
Editorial Review:
Amazon.com
John Turturro's homage to the world of theatrical make-believe may fall short of the shining beacons of this Shakespearean genre--Ingmar Bergman's Fanny and Alexander and Jean Renoir's The Golden Coach, for two--but his Illuminata casts considerable sweetness and light of its own. Mostly set in a teeming warren of private and performance spaces within a turn-of-the-century theater, the film follows the fluctuating fortunes of playwright Tuccio (Turturro), his lover-muse-leading lady (Katherine Borowitz, Turturro's offscreen wife), and their colorful company: Rufus Sewell and Georgina Cates, youthful, less wise projections of playwright and muse; Ben Gazzara as a grizzled old thespian forgetful of the line between reality and performance; Bill Irwin as the naive bit player who catches the hungry eye of Christopher Walken's deliciously over-the-top, acid-tongued critic; Susan Sarandon as a calculatingly seductive diva fighting her age; and commedia dell'arte types Aida Turturro and Leo Bassi. Tuccio's dying to get his play on the boards, but as theater owners Beverly D'Angelo (she of the endearing overbite) and Donal McCann (late star of Irish cinema, and of John Huston's The Dead) reasonably point out, his delicate fantasy about love and illusion lacks an ending. Zigzagging through Midsummer Night's Dream misunderstandings and misalliances, slipping seamlessly from mundane into artifice and back again, Illuminata wends its way toward Tuccio's bittersweet denouement. In Mac, his directorial debut, Turturro paid heartfelt tribute to his own blue-collar dad; this sophomore effort (cowritten with friend and fellow director Brandon Cole) glows with warm affection for audiences, actors, and those who dream their plays. --Kathleen Murphy
Average customer rating:
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Illuminata
Starring: Leo Bassi , Henri Behar , Maurizio Benazzo , Fernando Bolles , and Katherine Borowitz Manufacturer: Live / Artisan ProductGroup: DVD Binding: DVD Similar Items:
ASIN: 0784013411 Release Date: 2001-02-20 |
Amazon.com
John Turturro's homage to the world of theatrical make-believe may fall short of the shining beacons of this Shakespearean genre--Ingmar Bergman's Fanny and Alexander and Jean Renoir's The Golden Coach, for two--but his Illuminata casts considerable sweetness and light of its own. Mostly set in a teeming warren of private and performance spaces within a turn-of-the-century theater, the film follows the fluctuating fortunes of playwright Tuccio (Turturro), his lover-muse-leading lady (Katherine Borowitz, Turturro's offscreen wife), and their colorful company: Rufus Sewell and Georgina Cates, youthful, less wise projections of playwright and muse; Ben Gazzara as a grizzled old thespian forgetful of the line between reality and performance; Bill Irwin as the naive bit player who catches the hungry eye of Christopher Walken's deliciously over-the-top, acid-tongued critic; Susan Sarandon as a calculatingly seductive diva fighting her age; and commedia dell'arte types Aida Turturro and Leo Bassi. Tuccio's dying to get his play on the boards, but as theater owners Beverly D'Angelo (she of the endearing overbite) and Donal McCann (late star of Irish cinema, and of John Huston's The Dead) reasonably point out, his delicate fantasy about love and illusion lacks an ending. Zigzagging through Midsummer Night's Dream misunderstandings and misalliances, slipping seamlessly from mundane into artifice and back again, Illuminata wends its way toward Tuccio's bittersweet denouement. In Mac, his directorial debut, Turturro paid heartfelt tribute to his own blue-collar dad; this sophomore effort (cowritten with friend and fellow director Brandon Cole) glows with warm affection for audiences, actors, and those who dream their plays. --Kathleen MurphyCustomer Reviews:
Almost TOO smart for it's own good!.......2007-02-26
Horrendously overplayed, wildly unsuccessful.......2005-11-11
Inticing the Senses..........2004-02-11
Watch again and again.......2000-08-28
Don't rate this movie by what we, the reviewers have said, rather watch the movie yourself and see what you get out of it. It is hard to understand at times but sometime movies need to be deeper then the fashes of action and explosions that catches our "attention span of a tick." Sit back and just enjoy something that is either meaningless or thought envoking.
dull backstage drama.......2000-07-28
Like so many films that attempt to deal seriously with the creative process, "Illuminata" seems naively to suggest that inspiration can only be achieved after the creator has undergone a series of concomitant life experiences that somehow illuminate the truths hitherto obscured in darkness. Thus, since, in this case, the play-within-the-play deals with the issue of marital infidelity, it is only after the entire cast and crew of the production have participated in a night long sexual roundelay (which consists essentially of switching partners in a style too cute for words) that the play (which failed in its first performance the night before) can come to complete artistic fruition. This cloying and cliched view of theatre as merely a reflection of life (or vice versa) might have been acceptable had the script provided any truly interesting characters, profound insights or satiric wit to carry us through. As it is, though, the characters are both unappealing and woefully underdeveloped, the insights consist of mere self-indulgent paeans to the glory of artistic creation and the humor rests mainly in a series of surprisingly crude illustrations of sexual activity. Furthermore, Turturro is such a dull, uninspiring lead, with his constant sadsack expression and look of pained bewilderment, that he conveys no sense of the dynamism essential to a person capable of producing a work of genius. This leaves the rest of the cast, some of whom are very good, pretty much adrift as they thrash about looking for something solid in the way of character development to hold onto.
