Trevor

Starring:Brett Barsky, Judy Kain, John Lizzi, Jonah Rooney, Stephen Tobolowsky, Cory M. Miller, Allen Dorane, Lindsay Pomerantz, Alicia Anderson, Courtney Dornstein, Ken Sale, Lucas Jansen, Shannon L.A. Beach, John Akpyas, Frank Montes, Brad Spencer, Ellen DeGeneres
Director: Peggy Rajski
Studio: Water Bearer Films, Inc
Product Type: DVD
Average customer rating:
- Awesome!
- Good Blu-ray
- Must Have on Blu-ray!
- Amazing picture and sound quality
- Disney Obviously Loves Blu-ray and So do I
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Pirates of the Caribbean - The Curse of the Black Pearl [Blu-ray]
Starring: Lee Arenberg , Johnny Depp , Trevor Goddard , Kevin McNally , and Jonathan Pryce
Director: Gore Verbinski
Manufacturer: Buena Vista Home Entertainment
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Similar Items:
- Pirates of the Caribbean - Dead Man's Chest [Blu-ray]
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- Mel Gibson's Apocalypto [Blu-ray]
- Planet Earth - The Complete BBC Series [Blu-ray]
- The Departed [Blu-ray]
ASIN: B000N6UERA
Release Date: 2007-05-22 |
Product description
Set sail for adventure with Disney's Pirates Of The Caribbean: The Curse Of The Black Pearl on Blu-ray's high definition disc. This revolutionary new format brings the thrilling tale of the high seas to life like never before! Legendary pirate Captain Jack Sparrow and young sword-maker Will Turner join forces to rescue a governor's daughter from a band of bloodthirsty fellow pirates. Only Jack knows the dark secret the crew of the Black Pearl harbors. See the glint of each sword in eye-popping 1080p, and experience every cannon blast with spectacular 5.1 48kHz, uncompressed audio. It's entertainment quality so intense, you'll almost feel the sea mist in the air with the magic of Blu-ray high definition.
Customer Reviews:
Awesome!.......2007-07-02
The last time I saw this was when it first came out on DVD. Bought the Blu-Ray and all I can say is Wow!
The clarity of the picture along with the Uncompressed Audio track, I now use this Movie to show off my Home Theatre!
Good Blu-ray.......2007-07-01
This is a pretty good movie to start the Pirates series. I did notice that this movie was a little grainier than the second part since I own both movies. So as far as the graphics go, it's not too bad, but still a bit grainy. The uncompressed sound is always amazing, and will really rock if you have a surround sound system. By far, it's a collectible movie...so it's in my books.
Must Have on Blu-ray!.......2007-06-27
I scooped up this and PoC:Dead Man's Chest right before PoC:At World's End was released in theaters and WOW! The movies look fantastic Johnny Depp is great as Capt. Jack with all the oddities. Geoffrey Rush is brilliant as Capt. Barbosa. Keira Knightley is just stunningly gorgeous 1080p.
As stated before this blows the dvd away.
Ignore the low rating given by the other reviewer and his "hectic weekend" get a firmware upgrade if you need it and buy the movie.
Amazing picture and sound quality.......2007-06-26
Even if you own this movie on DVD, sell it and get this blu-ray disc! If you need a firmware upgrade on you BD player, it's easy and free to download and install.
This is by far one of the finest HD transfers to date. Thank you Disney, and I can't wait untill the Pixar movies start to show up.
I don't understand the person that gave it a low star rating, your rating the MOVIE not your player.
Disney Obviously Loves Blu-ray and So do I.......2007-06-11
Holy cow! What a release! Even for those like me who have seen this movie a dozen times, Disney found all kinds of new ways to make the movie fresh again.
First off:
Awesome Picture - one of the best I've seen on Blu-ray and I have at least 20 in my collection.
Awesome Sound - The foundation of my house was shaking!
Really cool special features! My favorite was the choice to have pirate facts pop up as you watched the film, and some of the facts could be banked so that at the end of the film, a documentary (that you have created by banking the facts you are interested in) plays. I mean, getting to custon make your own documentary? Only on Blu-ray my friends.
My family and I had a great time watching this film and I highly recomend it!
Average customer rating:
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The Patriot (Extended Cut) [Blu-ray]
Starring: René Auberjonois , Adam Baldwin , Chris Cooper , Jason Isaacs , and Tchéky Karyo
Director: Roland Emmerich
Manufacturer: Sony Pictures
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- King Arthur (Director's Cut) [Blu-ray]
ASIN: B000PAAJVA
Release Date: 2007-07-03 |
Amazon.com
Aimed directly at a mainstream audience, The Patriot qualifies as respectable entertainment, but anyone expecting a definitive drama about the American Revolution should look elsewhere. Rising above the blatant crowd pleasing of Stargate, Independence Day, and Godzilla, director Roland Emmerich crafts a marvelous re-creation of South Carolina in the late 1770s (aided immeasurably by cinematographer Caleb Deschanel), and Robert Rodat's screenplay offers the same balance of epic scale and emotional urgency that elevated his earlier script for Saving Private Ryan. Unfortunately, Emmerich embraces clichés and hackneyed melodrama that a more gifted director would have avoided. Instead of attempting a truly great film about the most pivotal years of American history, Emmerich settles for a standard revenge plot with the Revolutionary War as an incidental backdrop.
On those terms, the film is engrossing and sufficiently intelligent, especially when militia leader Benjamin Martin (Mel Gibson) cagily negotiates with British General Cornwallis (Tom Wilkinson) in one of the most rewarding scenes. For the most part, the story concerns Martin's anguished quest for revenge against ruthless redcoat Colonel Tavington (played with snide relish by Jason Isaacs), and the rise to manhood of Martin's eldest son, Gabriel (Heath Ledger), whose battlefield honor exceeds even that of his brutally volatile father. At its best, The Patriot conveys the horror of war among innocent civilians, and the epic battle scenes, while by no means masterful, are graphically intense and impressive. And although Ledger's love interest (Lisa Brenner) is too bland to register much emotion, the focus on family (which frequently relegates the war to background history) provides a suitable vehicle for Gibson, who matches his achievement in Braveheart with an effectively brooding performance. --Jeff Shannon
Product Description
In 1776 South Carolina, widower and legendary war hero Benjamin Martin (Mel Gibson) finds himself thrust into the midst of the American Revolutionary War as he helplessly watches his family torn apart by the savage forces of the British Redcoats. Unable to remain silent, he recruits a band of reluctant volunteers, including his idealistic patriot son, Gabriel (Heath Ledger), to take up arms against the British. Fighting to protect his family's freedom and his country's independence, Martin discovers the pain of betrayal, the redemption of revenge and the passion of love.
Average customer rating:
- Mish mush
- Dry
- A powerful (but not concise) film
- Farce
- The trouble with films like "Crash..."
