Black Heat

Starring:Brown, Tamblyn, Land
Studio: E.I. Independent
Product Type: DVD

Average customer rating:

Blaxploitation Cheese from Al Adamson!
"KICKIN'!"
So bad it's good!

Black Heat
Starring: Timothy Brown , Regina Carrol , Geoffrey Land , Russ Tamblyn , and Jana Bellan
Director: Al Adamson
Manufacturer: E.I. Independent
ProductGroup: DVD
Binding: DVD

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Mean Mother
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Detroit 9000

ASIN: B00007L4M4
Release Date: 2003-03-04

Customer Reviews:

Blaxploitation Cheese from Al Adamson!.......2004-06-14

Here's a slice of '70s Blaxpoitation cheese that manages to pack a sizeable wallop for its miniscule budget. Tough African-American detective Kicks Carter (Timothy Brown) is out to break up a pair of bottom-feeder crooks and stop a guns-for-drugs trade organized by a black mobster improbably named Guido. Along the way there's plenty of clumsily choreographed (and often poorly-lit) fight scenes and shoot-outs, a smattering of sex and nudity (like when Kicks makes sweet love to his TV reporter girlfriend Tanya Boyd), a fair amount of sleaze (like when a woman with a gambling problem is gang-raped by four sweaty redneck card sharps; the fact that this woman resembles a young version of "That '70s Show"'s Debra Jo Rupp only adds to the scene's nastiness) and stilted dialog so awkwardly peppered with jive talk it's obvious the script was written by white people. Still, schlock director Al Adamson is in peak form with this one, keeping the action moving and making sure to hit all the right buttons to please his audience--even including a little bit of lesbian action, again involving our hapless gambling addict. The cast also includes Adamson regulars Russ Tamblyn (who plays a bug-eyed, low-rent mobster named Ziggy) and aging blond bombshell (and Adamson's wife) Regina Carrol. The movie runs out of steam by the final ten minutes, but all in all, "Black Heat" is pretty hot. Just don't be fooled by the updated cover art on the DVD: "Black Heat" is a '70s movie through and through, from Timothy Brown's huge afro down to his crotch-molding, (...) tight jeans.

"KICKIN'!".......2000-03-26

Black Heat is not as hard to find as one might think. I was in Hollywood video browsing the action section and it jumped off the bottom shelf and kicked me in the shin. It hurt like a muther!

So bad it's good!.......1999-07-28

Yet another pick from classic 1970s blaxploitation. It's definitely not Dolemite, but it had enough action to keep me occupied for all 96 minutes. This one's hard to find in regular video stores. Amazon is about the only place I know that even carries this film. A great addition!

Average customer rating:

Bright as a wound and warm-hearted as a fever

La Cienaga
Starring: Mercedes Morán , Graciela Borges , Martín Adjemián , Leonora Balcarce , and Silvia Baylé
Director: Lucrecia Martel
Manufacturer: Homevision
ProductGroup: DVD
Binding: DVD

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The Holy Girl
Bolivia
En la Puta Vida (Tricky Life)
El Dia Que Me Amen
Kings & Queen

ASIN: B0006Z2NBI
Release Date: 2005-02-01

Description

Mecha (Graciela Borges) is a middle-aged woman with several accident-prone teenagers, a husband who dyes his hair, and the tedious problem of sullen servants. Nothing that a few drinks can't cure. To avoid the uncomfortably hot and humid weather, they spend their summers at a country estate whose glory has long faded, where the swimming pool is filthy, but still offers some relief. Mecha's cousin, Tali (Mercedes Morán), lives in the nearby city La Ciénaga ("The Swamp") and has a crew of small, noisy children and a husband who loves his home, his kids, and hunting. Before long, the crowded, rough-and-tumble domestic situation strains both families' nerves, exposing repressed family mysteries, and tensions that threaten to erupt into violence. Like Luis Buñuel before her, award-winning filmmaker Lucrecia Martel offers an unapologetic peek into the world of Argentina's decadent bourgeoisie.

Customer Reviews:

Bright as a wound and warm-hearted as a fever.......2005-02-08

Lurid colors cover a visual stink that permeates La Cienaga and turns all interaction sinister around the edges. The camera work was queasy and the cuts were brutal--sometimes fatal...I loved it. La Cienaga sticks in the memory like the urban legends the children tell to scare each other. The story is an almost voyeuristic tour of the families of two sisters, Tali and Mecha, one in the city, one in the swamp. We meet Mecha, the rich swamp-dwelling sister, by her filthy swimming pool surrounded by other zombie-esque party-goers, all half passed out in pool chairs from the combined effect of alcohol and the rainforest heat. All of her bored kids are scarred, beat-up, scratched--one is missing an eye. Armed with hunting rifles, the swamp is their main source of entertainment--except for awkward Momi, who spends most of her time clinging to Isabella ("Isa"), the native Argentinean house servant in Mecha's crumbling estate.
Tali's family, living in the city, seems a little more sane, a little more whole, but her kids are smack in the middle of terrifying stages of growing up. Her two hyper-gendered daughters on the verge of puberty wear enough woman's make-up to look like kiddie-porn stars or circus clowns. When they are not being chased by little boys with water balloons, they are taunting their little brother with stories of the African rat-dog.
Some of the only music in the film follows Isa, the native; all else is the constant rumble of thunder, the ice tinkling in the Mecha's drink, and the silence of sullen frustration. Every scene is dangerous in its way, every volatile character was so full of desires gone bad, and all beauty was rotten underneath. Director Lucrecia Martel has created a refreshingly unromantic film in the romantic location of the Argentinean rainforest that leaves you with images as sticky as the heat.

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