma and takes on the aliens. It's similar to the joy experienced this season when The Doctor sheds his scared John Smith persona and the alien narrator explains that the whole fleeing thing was a way for the Doctor to be kind.

The first few episodes do establish the Doctor and David Tennant. He's both less dark and more earnest in this season. There's a strain of sorrow going through most of these storylines as you are almost weeping for the evil "last human" in the hospital storyline and "The Girl in the Fireplace" is geared towards breaking your heart. The sad thing is that I know I'll hate Tristan and Isolde (Widescreen Edition) but I think I'm going to have to see it just because Sophia Myles is too enchanting not to watch in everything.

However, tedium sets in just after the Cybermen make their appearance as the alternate universe Cybermen (so what happened to the original version? ARe they all gone? Never explained.) With an endless series of "Rose is probably gonna die" bits, and lackluster stories (the demon planet one bored me. The "Fear Her" one is bad, probably not as bad as most people say but still pretty bad) the series rolls into a really cool two-parter that doesn't make up for the second half being so dull up until then.

If you can buy this for less than the $100 asking price ($50 should be the max you pay for a 12-part DVD set. You can get 22 episodes of How I Met Your Mother - Season 1 for less than $40. And that show is much more consistent) buy it. Else wait. The third season is a definite improvement. And while you're at it, pick up a copy of Teddy Bear Cannibal Massacre just because reading is good for you.

Doctor Who Rocks!.......2007-06-08

What can I say? It's Doctor Who, it rules!
Just as good if not better then the first series.
I liked the last Doctor but the new on is great in a differant way.
Billy Piper is amazing. I am sad she is not in the 3rd series :(

Average customer rating:

Christopher Eccleston is the DOCTOR!
Not at all what I remembered!
Great
The Doctor is back!
Blown away by these amazing DVDs

Doctor Who - The Complete First Series
Starring: Billie Piper , Christopher Eccleston , Camille Coduri , Noel Clarke , and John Barrowman
Manufacturer: BBC Warner
ProductGroup: DVD
Binding: DVD

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Doctor Who - The Complete Second Series
Doctor Who - Genesis of the Daleks (Episode 78)
Doctor Who - The Beginning Collection
Doctor Who - Inferno (Episode 54)
Doctor Who - The Mark of the Rani (Episode 140)

ASIN: B000E41MS6
Release Date: 2006-07-04

Amazon.com

The venerable science fiction program Doctor Who returned to British televisions in 2005 after a 15-year absence and delighted the majority of fans and critics with its adherence to the adventure and charm of the original series while making admissions for a new generation of viewers (hipper editing and score, CGI effects). Thirteen episodes were generated, all starring Christopher Eccleston as the ninth Doctor and pop-singer-turned-actress Billie Piper as his companion Rose; acclaimed writer/producer Russell T. Davies (Touching Evil, Queer as Folk) oversaw the show as chief writer and executive producer. The new series proved so popular that the BBC agreed to revive the program for second and third seasons--though without Eccleston, who has since been replaced by David Tennant. This six-disc set comes with all 13 episodes plus the battery of supplemental features now customary to all Doctor Who DVD releases.

Eccleston is very engaging in the title role, bringing a manic curiosity tempered by occasional bouts of gravity (which befit a personality with a long and dramatic a lifespan as the Doctor's) that hew closely to the (arguably) most popular Doctor, Tom Baker. Piper is equally adept as department store clerk Rose--she's afforded more of a back story than most of the Doctor's sidekicks have received in the past, and she more than handles her own alongside Eccleston. Highlights among the 13 episodes include the season opener, "Rose" (which sees the return of an old foe, the Autons, and their controlling force, the Nestene Consciousness); the revamped Daleks in "Dalek" and the two-parter "Bad Wolf" and "The Parting of the Ways"; a trip to Victorian England to aid Charles Dickens in "The Unquiet Dead," and of course, the arrival of the tenth Doctor at the conclusion of the action-packed "Parting of the Ways." The episodes strike the right blend of quirk, excitement, and imagination, thanks largely to the engaging performances and the guidance of Davies, whose admiration for the show and its history is evident throughout.

Supplemental features--and there are many--including commentary on all 13 episodes by members of the cast and crew, including Piper and Davies; numerous making-of featurettes, including a profile of Davies; a video diary by Piper; an interview with Eccleston, and best of all, a glimpse at the 60-minute Christmas special, "The Christmas Invasion," which picks up where the series concludes. Who fans won't be disappointed. --Paul Gaita

Description

Christopher Eccleston's Doctor is wise and funny, cheeky and brave. An alien and a loner, his detached logic gives him a vital edge when the world's in danger. But when it comes to human relationships, he can be found wanting. That's why he needs Rose. From the moment they meet, the Doctor and Rose understand and complement each other. As they travel together through time, encountering new adversaries, the Doctor shows her things beyond imagination.

DVD Features:
Audio Commentary: Dolby Digital 5.1 surround mix on all eps Almost 5 hours of ?making of? interviews and behind-the-scenes footage
Interviews
Other:Star studded team of writers including Russell T Davies (Queer As Folk), Steven Moffat (Coupling), and Mark Gatiss (The League of Gentlemen)

Customer Reviews:

Christopher Eccleston is the DOCTOR!.......2007-07-03

The new Doctor Who series has a bigger budget and better writing than the past generations and it's tons of fun! Christopher Eccleston in the 1st series as the Doctor is FANTASTIC. Great action packed stories that are lots of fun to watch. If you never understood the British cult of Doctor Who previously, this new series will hook you.

In the second series, David Tennant's Doctor is just a bit melodramtic nutsy with a tinge of mushy humanism (a few too many diatribes about the magnificance of the human race). But still worth watching!

Not at all what I remembered!.......2007-07-03

I passionately hated Dr. Who when I was a kid growing up in the mid-80's. I just didn't understand why anyone would like it. Couldn't even stand to listen to the theme music 'cause it freaked me out so badly! I've never been a huge fan of science fiction either. (Harry Potter books are one of only a very few exceptions to this rule.)

However, when my local PBS station (which I LOVE) started airing episodes from this new series, I figured I'd give it another try. SO worth it! The writing, acting, special effects, directing...EVERYTHING about it is excellent, and it's such an intelligent, thought-provoking show which makes you feel so many different emotions!

If one episode alone could completely change my opinion, how much do you think YOU would enjoy it? :-)

Yes, I'm an adult now and can tolerate scary TV much better than I used to, but I will admit that sections of some episodes still frighten me. (Great episode, but "Empty Child" sent shivers down my spine every time I heard this little voice call out, "Mummy. Mummy. Are you my mummy?") I like to watch this series with all the lights on and the dog curled up with me. Each episode sticks with me, and I always hope that it won't give me nightmares!

Great.......2007-06-03

This show is sooo great and I love watching, it is great for the whole family because it has slap stick comedy and you will want to watch it over again.

The Doctor is back!.......2007-05-30

I have to admit, I grew up watching Dr. Who, and when I found out that Dr. Who was back I was excited and yet really not expecting much. I mean remakes are never that good... right? Boy, am I glad to be wrong! This was so cool. Everything that made Dr. Who awesome before is still there. (with the exception of the longer storylines, which I loved) Eccleson is the best Dr. yet! If you've ever seen Dr. Who, you'll love this and if you've never seen it... get ready to be hooked. You'll want to watch it over and over again. :)

Blown away by these amazing DVDs.......2007-05-25

Never having been exposed to Doctor Who before I am just in awe of the fine writing and production values that this series brings. The acting of Christopher Eccleston is Emmy worthy. These DVDs are a must for any fan of science fiction or any H.G. Wells afficionado. Just brillant in all respects.

