Who's the Man

Starring:Ed Lover, Doctor DrÃ©, Badja Djola, Cheryl 'Salt' James, Jim Moody, Ice-T, Andre B. Blake, Rozwill Young, Colin Quinn, Todd 1, Bow-Legged Lou, Bernie Mac, Bill Bellamy, T-Money, Denis Leary, Kim Chan, Vincent Pastore, Kurt Loder, Joe Lisi, Fab Five Freddy
Director: Ted Demme
Studio: New Line Home Video
Product Type: DVD

Product Description

14 of the finest works from the universally acclaimed Master of Suspense come together for the first time in one collection. These captivating landmark films boast three decades of Hollywood legends, including James Stewart, Grace Kelly, Anthony Perkins, Sean Connery and Doris Day. The premium packaging and collectible book make Alfred Hitchcock: The Masterpiece Collection the must-own, definitive anthology of gripping works by a true genius.

System Requirements:

Running Time 1630 Min

Format: DVD MOVIE

Amazon.com

Masterpiece indeed. With 14 films, each supplemented with numerous documentaries, commentaries, and other bonus materials, Alfred Hitchcock - The Masterpiece Collection will be the cornerstone for any serious DVD library. Packaged in a beautiful, conversation-starting velvet box, the individual discs inside come four to a case, decorated with original poster art.

No doubt opinionated fans will argue about what should fall under the rubric of "masterpiece" in Hitchcock's body of work, but with the bona fide classics Vertigo, Psycho, and The Man Who Knew Too Much, there's plenty of timeless movie magic here. Eye-popping transfers and gorgeous sound make this set one of the must-have releases of the year.

Should the Hitchcock fan have the energy for more after imbibing on the movies themselves, a bonus disc provides additional documentaries. These include a revealing interview in which the master of suspense discusses, among other things, how much he dislikes working with method actors, going so far as to name names (we're talking about you, Jimmy Stewart and Montgomery Clift). In an American Film Institute lifetime achievement ceremony, the master of suspense is praised by the likes of Stewart and Ingrid Bergman, and seems to be suffering from severe boredom as celebrities pile on the flattery. Then Hitchcock opens his mouth to accept the award, delivering an endlessly witty stream of perfect bon mots that prove once again that he was a master of high comedy as well. Revealing documentaries about the making of Psycho and The Birds round out the feast of extras. The 36-page booklet, filled mostly with stills and poster art, provides little new information about the films.--Ryan Boudinot

Films Included in Alfred Hitchcock - The Masterpiece Collection

Saboteur
Robert Cummings stars as Barry Kane, a patriotic munitions worker who is falsely accused of sabotage, in this wartime thriller from Alfred Hitchcock. Plastered across the front page of every newspaper and hated by the nation, Kane's only hope of clearing his name is to find the real villain. The script as a whole is a clever one--Algonquin wit Dorothy Parker shares a screenwriting credit, and her trademark zingers make for a terrific mix of humor and suspense. Saboteur is a pleasure whether you're a die-hard Hitchcock fan or just someone who likes a good nail-biter. --Ali Davis

Shadow of a Doubt
Alfred Hitchcock considered this 1943 thriller to be his personal favorite among his own films, and although it's not as popular as some of Hitchcock's later work, it's certainly worthy of the master's admiration. Scripted by playwright Thornton Wilder and inspired by the actual case of a 1920's serial killer known as "The Merry Widow Murderer," the movie sets a tone of menace and fear by introducing a psychotic killer into the small-town comforts of Santa Rosa, California. Through narrow escapes and a climactic scene aboard a speeding train, this witty thriller strips away the façade of small-town tranquility to reveal evil where it's least expected. And, of course, it's all done in pure Hitchcockian style. --Jeff Shannon

Rope
An experimental film masquerading as a standard Hollywood thriller, Rope is simple and based on a successful stage play: two young men (John Dall and Farley Granger) commit murder, more or less as an intellectual exercise. They hide the body in their large apartment, then throw a dinner party. Will the body be discovered? Director Alfred Hitchcock, fascinated by the possibilities of the long-take style, decided to shoot this story as though it were happening in one long, uninterrupted shot. Since the camera can only hold one 10-minute reel at a time, Hitchcock had to be creative when it came time to change reels, disguising the switches as the camera passed behind someone's back or moved behind a lamp. James Stewart, as a suspicious professor, marks his first starring role for Hitchcock, a collaboration that would lead to the masterpieces Rear Window and Vertigo. --Robert Horton

