
Editorial Review:
Amazon.com
On the surface, this collection of shorts by up-and-coming African American filmmakers arrived at a perfect time. The cutting-edge products of the New Black Cinema of the early '90s had disappeared, giving way to embarrassingly stereotypical, scatological fare such as Booty Call and Next Friday. This feature-packed compilation (which includes production notes, interviews with all of the filmmakers, and audio commentary by four) attempts to prove that African American cinema is intent on moving past the lowbrow humor, as six of the seven shorts steer clear of any comedy. For example, A Gut Feeling is a creepy, supernatural film noir that relies heavily on moody atmosphere, while Breakfast at Ben's and Kings look deeply into cultural issues such as racism and stereotypes, featuring protagonists rising out of the ghetto. There's even a documentary here, Hip Hop: The New World Order, which attempts, albeit thinly, to show the expansive impact of rap music all over the globe. While this is all respectable, most of these shorts reveal the main flaw that's ruining not only African American cinema, but all American movies: The writing is terrible. Many of these directors demonstrate a knack for visual style and a professional handling of their amateur actors, but the writing, for the most part, is paper-thin, cliché ridden, and often painful (The Gift and Breakdown tie for worst honors). Ironically, it's Charles Stone III's true, the shortest film here--and the one that spawned both the pop culture catch phrase "Whazzup?!" and the successful series of Budweiser commercials--that gets it all right. In a span of 2 minutes, Stone's minimalist dialogue and frantic editing give a hilarious look at male bonding, though virtually nothing is said. On his commentary track, Stone says his main focus as a filmmaker is his words; the script is the key. The other six directors here should listen up. --Dave McCoy
Average customer rating:
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Afrocentricity - Vol. 1
Starring: Chuck D , Chuck D. , and Vanessa A. Williams Manufacturer: Warner Home Video ProductGroup: DVD Binding: DVD ASIN: B00004TYP9 Release Date: 2000-08-01 |
Amazon.com
On the surface, this collection of shorts by up-and-coming African American filmmakers arrived at a perfect time. The cutting-edge products of the New Black Cinema of the early '90s had disappeared, giving way to embarrassingly stereotypical, scatological fare such as Booty Call and Next Friday. This feature-packed compilation (which includes production notes, interviews with all of the filmmakers, and audio commentary by four) attempts to prove that African American cinema is intent on moving past the lowbrow humor, as six of the seven shorts steer clear of any comedy. For example, A Gut Feeling is a creepy, supernatural film noir that relies heavily on moody atmosphere, while Breakfast at Ben's and Kings look deeply into cultural issues such as racism and stereotypes, featuring protagonists rising out of the ghetto. There's even a documentary here, Hip Hop: The New World Order, which attempts, albeit thinly, to show the expansive impact of rap music all over the globe. While this is all respectable, most of these shorts reveal the main flaw that's ruining not only African American cinema, but all American movies: The writing is terrible. Many of these directors demonstrate a knack for visual style and a professional handling of their amateur actors, but the writing, for the most part, is paper-thin, cliché ridden, and often painful (The Gift and Breakdown tie for worst honors). Ironically, it's Charles Stone III's true, the shortest film here--and the one that spawned both the pop culture catch phrase "Whazzup?!" and the successful series of Budweiser commercials--that gets it all right. In a span of 2 minutes, Stone's minimalist dialogue and frantic editing give a hilarious look at male bonding, though virtually nothing is said. On his commentary track, Stone says his main focus as a filmmaker is his words; the script is the key. The other six directors here should listen up. --Dave McCoyCustomer Reviews:
Very inspirational.......2001-11-24
One of my favorite pieces is "Kings," a short film about young successful attorney who is forced to confront where he has come from and where he's going. It's conveys a prevelant theme amongst many African people who have been successful in White mainstream corporate America, but who also are struggling to understand how they keep ties with the community in which they grew up. The directing and cinamatagraphy of this piece are very well done. A warm, soulful mood is set throughout the piece that make for a compelling short story.
Muhammida El Muhajir's "Hip Hop: The New World Order," may be lacking in her camera work, but she makes up for it with her international travels to document the impact of Hip-Hop in places like Japan, France, and Cuba. I hope this piece is made into a full production.
And finally, I liked "Breakdown," which to me has sort of a Hitchkock influence. I won't say anymore about the plot, because it would give it way. In the end, though, the story is not oringinal, it's a fine piece of storytelling that is directed, shot, and edited with serious attention to the craft of filmmaking.
I really look forward to future volumes of short films like "Afrocentricity." These type of collections serve to expose the work of young or unknown artists who are trying to work within and beyond the mainstream.
AFROCENTRICITY - VOLUME 1!.......2001-10-12
Hands Down one of the best DVD's I've seen thus far........2000-08-19
The newest batch of great directors.......2000-08-11
AFROCENTRICTY-- TRULY A COLLECTORS ITEM.......2000-07-18
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