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Babel
Starring: Brad Pitt , Cate Blanchett , Mohamed Akhzam , Peter Wight , and Harriet Walter
Director: Alejandro González Iñárritu
Manufacturer: Paramount
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ASIN: B000MCH5P4
Release Date: 2007-02-20 |
Amazon.com
Brilliantly conceived, superbly directed, and beautifully acted, Babel is inarguably one of the best films of 2006. Director Alejandro González Iñárritu and his co-writer, Guillermo Arriaga (the two also collaborated on Amores Perros and 21 Grams) weave together the disparate strands of their story into a finely hewn fabric by focusing on what appear to be several equally incongruent characters: an American (Brad Pitt) touring Morocco with his wife (Cate Blanchett) become the focus of an international incident also involving a hardscrabble Moroccan farmer (Mustapha Rachidi) struggling to keep his two young sons in line and his family together. A San Diego nanny (Adriana Barraza), her employers absent, makes the disastrous decision to take their kids with her to a wedding in Mexico. And a deaf-mute Japanese teen (the extraordinary Rinko Kikuchi) deals with a relationship with her father (Koji Yakusho) and the world in general that's been upended by the death of her mother. It is perhaps not surprising, or particularly original, that a gun is the device that ties these people together. Yet Babel isn't merely about violence and its tragic consequences. It's about communication, and especially the lack of it--both intercultural, raising issues like terrorism and immigration, and intracultural, as basic as husbands talking to their wives and parents understanding their children. Iñárritu's command of his medium, sound and visual alike, is extraordinary; the camera work is by turns kinetic and restrained, the music always well matched to the scenes, the editing deft but not confusing, and the film (which clocks in at a lengthy 143 minutes) is filled with indelible moments. Many of those moments are also pretty stark and grim, and no will claim that all of this leads to a "happy" ending, but there is a sense of reconciliation, perhaps even resolution. "If You Want to be Understood... Listen," goes the tagline. And if you want a movie that will leave you thinking, Babel is it. --Sam Graham
Beyond Babel
Other Interweaving Storylines on DVD |
Other DVDs by Director Alejandro González Iñárritu |
Why We Love Cate Blanchett |
Stills from Babel (click for larger image)
Product Description
In Babel, a tragic incident involving an American couple in Morocco sparks a chain of events for four families in different countries throughout the world. In the struggle to overcome isolation, fear, and displacement, each character discovers that it is family that ultimately provides solace.
In the remote sands of the Moroccan desert, a rifle shot rings out-- detonating a chain of events that will link an American tourist couple's frantic struggle to survive, two Moroccan boys involved in an accidental crime, a nanny illegally crossing into Mexico with two American children, and a Japanese teen rebel whose father is sought by the police in Tokyo. Separated by clashing cultures and sprawling distances, each of these four disparate groups of people are nevertheless hurtling towards a shared destiny of isolation and grief. In the course of just a few days, they will each face the dizzying sensation of becoming profoundly lost - lost in the desert, lost to the world, lost to themselves - as they are pushed to the farthest edges of confusion and fear as well as to the very depths of connection and love.
In this mesmerizing, emotional film that was shot in three continents and four languages - and traverses both the deeply personal and the explosively political -- acclaimed director Alejandro González Iñárritu (21 Grams, Amores Perros) explores with shattering realism the nature of the barriers that seem to separate humankind. In doing so, he evokes the ancient concept of Babel and questions its modern day implications: the mistaken identities, misunderstandings and missed chances for communication that-- though often unseen-- drive our contemporary lives. Brad Pitt, Cate Blanchett, Gael García Bernal, Kôji Yakusho, Adriana Barraza and Rinko Kikuchi lead an international ensemble of actors and non-professional actors from Morocco, Tijuana and Tokyo, who enrich Babel's take on cultural diversity and enhance its powerful examination of the links and frontiers between and within us.
Customer Reviews:
Mish mush.......2007-06-29
There are several different stories here only slightly related dealing with several different families in separate countries. Nothing that went into a whole. Some of the individual stories were touching. I particularly liked the Moroccan boys story. However overall it left me wondering what is the point of the story.
The acting is above average. Not surprising as it has some good actors. The filming is good.
Dry.......2007-06-26
Brad Pitt must be hard up for some money. Angelina's new kids must be costing him a fortune because this is the worst role he has ever taken. I think he's a great actor, love almost all of his other movies, but this one??? I'm not sure where to begin because, frankly I'm not sure what the story was about. Some lady, his wife or girlfriend, gets shot on a bus in Morroco or some place like that. Then some Mexicans try smuggling Brad Pitt and his lady friends children into Mexico... Border guards thought it was fishy that a couple of Mexicans were cruising around with some white kids so they busted the Mexicans and left the children to rot in the desert. Let's see... what else happened that made some sort of sense... This Mexican or Arabian fellow bought an illegal rifle and let his sons use it. They decided to use it to shoot at a bus, subsequently shooting Brad Pitts lady friend. And here's the kicker: a Japanese chick who was deaf gets naked for absolutely no reason! They show her at the club eaten some drugs, and next thing you know she's in some swank Tokyo condo gettin naked. I think that scene is what the whole movie was about and definitely worth the one star I gave it.
A powerful (but not concise) film.......2007-06-21
Babel, trying to imitate the wonderful style of Academy Award-winning Crash (Widescreen Edition), is a touching, thought provoking story of the world and its peoples.
The movie itself has an amazing premise--a husband, Richard Jones (Brad Pitt) decides to take his wife, Susan (Cate Blanchett) for an exotic vacation to Morocco. But things are hardly exotic, as they will soon find out. From Morocco the story transitions to California, where a Mexican-American maid is left in charge of the Jones' children while the couple are on vacation.
Babel continues to introduce new cultures as Mrs. Jones receives a wound to the shoulder while riding a bus through the deserts of Morocco. From there, a Moroccan family's role in the crime is unraveled, and the story of a Japanese deaf-mute begins.
This movie is truly touching, as all of the subplots intertwine and a feeling of bittersweet catharsis is felt.
This movie should be an absolute must for everyone; your life will be changed after watching this movie.
Farce.......2007-06-20
Let me start by saying that I really like this movie a lot. I think the point is very clearly stated in the preview, but not in the movie itself, although it's clear from watching the movie. The communication barriers we all deal with, and our prejudices against one another affect our lives, and make life hard, and painful, where there does not have to be any pain, or misunderstanding.
Cate Blanchett is a phenomenal actress, and does an outstanding job here, as the wife of Brad Pitt who gets shot in Morocco while riding on a bus. She is shot by two young boys, playing with a gun, and terroristic sirens sound off throughout the world. There are some other events happening in the movie too, with their children, and the original owner of the gun who is in China. Somehow they are all intertwined which makes for a compelling story. Each having their own struggles and issues, and communication related barrier. The original owner of the rifle has a deaf-mute daughter he has trouble communicating with after her mother commits suicide. Very well done, except one major complaint.
There are some very sexually explicit scenes involving children that were pretty much unessecary in making this a great movie. I personally, think it's tragic for people to accept having scenes like this in movies, that make it somehow acceptable. It's not ground breaking, it's just violating. And, I always thinks it's a bit of a farce when this is included in a movie that otherwise would be phenomenal on it's own merit. It just seems like a weak way to include some "shock" factor, when it's not needed, and dumbs down the movie. I could care less to see that, and didn't understand it's place in the movie, except to push the envelope. That could have been done in more valuable ways. Hence, why my rating is only a 3. But, otherwise, the storyline is great, and very interesting. I like movies that have a lot of moving parts, and stories happening in many places. Definitely one you should not miss.
