Camille 2000

Starring:Danièle Gaubert, Nino Castelnuovo, Eleonora Rossi Drago, Roberto Bisacco, Massimo Serato, Silvana Venturelli, Zachary Adams, Dominique Badou, Peter Chatel, Virginia Rodin, Enzo Fiermonte, Graziella Galvani, Philippe Forquet, Linda Morand
Director: Radley Metzger
Studio: Image Entertainment
Product Type: DVD
Editorial Review:
Amazon.com
Radley Metzger's erotic take on Alexandre Dumas fils' tragedy The Lady of the Camellias is a hedonistic journey into decadence among the chic world of upper-crust Rome. Marguerite (Danièle Gaubert) lives off the gifts and good graces of an elderly sugar-daddy count, treating love as a game and sex as a pastime (she is "discriminating but not particular," in the words of one rival). Sweet-faced innocent Armand (Nino Castelnuovo), a young bachelor newly arrived in Rome, courts the comely beauty and wins her heart, and together they live a fairy-tale romance--until his father intervenes and Marguerite (already conveniently dying of one of those afflictions that strikes gorgeous young women who flirt out of their class) selflessly leaves Armand to his greater fate and sinks into a haze of drugs, alcohol, and promiscuous abandonment. Metzger's romantic tragedy is a fleshy delight--the camera lovingly caresses every voluptuous curve of Gaubert's face and body--with a surprisingly restrained display of nudity. Lushly photographing in seductive color in the elegant mansions of Rome, Metzger cranks up the kink in one scene, a party set in a prison turned pleasure house where dates are chained together and couples retire to a cell for privacy, but balances the erotic decadence with tasteful restraint. The art direction and cinematography are so rich that, apart from the magnetic Miss Gaubert, the characters are constantly in danger of being overwhelmed by their surroundings. But little matter--if the tragedy is less than devastating, the realization is delightfully tactile and alive. --Sean Axmaker
Description
Meet Armand, a handsome bachelor new to Rome, and Marguerite, the prize catch of Roman high society. When Armand first sets eyes on the beautiful, sensual Marguerite, he knows he must have her. After finagling an invitation to a decadent party at Marguerite's luxurious villa, he courts her successfully. But Marguerite is full of secrets as Armand soon learns...
Average customer rating:
- Does This Violate The Geneva Convention?
- Don't waste your time or money!
- Bad Film
|
Girls From Another World: Rollergator/Things/Toad Warrior/Big Sister 2000
Starring: Julie Strain , Jill Kelly , Conrad Brooks , Joe Estevez , and Camille Solari
Manufacturer: Brentwood Home Video
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ASIN: B000EUMMKC
Release Date: 2006-05-23 |
Customer Reviews:
Does This Violate The Geneva Convention?.......2006-10-16
I think that coerced viewing of these films could be in violation of the Geneva Convention. Let it be known that these films are worth only one star, but I awarded a bonus star for Rollergator's initial entrance. This will test your will like nothing else I have ever seen. It makes Ed Wood look like a master of the genre; it makes William Shatner seem positively sedate. Good luck.
I bought the set for "Rollergator." I had no idea what it was about, but the title was appealing to a bad movie fan. I originally thought it might have had the lowest production values of any film in history. (My mind was changed later that day.) The film does not star a roller skating alligator, but rather an eleven year old ("I'm not a baby! I'm almost twelve!") talking, purple alligator who rides in a backpack of a girl who roller skates.
Joe Estevez stars as the evil carnival owner "Uncle Chi Chi," who wants to exploit "Baby Gator" for profit. This is a very talented alligator: not only does he talk, he raps: "There was a little gator, who was a mean roller skater...," and, "I like to rhyme, and I like the slime...." He also does celebrity impersonations. Be sure not to miss Baby Gator's impressions of Ricky Ricardo and Elvis, in particular.
Along the way a variety of characters are introduced to muddy the plot. There is a middle age soccer mom ninja with a backpack full of celery and cabbage, Chi Chi's nephew who wants to take over the hot dog concessions at the carnival, and last but not least, Ed Wood veteran Conrad Brooks ("Glen or Glenda") as the "Swamp Farmer," Baby Gator's mentor. Gator wants to get back to the Swamp Farmer, but before that can happen, three other events have to occur: a pointless pram theft is followed by the slowest chase (on skateboards) ever filmed, and the absolute worst ninja battle ever. The swordplay and slingshot use is not to be missed. I would love to know Conrad's take on this film: I will bet you that he thinks "Plan 9" is better, too.