The Mario Bava Collection, Volume 1 (Black Sunday / Black Sabbath / The Girl Who Knew Too Much / Kill Baby Kill / Knives of the Avenger)

Average customer rating:

Finally...
great collection
Bittersweet Box Set
Bate and Swich
Very Pleased Overall

The Mario Bava Collection, Volume 1 (Black Sunday / Black Sabbath / The Girl Who Knew Too Much / Kill Baby Kill / Knives of the Avenger)
Starring: Cameron Mitchell , Fausto Tozzi , Giacomo Rossi-Stuart , Luciano Pollentin , and Amedeo Trilli
Director: Mario Bava , and Salvatore Billitteri
Manufacturer: Starz / Anchor Bay
ProductGroup: DVD
Binding: DVD

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ASIN: B000MV8ABI
Release Date: 2007-04-03

Amazon.com

Five of Mario Bava's best films are included in this box set, minus his forays into eroticism, like Blood and Black Lace. Still, the lines between sexual pathos and violence blur in these selections that influenced not only other famed directors of Giallo, such as Dario Argento and Lucio Fulci, but also spawned the American golden age in horror, led by directors such as John Carpenter. Three black and white films here exemplify Bava's trademark use of chiaroscuro mixed with suspense-building cinematography first developed in early horror classics like Nosferatu and The Cabinet of Dr. Caligari. In the Hitchcock-inspired Evil Eye (1963), tourist Nora Davis (Leticia Roman) witnesses a murder but can't convince police of the crime. Kill Baby Kill! (1966) is the prototype for all little girl-ghost films. Dr. Paul Eswai (Giacomo Rossi-Stuart) is recruited to solve the mystery of Villa Graps, where Baroness Graps (Giana Vivaldi) reanimates her dead daughter, Melissa, by killing innocent villagers. In Black Sunday (1960), the witch Princess Asa Vajda comes back from the dead to inhabit her look-alike, Katia, both played by Barbara Steele, the original femme fatale to which all brunette vamps, like Soledad Miranda (Vampyros Lesbos) and Elvira, are indebted.

In Technicolor, Bava's fantastically rainbow-lit films underpin the director's fascination with connections between our world and those imagined. Black Sabbath (1963) is a trilogy hosted by Boris Karloff, who also stars as a Russian vampire in its segment, "The Wurdalak." "The Telephone," and "The Drop of Water," in which a nurse, Helen Correy (Jacqueline Pierreux), steals a ring then fears that her dead medium patient seeks revenge, are acute studies of guilt and paranoia. The Viking saga, Knives of the Avenger (1966), like Bava's Hercules in the Haunted World, spawned several sword and sorcery films, while protagonist Rurik's (Cameron Mitchell's) knife-throwing is indeed entertaining. Screened back to back, these films provide evidence of Bava's influence in the horror genre. Moreover, they reveal Bava's deep understanding of horror's many facets, whether sexually, psychologically, or physically based. —Trinie Dalton

Description

More than a quarter of a century after his death, director Mario Bava remains one of international cinema's most controversial icons. Today his influence — marked by stunning visuals, daring sexuality and shocking violence — can still be seen in the works of Martin Scorsese, David Lynch, Tim Burton, Dario Argento and countless others in a legacy that extends far beyond the horror genre. This collection brings together 5 landmark movies from the first half of Bava's career — encompassing the original giallo, a bold Viking epic, and his three gothic horror masterpieces — featuring new transfers, original European versions, and exclusive featurettes to create the definitive celebration of one of the most important filmmakers of all time.

Customer Reviews:

Finally..........2007-06-23

Kill Baby Kill is a flic choc full of foreboding atmosphere that can only be appreciated in the original wide-screen aspect. Contrary to Amazon's misleading information, this version IS widescreen with the option to view in Italian w/subtitles. The dubbed version is there for those who dislike subtitles. I paid 19.99 for an earlier crappy edition so needless to say I find this collection offered at 19.99 to be a gift from Amazon. Clear colors and sound make this DVD a joy to watch; great nostalgic fun. I can't wait to view the other titles, also in original theatric aspect, a bonus for me. Am I in Horror Heaven? (I bought an extra set as a present for a relative; no borrowing, please.)

great collection.......2007-04-10

Sorry, but giving this set a bad rating just because the AIP-versions aren't included is stupid in my opinion.
This box includes 5 fantastic movies by Bava (yes, even "Knives Of The Avenger" is a great one) in overall amazing quality with very good bonus features. I believe there is a good reason that AB didn't include the different cuts of "The Girl Who Knew Too Much" and "3 Faces Of Fear": legal issues. If these are solved, hopefully we see these versions someday on DVD (though the only one that really interests me is "The Evil Eye". "Black Sabbath" would just be nice because of Karloff's own dubbing,
but everything else is clearly inferior to the italian version.)
Until then - enjoy what's IN this box, it is an amazing value for the cheap price. Of course many people who want to buy this, already may have different DVDs of some of the movies in there - so everyone must decide for themselves if it is worth getting.

Bittersweet Box Set.......2007-04-09

It's great to have all of these Mario Bava titles in one set. The transfers are really beautiful, and a revelation to those of us with memories of grainy 16mm TV prints. "Black Sunday's" monochrome atmosphere looks particularly lush in this set. "Kill Baby Kill" is a major upgrade to the crummy, desaturated DVD I have from Image.
But they really SHOULD have included BOTH US and Italian versions of the star attraction, "Black Sabbbath". Or at least cut in Karloff's actual voice to the Italian version! Why not re-edit the way it should be? I still rushed out to buy this set, but cannot give it five stars due to the pre-release publicity which stated BOTH Black Sabbath versions would be in the box set. Anchor Bay owes all of us an apology or a free DVD of the English version.

Bate and Swich.......2007-04-06

(NO STARS)
This is not what I was promised in the add.
I will never buy anything "Anchor Bay" again!!!

Very Pleased Overall.......2007-04-06

I'll echo what a previous reviewer wrote concerning the absence of the American International versions of "Mask of Satan" ("Black Sunday"), and "Three Faces of Fear" ("Black Sabbath"). I had fully anticipated their inclusion in this set. After watching the trailer, I know I'm going to need the AIP release "Black Sunday." What really sold me on this set was the opportunity to finally see and own the international edit of "Black Sabbath," and I was frankly unprepared for the vivid clarity of this transfer, and that of "Kill, Baby...Kill." It's great to finally have these films the way they were meant to be seen (however I'm not a fan of English or any other subtitles; English dubs would have been nice).

I haven't gotten around to watching "Knives of the Avenger" or "The Evil Eye," so I can't really weigh in on them. I've been generally pleased with the extras on these discs, the one caveat being the inclusion of the same trailers on each disc. Couldn't they have expanded this selection? As with so many other movie box sets in my collection, the package art's bizarre! Additionally, a decipherable illustration or two of Mario Bava would have been a fitting homage.

On VHS I have the AIP version of "Black Sabbath," and really enjoy it, but seeing this uncut Italian dub I can understand now why this was Bava's favorite film. It's very evident that AIP really went wild in the editing room--it's much more interesting in its original form. Having an educational commentary was also a selling point in my decision to shell out for this; honestly, I don't regret buying this set and I haven't even seen the whole thing yet. If you've been curious about the works of Mario Bava, and you don't mind the subtitles, you won't see finer transfers for his three best films (BLACK SABBATH, BLACK SUNDAY, AND KILL BABY KILL) included here.

However, having said all that, I have to put in a plug for the production of an edition of "Kill Baby Kill" with its killer new WS transfer, but in English and with Tim Lucas' commentary accompanying it. Another highly worthy title of Bava's deserving a more respectable issue is "Planet of the Vampires." When these two finally get the treatment they deserve, a large void will have been filled.

Hasta, and May the Force be With you!

Doctor Who - New Beginnings (The Keeper of Traken / Logopolis / Castrovalva)

Average customer rating:

Worth the price for the music alone!
Very good...though...could be better!!
New Beginnings
A whole new beginning
"A new body... at last!"

