Joseph Andrews

Starring:Ann-Margret, Peter Firth, Michael Hordern, Beryl Reid, Jim Dale, Natalie Ogle, Peter Bull, Kenneth Cranham, Karen Dotrice, James Villiers, Norman Rossington, Patsy Rowlands, Murray Melvin, Ronald Pickup, Penelope Wilton, Peggy Ashcroft, Pauline Jameson, Timothy West, Wendy Craig, Vanessa Millard
Director: Tony Richardson
Studio: Paramount
Product Type: DVD

Average customer rating:

Painfully searing and thought provoking
Wow... Just Wow
Makes you think!
garbage
XXXX...

American History X
Starring: Edward Norton , Edward Furlong , Beverly D'Angelo , Avery Brooks , and Jennifer Lien
Director: Tony Kaye
Manufacturer: New Line Home Video
ProductGroup: DVD
Binding: DVD

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Primal Fear

ASIN: 6305313687
Release Date: 1999-04-06

Product Description

Edward Norton's Academy Award nominated role as a White Supremist who sees the error of his ways while jailed for murder. Unfortunately, he leaves prison to find his brother (Edward Furlong) heading down the same path.

Amazon.com

Perhaps the highest compliment you can pay to Edward Norton is that his Oscar-nominated performance in American History X nearly convinces you that there is a shred of logic in the tenets of white supremacy. If that statement doesn't horrify you, it should; Norton is so fully immersed in his role as a neo-Nazi skinhead that his character's eloquent defense of racism is disturbingly persuasive--at least on the surface. Looking lean and mean with a swastika tattoo and a mind full of hate, Derek Vinyard (Norton) has inherited racism from his father, and that learning has been intensified through his service to Cameron (Stacy Keach), a grown-up thug playing tyrant and teacher to a growing band of disenfranchised teens from Venice Beach, California, all hungry for an ideology that fuels their brooding alienation.

The film's basic message--that hate is learned and can be unlearned--is expressed through Derek's kid brother, Danny (Edward Furlong), whose sibling hero-worship increases after Derek is imprisoned (or, in Danny's mind, martyred) for the killing of two black men. Lacking Derek's gift of rebel rhetoric, Danny is easily swayed into the violent, hateful lifestyle that Derek disowns during his thoughtful time in prison. Once released, Derek struggles to save his brother from a violent fate, and American History X partially suffers from a mix of intense emotions, awkward sentiment, and predictably inevitable plotting. And yet British director Tony Kaye (who would later protest against Norton's creative intervention during post-production) manages to juggle these qualities--and a compelling clash of visual styles--to considerable effect. No matter how strained their collaboration may have been, both Kaye and Norton can be proud to have created a film that addresses the issue of racism with dramatically forceful impact. --Jeff Shannon

Customer Reviews:

Painfully searing and thought provoking.......2007-06-27

I really can't remember a more emotionally charged movie. American X will make you feel angry, frightened, uncomfortable, shocked, sad, and hopefully introspective. It plunges deep into the heart of racism and ultimately exposes the ignorance that fuels it.

Edward Norton is scary. He received an oscar nomination as he became fully immersed in this role as Derek, an angry white supremist.

One of the scenes I found most profound was a glimpse of his upbringing. He is having a conversation with his father, explaining his admiration and respect for his school teacher, who happens to be a black man with two Phds. His dad drops subtle little hints and discriminatory remarks to discredit the man, and his son takes it to heart.

That's really the point of this whole movie, that nobody is born with hatred. Sadly, sometimes it is learned.

This movie is filled with intense moments where the rage and racism are much more blatant. Derek's hatred for all minorities keeps growing, even though he doesn't bother to get to know any of them. Until he goes to prison, and his work partner shows him the error of his ways.

Although this plot development is predictable and Derek's complete change of heart unfortunately seemed a little forced, this still is an exceptional movie. There are so many human frailties exposed and subjective topics examined. It is an obvious message film with high aspirations.

What king of response it triggers depends on you.

Wow... Just Wow.......2007-06-22

A good friend of mine suggested this film, and I really didnt know what to expect going in, but after this film was over, I sat in stunned silence. I knew that racism was horrible, but I found through this film that it does not come without a terrible price..the loss of love, friends, family...and the realization that everything that you believed to be true isnt always the way things are. Edward Norton's performance takes the viewer through this journey, and its not a pretty one. He goes from an bright young man, to a vengeful bigot, to a remorseful excon with a brothers life in jeopardy, and you feel as though you are looking in on someones life in the course of 2 hrs. All of the acting in this film is first rate, and the ending wasnt quite as predictable as others might have you believe...it is quite shocking, as is much of the film. It causes quite a debate on the way people view others whos skin color is not the same. As Dr. King said, judge me not on the color of my skin, but on the content of my character. I live with racism, because I am a black man living in America...it exists, but if we educate ourselves like the main character in AHX, it wont stay around for much longer.

Makes you think!.......2007-06-10

I was skeptical when I first heard about this movie, as I was originally mis-informed as to what it was really about! I am definetly glad I finally sat down and watched this film.

After seeing this film, it has quickly become one of my favorite films that I have ever seen. As others have said, Edward Norton plays his role so well, you may actually find yourself partly agreeing with what he says. The message of the film is very well done, and the ending is one of the most shocking I have seen.

Excellent acting, directing, and story-telling. This is a film to own, and a film that has become a classic within the world of movie-making!

garbage.......2007-05-23

A waste of a fine performance by Norton. The film is an idealistic mess. Trite and melodramatic. I like the ending, because it completely skewers audience expectations, but beyond that, the film feels as if it has been patched together at the last minute. Segments don't entirely match, and most of the acting is uneven. The story is straight out of a tv movie.
If you are one of those typical film students who wears a trenchcoat, has a goatee and won't shut up about Clerks and Fight Club, this will probably be your favorite movie.

XXXX..........2007-04-03

The fear of foreign races or people, and it evolving into an actual phobia, an intense and irrational dread, in other terms, racism, has been around since primitive man began forming tribes, millions of years ago. American History X examines racism in the context of present day neo-Nazism, and similar to the German Nazis of the 30's and 40's all foreigners are blamed for everything wrong with the State. The solution to unemployment, a high cost of living, rocketing welfare and rising crime is to jettison all immigrants, foreigners, from the country so that the original people, the white's in America or the Aryan race in 30's Germany can flourish as they are truly destined to do. This notion is one of the foundational tenets of fascism, and added to this, violence and war is the only method to achieve a `pure' flourishing State.

