Ginastera, Alberto

Gabriela Montero plays Chopin, Falla, Ginestera, etc. [Includes Bonus CD]
Average customer rating: 5 out of 5 stars
  • Gabriela Montero CDs
  • Non-professional Review
  • Absolutely Magnificent!
  • Improvisations Unbelievable!
  • A beautiful breath of fresh air!
 Gabriela Montero plays Chopin, Falla, Ginestera, etc. [Includes Bonus CD]

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Bach & Beyond - Gabriela Montero
  2. Gabriela Montero en Concert à Montréal
  3. Montero Plays Chopin
  4. Bach & Beyond [United Kingdom]
  5. The Carnegie Hall Concert

ASIN: B0009VK0LO
Release Date: 2005-09-13

Tracks:

  1. Moment Musical In E Mino Op. 12 No. 4
  2. Prelude In G Op.32 No.5
  3. Etude-Tableau In D Op.39 No.9
  4. Prelude in D Flat Op.17 No.3
  5. Prelude In E Flat Minor Op.16 No.4
  6. Prelude In G Op.13 No.3
  7. Etude in C Sharp Minor Op.42 No.5
  8. La Vida Breve: First Spanish Dance - Manuel De Falla
  9. Goyescas: Quejas O La Maya Y El Ruisenor
  10. Danza Del Viejo Boyero
  11. Danza De La Moza Donosa
  12. Danza Del Gaucho Matrero
  13. Nocturne In D Flat Op.27 No.2
  14. Fantaisie-Impromptu In C Sharp Minor Op.66
  15. Mephisto Waltz No.1

Tracks:

  1. On Rachmaniov: Vocalise
  2. On The Theme From Bach 'Goldberg Variations'
  3. On Chopin: Nocturne In D Flat
  4. On Rachmaninov: Piano Concerto No.2
  5. Inspired By Scriabin
  6. On Duermete Mi Nino
  7. In The Style Of Tango
  8. On Granados: 'Quejas O La Maya El Ruisenor'
  9. In The Style Of Bach
  10. On Chopin: Prelude In A
  11. 'Improvisation in Blue (Gabriela Montero)'
  12. 'Song for Natalia and Isabella (Gabriela Montero)'

Customer Reviews:

5 out of 5 stars Gabriela Montero CDs.......2007-06-12

Excellent service -- speedy, just as described, well-packaged. I'd definitely buy from this seller again.

5 out of 5 stars Non-professional Review.......2007-03-27

Okay, I listen almost exclusively to classical music, but I do so simply for the pleasure and nothing more. I cannot tell you about Gabriela Montero's technique, and, when she improvises, I have no ability to judge the music's intrinsic value, authenticity, or whatever. I can only tell you this: while I own many dozens of albums, running the full spectrum of the classical genre, I value none of them above Montero's Bach and Beyond and her Piano Recital. Pure listening joy!

5 out of 5 stars Absolutely Magnificent!.......2007-03-09

I first saw Gabriela Montero on 60 Minutes a few months ago and was taken by her playing ability as well as her ability to improvise on the classics. Ms. Montero's fingers fly over the keyboard, playing Rachmaninoff more dramatically and key-perfect than I've heard in a long time. I decided to purchase this CD and have not been disappointed.

5 out of 5 stars Improvisations Unbelievable!.......2007-01-26

Gabriela Montero is a tremendous talent, both in standard classical repertoire, and improvisation. I have know her since she was a young girl, and she was by far the best pianist around, even then. She is an undersung pianist of our age, and should rise to the top very soon!

5 out of 5 stars A beautiful breath of fresh air!.......2007-01-20

What a sheer delight hearing her play. I've never heard anyone quite like her. A phenomenally gifted player, and it's a rare treat to hear someone who defies pigeonholing. I had heard her on the radio, and knew I was onto something when her improvisation on a very simple theme gave me the chills. I love both CD's in this collection.

It's interesting hearing the negative response coming from some classical musicians and fans. At times it can seem to roughly follow the stages of grief as proposed by Kubler-Ross. I'm a professional guitarist, and it's funny because it's almost identical to how guitarists react to hearing another guitarist, but with an big class-conscious overlay (all very civilized, of course). Think of the "guitarist screwing in a lightbulb" joke. To paraphrase and extrapolate on what someone might say upon hearing her improvisation:

1. Shock: Wow, he's good. Oh, and it's a woman!? And you say it's improvisation??

2. Denial: That can't possibly be improvisation. Classical musicians don't engage in that untidy process. What she's playing must be written out, and I can tell! Don't ask, I just know it.

3. Anger: This stuff is no good. Only permanent music is of value through the ages, and that's why classical music (and only the European kind) is better than any other music. Besides, I can't improvise, so I reject it - and only THOSE people engage in improvisation.

4. Depression: She can play all the classical music, and seemingly can improvise, or at least pass her stuff off as such. Not only that, she's getting attention and money, and we're not. Why is the world unfair?

5. Acceptance: (sort of) Well, I guess she's selling CD's, and is becoming successful. She is, I hate to admit it, a great player. Even if she is a faker. Of course, they're begging my Muffy to become artist-in-residence in Spoleto....

