Tchaikovsky, Peter

David Bowie Narrates Prokofiev's "Peter and the Wolf"

Average customer rating:

Great telling of a classic story as a classical music introduction
Excellent for kids and adults
Dont have this CD but have the vinyl
My son's discovery of classical music
David Bowie tells us a fearful story

David Bowie Narrates Prokofiev's "Peter and the Wolf"

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003F6R
Release Date: 1992-02-11

Tracks:

Peter And The Wolf: Introduction
Peter And The Wolf: The Story Begins
Peter And The Wolf: The Bird
Peter And The Wolf: The Duck, Dialogue With The Bird, Attack Of The Cat
Peter And The Wolf: Grandfather
Peter And The Wolf: The Wolf
Peter And The Wolf: The Duck Is Caught
Peter And The Wolf: The Wolf Stalks The Bird And The Cat
Peter And The Wolf: Peter Prepares To Catch The Wolf
Peter And The Wolf: The Bird Diverts The Wolf
Peter And The Wolf: Peter Catches The Wolf
Peter And The Wolf: The Hunters Arrive
Peter And The Wolf: The Procession To the Zoo
Young Person's Guide To The Orchestra: Theme: Full Orchestra
Young Person's Guide To The Orchestra: Theme: Woodwinds
Young Person's Guide To The Orchestra: Theme: Brass
Young Person's Guide To The Orchestra: Theme: Strings
Young Person's Guide To The Orchestra: Theme: Percussion
Young Person's Guide To The Orchestra: Theme: Full Orchestra
Young Person's Guide To The Orchestra: Variation I: Flute, Piccolo (Presto)
Young Person's Guide To The Orchestra: Variation II: Oboes (Lento)
Young Person's Guide To The Orchestra: Variation III: Clarinets (Moderato)
Young Person's Guide To The Orchestra: Variation IV: Bassoons (Allegro alla marcia)
Young Person's Guide To The Orchestra: Variation V: Violins (Brilliante alla pollaca)
Young Person's Guide To The Orchestra: Variation VI: Violas (Meno mosso)
Young Person's Guide To The Orchestra: Variation VII: Cellos
Young Person's Guide To The Orchestra: Variation VIII: Double basses (Cominciando lento, ma poco accel.)
Young Person's Guide To The Orchestra: Variation IX: Harp (Maestoso)
Young Person's Guide To The Orchestra: Variation X: French Horns (L' istesso tempo)
Young Person's Guide To The Orchestra: Variation XI: Trumpets (Vivace)
Young Person's Guide To The Orchestra: Variation XII: Trombones & Tuba (Allegro pomposo)
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The Nutcracker Suite: Overture
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The Nutcracker Suite: Dance Of The Sugar-Plum Fairy
The Nutcracker Suite: Russian Dance
The Nutcracker Suite: Arabian Dance
The Nutcracker Suite: Chinese Dance
The Nutcracker Suite: Dance Of The Mirlitons
The Nutcracker Suite: Waltz Of The Flowers

Customer Reviews:

Great telling of a classic story as a classical music introduction.......2007-01-04

I remember being introduced to the idea of classical music telling a story with Peter and the Wolf many, many years ago. As each character in the story appears, its theme (and the instrument playing it) is introduced. Then the story takes over and builds to its climax and resolution with just the right amount of fright and humor for 2-4 year-olds.

Peter is clearly presented as a child who is disobedient and mildly punished for it, but then he is also brave and resourceful in fixing the situation he has caused. Finally is also merciful to the wolf (although he does put the wolf in a zoo, if that really bothers you). So the story has some subtle hints at morality without it being too oppressive.

In this CD version, the narration is clear and the pacing seems very adequate for even 2 year-old's attention. They often ask to hear it again, and they love the picture book I bought to go with it - see another review. They know all the instruments names, and can identify the characters just from hearing the music.

Excellent for kids and adults.......2006-11-04

A very good version of the original. Bowie's voice is just right and the orchestra is right on. Excellent to demonstrate to kids the different instruments in a orchestra and a good story as well. I listened to it when I was young and also now when I am old. It still is great to listen to the music and the story telling.