The trouble with films like "Crash...".......2007-06-17
The film industry sees a success and realizes this is potentially a gold mine for more similar stories. Of course, they've got to add a twist--in this case, more languages, more locales and more cultures. As in the old saw: too many cooks spoil the soup, too many languages and locales spoil the story.
And--while there is always going to be a character or two who doesn't think in a movie, this one was riddled with folks who could have prevented their mishaps with just a little bit of common sense:
why would parents leave their kids in the care of a nanny who clearly isn't up to the task? I don't have children, but if I did, and I could afford a nanny, that person would be able to communicate and think much better than their employee
why would the illegal nanny take two American kids across the border?
why would the American couple go to a Muslim country, which is hostile where they spoke none of the language?
why would anyone let an intoxicated person drive--particularly at an international border?
One person's blunder can make an interesting plot device. Two people's blunder starts on comedy. Three? I can only shake my head so long at a movie before I am ready to give up. I made it to the end, but honestly I didn't think it was worth it. Very glad this was only a rental.
Average customer rating:
- The second coming of The Third Man
- The Third Man
- The Third Man
- The Third Man
- WOW! talk about Must-have!!
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The Third Man - Criterion Collection (2-Disc Edition)
Starring: Nelly Arno , Leo Bieber , Hedwig Bleibtreu , Martin Boddey , and Siegfried Breuer
Director: Carol Reed
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Similar Items:
- Army of Shadows - Criterion Collection
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- Naked City - Criterion Collection
- If... (Criterion Collection)
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ASIN: B000NOK0GM
Release Date: 2007-05-22 |
Amazon.com essential video
There have been few better movies in the history of the planet than The Third Man, and fewer still as brilliantly directed from second to second. Orson Welles played the title role, and his legend has tended to engulf the film. But it was directed by Carol Reed and written--except for a Wellesian riff on the Borgias--by Graham Greene, and the credit for this masterpiece is properly theirs. Theirs and Joseph Cotten's; for awesome as Welles is, his Citizen Kane second banana is onscreen about six times as much, and Cotten uses every minute to create one of the most distinctive--if also forlorn--of modern heroes.
You know the story. Holly Martins (Cotten), a writer of pulp Westerns and one of life's congenital third-raters, arrives in post-WWII Vienna only to learn that his old pal Harry Lime, the guy who sent him his plane ticket, is being buried. Everybody, from a cynical British cop named Calloway (Trevor Howard) to Harry's Continental knockout of a girlfriend (Alida Valli) and his sundry absurd/Euro-sinister business associates, feels that Holly should get on another plane and go home. He doesn't. Things come to light. Other deaths follow. The world lies in utter ruin.
The Third Man completed a sublime hat trick--an international critical and popular smash following upon the success of Reed's Odd Man Out ('47) and The Fallen Idol ('48). Although other filmmakers had begun to use war-ravaged Europe as a great movie set, The Third Man is so vivid in its canny mix of gray semidocumentary and insanely angular, Expressionist/Surrealist chiaroscuro that it seems to have imagined not only the postwar thriller but also postwar Europe itself singlehandedly.
What great movie moments: The throwaway details like a mourner who forgets to drop his wreath on a newly dug grave. The sly editing whereby thick-headed Sergeant Paine (Bernard Lee, once and future "M" to 007) goes on leafing through a magazine, knowing just the moment he must rise and subdue the nervy Yank who would take a punch at his boss. The way Anton Karas's legendary zither score seems to jangle in the very guy-lines of a bridge where, far below Robert Krasker's Oscar-winning camera, the Third Man calls a war council. The shadow of a dead man towering, big as Europe, over the nighttime streets of Vienna. --Richard T. Jameson
Studio description
Cynical pulp novelist Holly Martins arrives in shadowy Vienna to investigate the mysterious death of his old friend, black-market opportunist Harry Lime, and thus begins an ever-thickening web of love, deception, and murder that adds up to one of cinema's most immortal treats, as well as one of its trickiest. Thanks to brilliant performances by Joseph Cotten, Alida Valli, and Orson Welles; Anton Karas's timeless, evocative zither score; Graham Greene's razor-sharp dialogue; and Robert Krasker's haunting deep focus shots, off-kilter angles, and dramatic use of light and shadow, The Third Man, directed by the inimitable Carol Reed, only grows in stature as the years pass.
Customer Reviews:
The second coming of The Third Man.......2007-06-30
The folks at Criterion never give up short of perfection. They've been reissuing some of their own material lately in newer, better versions, and while I *won't* get another Brazil just because they neglected anamorphic the first time (and I have an up-converting player/TV combo that helps somewhat anyway) I will gladly shell out more cash for improved prints of Seven Samurai, M and now this, The Third Man.
But this is more than just a new transfer. Here you get a second disc of wonderful features. Well, one of the features could have been wonderful: it's a 90-minute documentary made a couple years ago that played at Cannes in 2006. While the information is fascinating, and will shed much light on this noir, the filmmaker's style is pretentious, and distracts from the content.
Other extras are the original U.S. trailer (grossly inappropriate for this movie, but probably closer to the type of film Selznick wanted to make), vintage footage of Vienna and Zitherist Anton Karas, and a photo album of the production--all also included in the prior Criterion release. There's also a mini-doc on the film--much more straightforward and to me more interesting--with all still photos. Even though it's all stills I found this short 10 minute presentation very riveting. Then there's a featurette that shows many of the scenes of German-speaking players with their lines translated (they were deliberately left untranslated in the film so that the audience would feel as confused as Holly), a UK vs. US comparison of the openings, several of the radio shows that used the Harry Lime character, and a profile of writer Graham Greene from a 1968 British television program. Oh, and did I mention there are two commentaries, one from filmmaker Steven Soderbergh and screenwriter Tony Gilroy and one from film distorian Dana Polan. Oh, and there's a very stylish 26-page booklet insert. And you know what? There's probably other stuff I've forgotten. These discs are cram-packed.
In short, this is a whole college-level course on The Third Man in a little box. It'll keep you watching for weeks.
In case Amazon ever deletes the first Criterion edition of this DVD from their site, here's a cut-and-paste of my original review of the film itself:
###
Reportedly Orson Welles replied to people who asked if he'd "really" directed The Third Man that Carol Reed didn't need his suggestions. Yet this feels very much like Welles in many ways. First of all there's the subject matter--like Citizen Kane, this film deals with money and power, shattered idealism, and an elusive figure everyone knows *of* yet few people know. Like Kane, the cinematography is striking (though in a different way) and an integral part of the plot. Like Kane, the music is memorable and tells much of the story, yet again in a different way. Like Kane, the film was greeted coldly by many critics on its initial release and had to be shelved for many years before people realized it was a masterpiece. And last but not least, like Kane, it stars the great Joseph Cotten.