The other reviewer has a point when he says that she may be viewed as a curiosity. Because she's crossing genres, people may not know what to make of it, and this often causes reflexive hostility. As an improvisor, I would agree that it's hard to say that something is 100% improvised - players tend to have pet phrases and favorite general ideas they return to. But to me, Gabriela's playing is at the highest level of skill, beauty, and feeling, whether improvising or playing written pieces.
No Boundaries
Average customer rating: 5 out of 5 stars
  • If Music Could Spin the World...
  • An enjoyable CD
  • no sophomore slump here
  • Different and inspiring!
  • Dual Disc
 No Boundaries

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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  1. The 5 Browns
  2. No Boundaries
  3. The 5 Browns
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  5. Memory [Includes Bonus CD]

ASIN: B000ELJB0A
Release Date: 2006-04-04

Tracks:

  1. Rhapsody in Blue
  2. Malaguena from Andalucia Suite
  3. Simple Gifts/Going Home; Shaker Hymn\ Going Home
  4. Full Stride Ahead (Rag)
  5. Feria from Rapsodie Espagnole
  6. Gargoyles, Op. 29; III. Allegro moderato
  7. Gargoyles, Op. 29; IV. Presto feroce
  8. Hungarian Rhapsody No. 6
  9. Variations on a Theme of Paganini
  10. Danzas Argentinas, Op. 2; I. Danza del viejo boyero (Dance of the Old Cowherd)
  11. Danzas Argentinas, Op. 2; II. Danza de la mozo donosa (Dance of the Delightful Young Girl)
  12. Danzas Argentinas, Op. 2; III. Danza del gaucho matrero (Dance of the Artful Herdsman)
  13. Valse and Romance; Valse
  14. Valse and Romance; Romance
  15. The Firebird (from the 1911 Version)

Amazon.com

This piano-playing team of five siblings could be easily dismissed as just another crossover ploy, but that would be a mistake. My initial surprise turned into an hour of pleasant listening and, on rehearings, to admiration for this unique ensemble of talented young artists. For one thing, they've got the chops to bring off some fiendishly difficult works. Listen to the way sisters Desirae and Deondra tackle modernist Witold Lutoslawski's Variations on a Theme of Paganini, or brother Ryan's colorful romp through Ginastera's tricky dance rhythms. The fivesome also achieve carefully balances in their concerted works, with a scrupulously turned version of Gershwin's Rhapsody in Blue and their arrangement of highlights from Stravinsky's Firebird. Those in doubt should hear tracks two through four, for irresistible versions of Lecouna's popular Malaguena, a fetching combination of Dvorak and Copland, and a piano rag by John Novacek. A delightful, spirited disc that never fails to please. --Dan Davis

Customer Reviews:

5 out of 5 stars If Music Could Spin the World..........2006-12-05

...this CD would have our planet twirling voraciously. The Browns are back, and they're as stunning as ever. The brilliant fivesome (Desirae, Deondra, Gregory, Melody, and Ryan) simply shine in this recording. Their first recording was absoulutely breathtaking, but you could sense a cautious sort of "nervousness." The 5 Browns have overcome all caution, nervous or naught, and whiz confidently through dazzling solos, duets, and, of course, quintets. The highlights of this CD for me personally were 1) The 5 piano Rhapsody in Blue 2) Malaguena, performed by the lovely Brown brothers 3) Last but DEFINATELY not least, the 5 piano interpretation of Stravinsky's Firebird. Oh, I cannot convey to you the power and incandescent beauty of 'The Firebird,' especially on 5 pianos! 'The Firebird' alone makes this CD a winner. Other than that, frankly, I didn't get all excited about the other tracks. The Argentinian Dances are quite masterfully performed by Ryan, and I very much enjoyed Desirae and Deondra's (the inseparable duoists) 'Variations on a Theme of Paganini." This is not to be confused with the immensely popular 'Rhapsody on a Theme of Paganini'(composed by the incomparable Rachmaninoff.) All in all, if you enjoy a twist (but a respectful twist) on the world's greatest music, you will enjoy the power that's contained in this little Dual Discer.
(As a closing note, the video side of the disc is very entertaining, including music videos of Rhap in Blue, Simple Gifts, and The Firebird. Of course they cut the clips a bit, and I won't say it isn't noticeable, but boy is it cool to see the 5 in action!)

5 out of 5 stars An enjoyable CD.......2006-08-05

I would have to say that I was absolutely amazed with this CD. I'm usually not the type of person who would listen to classical music, but I thoroughly loved it. I love playing it in the car on the way to class; it gets me relaxed. Buy 'No Boundaries'!! You will not regret it!

5 out of 5 stars no sophomore slump here.......2006-08-04

I had always been a little bored by music for 2 or more pianos, but this disc changed my mind -- very exciting!

I recently had the pleasure of meeting The 5 Browns - what a nice bunch. They are all very talented, but the sum is even better than the parts -- what playing & what great enthusiasm. They obviously have fun making music together and they have the chops to make it exciting for the listener. Especially fun are Rhapsody in Blue and the excerpts from the Firebird. The DVD video bits are a nice bonus.

I'm waiting impatiently for their next disc.

5 out of 5 stars Different and inspiring!.......2006-06-22

Well, I must say that I enjoyed this second CD better than the first one. There was more variety and I loved the arrangements for 5 pianos! As a teen classical pianist, it is cool to see someone finally making classical music fun and interesting. They have re-inspired me and my love for classical music!