Dont have this CD but have the vinyl.......2004-05-26

I admit I do not have this CD, but I do have the vinyl version of this album. It contains just the first two pieces, Peter and Britten's Young Person's Guide... It was released by Columnbia on green translucent vinyl! Combine that with the Red Label that Columbia used and it is quite the colorful Album... I remember that I bought the album for the Britten, big Britten fan here, and partially the novelty of Bowie narrating Peter. The Britten is great, and Peter is very good with the beauty of the Philly strings, which has always been Philly's strong point. If I were looking to replace my vinyl copy, which I am not, I would not hesitate to get this disk.

My son's discovery of classical music.......2003-05-17

My son's growing obsession with this story has truly sprouted since the purchase of this album.
Oddly enough, I never really knew this story or I don't remember it from my childhood, but once my dear sweet boy discovered it's haunting and charging sound, it's become a staple in my vehicle.

A perfect way to introduce classical music to any child -- tell them a story and have all the parts of the story be different instruments from an orchestra. Beautiful, just beautiful..

David Bowie tells us a fearful story.......2002-08-09

Prokofiev here produces a rare and fresh musical story for children. A young boy decides one day to push the gate at the bottom of the garden and move into the big wild world and its dangers, a wolf and a cat. The boy is followed by his friend the duck and meets his other friend the bird who is saved by a split-hair chance from the teeth of the cat by Peter's cry of alarm. All dangers in the world are not from the deep forest. But a far worse danger comes from there : the wolf. If Peter is saved by his grandfather who takes him home, the duck is less lucky and ends up in the wolf's stomach. But Peter is looking after things with the help of the bird and they catch the wolf that is then taken to the zoo by the hunters. We are not always saved from dangers by big strong armed men, but mostly by our courage and inventive imagination. And the music tells us to be creative.

This tale is perfectly served by David Bowie's both deep and volatile voice that finds here a brand new field of artistic achievement and multiplies the music's real dramatic dimension, like a confidential story told to the listeners in their deepest ears as if he were an elfish fairy any kid would believe to be true and safe, in a word friendly.

Tracks:

March Of The Tin Soldiers - Leon Jessel
Variations On 'Twinkle Twinkle Little Star' - Walter Klien
The Nutcracker: Dance Of The Reed Flutes - Pyotr Il'yich Tchaikovsky
The Nutcracker: Dance Of The Sugar Plum Fairy - Pyotr Il'yich Tchaikovsky
The Sorceror's Apprentice - Paul Dukas
Peter And The Wolf (Extract) - Brandon de Wilde
Invention No. 8 In F Major - Christiane Jaccottet
Invention No. 11 in G Minor - Christiane Jaccottet
Invention No. 13 in A Minor - Christiane Jaccottet
Prelude And Fugue No. 21 In B Flat Major (Book 1) - Christiane Jaccottet
Sonata For 2 Pianos In D Major, K. 448, 1st Mvt. - Rudolf Firkusny
III. Allegretto - Walter Klien
Kinderszenen: Of Strange Lands And People - Walter Klien
Kinderszenen: Curious Story - Walter Klien
Kinderszenen: Entreating Child - Walter Klien
Kinderszenen: Perfect Happiness - Walter Klien
Introduction And Royal March - Marylene Dosse
The Elephant - Marylene Dosse
Kangaroos - Marylene Dosse
The Aquarium - Marylene Dosse
Cuckoo In The Woods - Marylene Dosse
Birds - Marylene Dosse
Fossils - Marylene Dosse
The Swan - Marylene Dosse
Finale - Marylene Dosse

Customer Reviews:

Children's Favorites a solid purchase.......2006-03-09

This CD mostly delivered what was expected of it. The only critique I have is that some of the tempos could have been cleaner, and that it should be cross-referenced by the other composers besides J. S. Bach.

The perfect package.......2005-10-23

This is the most wonderful collection to have on 1 CD. Children from birth on up can benefit from this musical collage.
Songs from the "Nutcracker" are familiar and comfortable for many children. What child wouldn't love "March of the Tin Soldiers?"
Selections from Saint-Saens' "Carnival of the Animals" is a must in my creative movement library. Every child should be exposed to this music. Well,I believe every age should be.