Doctor Who - New Beginnings (The Keeper of Traken / Logopolis / Castrovalva)
Starring: Tom Baker , and Peter Davison
Manufacturer: BBC Warner
ProductGroup: DVD
Binding: DVD

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Doctor Who - The Sontaran Experiment (Episode #77)
Doctor Who - The Invasion
Doctor Who - Robot (Episode 75)
Doctor Who - The Hand of Fear (Episode 87)
Doctor Who - Survival (Episode 159)

ASIN: B000NJXG8G
Release Date: 2007-06-05

Amazon.com

Keeper of the Traken
The Keeper of Traken was the beginning of the end for Tom Baker's tenure as the venerable TV sci-fi hero Doctor Who. By the end of the next serial, Logopolis, Baker had been replaced by the Fifth Doctor, Peter Davidson (whose debut, Castrovalva, is also available on DVD, as is Logopolis; both, along with Keeper of Traken, can be found in a three-disc boxed set titled New Beginnings). But fans got one more witty and suspenseful dose of Baker's Doctor with this story, which sends the Time Lord and companion Adric to the planet Traken, a peaceful haven ruled by the all-wise Keeper for a thousand years. The Keeper feels his reign is coming to an end, and with it, the rise of evil from within Traken's governing council itself. The Doctor, however, recognizes the presence of a old and familiar foe at the heart of the mystery--one he thought had been vanquished long ago.

Well-played by the cast (especially Baker, who is given a wealth of amusing lines), and an excellent launching pad for new companion Nyssa (Sarah Sutton), The Keeper of Traken is both a fine addition to the Baker canon and an enjoyable serial for new and old Who fans alike. Extras on the single disc include commentary by Sutton, actors Matthew Waterhouse (Adric) and Anthony Ainley (Consul Tremas), and writer Johnny Byrne; a 30-minute documentary on the serial, which includes interviews with most of the cast and production team; a clip of Sutton on the BBC series Swap Shop; and a featurette on the true identity of the evil plaguing Traken. The by-now-standard photo gallery, text-only commentary track, and PDF of the Doctor Who Annual (here from 1982), Radio Times listings, and BBC sales literature rounds out the crowd-pleasing supplements. --Paul Gaita

Logopolis
After seven years as the Doctor on England's long-running science fiction series Doctor Who, actor Tom Baker hung up his scarf and retired from the role in this four-part serial from 1981. )(The second in a three-part story arc focused around the Doctor's longtime adversary The Master (Anthony Ainley), (The other parts of the arc, Castrovalva and The Keeper of Traken, are also available on DVD as single discs and in a three-disc set titled New Beginnings) Logopolis finds the Time Lord in a contemplative mood as he attempts to repair the TARDIS' broken chameleon circuit, which has left the shape-shifting vehicle in the form of a police box. The Doctor and Adric (Matthew Waterhouse) travel to Logopolis, a planet run by mathematical geniuses, but encounter the Master as he plots to steal the secret of the planet's massive radio telescope. His scheme accidentally releases a wave of entropy that threatens to destroy the universe, and the! Doctor and the Master must work together to prevent the end of existence itself. A sense of finality pervades Logopolis, and certainly for Baker fans, it does mark the end of the actor's run in the role, as well as a period of considerable popularity for the series. Baker's replacement, Peter Davidson, faced an uphill battle when he assumed the Doctor's mantle, and for many fans, his arrival signaled a downward turn for the program that was not reversed until its revival in 2005. The story itself is an intriguing one, and well played by its cast, which included newcomer Janet Fielding as airline stewardess Tegan Jovanka, who became one of the Doctor's companions for several seasons. Extras on the disc include commentary on all four episodes by Baker and Fielding, as well as writer Christopher Bidmead; a trio of BBC news program interviews with Baker on his departure and Davidson on his assumption of the role; a terrific 50-minute featurette titled "A New Body At Las! t," which interviews many of the principal cast and crew on the transi tion from Baker to Davidson; and the usual PDF of printed material from The Doctor Who Annual and Radio Times, as well as the excellent text-only commentary and isolated music tracks fans have come to expect from the discs. -- Paul Gaita

Castrovalva
The four-episode serial Castrovalva not only kicked off the 19th season of Doctor Who, but introduced the fifth incarnation of the venerable British sci-fi hero in the younger (and blonder) form of Peter Davidson, who replaced fan favorite Tom Baker at the end of the previous season. Castrovalva picks up where the Baker finale, Logopolis (also available on DVD), left off, with the Doctor in a weakened state after his transformation, and in need of rest and recuperation. His companions set a course for the planet of Castrovalva, but all is not as it seems on the peaceful and educated world: Could the Doctor's old nemesis The Master be setting a trap for the ailing Time Lord? It's a strong debut for Davidson, who quickly sets his own path as the Doctor (while referencing his predecessor's traits and quirks in several clever bits), and the single disc DVD's extras do an excellent job of covering the transitional phase that the cast and crew underwent during the serial's production. Davidson is front and center on the commentary tracks for all four episodes, and he's joined by castmate Janet Fielding (Tegan), director Fiona Cumming, and writer Christopher H. Bidmead. And he's the focus of two featurettes: "Being Doctor Who," which covers his tenure as the Doctor, and "The Crowded TARDIS," in which he joins Baker, Fielding, and Sarah Sutton (Nyssa) to discuss the Doctor's multiple companions in the Davidson years. Cumming is also profiled in a short feature on directing the episode, and the BBC vaults yield interviews with Davidson from the period on the children's shows Blue Peter and Swap Shop. A pair of deleted scenes, continuity announcements, a photo gallery, the usual above-par text commentary, a PDF of printed material on the show, and a music video for a remix of Peter Howell's theme music round out the supplements. -- Paul Gaita

Description

These three stories saw the return of the Doctor's arch-enemy, The Master, as well as the transition from Tom Baker's Doctor to Peter Davison's. The Keeper of Traken: A distress call brings the Doctor (Tom Baker) to the tranquil planet of Traken, where a living statue poses a deadly threat. (4 eps, 98 mins) Logopolis: The Doctor's (Tom Baker) plan to enlist the help of Logopolis's mathematicians for a small favor become sidetracked when the Master's interference leads to disaster on a universal scale. (4 eps, 98 mins) Castrovalva: The Doctor's (Peter Davison) regeneration is failing, and his last hope rests with Nyssa and Tegan, who struggle to steer the TARDIS to the remote haven of Castrovalva. (4 eps, 96 mins)

DVD Features:
Audio Commentary:Audio Commentary by actors Anthony Ainley, Sarah Sutton and Matthew Waterhouse and writer Johnny Byrne
DVD ROM Features:1982 Doctor Who Annual, Radio Times and BBC Enterprises literature PDFs
Documentary:Being Nice to Each Other: A new 30-minute "making of" documentary that includes contributions from Sarah Sutton, Sheila Ruskin, Geoffrey Beevers, John Black, Johnny Byrne, Christopher H. Bidmead
Interviews:Swap Shop: Noel Edmond interviews Sarah Sutton (11 mins)
Music Only Track
Other:The Return of the Master: Geoffrey Beevers, Christopher H. Bidmead and John Black talk about the return of the Doctor's arch-enemy (8 mins) Trailers and Continuity Announcements (6 mins)
Photo gallery
Production Notes
Audio Commentary:Audio Commentary by actors Tom Baker and Janet Fielding and writer Christopher H. Bidmead
DVD ROM Features:1982 Doctor Who Annual, Radio Times and BBC Enterprises literature PDFs
Documentary:A New Body at Last: A new 50-minute documentary on the transition from Tom Baker to Peter Davison, featuring many of the actors and production team involved, plus exclusive behind the scenes footage of the regeneration
Interviews:Nationwide Interviews with Tom Baker and Peter Davison (8 mins) Pebble Mill at One: Peter Davison interview (12 mins)
Music Only Track
Other:BBC News Reports on Tom Baker's wedding, the announcement of Tom Baker's departure and Peter Davison's arrival (1 min)
Photo gallery
Production Notes
TV Spot:Trailers and Continuity Announcements (2 mins)
Audio Commentary:Audio Commentary by actors Peter Davison and Janet Fielding, writer Christopher H. Bidmead and director Fiona Cumming
DVD ROM Features:1982 Doctor Who Annual, Radio Times and BBC Enterprises literature PDFs
Deleted Scenes
Featurette:The Crowded TARDIS: 11-minute featurette with Tom Baker, Peter Davison, Sarah Sutton, John Black and Christopher H. Bidmead
Interviews:Being Doctor Who: Peter Davison discusses how he approached this iconic role (13 mins) Directing Castrovalva: 11-minute interview with Fiona Cumming Swap Shop, Blue Peter: Peter Davison interviews (29 mins)
Music Only Track
Music Video:New remix of Peter Howell's Doctor Who theme music for 1980 in stereo or Dolby 5.1 surround
Photo gallery
Production Notes
TV Spot:Trailers and Continuity Announcements (5 mins)