Rear Window
Like the Greenwich Village courtyard view from its titular portal, Alfred Hitchcock's classic Rear Window is both confined and multileveled: both its story and visual perspective are dictated by its protagonist's imprisonment in his apartment, convalescing in a wheelchair, from which both he and the audience observe the lives of his neighbors. Cheerful voyeurism, as well as the behavior glimpsed among the various tenants, affords a droll comic atmosphere that gradually darkens when he sees clues to what may be a murder. At deeper levels, Rear Window plumbs issues of moral responsibility and emotional honesty, while offering further proof (were any needed) of the director's brilliance as a visual storyteller. --Sam Sutherland

The Trouble with Harry
A busman's holiday for Alfred Hitchcock, this 1955 black comedy concerns a pesky corpse that becomes a problem for a quiet, Vermont neighborhood. Shirley MacLaine makes her film debut as one of several characters who keep burying the body and finding it unburied again. Hitchcock clearly enjoys conjuring the autumnal look and feel of the story, and he establishes an important, first-time alliance with composer Bernard Herrmann, whose music proved vital to the director's next half-dozen or so films. But for now, The Trouble with Harry is a lark, the mischievous side of Hitchcock given free reign. --Tom Keogh

The Man Who Knew Too Much
Alfred Hitchcock's 1956 remake of his own 1934 spy thriller is an exciting event in its own right, with several justifiably famous sequences. James Stewart and Doris Day play American tourists who discover more than they wanted to know about an assassination plot. When their son is kidnapped to keep them quiet, they are caught between concern for him and the terrible secret they hold. When asked about the difference between this version of the story and the one he made 22 years earlier, Hitchcock always said the first was the work of a talented amateur while the second was the act of a seasoned professional. Indeed, several extraordinary moments in this update represent consummate filmmaking, particularly a relentlessly exciting Albert Hall scene, with a blaring symphony, an assassin's gun, and Doris Day's scream. The Man Who Knew Too Muchis the work of a master in his prime. --Tom Keogh

Vertigo
Although it wasn't a box-office success when originally released in 1958, Vertigo has since taken its deserved place as Alfred Hitchcock's greatest, most spellbinding, most deeply personal achievement. James Stewart plays a retired police detective who is hired by an old friend to follow his wife (a superb Kim Novak, in what becomes a double role), whom he suspects of being possessed by the spirit of a dead madwoman. Shot around San Francisco (the Golden Gate Bridge and the Palace of the Legion of Honor are significant locations) and elsewhere in Northern California (the redwoods, Mission San Juan Batista) in rapturous Technicolor, Vertigo is as lovely as it is haunting. --Jim Emerson

Psycho
For all the slasher pictures that have ripped off Psycho (and particularly its classic set piece, the "shower scene"), nothing has ever matched the impact of the real thing. More than just a first-rate shocker full of thrills and suspense, Psycho is also an engrossing character study in which director Alfred Hitchcock skillfully seduces you into identifying with the main characters--then pulls the rug (or the bathmat) out from under you. Anthony Perkins is unforgettable as Norman Bates, the mama's boy proprietor of the Bates Motel; and so is Janet Leigh as Marion Crane, who makes an impulsive decision and becomes a fugitive from the law, hiding out at Norman's roadside inn for one fateful night. --Jim Emerson

The Birds
Vacationing in northern California, Alfred Hitchcock was struck by a story in a Santa Cruz newspaper: "Seabird Invasion Hits Coastal Homes." From this peculiar incident, and his memory of a short story by Daphne du Maurier, the master of suspense created one of his strangest and most terrifying films. The Birds follows a chic blonde, Melanie Daniels (Tippi Hedren), as she travels to the coastal town of Bodega Bay to hook up with a rugged fellow (Rod Taylor) she's only just met. Before long the town is attacked by marauding birds, and Hitchcock's skill at staging action is brought to the fore. Beyond the superb effects, however, The Birds is also one of Hitchcock's most psychologically complicated scenarios, a tense study of violence, loneliness, and complacency. What really gets under your skin are not the bird skirmishes but the anxiety and the eerie quiet between attacks. Treated with scant attention by serious critics in 1963, The Birds has grown into a classic and--despite the sci-fi trappings--one of Hitchcock's most serious films. --Robert Horton