A Wonderful Introduction to the Classics.......2003-03-11

With total playing time clocking in at 78:04 minutes of music, you'll be paying about 6-cents/minute, which is a better bargain than long distance phone calls, and often more rewarding!

This disc is far superior than most other "Classics for Kids"-type recordings I've sampled for a number of reasons:

1) This album was expertly engineered. The production quality on this disc is first-rate from start to finish with crisp, clear sound.

2) The pieces were expertly picked. There is wonderful sonic variety here, spanning hundreds of years of wonderful melodies. There are orchestral pieces, harpsichord pieces, solo piano, and a piano concerto, capped off with Saint-Seans whimsical Carnival of the Animals. What kid (or adult) wouldn't love that?

3) The performances are, without exeption, expert! The pieces were definately screened for quality as well as content. Many are simply a joy to behold. Walter Klein is a particular stand-out, almost giddily prancing through Schumann's pieces. Believe it or not, he sounds even more impressive when backed up by the always inspiring Minnesota Orchestra on Mozart's Piano Concerto #17.

In short, this album is a great album even before you factor in the great price. You and your children are almost guaranteed to enjoy every 6-cents worth!

Rachmaninoff: Concerto No. 3 in D minor, Op. 30 / Tchaikovsky: Piano Concerto No. 1 in B flat minor, Op. 23
Average customer rating:

WONDERFUL rendition of Rach 3

Quite simply the best Rach 3 I've heard

A mess

Absolutely fantastic CD

Martha Argerich: the only person who can make piano sing

Rachmaninoff: Concerto No. 3 in D minor, Op. 30 / Tchaikovsky: Piano Concerto No. 1 in B flat minor, Op. 23
Berlin Radio Symphony Orchestra , Riccardo Chailly , Martha Argerich , Peter Ilyich Tchaikovsky , and Kirill Kondrashin
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
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ASIN: B0000041DF
Release Date: 1995-08-15

Tracks:

Piano Concerto No.3 In D Minor, Op.30: 1. Allegro ma non tanto
Piano Concerto No.3 In D Minor, Op.30: 2. Intermezzo. Adagio
Piano Concerto No.3 In D Minor, Op.30: 3. Finale. Alla breve
Piano Concerto No.1 In B Flat Minor, Op.23: 1. Allegro non troppo e molto maestoso - Allegro con spirito
Piano Concerto No.1 In B Flat Minor, Op.23: 1. Andantino simplice - Prestissimo - Tempo I
Piano Concerto No.1 In B Flat Minor, Op.23: 3. Allegro con fuoco

Amazon.com essential recording

This is madness in action. Martha Argerich's Rachmaninoff Third is the fastest and most physically exciting you'll ever hear. She's recorded live, and the balances are a little strange as a result. You can also tell that Riccardo Chailly and his orchestra are having a hell of time trying to keep up with her, while anticipating what she's about to do next--but so what? This is as close as you can come to an experience of spontaneous combustion, and survive. The Tchaikovsky is, if possible, even wilder, with quite a few missed notes. But with an artist like Argerich, you simply can't judge the performance one note at a time. So go ahead: live dangerously. --David Hurwitz

Customer Reviews:

WONDERFUL rendition of Rach 3.......2007-06-03

I haven't listened to all, as I so love Rachmaninov that its all I can do to get beyond him. Her rendition sounds so soulful and right on, the timing perfect or as close to as possible, its absolute heaven, and hell, as his music seems to be, to listen to it. I love it, always have, and was not at all disappointed by this cd. Highly Recommended.

Quite simply the best Rach 3 I've heard.......2007-03-29

Blindingly fast - I can only imagine the hand cramps she had afterwards! Simply amazing.

A mess.......2007-03-17

I have the utmost respect for Argerich both as a pianist and as an artist. As talented and gifted as she is, it's her sense of engagement and commitment that never fails to elicit admiration and awe in me. Her readings are so overwhelming and passionate that one often gets the impression that her life is dependent on whatever she happens to be playing. On the right day, she's able to draw the most riveting and powerful sounds from the piano and conjure up the deepest and strongest feelings that one can experience by listening to a piece of music. More often than not, however, haste and anxiety get the best of her and what was intended to be an engaging performance ends up being a chaotic and incomprehensible gathering of notes. Therein lies the main problem with her rendition of Rachmaninov's third piano concerto: it lacks structural integrity and the blurred articulation often results in missing, indistinct or simply wrong notes. She fares better in Tchaikovsky's first piano concerto, though not so much so as to avoid the aforementioned shortcomings. Definitely not a good buy. Hyperion has recently released a wonderful live performance by Stephen Hough of the four Rachmaninov's piano concertos. The sound is pristine and the playing is top quality. This recording is to be preferred over Argerich's.