Customer Reviews:

Worth the price for the music alone!.......2007-06-19

The stories are definitely 5 stars, and deserve a trilogy release no doubt. This was one of the most exciting times to be a Doctor Who fan, and they still hold up today. Can't say anything that others haven't already said better, but I just wanted to add that this particular release is worth it for the isolated music scores by the brilliant Paddy Kingsland (Logopolis and Castrovalva) and Roger Limb (Traken) alone! The special features are, indeed, very special for someone who loves these stories and this era. Heck, the great stories are just the icing!

Very good...though...could be better!!.......2007-06-15

I thought the dvd's were really good in handling the transition from Baker to Davison.
The Keeper of Traken was the best solid and entertaining i think. Though...Logopolis and Castrovalva fall slightly short of when it comes to enthusiastic plots. I feel their could have been two better stories written for the Baker to Davison transition.
I rate if 4 because Tom Baker (my favorite doctor)..gives an excellent performance..as well as Peter Davison (my third favorite).
Still i think this is a must have for any doctor who fan. The release of Tom Baker's Robot in August should also be well worth waiting for!

New Beginnings.......2007-06-13

I am a major fan of Who and these episodes are definitely a lot of fun. We in America are certainly lacking Peter Davison episodes and this helps appease that loss a little. I just have to ask for more. On a major downside, I just opened my copies of the 3 disc set and found two copies of Keeper of Traken and no copy of Logopolis. Because of that, I have to sit and wait for new copies and can only give the review a 3 out of 5. It may not be Amazon's fault for this but the problem should hopefully not happen to any of you.

A whole new beginning.......2007-06-12

Three stories from a very turbulent era of the classic BBC series Doctor Who have hit the shelves, either in a box set or as three individual discs - a much more expensive option! Grouped together under the title "New Beginnings" or alternatively "The Return of The Master", these three stories very much make up the `end of an era' and a fresh start for the errant Time Lord.

Tom Baker had been playing the part of the Doctor since 1974 and although it was by now very accepted for different actors to play the part, he had become so entrenched in the role that the public very much saw him as "The" Doctor and for a whole generation of younger viewers, he was the "Only" Doctor. Behind the scenes, Baker had become more and more difficult to work with and changes in the production team at the start of season 18 had irritated him even further. His annual threat to leave the show was presented in due course and this time - it was accepted! New producer John Nathan-Turner was eager to stamp his own identity on the show and recasting the central role was one that certainly excited him. Although he briefly considered Richard Griffiths for the part, his one and only choice was the much younger actor Peter Davison, who was already very well known to TV viewers from his work on All Creatures Great and Small.

By the time The Keeper of Traken, the penultimate story of season 18, was in production, Baker's departure had been announced and plans were well under way to ease the transition to the new Doctor, to be played by 29-years-old Peter Davison, the youngest actor yet to take on the part. In order to make the change over smooth and take the opportunity to halt the declining ratings and re-launch the almost eighteen-years-old show, Nathan-Turner made many sweeping changes to the look of the programme as well as many cast changes in addition to the role of the Doctor. At the start of the season, new music, opening titles, costuming and design elements had given the show a very much needed lift although in retrospect, they may not all have been particularly successful. Despite the departing lead actor, he also made many other cast changes, including dropping the Doctor's companion Romana (played by Baker's wife Lalla Ward) and his robot dog K9. Three new companions were introduced throughout the season, with Adric, a teenage boy played by Matthew Waterhouse arriving in story three and Nyssa, a teenage girl played by Sarah Sutton, appearing first in The Keeper of Traken. Tegan Jovanka, an Australian air hostess played by Janet Fielding came on board in the last story of the season, the middle segment of this set, Logopolis, the last of Baker's tenure. As if all these changes weren't enough, The Master, the Doctor's fellow Time Lord and bitterest enemy, was resurrected after a few years out of the show, played by both Geoffrey Beevers and Anthony Ainley. Finally, with another needed revamp of the graphics and a move to a new day and time slot, plus the scheduling two episodes per week, Peter Davison takes on the role in the third of the set, Castrovalva. So many changes...

The three stories themselves stand up quite well, although all are rather indicative of the Nathan-Turner approach to the show - hugely complicated story lines that often don't make much sense before repeated viewing. Perhaps script editor Christopher H. Bidmead, who also penned the scripts for both Logopolis and Castrovalva, is more at fault here, but scripting and story telling is often cited as the key weakness in Nathan-Turner's ability. Indeed, the wonderful extras included on these three discs feature many interviews with the cast and writers, most notably Tom Baker and Peter Davison, who are nearly all somewhat critical of Nathan-Turner and his approach to the show. Costuming seems to be something that irritates both the lead actors, but the ever changing cast list and the expansion of the companions is something that clearly neither was happy with, as the writers and Directors involved echo. The "in-jokes" that were beginning to pepper the scripts is also clearly an irritant to all but the producer.

The disc's extras are really phenomenal and even if these stories aren't your favorite, the extras will make it all worthwhile. Apart from many, many new and extremely frank interviews, there are all sorts of news and archive shows to enjoy, including many features on Davison's winning of the role. Each disc has its own commentary, The Keeper of Traken featuring the late Anthony Ainley, who thus marks his one and only commentary contribution. For me, Ainley is one of the problems that overshadows these three stories. He starts off in the role of Tremas; a character that is taken over by The Master at the end of the Traken adventure, going on to appear as The Master in the next two stories and throughout the subsequent nine years of the original show. A hammier actor is unimaginable. His pantomime-like performance did a lot to destroy the integrity of the character. Geoffrey Beevers, who plays The Master in the majority of the Traken story would have made a much, much more sinister and believable character and it's such a shame he wasn't offered (or at least didn't accept) the role full time. One extremely annoying feature of the Traken commentary is that Ainley and Matthew Waterhouse keep repeating lines from the show, which actually makes it sound like there's a time delay echo on the disc. It takes some getting used to. Sarah Sutton and writer Johnny Byrne add their thoughts to the Traken commentary. Tom Baker and Janet Fielding (together with Christopher H. Bidmead) provide the Logopolis commentary and alas, Baker is almost silent throughout the recording. He contributes very little indeed. Peter Davison joins Fielding and director Fiona Cumming for Castrovalva.

The new dawn for the show really did arrive with Davison. Although I'm no fan of his portrayal of The Doctor, the revamp came at the right time and salvaged an otherwise dying show, giving it a complete new lease of life. The move away from Saturday tea-time to a later weeknight slot proved a hit and the ratings improved dramatically. What Baker, Davison, Bidmead, director John Black and others in the accompanying documentaries have to say about the new (and passing) era of the show is fascinating. The honesty from Baker is extremely revealing and almost makes this set an invaluable addition to the Doctor Who library on its own.