5 out of 5 stars Dual Disc.......2006-06-21

I really enjoyed the DualDisc version. Being able to see the 5 Browns playing adds so much. This is a wonderful disk. A great gift to introduce younger and older audiences to classical music!
DEBUT - Alisa Weilerstein & Vivian Hornik Weilerstein ~ Works for Cello and Piano
Average customer rating: 4 out of 5 stars
  • Hear Her Live
  • Weilerstein Debut
  • powefull
  • Florida Music Lover
  • Love it or hate it!
 DEBUT - Alisa Weilerstein & Vivian Hornik Weilerstein ~ Works for Cello and Piano
Niccolo Paganini , Antonin Dvorak , Alberto Ginastera , Felix Mendelssohn , Pyotr Il'yich Tchaikovsky , Gabriel Faure , Leos Janacek , Camille Saint-Saens , Manuel de Falla , Alisa Weilerstein , and Vivian Hornik Weilerstein
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B00003ZKRO
Release Date: 2000-08-01

Tracks:

  1. Variations On One String On A Theme By Rossini
  2. Forest Quietude, Op.68 No.5
  3. Pampeana No.2, Op.21
  4. Lied Ohne Worte, Op.109 (Posth.)
  5. Pezzo Capriccioso, Op.62
  6. Apres Un Reve, Op.7, No.1: After A Dream
  7. Pohadka - Fairy Tale: I
  8. Pohadka - Fairy Tale: II
  9. Pohadka - Fairy Tale: III
  10. The Carnival Of The Animals: The Swan
  11. Popular Spanish Suite: I. El Pano Moruno (The Moorish Cloth)
  12. Popular Spanish Suite: II. Asturiana
  13. Popular Spanish Suite: III. Jota
  14. Popular Spanish Suite: IV. Nana (Lullaby)
  15. Popular Spanish Suite: V. Cancion (Song)
  16. Popular Spanish Suite: VI. Polo

Customer Reviews:

5 out of 5 stars Hear Her Live.......2006-12-19

You must witness Alisa Weilerstein live. I fell in love with her playing at the Spoleto festival where she played the basso continuo part of a Bach Brandenberg Concerto as if it was the Dvorak Cello Concerto. She has a passion for music that i have not heard or seen. And in her early 20s. Oh my gosh what a performer she will eventually be!

2 out of 5 stars Weilerstein Debut.......2006-01-21

I've been playing the cello for almost 40 years and I agree about the complaints about the vibrato and phrasing: overdone! I also agree with the question about "aristocratic" playing: why all of the exaggeration? Instrument playing should ideally be like that of a vocalist, where one is not limited by one's technical abilities. I doubt that Ms. Weilerstein would sing these phrasese the same way she plays them. There is still time for her to develop, however. If you want to hear more refined playing, listen to Gendron, Rose, Fournier or Rostropovich.

2 out of 5 stars powefull.......2005-12-18

I am a cellist of 15 years on the breakthrough of becoming a renowed cellist. This cellist tone is so powerfull and clear.she tells a story this is so clear to understand because the music speaks. alisa should watch the slurs from the f to b and be more gracefull. The apres un reve was ok i guess. she really should of tooken more time. like floating on a dream cloud. when i play this piece i take the music from the begining as a fuzzy dream and play the pitch so the music tells a story and becomes more clear every measure. The elgar is somenthing she might not want to touch because no one plays it better than du pre.

5 out of 5 stars Florida Music Lover.......2002-10-12

I have been fond of the cello for years. I have enjoyed Casals even though he was somewhate austere. I love Rostropovich's tone and color but have felt that no one has ever played with the passion of Du Pre until I heard Weilerstein on, I believe, NPR when they played an unreleased tape of the Elgar Concerto by Weilerstein. I missed the intro and would have bet the farm that I was listening to Du Pre until the announcement at the end. I immediately ordered this disc and it has me wondering about re-incarnation. Is Du Pre back? This disc is a wonderful sample of the immense talents of this new young artist. I can't wait for Alisa to record the my favorite Elgar for EMI.

5 out of 5 stars Love it or hate it!.......2002-05-21

SUCH PRESENCE! This is cello playing without apologies. She is always secure in what she is saying whether that is what you wanted to hear or not. She is the real thing. May she go onto continue to create controvery through her playing!
Rodgers: Slaughter on Tenth Avenue
Average customer rating: 4.5 out of 5 stars
  • SLAUGHTER ON TENTH AVE- Arthur Fiedler and the Boston Pops
  • Great Ballet Music CD - Buy It!
  • It's a starry, moonlit night in 50's Manhattan....
  • THIS IS BAD
  • Unique collection of Dances
 Rodgers: Slaughter on Tenth Avenue

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003G4E
Release Date: 1997-05-20

Tracks:

  1. On Your Toes: Slaughter On Tenth Avenue
  2. Interplay: Gavotte
  3. Interplay: Blues
  4. Fancy Free: Galop
  5. Fancy Free: Waltz
  6. Fancy Free: Danzon
  7. The Three Cornered Hat: The Neighbor's Dance
  8. The Three Cornered Hat: The Miller's Dance
  9. The Three Cornered Hat: Final Dance
  10. The Age Of Gold: Polka
  11. Rodeo: Hoedown
  12. Estancia: Malambo
  13. Gayane: Sabre Dance

Customer Reviews:

5 out of 5 stars SLAUGHTER ON TENTH AVE- Arthur Fiedler and the Boston Pops.......2007-03-14

On this album, recorded in 1958, Fiedler is at its best. "Slaughter on Tenth Ave" is a great musical score and a famous black and white, gangster film was made of it back in 1951 and released in 1952, starring Richard Egan.
This album is another reason why the Boston Pops is my favorite classical orchestra and the late maestro Arthur Fiedler was a true master of his profession. His work will never be forgotten. Having lived in Boston for nearly 17 years, made the Boston Pops my favorite of the genre.
I highly recommend this album.