Absolutely fantastic CD.......2007-01-13

If you appreciate the piano, the performance by Martha Argerich will blow you away. The woman is absolutely amazing. This is one of my favorite CDs and I recommend it for anyone who wants to hear a master at work.

Martha Argerich: the only person who can make piano sing.......2006-09-16

At first I was disappointed. Then, listening through a pair of $99 headphones, I was totally captivated, from the start. Up close listening does make a difference! I must say that, after listening to so many of Martha's recordings and reading so many reviews (even from professionals) about her, nobody has picked up one unique trait of Martha's playing against all other great piano players' (including Horowitz, whose playing is more philosophical than musical to me), namely, Martha's reading of music is holistic, or three dimensional, or whatever you want to call it. It is as if she were an architect, an architect of tonal structures. In every pieces of music she plays (esp. solos), you sense a structure. She renders every passage with a view to the whole piece. Whereas if you listen to other pianists (including Horowitz), every passage is to be contrasted only with the one before and the one after, never the whole piece. It is as if other pianists were bound by the flow of time and could not jump beyond the constraint and see the whole picture (this is what I call two dimensional). Anyway, I alway like to tell people that Martha is the only person who can make piano sing. She is the only person who can make piano weep. And she plays as if her life depends on it.

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Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
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ProductGroup: Music
Binding: Audio CD

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Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
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The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
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The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
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Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
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Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
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Cadenza To The Violin Concerto By Brahms
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Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
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Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
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Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
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Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
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Variations On A Theme Of Frank Bridge (No. 4)
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To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

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Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
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Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
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Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
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Capriccio Di Bravura
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The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

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The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Hoe-Down
Jumpin' At The Woodside
Nutcracker Suite, Waltz Of The Flowers
El Amor Brujo, Danza Del Juego De Amor
El amor brujo, Danza del juego del fuego (Para Ahuyentar Los Malos Espiritus)
Black Horse Troop
Capriol Suite, Pieds-en-l'air
Capriol Suite, Mattachins
Traditional: Shenandoah
Simple Gifts
Corral Nocturne
Introduction & Fandango, Introduction
Introduction & Fandango, Fandango
My Lord Of Oxenfordes Maske
Canzon Per Sonar Primi Toni
Dance Suite, Gavottes 1,2,3 & 6
Dance Suite, Volte II
Brandenburg Concerto No. 6, III: Allegro
La SoirDans Grenade (Evening In Granada)
Main Street Electrical Parade (Baroque Hoedown) Disneyland in the Style of Vivaldi

Customer Reviews:

I love these guys!!!.......2007-01-02

At first I did not know anything about LAGQ. I was taking an intro to guitar class on the campus of USC. One of my assignments was to attend two guitar performances happening on campus and write about each. I was so fortunate to have picked LAGQ. I fell in love with their music and their humor. I was amazed by the variety of sounds coming out of the guitars. Although guitar playing is a hobby for me... these guys inspire me to study the guitar more seriously. This is the first album of theirs I bought. Their rendition of Shenandoah is the best. It is so beautiful I fall asleep to it. Simple Gifts is the most lovely version too. Jumpin' at the Woodside is another favorite... it jazzy bounce makes it a popular choice for background music to any situation. The Main Street Electrical Parade never fails to delight me and surprise my friends when I play it. These guys are silly...but in a good way. Its 2007 now and I still go back to the songs on this album. Great variety. This is a good starter to a LAGQ collection. Go see them live if you can!!!

Excellent album.......2004-11-23

Recently I learned about LAGQ and bought this album. I have been impressed by the arrangements and interpretation, the texture, innovative touches and originality. It is a treat!