Marnie
Sean Connery, fresh from the second Bond picture, From Russia with Love, is a Philadelphia playboy who begins to fall for Tippi Hedren's blonde ice goddess only when he realizes that she's a professional thief; she's come to work in his upper-crust insurance office in order to embezzle mass quantities. His patient program of investigation and surveillance has a creepy, voyeuristic quality that's pure Hitchcock, but all's lost when it emerges that the root of Marnie's problem is phobic sexual frigidity, induced by a childhood trauma. Luckily, Sean is up to the challenge. As it were. Not even D.H. Lawrence believed as fervently as Hitchcock in the curative properties of sexual release. --David Chute

Torn Curtain
Paul Newman and Julie Andrews star in what must unfortunately be called one of Alfred Hitchcock's lesser efforts. Still, sub-par Hitchcock is better than a lot of what's out there, and this one is well worth a look. Newman plays cold war physicist Michael Armstrong, while Andrews plays his lovely assistant-and-fiancée, Sarah Sherman. Armstrong has been working on a missile defense system that will "make nuclear defense obsolete," and naturally both sides are very interested. All Sarah cares about is the fact that Michael has been acting awfully fishy lately. The suspense of Torn Curtain is by nature not as thrilling as that in the average Hitchcock film--much of it involves sitting still and wondering if the bad guys are getting closer. Still, Hitchcock manages to amuse himself: there is some beautifully clever camera work and an excruciating sequence that illustrates the frequent Hitchcock point that death is not a tidy business. --Ali Davis

Topaz
Alfred Hitchcock hadn't made a spy thriller since the 1930s, so his 1969 adaptation of Leon Uris's bestseller seemed like a curious choice for the director. But Hitchcock makes Uris's story of the West's investigation into the Soviet Union's dealings with Cuba his own. Frederick Stafford plays a French intelligence agent who works with his American counterpart (John Forsythe) to break up a Soviet spy ring. The film is a bit flat dramatically and visually, and there are sequences that seem to occupy Hitchcock's attention more than others. A minor work all around, with at least two alternative endings shot by Hitchcock. --Tom Keogh

Frenzy
Alfred Hitchcock's penultimate film, written by Anthony Shaffer (who also wrote Sleuth), this delightfully grisly little tale features an all-British cast minus star wattage, which may have accounted for its relatively slim showing in the States. Jon Finch plays a down-on-his-luck Londoner who is offered some help by an old pal (Barry Foster). In fact, Foster is a serial killer the police have been chasing--and he's framing Finch. Which leads to a classic Hitchcock situation: a guiltless man is forced to prove his innocence while eluding Scotland Yard at the same time. Spiked with Hitchcock's trademark dark humor, Frenzy also features a very funny subplot about the Scotland Yard investigator (Alec McCowen) in charge of the case, who must endure meals by a wife (Vivien Merchant) who is taking a gourmet-cooking class. --Marshall Fine

Family Plot
Alfred Hitchcock's final film is understated comic fun that mixes suspense with deft humor, thanks to a solid cast. The plot centers on the kidnapping of an heir and a diamond theft by a pair of bad guys led by Karen Black and William Devane. The cops seem befuddled, but that doesn't stop a questionable psychic (Barbara Harris) and her not overly bright boyfriend (Bruce Dern, in a rare good-guy role) from picking up the trail and actually solving the crime. Did she do it with actual psychic powers? That's part of the fun of Harris's enjoyably ditsy performance. --Marshall Fine

Customer Reviews:

Poor packaging........2007-06-01

This is a great set minus the annoying packaging. As someone mentioned earlier the DVD cases are fitted to go in a certain order and if they don't go in in that order then they get stuck and the edges of the DVD cases get frayed. The corners of the cases get frayed anyway because the cases are a paper and cardboard-based binding with the plastic DVD holders glued on to them. So I put them in spine first now. Open and close them enough times and you get those white, worn edges on the spine. Another problem with the cases is that the plastic glued on part that hold the DVDs in place are notorious for getting de-glued. Yet another thing. . .one disc is now not holding in the case properly. How could I remedy this problem? Buy an entire new set??? The door on the velvet box doesn't snap shut in anyway so if you hold the wrong side down. . .the DVDs will fall out. So watch out. The velvet box looks and feels nice but it collects dust very easily and is not easily cleanable. I tried to brush off some of the dust and the silvery logos and such began to flake off.