The only thing going for "Rollergator" is the music: it features nonstop guitar noodling during the entire film. The music's awful, but at least it drowns out the dialogue.
"Things" is almost unwatchable. It is a contrivance where two short horror vignettes are combined with the most pointless wraparound video I have ever seen. This movie does not entertain in any way. If you insist on watching it, expect to see a monster appearing to be a cross of "Alien" and "Mr. Hankey, the Christmas Poo." It is kept in a box by a diabolical man and is trained to attack anyone not wearing a hat. The phrase "The man with the hat owns the box" is of huge significance in this unsuspenseful and unscary piece of excrement. The second vignette is actually worse, and is all about unscheduled eyeballectomy via X-acto knife and a haunted clown cookie jar. Please note especially the horrendous special effects in which frying eggs morph into eyes.
"Toad Warrior" was another reason I bought the set. How could a grade-Z cinemaphile not love that title? This film appears to have been made later the same afternoon that "Rollergator" was shot. It once again stars Joe Estevez, this time as a mob boss, and Scott Shaw as "Max," who looks like Gregg Allman after a bender. Conrad Brooks and Rollergator make a special guest appearance. The film is about Dr. Trixie T and her toad serum which can turn people into toads and vice versa. The toads in question have the worst costumes I have ever seen anywhere, period. The toads wearing shorts and jeans running after ultralight planes will haunt me for a while. The plot makes no sense. None. I will just tell you that it involves Joe Estevez versus "Humphrey Bullfrog" trying to obtain the serum from Dr. Trixie T, ninjas, kamikaze pilots, a frog bar in which a toad girl croons "My Kind of Frog" with the worst guitar accompaniment ever, a talking crocodile alarm clock, and the worst acting and dialogue imaginable. After watching this, I have decided that this has even lower production values than "Rollergator" (but barely.)
There is a guy called "Overlord War Toad" who does the worst impression of Brando brooding in "Apocalypse Now" ever. He blathers on and on about war and killing. He rubs a crystal a lot, and talks about when he was in Frognam. Max, a mercenary, is his enemy, and has his way with the ladies (notably an agent named "Spangle.") He is also Dr. Trixie T's ex-boyfriend, and the flashbacks are just painful. Max has to take a group of agents (the Bangles, judging by their appearance) into the desert, and gets to say lines like "Ride well, Cycle Toad." There are several scenes repeated throughout the film for padding, oh, I mean, dramatic effect, and it finally concludes with a big fight and chase around an abandoned highway overpass (where, incidentally, four characters play catch with a satchel during the credits.) There is threatening dialogue abounding ("I'm hungry for frog legs!") and a surreal sequence where Dr. Trixie T lectures Joe Estevez about DNA (I'll boil it down to the biological maxim "ontogeny recapitulates phylogeny," though it's irrelevant to the plot anyhow) and teaches him the "Hokey Pokey" in one sitting. You will not believe this scene.
I can't tell you not to watch "Toad Warrior," but prepare to be tormented. A lot.
"Big Sister 2000" is an unwatchable wannabe psychological thriller combined with a women's prison film. It fails on all levels, from the "plotline" about anarchists versus the oppressive government, to the Clintonian cigar imagery. Just say no.
Don't waste your time or money!.......2006-08-30
I do not remember what prompted me to buy that dreadful DVD, but I am regretful I made that expenditure. There was not much of a plot. The DVD was based on a purple talking aligator. I kept fast-forwarding to possibly see something that held my interest, but there is absolutely nothing to recommend. I rate this terrible-terrible DVD a negative 1,000.
Bad Film.......2006-08-05
I just want to say this tape is not worth the electricity to play it. If there was a lower rating I wouln give it a minus 5
Average customer rating:
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Camille 2000
Starring: Roberto Bisacco , Nino Castelnuovo , Peter Chatel , Eleonora Rossi-Drago , and Enzo Fiermonte
Director: Radley Metzger
Manufacturer: First Run Features
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ASIN: B000CCD1XY
Release Date: 2006-02-21 |
Description
From the quintessential director of Elegant Erotica. Meet Armand, a handsome bachelor new to Rome, and Marguerite, the prize catch of Roman high society. When Armand first sets eyes on the beautiful, sensuous Marguerite, he knows he must have her. After finagling an invitation to a decadent party at Marguerite's luxurious villa, he courts her - successfully. But Marguerite is full of secrets, as Armand soon learns...