The Third Man benefits enormously from being shot in post-war Vienna (in record time by using three crews simultaneously). You can taste the atmosphere. The locations are a "star" as much as any of the human players. Selznick wanted Reed to film on Hollywood back lots, and he wanted Jimmy Stewart to star. He objected to the zither music. He objected to the canted shots. (William Wyler reportedly gave Reed a level to put on his camera after seeing The Third Man!) Most of all, Selznick wanted a happy ending, where Holly gets the girl. But without Reed's vision, the film would have been a typical glossy Hollywood film now seen at 2 am on local UHF channels if at all.
Reed gave Welles one of the great entrances in screen history. Welles gave Reed a hard time by refusing to work in a sewer and returning to England, forcing Reed to build a sewer set there just for Welles' part. Welles says he only wrote the "Cuckcoo clock speech," but leave it to Orson to give us the most memorable dialogue in a movie filled with memorable dialogue.
Then there is the issue of The Woman. Often she will make or break a film like this, and here Alida Valli (or "Valli" as she preferred to be billed in the film...maybe it's an Italian thing that started long before Madonna) is the perfect choice, brooding and un-glamorous and yet all the more alluring because she's un-glamorous. It's easy to see how impressionable Holly would fall for her. It's harder to see why she would still defend Harry, but love is not always logical. Or is this just selfishness? There doesn't seem to be room for love in Reed and Greene's postwar Vienna...
Criterion has done a loving restoration of The Third Man. While not up to the standard of the Citizen Kane DVD (which is not done by Criterion, incidentally) it is superb considering how poorly prints of this film have been handled over the years. Criterion performed many computer-repairs of tears and splices that make once-damaged scenes play perfectly. The gray scale is finally restored! (So many prints of this film are stark and grainy black and white and nearly unwatchable.) There are some extras, such as footage of Anton Karas performing on his unique instrument, documentary footage of the real Vienna sewers, the original trailer, the re-release trailer*, the alternate American opening, and fascinating production photos and commentary. Once again Criterion hits a home run.
###
Make that a grand slam.
*Not included in this version.
The Third Man.......2007-06-29
Fantastic movie, every time I watch it I see something new. Great cinematography, acting is superlative and story is gripping
The Third Man.......2007-06-27
The DVD case was smashed-in like it had been stacked under some weight. Contacted Amazon and they sent me a replacement.
The Third Man.......2007-06-25
One of the all-time great mysteries, the excellence of this production is reflected in the talents of its key contributors: old Mercury Theatre colleagues Welles and Cotten, screenwriter Graham Greene, producers Alexander Korda and David O. Selznick, and director Carol Reed. Together, they create a haunting, intricate thriller, with corrupted souls inhabiting decimated Vienna like so many vultures. "Man" also features one of the best music scores in all film, with Anton Karas's original zither score adding to the ominous proceedings. Stunningly shot on location, this is a must-see.
WOW! talk about Must-have!!.......2007-06-18
I was reading Criminal,the Marvel comic series
by Ed Brubaker, who also wrote the Sleeper for DC/Wildstorm
(my all time favorite)...
and in the back of the issue, he talked about this movie.
being a big fan I had to see what it was about...
AND I'M SO GLAD I DID!!
its PERFECTION
Average customer rating:
- A Spiritual Giant Who Left His Mark In History
- Ghandi
- Outstanding movie!
- Chinese extras menu?!?!?!?
- Brilliant film; surely one of Attenborough's best!
|
Gandhi (Widescreen Two-Disc Special Edition)
Starring: Ben Kingsley , Candice Bergen , Edward Fox , John Gielgud , and Trevor Howard
Director: Richard Attenborough
Manufacturer: Sony Pictures
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ASIN: B000KX0IOA
Release Date: 2007-02-20 |
Amazon.com
Sir Richard Attenborough's 1982 multiple-Oscar winner (including Best Picture, Best Director, and Best Actor for Ben Kingsley) is an engrossing, reverential look at the life of Mohandas K. Gandhi, who introduced the doctrine of nonviolent resistance to the colonized people of India and who ultimately gained the nation its independence. Kingsley is magnificent as Gandhi as he changes over the course of the three-hour film from an insignificant lawyer to an international leader and symbol. Strong on history (the historic division between India and Pakistan, still a huge problem today, can be seen in its formative stages here) as well as character and ideas, this is a fine film. --Tom Keogh
Stills from Gandhi (click for larger image)
Beyond Gandhi on Amazon.com
Other Oscar Winners at Oscar Central |
More Biographies on DVD |
The Films of Ben Kingsley |
Description
A critical masterpiece, GANDHI is an intriguing story about activism, politics, religious tolerance and freedom. But at the center of it all is an extraor- dinary man who fought for a nonviolent, peaceful existence, and set an entire nation free. Winner of 8 Academy Awards® including Best Picture, Best Director (Lord Richard Attenborough) and Best Actor (Sir Ben Kingsley), GANDHI's highly acclaimed cast also includes Candice Bergen, Edward Fox, Sir John Gielgud, Roshan Seth and Martin Sheen.
The extras include more than 90 minutes of new material, including interviews with director Lord Richard Attenborough; actors Geraldine James, Saeed Jaffrey, and Edward Fox; Diana Hawkins (Director of Publicity), Terry Clegg (Executive in charge of production), Billy Williams (Cinematographer) and Stuart Craig (Production Designer). The DVD includes a Director's commentary with Attenborough, who also filmed a personal introduction to the film. The featurettes include In Search of Gandhi, Reflections on Ben, Madeleine Slade: An Englishwoman Abroad, The Funeral, Shooting an Epic In India, Looking Back, Designing Gandhi (3 mini featurettes) and From the Director's Chair (2 mini featurettes).
Customer Reviews:
A Spiritual Giant Who Left His Mark In History.......2007-06-03
In one of the interviews with Ben Kingsley, he expressed great apprehensiveness and even reluctance to play Mahatma Gandhi. "Nobody can play this man," he'd stated. After a while, he gave it some more thought and finally decided to accept the role. Thankfully, his decision would bring one of the best and most memorable acting performances ever shown on the silver screen. It was a no-brainer that he won the Oscar for Best Actor that year, and that "Gandhi" won for Best Picture.
Martin Luther King Jr once stated about Gandhi, "I have found it challenging at times to live by the words of Jesus, but Gandhi proved it can be done."
This beautiful autobiography of the "Mahatma" or "Great Soul" (a title bestowed upon him by the people of India and not by himself) demonstrates how one man conquered a nation through love and non-violence instead of hatred and war. Gandhi understands that to stand up to the fear and hatred in others, you must first conquer the fears of yourself. A master teacher of ALL religions, he recognized the spiritual paths of all men, and put into practice the universal teachings of peace, love, forgiveness, and brotherhood; teachings that every great master and saint has ever taught.
Richard Attenborough directed this magnificent story that opens with his assassination. This was a brilliant move, on his part. He shows how Gandhi dies, but immediately focuses on his extraordinary life. Filmed in India with wonderful performances by both Western and Eastern performers, they collaborated together to bring this film to life.
Ben Kingsley plays Gandhi in such a true and humble way. He brings Gandhi to life and endows him with the characteristics and personality that I have read so much about. Paramahansa Yogananda (a great Master from India who came to the U.S.) spent some time with Gandhi at his hermitage and wrote about the experience in "Autobiography of a Yogi." Some of Gandhi's ashes were also given to him were they now lie at rest in Lake Shrine, California.