American History X is a strong film presenting the arguments for the Right and the Left where, for the most part, the propositions on both sides have valid points, however, it is impossible to argue a subject as complex as immigration, rising crime and the cost of living by blaming these situations on a particular race of people. In fact, the argument is absurd because there are always exceptions, and as this important film points out with force and powerful emotion, racism is about hate, fear and personal anger, projected on a generality because it is convenient, a scapegoat for a lack of control and responsibility.

Derek Vinyard (Edward Norton) is an intelligent young man but somewhere along the line began to hate Black American's, Asian American's et al, and under the tutelage of an older and influential White Supremist, (Stacy Keach), becomes the leader of a `skinhead' gang in Venice Beach, trashing foreign owned grocery stores to finally be jailed for the brutal murder of two teenaged Black Americans because they attempted to steal his car. Derek is strong, passionate, and terribly angry and now, a cold blooded killer and his younger brother, Danny, (Edward Furlong) idolises him.

Edward Furlong as Danny was perfect casting as he has a sensitive and forlorn, lost gaze, almost innocent because he loves his brother so much, and when his brother is released from prison with a different point of view, at first goes a little crazy, but will go along because he worships and loves him. Of course this makes the ending that much more forbidding and terribly moving. Furlong is a talented actor and is restrained in this picture, resulting in his performance being totally believable.

A film about such a controversial subject matter cannot avoid presenting a message for the viewer. In the case of American History X, racism is not an innate condition but a learned one, passed on from generation to generation.

American History X is not a good film but a truly great one and should be viewed by all concerned about our society and the hate and fear it contains...

Average customer rating:

Moby Dick my review
Haven't bought it yet...but was excited to see in on DVD
A classic movie - all kids should see
Moby Dick
Huston + Melville

Moby Dick
Starring: Gregory Peck , Richard Basehart , Leo Genn , James Robertson Justice , and Harry Andrews
Director: John Huston
Manufacturer: MGM (Video & DVD)
ProductGroup: DVD
Binding: DVD

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ASIN: B00005AUKA
Release Date: 2001-06-19

Amazon.com essential video

There are so many things right about this 1956 production of Moby Dick, it's a shame it is remembered for the one (debatable) thing wrong with it. As Captain Ahab, the bearded, one-legged, insanely obsessed whaler, Gregory Peck has often been called miscast. The mild, level-headed Peck had many talents, but the volcanic eruptions of Ahab seemed beyond him--even Peck himself felt he was a bad fit for the part after he finished playing it. (Pauline Kael opined that Peck looked like "a stock-company Lincoln.") Yet Peck's quiet brooding works an intriguing variation on the fiery character. John Huston, a director with a taste for location shooting, had his hands full with the difficult open-water filming in Ireland and the Canary Islands ("The catalogue of misadventures was unbelievable," he later wrote). Since Ahab is chasing the rare white whale, three false whales had to be constructed, two of which were lost at sea. For all the miscues, the film is amazingly controlled, and especially beautiful to look at: Huston and cinematographer Oswald Morris developed an unusual color process meant to suggest old whaling engravings. The director wrote the script with the science fiction writer Ray Bradbury, an inspired choice to adapt Herman Melville's epic novel. Richard Basehart plays the narrator, Ishmael, and Orson Welles provides a wonderful single-scene role as Father Mapple, declaiming the mysteries of the sailor's life in a thundering sermon. --Robert Horton

Customer Reviews:

Moby Dick my review.......2007-06-18

Moby Dick is a great book, The movie version is good. Gregory Peck may not have been right for Captain Ahab,but was good enough to show the revenge maddend whaler as the villan of the film. The cast does a good job, Ishmael and Quequeg were well played. The special effecects were good its easy topull for Moby Dick over Ahab. Moby Dick is great look at not only whaling but obsession, hate, and the grim stuggle whalers faced at sea.

Haven't bought it yet...but was excited to see in on DVD.......2007-03-22

I saw the original in the theater. I must have the DVD. It was great in the theater. When Capt is snagged in the harpoon lines on the side of the whale, the entire theater gasped. It was cinematic history!

The popcorn was better back then too.

A classic movie - all kids should see.......2007-01-09

I've read the book many times, have owned a VHS copy for years and finally decided to breakdown and but a DVD copy.
Got 2 teenage boys and managed to convince them this was worth watching. We watched it together and although compared to the production quality of today's flicks, they were glued to the plasma display.
And talked about for several days after.

Moby Dick.......2006-11-10

One of Gregory Pecks finest roles other then in To kill a Mockingbird.
He was captain Ahab. Great story line, very true to Melvilles novel.
I read Moby Dick in high school and as a college project, now I see even more clearly what melville was talking about.
"I'll get thee whale", you had better believe it!

Huston + Melville.......2006-09-27

The best recreation nowadays of Melville's immortal novel was put in images by John Huston who wrote too the script in inspirated collaboration with the great science-fiction story-teller Ray Bradbury. Although we're talking of a condensed adaptation ( the book is full of historical reviews, philosophical arguments and includes a list of book quotations concerning whales and numerous appendixes about cethology ) Huston touchs the essence and all the high moments of this tremendous story plenty of biblic's resonances about an obsessive man who has sold his soul in his anxiety of hunting the whale Moby Dick, a white Leviathan, probably a symbol of his irrational and obstinate hope of revenge or maybe a number of our indifferent and cruel universe. Orson Welles, who had told several times his wish of shooting this unforgettable story, appears brevely as the father Marple at the beginning of the film. The experimental colour treatment of its images collaborates to the haunted tone that cross over all the film.