"A new body... at last!".......2007-06-10

It will be hard for Doctor Who fans not to heed the call of this excellent DVD set, for the Time Lords, they are a-changin'. Indeed, the three storylines included here work as a whole to mark a pivotal shift in the show's development in the early 1980's. True, each story is to some degree self-contained and episodic in terms of location, plot, and concept, and yet all three flow together into a loosely-structured trilogy of sorts thematically unified by regeneration and renewal--first, ominously enough, of evil, as the Doctor's fellow Time Lord and arch-nemesis the Master cheats death and decay by using an innocent man's life force to rejuvenate himself (henceforth he'll become a regular villain in the series for years). But then even more significantly, the Doctor himself is fatally injured in the Master's schemes and must regenerate, thus marking the end of Tom Baker's long, much-loved, and virtually iconic tenure in the role and the beginning of Peter Davison's time at the Tardis console--for some, a key moment in the show's downfall, for others the start of a younger, fresher and more serious interpretation of the Doctor; opinions tend to divide sharply, which means this DVD set gets the added spice of a touch of controversy. And as if the Doctor and the Master weren't enough, there are other new beginnings here, too. Romana and K9 are gone. A new group of traveling companions gradually join the Doctor throughout this loose trilogy--as many as three in fact, which actually replaces the general formula (since 1970) of a single female companion with a demographic batch closer to the companion crews typical of the 1960's. Perhaps a bit crowded, but characters we'll see regularly for quite a while are introduced right here.

All of this shuffling about would be pointless though if these weren't fine stories in their own right, and they are, each a well-written gem in its own way. "The Keeper of Traken" is a classic tale of deceitful serpents in paradisiacal gardens, complete with an imaginative vision of an alien society and a compelling blend of fantasy and sci-fi elements (plus some of the most fabulous costumes and sets you'll ever see on "Doctor Who"). "Logopolis" successfully incorporates sophisticated mathematical and astrophysical concepts into a suspenseful tale of life and death; a riveting adventure full of foreboding, and yet this may well be "Doctor Who" at its most cerebral and conceptual in terms of science-fiction. And "Castrovalva" perhaps gets a little too abstract and brainy for its own good, but the surreal premise and M.C. Escher imagery is quite intriguing altogether and the attempt to realistically suggest the physiological shock of regeneration an interesting and risky plot device. In short, these are three fine "Doctor Who" storylines in their own right, and as a trilogy they represent a momentous shift in this long-running program. And they're all here, complete with insightful extras and nicely packaged in one spiffy box. There's a lot of uncertainty in the universe but no guesswork when it comes to this very excellent and enjoyable DVD set.

P.S. The three storylines in this DVD set all make up one loosely-linked trilogy, as mentioned, and they're probably best watched in that manner. For that reason, and in terms of economics and convenience, this box set is really the way to go, especially if you're a fervent Doctor Who fan. However, if you are exclusively interested only in a single DVD from this set, they are sold individually as well:
1. Doctor Who - Keeper of Traken (Episode 115)
2. Doctor Who - Logopolis (Episode 116)
3. Doctor Who - Castrovalva (Episode 117)

Alfred Hitchcock - The Masterpiece Collection (Psycho / Vertigo / Rear Window / The Birds / Shadow of a Doubt / Family Plot / Frenzy / The Man Who Knew Too Much / Marnie / Rope / Saboteur / Topaz / Torn Curtain / The Trouble with Harry)

Average customer rating:

Poor packaging.
A REALLY NICE COLLECTION - A GREAT GIFT
Alfred Hitchcock Masterpiece Collection
Alfred Hitchcock - Masterpiece Movie Collection DVD set
Multible Thrillers

Alfred Hitchcock - The Masterpiece Collection (Psycho / Vertigo / Rear Window / The Birds / Shadow of a Doubt / Family Plot / Frenzy / The Man Who Knew Too Much / Marnie / Rope / Saboteur / Topaz / Torn Curtain / The Trouble with Harry)
Starring: Alfred Hitchcock
Manufacturer: Universal Studios Home Entertainment
ProductGroup: DVD
Binding: DVD

General | Classics | Genres | DVD | Video

Mystery | Mystery & Suspense | Genres | DVD | Video

General | Mystery & Suspense | Genres | DVD | Video

( A ) | Titles | Features | DVD | Video

Mystery & Suspense | Boxed Sets | Stores | DVD | Video

Classics | Boxed Sets | Stores | DVD | Video

The Alfred Hitchcock Signature Collection (Strangers on a Train Two-Disc Edition / North by Northwest / Dial M for Murder / Foreign Correspondent / Suspicion / The Wrong Man / Stage Fright / I Confess / Mr. and Mrs. Smith)
Alfred Hitchcock Presents - Season One
Lifeboat (Special Edition)
To Catch a Thief (Special Collector's Edition)
Double Indemnity (Universal Legacy Series)

ASIN: B000A1INJE
Release Date: 2005-10-04

Product Description

14 of the finest works from the universally acclaimed Master of Suspense come together for the first time in one collection. These captivating landmark films boast three decades of Hollywood legends, including James Stewart, Grace Kelly, Anthony Perkins, Sean Connery and Doris Day. The premium packaging and collectible book make Alfred Hitchcock: The Masterpiece Collection the must-own, definitive anthology of gripping works by a true genius.

System Requirements:

Running Time 1630 Min

Format: DVD MOVIE

Amazon.com

Masterpiece indeed. With 14 films, each supplemented with numerous documentaries, commentaries, and other bonus materials, Alfred Hitchcock - The Masterpiece Collection will be the cornerstone for any serious DVD library. Packaged in a beautiful, conversation-starting velvet box, the individual discs inside come four to a case, decorated with original poster art.

No doubt opinionated fans will argue about what should fall under the rubric of "masterpiece" in Hitchcock's body of work, but with the bona fide classics Vertigo, Psycho, and The Man Who Knew Too Much, there's plenty of timeless movie magic here. Eye-popping transfers and gorgeous sound make this set one of the must-have releases of the year.

Should the Hitchcock fan have the energy for more after imbibing on the movies themselves, a bonus disc provides additional documentaries. These include a revealing interview in which the master of suspense discusses, among other things, how much he dislikes working with method actors, going so far as to name names (we're talking about you, Jimmy Stewart and Montgomery Clift). In an American Film Institute lifetime achievement ceremony, the master of suspense is praised by the likes of Stewart and Ingrid Bergman, and seems to be suffering from severe boredom as celebrities pile on the flattery. Then Hitchcock opens his mouth to accept the award, delivering an endlessly witty stream of perfect bon mots that prove once again that he was a master of high comedy as well. Revealing documentaries about the making of Psycho and The Birds round out the feast of extras. The 36-page booklet, filled mostly with stills and poster art, provides little new information about the films.--Ryan Boudinot

Films Included in Alfred Hitchcock - The Masterpiece Collection

Saboteur
Robert Cummings stars as Barry Kane, a patriotic munitions worker who is falsely accused of sabotage, in this wartime thriller from Alfred Hitchcock. Plastered across the front page of every newspaper and hated by the nation, Kane's only hope of clearing his name is to find the real villain. The script as a whole is a clever one--Algonquin wit Dorothy Parker shares a screenwriting credit, and her trademark zingers make for a terrific mix of humor and suspense. Saboteur is a pleasure whether you're a die-hard Hitchcock fan or just someone who likes a good nail-biter. --Ali Davis

Shadow of a Doubt
Alfred Hitchcock considered this 1943 thriller to be his personal favorite among his own films, and although it's not as popular as some of Hitchcock's later work, it's certainly worthy of the master's admiration. Scripted by playwright Thornton Wilder and inspired by the actual case of a 1920's serial killer known as "The Merry Widow Murderer," the movie sets a tone of menace and fear by introducing a psychotic killer into the small-town comforts of Santa Rosa, California. Through narrow escapes and a climactic scene aboard a speeding train, this witty thriller strips away the façade of small-town tranquility to reveal evil where it's least expected. And, of course, it's all done in pure Hitchcockian style. --Jeff Shannon