A REALLY NICE COLLECTION - A GREAT GIFT.......2007-05-23

Not only does this collection have some of Hitchcock's best movies, it also comes in a REALLY nice felt box and nice DVD cases. Makes an excellent gift.

Alfred Hitchcock Masterpiece Collection.......2007-05-08

This is an excellent collection. It doesn't have all of Hitchcock's greats, it's missing Strangers on a Train, Notorious and Rebecca, but its hands down the best collection assembled of his movies from the 40's and on. There are some great extras as well. I highly recommend this collection.

Alfred Hitchcock - Masterpiece Movie Collection DVD set.......2007-04-12

A Must have for all hard-core Alfred Hitchcock movie fans

Multible Thrillers.......2007-04-12

I received this DVD in the time promised. It came in good condition. How can you go wrong purchasing Alfred Hitchcock collections! One of the greatest,writers,director, and producer of all times. This was a birthday gift, and my son was "THRILLED" to receive it. Thanks

Average customer rating:

The Man Who Would Be King
Starring: Sean Connery , Michael Caine , Christopher Plummer , Saeed Jaffrey , and Doghmi Larbi
Director: John Huston , Ed Apfel , and Lawrence Tetenbaum
Manufacturer: Warner Home Video
ProductGroup: DVD
Binding: DVD

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ASIN: 630469864X
Release Date: 1997-11-19

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A grandly entertaining, old-fashioned adventure based on the Rudyard Kipling short story, The Man Who Would Be King is the kind of rousing epic about which people said, even in 1975, "Wow! They don't make 'em like that anymore!" When director John Huston (The Maltese Falcon, The Treasure of the Sierra Madre, The African Queen) first started trying to make the film, with Gable and Bogart, the project was derailed by the latter's death. It was a few decades before Huston was able to finally realize his dream movie--and with an unimprovable cast. Sean Connery and Michael Caine are, respectively, Daniel Dravot and Peachy Carnahan, a pair of lovably roguish British soldiers who set out to make their fortunes by conning the priests of remote Kafiristan into making them kings. It's a rollicking tale, an epic satire of imperialism, and the good-natured repartee shared by Caine and Connery is pure gold. In today's screen adventures, humor is usually imposed on the material by a writer or director trying to make some kind of cleverly self-aware comment ("Hey, we know it's a movie!"), but that sort of jokiness can create so much ironic distance that it pushes the audience right out of the picture. Huston lets the humor emerge naturally from the characters, for whom we wind up caring more deeply than we ever expected. The digital video disc includes a wonderful documentary on the making of the film. --Jim Emerson

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The Man Who Shot Liberty Valance
Starring: John Wayne , James Stewart , Vera Miles , Lee Marvin , and Edmond O'Brien
Director: John Ford
Manufacturer: Paramount
ProductGroup: DVD
Binding: DVD

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ASIN: B00005ASGG
Release Date: 2001-06-05

Amazon.com essential video

"When the legend becomes fact, print the legend." That's more than the code of a newspaperman in The Man Who Shot Liberty Valance; it's practically the operating credo of director John Ford, the most honored of American filmmakers. In this late film from a long career, Ford looks at the civilizing of an Old West town, Shinbone, through the sad memories of settlers looking back. In the town's wide-open youth, two-fisted Westerner John Wayne and tenderfoot newcomer James Stewart clash over a woman (Vera Miles) but ultimately unite against the notorious outlaw Liberty Valance (Lee Marvin). Ford's nostalgia for the past is tempered by his stark approach, unusual for the visual poet of Stagecoach and The Searchers. The two heavyweights, Wayne and Stewart, are good together, with Wayne the embodiment of rugged individualism and Stewart the idealistic prophet of the civilization that will eventually tame the Wild West. This may be the saddest Western ever made, closer to an elegy than an action movie, and as cleanly beautiful as its central symbol, the cactus rose. --Robert Horton