Actually, the highlight of this film comes during the opening credit sequence, a beautifully done marionette performance that is almost heartbreaking in its otherworldly beauty and delicacy. It is a measure of the failure of the rest of the film that the audience wishes IT were performed by marionettes as well.
Average customer rating: |
Charlie Rose with David Broder, Christopher Walken, John Turturro, and Brandon Cole (August 4, 1999)
Manufacturer: Charlie Rose, Inc ProductGroup: DVD Binding: DVD ASIN: B000LMPMQE Release Date: 2006-08-08 |
Average customer rating: |
Illuminata [ NON-USA FORMAT, PAL, Reg.4 Import - Australia ]
Director: John Turturro Manufacturer: Magna Pacific ProductGroup: DVD Binding: DVD ASIN: B000FMJBE4 |
Product Description
Australia released, PAL/Region 4 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada. LANGUAGES: English (Dolby Digital 2.0), SYNOPSIS: It's the start of the 20th century, and Tuccio, resident playwright of a theatre repertory company offers the owners of the company his new play, 'Illuminata'. They reject it, saying it's not finished, and intrigue starts that involves influential critic Bevalaqua, theatre star Celimene, young lead actors and other theatre residents. SPECIAL FEATURES: Scene Access, Interactive Menu,
Average customer rating:
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Illuminata [Region 2]
ProductGroup: DVD Binding: DVD Similar Items:
ASIN: B00005AKTQ |
Amazon.com
John Turturro's homage to the world of theatrical make-believe may fall short of the shining beacons of this Shakespearean genre--Ingmar Bergman's Fanny and Alexander and Jean Renoir's The Golden Coach, for two--but his Illuminata casts considerable sweetness and light of its own. Mostly set in a teeming warren of private and performance spaces within a turn-of-the-century theater, the film follows the fluctuating fortunes of playwright Tuccio (Turturro), his lover-muse-leading lady (Katherine Borowitz, Turturro's offscreen wife), and their colorful company: Rufus Sewell and Georgina Cates, youthful, less wise projections of playwright and muse; Ben Gazzara as a grizzled old thespian forgetful of the line between reality and performance; Bill Irwin as the naive bit player who catches the hungry eye of Christopher Walken's deliciously over-the-top, acid-tongued critic; Susan Sarandon as a calculatingly seductive diva fighting her age; and commedia dell'arte types Aida Turturro and Leo Bassi. Tuccio's dying to get his play on the boards, but as theater owners Beverly D'Angelo (she of the endearing overbite) and Donal McCann (late star of Irish cinema, and of John Huston's The Dead) reasonably point out, his delicate fantasy about love and illusion lacks an ending. Zigzagging through Midsummer Night's Dream misunderstandings and misalliances, slipping seamlessly from mundane into artifice and back again, Illuminata wends its way toward Tuccio's bittersweet denouement. In Mac, his directorial debut, Turturro paid heartfelt tribute to his own blue-collar dad; this sophomore effort (cowritten with friend and fellow director Brandon Cole) glows with warm affection for audiences, actors, and those who dream their plays. --Kathleen MurphyCustomer Reviews:
Almost TOO smart for it's own good!.......2007-02-26
Horrendously overplayed, wildly unsuccessful.......2005-11-11
Inticing the Senses..........2004-02-11
Watch again and again.......2000-08-28
Don't rate this movie by what we, the reviewers have said, rather watch the movie yourself and see what you get out of it. It is hard to understand at times but sometime movies need to be deeper then the fashes of action and explosions that catches our "attention span of a tick." Sit back and just enjoy something that is either meaningless or thought envoking.
dull backstage drama.......2000-07-28
Like so many films that attempt to deal seriously with the creative process, "Illuminata" seems naively to suggest that inspiration can only be achieved after the creator has undergone a series of concomitant life experiences that somehow illuminate the truths hitherto obscured in darkness. Thus, since, in this case, the play-within-the-play deals with the issue of marital infidelity, it is only after the entire cast and crew of the production have participated in a night long sexual roundelay (which consists essentially of switching partners in a style too cute for words) that the play (which failed in its first performance the night before) can come to complete artistic fruition. This cloying and cliched view of theatre as merely a reflection of life (or vice versa) might have been acceptable had the script provided any truly interesting characters, profound insights or satiric wit to carry us through. As it is, though, the characters are both unappealing and woefully underdeveloped, the insights consist of mere self-indulgent paeans to the glory of artistic creation and the humor rests mainly in a series of surprisingly crude illustrations of sexual activity. Furthermore, Turturro is such a dull, uninspiring lead, with his constant sadsack expression and look of pained bewilderment, that he conveys no sense of the dynamism essential to a person capable of producing a work of genius. This leaves the rest of the cast, some of whom are very good, pretty much adrift as they thrash about looking for something solid in the way of character development to hold onto.
Actually, the highlight of this film comes during the opening credit sequence, a beautifully done marionette performance that is almost heartbreaking in its otherworldly beauty and delicacy. It is a measure of the failure of the rest of the film that the audience wishes IT were performed by marionettes as well.
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