Average customer rating:
- Should be PG
- The Films Are Classics, The Transfers Are Marginal
|
The Radley Metzger Collection, Vol. 1 (Therese and Isabelle / The Alley Cats / Camille 2000)
Starring: Essy Persson , Anna Gaël , Barbara Laage , Anne Vernon , and Simone Paris
Director: Radley Metzger
Manufacturer: First Run Features
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ASIN: B0002ZDWTE
Release Date: 2004-11-23 |
Amazon.com
Therese and Isabelle
Radley Metzger's most acclaimed film is a melancholy tale of a woman wandering through the landscape of her memory to relive the joys and sorrows of the first love of her adolescence. We flash back on the young Therese (Essy Persson), who has grown up as the only person in her single mother's life, but due to her mother's abrupt marriage she has now been banished from the family home to a finishing school. Feeling abandoned, Therese becomes friends with the vivacious and lively Isabelle (Anna Gaël), but their relationship grows past friendship to love, and together they taste the forbidden fruit of sex. Based on the autobiographical novel Le Batarde by Violette Leduc, Metzger's handsome black-and-white film (elegantly shot by Hans Jura) is constructed as a prismatic set of flashbacks, constructed not in chronological order but rather along thematic lines, intercut with the adult Therese revisiting the ghosts of her past in the now-deserted school. The tasteful restraint of the first half gives way to discreet sexual explorations and finally nudity, which may be troubling to some viewers in light of the age of the characters (who are played by adults), but Metzger never exploits the situation. The poignant scenes have a tenderness and raw emotion that captures the mix of excitement, fear, and confusion of adolescence, and ultimately the film becomes about the tragedy of loss that continues to haunt the adult Therese.
Camille 2000
Radley Metzger's erotic take on Alexandre Dumas fils' tragedy The Lady of the Camellias is a hedonistic journey into decadence among the chic world of upper-crust Rome. Marguerite (Danièle Gaubert) lives off the gifts and good graces of an elderly sugar-daddy count, treating love as a game and sex as a pastime (she is "discriminating but not particular," in the words of one rival). Sweet-faced innocent Armand (Nino Castelnuovo), a young bachelor newly arrived in Rome, courts the comely beauty and wins her heart, and together they live a fairy-tale romance--until his father intervenes and Marguerite (already conveniently dying of one of those afflictions that strikes gorgeous young women who flirt out of their class) selflessly leaves Armand to his greater fate and sinks into a haze of drugs, alcohol, and promiscuous abandonment. Metzger's romantic tragedy is a fleshy delight--the camera lovingly caresses every voluptuous curve of Gaubert's face and body--with a surprisingly restrained display of nudity. Lushly photographing in seductive color in the elegant mansions of Rome, Metzger cranks up the kink in one scene, a party set in a prison turned pleasure house where dates are chained together and couples retire to a cell for privacy, but balances the erotic decadence with tasteful restraint. The art direction and cinematography are so rich that, apart from the magnetic Miss Gaubert, the characters are constantly in danger of being overwhelmed by their surroundings. But little matter--if the tragedy is less than devastating, the realization is delightfully tactile and alive.
The Alley Cats
The success of Radley Metzger's smooth, stylish erotic bonbon The Dirty Girls inspired him to try something a little more ambitious. The Alley Cats is the simple story of Leslie (petite, big-eyed brunette Anna Arthur), a frustrated young woman in the European jet set ignored by her fiancé, Logan. When she discovers he's in the middle of an affair with her best friend, Leslie decides to have a few dalliances of her own. To her surprise, she falls for a beautiful, seductive socialite and is suddenly confronted with a choice she never expected to face. Daring in its time, it feels rather dated today, as the decadent display of sexual freedom collapses in a conclusion grounded in conventional attitudes. But until then it's a lusty yet sleek look at swinging '60s Europe shot on gorgeous locations and in chic, elegantly furnished apartments in cool, crisp black-and-white widescreen, enlivened by a funky rock and jazz-influenced score. --Sean Axmaker
Description
Three erotic Radley Metzger classics in one box set : THERESE & ISABELLE, CAMILLE 2000, THE ALLEY CATS
Customer Reviews:
Should be PG.......2005-09-15
I read the reviews before buying this DVD and they gave me a completly different type of movie than what I saw. I have seen more nudity and adult mateial in a PG rated movie. You cost me badly, now I don't know what I will do with them, because I will never watch them again. Thanks for nothing.