The John Wayne Western Collection (The Man Who Shot Liberty Valance / True Grit / Hondo / McLintock! / Big Jake / The Shootist / Rio Lobo / The Sons of Katie Elder / El Dorado)

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The John Wayne Western Collection (The Man Who Shot Liberty Valance / True Grit / Hondo / McLintock! / Big Jake / The Shootist / Rio Lobo / The Sons of Katie Elder / El Dorado)
Starring: John Wayne , James Stewart , John Ford , Vera Miles , and Lee Marvin
Director: John Farrow , Howard Hawks , and Henry Hathaway
Manufacturer: Paramount
ProductGroup: DVD
Binding: DVD

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ASIN: B000O179GS
Release Date: 2007-05-22

Michael Shayne Mysteries Vol. 1 (Michael Shayne: Private Detective / The Man Who Wouldn't Die / Sleepers West / Blue, White, and Perfect)

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Michael Shayne Mysteries Vol. 1 (Michael Shayne: Private Detective / The Man Who Wouldn't Die / Sleepers West / Blue, White, and Perfect)
Starring: Lloyd Nolan , Marjorie Weaver , Joan Valerie , Walter Abel , and Elizabeth Patterson
Director: Eugene Forde , and Herbert I. Leeds
Manufacturer: 20th Century Fox
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ASIN: B000LC4ZDK
Release Date: 2007-03-20

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This very welcome box set turns up the heat on one of detective films' cold cases. Created by Brett Halliday, Michael Shayne appeared in 31 books between the 1940s and '70s. He is not as popularly known as other screen shamuses, but he's good company. As portrayed by Lloyd Nolan (best known as curmudgeonly Dr. Chegley on the groundbreaking sitcom Julia), Shayne is not as hard-boiled as Sam Spade or as sage as Charlie Chan. But, as one shady character observes to someone whom Shayne has just pasted, "You know better than to mix with Shayne." He's a working-class mug ("His office is in his hat, his home is in his car," he remarks), usually "down on his luck" and short on cash. As Michael Shayne, Private Detective (1940) opens, the furniture from his office is being repossessed. Still, Shayne has ethics enough to turn down $5,000 for a suspicious-sounding case. ("$5,000 will buy a lot of ethics," he's told). He's got some odd habits, from twirling his keychain to singing the odd Irish ditty. In each film, Shayne manages to get himself into some "screwy scrapes." In Private Detective, a "gag" backfires when an attempt to scare a gambling heiress straight results in a murder with Shayne's gun at the scene of the crime. In The Man Who Wouldn't Die (1942), Shayne pretends to be a wealthy woman's husband to get the lowdown on a body that won't stay buried. In Sleepers West (1941), he's on the right track when he accompanies a murder witness by train to San Francisco. Blue, White and Perfect (1942) is a real gem that finds Shayne embroiled in wartime espionage, smuggled diamonds and dodging his jealous, matrimonial-minded girlfriend.

These lively B-films each clock in at less than 80 minutes. What they lack in budget they more than make up for in shadow-drenched, dark, and stormy atmosphere, Shayne's moxie and inestimable support from some great character actors, such as Clarence Kolb (the crooked mayor in His Girl Friday) and Douglass Dumbrille (the nasty racetrack owner in A Day at the Races), who appear in Private Detective. For a collection of obscure films, this box set has all the trimmings, with three original featurettes that provide efficient primers on Halliday, Shayne, and Robert McGinnis, the artist who created luscious and lurid covers for the Shayne paperbacks. There is also an interactive trivia guide that makes the six-degrees connections between cast members and the film-noir world. This is volume 1, to which we can only say, "Come back, Shayne." --Donald Liebenson

Description

Disc 1 Side A: MICHAEL SHAYNE, PRIVATE DETECTIVE (1942) Disc 1 Side B: THE MAN WHO WOULDN'T DIE (1942) Disc 2 Side A: SLEEPERS WEST (1941) Disc 2 Side B: BLUE, WHITE, & PERFECT (1942)