5 out of 5 stars Great Ballet Music CD - Buy It!.......2005-09-25

This CD is a great collection of modern-style moving ballet music by famous composers. Really swings!
Nice range of music styles, excellent orchestration & performances.

Serious music lovers shoud buy it!

John Norville

5 out of 5 stars It's a starry, moonlit night in 50's Manhattan...........2003-02-16

...And this album is the perfect soundtrack to it. In this compilation are the creme de la creme of modern nocturnal classical pieces, with the exception of Khatchaturian's Sabre Dance. Here is the anthem of Manhattan itself, "Slaughter On Tenth Avenue" by Richard Rodgers, "Gavotte and Blues" by Morton Gould, "Fancy Free: Gallop, Danzon and Waltz" by Bernstein, "The Three Cornered Hat" By De Falla and the "Age of Gold Polka" by Shostakovich, a piece to help bring up images of an old string-marionette puppet show. However, for some odd reason, "Petrouschka" by Igor Stravinsky and one of the most beautiful melodies you'll ever hear, Gian-Carlo Menotti's "Barcarolle from 'Sebastian'" have been left off of this version of the album, to be replaced by the woefully out-of-place, (and totally mediocre,) "Estancia: Malambo" by somebody named Ginastera. This is a bloody shame, for the left out pieces really enhanced the feel of the whole album! Still, though, what is left will mentally put you in a cherry paneled den with subdued ligting, in a big red leather easy chair, puffing on the most aromatic pipe you own, (if you smoke,) reading your favorite Raymond Chandler novel. I can't recommend it highly enough! (The album, not smoking!)

By all means, beware of later incarnations of this album which were altered beyond all recongition, with only "Rodeo" and "Fancy Free" left on it, along with the title tune. It is NOT the same album! Somebody at BMG had the good sense to find THIS incarnation in RCA's catalog, which isn't TOO mangled, to represent Fiedler and the Pops at their finest, and market it in lieu of the latter mistake! The original, "Orthophonic" version, which included "Sebastian" and "Petrouschka", is, apparently, either still buried in RCA's vaults, or, regrettably, no more....

I often picture Fred Astaire and Cyd Charisse traipsing down 1st Ave. to the best music on this album. The "Fancy Free" pieces would have made GREAT title themes for Tim Burton's "Batman " movies. (Okay, Warner's...remember me when you use that idea!)

If you lived through the fifties either as an adult or a child, or if you want to know what nighttime felt like in a good urban neighborhood between 1930 and 1960, GET THIS ALBUM!!

1 out of 5 stars THIS IS BAD.......2002-03-18

I THOUGHT THIS CD WAS VERY BAD. I REALLY DIDN'T LIKE IT AND I DON'T THINK ANYONE WILL. IT IS OLD FASHIONED AND NOT A GOOD CD FOR PEOPLE TO LISTEN TO NOWADAYS.

5 out of 5 stars Unique collection of Dances.......2000-03-27

I first purchased this music in vinyl record form in 1960. At the time, I was looking for a hi-fi version of Slaughter On Tenth Avenue and this recording was the only one available in town.

The title music was all I wanted it to be and it was pure serendipity to also receive the rest of the selections on the record. Some I was familiar with, but the rest have since become some of my favorite music. The fact that I am back getting a CD of the music helps attest to its timeless value. After almost exactly 40 years I am still not tired of it and am looking forward to being able to hear it again in about the clearest form possible. Now I will be able to listen to it in my car as well as at home.

Maybe it will help to know that I think Slaughter On Tenth Avenue is the best piece of American music ever composed.

My tastes run toward music with strong melody lines (such as Greig's music) and all of the selections in this disc meet that criterium.
Ginastera: Piano Concertos Nos. 1 and 2
Average customer rating: 4 out of 5 stars
  • Masterful performances of these rare works
 Ginastera: Piano Concertos Nos. 1 and 2

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Ginastera: The Piano Music, Vol. 1
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  4. Alberto Ginastera: Complete Music for Piano & Piano Chamber Ensembles
  5. Ginastera: String Quartets 1 & 2

ASIN: B00005A7KB
Release Date: 2001-04-17

Tracks:

  1. Pno Con No.1, Op.28: Cadenza E Varianti
  2. Pno Con No.1, Op.28: Scherzo Allucinante
  3. Pno Con No.1, Op.28: Adagissimo
  4. Pno Con No.1, Op.28: Toccata Concertata
  5. Pno Con No.2, Op.39: 32 Vars Sopra Un Accordo Di Beethoven
  6. Pno Con No.2, Op.39: Scherzo Per La Mano Sinistra
  7. Pno Con No.2, Op.39: Quasi Una Fantasia
  8. Pno Con No.2, Op.39: Cadenza
  9. Pno Con No.2, Op.39: Finale Prestissimo

Customer Reviews:

4 out of 5 stars Masterful performances of these rare works.......2002-08-02

The two works presented here, Ginastera's two piano concertos, are unfortunately rarely heard pieces. However, Dora de Marinis brings them both off with a style that sounds like Ginaster himself was playing it. The First Concerto was composed around the same time as the First Sonata for piano, and has many of the same characteristics. The Second Concerto is a wonderful, varied composition. The first movement is a huge set of 32 variations on a theme of Beethoven (but you wont recognize it). The second movement is a Scherzo for the left hand alone. Then there is a slow, Quasi una fantasia movement, and finally the cadenza and the highly virtuosic prestissimo finale. The First Concerto was a favorite of Jorge Bolet, and one can easily see why!. I would only recommend this CD if you are familiar with Ginastera's writing -- the big chords, (There are some huge clusters in this piece), the barbaric, pounding rhythms, and the later, quasi-pointillistic style (especially in the orchestration), and if you have no problem with the modern repertoire.
Ginastera: Panambí; Estancia
Average customer rating: 5 out of 5 stars
  • Explosive sounds from Argentina
 Ginastera: Panambí; Estancia

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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  5. Ince: Symphony No. 3 'Siege of Vienna'; Symphony No. 4 'Sardis'

ASIN: B000IY063E
Release Date: 2006-11-21

Tracks:

  1. Moonlight On The Parana
  2. Native Festival
  3. Girls' Round Dance
  4. Warriors' Dance
  5. Scene
  6. Pantomime Of Eternal Love
  7. Guirahu's Song
  8. The Sorcerer Approaches Guirahu/The Water Sprites Appear/The Sorcerer Hides
  9. The Water Sprites Play
  10. The Sorcerer's Cries
  11. The Tribe Is Uneasy/Panambi's Prayer
  12. Invocation To The Spirits Of Power
  13. Dance Of The Sorcerer
  14. The Sorcerer Speaks
  15. The Girls' Lament
  16. Tupa Appears/The Warriors Threaten The Sorcerer
  17. Dawn
  18. Scene I: Dawn: Introduction And Scena
  19. Little Dance
  20. Scene II: Morning: Wheat Dance
  21. The Farm Labourers
  22. The Cattlemen: Entry Of The Foals
  23. The Townsfolk
  24. Scene III: Afternoon: 'Triste' From The Pampas
  25. Rodeo
  26. Twilight Idyll
  27. Scene IV: Night; Nocturne
  28. Scene V: Dawn: Scena
  29. Final Dance: Malambo

Customer Reviews:

5 out of 5 stars Explosive sounds from Argentina.......2006-12-15

Alberto Ginastera (1916-1983) ranks with Carlos Chavez, Heitor Villa-Lobos and Silvestre Revueltas as one of the best known (and most revered) Latin American composers. A native of Argentina, Ginastera was a "nationalist" composer who made use of his country's folk music and rhythms in many his works.

This newest addition to Naxos's LATIN AMERICAN CLASSICS series highlights two of Ginastera's earliest works, the ballets PANAMBI and ESTANCIA.

PANAMBI, Ginestera's opus 1 which was written in 1937, is based on the supernatural tales of the Guarani Indians from northern Argentina.

Brimming with suspenseful, dreamlike melodies and contrasting hard-hitting rhythms and audacious percussion, PANAMBI, something of a pagan pageant, can be easily considered the Argentinean version of THE RITE OF SPRING. In fact, I have never heard a "Stravinsky-influenced" piece sound more like Stravinsky than this. Indeed, this is not negative; Ginastera's intrinsic originality and Latin sentiment shine throughout PANAMBI even though Stravinsky's presence ever looms in the background.

More original (but no less exciting) is Ginastera's music from the ballet ESTANCIA written in 1941. Set on the vast, lonely Argentinean plains (the pampas), ESTANCIA a nostalgic glorification of the gaucho (cowboy) and of his difficult yet vigorous life.

The music of ESTANCIA is laden with Argentinean folk melodies and aesthetics, and even includes a part for bass-baritone. Like PANAMBI, there are slow, gloomy sections that seem to evoke the sprawling vastness of the pampas, but there are also moments of scintillating, percussive energy suggesting the work and play of the gauchos.

Unlike many of works from Ginastera's later period, PANAMBI and ESTANCIA avoid the severe atonality and aloofness of, for example, his two PIANO CONCERTOS (also available on Naxos).

While both pieces from the present disc can certainly be classified as "modernist," they retain a welcome accessibility that won't be a turn-off to people who usually eschew such music. Any fan of early Stravinsky or Prokofiev would relish these recordings.

And what recordings they are! Both ballets are impeccably recorded by the London Symphony Orchestra under the dynamic baton of the Uruguayan conductor Gisele Ben-Dor. Additionally, the bass-baritone Luis Gaeta is perfect in his turn as the narrator/soloist in ESTANCIA. His richly authoritative "Latin" tone adds authenticity and class to an already classy disc.

Another winning point for this recording is that the complete music from both ballets is presented; these are not just excerpts. (In fact, this CD features a world-premiere recording of the complete ESTANCIA music!)

All in all, this Naxos album is easily recommended.

