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Pride Fighting Championships, Vol. 7 (REGION 1) (NTSC)
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Directed by Peter Greenaway (The Pillow Book; the Cook, the Thief, His Wife & Her Lover), the dark side of ecstasy unfolds against the backdrop of Japan's frenzied pachinko parlors and the Swiss countryside.
But soon their wild sexual fantasies begin to unravel, and the two men discover that when fantasy becomes reality, the balance of power can shift. When it does, those seemingly in control don't always come out on top.
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Format: DVD MOVIE
Average customer rating:
8 1/2 Women
Starring: Natacha Amal , Elizabeth Berrington , Toni Collette , Matthew Delamere , and Manna Fujiwara
Manufacturer: Lions Gate
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ASIN: B0000A1HQ7
Release Date: 2003-08-19
But soon their wild sexual fantasies begin to unravel, and the two men discover that when fantasy becomes reality, the balance of power can shift. When it does, those seemingly in control don't always come out on top.
System Requirements:
Format: DVD MOVIE
Heaven .......2006-10-19
Mixed Effort From A Great Filmmaker.......2005-04-13
I read a review of the film that stated it was his most accessible in years. Yes, I can see that. This means that Greenaway has stripped away six or seven layers of narrative that usually happen concurrently in his best films. He has dumbed down the visual style while retaining a story that is not very focused.
We seem to be experiencing a bit of a trend. Some of the most intelligent filmmakers are dumbing down their work to reach a new audience while dissatisfying their core audience. Woody Allen's latest film is a farce with none of the depth he is known for. The result? 'Small Time Crooks' will probably be his most successful film in years. Robert Towne created an overly simplistic blueprint for the stunts in 'Mission Impossible 2'. The result? The screenplay works, but the audience is told the core of the mission six times. Now Greenaway directs a film with one layer of narrative, robbing his own film of the richness and depth he has done before. What's next? Martin Scorcese directing Leonardo DiCaprio? Oh, that's actually happening.
If you have never seen a Peter Greenaway film, and most of you probably haven't, a little background is probably in order. Greenaway is a painter and spent some time doing set design for operas. He brings both of these sensibilities to his films. When the film is good, it is a glorious mixture of all of these elements creating truly beautiful films. His longtime cinematographer, Sacha Vierny, is a great asset to the visual style. He also likes to experiment with words and narrative. For instance, the beginning of 'The Pillow Book' combined a layer of film that had Japanese Calligraphy, the writing of the Pillow Book, and two separate scenes going on on top of that. Your eye is always watching something. Your mind is always working. In 'Drowning By Numbers', the numbers 1 through 100 appear in the actual film in some form or another. In 'The Cook, The Thief...', each separate room in an elaborate restaurant has a color scheme of it's own, affecting the color of the character's clothing. '8 1/2 Women' makes a brief attempt at combining various elements, showing pieces of the screenplay with insets of pachinko parlors. The rest of the film is set in a single estate. Frankly, most of the film appeared grainy.
A rich Geneva banker and pachinko parlor owner mourns the loss of his wife. His son tries to comfort his father and suggests, after watching Fellini's '8 1/2', that they fill the house with a harem of women. This will help the father to experience the variety of sexual activity that he has recently discovered and also make the house seem less empty. The pachinko parlors are really a very weak point of the story. It seems to merely serve as a method for Greenaway to introduce Asian females into the story line.
As the father and son populate the harem (with the likes of Amanda Plummer, Toni Collette, Vivian Wu and Polly Walker), they talk incessantly. In most of Greenaway's works, the characters have lengthy conversations, but they were far more interesting. He seems to be trying to shock us with words rather than images in this film. Yes, there is a lot of nudity, both male and female, but it doesn't shock. The discussions they have concerning beastiality, incest, etc., are simply boring.
His films also take a while to make it to the US. Because of this, he frequently can attract up and coming stars to appear in his films, usually nude, before they are really famous. As I mentioned, Toni Collette (Best Supporting Actress nominee for 'The Sixth Sense', 'Muriel's Wedding') appears in the film as a Swedish nun. In 'The Pillow Book', Ewan McGregor played a central part. He has also had Ralph Fiennes and Julia Ormond in his films.
Greenaway has created some of the best films I have ever seen and experienced. Greenaway is a master filmmaker and definitely deserves a larger audience. Unfortunately, this film isn't that good.