Every actor, whether they have a small part or a large one, brought their best for this film. You can see that in their performances. Martin Sheen looks as if he's sitting next to he real Gandhi. Perhaps that isn't far of a stretch, if the spirit of Gandhi was indeed working through Ben Kingsley.
It is simply amazing how Gandhi was able to persuade the people of India into non-cooperation with the British. Thoreau's "Civil Disobedience" coincides beautifully with Gandhi's actions. "We want to see the British off as our friends, not our enemies," explains Gandhi.
The film is over three hours in length, and every time I watch it, I feel as if I've had a spiritual experience. I can understand why he was given the title of "Mahatma." Albert Einstein may have said it best in a quote that is given at the very beginning of this movie, "Few people will scarcely believe that any one in flesh and blood ever walked the face of this Earth."
Ghandi.......2007-05-08
A great movie with a wondeful lesson that needs to be practiced to a degree by everyone in this country and beyond.
Outstanding movie!.......2007-04-19
I watched this movie when it first came out in the theaters. Being Indian and watching it at such a young age was definitely a memory I will never forget. I've seen it since over a dozen times and love it every time. I was ecstatic to see they finally made a two disc special edition one and grabbed it. This movie will live on for centuries, and I really think it's high time someone makes just as symbolic a movie of Martin Luther King Jr. so that children of this time can have a movie to cherish for in centures to follow!
Chinese extras menu?!?!?!?.......2007-04-17
Hey, the extras disc has menus in Chinese..they still work, and you can view all the stuff, but you have to guess at what each menu option will do...anyone else get this?
Brilliant film; surely one of Attenborough's best!.......2007-04-10
When I first saw this film in 1982, it reminded me of one of David Lean's epics. Like Lawrence of Arabia or Dr. Zhivago, it tells a story of nations and political movements from the perspective of a single person. The cast is top notch, the acting is superb (Ben Kingsley is amazing in this role), and the photography is gorgeous.
So it's a must-see film, but what about the dvd? In a word, terrific! The sound and color all look wonderful, and the extra features are informative. I cannot say how this dvd edition compares to the one that came out about five years ago, but if you don't already own a dvd copy of this film, you won't be disappointed with this one.
Average customer rating:
- Good deal
- Beautiful package
- Dinosaur lovers unite!
- THRILL RIDES GALORE !!!
- Jurassic Park
|
Jurassic Park Adventure Pack (Jurassic Park/ The Lost World: Jurassic Park/ Jurassic Park III)
Starring: Rona Benson , Blake Michael Bryan , Laura Dern , John Diehl , and Bruce French
Director: Joe Johnston
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- The Adventures of Indiana Jones - The Complete DVD Movie Collection (Widescreen Edition)
- Independence Day (Limited Edition)
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ASIN: B000BCE918
Release Date: 2005-11-29 |
Amazon.com
Jurassic Park
Steven Spielberg's 1993 mega-hit rivals Jaws as the most intense and frightening film he'd ever made prior to Schindler's List, but it was also among his weakest stories. Based on Michael Crichton's novel about an island amusement park populated by cloned dinosaurs, the film works best as a thrill ride with none of the interesting human dynamics of Spielberg's Jaws. That lapse proves unfortunate, but there's no shortage of raw terror as a rampaging T-rex and nasty raptors try to make fast food out of the cast. The effects are still astonishing (despite the fact that the computer-generated technology has since been improved upon) and at times primeval, such as the sight of a herd of whatever-they-are scampering through a valley. --Tom Keogh
The Lost World - Jurassic Park
In the low tradition of knockoff horror flicks best seen (or not seen) on a drive-in movie screen, Steven Spielberg's sequel to Jurassic Park is a poorly conceived, ill-organized film that lacks story and logic. Screenwriter David Koepp strings along a number of loose ideas while Jeff Goldblum returns as Ian Malcolm, the quirky chaos theoretician who now reluctantly agrees to go to another island where cloned dinosaurs are roaming freely. Along with his girlfriend (Julianne Moore) and daughter, Malcolm has to deal with hunters, environmentalists, and corporate swine who stupidly bring back a big dino to Southern California, where it runs amok, of course. Spielberg doesn't seem to care that the pieces of this project don't add up to a real movie, so he hams it up with big, scary moments (with none of the artfulness of those in Jurassic Park) and smart-aleck visual gags (a yapping dog in a suburb mysteriously disappears when a hungry T-rex stomps by). A complete bust.--Tom Keogh
Jurassic Park III
Surpassing expectations to qualify as an above-average sequel, Jurassic Park III is nothing more or less than a satisfying popcorn adventure. A little cheesier than the first two Jurassic blockbusters, it's a big B movie with big B-list stars (including Laura Dern, briefly reprising her Jurassic Park role), and eight years of advancing computer-generated-image technology give it a sharp edge over its predecessors. While adopting the jungle spirit of King Kong, the movie refines Michael Crichton's original premise, and its dinosaurs are even more realistic, their behavior more detailed, and their variety--including flying pteranodons and a new villain, the spinosaurus--more dazzling and threatening than ever. These advancements justify the sequel, and its contrived plot is just clever enough to span 90 minutes without wearing out its welcome.
Posing as wealthy tourists, an adventurous couple (William H. Macy, Téa Leoni) convince paleontologist Alan Grant (Sam Neill) and his protégé (Allesandro Nivola) to act as tour guides on a flyover trip to Isla Sorna, the ill-fated "Site B" where all hell broke loose in The Lost World: Jurassic Park. In truth, they're on a search-and-rescue mission to find their missing son (Trevor Morgan), and their plane crash is just the first of several enjoyably suspenseful sequences. Director Joe Johnston (October Sky) embraces the formulaic plot as a series of atmospheric set pieces, placing new and familiar dinosaurs in misty rainforests, fiery lakes, and mysterious valleys, turning JP3 into a thrill ride with impressive highlights (including a T. rex versus spinosaurus smack-down), adequate doses of wry humor (from the cowriters of Election), and an upbeat ending that's corny but appropriate, proving that the symptoms of sequelitis needn't be fatal. --Jeff Shannon
Customer Reviews:
Good deal.......2007-06-27
Great fun to watch again these 3 great movies with my daughter. Very good presentation for a good price. Great value.
Beautiful package.......2007-06-27
Jurassic Park is a great movie, no doubt about it. And this package is also great... It's very well made, and opens up revealing beautiful images.
The second movie (The Lost World) is boring and it doesn't get near the first.
Jurassic Park III is another great one... It isn't better than the first, but it's way better than the second.
And the many extras that comes within the discs are good too.
I think that the only fault of this box set is the lack of english subtitles. There's english closed captions only.
Dinosaur lovers unite!.......2007-06-15
When the first Jurassic Park movie came out I fell in love with the brachiosaur "Welcome to Jurassic Park" scene and have been hooked ever since. To have the three movies in a set and the additional footage is just a pleasure. True the plot of the second movie (The Lost World) is not in the same league with that first vision, but the dinosaurs are so great that it is still fun. The third movie, however, is much closer to the first in quality and almost equally entertaining, thanks in part to the acting skills of William H. Macy.