This DVD edition respects the original aspect ratio ( 1.33: 1 )

Average customer rating:

TORA! TORA! TORA!
This is THE Pearl Harbor movie...
Tora! Tora! Tora! - Gordon Prange & Ladislas Farago at their Best!
Classic Depiction of Attack on Pearl Harbor
Holds Up Fine

Tora! Tora! Tora!
Starring: Martin Balsam , Sô Yamamura , Joseph Cotten , Tatsuya Mihashi , and E.G. Marshall
Director: Kinji Fukasaku , Toshio Masuda , and Richard Fleischer
Manufacturer: 20th Century Fox
ProductGroup: DVD
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ASIN: B000EHSVSC
Release Date: 2006-05-23

Amazon.com

"Sir, there's a large formation of planes coming in from the north, 140 miles, 3 degrees east." "Yeah? Don't worry about it." This is just one of the many mishaps chronicled in Tora! Tora! Tora! The epic film shows the bombing of Pearl Harbor from both sides in the historic first American-Japanese coproduction: American director Richard Fleischer oversaw the complicated production (the Japanese sequences were directed by Toshio Masuda and Kinji Fukasaku, after Akira Kurosawa withdrew from the film), wrestling a sprawling story with dozens of characters into a manageable, fairly easy-to-follow film. The first half maps out the collapse of diplomacy between the nations and the military blunders that left naval and air forces sitting ducks for the impending attack, while the second half is an amazing re-creation of the devastating battle. While Tora! Tora! Tora! lacks the strong central characters that anchor the best war movies, the real star of the film is the climactic 30-minute battle, a massive feat of cinematic engineering that expertly conveys the surprise, the chaos, and the immense destruction of the only attack by a foreign power on American soil since the Revolutionary War. The special effects won a well-deserved Oscar, but the film was shut out of every other category by, ironically, the other epic war picture of the year, Patton. --Sean Axmaker

Description

"Tora! Tora! Tora!" is the Japanese signal to attack - and the movie meticulously recreates the attack on Pearl Harbor and the events leading up to it. Opening scenes contrast the American and Japanese positions. Japanese imperialists decide to stage the attack. Top U.S. brass ignore it's possibility. Intercepted Japanese messages warn of it - but never reach F.D.R.'s desk. Radar warnings are disregarded. Even the entrapment of a Japanese submarine in Pearl Harbor before the attack goes unreported. Ultimately the Day of Infamy arrives - in the most spectacular, gut-wrenching cavalcade of action-packed footage ever. You'll see moments of unsurpassed spectacle and heroism: U.S. fighters trying to take off and being hit as they taxi; men blasted from the decks of torpedoed ships while trying to rescue buddies; savage aerial dogfights pitting lone American fliers against squadrons of Imperial war planes. It's the most dazzling recreation of America's darkest day - and some of her finest hours.

Customer Reviews:

TORA! TORA! TORA!.......2007-06-08

Very good story about what happened to Pearl Harbor. It surprised me about Japan what they did attacked beautiful land of Pearl Harbor during WW11. I like to watch it again more times as I want learned more about WW11.

This is THE Pearl Harbor movie... .......2007-05-29

This is the definitive Pearl Harbor movie. It often is unfairly compared to 2001's "Pearl Harbor," but in truth the two are almost in separate genres. Unlike the latter movie, which was basically "Titanic" with the Japanese attack thrown in the middle, this one was very thoroughly researched and carefully written to be as true to history as possible. It is probably as accurate as a film about the Pearl Harbor attack and the events leading up to it will ever be. However, the people who will truly enjoy this film are not the Sunday matinee crowd, but rather history enthusiasts, war movie buffs, and those who are eager to learn about the attack and don't mind sitting through a rather long movie that's not particularly exciting (unless you're enthralled by diplomats talking and admirals planning) except during its final minutes.

Approaching its 40th anniversary, this movie is from another era; it was made at a time when good performances, historical accuracy, and attention to detail were more important than fast pacing, superstar cast members, and spectacular effects (though the effects in this film were top-notch for the time, and still hold up). There are no big-name actors in it, even at the time it was made. There are no soap-opera love triangles, pointless action sequences, or unnecessary dramatic moments. There's no filler, here, folks. Tora! Tora! Tora! moves along at a deliberate--though not slow--pace, and each aspect of the history leading up to the attack is covered such that a viewer who is paying attention should have no trouble knowing what is going on and who the key players are. The caveat is that, unless you are familiar with the related history, you HAVE to pay attention, or you will miss important plot points.

Those who have an interest in war history, especially WWII history, should thoroughly enjoy it; however, it provides no gimmicks to make it more accessible to those with a merely passing interest in the film's subject matter. This is no summer blockbuster popcorn flick. It's a serious look at the motives behind the attack, and a thoughtful analysis of what allowed the attack to succeed. If you want lots of big explosions and Hollywood drama, you might be better off sticking to the 2001 film. For history buffs, though, this is the only way to go.

Tora! Tora! Tora! - Gordon Prange & Ladislas Farago at their Best!.......2007-03-19

The first time I saw Tora! Tora! Tora! was on the big screen at Naval Hospital, San Diego. I liked it so much I saw it three nights in a row. Some years later, I purchased the VHS video tape the day of its release. I have two DVD versions of Tora! Tora! Tora! as well as two VHS versions of the movie. I've also watched the Japanese version (with English subtitles). Tora! Tora! Tora! is a great film but it should not be taken as the ultimate "truth" about Pearl Harbor and how America got into World War II.

Tora! Tora! Tora! used an American director for the American sequences, and two Japanese directors (the first was fired) for the filming of the Japanese sequences. Much of the original Japanese crew was let go when the first Japanese director was fired (for being way over budget and for producing only 600 feet of film, as I recall).

This is a truly excellent movie that men and women can both watch and enjoy.

Beware, however, the scenes showing the "12 Apositles" who were "allowed access" to `Magic'(decrypted Japanese diplomatic and consular intercepts). The actual number of Americans with access to Magic was well over 100. And the President's name was NEVER taken off what the movie calls "the Ultra List." (FDR didn't actually read all the daily diplomatic intercepts, of which the Army and Navy had just over 8,000 in 1941 alone. Instead, he read daily summaries of the intercepts. The same applies to most of the senior officers in the War and Navy Departments.)

Alwin D. Kramer, Lieutenant Commander, U.S. Navy, and Colonel Rufus Sumnter Bratton, U.S. Army, both worked in different offices rather than in a combined Army-Navy office shown in the movie. Both men were attached to the Far Eastern Sections of their respective intelligence departments (Office of Naval Intelligence with Kramer; Military Intelligence Division (for Bratton).) Bratton was officer in charge of the Far Eastern Section of MID. Kramer was head of OP-20-GZ (translation section in the Office of Naval Communications, OP-20), but he was actually on OP-16's (Office of Naval Intelligence's) payroll. Tora! Tora! Tora! gives Bratton's middle initial as "G", but that is in error. His middle name was Sumnter, as stated above.

"Magic" (again, intercepted foreign diplomatic and consular messages) was critical to what the U.S. (and British) Governments knew of the Japanese Foreign Ministry's diplomatic efforts. Although the National Security Agency still denies this, we also had a product called Ultra as relates to Japan. These were intercepted, decoded and translated Japanese naval and military intercepts. Ultra played a major part in our victory over the Combined Fleet in the Battle of Midway, fought 4 to 6 June 1942.