Live from the Concertgebouw, 1978 & 1979
Average customer rating: 4 out of 5 stars
  • If you only get one Martha Argerich disc...
  • DON'T YOU WISH YOU'D BEEN THERE?
  • Argerich's strengths and weaknesses
  • Great Chopin Nocturne
  • Not Martha's Best
 Live from the Concertgebouw, 1978 & 1979
Johann Sebastian Bach , Bela Bartok , Frédéric Chopin , Alberto Ginastera , Sergey Prokofiev , Domenico Scarlatti , and Martha Argerich
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Martha Argerich Plays Chopin: The Legendary 1965 Recording
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  5. Rachmaninoff: Concerto No. 3 in D minor, Op. 30 / Tchaikovsky: Piano Concerto No. 1 in B flat minor, Op. 23

ASIN: B00004LCAR
Release Date: 2000-05-09

Tracks:

  1. Partita No. 2 In C Minor, BWV 826: I. Sinfonia - Grave Adagio
  2. Partita No. 2 In C Minor, BWV 826: Andante
  3. Partita No. 2 In C Minor, BWV 826: II. Allemande
  4. Partita No. 2 In C Minor, BWV 826: III. Courante
  5. Partita No. 2 In C Minor, BWV 826: IV. Sarabonde
  6. Partita No. 2 In C Minor, BWV 826: V. Rondeau
  7. Nocturne No. 13 In C Minor, Op. 48, No. 1
  8. Scherzo No. 3 In C Sharp Minor, Op. 39
  9. Sonata, Sz. 80: I. Allegro moderato
  10. Sonata, Sz. 80: II. Sostenuto e pesante
  11. Sonata, Sz. 80: III. Allegro molto
  12. Danzas Argentinas, Op. 2: I. Danza del viejo boyero (Dance Of The Old Cowherd)
  13. Danzas Argentinas, Op. 2: II. Danza de la moza donoso (Dance Of The Delightful Young Girl)
  14. Danzas Argentinas, Op. 2: III. Danza del gaucho matrero (Dance Of The Artful Herdsman)
  15. Piano Sonata No. 7 In B Flat, Op. 83: I. Allegro inquieto - Andantino
  16. Piano Sonata No. 7 In B Flat, Op. 83: II. Andante caloroso
  17. Piano Sonata No. 7 In B Flat, Op. 83: III. Precipitato
  18. Scarlatti: Keyboard Sonata In D Minor
  19. Bourree - English Suite No. 2 In A Minor, BWV 807

Amazon.com

Throughout her lengthy artistic career, pianist Martha Argerich has experienced many heights and depths: moments of "crisis" in which she hasn't always seemed prepared to offer the full extent of her artistic insights, but also many, many times when she has managed simultaneously to come into her own and to completely lose herself in music-making. Fortunately it's the latter snapshot of Argerich's career that this CD captures, drawing from two live recitals Argerich gave at Amsterdam's Concertgebouw in 1978 and 1979. They document the pianist's overwhelming gifts, with all the artistic characteristics that have made her so revered. The program is quite eclectic, with music from Prokofiev and Chopin--all familiar territory for Argerich, which she masters with arresting brilliance, extraordinary technical facility, and grandly sweeping gestures. A bit further afield on the program are such composers as Domenico Scarlatti and J.S. Bach. The latter might give one pause: Bach and Argerich? But in the slower movements of the C Minor Partita, it's astonishing to hear such uncommonly tender, feathery tones. In short, the music breathes. It's only too bad that in the faster movements of the Bach pieces Argerich resorts to her typically fiery, stormy attacks. --Teresa Pieschacón Raphael

Customer Reviews:

5 out of 5 stars If you only get one Martha Argerich disc..........2007-04-30

If you only get one Martha Argerich disc, or if you're just begining to collect her music, this would be an excellent choice. She is in superb form here, playing to a large, very appreciative audience. Also she plays a huge variety here, ranging from Bach & Scarlatti, through Chopin, to semi-modern composers including Bartok, Prokofiev, and Ginastera.

This recording illustrates why Argerich is considered by many to be the greatest living pianist, (I also love Pollini). Her power, passion, full colored tone, and technical agility are unparalleled. While everything on this album is superb, my favorite is the Chopin Nocturne in C minor. It starts off very calm, but with just a hint of the turbulence to come. It becomes even more serine when suddenly the serenity is invaded by waves of dark turbulence. I've heard a few other versions of this work, but I've never heard the simultaneous range of emotions that Argerich achieves here, it's magical.

5 out of 5 stars DON'T YOU WISH YOU'D BEEN THERE?.......2006-08-31

Thrilling, exciting, sexy, passionate, fiery, volatile, demanding, challenging, surprising, charismatic, exquisitely beautiful. Are we talking about the pianist or the playing? Well, both, of course. This recital from the Concertgebouw in the late 70's (actually put together from two recitals) amply demonstrates why Martha Argerich is one of the great pianists of our time.

For a start, there is the breathtaking range of repertoire here - from Bach to Bartok and Prokofiev and on to her fellow-countryman, Ginastera. All of them played with an innate sense of the different styles and character demanded. But all of them challenging stale preconceptions, shedding new light on the composers and their music. Even the most familiar pieces come up as fresh as though newly minted. The Chopin items are just as fresh and exciting as anything here: the C Minor Nocturne is a wonder of colour and tints, the darkness of its central section starkly contrasted with the elegance and smoothness of its outer parts. Equally the motoric rhythms of the first movement of the Bartok Sonata and the last of the Prokofiev display enormous power and energy.