It is the dinosaurs, however, that star in this trilogy. It is amazing to me how the well the special efffects have held up! Definitely worth the cost of the DVDs. Dinosaur lovers unite and ENJOY!
THRILL RIDES GALORE !!!.......2007-06-13
I have been a nut for Dinosaur movies since I was a kid and they were shown on a square screen in black & white in theatres. "The Beast From 20,000 Fathoms" was the greatest of its time and now here I get to see these three magnificant movies in my living room ! I saw these at the theater and I have to brag that my sourround is better ! The movies are sharp, colorful and the sound is wonderful!!! Dinos tramping all over the place !!! Oh by the way the EXTRAS are superb!! I love seeing these guys loving what they are doing and it shows in the movies! Its amazing how they make this stuff work! What a great job!!! Delightful, and entertaining fantasy fun for the kid in all of us!!! GET THE POPCORN!!!!
Jurassic Park.......2007-05-12
Love this have never been able to see all three together..
Your kids will love it, spell binding
Average customer rating:
- A bit contrived, but riveting entertainment. A must-see, must own film!
- Way to stiff the actors, amazon!
- BRILLIANT!
- Great thriller!
- Heighten your cinematic senses
|
The Sixth Sense (Collector's Edition Series)
Starring: Firdous Bamji , Mischa Barton , Toni Collette , Janis Dardaris , and Glenn Fitzgerald
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ASIN: B00004BZIY
Release Date: 2000-03-28 |
Amazon.com essential video
"I see dead people," whispers little Cole Sear (Haley Joel Osment), scared to affirm what is to him now a daily occurrence. This peaked 9-year old, already hypersensitive to begin with, is now being haunted by seemingly malevolent spirits. Child psychologist Malcolm Crowe (Bruce Willis) is trying to find out what's triggering Cole's visions, but what appears to be a psychological manifestation turns out to be frighteningly real. It might be enough to scare off a lesser man, but for Malcolm it's personal--several months before, he was accosted and shot by an unhinged patient, who then turned the gun on himself. Since then, Malcolm has been in turmoil--he and his wife (Olivia Williams) are barely speaking, and his life has taken an aimless turn. Having failed his loved ones and himself, he's not about to give up on Cole.
This third feature by M. Night Shyamalan sets itself up as a thriller, poised on the brink of delivering monstrous scares, but gradually evolves into more of a psychological drama with supernatural undertones. Many critics faulted the film for being mawkish and New Age-y, but no matter how you slice it, this is one mightily effective piece of filmmaking. The bare bones of the story are basic enough, but the moody atmosphere created by Shyamalan and cinematographer Tak Fujimoto made this one of the creepiest pictures of 1999, forsaking excessive gore for a sinisterly simple feeling of chilly otherworldliness. Willis is in his strong, silent type mode here, and gives the film wholly over to Osment, whose crumpled face and big eyes convey a child too wise for his years; his scenes with his mother (Toni Collette) are small, heartbreaking marvels. And even if you figure out the film's surprise ending, it packs an amazingly emotional wallop when it comes, and will have you racing to watch the movie again with a new perspective. You may be able to shake off the sentimentality of The Sixth Sense, but its craftsmanship and atmosphere will stay with you for days. --Mark Englehart
Description
Hollywood superstar Bruce Willis (ARMAGEDDON, THE SIEGE) brings a powerful presence to an edge-of-your-seat thriller from writer-director M. Night Shyamalan (Oscar(R)-nominee for Best Original Screenplay and Best Director) that critics are calling one of the greatest ghost stories ever filmed. When Dr. Malcolm Crowe (Willis), a distinguished child psychologist, meets Cole Sear (Oscar(R)-nominee Haley Joel Osment, Best Supporting Actor), a frightened, confused, eight-year-old, Dr. Crowe is completely unprepared to face the truth of what haunts Cole. With a riveting intensity you'll find thoroughly chilling, the discovery of Cole's incredible sixth sense leads them to mysterious places with unforgettable consequences!
Customer Reviews:
A bit contrived, but riveting entertainment. A must-see, must own film!.......2007-06-28
SPOILER ALERT: Before reading this review, please know that this film is a complex psychological mystery to figure out and in the course of discussing this film's merits some pieces of the puzzle may be revealed inadvertently. I often refrain from this with reviews, but it's hard to discuss this film without giving away some critical elements here and there. Please be advised of this as I hate to spoil anyone's enjoyment of this modern classic film that you really must see and own if you are a fan of this genre.
After two rather lame, dorky films M. Night Shyamalan hit it big with this 1999 sleeper that quietly went on to become one of the biggest box-office surprises of that year and this genre and rightly so. It is the kind of film that Alfred Hitchcock (Psycho) would have been proud to put his name on. I'll forego the usually plot analysis here as most are familar with this film and Amazon's description of the film says enough.
The film's strengths lie in the wonderfully subtle performances by the stars who all rightly deserved their Oscar nominations. I still consider this one of Bruce Willis's best performance if not best, but with a career that easily bounces around from comedy to action hero to thrillers it's hard to really say what is his best. In any event, his role here as the tortured child psychologist trying to make up for a past wrong is compelling and rather typical of any Hitchcockian-type thriller (consider Vertigo as a great example). Haley Joel Osmont, whose sister was in Spy Kids 2 and on the current Disney show Hannah Montana, gives a marvelous performance and one of the best I've ever seen from a child actor. His eyes are truly the windows to his soul. Toni Collette as Osment's grief-stricken, single mother is flawless, believable at all times, and heart-wrenchingly touching as she attempts to communicate with her child that she believes may be beyond reaching.
In addition, the film's delibertly slow-mounting pace mixed with sudden unexpected jolts brings about incredible tension and suspense. Shyamalan is brilliant at slowly giving us the pieces to the film's puzzle to the point where we feel, as the audience, like complete idiots for not "getting it" sooner. Why didn't I notice that no one talks directly to Willis's character except the boy and why does he keep wearing in some fashion the same clothes (plus or minus tie, plus or minus sweatshirt or sport jacket, etc.). The ending of the film is telegraphed to us earlier on and we are given countless clues, but like any skilled director, Shyamalan often misdirects our attention elsewhere at critical times. His is a very gifted director and writer who can effectively bring his vivid imagination to the screen.
The photography, camera angles, lighting, and careful editing manipulate us from beginning to end and the score by James Newton Howard who gave us the theme to ER and the awesomely effective score to Shyamalan's Signs is always appropriate and memorable as a score should be. In addition, the make-up for the ghosts that only Osment can see is jolting and convincing each time and often surprisingly revealed to us. Their presence is eerie, disturbing, and, forgive the pun, haunting.
My only complaint about this otherwise flawless piece of entertainment is that it is, as some critics have rightly pointed out, a rather contrived work, but most good mysteries are by the nature of the genre itself and not so much because of the writer and director of which Shyamalan is both. The pieces of the puzzle HAVE to fit at the end and to criticize the film for doing so seems a bit unfair, but I do understand what those critics mean as Shyamalan is a bit heavy-handed with his contrivances, but, wow, can he tell a story. If you are interested in his other works, then just click his name highlighted as director. Except for his first two silly films and the troubled and uneven but still decent Lady in the Water you should enjoy this master director and writer.