Tora! Tora! Tora! is, as I said, an excellent movie. It's full of suspense and it is very well acted by both the Americans and the Japanese. It presents a fair few of both the American and Japanese perspectives that helped lead to "Pearl Harbor" and U.S. entry into the Second World War.

First Lieutenant Kermit A. Tyler is claimed in the movie to say, "Well, don't worry about it," when he's told of the large number of planes approaching the Opana Point Radar station from north of Oahu (flying in over Kahuku Point). Tyler himself later testified that this was his reaction to the radar report phoned to him by Privates Lockard and Elliott. Here's the rub: The USS LEXINGTON had a radar and visual sighting of two Japanese carrier aircraft approximately 400 miles north west of Oahu on Saturday afternoon, 6 December 1941. LEXINGTON's radar report was the real first sighting of some of the Japanese aircraft that took part in the raid on Pearl Harbor.

American intelligence didn't "fail" in the lead up to the events of 7 December 1941. Intelligence, however, isn't always used the way the average citizen thinks it should be used. Those in high political and military offices have many strategic and tactical matters they have to factor into the decision making process. Not the least of these was the apathy of the American people in the period leading up to the Japanese raid on our obsolete battleships at Pearl Harbor. (Our three carriers then in the Pacific, LEXINGTON, ENTERPRISE and SARATOGA were not in port on 7 Dec. 1941. "Target ship," USS UTAH, was moored at a carrier berth off Ford Island. Battleship COLORADO, that had completed an overhaul at Bremerton, Washington a month before, was still at Bremerton. WEST VIRGINIA, that was overdue for overhaul, was moored outboard at Ford Island.)

This reviewer spent a little over 13 years researching Pearl Harbor on a full time basis. He has absolutely no animus for the Japanese---nor does he hold any animus for any of the senior Americans involved with Pearl Harbor.

"Pearl Harbor" saved the world (including Japan, in my opinion) from the Nazis. At the cost of a few thousand Americans, millions of lives were spared in Europe and Asia---and, ultimately---in the U.S. as well.

Tora! Tora! Tora! is one of my ten favorite movies. I've probably watched it over 50 times in the past thirty six years or so. And I will probably watch it another fifty times or more between now and the time I storm the great beyond.

E.G. Marshall (R.S. Bratton) and Wesley Addy (A.D. Kramer) in the film both do exceptional jobs with their acting. So does every other member of the U.S. and Japanese cast, in my opinion.

Great movie---and, in my opinion, a "Must have" for every American and Japanese who appreciates the very best in direction, acting, scenery, editing, cinamatography, etc. This is also a good action film---and it is fair to both the Japanese and American perspectives.

A "Well done!" to every member of the cast and crew of Tora! Tora! Tora! and to 20th Century Fox for producing this wonderful movie!

Andrew McKane IV
Missoula, Montana

Classic Depiction of Attack on Pearl Harbor.......2007-02-26

I saw this movie years ago, and recently received it via Netflix. It is still a classic WWII movie that depicts the suprise attack on Pearl Harbor. The movie traces the tale of Dec 7, 1941 from both the American and Japanese perspective, which makes it different than most war movies (except for The Longest Day). This approach adds a lot of detail, and the story becomes the main focus of the film, not the actors.

Although the movie is a little long, the last 30 minutes of battle scenes makes up for the slow build up. Also, the movie does an excellent job showing how this tragedy unfolded, and all the mistakes made along the way.

If you like WWII films, or want to learn about the attack on Pearl Harbor then I recommend this movie. It is much, much better than the more recent version.

Holds Up Fine.......2007-02-07

"Tora! Tora! Tora!" is a really fine flick that still holds up well decades after its release. It tells its story in fine detail and with little or no mythologizing. It also has a much slower build up than most movies today. That suits the subject fine, but war movie-makers today seem to think their audiences need a whiz-bang beginning or they'll lose interest.

"Tora! Tora! Tora!" seems mostly aimed at American audiences, but it was a joint American and Japanese production. One of its strengths is that it goes much further to humanize the Japanese than the more typical US WWII war-film-as-propaganda of its day and earlier, especially in the character of Japanese naval commander in chief, Isoroku Yamamoto. (Clint Eastwood goes further still in "Letters From Iwo Jima.") Still, "Tora! Tora! Tora!" portrays Yamamoto to flatter American audiences, showing him as holding grave doubts about the wisdom of going to war against the US. But other Japanese also are shown as individuals and not caricatures. We understand their motivations and can sympathize with them, even as Americans on the other side of the conflict. It ends with Yamamoto's (presumably fictional) words (here in paraphrase), "We have awakened a sleeping giant and filled him with a terrible resolve."

Average customer rating:

Great movie; HD didn't improve picture that much
A MUST OWN EXPERIENCE!
Pleasantly surprised
Not the greatest HD-DVD, but still good
i wont to go to the moon

Apollo 13 [HD DVD]
Starring: David Andrews , Kevin Bacon , Xander R. Berkeley , Geoffrey Blake , and Frank Cavestani
Director: Ron Howard
Manufacturer: Universal Studios
ProductGroup: DVD
Binding: HD DVD

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ASIN: B000FA57NK
Release Date: 2006-04-25

Customer Reviews:

Great movie; HD didn't improve picture that much.......2007-04-07

This is a very good movie, but if you are thinking about double-dipping and buying it on HD DVD to replace your DVD, don't. Yes, it does look better, but not much better. If you don't have it, then buy it on HD DVD.

A MUST OWN EXPERIENCE!.......2007-03-31

To view and relive this cinematic retelling of the astronauts' odyssey in HD is purely a sight to behold. The space scenes make you feel like you're really out thre with them. A little grainy sometimes in scenes involving the families of the astronauts or other "non-space" stuff, but you have to remember that this film is actually quite old now, so I believe the transfer is as good as can be expected, with little to gripe about. I would have appreciated a Dolby True HD sound track, but the dolby digital plus does the trick for that sonic "oomph" you're looking for. All in all, the film itself excels at what it tries to do. A great film and great HD-DVD material.

Pleasantly surprised.......2007-02-18

I'm not a videophile, so don't expect any technical jargon.
Overall, this is a stellar HD DVD from Universal yet again.
Nice detail, particularly during the space sequences...the clarity is spectacular. Slight film grain, possibly intentional.
Overall, a must-have for fans of the film.

