Wolpe, Stephan

Cage: A Cage of Saxophones, Vol. 1
Average customer rating: 4 out of 5 stars
  • A good survey of late Cage
Cage: A Cage of Saxophones, Vol. 1

Manufacturer: Mode
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005YQLC
Release Date: 2002-02-26

Customer Reviews:

4 out of 5 stars A good survey of late Cage.......2003-09-21

Mode Records have been releasing many Cage discs of late. This is the 24th, and a disc devoted to music featuring saxophones, featuring the German saxophonist Ulrich Krieger.

All of the works on this disc are from the last decade of Cage's life. The three shorter ones are from his series of 'number pieces', the two longer ones come from slightly earlier.

The disc begins with an excellent performance of 'Five', one of the earliest of the 'number pieces'. Sounds brush into existence and fade away, unaware of what the other performers are doing at the same time. The instrumentation of this work is unspecified by the composer, but the choice here--two saxes, accordion and two pianos played with bows--seems exceedingly appropriate.

Following this, a rather less successful performance. 'Ryoanji' is a work which appears in a baffling variety of versions. This one, for four saxes and percussion, was arranged by Krieger, though approved by the composer. I find, however, that the acoustic is overly dry (particularly for the percussion part) and detracts from the atmosphere the composer wishes. This is probably the least successful of half-a-dozen versions I know of this work.

Four^5, another of the 'number pieces', is a twelve-minute work for four saxes, and in my opinion, one of Cage's finest achievements. In this performance, Krieger and his fellow players choose not to play the short, loud spiccato notes that are permitted in the score, and I find this--along with the very smooth sound--brings the work a little closer to blandness than I would like (my preference in this work would be for Marcus Weiss et al on the no-longer-available Hat Hut 'Conquest of Melody' disc, who do play the shorter notes).

No complaints, though, about the last two performances. Five^4 is an austere elegy for Stephan Wolpe, scored for two saxes and three percussionists, and is splendidly realized here. The final work, 'Hymnkus', the longest on the disc, is a thirty minute near-minimalist essay in not-quite-exact repetition of short phrases and individual notes. The sounds of sax, accordion, piano and percussion complement each other perfectly and the music generates continued interest out of very little material. (If you've ever heard Morton Feldman's 'For Samuel Beckett', the surfaces of the two works are very similar, though Cage uses less material than Feldman.)

Overall, a mixed bag, but generally positive. I'd recommend this disc to anyone who's developed an interest in Cage's music.
Morton Feldman: The Rotko Chapel, For Stephan Wolpe, Christian Wolff in Cambridge
Average customer rating: 5 out of 5 stars
  • Even Better Than New Albion!
  • Probably the ultimate recording of "Rothko Chapel"
Morton Feldman: The Rotko Chapel, For Stephan Wolpe, Christian Wolff in Cambridge

Manufacturer: Hanssler Classics
ProductGroup: Music
Binding: Audio CD

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  2. Feldman: Piano and Orchestra; Flute and Orchestra; Oboe and Orchestra; Cello and Orchestra
  3. Morton Feldman: Complete Violin|Viola and Piano Works / Christina Fong, Paul Hersey
  4. Aki Takahashi Plays Morton Feldman
  5. Morton Feldman: Piano and Orchestra; Palais de Mari; Piano

ASIN: B00006JR0C
Release Date: 2002-09-01

Tracks:

  1. The Rothko Chapel
  2. For Stephan Wolpe
  3. Christian Wolff in Cambridge CD PREMIERE!

Album Description

Morton Feldman was born in New York on January 12, 1926, and remained philosophically and artistically linked with that city for the remainder of his life. Despite composition lessons with composers as diverse as Wallingford Riegger and Stefan Wolpe, Feldman's muse did not begin to blossom until he met John Cage in 1949. Through Cage, Feldman was immersed in the literary and musical avant-garde of the New York School, a thereupon began a fascinating journey of self-discovery. Few composers have been as effective at translating the visual into sound, as the present program will demonstrate. The gently shifting sonorities of the Feldman's choral music offer the perfect antidote to a cluttered existence, and provide the ideal opportunity for meditation and reflection.

Customer Reviews:

5 out of 5 stars Even Better Than New Albion!.......2003-01-08

Rothko Chapel was the first of many works by Feldman that I fell in love with. I was introduced to it on the wonderful New Albion recording featuring the California Ear Unit and a choir from USC. I didn't ever think another version would supplant that recording but I was wrong. This current recording, featuring a fully professional choral ensemble, is the closest to perfection that I can imagine in this wonderful piece of music.

Rothko Chapel is an anomoly in the output of Feldman. Written to be performed in the famous Houston gallery which features 14 Rothko paintings, the work is at once hieratic, and romantic. It's thematic material is related to Feldman's other viola pieces of the 70's (The Viola in My Life I - IV), sharing the same "big melody" which is almost romantically expansive. The work contrasts this romantic melody on the viola, with soft tense chords in the choir and splashes of percussion color. It is perhaps one of the most emotionally moving of all of Feldman's works.

Coupled with this stunning work are two other Feldman pieces for choral forces. Christian Wolff in Cambridge is a short work from Feldman's earlier period in the 60s. It is more typical of the period, featuring a varied ensemble, including voices, sustaining single pitches and tense dissonances in hushed tones. For Stepan Wolpe is a larger affair written in the composer's late manner. The choral parts resemble the choral sections of Rothko Chapel - complicated dissonant chords that almost sound jazzy - like a non-tonal Swingle Singers, alternating with interludes from two vibraphones. The work is hypnotic, though not as deeply alluring as other Feldman works from the period.

The performances on this disc are stunning. The choir on Rothko Chapel has a greater presence on this disc than on the New Albion CD. There are nuances of tone that I've never noticed in this work before. The instrumental ensemble is excellent, particularly the viola soloist. The final section is particuarly overwhelming in impact. Performances on the other works are no less expert. The New Albion performance was coupled with a performance of Why Patterns? which was quite good. But Why Patterns? has plenty of other competition on disc, whereas this disc is the only recording available of either Christian Wolff in Cambridge or For Stepan Wolpe. As such, I believe that this is the disc of choice for this repertoire. Even if you have the New Albion disc, I would strongly recommend adding this one to your collection. It's just beautiful.

5 out of 5 stars Probably the ultimate recording of "Rothko Chapel".......2002-11-03

These works do not demand virtuosos, but the highly professional voices in this recording really make a difference in comparison to academic choirs. Moreover, the sound quality is superb, especially the balance between the voices and the very subtle percussion parts in "Rothko Chapel."

Music Composers:

  1. Wuorinen, Charles
  2. Xenakis, Yannis
  3. Young, La Monte
  4. Ysaye, Eugene
  5. Zaimont, Judith Lang
  6. Zelenka, Jan Dismas
  7. Adams, John
  8. Alain, Jehan
  9. Albeniz, Isaac
  10. Albert, Stephen

Music Composers

Music Composers