This is only a warning.......2004-09-19

The LAGQ are fine players, and the music here is first rate as a summary of what they do, or for any purpose. HOWEVER, the transfer to CD on my disc was very poorly chosen, so that the top octave and a half was mostly missing (worse on some pieces than others, though). This takes the snap! out of guitar strings and notably attenuates your ability to tell what the 4 are doing with guitar timbre and the like. So, if you have wide-range audio gear, you might want to look elsewhere for an introduction to these players.

Recent Purchase that I'm Joyed to Find and Enjoy.......2001-01-27

Not until recently did I know about this guitar four. Hearing a number of their songs on internet classical radio, I decided I'd try this one.

What a great surprise --- their arrangements of Copeland to Sousa to Praetorius are excellent and in taste. I'll be venturing into their other works.

Simply Amazing.......2000-06-12

LAGQ is wonderful and this CD is a great compilation of some of their best work to date. Extremely versatile musicians, they perform swing music, Sousa march music, a Main Street Electrical Parade tune from Disneyland, as well as music by Copland and Praetorius. It's amazing how they are able to produce the sounds they do. A great compilation and one that would nicely add to your LAGQ collection or a great CD to start that collection!

The Instruments of Classical Music, Vol. 2: The Oboe

Average customer rating:

Interested oboe player
Oboe cd
What a great CD for a Great Price
Good for orchestra studies
Excellent

The Instruments of Classical Music, Vol. 2: The Oboe

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

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Similar Items:

The Art of the Oboe
The Instruments of Classical Music, Vol. 1: The Flute
Oboe Obsession
Italian Oboe Concertos
The Instruments of Classical Music, Vol. 6: The Cello

ASIN: B000001VMJ
Release Date: 1990-06-04

Tracks:

Oboe Concerto In C, K314: Rondo. Allegretto
Oboe Concerto In D Minor: Adagio
Sinfonia Arrival of the Queen of Sheba (from 'Solomon')
Oboe Concerto In B Flat, Wq 164: Allegro moderato
Water Music, Suite No. 1 In F: Adagio e staccato
Swan Lake: Dance of the Swans
Concertino, Op. 110: Vivace
Symphony No. 3, 'Eroica': Marcia funebre
Oboe Concerto In In F, RV 455: Allegro
Oboe Concerto In C, RV 447: Minuet
Oboe Concerto In F: Rondo
Water Music, Suite No. 1 In F: Hornpipe
Swan Lake: Scene (from 'Swan Lake')
Symphony No. 9, 'From The New World': Largo
Concerto 'La Favorita': Allegretto-Allegro velocissimio

Customer Reviews:

Interested oboe player.......2007-05-13

It is a fine collection of oboe pieces, and I really enjoy listening to them. The only complaint I have is that the case was broken when it got here (I'm not sure if it was before it was shipped or not).

Oboe cd.......2007-01-11

This cd took a little while to be delivered (a few weeks) but it was in excellent condition. I bought it along with another oboe cd so it could be that one of them was out of stock and they waited for that so that both could be shipped at the same time (which was fine with me).

What a great CD for a Great Price.......2007-01-09

I really love the music on this CD.
I just cant stop listening to this. If you enjoy classical music. You will like this CD and if you would like a introduction to classical music than this is the CD for you.
(If you find that you dont like it, you have not spent a lot of money on it).
Enjoy :-)

Good for orchestra studies.......2005-07-24

The record presents the oboe very well. Price can't be beat too. Oboe music is always enjoyable (well, that's somewhat subjective, of course, but if you like oboe, you'll like this collection).

Just a small caution: this is a study aid sort of thing. I find listening to fragments of music -- frequently very familiar music -- somewhat distressful because of this coitus interruptus sorta feeling, kind of like when in the middle of Watermusik the Dying Swan piece suddenly heaves into sight.

In other words, this is a perfect CD for teaching kids the orchestra, but if you simply want some oboe music for pleasure, then I'd recommend to pick something else; for example "The Handel Collection" (a pretty old record), by The City of London Sinfonia (cond. John Rutter), 1990 American Gramaphone Records -- it is a collection too, but not excerpts, pieces are played fully, and the performance is sometimes better. It's just one example; I have it handy so I've mentioned it, that's all. I don't like listening to excerpts, that's what I'm trying to say. But I'm not saying this CD's bad, it's very good for orchestra studies.