Note: contains ALL special features of the previous version, except the IMAX version.

Not the greatest HD-DVD, but still good.......2007-01-12

Apollo 13 is my first HD-DVD purchase (well it came free with my HD-E1), and I can say it is a HUGE improvement over DVD, HUGE...but after watching for a good 10mins, i noticed it could have been much better.

PICTURE QUALITY: 7/10

Picture Quality is AVERAGE all the way up to AMAZING, depending on the shots. Don't get me wrong, it's not terrible by any means, it's just not what you consider DEMO material. There's alot of noise on the image ie. BG walls and white shirts, but maybe this was an intentional aesthetic choice by Ron Howard, who knows. On the good side, there are some amazing shots that TRUELY take your breath away, and you can just FEEL how 3-Dimensional the image is. It was moments like these that even WOWED my folks, who immediately noticed the difference on my Panasonic 50" plasma.

SOUND QUALITY: 7/10

On the sound front, it's not bad. Not as IMPACTFUL as my old DTS DVD, as it feels alot lower in volume and lacks that oooomph on the LFE front. But it's a still satisfying experience and far from terrible by any means. Overall, it's a very clean mix.

-zallapo

i wont to go to the moon.......2006-12-30

apollo 13 on hd dvd is so nuch batter the on dvd or for that on vsh for some of us may rember vhs it was good to have vhs but then cam dvd i think was good too and now hd dvd or the orther one blu-ray if you like sony i ony do for tv go hd so if you do not no which one to get go with hd you thabk ne later

Average customer rating:

TORA! TORA! TORA!
This is THE Pearl Harbor movie...
Tora! Tora! Tora! - Gordon Prange & Ladislas Farago at their Best!
Classic Depiction of Attack on Pearl Harbor
Holds Up Fine

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Midway (Collector's Edition)
Patton
The Longest Day
A Bridge Too Far
Battle of the Bulge [HD DVD]

ASIN: B000059HAI
Release Date: 2001-05-15

Amazon.com

Description

Customer Reviews:

TORA! TORA! TORA!.......2007-06-08

This is THE Pearl Harbor movie... .......2007-05-29

Tora! Tora! Tora! - Gordon Prange & Ladislas Farago at their Best!.......2007-03-19

Classic Depiction of Attack on Pearl Harbor.......2007-02-26

Holds Up Fine.......2007-02-07

Average customer rating:

Hope and Crosby are great, and romantic moments are designed for Lamour...but let's not forget the wonderful Wiere Brothers
One of the finest Bob Hope/Bing Crosby films
The Road Show movies
On the road with bob and bing
the oldys are the best

Road to Rio
Starring: Bing Crosby , Bob Hope , Dorothy Lamour , Gale Sondergaard , and Frank Faylen
Director: Norman Z. McLeod
Manufacturer: Bci / Eclipse
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Road to Bali
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Son of Paleface
Bob Hope Tribute Collection - The Road Show Series (The Road to Morocco / The Road to Singapore / The Road to Utopia / The Road to Zanzibar)

ASIN: B00004YS6W
Release Date: 2000-11-21

Customer Reviews:

Hope and Crosby are great, and romantic moments are designed for Lamour...but let's not forget the wonderful Wiere Brothers .......2007-06-02

Considering that The Road to Rio was the fifth in the series, that the formula was down pat, that the plot, as usual, was merely an excuse for spontaneous and not-so-spontaneous bantering by the two stars, that the money-to-effort ratio was by now very satisfying to nearly all concerned, and that Bing Crosby and Bob Hope, both at 44, were quickly reaching the point where their age was working against their image of happy-go-lucky, sex-on-their-minds, slightly dumb but well-intentioned good guys...well, this is one of the best in the series. There's no single thing that sets it apart. If we've watched even one other in the series, we know what's going to happen, like having a funny, loved uncle come to visit. I think that in The Road to Rio, the formula had reached a high gloss. The "spontaneity" of the back and forth between Hope and Crosby is quick, funny and friendly. The professionalism may be there, but it looks like they're still having fun making these movies. The jokes are corny and expected, as they were back in 1947, but Hope and Crosby give them a level of snap and comfort that make us smile. Their roles, Bing Crosby as Scat Sweeney, singer and slightly moth-eaten bon vivant, and Bob Hope as Hot Lips Barton, slow-witted but wise-cracking boy-man, are as comfortable to them and us as a pair of old slippers. They work their images both in the plot and in real life for every laugh they can squeeze. Says Scat Sweeney (Crosby) to Hot Lips Barton (Hope), "Swine!" Barton: "Pig!" Scat Crosby: "That's the same as swine." Hot Lips Hope: "All right. Ham!" Or this: Scat Crosby, "Are you admitting you're a dirty coward?" Hot Lips Hope, "No, a clean one!" These groaners were well aged at the turn of the century, but Hope and Crosby knew their stuff. Dorothy Lamour as the always exotic love interest is here, of course, providing a rationale for the two boys' raging hormones and the subsequent competition that provides much of the plot's backbone and laughs. Says Hot Lips Hope as he stares at Lamour's tight gown, "How'd you put that on...with a spray-gun?" And there are the many asides to the audience that was one of the trademarks of the series. When Hot Lips Hope finds himself hanging off a high wire, he starts screaming, "Help! Help!" Then he turns to the camera and confides in us, "You know, this picture could end right here."

But let's not just praise this highly polished piece of pleasurable, profitable professionalism. Buried in the movie is a uniquely eccentric and expert trio of brothers, Harry, Herbert and Sylvester. They were the Wiere Brothers, and a single description fails to do them justice. They were comics, dancers, gymnasts, singers, jugglers, players of all sorts of musical instruments and very funny men. They came to the States from Germany in the mid-Thirties after a successful European career in clubs and circuses. They were born to entertainers who moved around. Harry showed up in Berlin in 1906, Herbert appeared in Vienna in 1908 and Sylvester arrived in Prague in 1909. They soon were a part of their parent's act. In their early teens they organized their own routines.

I think Hollywood and America simply didn't know what to make of them. They made a handful of movies, only one of which really showcased their skills and appeal. They eventually settled down to a successful career in nightclubs and special appearances on television. In The Road to Rio they play three Brazilian street musicians. Scat Crosby and Hot Lips Hope encounter them while the two boys are trying to rescue Dorothy Lamour from a nefarious plot. We get a chance to see the brothers bandy schtick with Hope and Crosby. Unfortunately, they get only one chance to show us what they can do in performance, and that scene is chopped up and was severely edited. Still, it's better than nothing.