Rope
An experimental film masquerading as a standard Hollywood thriller, Rope is simple and based on a successful stage play: two young men (John Dall and Farley Granger) commit murder, more or less as an intellectual exercise. They hide the body in their large apartment, then throw a dinner party. Will the body be discovered? Director Alfred Hitchcock, fascinated by the possibilities of the long-take style, decided to shoot this story as though it were happening in one long, uninterrupted shot. Since the camera can only hold one 10-minute reel at a time, Hitchcock had to be creative when it came time to change reels, disguising the switches as the camera passed behind someone's back or moved behind a lamp. James Stewart, as a suspicious professor, marks his first starring role for Hitchcock, a collaboration that would lead to the masterpieces Rear Window and Vertigo. --Robert Horton

Rear Window
Like the Greenwich Village courtyard view from its titular portal, Alfred Hitchcock's classic Rear Window is both confined and multileveled: both its story and visual perspective are dictated by its protagonist's imprisonment in his apartment, convalescing in a wheelchair, from which both he and the audience observe the lives of his neighbors. Cheerful voyeurism, as well as the behavior glimpsed among the various tenants, affords a droll comic atmosphere that gradually darkens when he sees clues to what may be a murder. At deeper levels, Rear Window plumbs issues of moral responsibility and emotional honesty, while offering further proof (were any needed) of the director's brilliance as a visual storyteller. --Sam Sutherland

The Trouble with Harry
A busman's holiday for Alfred Hitchcock, this 1955 black comedy concerns a pesky corpse that becomes a problem for a quiet, Vermont neighborhood. Shirley MacLaine makes her film debut as one of several characters who keep burying the body and finding it unburied again. Hitchcock clearly enjoys conjuring the autumnal look and feel of the story, and he establishes an important, first-time alliance with composer Bernard Herrmann, whose music proved vital to the director's next half-dozen or so films. But for now, The Trouble with Harry is a lark, the mischievous side of Hitchcock given free reign. --Tom Keogh

The Man Who Knew Too Much
Alfred Hitchcock's 1956 remake of his own 1934 spy thriller is an exciting event in its own right, with several justifiably famous sequences. James Stewart and Doris Day play American tourists who discover more than they wanted to know about an assassination plot. When their son is kidnapped to keep them quiet, they are caught between concern for him and the terrible secret they hold. When asked about the difference between this version of the story and the one he made 22 years earlier, Hitchcock always said the first was the work of a talented amateur while the second was the act of a seasoned professional. Indeed, several extraordinary moments in this update represent consummate filmmaking, particularly a relentlessly exciting Albert Hall scene, with a blaring symphony, an assassin's gun, and Doris Day's scream. The Man Who Knew Too Muchis the work of a master in his prime. --Tom Keogh

Vertigo
Although it wasn't a box-office success when originally released in 1958, Vertigo has since taken its deserved place as Alfred Hitchcock's greatest, most spellbinding, most deeply personal achievement. James Stewart plays a retired police detective who is hired by an old friend to follow his wife (a superb Kim Novak, in what becomes a double role), whom he suspects of being possessed by the spirit of a dead madwoman. Shot around San Francisco (the Golden Gate Bridge and the Palace of the Legion of Honor are significant locations) and elsewhere in Northern California (the redwoods, Mission San Juan Batista) in rapturous Technicolor, Vertigo is as lovely as it is haunting. --Jim Emerson

Psycho
For all the slasher pictures that have ripped off Psycho (and particularly its classic set piece, the "shower scene"), nothing has ever matched the impact of the real thing. More than just a first-rate shocker full of thrills and suspense, Psycho is also an engrossing character study in which director Alfred Hitchcock skillfully seduces you into identifying with the main characters--then pulls the rug (or the bathmat) out from under you. Anthony Perkins is unforgettable as Norman Bates, the mama's boy proprietor of the Bates Motel; and so is Janet Leigh as Marion Crane, who makes an impulsive decision and becomes a fugitive from the law, hiding out at Norman's roadside inn for one fateful night. --Jim Emerson

The Birds
Vacationing in northern California, Alfred Hitchcock was struck by a story in a Santa Cruz newspaper: "Seabird Invasion Hits Coastal Homes." From this peculiar incident, and his memory of a short story by Daphne du Maurier, the master of suspense created one of his strangest and most terrifying films. The Birds follows a chic blonde, Melanie Daniels (Tippi Hedren), as she travels to the coastal town of Bodega Bay to hook up with a rugged fellow (Rod Taylor) she's only just met. Before long the town is attacked by marauding birds, and Hitchcock's skill at staging action is brought to the fore. Beyond the superb effects, however, The Birds is also one of Hitchcock's most psychologically complicated scenarios, a tense study of violence, loneliness, and complacency. What really gets under your skin are not the bird skirmishes but the anxiety and the eerie quiet between attacks. Treated with scant attention by serious critics in 1963, The Birds has grown into a classic and--despite the sci-fi trappings--one of Hitchcock's most serious films. --Robert Horton

Marnie
Sean Connery, fresh from the second Bond picture, From Russia with Love, is a Philadelphia playboy who begins to fall for Tippi Hedren's blonde ice goddess only when he realizes that she's a professional thief; she's come to work in his upper-crust insurance office in order to embezzle mass quantities. His patient program of investigation and surveillance has a creepy, voyeuristic quality that's pure Hitchcock, but all's lost when it emerges that the root of Marnie's problem is phobic sexual frigidity, induced by a childhood trauma. Luckily, Sean is up to the challenge. As it were. Not even D.H. Lawrence believed as fervently as Hitchcock in the curative properties of sexual release. --David Chute

Torn Curtain
Paul Newman and Julie Andrews star in what must unfortunately be called one of Alfred Hitchcock's lesser efforts. Still, sub-par Hitchcock is better than a lot of what's out there, and this one is well worth a look. Newman plays cold war physicist Michael Armstrong, while Andrews plays his lovely assistant-and-fiancée, Sarah Sherman. Armstrong has been working on a missile defense system that will "make nuclear defense obsolete," and naturally both sides are very interested. All Sarah cares about is the fact that Michael has been acting awfully fishy lately. The suspense of Torn Curtain is by nature not as thrilling as that in the average Hitchcock film--much of it involves sitting still and wondering if the bad guys are getting closer. Still, Hitchcock manages to amuse himself: there is some beautifully clever camera work and an excruciating sequence that illustrates the frequent Hitchcock point that death is not a tidy business. --Ali Davis

Topaz
Alfred Hitchcock hadn't made a spy thriller since the 1930s, so his 1969 adaptation of Leon Uris's bestseller seemed like a curious choice for the director. But Hitchcock makes Uris's story of the West's investigation into the Soviet Union's dealings with Cuba his own. Frederick Stafford plays a French intelligence agent who works with his American counterpart (John Forsythe) to break up a Soviet spy ring. The film is a bit flat dramatically and visually, and there are sequences that seem to occupy Hitchcock's attention more than others. A minor work all around, with at least two alternative endings shot by Hitchcock. --Tom Keogh

Frenzy
Alfred Hitchcock's penultimate film, written by Anthony Shaffer (who also wrote Sleuth), this delightfully grisly little tale features an all-British cast minus star wattage, which may have accounted for its relatively slim showing in the States. Jon Finch plays a down-on-his-luck Londoner who is offered some help by an old pal (Barry Foster). In fact, Foster is a serial killer the police have been chasing--and he's framing Finch. Which leads to a classic Hitchcock situation: a guiltless man is forced to prove his innocence while eluding Scotland Yard at the same time. Spiked with Hitchcock's trademark dark humor, Frenzy also features a very funny subplot about the Scotland Yard investigator (Alec McCowen) in charge of the case, who must endure meals by a wife (Vivien Merchant) who is taking a gourmet-cooking class. --Marshall Fine