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Fans of the testudinate pace and art-house vibe of writer-director Sally Potter's other works (Orlando, The Tango Lesson) will likely enjoy The Man Who Cried. Fegele (Christina Ricci) is a Russian Jew separated from her father as a child. Raised as "Susie" by an English family, she makes her way to Paris, where although the city's multiculturalism is vibrant, the Nazis are already on the rise and the secret of her origin becomes increasingly dangerous. The cast of The Man Who Cried is excellent; Cate Blanchett, Johnny Depp, John Turturro, and Harry Dean Stanton all do fine jobs in what could have easily degenerated into an accentfest. Depp and Ricci do very well with minimal dialogue--both go through the entire movie almost without speaking. The film moves at a leisurely pace and is beautifully shot. Not a film to show to a roomful of action movie fans, but it's well suited to people who like their films a little more European in flavor. --Ali Davis

Customer Reviews:

ok, but should have just rented it.......2007-05-14

If you're buying this because you're a Johnny Depp fan I recommend renting it first. It's set in the time of the jewish persecution and WWII. Personally I'm a bit tired of this and it is all repetative for me. This film was interesting in that it had a dark pensiveness and mystery about it, but still not worth purchasing. Just another sad story of persecution. The acting was good and there was an element of wonder, and the ending was happy though bitter sweet.

Where is the story?.......2007-05-01

Dress Johnny Depp as a Gypsy and put him on a poster and I would have been happy. That was the highlight of this movie for me. This incredible cast is amazingly wasted. How on earth can a movie like this lack a story or any kind of meaningful point? Somehow, it does.

Really a 3 and a half star movie........2007-04-08

"The Man Who Cried" starts, literally, from a child's point of view, and even as it pulls back to follow her journey to young adulthood, it never loses the child's sense of life's mystery and enigma. The first few minutes of the movie establish, with very few words and notable compression, the central events, beginning in the late 1920s, of a little Russian Jewish girl's early life, her separation from her father (who emigrates to America) and the violent circumstances under which she leaves her home and arrives in England. The little girl who started life as Fegele finds herself with a new name, Suzie, in an alien world where the only familiar sight is the gypsies who pass by her school. This, a photograph of her father, and the memory of the songs he sang are all that is left to her of her old life. The desire to reach America to find her father never leaves her.

Suzie (played as an adult by Christina Ricci) matures into a pretty girl with a lovely voice who leaves England to become a showgirl in Paris, where she meets Lola (Cate Blanchett), a Russian emigree, Dante (John Turturro), an Italian tenor, and most important, Cesar (Johnny Depp), a Gypsy horseman whose center is as still as hers. The lives of these characters interweave as the Germans approach, then occupy Paris. Suzie must decide whether to use the ticket Lola has given her to reach America, or to stay in occupied Paris.

The first minutes of this film are as good as any I've ever seen. (Claudia Lander-Duke, who plays Fegele/Suzie as a child, is particularly moving.) Though I don't think the movie subsequently ever again quite equals these moments (or that the plot quite supports itself toward the end), the haunting, almost dreamlike, atmosphere created by the wonderful photography, and the central relationship of Suzie and Cesar make the film well worth watching.

Kinda lame.......2007-03-13

There is something missing in this movie. I dunno, I just don't care about these people. I really want to, but I just don't connect with them. It's a beautiful movie, I must give it that.

Sad and mesmerizing.......2007-03-04

Christina Ricci is so believable as a lost Russian Jewish girl misplace in England where she is adopted by a Christian family who is in my opinion sadistic and vile. Cate Blanchett is excellent as a blonde show girl who falls in love with a man (John Turturo) who sees Mussolini as the Italians savior, and then leaves him because her heritage makes her a prime target for the Nazi's who are coming to power.

Johnny Depp, is seems can play any part well. He speaks little but his expressions speak volumes which for me is a sign of a great actor. I found myself feeling like a person across the room drawn into his presence.

The story line is wonderful for those of us who appreciate history and the lessons it has to teach about evil and how no matter how hard we may believe that the evil we see elsewhere can never come to our land, it can.

The music is mesmerizing as is the cinematography. Yes, its slow at times, but I appreciated this because it added some intellectual magic to the movie. Its a terribly sad movie, with an ending that is different. But feeling sadness isn't all bad.