Their showcase spot was in the first movie they made when they came to America. That's Vogues of 1938, which starred Warner Baxter and a blonde Joan Bennett. We get a full routine from the Wiere Brothers, dressed in white tuxes, dancing eccentrically, bouncing and rolling, doing wonders with hats, playing violins and singing. They are funny, endearing and terrific.

One of the finest Bob Hope/Bing Crosby films.......2007-02-12

A really good, fun, mostly clean, movie. The Andrews Sisters were awesome!
Can't relay just how good the film really is. It just is.

The Road Show movies.......2007-02-12

For any fan of The Road Shows this is a must for your collection! Very good.

On the road with bob and bing.......2007-01-10

my favorite of all the road movies - replete with outrageous comedy, ad libs and great musical numbers, not to mention Dorthy Lamour, Gale Sondergaard, Jerry Colonna, the Andrews Sisters and the Weir Bros. Bob's romancing Dorothy to "moonlight Becomes You" is a cinema treasure! "Rio" outshines all it's predecessors and the last two - "Bali" and "Hong Kong" (which was painful). A definite treat!

the oldys are the best.......2006-07-31

they still have there better then most comdey movies now,there humar never get old,love it

Average customer rating:

Standard Film Noir
...is where the gutter begins
One of the best detective films of the Fifties!
A solid noir, thanks to Otto Preminger's direction and Joseph LaShelle's cinematography
SUPERB NOIR -- INVOLVING, COMPLEX MORAL DRAMA

Where the Sidewalk Ends (Fox Film Noir)
Starring: Dana Andrews , Gene Tierney , Gary Merrill , Bert Freed , and Tom Tully
Director: Otto Preminger
Manufacturer: 20th Century Fox
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The Dark Corner (Fox Film Noir)
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ASIN: B000B8384Q
Release Date: 2005-12-06

Amazon.com

Otto Preminger made four films noirs at Fox, all terrific. If we set aside the peerless Laura as more psychological mystery-romance than noir, there's plenty of evidence for judging Where the Sidewalk Ends the best of the lot (the other two being Fallen Angel, a study in small-town perversity, and Whirlpool, a delicious exercise in creepy psychology, slippery mise-en-scène, and daringly complicated point-of-view). It's a hard-edged tale of a borderline-vicious New York police detective, Mark Dixon (Dana Andrews), with tortuous personal reasons for overzealousness in going after the bad guys. Much of the film unreels in one night, when the murder of a high-roller from out of town precipitates a string of events that lead to Dixon's becoming an accidental killer. Preminger's direction is taut, forceful, and fluid, especially when Dixon sets about creating an alibi for himself. Unfortunately, an innocent man gets implicated, with Dixon looking on, and the guilty cop's moral and psychological torment increases with each turn of the screw.

Tightly scripted by Ben Hecht, Preminger's film lacks the anguished poetry of Nicholas Ray's On Dangerous Ground, another 1950 noir centered on a cop (Robert Ryan) addicted to ultraviolence, but its grip is relentless. Preminger had a shrewd instinct for tapping a certain thuggish strain in Andrews, whose performance here is arguably his best. They're reunited with Gene Tierney, as a woman caught in the sidewash of sordid goings-on, and Laura cameraman Joseph La Shelle, whose work has a luster beyond the accustomed semidocumentary look of Fox noirs. Gary Merrill, usually a bland nice-guy, relishes the chance to play nasty as Dixon's gangland bête noire Tommy Scalise, a homoerotic villain in the Tommy Udo vein with a menthol inhaler as fetish object. --Richard T. Jameson

Customer Reviews:

Standard Film Noir.......2007-06-19

Not the greatest film noir, nor from Preminger, but very professionally made, very enjoyable, except for the last five minutes where the censor steps in. The quality of the film was excellent, as good as when I saw it 56 years ago. Well worth an entry into my film noir collection.

...is where the gutter begins.......2007-03-17

Dana Andrews needed a director like Otto Preminger to bring out his best qualities: here, as a police detective who is haunted by his father's criminal past and enjoys roughing up suspects, he gets one of the best roles of his career. In this unusually well written film noir from Fox, Andrews accidentally kills a murderer he was sent to question and must cover up his crime; he falls in love with the murderer's widow (Gene Tierney), and then must scramble when her adoring father is blamed for the murder. The sense of atmosphere here is very fine, and the direction is stunning: there are some great shots in a car elevator, for example, and also in a steam room. Preminger de-emphasizes Andrews's handsomeness and brings out his more weary tough qualities; unfortunately, he can't seem to do much with poor Gene Tierney, who as always seems far too beautiful for the part she's playing. (Things are not helped by the stunning outfits designed for her by her husband Oleg Cassini, who has a small role in the film. Her fabulous plaid coat, for example, has a scarf made exactly to match it, which are both so eye-catching you are distracted by them in every scene they're in.) Gary Merrill, Bette Davis's husband, has a great unusual role as a very insinuating mobster that Andrews's detective can't stand; Karl Malden has a duller role as Andrews's by-the-book rival.

One of the best detective films of the Fifties!.......2007-01-17

Perhaps the most gripping and intelligent of crooked cop movies is Otto Preminger's 'Where the Sidewalks Ends,' from a really excellent script by Ben Hecht based on the novel 'Night Cry' by Frank Rosenberg...

Dana Andrews is the honest, tough New York policeman, always in trouble with his superiors because he likes his own strong-arm methods as much as he detests crooks... When he hit someone, his knuckles hurt... And the man he wants to hit is a smooth villain (Gary Merrill) who points up the title. 'Why are you always trying to push me in the gutter?' he asks Andrews. 'I have as much right on the sidewalk as you.'

Dana Andrew's obsession and neurosis are implanted in his hidden, painful discovery that he is the son of a thief... His deep hatred of criminals led him to use their own illegal methods to destroy them, and the pursuit of justice became spoiled in private vendetta...

By a twist of irony unique to the film itself, Dana Andrews and Gene Tierney of 'Laura' are united once more, and Andrews now seems to be playing the same detective a few years later, but no longer the romantic, beaten down by his job, by the cheap crooks... This time, he goes too far, and accidentally kills a suspect... The killing is accidental, the victim worthless, yet it is a crime that he knows can break him or send him to jail...