With her reluctance to play/record solo recitals any more, live documents such as these Concertgebouw programmes are invaluable. If you've a taste for invigorating, refreshing piano playing of the highest standards (both of technique and interpretation), don't hesitate.

4 out of 5 stars Argerich's strengths and weaknesses.......2005-11-11

This CD, with live recordings from 1978 and 1979, is a showcase of Martha Argerich's astounding gifts but also of some of her evident shortcomings. The former are a technique as brilliant as any to be found anywhere in the world today, a real interpretative temperament and a natural musical instinct which is amongst the most unique in the annals of piano playing. The latter, a tendency towards senselessly fast and forced playing which often leads to distorted renditions reminiscent of the worst moments of Simon Barere and Gyorgy Cziffra.

The Partita n. 2 is good, reasonably spacious and even luminous in places. It's non-authoritative Bach playing but all the better for it. The Bartok sonata is the highlight of the disc: its motoric drive is relentless, its percussiveness notable without being unpleasant, and the overall technical vigour quite remarkable. Prokofiev's Sonata n. 7, op. 83 - probably the most popular of the Russian master's nine - is also impressive, with some brilliant fingerwork in spite of some minor slips and exciting throughout, though the final allegro precipitato sounds hurried rather than potent. Argerich also shows the expected understanding of her compatriot Alberto Ginastera's Danzas Argentinas, which she dispatches with flair and elan.

The Chopin, however, is a totally different story, and a sad one at that. This Scherzo n. 3 is much inferior to Argerich's previous recordings of the piece - made in 1961 and 1965 - and easily her worst attempt. She entirely sacrifices the narrative aspect of the work to speed and feverishness. The result is a shapeless, amorphous performance, with many blurred and technically inaccurate moments, and a tone with is at times hard-edged and banged. I can't imagine Chopin wanting that (ironically enough, the notoriously fast-fingered Barere recorded this same scherzo in the 30's with restraint, good taste and a luminous quality of tone).

All in all, a valuable CD, not only for the instances of great piano playing but also for revealing Argerich's highs and lows as a performer.

4 out of 5 stars Great Chopin Nocturne.......2005-02-03

Sometimes, listening to Argerich can give one the impression that you are hearing THE way of playing a piece.
In this case, it happened with Chopin's beautiful nocturne, which i had already heard in various performances by other pianists (Rubinstein, Barenboim, etc)

I can't believe it's the same piece. In this recording, Argerich has managed to make this one explode like an atomic bomb, and leave me trembling.... Even in the slower parts the notes seem to flow like water... Simply wonderful.

The other works recorded are good, but the partita sounds better on DG's Studio recording, the Scherzo also sounds better on DG's Debut Recital... The Prokofiev sonata is included in this disc only, so if you want it, there you go...

Anyway, good cd, gret Nocturne, very good permormances all around.

The sound is a little crappy though, so it gets 4 stars instead of five. I really don't like EMI's live sound...

3 out of 5 stars Not Martha's Best.......2001-07-30

Being a Marth Argerich fan, i was disapointed with this CD. In the last movement of the Prokofiev, which is one of my favorite pieces of music, she loses control and the Great Finaly of the sonata is very sloppy. through out the CD backround noise is heard and for the encores i was amazed at how much whishpereing there was , even during her playing. i know thats something that she cannot help. overall her playing is much cleaner and neater on otherr CD's. i recommened her two Great Pianists of hte Twentieth Century CD's much more than this one. the First one has a much nicer recording of the Bach Partita.
Ginastera: Estancia (Quatro danzas del ballet), Op. 8a / Concierto para arpa y orquestra, Op. 25 / Obertura para el "Fausto" criollo, Op. 9 / Variaciones concertantes, Op. 23 - Magdalena Barrera / Orquestra Ciudad de Granada / Josep Pons
Average customer rating: 5 out of 5 stars
  • Ginastera's greatest hits
 Ginastera: Estancia (Quatro danzas del ballet), Op. 8a / Concierto para arpa y orquestra, Op. 25 / Obertura para el "Fausto" criollo, Op. 9 / Variaciones concertantes, Op. 23 - Magdalena Barrera / Orquestra Ciudad de Granada / Josep Pons
Alberto Ginastera , Josep Pons , Magdalena Barrera , and Orquestra Ciudad de Granada
Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
Binding: Audio CD

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  5. Ginastera: Piano Concertos Nos. 1 and 2

ASIN: B0000DIDM1
Release Date: 2003-12-09

Tracks:

  1. Los Trabajadores Agricolas
  2. Danza Del Trigo
  3. Los Peones De Hacienda
  4. Danza Final (Malambo)
  5. Allegro Giusto
  6. Molto Moderato
  7. Liberamente Capriccioso - Vivace
  8. Obertura Para El 'Fausto' Criollo Op.9
  9. Tema Per Violoncello Ed Arpa
  10. Interludio Per Corde
  11. Variazione Giocosa Per Flauto
  12. Variazione In Modo Di Scherzo Per Clarinetto
  13. Variazione Drammatica Per Viola
  14. Variazione Canonica Per Oboe E Fagotto
  15. Variazione Ritmica Per Trombe E Trombone
  16. Variazione In Modi Di Moto Perpetuo Per Violone
  17. Variazione Pastorale Per Corno
  18. Interludio Per Fiati
  19. Ripresa Dal Tema Per Contrabasso
  20. Variazione Finale In Modo Di Rondo Per Orchestra