Excellent.......2004-06-15

I really enjoyed this! It was really great for all oboe and classical music lovers! Very Very Nice!

Average customer rating:

Almost really good.
An excellent primer on the iconclastic Russian composer

Prokofiev: Greatest Hits

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Rimsky-Korsakov: Greatest Hits
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ASIN: B000002C5X
Release Date: 1995-11-14

Tracks:

The Love For Three Oranges: III. March. Tempo di marcia
Lieutenant Kijymphonic Suite: I. The Birth of Kij
Lieutenant Kijymphonic Suite: II. Romance
Lieutenant Kijymphonic Suite: III. Kij Wedding
Lieutenant Kijymphonic Suite: IV. Troika
Lieutenant Kijymphonic Suite: V. Kij Funeral
Romeo and Juliet, Suite No. 2, Op. 64b: The Montagues and Capulets
Symphony No. 1 in D Major, Op. 25 'Classical Symphony': III. Gavotta. Non troppo allegro
Romeo and Juliet, Op. 64: Morning Serenade
Alexander Nevsky, Cantata, Op. 78: Song about Alexander Nevsky
Overture on Hebrew Themes for Clarinet, String Quartet and Piano, Op. 34a
Peter And The Wolf, Op. 67: Introduction
Peter And The Wolf, Op. 67: 'Look out!'
Peter And The Wolf, Op. 67: 'No sooner...'
Peter And The Wolf, Op. 67: 'And now...'
Peter And The Wolf, Op. 67: 'So there's the story...'
Symphony No. 5 in B-flat Major, Op. 100: IV. Allegro giocoso

Customer Reviews:

Almost really good........2006-06-30

I love Prokofiev. But I hate Yank crap. It has spoiled a great compilation. It was beautiful, up until 'Peter and the Wolf', one of my favourite adventures. But then along came an American narrator explaining the story. Why is there this 'Disney' crap amidst some beautiful music? (All respects to Walt).
'Lieutenant Kije' is one of the best stories produced by humanity of a man who did not exist throughout his birth, marriage and death. Don't let this piece of brilliance be swamped by crap.
A good compilation, but I strongly suggest you go for untainted versions of Prokofiev.
P.S. The Daleks will eventually conquer staircases. Be warned. Three oranges are not enough.

An excellent primer on the iconclastic Russian composer.......2001-08-12

I have to admit I was a bit disappointed there was nothing from Prokofiev's Piano Concerto No. 3, which is what the Amy Irving character played in the film, "The Competition." I also think it is one of the iconoclastic composer's finest works. What you will find on this collection are a lot of excerpts from his score for the film "Lieutenant Kije" and symphonic fairy tale "Peter and the Wolf." Again, I am surprised there is nothing here from his film scores for "Alexander Nevsky" or "Ivan the Terrible." My favorite "new" piece that I discovered on this CD would be the March from "The Love for Three Oranges," although I also like the excerpt from Prokofiev's Classical Symphony in D Major. Despite my personal preferences, I have to admit this collection is a very nice introduction to the music of Sergei Sergeivich Prokofiev.

Tchaikovsky, Mendelssohn: First Piano Concertos

Average customer rating:

well...
Alternative interpretations by a talented artist
EFMendelson
a new force to be reckoned with.
F for all accounts

Tchaikovsky, Mendelssohn: First Piano Concertos
Peter Ilyich Tchaikovsky , Felix Mendelssohn , Lang Lang , Daniel Barenboim , and Chicago Symphony Orchestra
Manufacturer: Umvd Labels
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

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Memory [Includes Bonus CD]
Haydn, Rachmaninoff, Brahms, Tchaikovsky, Balakirev / Lang Lang

ASIN: B000094HLE
Release Date: 2003-07-15

Tracks:

Allegro Non Troppo E Molto Maestoso-Allegro Con Spririto
Andantino Semplice-Prestissimo-Tempo I
Allegro Con Fuoco
Molto Allegro Con Fuoco
Andante
Presto-Molto Allegro E Vivace