Family Plot
Alfred Hitchcock's final film is understated comic fun that mixes suspense with deft humor, thanks to a solid cast. The plot centers on the kidnapping of an heir and a diamond theft by a pair of bad guys led by Karen Black and William Devane. The cops seem befuddled, but that doesn't stop a questionable psychic (Barbara Harris) and her not overly bright boyfriend (Bruce Dern, in a rare good-guy role) from picking up the trail and actually solving the crime. Did she do it with actual psychic powers? That's part of the fun of Harris's enjoyably ditsy performance. --Marshall Fine

Customer Reviews:

Poor packaging........2007-06-01

This is a great set minus the annoying packaging. As someone mentioned earlier the DVD cases are fitted to go in a certain order and if they don't go in in that order then they get stuck and the edges of the DVD cases get frayed. The corners of the cases get frayed anyway because the cases are a paper and cardboard-based binding with the plastic DVD holders glued on to them. So I put them in spine first now. Open and close them enough times and you get those white, worn edges on the spine. Another problem with the cases is that the plastic glued on part that hold the DVDs in place are notorious for getting de-glued. Yet another thing. . .one disc is now not holding in the case properly. How could I remedy this problem? Buy an entire new set??? The door on the velvet box doesn't snap shut in anyway so if you hold the wrong side down. . .the DVDs will fall out. So watch out. The velvet box looks and feels nice but it collects dust very easily and is not easily cleanable. I tried to brush off some of the dust and the silvery logos and such began to flake off.

A REALLY NICE COLLECTION - A GREAT GIFT.......2007-05-23

Not only does this collection have some of Hitchcock's best movies, it also comes in a REALLY nice felt box and nice DVD cases. Makes an excellent gift.

Alfred Hitchcock Masterpiece Collection.......2007-05-08

This is an excellent collection. It doesn't have all of Hitchcock's greats, it's missing Strangers on a Train, Notorious and Rebecca, but its hands down the best collection assembled of his movies from the 40's and on. There are some great extras as well. I highly recommend this collection.

Alfred Hitchcock - Masterpiece Movie Collection DVD set.......2007-04-12

A Must have for all hard-core Alfred Hitchcock movie fans

Multible Thrillers.......2007-04-12

I received this DVD in the time promised. It came in good condition. How can you go wrong purchasing Alfred Hitchcock collections! One of the greatest,writers,director, and producer of all times. This was a birthday gift, and my son was "THRILLED" to receive it. Thanks

The Best of Abbott & Costello, Vol. 1 (Buck Privates / Hold That Ghost / In the Navy / Keep 'Em Flying / One Night in the Tropics / Pardon My Sarong / Ride 'Em Cowboy / Who Done It?)

Average customer rating:

Laughing all the way....
Classic comedies
Great collection
Enjoyable films, great price, questionable disc quality
The Best of Abbott and Costello, Vol. 2

The Best of Abbott & Costello, Vol. 1 (Buck Privates / Hold That Ghost / In the Navy / Keep 'Em Flying / One Night in the Tropics / Pardon My Sarong / Ride 'Em Cowboy / Who Done It?)
Starring: Bud Abbott , Lou Costello , Dick Powell , Claire Dodd , and Patty Andrews
Director: Arthur Lubin , A. Edward Sutherland , and Erle C. Kenton
Manufacturer: Universal Studios
ProductGroup: DVD
Binding: DVD

General | Comedy | Genres | DVD | Video

General | Television | Genres | DVD | Video

DVDs Under $14.99 | Today's Deals in DVD | Special Features | DVD | Video

( B ) | Titles | Features | DVD | Video
Similar Items:

The Best of Abbott & Costello, Vol. 2 (Hit the Ice / In Society / Here Come the Co-Eds / The Naughty Nineties / Little Giant / The Time of Their Lives / Buck Privates Come Home / The Wistful Widow of Wagon Gap)
The Best of Abbott & Costello, Vol. 3 (Abbott & Costello Go to Mars / Abbott & Costello in the Foreign Legion / Abbott & Costello Meet Frankenstein / Abbott & Costello Meet the Invisible Man / Abbott & Costello Meet the Killer / Comin' Round the Mountain / Lost in Alaska / Mexican Hayride)
The Best of Abbott & Costello, Vol. 4 (Abbott & Costello Meet Dr. Jekyl & Mr. Hyde / Abbott & Costello Meet the Keystone Cops / Abbott & Costello Meet the Mummy / Abbott & Costello Meet Jerry Seinfeld / Abbott & Costello Meet the Monsters / The World of Abbott & Costello)
The Adventures of Ma & Pa Kettle - Volume 1
The Marx Brothers Collection (A Night at The Opera/A Day at The Races/A Night in Casablanca/Room Service/At the Circus/Go West/The Big Store)

ASIN: B0000WN0PA
Release Date: 2004-02-10

Description

Get ready for big laughs with Abbott and Costello, undeniably the most popular comedy team of all time! Now, the classic films of Bud Abbott and Lou Costello are available on DVD in this hilarious collection.

The wildly popular comic duo has entertained audiences since 1931, conquering vaudeville, radio and the silver screen in nearly 40 films. Enjoy these side-splitting hits like Buck Privates and Hold That Ghost in this collection of eight full-length features. The Best of Bud Abbott and Lou Costello: Volume 1 will have you laughing out loud again and again!

One Night in the Tropics (1940)
Bud and Lou get mixed up in a "Love Insurance" scheme.

Buck Privates (1941)
The duo accidentally enlists in the U.S. Army to avoid getting arrested!

In the Navy (1941)
Bud and Lou are sailors bound for duty on the high seas in this musical comedy.

Hold that Ghost (1941)
The boys inherit a haunted house formerly owned by a mobster.

Keep `Em Flying (1941)
Bud and Lou enlist in the Army Air Corps and get caught up in a love triangle.

Ride `Em Cowboy (1942)
The duo head to the Lazy S ranch to hide after Lou accidentally proposes to an Indian girl.

Pardon My Sarong (1942)
Bud and Lou travel to the South Seas where Lou is mistaken for a legendary god!

Who Done It? (1942)
The boys are suspected of murder while being targeted by the actual killer.

Customer Reviews:

Laughing all the way...........2007-06-30

I remember some of these movies from when I was a kid (okay, I'm dating myself but I don't care). "Hold That Ghost", which is the reason I bought this collection, has some of the funniest bits EVER captured on film. No "off color" language or jokes -- just lots of laughs. The exchange after Joan Davis runs into Lou Costello and knocks him down STILL makes me laugh out loud. If you like "funny" -- this is your ticket.

Classic comedies.......2007-06-24

It may be hard to believe nowadays, but Abbott and Costello were once one of the biggest box office draws at the movies. In the early 1940s, their movies were among the tops in terms of tickets. Nowadays, they seem to be mostly forgotten except by fans of old movies, which is too bad. Their movies may not be the best comedy ever written, but they are all pretty fun. Volume 1 of The Best of Bud Abbott and Lou Costello features their first eight films.

One Night in the Tropics is their screen debut. They are actually just secondary characters who contribute little to the plot (involving some romantic mix-ups) but are brought in to lighten things up, with among other things, their "Who's on First" routine. Next up is their first starring feature and the first of their three military comedies, Buck Privates. In this one, they accidentally enlist in the army while trying to avoid a cop who later turns out to be their drill sergeant.

The next of their "service comedies" was In The Navy, in which they assist a famous singer who is trying to become a regular Joe by becoming a sailor. The final service comedy is Keep `Em Flying, which puts them in the early Air Force.