Well, it's a Greenway.......2005-03-15
In this dark comedy about sexual excess and experimentation, at one point the question is popped:"Do most film directors make films to realize their sexual fantasies?" The sexist, female-excluding nature of this remark aside, even a fool knows what Greenway's answer is. It's as if he were showing his naked body on the silver screen -- projected through his actors -- and then asking the audience "Do you like it? Do you like *it*?" Snobbish? Perhaps. Deranged. Most likely. Stupidly patronizing? Definitely.
As you probably already know, the story is about a father and son's effort to turn the father's estate in or near Geneva into a harem. The most unsettling scene of the film is not about the women they "seduce" (or buy), but an earlier one in which the son gets intimate with his father. To an uninitated viewer of the utterly-sick-and-gross genre like myself, this was just plain stupid, proof that Greenway is an old pervert who's fascinated with sex with anybody, any animal (even pigs, as he so lovingly describes in the film), or anything.
I don't want to come off (no pun intended!) as desireful of attacking Greenway's superficial, sex-ladden artistry, although as I mentioned in the beginning, his films are repulsive to the general audience. Of course, like Robert Mapplethorpe, he shocks to gain fame, so he can make films to reflect his sick sexual fantasies, and, as the film drily observes in that same scene, to get women (or men? or pigs?) into his bed.
The sexual escapades of the father and son are rather boring, and the sad ending does evoke some sympathy. Somehow the ending reminded me of the Hong Kong erotic flick "Sex & Zen" (the original one with Amy Yip), with the same message that "oops, too much sex is actually bad for your health and relationships." It can't get more pretentious than this.
If you are a Greenway fan, you won't be disappointed. This is a black comedy and there are some very funny spots. But overall, it's a film about self indulgence, of self indulgence, and (despite the quake-destroyed ending), for self indulgence.
uhm o.k.?.......2004-12-16
Don:What you mean "unenjoyably good?"
Lynne:Yes.
Don:Uhm,well--(DOORBELL RINGS)
Lynne:Excuse me for a moment.
Don:Well no I don't(brief pause) to be quite honest.
(Lynne without hesitation pulls open the front door revealing the filmmaker Peter Greenaway framed by the late afternoon's fleshy glow.STUDIO APPLAUSE.Greenaway holds for the applause with a knowing smirk before entering the doorway.)
Peter:I respectfully beg to differ motherf***er.
STUDIO APPLAUSE
FATHERS AND SONS....GREENAWAY STYLE.......2002-12-12
Average customer rating:
8 1/2 Women
Starring: Natacha Amal , Elizabeth Berrington , Toni Collette , Matthew Delamere , and Manna Fujiwara
Manufacturer: Universal Studios
ProductGroup: DVD
Binding: DVD
General
| Comedy
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General
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General
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Plummer, Amanda
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Warrington, Don
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Wu, Vivian
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Similar Items:
ASIN: B00004X13S
Release Date: 2000-10-10
Heaven .......2006-10-19
Mixed Effort From A Great Filmmaker.......2005-04-13
I read a review of the film that stated it was his most accessible in years. Yes, I can see that. This means that Greenaway has stripped away six or seven layers of narrative that usually happen concurrently in his best films. He has dumbed down the visual style while retaining a story that is not very focused.
We seem to be experiencing a bit of a trend. Some of the most intelligent filmmakers are dumbing down their work to reach a new audience while dissatisfying their core audience. Woody Allen's latest film is a farce with none of the depth he is known for. The result? 'Small Time Crooks' will probably be his most successful film in years. Robert Towne created an overly simplistic blueprint for the stunts in 'Mission Impossible 2'. The result? The screenplay works, but the audience is told the core of the mission six times. Now Greenaway directs a film with one layer of narrative, robbing his own film of the richness and depth he has done before. What's next? Martin Scorcese directing Leonardo DiCaprio? Oh, that's actually happening.
If you have never seen a Peter Greenaway film, and most of you probably haven't, a little background is probably in order. Greenaway is a painter and spent some time doing set design for operas. He brings both of these sensibilities to his films. When the film is good, it is a glorious mixture of all of these elements creating truly beautiful films. His longtime cinematographer, Sacha Vierny, is a great asset to the visual style. He also likes to experiment with words and narrative. For instance, the beginning of 'The Pillow Book' combined a layer of film that had Japanese Calligraphy, the writing of the Pillow Book, and two separate scenes going on on top of that. Your eye is always watching something. Your mind is always working. In 'Drowning By Numbers', the numbers 1 through 100 appear in the actual film in some form or another. In 'The Cook, The Thief...', each separate room in an elaborate restaurant has a color scheme of it's own, affecting the color of the character's clothing. '8 1/2 Women' makes a brief attempt at combining various elements, showing pieces of the screenplay with insets of pachinko parlors. The rest of the film is set in a single estate. Frankly, most of the film appeared grainy.