Average customer rating:

The Man Who Never Was
Starring: Clifton Webb , Gloria Grahame , Robert Flemyng , Josephine Griffin , and Stephen Boyd
Director: Ronald Neame
Manufacturer: 20th Century Fox
ProductGroup: DVD
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ASIN: B0007ZEOQE
Release Date: 2005-06-07

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A real beauty of a true story provides the basis for The Man Who Never Was, a gripping World War II picture that has no combat scenes, no great vistas of troops. The time is 1943, as the Allies prepare the invasion of Sicily and desperately need a diversionary ploy to make the Germans suspect another invasion target. The solution is simple but ingenious: a dead man's body will be left in the sea to float ashore on the coast of Spain; made to look like a British pilot, he will be carrying papers suggesting an Allied attack on Greece. When the papers fall to the Nazis, they'll swallow the bogus story…or will they? The film's final third tracks an Irish spy for the Axis (Steven Boyd, in one of his first roles) as he travels to London to investigate loose ends.

Clifton Webb gives a crisp, disciplined performance as Ewen Montagu, the officer in charge of the scheme. The film errs only in some melodrama involving Gloria Grahame, the histrionic roommate of an Intelligence worker. Other than that, director Ronald Neame brings his steady, classy approach to bear on a good yarn, and saves special grace for the treatment of the unfortunate dead man who unwittingly loaned his body to a stunt that saved hundreds, if not thousands, of lives. The film's final haunting shots capture the ethereal shiver of its title. --Robert Horton

Description

Clifton Webb stars in this fascinating account of a daring intelligence operation designed to mislead the Nazis prior to the 1943 Allied invasion of Sicily. In an effort to convince the Germans to redeploy their defenses, Lt. Commander Montagu (Webb) creates a false English officer and fabricates letters that indicate the British intend to land in Greece. Montagu than plants these documents on a dead man and orchestrates the "discovery" of this "officer" on the coast of Spain, Knowing the papers will fall into German hands. What follows is a taut cat-and mouse game as British Intelligence waits for Berlin to respond, then races to stay one step ahead of the Nazi agent dispatched to determine if the dead man is genuine. This true story of ingenious deception is a riveting tale of wartime espionage.

John Wayne DVD Gift Set (The Shootist/ The Sons of Katie Elder/ True Grit/ El Dorado/ The Man Who Shot Liberty Valance)

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John Wayne DVD Gift Set (The Shootist/ The Sons of Katie Elder/ True Grit/ El Dorado/ The Man Who Shot Liberty Valance)
Starring: John Wayne , Lauren Bacall , Ron Howard , James Stewart , and Richard Boone
Director: Don Siegel , and Henry Hathaway
Manufacturer: Paramount
ProductGroup: DVD
Binding: DVD

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McLintock! (Authentic Collector's Edition)