The Films Are Classics, The Transfers Are Marginal.......2005-05-04
Own these films individually on DVD from Image Entertainment. Nice to have them in boxed sets like this though I must let Metzger fans know that the transfers from First Run are not as good as the Image versions. Where the Image versions are color saturated and sharp, the First Run transfers have murky, faded out color and soft pictures.
Still, for the price, these boxed sets aren't a bad buy.
Average customer rating:
- Softcore deconstruction of 'la dolce vita'
- Stunk
- GREAT EARLY 70s PSYCHO-ITALIANA
- A hip "La Traviata"
|
Camille 2000
Starring: Danièle Gaubert , Nino Castelnuovo , Eleonora Rossi Drago , Roberto Bisacco , and Massimo Serato
Director: Radley Metzger
Manufacturer: Image Entertainment
ProductGroup: DVD
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ASIN: 630533983X
Release Date: 1999-04-27 |
Amazon.com
Radley Metzger's erotic take on Alexandre Dumas fils' tragedy The Lady of the Camellias is a hedonistic journey into decadence among the chic world of upper-crust Rome. Marguerite (Danièle Gaubert) lives off the gifts and good graces of an elderly sugar-daddy count, treating love as a game and sex as a pastime (she is "discriminating but not particular," in the words of one rival). Sweet-faced innocent Armand (Nino Castelnuovo), a young bachelor newly arrived in Rome, courts the comely beauty and wins her heart, and together they live a fairy-tale romance--until his father intervenes and Marguerite (already conveniently dying of one of those afflictions that strikes gorgeous young women who flirt out of their class) selflessly leaves Armand to his greater fate and sinks into a haze of drugs, alcohol, and promiscuous abandonment. Metzger's romantic tragedy is a fleshy delight--the camera lovingly caresses every voluptuous curve of Gaubert's face and body--with a surprisingly restrained display of nudity. Lushly photographing in seductive color in the elegant mansions of Rome, Metzger cranks up the kink in one scene, a party set in a prison turned pleasure house where dates are chained together and couples retire to a cell for privacy, but balances the erotic decadence with tasteful restraint. The art direction and cinematography are so rich that, apart from the magnetic Miss Gaubert, the characters are constantly in danger of being overwhelmed by their surroundings. But little matter--if the tragedy is less than devastating, the realization is delightfully tactile and alive. --Sean Axmaker
Description
Meet Armand, a handsome bachelor new to Rome, and Marguerite, the prize catch of Roman high society. When Armand first sets eyes on the beautiful, sensual Marguerite, he knows he must have her. After finagling an invitation to a decadent party at Marguerite's luxurious villa, he courts her successfully. But Marguerite is full of secrets as Armand soon learns...
Customer Reviews:
Softcore deconstruction of 'la dolce vita'.......2003-07-19
CAMILLE 2000 (USA 1969): During a visit to Rome, the romantic Armand (Nino Castelnuovo) falls in love with a promiscuous young Countess (Daniele Gaubert), but their unlikely romance is opposed by Castelnuovo's wealthy father (Massimo Serato), and Fate deals a tragic blow...
A sexed-up love story for the swinging Sixties, adapted from a literary source (Alexandre Dumas' 'La Dame aux Camellias') by screenwriter Michael DeForrest, and directed with cinematic flair by Radley Metzger who, along with Russ Meyer and Joe Sarno (amongst others), is credited with redefining the parameters of 'Adult' cinema throughout the 1960's and 70's. Using the scope format for the last time in his career, Metzger's exploration of 'la dolce vita' is rich in visual excess (note the emphasis on reflective surfaces, for example), though the film's sexual candor seems alarmingly coy by modern standards. Production values are handsome throughout, and while the actors are slightly hamstrung by post-sync dubbing, the performances are engaging and humane (Castelnuovo and Gaubert are particularly memorable). Though set in an unspecified future, Enrico Sabbatini's wacked-out set designs locate the movie firmly within its period, and Piero Piccioni's 'wah-wah' music score has become something of a cult item amongst exploitation devotees. Ultimately, CAMILLE 2000 is an acquired taste, but fans of Metzger's brand of elegant softcore erotica won't be disappointed.
Image's DVD print is a little ragged in places, particularly at reel-ends, where a couple of lines of dialogue have been clipped by the ravages of time, though the overall presentation is fair. Similarly, the 1.0 mono soundtrack is a little unbalanced, with occasional dips in volume during dialogue exchanges, but nothing too distracting. The only extra is a trailer which offers little more than a series of still-frames, set against Piccioni's memorable (though irritating) theme music. Next up for Metzger was THE LICKERISH QUARTET (Esotika Erotika Psicotika, 1970), which many consider his best film.