Customer Reviews:

5 out of 5 stars Ginastera's greatest hits.......2004-12-05

This is a great CD. Why? Because these are probably the Argentinian composer Alberto Ginastera's four most accessible pieces, the sound is clear and cool, and Pons and his smallish orchestra play with finesse. This is, in my opinion, the best harp concerto written in the last hundred years, and the Variaciones concertantes Op. 23 is a masterpiece. You can certainly find bigger, splashier versions of the Estancia ballet suite: if that's your main interest, look for Gisele Ben-Dor's LSO version of the complete ballet (with the complete Panambi) on a hard to find Conifer CD. And Howard Hanson's old Rochester recording of the Creole Faust Overture is much more earthy. Nevertheless, Pons lays it all out beautifully before us, and avoids the slow tempi that characterize some of his other performances (the Bizet Symphony, for instance). Make no mistake, this is music to be savoured.
Sol Gabetta Plays Tchaikovsky, Saint-Saëns, and Ginastera
Average customer rating: 5 out of 5 stars
  • You Will Not Hear A Purer, More Beautiful Cello Tone Anywhere!
 Sol Gabetta Plays Tchaikovsky, Saint-Saëns, and Ginastera

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B000G04RVW
Release Date: 2007-02-06

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Born in 1981 in Argentina into a French-Russian family, Sol Gabetta is a strikingly talented, brilliant cellist and, judging from her photographs, a winsome beauty. After winning her first contest in Argentina aged ten, she captured awards at various prestigious European competitions, including the Tchaikovsky in Moscow and the ARD in Munich. Now embarked on a flourishing concert career, this is her debut recording. The program pays homage to the countries of her birth and heritage, with Ginastera's "Pampeana" No. 2 in its orchestral version, and two staples of the virtuoso repertoire: Saint-Saëns' Concerto No. 1 and Tchaikovsky's "Rococo Variations," followed by three of the composer's less-familiar pieces. All display her natural, effortless technique, her warm, rich tone, charm, and youthful exuberance. Gabetta sometimes takes excessive liberties: very fast and very slow tempi, sentimentality and explosiveness, and a habit of swelling long final notes and tearing them off with an accent. She plunges into the Concerto with fiery abandon, but after a super-romantic first movement, the second is beautifully delicate, subdued and graceful. Tchaikovsky's Rococo Theme is all smiling charm; the Variations have lots of character but the contrasts are somewhat exaggerated. His "Pezzo capriccioso" is brilliant; the Andante from his first String Quartet and the Nocturne from his Six Piano Pieces, in his own arrangements, are slow and melancholy. Ginastera's four-part "Pampeana" alternates slow, sensuous sections with fast unbridled dances, all played with genuine idiomatic feeling. An exciting young cellist to watch. --Edith Eisler

Customer Reviews:

5 out of 5 stars You Will Not Hear A Purer, More Beautiful Cello Tone Anywhere!.......2007-03-07

Cellist Sol Gabetta produces a pure, almost vocal, tone in her cello playing that makes this instrument sound more beautiful than I have ever heard the cello sound. Naturally, the cello's sound is deeper than that of a violin, but it need not have the harsh, wailing, almost abrasive sound too often associated with cello playing. This is particularly true of Tchaikovsky's Rococo Variations, which is a sweet, lyrical work that needs more from a cellist than simply a dazzling display of virtuosity and, more importantly, should not sound heavy and mournful. Gabetta's approach suits this work perfectly, enveloping the listener in the glorious sounds of the cello, in perfect concert with the orchestra. In this performance, you can actually hear every note of the cello, allowing the listener to appreciate Tchaikovsky's beautiful melodies (based on Baroque themes). In short, you have never really enjoyed the Rococo Variations until you have heard this performance.

This CD also features Tchaikovsky's three other works for cello and orchestra, given stunningly ravishing accounts by Gabetta. These are not mere "filler" works; instead, they represent Tchaikovsky at his creative best, and it is wonderful to have all his works in this genre on one CD, especially when given such lovely performances. The CD also features Saint-Seans' Cello Concerto No. 1, given a fetching performance here, which highlights its lyrical qualities more than its rhapsodic qualities, which succeeds once again in drawing attention to the purity of Gabetta's tone. Indeed, throughout the work, she produces a consistently light and pleasant tone, as befitting music by this composer. The CD finishes with a wonderful 8 minute work by Argentinean composer Alberto Ginastera from 1950 that is exciting, colorful and inventive. This recording is the first recording of the work in its cello/orchestra version (the original was cello/piano). Gabetta once again does not disappoint, delivering a thrilling performance.

The Munich orchestra plays very well on these recordings and the sound quality is bold and clear with a close focus on the cello. Perhaps the only drawback to this is that it seems that one can hear the cellist's movements and breathing at times. (If others also find this to be the case, please note so in the "comment" section under this review or in your own review.)

Those who have been waiting for a cellist with a pure, singing tone (to rival what some violinists bring to that instrument), wait no more! Sol Gabetta has just such a tone and these performances are an absolute must-have for those looking for a beautiful cello sound.
Ka Hikina O Ka Hau (The Coming of the Snow)
Average customer rating: Not rated
    		Ka Hikina O Ka Hau (The Coming of the Snow)

    Manufacturer: Windham Hill Records
    ProductGroup: Music
    Binding: Audio CD

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