ASIN: B00006674Y
Release Date: 2002-05-14

Description

Legendary producer-director Howard Hawks teams with two equally legendary stars, John Wayne and Robert Mitchum, in this classic Western drama. Mitchum plays to perfection an alcoholic but gutsy sheriff who relentlessly battles the dark side of the wild West, ruthless cattle barons and crooked "businessmen." The Duke gives an equally adept performance as the sheriff's old friend who knows his way around a gunfight. Filled with brawling action and humor, El Dorado delivers the goods. James Caan and Ed Asner co-star. Ranking with Stagecoach as one of the greatest of its genre, The Man Who Shot Liberty Valance is the modern-day Western to beat all Westerns. John Ford, whose very name is synonymous with "Westerns," directed the ideal cast. Jimmy Stewart plays the bungling but charming big-city lawyer determined to rid the fair village of Shinbone of its number one nuisance and Bad Man: Liberty Valance (Lee Marvin). And as if all that weren't enough, the biggest star that ever aimed a six-shooter plays the Man of the title: John Wayne. Super-sincere Stewart and rugged rancher Wayne also share the same love interest (Vera Miles). One gets the gunman but the other gets the gal. Afflicted with a terminal illness, John Bernard Brooks (John Wayne), the last of the legendary gunfighters, quietly returns to Carson City for medical attention from his old friend Dr. Hostetler (James Stewart). Aware that his days are numbered, the troubled man seeks solace and peace in a boarding house run by a widow (Lauren Bacall) and her son (Ron Howard). However, it is not Brook's fate to die in peace, as he becomes embroiled in one last valiant battle. Katie Elder bore four sons. The day she is buried they all return home to Clearwater, Texas, to pay their last respects. John Wayne is the eldest and toughest son, the gunslinger. Tom (Dean Martin) is good with a deck of cards and good with a gun when he has to be. Matt (Earl Holliman) is the quiet one - nobody ever called him yellow...twice. Bud (Michael Anderson, Jr.) is the youngest. Any hope for respectability lies with him. Directed by Henry Hathaway (True Grit), an acknowledged master of the Western, the story has a dual theme: not only is this a he-man's story, but it is also a drama of the maternal influence of Katie Elder, movingly portrayed from beginning to conclusion. In 1970, John Wayne won an Academy Award. for his larger-than-life performance as the drunken, uncouth and totally fearless one-eyed U.S. Marshall, Rooster Cogburn. The cantankerous Rooster is hired by a headstrong young girl (Kim Darby) to find the man who murdered her father and fled with the family savings. When Cogburn's employer insists on accompanying the old gunfighter, sparks fly. And the situation goes from troubled to disastrous when an inexperienced but enthusiastic Texas Ranger (Glen Campbell) joins the party. Laughter and tears punctuate the wild action in this extraordinary Western which features performances by Robert Duvall and Strother Martin.

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The Man Who Knew Too Much
Starring: Patrick Aherne , Frank Atkinson , Yves Brainville , Hillary Brooke , and Barbara Burke
Manufacturer: Universal Studios
ProductGroup: DVD
Binding: DVD

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ASIN: B000CCW2TS
Release Date: 2006-02-07

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Alfred Hitchcock's 1956 remake of his own 1934 spy thriller is an exciting event in its own right, with several justifiably famous sequences. James Stewart and Doris Day play American tourists who discover more than they wanted to know about an assassination plot. When their son is kidnapped to keep them quiet, they are caught between concern for him and the terrible secret they hold. When asked about the difference between this version of the story and the one he made 22 years earlier, Hitchcock always said the first was the work of a talented amateur while the second was the act of a seasoned professional. Indeed, several extraordinary moments in this update represent consummate filmmaking, particularly a relentlessly exciting Albert Hall scene, with a blaring symphony, an assassin's gun, and Doris Day's scream. Along with Hitchcock's other films from the mid-1950s to 1960 (including Vertigo, Rear Window, and Psycho), The Man Who Knew Too Much is the work of a master in his prime. --Tom Keogh

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The Man Who Knew Too Little
Starring: Bill Murray , Peter Gallagher , Joanne Whalley , Alfred Molina , and Richard Wilson (II)
Director: Jon Amiel
Manufacturer: Warner Home Video
ProductGroup: DVD
Binding: DVD

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ASIN: 0790734796
Release Date: 1998-03-25

Amazon.com

Only die-hard Bill Murray fans will likely consider this movie for their home-video library, but it's not without its rewards. You can see why someone as comically astute as Murray would agree to play a dimwitted American who can't tell the difference between improvised theater and a real-life espionage plot. There's certainly plenty of potential for belly laughs, and Murray milks the opportunities like the old pro that he is. Here he plays an American tourist in London who thinks he's been recruited into a street-theater act called "Theater of Life"; actually, he's stepped into a complicated spy scheme that plays like a cross between Hitchcock and the Marx Brothers. Joanne Whalley costars as the femme fatale who may or may not be a double agent, and along the way there's enough comical confusion to foil any number of idiotic villains. The movie stretches its one-joke premise to desperate extremes (Murray thinks he's in a play, so he's oblivious to genuine danger), and 95 minutes is more than enough time to exhaust the comedic possibilities. But, as always, Murray finds a way to mine gold from a few clever bits, and he cuts loose with some inspired lunacy during a climactic scene involving a hidden bomb and a troupe of dancing Cossacks. It's not Murray's finest hour, but give him credit for making the best out of a challenging situation. --Jeff Shannon

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