116m 33s
2.35:1 (Panavision) / Letterboxed, without enhancement
DVD soundtrack: Mono 1.0
Theatrical soundtrack: Optical mono
No captions or subtitles
All regions
Stunk.......2000-07-04
Lame, lame, lame. Rich men, expensive brothel... blah, blah, blah. Waste of money. Don't believe me? Rent it first.
GREAT EARLY 70s PSYCHO-ITALIANA.......2000-05-13
An old story gets a soft-porn twist in Metzger's 1970 outing. Some artfully framed sex scenes, Piero Piccioni's catchy, sexy soundrack, and some fun costumes of the period-imagining-the-not-too-distant-furture make the enterprise a cut way above most films of this genre. Production design fans will like it for no reason other than its aesthethic, which recalls Pietro Germi's great TENTH VICTIM of four years earlier (1966). This was Metzger's best foray before Zalman King usurped the genre (you know, TWO MOON JUNCTION and all that jazz). What one should really do though is find the incredible score by Maestro Piero Piccioni (available on Easy Tempo Records). It's a seductive tapestry of orchestral, psychedelic, and organ-funk sounds with a never-ending bass line.
Art...uh, no. Wack, fun filmmaking of its period, most certainly.
A hip "La Traviata".......1999-12-14
Camille 2000 is a tale of a rich Italian businessman, Armand, who falls in love with Marguerite, a rich French Madam. The story follows the opera "La Traviata", which is not new territory for Metzger (Carmen, Baby), and is based on the Alexandre Dumas story "Lady of the Camellias". The most interesting aspect of this film is the use of color, the extravagant costumes, and the photography. This film has a reputation as being a sort of "soft-core" sex film, but actually it is very tame compared to many other adult films from that decade. The film does have some flaws, such as editing and acting, however it is visually soothing. The soundtrack by Piero Piccioni is the best psychedelic film music I have ever heard. A good choice for fans of that "Peter Max" look.
Average customer rating:
- Softcore deconstruction of 'la dolce vita'
- Stunk
- GREAT EARLY 70s PSYCHO-ITALIANA
- A hip "La Traviata"
|
Camille 2000
Starring: Danièle Gaubert , Nino Castelnuovo , Eleonora Rossi Drago , Roberto Bisacco , and Massimo Serato
Director: Radley Metzger
ProductGroup: DVD
Binding: DVD
General
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Similar Items:
- A Smell of Honey, a Swallow of Brine / The Brick Dollhouse (Something Weird)
- Marquis de Sade's Justine
- Bedazzled
- The Image
ASIN: B00008IATX |
Amazon.com
Radley Metzger's erotic take on Alexandre Dumas fils' tragedy The Lady of the Camellias is a hedonistic journey into decadence among the chic world of upper-crust Rome. Marguerite (Danièle Gaubert) lives off the gifts and good graces of an elderly sugar-daddy count, treating love as a game and sex as a pastime (she is "discriminating but not particular," in the words of one rival). Sweet-faced innocent Armand (Nino Castelnuovo), a young bachelor newly arrived in Rome, courts the comely beauty and wins her heart, and together they live a fairy-tale romance--until his father intervenes and Marguerite (already conveniently dying of one of those afflictions that strikes gorgeous young women who flirt out of their class) selflessly leaves Armand to his greater fate and sinks into a haze of drugs, alcohol, and promiscuous abandonment. Metzger's romantic tragedy is a fleshy delight--the camera lovingly caresses every voluptuous curve of Gaubert's face and body--with a surprisingly restrained display of nudity. Lushly photographing in seductive color in the elegant mansions of Rome, Metzger cranks up the kink in one scene, a party set in a prison turned pleasure house where dates are chained together and couples retire to a cell for privacy, but balances the erotic decadence with tasteful restraint. The art direction and cinematography are so rich that, apart from the magnetic Miss Gaubert, the characters are constantly in danger of being overwhelmed by their surroundings. But little matter--if the tragedy is less than devastating, the realization is delightfully tactile and alive. --Sean Axmaker
Customer Reviews:
Softcore deconstruction of 'la dolce vita'.......2003-07-19
CAMILLE 2000 (USA 1969): During a visit to Rome, the romantic Armand (Nino Castelnuovo) falls in love with a promiscuous young Countess (Daniele Gaubert), but their unlikely romance is opposed by Castelnuovo's wealthy father (Massimo Serato), and Fate deals a tragic blow...