FYI: This film was the inspiration for two popular and current TV shows. They are NBC's highly successful Medium in which Emmy-Winner Patricia Arquette is a housewife that sees ghosts in her dreams that want her to assist them in some manner and CBS's equally successful Ghost Whisperer with Jennifer Love Hewitt playing a similar role, but see ghosts all day long and not in her dreams (more like in "The Sixth Sense"). These are series worth owning by the way. I never miss an episode of either show.
Way to stiff the actors, amazon! .......2007-06-18
This film is worth all its five stars and more, but what's up with amazon.com listing the actors as Firdous Bamji, Mischa Barton, Toni Collette, and Janis Dardanis? Collette is certainly worth mentioning -- her performance is terrific -- but who the heck are Bamji and Dardanis? Mischa Barton's fifteen minutes of fame in The O.C. hardly merits billing over Bruce Willis and Haley Joel Osment, who give two of the most affecting and intelligent screen performances in recent memory.
What's next? The DVD of "Gone with the Wind, starring George Reeves and
Evelyn Keyes"?
BRILLIANT!.......2007-06-13
THIS MOVIE IS BRILLIANT! I echo Nathan Alderman's review of this film.
Great thriller!.......2007-06-01
"I see dead people". You've heard that line before. This is the movie that started the jokes and spawned other movies based solely on that one line. When a movie has that kind of power, you know it's good.
So what's this movie about? Basically, a pyschologist (Malcolm) comes to a little boy's (Cole) aid when he claims that he can see dead people. No one else can see these dead people and they're not friendly by any means. Malcolm has to try and come up with a way to make living with dead people more tolerable for Cole (if that's at all possible). Meanwhile, Malcolm has to deal with his own personal issues when his wife stops talking to him after he got shot by a former patient a year before.
If you haven't seen this movie, you're missing out. For those who don't like scary movies, don't worry. This isn't a typical scary movie. This is more of a mystery movie in which you have to think about what's going on and what's going to happen. The first time I watched this movie in the theaters, I left with shaky knees. It was that good. This is a must have movie in every household's movie collection.
Heighten your cinematic senses.......2007-04-21
M. Night Shyamalan's debut as the masterful storyteller/director began with this most mysterious and heartfelt film, The Sixth Sense. The last time I saw The Sixth Sense was over six years ago and it was as though I enjoyed it even more now than I did the first time I saw it in theatres. Shyamalan's script is woven so beautifully and with such great care that the viewer will be yearning to find answers to the many questions this film forces one to develop.
The Sixth Sense starts out with a bang (with probably the best performance by Donnie Wahlberg I've ever seen on the big screen) and leaves the audience almost trembling. As the story begins after this shocking introduction, we see Bruce Willis a year later after his career has been somewhat destroyed by the terrible events that occurred a year prior. Willis plays a child psychologist, and begins treatment through brief clinical sessions with a young boy (played memorably by Haley Joel Osment). Osment seems terribly disturbed and Willis appears determined to solve this troubled boy's problems. But as the story begins to unfold and the audience learns of Osment's nightmarish ailment, Willis finds that helping this boy will take far more effort than he could have ever imagined.
It is hard to capture the beauty of The Sixth Sense in a few paragraphs, but the simplicity of its execution is enough to show that original films can still grab an audience better than any mind-blowing special effect. The Sixth Sense manages to keep the crowd attentive without a single special effect for almost two hours. This movie is not only a good thriller, but its dramatic elements will sometimes grasp at you without letting you go.
An excellent and unforgettable performance by Toni Collette and one of the greatest ghost stories ever told. If you are not a fan of horror, do not fret; this is not a horror film. But there are definitely a few good jumps to be enjoyed. This movie can be seen over and over again and will one day be known as a classic work of film-making. This is by far the most superior M. Night Shyamalan film.
Average customer rating:
- Torture!
- ITS GOOD FOR THE SOUL
- Very Original Opening Credits
- This is GREAT!
- It's actually hard to describe why this movie was so funny...
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Napoleon Dynamite
Starring: Jon Heder , Efren Ramirez , Jon Gries , Aaron Ruell , and Diedrich Bader
Director: Jared Hess
Manufacturer: 20th Century Fox
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- Anchorman - The Legend Of Ron Burgundy (Unrated Widescreen Edition)
- Dodgeball - A True Underdog Story (Unrated Edition)
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- Star Wars - Episode III, Revenge of the Sith (Widescreen Edition)
ASIN: B00005JNBQ
Release Date: 2004-12-21 |
Amazon.com
As deadpan comedies go, Napoleon Dynamite stands in a class all its own. Played by John Heder, the title character is (in the words of critic Roger Ebert) "the kind of nerd other nerds avoid," a mouth-breathing dweeb with a mangy nest of orange hair, and ungainly features that suggest a perpetual state of half-conscious depression. He lives in Preston, Idaho (former home of 24-year-old director Jared Hess) with his thrill-seeking grandma and 32-year-old brother, and his days at high school consist mostly of being abused or ignored by indifferent classmates. Napoleon's sad-sack story doesn't offer the scathing, impassioned humor of Welcome to the Dollhouse because Hess (who cowrote the nearly plotless screenplay with his wife, Jerusha) doesn't have an angst-ridden axe to grind. Instead, the comedy (which exists in a tacky universe of worn-out rural suburbia) is so low-key that some will find it difficult to laugh, while others (i.e., those who feel superior to Napoleon) will have plenty of fun at Napoleon's expense. The result is a curiously uneven film, hilarious at times, but hampered by its own sense of affectionate mockery. An audience favorite at the Sundance film festival, Napoleon Dynamite may not be entirely lovable, but it's definitely unique. --Jeff Shannon
Description
Napoleon Dynamite is a new kind of hero, complete with a tight red 'fro, sweet moon boots, and skills that can't be topped. Napoleon spends his days drawing mythical beasts, duking it out with his brother, Kip, and avoiding his scheming Uncle Rico. When t
Customer Reviews:
Torture!.......2007-06-24
This movie was absolute torture! There is no plot. The characters need to be killed and put out of their misery. We only suffered through 45 minutes before we turned it off. Don't waste your money.
ITS GOOD FOR THE SOUL.......2007-06-18
FIRST TIME I SAW IT I WAS IN BAD ANXIETY.I HAVE GAD.IT TOOK MY MIND OFF MY ANXIETY AND STRESS,ITS SO CUTE AND SWEET.URE NOT SURE WHAT YR IT IS.LOL
I ORDERED IT.I WATCH IT WEEKLY.ITS GOOD TO WATCH WHEN URE STRESSED.I SEE IT IN A DIFFERENT LIGHT.ITS JUST ABOUT A HIGHSCHOOL OF NERDS BUT THEY HAVE FEELINGS AND ARE SWEET.
IM SO GLAD I HAVE IT
Very Original Opening Credits.......2007-06-12
I just don't get it. I guess I'm just an oldfardt. The only time I laughed during this film was when Napolean was trying to jump the make-shift ramp with his bike. I do give 1 star for the very original opening credit sequence.