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Barely out of his teens on this recording, Lang Lang demonstrates plenty of virtuoso finger dexterity, but also places his personal stamp on the music. In the Tchaikovsky, a barn-burner of a piece that some pianists use to show how fast and loud they can play, Lang stresses the layers of intimacy alongside its more extroverted passages, which he plays with plenty of pianistic pyrotechnics. If his first movement seems disjointed, more a fantasia than a cohesive entity, he makes a virtue out of necessity through sharp accents that highlight its episodic character. Barenboim and the Chicago Symphony's brilliantly played accompaniments are in synch with Lang's approach. The Mendelssohn is a work that replaces bombast with elegant sparkle well suited to Lang's strengths. Lang is in his element here, sprinkling notes without breaking a sweat. There's stiff competition from classic performances by Argerich and Cliburn among many others in the Tchaikovsky, and Serkin, Schiff, and Thibaudet in the Mendelssohn, but Lang is well worth hearing. --Dan Davis

Customer Reviews:

well..........2007-04-05

One day, a friend of mine who is a great pianist/musician played two different performer playing Tchaikovsky's Concerto without tellling me who's playing. After hearing them, I said "you played one best, one worst probably...?" He replied me back almost instantly "you got it!" The best one was by Horowitz and the other one is the one you are looking at it right now. Sorry to say this but I'm just telling you my experience. I personally think that somehow, Lang Lang is a bit over reputated by media.

Alternative interpretations by a talented artist.......2007-01-01

I regret that there is so much controversy over Lang Lang's performances. I for one am glad that various artists present their personal interpretations of various works. If every performer played exactly the same way and rigidly followed every note, marking, and tempo of each written score with no personal expression I would find musical performances not only boring but also, in many cases, unsatisfying. For example, I prefer some pieces of music played more slowly and lyrically than written while I prefer more robust interpretations of other music. Variety of interpretation allows me and other listeners to find one or more performances of a given piece of music which satisfy our individual tastes even though others may find the same performances unsatisfactory or even objectionable. Lang Lang is a very talented pianist with a unigue perspective which often results in alternative interpretations of classical standards. I enjoy hearing Lang Lang's interpretations, and find them interesting, even though they may not be my favorite ones. I cannot say whether you will or will not like this CD -- that depends upon your personal taste -- but you will find the performances competently played and not boring.

EFMendelson.......2006-11-23

Quite possibly the most pedantic and uninspired performances of the Mendelssohn and Tchaikovsky concerti you could find. In the right hands, the opening movement of the Mendelssohn G Minor (e.g. as played by Rudolf Serkin or Murray Perahia) is one of the most exciting of all the romantic piano concertos. Unfortunately, as played by Lang Lang it devolves into a slipshod exercise of mediocrity. Lang's phrasings in the opening passages of the first movement are atrocious. I would have thought it an impossibility to eliminate the propulsive tension Mendelssohn created with this work but Lang Lang proves otherwise. The 2nd and 3rd movements suffer a similar mauling. As for the Tchaikovsky 1st, you can probably hear a better performance by the average senior piano major at your local state college and it won't cost you as much as this CD.

a new force to be reckoned with. .......2006-08-14

listen all you conservative classical music listeners. the days of conservative playing are gone. lang lang is the force behind the NEW classical music. he's trying to encourage all those young pop music lovers as well as classical music lovers to enjoy classical music. give him some credit. do you really think critics would rave about him if he was so bad as most people here says he is? he tops the charts everytime a cd comes out. would he able to do that if he was THAT BAD. you know. if you want to listen to argerich or janis for tchaikovsky or rachmaninov because lang lang's so bad, go ahead. no one's stopping you.
lang lang is the best pianist of this generation. he will revolutionize classical music.

F for all accounts.......2006-01-03

This guy is hyped by DG to gain entracne into Chinese market. Either he does not know the reportoir, or he is faking.

I give minus five, that is -5, for listening experience and -100 for spending money. Stay away from this dude. DG is trying to make money of a bogus guy.

Sound is no good when playing by CSO under outgoing Barenboim is worthless.

L.A. Guitar Quartet: Dances from Renaissance to Nutcracker

Average customer rating:

A great CD for your collection
wonderful music
From Renaissance to Nutcracker is brilliant.