A sexed-up love story for the swinging Sixties, adapted from a literary source (Alexandre Dumas' 'La Dame aux Camellias') by screenwriter Michael DeForrest, and directed with cinematic flair by Radley Metzger who, along with Russ Meyer and Joe Sarno (amongst others), is credited with redefining the parameters of 'Adult' cinema throughout the 1960's and 70's. Using the scope format for the last time in his career, Metzger's exploration of 'la dolce vita' is rich in visual excess (note the emphasis on reflective surfaces, for example), though the film's sexual candor seems alarmingly coy by modern standards. Production values are handsome throughout, and while the actors are slightly hamstrung by post-sync dubbing, the performances are engaging and humane (Castelnuovo and Gaubert are particularly memorable). Though set in an unspecified future, Enrico Sabbatini's wacked-out set designs locate the movie firmly within its period, and Piero Piccioni's 'wah-wah' music score has become something of a cult item amongst exploitation devotees. Ultimately, CAMILLE 2000 is an acquired taste, but fans of Metzger's brand of elegant softcore erotica won't be disappointed.
Image's DVD print is a little ragged in places, particularly at reel-ends, where a couple of lines of dialogue have been clipped by the ravages of time, though the overall presentation is fair. Similarly, the 1.0 mono soundtrack is a little unbalanced, with occasional dips in volume during dialogue exchanges, but nothing too distracting. The only extra is a trailer which offers little more than a series of still-frames, set against Piccioni's memorable (though irritating) theme music. Next up for Metzger was THE LICKERISH QUARTET (Esotika Erotika Psicotika, 1970), which many consider his best film.
116m 33s
2.35:1 (Panavision) / Letterboxed, without enhancement
DVD soundtrack: Mono 1.0
Theatrical soundtrack: Optical mono
No captions or subtitles
All regions
Stunk.......2000-07-04
Lame, lame, lame. Rich men, expensive brothel... blah, blah, blah. Waste of money. Don't believe me? Rent it first.
GREAT EARLY 70s PSYCHO-ITALIANA.......2000-05-13
An old story gets a soft-porn twist in Metzger's 1970 outing. Some artfully framed sex scenes, Piero Piccioni's catchy, sexy soundrack, and some fun costumes of the period-imagining-the-not-too-distant-furture make the enterprise a cut way above most films of this genre. Production design fans will like it for no reason other than its aesthethic, which recalls Pietro Germi's great TENTH VICTIM of four years earlier (1966). This was Metzger's best foray before Zalman King usurped the genre (you know, TWO MOON JUNCTION and all that jazz). What one should really do though is find the incredible score by Maestro Piero Piccioni (available on Easy Tempo Records). It's a seductive tapestry of orchestral, psychedelic, and organ-funk sounds with a never-ending bass line.
Art...uh, no. Wack, fun filmmaking of its period, most certainly.
A hip "La Traviata".......1999-12-14
Camille 2000 is a tale of a rich Italian businessman, Armand, who falls in love with Marguerite, a rich French Madam. The story follows the opera "La Traviata", which is not new territory for Metzger (Carmen, Baby), and is based on the Alexandre Dumas story "Lady of the Camellias". The most interesting aspect of this film is the use of color, the extravagant costumes, and the photography. This film has a reputation as being a sort of "soft-core" sex film, but actually it is very tame compared to many other adult films from that decade. The film does have some flaws, such as editing and acting, however it is visually soothing. The soundtrack by Piero Piccioni is the best psychedelic film music I have ever heard. A good choice for fans of that "Peter Max" look.
Average customer rating:
|
Camille 2000 [ NON-USA FORMAT, PAL, Reg.4 Import -Australia ]
Director: Radley Metzger
Manufacturer: Umbrella Entertainment
ProductGroup: DVD
Binding: DVD
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ASIN: B000A1HF7K |
Product Description
Australia released, PAL/Region 4 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada.
Languages:
o English (Dolby Digital 2.0) Synopsis: An update of the Greta Garbo classic: A child of the sixties sexual revolution, beautiful, promiscuous Marguerite (Daniele Gaubert) is kept by a wealthy old man, has a string of young lovers and hosts wild parties in her luxurious villa before falling in love with handsome bachelor, Armand, who he insists on absolute fidelity.
Special Features:
o Interactive Menu
o Scene Access
o Trailer(s)
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