This is GREAT!.......2007-06-09
We love this movie & to get it here at such a great savings too! We received it in perfect condtion & the movie is wonderfully funny. We like the extra bonus features also!
It's actually hard to describe why this movie was so funny..........2007-05-06
When someone gushes about a movie being the funniest thing they've ever seen, it usually kills it for me. Fortunately, I had no expectations at all for this movie, and ended up thinking it was hilarious.
I don't know where to start...Napoleon's brother is SUCH a dweeb you'll want to smack him yourself---yet I'm laughing even now thinking about him. There are all these subtle continuity errors and era-inappropriate artifacts that are so obvious they had to be intentional, and even those still make me laugh.
But the real reason the movie is funny is because most of the characters are so incredibly pathetic they'll remind you, sometimes quite painfully, of real people. Some parts almost make you cringe that way.
If you're looking for something a little different, and if you can sit down to watch this without any particular expectations, you might accidentally get a huge kick out of it. I did. (Make sure you watch the part after the credits; a lot of people miss that.)
Average customer rating:
- CLASSIC MOVIE
- Classic Cary Grant
- Great Movie!!!
- father goose
- Wonderful!!
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Father Goose
Starring: Cary Grant , Leslie Caron , Trevor Howard , Jack Good (II) , and Sharyl Locke
Director: Ralph Nelson
Manufacturer: Republic Pictures
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ASIN: B00005N910
Release Date: 2001-09-18 |
Amazon.com
Cary Grant's penultimate feature before retirement was this cheerful 1964 effort to overturn his career-long image of urbane sophistication. As the unshaven, messy misanthrope Walter Eckland, a World War II-era beach bum who monitors Japanese air activity for the Australian navy in exchange for booze, Grant makes a convincingly hard-bitten, hard-drinking antihero. Until, that is, a pretty French schoolmistress (Leslie Caron) and her seven little charges (all girls) survive a nearby plane crash and invade Eckland's raunchy isolation. Directed by 1960s hit-maker Ralph Nelson (The Lilies of the Field, Charly), Father Goose is a glossy comedy that also does justice to its more suspenseful scenes (a deadly snakebite suffered by Caron's character is especially memorable) and leaves plenty of room for Grant to indulge in some entertaining if atypical screen behavior. All in all, this is a minor treat in the actor's magnificent filmography. --Tom Keogh
Customer Reviews:
CLASSIC MOVIE.......2007-06-24
A FINE MOVIE IN THE STYLE OF THE GREAT ARTISTS, NOW SADLY GONE TO BE REPLACED BY UNWHOLESOME FILTH.
Classic Cary Grant.......2007-05-30
This is one of Cary Grant's finest movies. Hilarious fun for the entire family.
Great Movie!!!.......2007-05-16
I was practically raised on this movie. I have so many memories of watching it with my grandpa, and the movie never loses it's sense of excitement for me. While not sure if I am truly a Cary Grant fan, I still absolutely adore this film. It's one of those things that I can't get out of my system. I could watch this movie repetitively until I die, and still never get enough!!!1
father goose.......2007-04-11
we are both big cary grant fans and this movie shows him at his humorous best. photography and the scenes are beautiful with the plot and acting very enjoyable. we try even to watch this movie when it's on tv. we even know a lot of the dialogue. in short, it is just a good clean story that still makes us smile.
Wonderful!!.......2007-04-05
Timeless classic...a must for anyone's movie collection. A near perfect role for Grant at that time in his career and it's a brilliant performance.
Average customer rating:
- Marketing ploy to enjoy
- This Time There's More...
- A classic science fiction movie with Sigourney Weaver at her best
- A brilliant sequel
- modern day giant bug movie
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Aliens (Special Edition)
Starring: Sigourney Weaver , Carrie Henn , Michael Biehn , Lance Henriksen , and Paul Reiser
Director: James Cameron
Manufacturer: 20th Century Fox
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ASIN: B00000ILDE
Release Date: 1999-06-01 |
Amazon.com essential video
Aliens is one of the few cases of a sequel that far surpassed the original. Sigourney Weaver returns as Ripley, who awakens on Earth only to discover that she has been hibernating in space so long that everyone she knows is dead. Then she is talked into traveling (along with a squad of Marines) to a planet under assault by the same aliens that nearly killed her. Once she gets there, she finds a lost little girl who triggers her maternal instincts--and she discovers that the company has once again double-crossed her, in hopes of capturing one of the aliens to study as a military weapon. Directed and written by James Cameron, this is one of the most intensely exciting (not to mention intensely frightening) action films ever, with a large ensemble cast that includes Bill Paxton, Lance Henriksen, Paul Reiser, and Michael Biehn. Weaver defined the action woman in this film and walked away with an Oscar nomination for her trouble. --Marshall Fine
Description
In this action-packed sequel to Alien, Sigourney Weaver returns as Ripley, the only survivor from mankind's first encounter with the monstrous Alien. Her account of the Alien and the fate of her crew are received with skepticism - until the mysterious disappearance of colonists on LV-426 leads her to join a team of high-tech colonial marines sent in to investigate.
Personally supervised by director James Cameron, this special edition includes scenes eliminated prior to the film's 1986 release which broaden the narrative scope and enrich the emotional impact of the film.
Customer Reviews:
Marketing ploy to enjoy.......2007-06-16
If you're not the type to run out and replace your VCR collection as soon as the new format arrives, you probably appreciate a slightly clever ploy to spring for a new version of a classic. An additional 17 minutes of film may seem little justification for this expensive proposition. But seeing the slimey xenomorphs on DVD is reward enough for a fan. The discs include the theatrical release and the director's cut along with other extras, which include an interview with director James Cameron. Cameron dwells excessively on his strained patience dealing with a British film crew. His comments may reveal insight into Cameron's choice to forgo taking the director's seat for the third film (which received some critical acclaim but disappointed fans).
I originally screened Aliens in the theater in July 1986. I remember watching the credits roll with the powerful soundtrack that kept the heart pounding as the last of the text disappeared. Even with the lights coming up, the sound of a slithering alien sent chills down my spine. Sadly, this part of the track is missing from this set.
Successive viewings have not spoiled enjoyment of this finely crafted script and its special effects. Rubber suits, scale models and puppetry have never been used to such great effect. The scenes involving the "drop ship" are stunning. The breathless sequence that takes the drop ship from the mother ship to the planet's surface is but one of many that make this nightmare so real.
Few pauses and a lot of action pace this relentless story. Cameron's decision to write Marines into the confrontation was nothing shy of genius. The Marines think they're heading to a "bug hunt." Bill Paxton's Hudson, who provides comedic relief, describes the array of weaponry they bring. But for all the techno gadetry and fire power, the Marines find themselves stranded amid an army of aliens intent on making them hosts for more bugs. Sigourney Weaver's Ripley, whom we didn't know was a parent from the original release, provides a first-rate performance in the escape ahead of the massing aliens.
Cameron's tip of the hat to Hitchcock is one the best moments in cinematic history. The confrontation in the bowels of the disintegrating atmosphere generating plant is as disturbing as anything science fiction has to offer. Not since Hitchcock's "The Birds" has there been anything like it. And, there's more. The final battle with the queen alien is a masterpiece of