Using his knowledge of police procedure, he covers up his part in the crime, plants false clues, and tries to implicate a gang leader, but cannot avoid investigating the case himself... The double tension of following the larger case through to its conclusion without implicating himself in the murder, is beautifully maintained and the final solution is both logical, satisfying, and in no way a compromise...

The film is one of the best detective films of the 50's, with curious moral values, also one of Preminger's best...

Preminger uses a powerful storytelling technique, projecting pretentious camera angles and peculiar touches of the bizarre in order to externalize his suspense in realism...

A solid noir, thanks to Otto Preminger's direction and Joseph LaShelle's cinematography.......2006-11-09

There's a hole as big as Carlsbad Caverns right in the middle of the plot. What is so surprising is that, thanks to Otto Preminger's skill and that of his cinematographer, Joseph LaShelle, how the story is told more than makes up for it. Here's the set-up. A police detective with a well-earned reputation for beating up low-lifes tracks down a suspect in a murder. The guy is drunk and the cop is impatient. One thing leads to another and the guy stands up and smacks the cop on the chin. While the cop is picking himself up, the guy reaches for a whiskey bottle and starts to bring it down on the cop's head. The cop blocks that swing, then punches the guy hard, and I mean hard, right in the chest, then connects just as hard with the guy's chin. The guy goes down and doesn't get up. He's dead. So now we're off on a plot-line where the cop's hatred of crooks, which is based on some family issues, suddenly has him hiding the corpse. Wouldn't you know it, the corpse is found...and an aggressive young precinct head decides that the man responsible is the father of a girl the detective starts to fall for. And while this is going on, the detective hasn't stopped his obsessive search for the crook he thinks is really behind the original murder, a sneering mobster with a fondness for nasal inhalers.

Wait, now. Any cop who hit and accidently killed a guy in self defense would instantly have a wall of blue thrown protectively around him, no matter how hard a case he might be. Every resource would be used to see that the cop was exonerated. I know, I know, this is a movie, but Detective Mark Dixon's (Dana Andrews) reaction is so excessive that it becomes nothing more than a glaring plot device. And, in my view, that undermines the tension of the movie.

Another thing that doesn't help is that both Dana Andrews and Gene Tierney (as Margaret Taylor, who becomes Dixon's love interest) are, in my opinion, not compelling actors. Andrews had a great voice but, to my way of thinking, a somewhat wooden face and a stolid acting style. Sometimes he was effective, sometimes not. Tierney is, as usual, gorgeous to look at, but she is no actress. She seems to spend all her time in this movie either being noble toward the man Dixon accidently killed, or noble and loving toward her father, or noble and loving toward Dixon. I'm fairly well convinced that her performance in Leave Her to Heaven, a first-rate acting job, was some mysterious and happy accident.

Some critics have made much of the apparent moral ambiguity in Mark Dixon's character. I don't quite see it that way. Yes, he hates crooks for reasons a psychoanalyst could help him deal with. When given a semi-legal chance to rough them up, he does. But there is no moral ambiguity in his character. He may be an angry man, but he has friends. He doesn't need to agonize about spending his savings to help another person; he just does it. Dixon is a man with problems, but moral ambiguity isn't one of them.

Because of all this, what's important in this movie is how Preminger and LaShelle go about telling the story, not the story itself. They do terrific jobs. The feel of the movie captures Dixon's anger, his short fuse, his loneliness. The movie looks gritty, dark and authentic. Small details add a lot to the sense of reality. When we walk into Dixon's small apartment we can see just a quick glimpse of an icebox behind a screen. Even in 1950 there were a lot of iceboxes still around. The bar where Dixon's partner orders a scotch and water looks like any number of old, dark downtown bars. Margaret Taylor's apartment is tiny. There's no bedroom, just a single bed next to the wall as you walk in. And the movie has faces, actors you sort of recognize who look right for their parts...Tom Tully as Margaret's father, Bert Freed as his partner, Ruth Donnelly as Gladys, the owner of a small Italian restaurant, Karl Malden as the new precinct captain, Neville Brand as one of the goons; even Gary Merrill who overacts a little looks the part as Tommy Scalise, the mobster. Brand, in particular, looks like a man you never want to irritate.

I enjoyed the movie because it was so well put together. That hole in the plot, however, kept me from getting very involved with the story-line. The DVD transfer looks just fine. The major extra is a commentary by Eddie Muller, identified as a film noir historian. I didn't listen to the commentary but Muller has gotten good notices for his noir work.

SUPERB NOIR -- INVOLVING, COMPLEX MORAL DRAMA.......2006-09-18

Otto Preminger's WHERE THER SIDEWALK ENDS (1950) is another color noir, this one's about a troubled, brutal cop already on probation who accidentally kills a murder suspect. Desperate to protect himself, he pins the whack on a hated shark who's committed similar kills. When the cop falls in love with the stiff's widow, he remains mum when her father is charged with the murder. Oh what webs we weave when we first deceive...

This complex and involving moral drama about a guy who puts off doing what's right until it's almost too late will keep you involved and guessing until the final fade out.

Average customer rating:

A FINE TRIBUTE TO THE GENRE...
Finally!
HALLOWEEN 25 YEARS OF TERROR
Nancy Loomis surfaces!! Great footage packed DVD!
Halloween Packed, Yet Too Much of Too Little

Halloween: 25 Years of Terror
Starring: Chris Durand , Debra Hill , Donald Pleasence , Nick Castle , and Dean Cundey
Director: Stefan Hutchinson
Manufacturer: Starz / Anchor Bay
ProductGroup: DVD
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Halloween 4: The Return of Michael Myers (Divimax Edition)
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ASIN: B000FC2GA0
Release Date: 2006-07-25

Product Description

Narrated by P.J. Soles (who played Lynda in the original HALLOWEEN), this documentary examines the legendary horror film and its legacy of more than four sequels. First released in 1978, HALLOWEEN was directed by horror legend John Carpenter and featured Jamie Lee Curtis in a breakthrough performance. HALLOWEEN: 25 YEARS OF TERROR contains interviews with more than 80 people involved in the HALLOWEEN franchise, including Carpenter, Curtis, Clive Barker, and other horror aficionados including Rob Zombie.

Format: DVD MOVIE

Amazon.com

The first quarter century of the Halloween saga, from the 1978 original to 2002's Halloween: Resurrection, is thoroughly tracked in an 83-minute documentary on the subject. The impetus is a Halloween convention held in South Pasadena (site of the original filming), from which a considerable amount of footage is drawn. Let's be clear: this two-disc set is not a reissue of the first Halloween, but a new documentary with mucho extra features.