The pair inherit a supposed haunted house on Hold That Ghost. It actually used to belong to a mobster, and some of his loot is still in the place, attracting other hoodlums. In Ride `Em Cowboy, they wind up on a dude ranch. Pardon My Sarong is something of a takeoff on the Hope/Crosby Road pictures, with the two winding up on a tropical island. Finally, in Who Done It?, they are entangled in a murder mystery at a radio station.

There is a very structured approach to these movies: Universal Pictures obviously wanted these churned out quickly (some were out within a couple months of the start of shooting!) and they used plenty of contract players: for example, three movies have Shemp Howard in small parts and Dick Foran in bigger parts. All the movies are pretty short (they range from 78 to 87 minutes). They all have a romantic subplot involving other characters and (with the exception of Who Done It?), they all have several musical numbers, some featuring big names like the Andrews Sisters and Ella Fitzgerald.

At the core, however, are Abbott and Costello, more particularly Lou Costello who forms the comic heart of these stories. They are the same characters in every story: Bud is the fast-talking con man and Lou is the not-so-bright coward with an almost child-like approach to the world. There is plenty of physical comedy, but they are at their best when the two are just talking.

It'd be a bit much to call these films classics, but they are entertaining and they would probably amuse kids as well as adults. I suppose it's also technically inappropriate to call this The Best of Abbott and Costello when it actually is just their first eight movies, but at the same time it is true: this collection does show them in top form.

Great collection.......2007-06-15

Except for "One Night in the Tropics", these are some of Abbott and Costello's most entertaining films. One of my very favorite A@C films, "Ride 'em Cowboy" is marred by the dreadful dream sequence. What makes it more frustrating is to read from sources that other comedy scenes (which sound funnier) were filmed but rejected including extended bits of business with the poker sequence. The rest of "Ride 'em Cowboy" however more than makes up for the dream skit. This dvd set is a great buy for the cost.

Enjoyable films, great price, questionable disc quality.......2007-05-04

While I don't think I'll ever grow to be a *huge* A&C fan, as I've been seeing more and more of their films, I've grown to genuinely like them and to really enjoy watching them, even if I personally don't find them as consistently hilarious and personally endearing as some of the other great comedians of the era. But for this price, and for this many films in one collection, how could anyone go wrong?

'One Night in the Tropics' (1940) is actually a star vehicle for Allan Jones (best-known for his roles in the Marx Brothers' first two MGM films), Nancy Kelly, Robert Cummings, Peggy Moran, and a few other secondary characters. It's an enjoyable movie, but nothing really classic or memorable. A&C are actually the most interesting characters and steal the show, even though their comedy routines are detached from the plot and they're just trotted out as periodic comic relief. They're also not really playing very sympathetic characters in this one. It seems like one of those films that's watched more for the historical interest than for genuine entertainment value.

'Buck Privates' (1941), their first starring vehicle, is considered a classic, though here too they often seem to be relegated to supporting comedians and pushed to the back burner in favor of the romantic subplot. The same holds true in their other two service comedies, 'In the Navy' and 'Keep 'Em Flying' (also from 1941). While all three of their service comedies are genuinely enjoyable and funny, they would have been even stronger and funnier if all of the superfluous musical numbers and the romantic subplots with boring characters we don't really care about had been cut out. They were funny and talented enough to carry a film on their own without being forced to play second-fiddle to secondary characters! The weakest of these three is 'Keep 'Em Flying'; overall it just seems disjointed and inconsistent, and like they'd run out of top-notch material to mine after already doing their first two service comedies. (These service comedies also feel, in hindsight, like subtle propaganda just in case the U.S. really did enter WWII, what with the "Isn't the Army/Navy/Air Force great and fun?" theme.)

'Hold That Ghost' (1941) is also somewhat bogged down by musical numbers and a romantic subplot, but at least here those elements don't take up as much time as in a lot of their other early films. The plotline about spending a night in a haunted house and all of the hair-raising things that happen seems a bit cliché today, and the script seems a little weak, but overall there are enough funny moments and interesting twists and turns in the plot to make it worthwhile.

'Who Done It?" (1942), which mixes comedy and a murder mystery, has a very strong script and a supporting cast. What makes this film so funny and tight is that it focuses almost entirely on A&C instead of being cluttered up by some boring romantic subplot and superfluous song and dance numbers. 'Pardon My Sarong' (1942), made in imitation of the popular Hope and Crosby 'Road' pictures of the time, finds them on a tropical island. Although it does feature musical numbers and a romantic subplot, at least the comedy routines are seamlessly worked into the picture instead of seeming more detached from the plotline, and the subplot seems more interesting than usual. 'Ride 'Em Cowboy' (1942) is enjoyable entertainment and has a good script, though unfortunately has the same formulaic feel that a lot of these other films do--musical numbers and a dull romantic subplot that really slow down the story and relegate A&C to supporting characters. Normally I find Westerns boring and dated at best and offensive at worst, but since this is a comedy Western, I liked it. Even the stereotypical depictions of the Native Americans weren't as bad and offensive as they often are in these kinds of films.

Overall, while A&C aren't my top favorite comedians, I do enjoy watching them, and these early films are no exception. And while the songs and romantic subplots slow the pictures down, the boys are great when they're front and center instead of being relegated to supporting players. However, while this may seem like a great price for 8 films, it's not entirely a great deal. Since these are double-sided discs, they're more prone to scratching and malfunctioning. While the first disc played fine for me, I had to go through a number of different copies before finally getting a second disc that didn't freeze up or skip at any point. Would it have taken that much effort for Universal to ensure more quality control on this classic catalogue? And while the extras (trailers and production notes) are much appreciated, these films and this comedy team are famous and respected enough to have merited something more, like audio commentaries or photo galleries. Still, at least they're represented on DVD now, inferior technical quality or not.

The Best of Abbott and Costello, Vol. 2.......2007-04-02

Abbott and Costello's humor is outstanding and timeless. This collection of some of their movies will have you laughing uproariously, and you will watch these movies over and over again, and keep on laughing even after you've watched them so many times that you know what is going to happen next.

Average customer rating:

A courageous movie
Truly romantic
A Beautiful Film
Times Sure Have Changed!
Least favorite movie

Guess Who's Coming to Dinner
Starring: Spencer Tracy , Sidney Poitier , Katharine Hepburn , Katharine Houghton , and Cecil Kellaway
Director: Stanley Kramer
Manufacturer: Sony Pictures
ProductGroup: DVD
Binding: DVD

General | Comedy | Genres | DVD | Video

General | Drama | Genres | DVD | Video

Classics | Drama | Genres | DVD | Video

Breakthrough Cinema | African American Cinema | Genres | DVD | Video

General | African American Cinema | Genres | DVD | Video

DVDs Under $9.99 | Today's Deals in DVD | Special Features | DVD | Video

( G ) | Titles | Features | DVD | Video
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To Sir, With Love
Lilies of the Field
A Patch of Blue
In the Heat of the Night
The Philadelphia Story

ASIN: 0767821483
Release Date: 1999-02-02

Amazon.com essential video

Spencer Tracy's last performance was in this well-meaning, handsome film by Stanley Kramer about a pair of white parents (Tracy and Katharine Hepburn) trying to make sense of their daughter's impending marriage to an African American doctor (Sidney Poitier). The film has been knocked over the years for padding conflict and stoking easy liberalism by making Poitier's character in every socioeconomic sense a good catch: But what if Kramer had made this stranger a factory worker? Would the audience still find it as easy to accept a mixed-race relationship? But there's no denying the drawing power of this movie, which gets most of its integrity from the stirring performances of Tracy and Hepburn. When the former (who had been so ill that the production could not get completion insurance) gives a speech toward the end about race, love, and much else, it's impossible not to be affected by the last great moment in a great actor's life and career. --Tom Keogh

Customer Reviews:

A courageous movie.......2007-06-30

In the context of the times in which it was made, this movie is even more amazing than it first appears--and it is very courageous on first appearances, so that is saying a lot!

Marriage between ethically