A rich Geneva banker and pachinko parlor owner mourns the loss of his wife. His son tries to comfort his father and suggests, after watching Fellini's '8 1/2', that they fill the house with a harem of women. This will help the father to experience the variety of sexual activity that he has recently discovered and also make the house seem less empty. The pachinko parlors are really a very weak point of the story. It seems to merely serve as a method for Greenaway to introduce Asian females into the story line.
As the father and son populate the harem (with the likes of Amanda Plummer, Toni Collette, Vivian Wu and Polly Walker), they talk incessantly. In most of Greenaway's works, the characters have lengthy conversations, but they were far more interesting. He seems to be trying to shock us with words rather than images in this film. Yes, there is a lot of nudity, both male and female, but it doesn't shock. The discussions they have concerning beastiality, incest, etc., are simply boring.
His films also take a while to make it to the US. Because of this, he frequently can attract up and coming stars to appear in his films, usually nude, before they are really famous. As I mentioned, Toni Collette (Best Supporting Actress nominee for 'The Sixth Sense', 'Muriel's Wedding') appears in the film as a Swedish nun. In 'The Pillow Book', Ewan McGregor played a central part. He has also had Ralph Fiennes and Julia Ormond in his films.
Greenaway has created some of the best films I have ever seen and experienced. Greenaway is a master filmmaker and definitely deserves a larger audience. Unfortunately, this film isn't that good.
Well, it's a Greenway.......2005-03-15
In this dark comedy about sexual excess and experimentation, at one point the question is popped:"Do most film directors make films to realize their sexual fantasies?" The sexist, female-excluding nature of this remark aside, even a fool knows what Greenway's answer is. It's as if he were showing his naked body on the silver screen -- projected through his actors -- and then asking the audience "Do you like it? Do you like *it*?" Snobbish? Perhaps. Deranged. Most likely. Stupidly patronizing? Definitely.
As you probably already know, the story is about a father and son's effort to turn the father's estate in or near Geneva into a harem. The most unsettling scene of the film is not about the women they "seduce" (or buy), but an earlier one in which the son gets intimate with his father. To an uninitated viewer of the utterly-sick-and-gross genre like myself, this was just plain stupid, proof that Greenway is an old pervert who's fascinated with sex with anybody, any animal (even pigs, as he so lovingly describes in the film), or anything.
I don't want to come off (no pun intended!) as desireful of attacking Greenway's superficial, sex-ladden artistry, although as I mentioned in the beginning, his films are repulsive to the general audience. Of course, like Robert Mapplethorpe, he shocks to gain fame, so he can make films to reflect his sick sexual fantasies, and, as the film drily observes in that same scene, to get women (or men? or pigs?) into his bed.
The sexual escapades of the father and son are rather boring, and the sad ending does evoke some sympathy. Somehow the ending reminded me of the Hong Kong erotic flick "Sex & Zen" (the original one with Amy Yip), with the same message that "oops, too much sex is actually bad for your health and relationships." It can't get more pretentious than this.
If you are a Greenway fan, you won't be disappointed. This is a black comedy and there are some very funny spots. But overall, it's a film about self indulgence, of self indulgence, and (despite the quake-destroyed ending), for self indulgence.
uhm o.k.?.......2004-12-16
Don:What you mean "unenjoyably good?"
Lynne:Yes.
Don:Uhm,well--(DOORBELL RINGS)
Lynne:Excuse me for a moment.
Don:Well no I don't(brief pause) to be quite honest.
(Lynne without hesitation pulls open the front door revealing the filmmaker Peter Greenaway framed by the late afternoon's fleshy glow.STUDIO APPLAUSE.Greenaway holds for the applause with a knowing smirk before entering the doorway.)
Peter:I respectfully beg to differ motherf***er.
STUDIO APPLAUSE
FATHERS AND SONS....GREENAWAY STYLE.......2002-12-12
Average customer rating:
8 1/2 Women [ NON-USA FORMAT, PAL, Reg.2 Import - France ]
Director: Peter Greenaway
ProductGroup: DVD
Binding: DVD
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ASIN: B000FMY5OU
SPECIAL FEATURES: Scene Access, Interactive Menu,