Halloween: 25 Years Later collects interview footage of many of the original's creators, including director John Carpenter, co-writer/producer Debra Hill, and star Jamie Lee Curtis. The very good-humored co-star P.J. Soles contributes the narration (and figures in the extra goodies shot at the convention). The film marches through the years, providing some fairly interesting behind-the-scenes material: the alternate versions of Halloween: The Curse of Michael Myers (aka Halloween 6), and the controversy over differing Michael Myers masks in Halloween H2O. Proper due is paid to Carpenter's brilliant first film, but nobody ever really comes out and says how bad most of the sequels were--although studio interference is blamed for the inadequacies of some of the pictures. The doc isn't exactly deep, but there are some decent observations about how the elemental horror of "the Shape" in the first film was contained in the film's style. Horror directors Clive Barker, Rob Zombie, and Edgar Wright (Shaun of the Dead) weigh in as well.

Most of the extras are culled from panel discussions and other interviews made during the convention. They will be absorbing for hardcore fans--and flattering to them, too, since the post-Internet faithful are lavishly credited with giving the series continued life. Sure, it's overkill--do we actually need a 25-minute panel discussion featuring the cast members of Halloween II?--but for anybody devoted to the Halloween franchise who kicked themselves for not getting to the anniversary convention, this will be almost exactly like being there. --Robert Horton

Customer Reviews:

A FINE TRIBUTE TO THE GENRE..........2007-05-18

This DVD was definitely worth the excruciating wait. With the title floating around for years Anchor Bay took years to release this DVD. When it finally hit store shelves I had mine reserved and it was a good thing because they were all sold out once I got there. I guess that just goes to show how popular this series is.

This is a two DVD set, which I find suitable considering Anchor Bay had years to put this together. It contains interviews, fan footage, a lot of scenes filmed from the "Halloween Returns To Haddonfield" convention from 2003, and my personal favorite...filming locations presented by Sean Clark.

For those who are unaware this in NOT a new Halloween sequel nor is it a newly released version of the classic. It is a documentary on the Halloween film series. So if you are interested in the Halloween franchise or a fan of the genre this is a film that is sure to interest you.

For the truly dedicated fans of the original film who lust after seeing the actual filming locations but are having trouble finding the exact spot on the map I have listed the addresses below for you:

- The Myers House - located at 1000 Mission Street in South Pasadena, California

- Hardware Store - located at 966 Mission Street in South Pasadena, California

- Opening Shot Of Haddonfield - located at the intersection of Montrose Avenue and Oxley Street in South Pasadena, California

- The Strode House - located at 1115 Oxley Street In South Pasadena, California

- Haddonfield High School - located at 1401 Freemont Avenue in South Pasadena, California

- Haddonfield Elementary School - located at 110 West McLean Street in Alhambra, California

- "Isn't That Devon Graham?" - located on the 1000th block of Highland Street in South Pasadena, California

- The Hedge - located at 1019 Montrose Avenue in South Pasadena, California

- The Graveyard - located at the corner of Coburn Avenue and Sierra Madre Boulevard in Sierra Madre, California

- The Doyle House - located at 1530 Orange Grove Avenue in West Hollywood, California

- The Wallace House - located at 1537 Orange Grove Avenue In West Hollywood, California

Finally!.......2007-04-11

As a hugh fan, i travelled from Ireland for the Convention in Pasadena, LA. i Was so thrilled to see that footage of the convention, photos etc made its way to the DVD. a great purchase for anyone who was at the convention and a must for ALL fans of the HALLOWEEN franchise. This was my first Purchase on Amazon, All i can say is, very impressed, it was delivered Quick!!

HALLOWEEN 25 YEARS OF TERROR.......2007-01-09

GREAT DVD TO REUNITE ALL THE MOVIE ACTORS/ACTRESSES. SHOWS FILM MAKING,VARIOUS INTERVIEWS WITH THE CAST MEMBERS AND LET ME TELL YOU THEY SURE HAVEN'T CHANGED MUCH IN THEIR LOOKS. THEY LOOK JUST AS GOOD AS THEY DID IN THE MOVIES, I ALWAYS WONDERED WHAT MICHAEL MYERS LOOKED LIKE W/OUT THE MASK AND THERE ARE INTERVIEWS WITH THE ACTUAL PORTAYER MICHAEL MYERS HIMSELF. TOTALLY AWESOME.

Nancy Loomis surfaces!! Great footage packed DVD!.......2006-11-07

I've been a fan of the original since it's 1981 TV premiere. This DVD captures the spirit of the fans and their love of the film franchise. Packed with trivia, movie stills, footage from the sets, and interviews - it's a fan's delight.

Of special note is the interview of NANCY LOOMIS (Annie, H1). Ms. Loomis stepped away from the spotlight a number of years ago, so what a treat to hear her thoughts on her character and the classic film.

An added bonus is the inclusion of clips from the 2003 Halloween Returns to Haddonfield Convention. These clips are panel discussions with cast members and behind the scenes artists.

This DVD is a most complete look at one of the scariest movie horror franchise that refuses to die! Enjoy..

Halloween Packed, Yet Too Much of Too Little.......2006-10-26

Similar to the discouraged fans below, I found that Halloween: 25 Years of Terror was more of a keepsake rather than a documentary of true historic value. This is a film filled with trivia seen on any of the documentaries from the countless Halloween DVDs, yet spliced with Ritalin hyped fans that seem a bit youthful rather than insightful--were any demographics taken into account of this?

However, this is a wet dream for any Halloween fan--which would include myself.

Having P.J. Soles narrating the film was a nice touch. She doesn't falter or seem disoriented from the source material either. She adds to the flow of the film which is good since usually documentaries seem to run amok in mud and grow tiresome after awhile.

Though what is bothersome is the abundance of interviews, yet only the mere minute (and even less) that are shown on the actual documentary. I found more insightful material in the bonus features, which flood the DVD making the release all the better. You just need to look around for what answers you want to find.

Then again, making a documentary on the films themselves is a bit tedious, and the director does an exceptional job, only that it seems more of a documentary on the convention rather than the series.

Nevertheless, this is a set that anyone interested or already in love with the series has to have. With the rocky roads and handy patch work the Halloween series has received, it's nice to know someone has bandaged it up and managed to package together something that seems to correlate with one another.

That just doesn't happen in the storyline