L.A. Guitar Quartet: Dances from Renaissance to Nutcracker
William Byrd , John Dowland , Giovanni Gabrieli , Thomas Morley , Michael Praetorius , Pyotr Il'yich Tchaikovsky , Peter Warlock , Los Angeles Guitar Quartet (LAGQ) , Andrew York , John Dearman , Scott Tennant , William Kanengiser , and LA Guitar Quartet
Manufacturer: Delos Records
ProductGroup: Music
Binding: Audio CD

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For Thy Pleasure
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ASIN: B0000006YH
Release Date: 1993-10-27

Tracks:

Nutcracker Suite Op.71a: Arr for Guitar Quartet
Nutcracker Suite Op.71a: Arr for Guitar Quartet
Nutcracker Suite Op.71a: Arr for Guitar Quartet
Nutcracker Suite Op.71a: Arr for Guitar Quartet
Nutcracker Suite Op.71a: Arr for Guitar Quartet
Nutcracker Suite Op.71a: Arr for Guitar Quartet
Nutcracker Suite Op.71a: Arr for Guitar Quartet
Nutcracker Suite Op.71a: Arr for Guitar Quartet
Dance Suite: Bransle, Arr in Dance Suite for Guitar Quartet
Dance Suite: Volte I, Arr in Dance Suite for Guitar Quartet
Dance Suite: Bouree 1 & 2, Arr in Dance Suite for Guitar Quartet
Dance Suite: Courante 1, Arr in Dance Suite for Guitar Quartet
Dance Suite: Courante, Arr in Dance Suite for Guitar Quartet
Dance Suite: Ballet, Arr in Dance Suite for Guitar Quartet
Dance Suite: Gavottes 1, 2, 3 & 6, Arr in Dance Suite for Guitar Quarte
Dance Suite: Volte II, Arr in Dance Suite for Guitar Quartet
Capriol Suite for String Orchestra: Arr for Guitar Quartet
Capriol Suite for String Orchestra: Arr for Guitar Quartet
Capriol Suite for String Orchestra: Arr for Guitar Quartet
Capriol Suite for String Orchestra: Arr for Guitar Quartet
Capriol Suite for String Orchestra: Arr for Guitar Quartet
Capriol Suite for String Orchestra: Arr for Guitar Quartet
My Lord of Oxenfordes Maske: Arr for Guitar Quartet
Galliard "Can She Excuse": Arr for Guitar Quartet
Response Pavin: Arr for Guitar Quartet
Joyne Hands: Arr for Guitar Quartet
Canzon Per Sonar Primi Toni: Arr for Guitar Quartet
Sonata XIII: Arr for Guitar Quartet
Canzon XI: Arr for Guitar Quartet
Canzon VI: Arr for Guitar Quartet

Customer Reviews:

A great CD for your collection.......2002-09-15

If you are a music teacher this CD is a must. If you aren't, it STILL is a must. This CD is full of light but amazing classical guitar. I can hardly wait to pop it in at Christmas. Even if you aren't a huge fan of classical guitar I bet this will amaze you so much you'll want to keep listening. LAGQ flawlessly performs countless dances you'll wonder how they do it. The music classroom can use the Renaissance music for medieval topics and dances. A great CD to have for some high quality back ground music - relaxing music.

wonderful music.......2002-03-04

It just doesn't get better than this. If you want to hear Tchaikovsky played by super classical guitarists, this is the CD for you. Its the BEST!

From Renaissance to Nutcracker is brilliant........1999-11-28

The Los Angeles Guitar Quartet's Nutcracker Suite is a triumph for guitar arrangement. This selection is an excellent choice for one's holiday listening enjoyment. In the Renaissance dance suites included here, the L.A.G.Q. masterfully utilize a number of the percussive timbres available on the body of the classical guitar to complete the instrumentation and invoke the spirit of the pieces. Though the recording is not as loud as most of the other L.A.G.Q. recordings, the quality of the performances more than makes up for it.

Average customer rating:

The Artistry of Nelson Eddy
Artistry of Nelson Eddy
A Nelson Eddy Tour de Force: Magnificence here on earth
For those who are already fans of N.E. only.
A Surefire Way To Turn A Bad Day Into A Good One!

The Artistry of Nelson Eddy

Manufacturer: Legacy
ProductGroup: Music
Binding: Audio CD

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